#*Had not evolved when I first sketched this ask and as such is still a Pawniard here

[askleaderscrest]

Gladius: Not that I'd fault her for any of that, of course! I mean, I was probably really annoying as a kid, so it was only fair for her to annoy me right back, but it's not like that did anything. I had every opportunity to leave her pack when I was old enough, but never did, so obviously she was doing something right.

She taught me everything I know from hunting to leadership, and even though I'm a Bisharp with a pack of my own now, she still comes in and lectures me sometimes... But there's always something to learn, for both of us now.

All that being said, I'd never give it up. I'm glad she's still here even though I'm not a part of her pack anymore. It's nice.

As for my dad...

Gladius: I was too young to really know him, but I do remember that much. So I guess you can say I knew him, but not the real him.

@gimmighoulcoins / @eohpmdsteams

[yyokkki]

Asking to Sketch Them

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*cough* I forgot this series was a thing I was doing uwu

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DIASOMNIA

Malleus Draconia

"Oh? How bold of you to think you could capture my visage in a mere canvas."

He says with the goofiest smile imaginable（⌒▽⌒）

He's already summoning a chair to sit on

Very experienced with posing so it's a breeze

You have a nice chat about philosophy, gargoyles and culture while you draw him

When you're done he's fangirling internally

Asks if he can commission you to draw a portrait of the both of you tgt

Hangs it up in his room <3

Becomes a regular commissioner

Mostly gargoyles

10/10 honestly nothing bad to say he's lovely

Lilia Vanrouge

"Fufufu, I've been in thousands of portraits over the years, you'll have to try your hardest to really impress me~ No pressure though!"

100% pressure once again

The old bat man will probably be hanging from the ceiling no negotiating

So it's either you draw him upside down or get upside down too

If you choose the second option you best hope no one walks in on you cuz damn wtf

How are you doing that you aren't even using magic???

When you're finished he jumps down and looks and goes

"How nice! Art has truly evolved so much since the last time I had one done~"

Starts showing you some of the portraits he had before like he's showing you baby pics

One of them has him looking like those medieval babies TT

4/10 I can't explain why I'm not giving him a lower score he's just funky

Silver

"No problem. If I fall asleep you can just wake me up, I won't mind."

He doesn't have much experience in posing but he's a natural

He's lookin like a disney princess fr, animals have started gathering

You're having a pleasant chat abou-

Oop he fell asleep

You think about waking him up but like

He looks so peaceful and like he's not even really moving so-

By the time you're done he's probably up and he starts apologizing

Tbh it's Silver so it would've been beautiful whether he was awake or asleep

Bonus points if you include the woodland critters snuggling into him

Human anatomy AND animal anatomy practice!!

9/10 he tried his best and it did turn out well

Sebek Zigvolt

"I DO NOT HAVE TIME FOR THIS HUMAN! MY VALUABLE TIME IS SPENT GUARDING AND PROTECTING THE HONOUR OF THE GLORIOUS YOUN-"

once again someone kiss him and shut him up omg

Or actually just show him the Malleus portrait he'll shut up

Yeah you have to do Malleus first if you wanna draw him

Stiff like a ramrod his face looks constipated

Ask him a question about his young master and he forgets he's being drawn in exactly 3 seconds

His face really lights up as he talks about him it's kinda cute

By the time you're done he's probably still talking so interrupt in a speech break

Thinks you did a good job and asks for some advice with art

Then starts trying to buy the malleus portrait off of you

I should've tried harder to not make 80% of his just him talking about the dragon boi but it's really hard cuz he's just him TT

7/10 he's not that bad but your ears are bleeding

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Heartslabyul | Savanaclaw | Octavinelle | Scarabia | Pomefiore | Ignihyde | Diasomnia

[turnaboutfix]

Oh yes of course!!!

I meant specifically like her very early concept art (blue haired) and like, one of the first ones where she has short hair (but still with those 2 loose locks at the front)? I hope you know which one I'm talking about lolol

BUT if you wanna speak your thoughts on like. All of them. I want to hear 👂❓️

( @ellivcca asked what I thought about Maya's concept art and I replied in priv if they could be more specific)

Let's talk about Maya's designs! ✨

I will skip the blue-haired art for now, since I have more to say about her other early designs. They're in a few Japanese AA Guidebooks, but "逆転裁判2 真相解明マニュアル", or "Gyakuten Saiban 2: Fact-Finding Manual" has the most in one place. There are blurbs that discuss the designs, and I'll do my best to summarize them. My Japanese isn't amazing and I had to mostly rely on machine translation + cross referencing dictionaries, so it's possible I may be inaccurate. Also, I'm a novice at Japanese culture, so if I'm misrepresenting anything please bring this to my attention and I'll correct things accordingly!

The book acknowledges that Maya was intended to be of high-school age, hence the the sailor suit artwork. They seem to suggest that the loose socks was a hint at Maya's spunky personality.

When they began to explore her as a spirit medium (1), they wanted her to come from a wealthy, noble family. It looks like a lot of these explorations made it to Franziska's design, with some of the shapes of the shoulders and the jabot-looking neck wear, which is interesting!

As they kept exploring in the second round of sketches (2), they stressed traditional/folk dress as being an important part of her design. They noted they had her carrying something on her back at the time, which I think hints more to her "folksy" feel.

The beaded necklace she's wearing in (2) are drawn from Mala bead necklaces, which are prayer beads rooted in Hinduism and Buddhism and are said to help focus the mind during meditation. They seem present in a lot of spiritual figures in Japan.

Later (3), they explicitly comment drawing inspiration from the Matagi, a group of hunting clans in the northern Japanese mountains (be careful looking them up, they do bear hunting and there's a lot of explicit imagery, even on the wikipedia).

They comment on that this version of her early character might be very athletic. She also seems to be more stoic in these explorations.

Then, for (4) and (5), they evolved the design to make it look appear more feminine, giving her long hair, but making a note that her look isn't typical of modern people. The large orbs in (3), (4) and (5) I think are supposed be drawn from "Yuigesa"(結袈裟), or harnesses decorated with pom-poms worn by Shugendō practitioners, hermits who live in the mountains and practice asceticism.

Then in (6), they added the magatama and committed to her having black hair. They note shortening the hem of her costume from design (5).

The magatama addition is pretty significant! Magatama necklaces are used by noro priestesses of the Ryukyu Kingdom from the islands in the very south of Japan.

Their religion broadly speaking, involves ancestor worship and the relationships between the living and dead, gods and spirits. It seems to me like the culture in Kurain Village draws a lot from the Ryukyuan people--and you can even see this with the beads along with the magatamas.

But there seems to be a lot of generic imagery of Spirit Mediums that I've been able to find in Japanese media which have shared elements of design in Maya's final design. The most interesting of these to me is "ほんとにあった!霊媒先生", or "It Really Happened! Spirit Medium Teacher". The design similarities are striking (and make me wonder if Maya was an inspiration?)

So, to summarize it all up, it seems like the early designers (and there were only two! Kumiko Suekane and Tatsuro Iwamoto) wanted a character who was different, folksy, feminine and spunky that displayed unique spiritual power to aid in the narrative/game mechanics of the games, and they explored the different facets of their own culture--from the northern Matagi clans to the southern Ryukyuan people--Japanese iconography, and tastes into Maya's final design.

And I think that's Real Neat. :)

Thoughts about other designs (Blue-Haired/SoJ Maya) under the cut cuz oh my gosh this post is already huge.

Blue haired Maya!

What's interesting to me is that a lot of the design language on this early Maya art seems to have been carried over to Ema's design (glasses, boots, coat/skirt). She also has similar vibes to Lynne from Ghost Trick.

I definitely enjoy Maya's final design a lot better, but I like the triadic color harmony and spunk here!

And then her design update in Spirit of Justice! These concepts are from "逆転裁判6 公式ビジュアルブック", or "Gyakuten Saiban 6: Official Visual Book". :)

Takuro Fuse (the character designer) comments that he never drew Maya before when he took a stab at updating her, so he wanted to get that down first before tackling the designs. He wondered how she would change over the course of 11 years, and first experimented with a design, thinking about how Mia would look like as a spirit medium. He thought it would be interesting if Phoenix wouldn't be able to tell if Maya channeled Mia. (Me too tbh.)

I feel like this design has a bit too much going on, but I do like the longer cream colored sleeves!

Takuro talks more about how he was exploring all sorts of designs before landing on something more simple. He wanted her to have what he called a "traveling costume" and was very fond of the hat. These designs seem to pull from similar places I've discussed with Maya's early designs, as well as Japanese pilgrims.

As fun as the additions and changes to her design are, I think it was very smart to just add subtle changes: the longer robes, jacket, and the additional beads to her necklace. The shawl is a nice touch, too. This reflects how post-7yg Phoenix and Edgeworth also have subtle changes to their designs as well, which I love and I think were very smart moves from a design-perspective as well as personal taste. Their designs are very iconic and I think it was a service to maintain that iconography.

This was a very fun thing to explore! Thank you kindly @ellivcca for the ask!

[cabi-leodrann]

Cabi! Big fan Joffrey here!

I wanted to ask, every time I see your art not only am I stunned by the quality, but also by the sheer uniqueness in style and character design. I've never seen a lamb designed quite like yours, it's so perfectly yours. What went into the inspiration behind the characters design, especially facially? Did you try and mimick a real lamb, or was there a more fantasy-element that you veered toward?

I can't specifically put my finger on it, but it gives me vague Warframe vibes. It's such a beautifully odd design and I can't get enough.

Love your work, love everything you do, can't wait to see what's next!

Hope you're well, stay safe, take care!

First of all, your ask is one of the biggest compliments I ever had in my life, I will keep it forever. You're an absolute chad! Second of all, those are very interesting questions, and I will be very happy to answer to them!

It started more or less with this drawing I made *look at the date* 2 years ago apparently. Way before I even thought of an AU- I didn't had much in mind, beside doing something that looked cool tbh.

I was very happy with the flow of it, and how it came out. And when I drew the Lamb again, I would try to nail THIS design.

The thing is, with time, I had a really big problem: Lamb looked way too young when I thought of them more as an adult. I had too much of the original game design guiding me, making a Lamb that was too cute and childlike for what I wanted. (And also, the head did not go well with the rest of the body holy shi-)

Came those drawings! I was happier with the look, Lamb was older! And I found the colored design quit nice! (I used a sheep picture as reference, but I don't think I used it well, compared to now. I used the reference for details, when I should have gone for overall shape first.) I still wanted something simpler to draw tho. The colored design was nice for an illustration, a one time gig, but I got pretty annoyed pretty fast at trying to nail the face every time. And from those attempt, you get the sketches on the right. (I also wanted to get away from other artiste's interpretation of Lamb, and at the time of those drawing, I didn't felt like I was away enough)

From those previous sketches, the idea for THaB started to emerge. I also still had problem with Lamb's design. Especially the hair. I was inspired by black hair, which is usually not a problem, but I was never happy with how it looked on Lamb specifically. I can draw black hair, I can draw black characters, but this mother-fucker would never feel satisfying to draw or finish 👀

And one day, as THaB was solidifying in my mind, I made a series of sketches that I posted! And one of them was the most important in Lamb's final design. This lil guy! (this design didn't came out of nowhere tho, Lamb was evolving into this as I kept trying. But I wont show those sketches, because those are spoilers =3)

And soon after, I made a comic that was supposed to only be a one shot, just a POV of Lamb and there reaction to Nari' telling them to die for him. But you know, things got out of hand lol

As I continued the comic and doodles on the side, I finally made myself a reference board, with real life images that were close to the vibe of this head drawing. (And I cannot stress enough how those references solidified Lamb's design as a whole. Draw with references, it is life changing. The more reference you get, the more your visual library will get diverse, and the more interesting detail and shape you will add to your art in general.) (I'd also add this: understand what you are drawing, make research and stay curious for every bit of info on everything. You never know when these nuggets of knowledge will help you as you create)

As I kept drawing the Lamb, they evolved! Things changed, slowly, like the shape of the nose, the shape of the eyes, how the hair flowed. You see those change at the face, but also on the body! As the idea of THaB's Lamb got clearer, the design got more specific. (I also got better at drawing! This comic make me draw way more often then before, and it shows)

Something before I finish: the other Cult of the Lamb character's design are way more inspired by their animals, when Lamb is more in the human spectrum. I thought of changing Lamb at some point, to make it fair/coherent, but I loved the design too much to change it again. This AU is something I do for fun, and even if it would have been more logical to change them... I don't want to-

As for the vague Warframe vibes: I play the game! And I found the character design absolutely stunning. So I am definitely influenced by the game without knowing it lol

Thank you very much, again, for your kind words! I also wish you the best, and see you next post =D

TL;DR: Lamb design, at first, wasn't inspired by much, beside the game and my style at the time. But as I retried to make them, added more intent, they got more refined. What really nailed the idea was to have real life references on the side.

[catfern]

cowboy!ellie headcanons

pairing: ellie williams x afab!reader

music: roses are falling - orville peck

word count: 1.2k

warnings: fingering (briefly), drunk sex-ish, guns??, yearning and just sappy shit mainly im in a vulnerable state

an: this is shit brainrot bc i've played too much rdr2 and i want ellie to let me ride her cowgirl style. this took me for-fucking-ever because i got acrylics and dropped my wpm from 108 to 67. also if i put out a poll asking what fic to post next would people vote

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

✷ cowboy!ellie having the most pornographic, velvet-laced southern accent known to man. drawling out words in a whisper, that reassured wit sitting in her throat with a lopsided smirk. she’s such a tease, knowing how it gets to you, that ‘c’mon, sweetheart, you gonna make me wait f’you?’ after she trots ahead, glancing back at you under the wide brim of her hat. please, trying to make eye contact with ellie after a long day of riding (ifykyk), seeing just a glance of the veins in her neck, beads of sweat sitting in the little crevices as she leans down to her saddle bag. god, her hands!! and she looks at you, that knowing impatience and ‘okay there, darlin’?, and you can’t look at her, your head swimming and drowning in the molasses of her voice and too focused on the up, down, up, down, up trot of your horse.

✷ setting up camp for the night, bed mats a good distance away from each other, and you wake up, fire dying, moon high, and ellie is still awake, hands covered in dirt and ash and rust from her old revolver that she cleans too occasionally. the gentle scratch of charcoal on parchment, her body hunched over, protective like a creature, and when you call out to her, she TOSSES her journal into the dirt like it burned to touch. if the moon wasn’t so faint, you’d see the uncharacteristic blush fleeting across her cheeks, but too quickly, she tells you to go back to sleep, she’s just staying up to take care of the fire. you listen in a haze, and ellie tears out the five, maybe 6 pages?? of rough sketches, harsh lines etching out your body, your smile, your eyes, and stamps them into the cooling embers of the campfire.

✷ if we’re talking historically accurate cowboys, ellie is definitely the type to believe in dinosaurs!! it’s this new, fresh, science fad and everybody laughs at her for it, cause omg?? giant lizards?? nah!! but ellie is so adamant, reading every paper and pamphlet on the subject that she can get her hands on (assuming she can even read lets be so real), and she’ll tell you about it! small, reluctant meanders from more important topics, at first, but you’re kind and you listen to words either of you barely understand, and sure it’s a little bit boring, but she’s happy, and for some reason she makes it incredibly dynamic, crash coursing you on lizards that evolved (a buzz word in all her pamphlets) into BIGGER lizards.

✷ cowboy!ellie, the horse whisperer. she doesn’t teach you to ride, but you’ve never had a way with horses, cantankerous and rough, so you need a lil bit of assistance. ellie will take the lead, letting you rock behind her on your horse, your arms draped around her like common occurrence, and she’ll turn, ‘see? be gentle, she’ll listen. you’re a team, y’know?’

✷ ‘she just likes you more than me.’

✷ her laugh is boisterous, loud, it sounds like it belongs amongst the hills and caverns, like wind against rocks, ‘no one likes me more than you, flower.’

✷ one day, you’re just passing through a small town, nothing more than a few shops and scattered farm houses, and ellie spies an outlaw poster, poorly tacked to the community bulletin board. it’s her, badly sketched, sure. her chin is way too big, nose a bit askew, but it’s definitely her. and you laugh as she presses you frantically, ‘i don’t really look like this? do i?’ and it’s got some ridiculous nickname that definitely over-inflates her ego, ‘ellie 'longshot’ williams (no one has called her that ever) that she’ll parade it around like a medal

✷ ‘aw, love, do you need some help shootin’? don’t call me long shot for nothin’.’

✷ you’d get a bit vulgar, a bit defensive because, yeah, maybe ellie is actually good at shooting, and you could benefit from her teaching. but that fucking nickname, lording over your head with that lilt in her voice, and the childish, goading smile, you’d tell her to shove it somewhere the sun don’t shine and just pray luck guides your bullet.

✷ your now-so-serious scowl eats at her, so ellie has to swallow her boyish pride and shut up, simply falling behind you. gently tapping your shin with her boot to get you to adjust your stance, her hands stretching out over yours to feel out the barrel of the foreign pistol. they’re rough, calloused, unmade for this sort of gentle gesture, but you welcome the heat that they give. with a soft push and pull, like a tide she moves your fingers, your hands, to hold the gun well. her voice is a whisper as she instructs, ‘don’t hold it so loosely. stronger grip helps aim.’ 

✷ she’s shaking in her boots. a moment like this, tender, with you is scarcely shared. the closeness burns her chest as she feels you breathe against her, skittish but assured, ellie’s finger snaking around yours to settle on the trigger. you go to fire, and the recoil sends you backwards in a shock, ellie having to move her hands from the gun to your waist to keep you steady. you laugh something coarse, leaning back into her without a thought. adrenaline intimacy.

✷ ‘okay, maybe y’need a few more lessons before you get it right.’ it’s a selfish thought, but it cements ellie in that moment, with you just in her reach, and her revolver. she’d clean it for you.

✷ cowboy!ellie doing stupid shit, like taking longer detours to show you the scenery, the stretching fields and great mountain waterfalls, stopping to pick wildflowers (she’s a sap), or taking the extra care to saddle up your horse for you, securing the girth and not letting you touch it because ‘i don’t need you slippin’ on me.’ she takes care of you, out on the road, it’s not an official thing, but you’re off limits.

✷ ellie is kind, but sex with her isn’t. the first time, she’s terribly drunk, playing away her night in a saloon, at a poker table (she’s losing), and you’re sat at the bar, wearing that, and it’s violently throwing her off her game, so she decides to make it known that your presence is an interruption. dragging you upstairs, she’s unkind. ‘you’re not helping my luck, looking like that.’

✷ ‘how do you need me, then?’

✷ she tastes like cigarette smoke, and bourbon, and she smells like the sleek of rain on dry dirt, and feeling her all over you is intoxicating, rough. she’s quick, her lips aren’t soft but rather, a grating possession on your skin, a feeling that swallows you, melts you down in the heat of her hands. she swears, a lot, it sounds like disbelief but really, it’s a bribe. a prayer. ‘dear god, give me this, let me have this, and i will be devout.’ it’s primal, something uncontrollable. drunk, it’s worse. she loses herself in the haze, becomes complete disregard, her fingers inside you without hearing you, just feeling you. lost in you and she keeps pounding into you simply because she’s enraptured by the feeling of you clenching around her.

[greensagephase]

Alondra, I loved the Thanksgiving Nonviolent Communication Drabble!! This was just so sweet to read, especially with seeing Miguel and readers' friendship really show now that they’re starting to feel more comfortable being with one another. The fact they have dinner every Saturday now!! 🥹 and when Miguel can’t help but smile when he sees reader working with him 😭 and when he blushes a bit when reader compliments him and his cooking! its just too cute!! I can't help but say thank you every time you include the coffee cup detail, I just smile so much when I read it! The whole interaction of them trying to ask each other to have dinner with one another for Thanksgiving??!! I was giggling so much reading that, too cute! and Lyla just absolutely helping with the conversation 😂 I love how their conversations have also gotten more causal, in the way that they banter more, Miguel smiling more!! I also just love their friendship!!

The messages with the gang was so cute too, and omg this line “The whole government name...” from Hobie when Miguel finally responds 🤣 but the fact Miguel was actually open to invite everyone over for dinner too 🥹 I love how we're seeing him open up a bit more now that he's really trying to change for the better, and its just so nice seeing it come into fruition slowly. I’m so happy that Miguel is making so many new wonderful memories in his penthouse!! I keep mentioning this but I smile so much every time they say “always” to each other, I’ll never get over it! ❤️

The conversation with Peter B- first I love the way you write him too, you capture his personality really well! and just- he knows that this friendship between you and Miguel is special 🥹 and I know he's rooting for them too!! ok and the reference to Lyla's secret stash of photos 😂 of course they're appropriate photos only, right? (I love how you write Lyla too! her little quips with Miguel is always funny!!) The ending of this was really sweet too, despite Miguel holding back still with physical touch, the day that one of them comforts the other physically- I'm going to freak out (in a good way) but I still love the slowburn of it all!! I can't wait to read more and see their friendship evolve!!! I hope this doesn’t sound too cheesy but I’m thankful for coming across your story on here and just- thank you everything, and for continuing to write Nonviolent Communication, especially with how busy it can be this time of year!! Thank you, Alondra!!! ❤️✨

I couldn't help but sketch these out from this part right away!! no seriously I loved all these moments, and Miguel in the apron 👀

Hi @sunsetdoodler !! I'm so happy you loved the drabble!! I had a lot of fun writing this for different reasons, one being I just wanted a sweet and comforting moment for Thanksgiving with Miguel. Then it was also fun because it's very lighthearted compared to what I've been writing for part 11. On top of that, it was fun thinking about what their friendship looked like at this point of the year when part 11 takes place 4+ months before. Lowkey feel sad I didn't get part 11 out before then because now we'll have to jump back in time 😮‍💨 but AHH I loved the progress in their friendship and as you said, how much more casual their conversations are on top of the fact they have dinner every Saturday (I just love it so much!!). Also, Miguel throughout this entire drabble was SUCH A TREAT. I loved writing him looking at reader behind his shoulder and smiling; blushing when reader compliments him; and him cooking all of dinner (I also loved including that he had already bought everything 😭). And omg, the coffee cup detail!! I will include it as many times as I can because I love it even though it's such a small thing but so important!! Haha, the part with them talking in unison to ask each other about dinner and Lyla knowing what's going and just taking the opportunity to tease them- I had to!! I don't include Lyla a lot in the main parts but I wanted to for this and it was so much fun adding her teasing to the drabble (especially her clapping at the end for them and Miguel telling her to shut up!!

Also, the messages from the gang! I had so much fun with those! You can tell because I even went in and color coded them as much as I could with the colors Tumblr has to their assigned colors; my favorite one to do was Hobie's for the inconsistency! 🤣 The "full government name" line - the way I knew I needed to include that and have Hobie say it! Definitely one of my favorite things about this drabble, not gonna lie! I also love that Miguel found it amusing! Regarding Miguel being open to inviting them, SAME! Once again, it was fun to think of where Miguel is at months in advance (seriously, I'm upset I didn't put part 11 out sooner) and have him being open to inviting them to his home and making a new memory in his penthouse (I just want this man to feel happy in his own home, I swear 😭)! And their little "Always"! I've been feeling like maybe I'm including it too much but I love it so much because it's theirs, just for each other, so I'll just continue using it.

I'm so happy you liked Peter B's conversation and the way I wrote him! I was actually nervous about it because I haven't included much dialogue for the other spider members and I always like to keep it as close as possible to how I think they'd actually speak. So, I was literally writing that part yesterday and playing around with the structure of his statement to see what made sense while hearing Jake Johnson's voice in my head (I didn't mind it one bit because I love him but it was kind of funny I was sitting there writing this in between breaks while cooking with my family lol)! But yes, he knows it's a special friendship and he's definitely rooting for them (so is Mayday, hehe 😌)! As to Lyla's secret stash of photos - we can only hope but we're not too sure right now. Miguel has tried to look for the file but can't find it so I guess only time will tell 😂 but omg, no, writing Lyla for this drabble was so much fun, I swear! I wish I could include her more in the main series but most times reader and Miguel are having serious conversations and so it just doesn't feel right to include her sassiness but maybe now that reader and Miguel are more casual with each other, that might change! And thank you, it seriously makes me so happy that you like the way I wrote her and Peter B.!

Omg, Miguel thinking about physical touch and that whole little part just made me wish we were there already but we must remain strong! It's coming soon but not yet. I already have that part planned out and just thinking about it makes me want to scream in a good way because before we get to that good screaming part there's gonna be sad screaming and that's all I'm going to say about that but just know - reader and Miguel having intentional and full on physical contact is coming soon!!!

And @sunsetdoodler 🥺🥺 I'm thankful this story found you because you're seriously one of my fav moots! I genuinely love interacting with you whenever we get the chance to! And no need to thank me 😭but I will try my best! I wish I could've posted part 11 sooner but I've been busy decorating the exterior of my home for Christmas, which I'm not even done with lol! But thank you so much for the lovely and kind words as always!!

AND NOW LET ME TALK ABOUT THESE SKETCHES!!!! The ones with them facing each other and the visibly height difference on top of the EYE CONTACT JHDGLK (God knows I couldn't handle that but for Miguel O'Hara I will certainly try my best 🫡) - DEAD!! The way Miguel's face is so soft and he just has this look of adoration for her and just AHHH HE'S SOFT FOR READER with his raised eyebrows but then the way his face changes with Lyla when he tells her to shut up!!! SO CUTE OMG!! Then Miguel's somewhat amused expression as he reads Hobie's message (I didn't mention this earlier but I couldn't stop thinking about their interaction in ATSV when Miguel meets Miles and he's getting on to Gwen and Hobie and he tells Hobie, "I'm just gonna try and ignore you - I just can't - I can't even-" pretty sure he says "I can't even look at you"(?) at the end and Hobie's response! I like to think they still keep this kind of interaction but it's more friendly now especially with reader being what ties them together lol)! AND THEN MIGUEL IN AN APRON!!!! No because why does Miguel wearing an apron sound so comforting to me???? AND HIM DRYING HIS HANDS - I swear I'm delusional for going mad over the most basic things ever but AHHHH!! Thank you for drawing these sketches and showing them to me!!!! I LOVE EACH ONE SO MUCH 😭❤️ Also, I love Lyla at the top just watching this unfold hehe, I swear I need to include her more in the main parts but THANK YOU SO MUCH @sunsetdoodler !!!!! Also, I hope you had a wonderful Thanksgiving and that you found the time to relax a bit this week despite having so many projects! Thankfully the semester will be over soon and you can truly relax!!! Sending you a warm virtual hug and wishing you the best as you enter the last few weeks of the semester! You got this!!! ✨❤️✨

-Alondra

[ryuichirou]

Replies

Some replies! Starting with the one about the Azul sketch from yesterday, Trey/Deuce (briefly), Azul/Malleus and some other stuff.

Anonymous asked:

Yes, my absolute octobaby. You’ll make them pay, we’ll show them. We’ll show them all.

(This is the start of my villain arc because Azul and his big eyes can have whatever they want. 😩)

Hehe thank you Anon! <3 Becoming a villain because of Azul’s big eyes is one of the most valid reasons that could exist…

Anonymous asked:

The legs are so beautiful in peak male performance, I want to DEVOUR THEM ALL.

(this is about this post)

Thank you so much, Anon!! Feel free to devour them! I am glad they look tasty <3

Anonymous asked:

Womb Tattoo Anon here. When I noticed how long it was taking for you to reply I knew I was in for something good! You never fail to deliver. But now you're teasing us with a potential Trey/Deuce ship?? How could you!

Womb Tattoo Anon, you’re back! I am happy you finally got your post after waiting for so long… and I am very glad you liked it <3

And yes indeed we are teasing you with a potential Trey/Deuce ship~ We’ve been thinking about them for a while now; they’re like a faraway land that is very wonderful, but we haven’t fully reached it yet… I still hope that we’ll dive into it at some point in the future.

They have some very fun interactions, but I hope to see more, plus to be honest one of the reasons they became a thing to us is their seiyuu working in BL together lol

Anonymous asked:

It's been a while since I've been through your blog, and I just saw your Azumal Fanart?! Omfg! I loved it! Are you and katsu shipping Azul x Malleus now?! Do you have any headcanons about these two??

I swear Azul has a thing for strong/powerful people with connections, lol.

(this is about this post)

Thank you, Anon!! <3 Like I mentioned in the other reply, I drew this particular fanart because of the random character kissing game that Katsu and I did, and Malleus got to smooch Azul. Both Malleus and Azul are twisted (heh) in their own way, and with Malleus being a tease and Azul not wanting to miss out on the opportunity to gain great connections with powerful people (+being enamoured because who wouldn’t be if Malleus smooches them), it could lead to some shenanigans.

That being said, this isn’t really a ship for us, we’re just entertaining the idea for now. So I don’t really have a lot of headcanons in my head... but I did mention them in this post about heat-of-the-moment hookups!

Here is one headcanon though! Azul doesn’t like dancing, but if he was to try dating Malleus (even if it’s just going on a singular date with him), they will absolutely dance. Malleus knows that Azul isn’t the best at it, but would dedicate all his free time to training to impress him (he did dance well in the Glorious Masquerade, after all), and knowing that, Malleus wouldn’t warn Azul beforehand that he is planning to dance with him. He just wants to see poor Azul stressed and constantly looking down at his feet while still trying to look like a proper gentleman, leading in a dance with a man 30 cm taller than him. Malleus would chuckle and say that his eyes are up here…

Anonymous asked:

Funny story, I actually went to AXCON in 2019 when they were hyping the release of Twisted Wonderland the next year and so I got to see the booth and such. I remember thinking that it looked good and that I was interested in playing it. When it came out, I downloaded it….and proceeded to not play it until last year. And that was only because my sister had seen stuff of Idia at another con, told me how his design looked neat and I suddenly remembered then game I got 958384972 years ago.

I’ve been hooked ever since. Incidentally, Idia’s my favorite.

Anon, I am so happy you found love. I am so happy Idia is your favourite lol I bet it’s very cool to be aware of twst from back in 2019, and then witnessing how it evolved over the years, even if you weren’t interested at first.

It’s like you look at the clock and decided one day… it’s time.

[kategriffin]

A Glimpse of Camelot

It's been awhile since I've posted. But that's because I've been caught up with university, work, and writing - specifically writing something new. Not new to me, but new to the internet of course.

Aside from my Anne Boleyn novel-in-progress, I've been working on a retelling of the Arthurian legends. I grew up watching Merlin (BBC) as a kid, and I wanted to continue that world for myself. But it has evolved into so much more. I wanted to focus more on the main female characters of the legends - namely Guinevere and Morgana. And thus those are our two main perspectives throughout the novel.

The first few chapters of this work-in-progress have been workshopped and I feel confident that they will not change (much) as I continue to write. So I wanted to share some of this story - this story I've been creating for three years now, and a story I hope to continue creating past the initial novel.

This will eventually be published (I am hoping and manifesting) - so please follow along. This will be a story filled with magic, epic love, and heroic battles. There will be some familiar stories and characters, and some of my own creation, my own addition to these legends I've heard so much of.

Here is Part 1 of the first chapter, told from the perspective of Lady Guinevere, a seventeen-year-old noble maiden:

Lady Guinevere sat at the back of her father’s carriage, her eyes set on the trees that rushed past, creating a blur of green and brown. The journey was long, and she was restless. Her hands moved restlessly across the ornate fabric of her dress, which was a shade that matched the blurring leaves of the trees she observed. Every once in a while, she picked a tree to focus on, and let her eyes travel with it for a moment. It was all she could do to fill the time, as she had already finished her needlework of a white rose, the only thing that kept her from having to converse with her father.

Sir Leodegrance, or Leo as his close friends called him, was a kind and merry man, but he wasn’t Mother, despite how much he tried to be. Mother was dead. She had caught the sweating sickness while Father was in Camelot almost a year ago now. He never got to say goodbye… but maybe that had been a good thing. The memory of Mother slipping away before her eyes still haunted Guinevere’s thoughts. She had only been sixteen…

Father had been overly optimistic ever since, an obvious ploy to hide his grief. But still, he couldn’t look Gwen in the eye. She was painfully aware of her similarity to her mother, and she knew that Father saw her mother in every glance. Perhaps the less she acted like Mother the less she would look like her, she thought to herself.

Suddenly, the carriage jolted upwards, followed by a rare huff of disappointment from her father. She glanced over at him. His leather journal lay in his lap, a charcoal sketch of the landscape outside scarred by a stray mark of pencil, undoubtedly caused by the carriage’s upheaval. Father loved his sketches, especially ones of nature. Gwen returned her eyes to the trees, and she heard the scribbling resume. She lay her head on the wooden side of the carriage, anticipating a nap. They would not reach the Forest of Sauvage for at least another afternoon.

This was the first time that Gwen had travelled to the Forest, and it would be her first time at the summer festival held there annually. It was an important event for sons of noble birth, but alas, Gwen was an only child, and a daughter, so there was never a need to attend anyways. She didn’t ask why when her father suggested they attend this year. She quietly assumed it was because he was lonely; this was their first summer without her mother. Sir Ector was an old friend of her father’s, and she hoped their reconciliation would bring her father some happiness, or at the very least, some laughter.

The carriage jolted again, this time downwards. It slowed to a stop, the splintering of wood echoing throughout the inside of the carriage.

“Bloody hell,” Father swore under his breath. He pushed open the carriage door, his journal still in hand.

“The wheel seems to have broken, sir,” their  coachman informed him. “It can’t be repaired here. We’ll have to find a woodworker nearby to fix it.”

Father began to ruffle through his journal and pulled out a loose piece of parchment. He unfolded it carefully, revealing a handwritten map, most likely of his own creation.

“We should be fairly close to Sir Ector’s lands on the outskirts of the Forest of Sauvage,” her father mused.

“Perhaps he has a woodworker in his employ.”

“Should I take one of the horses and request Sir Ector’s assistance?”

“Yes, yes, do that. And hurry, if you will, there are only a few hours of daylight left!”

The carriage door swung open, and Father took his previous seat.

“What shall we discuss in the meantime, my dear Guinevere?”

[etinceelle]

Hey. Hope you're having a wonderful day

Just wanna say that your characters are amazing. Exactly what got you into creating them ? Any sort of inspiration ?

Hey, I'm having a good night and hope you too !

Thank you so much, I'm happy you appreciate them :) I'm happy to tell the tiny story behind their creation-

So, back in march/april 2021 I was in my last year of my bachelor's degree studying animation, and I still wasn't sure about going in the master's degree in animation as well after that. There were a lot of struggles at this moment but anyway

The thing is that for the master we had to create a short film, alone and (almost) fully done by ourselves, so our teachers asked us to start a sort of book or sketchbook to do researches and brainstorming about the film during summer. Even if I wasn't sure to continue I started it, and sketched a lot of stuff and various ideas I had at this moment

Then I ended up not going in the master's degree and taking a gap year instead, but I still continued to sketch stuff in that sketchbook because I still wanted to do my own film at some point. Uni or not the diploma was mostly a reason to make a film, but I in any case I wouldn't be free to do like I want because of teachers' reviews etc. I wanted to make it truly my own, maybe not perfect but just give it a try and be free to tell the story I want.

But I was frustrated because I wasn't finding something that would make me feel like it's my own stuff, it was too similar to RWBY for a lot of things (already a big inspiration at this moment, I was in the V8 brainrot for the first half of 2021 lmao). So I wasn't really going anywhere

BUT, randomly in december 2021 I had a pretty wild and pretty dream, I decided to paint digitally the main scene of it and doodle some concepts I had from it in my sketchbook :

I also ended up writing and composing a tiny song based on it (in french sorry-). It's not perfect at all or anything because I'm not a pro or super good, but creating a link between visual art & music helps me a lot most of the time so I do it (also for fun 'cause I love it) :

After that it didn't evolved much outside of the fact that I already had some sort of script for a "short film" or a teaser idk, I wrote that when I was in uni last winter. But I still wasn't really sure about the main characters or even their designs, even if Gris was the one I thought the most about and changed a lot of stuff

So last january/february I started to work on a first design and turn around for Gris :] (she didn't even have a name yet at this moment)

I continued to think of it until recently at the end of this summer where I sketched another design for her. As for Fauve, I knew for a long time I wanted Gris to have a strong bond with someone to help her go through stuff (and also a gf lol). I never really worked a lot on Fauve, I only knew she was going to have red or brown hair. x)

And I just sketched a first rough thing after Gris and liked it, so I kept it, it was really simple and easier than Gris' researches aha, idk Fauve's vibes felt pretty natural and logical after Gris was done.

Also if you're curious here are some of the first design ideas for them I had back in 2021/2022 :]

It changed a lot--

Anyway, now I'd love to develop more stuff and make a short film :]

[vibin-down-here]

Little Writeblr intro post!

Hi! I’m Arabella, transfem 18yo high school student (with no clue where to next) from Leipzig, Germany. Writing is my main hobby, I love spending hours in a coffee shop creating little stories at a table in the corner. Other than that, I love doing pencil sketches and dm’ing ttrpg’s with friends.

I mostly still post on twitter (@ vibe_but_tiny) until they let me into BlueSky, but this is where i go for writing / art stuff and fandom media.

Now, little intro to writing stuff i do, and all of my wip’s!

Angel of Small Death // Devil of Forgotten Things

My main wip! It started out as inspiration by a Hozier song (“angel of small death and the codeine scene”). The starting idea was a romance / opposing narratives between a security person and a thief in a Sci-fi / Cyper Punk dystopia. I don’t like writing the hard systems of Sci-fi and didn’t want to set this story with the elites, so the main conflict evolved into what it is now. Mars became the setting mostly because of how dismal life in a mars colony would actually be (and the current, frankly already dystopian plans for a corporate kingdom on mars that are driving private space ventures). I’m on 4 chapters, 5k words.

After a heist gone almost wrong in a facility way too secure for how unknown it is, Felix’s life is spared by an stranger on the security team he nicknames “Angel”. They keep encountering each other as Angel tries to prevent a major leak without killing Felix or alerting his teammates and Felix slowly uncovers the truth of how eldritch gods from the darkness beyond want to extinguish life and how the elites in space stations above made a deal with them for temporary fortune.

Like a Moth to the Stars

This started out as a self insert short story after I read a webtoon i really liked but thought had more potential (or, tbh, i was just getting impatient with waiting for updates). I’ve since written a proper framework, and mc2 is no longer just me.

Aimless high school graduate (yeah ok that part is still just me) Amelia suddenly changes her life when a temporary gig at a festival let’s her meet celebrity rock star Maria. (For complicated reasons) the two fall in love, and Amelia is lifted from her life to a turbulent maelstrom of celebrity drama and tours against both their wills (bc the label thinks it’ll boost Maria’s image mostly).

All that we Intend is Scrawled in Sand

Here I go again with the Hozier lyrics. This is just a writing exercise (start of a first chapter), but i think it has potential.

Gods don’t die, not really, but they crumple into basically humanoid beings with only small scale powers. That is as close as you can get to killing a god. A strained couple, a god of forests and one of the night, both killed by a new-fangled city god after one betrayed the other, must now set out to accomplish just that to save their god-children and, incidentally, the world.

Romance over Coffee

Despite what the *everything* about this might imply, this is actually not self-insert fic. It’s just inspired by a real series of events i actually experienced, where i started writing in a cafe, started dating the barista, applied for a job there and was rejected shortly after we broke up. It was just so fic-worthy, i had to. I’m one chapter in and have only the roughest of plans on where to go next.

No summary, i’m not an inch further than what actually happened to me.

Some others:

- Glimpses of a Venice Beyond the Veil (God apologises for past relationship misdeeds with scenic retreat to eldritch horror Venice to watch a world ending event like fireworks)

- Catching Fire on her Burning Heart (Girl accidentally becomes messenger from the beyond bc she can travel the path between and her new fae girlfriend asked for her help)

[magentagalaxies]

Kids in the Archive: Episode 1

as most of you know, recently bruce mcculloch let me help organize some kids in the hall related artifacts that had been sitting in his storage for the past 30 years. i was even able to keep a few original scripts from kith projects, including iconic sketches, unaired sketches, and an original script for "brain candy" then titled the drug.

i've decided to start a little series going through some of these scripts and sharing the biggest changes between script and screen. today's sketch we're looking at is Armada's Future from S5E21, aka the Armada finale sketch

while "armada" wasn't my favorite recurring bit on my first watch of the show, i've come to really appreciate these sketches, especially as i've become privy to the interpersonal and creative dynamics of the troupe in real life. bruce himself has said armada was often a way for them to satirize their own creative process dealing with each other's egos (and the fact that some people would never "arrive having eaten"), and while these dynamics have certainly evolved over the years, there is something almost prophetic about this final armada sketch, which i will get into more later. but for now, let's get comparing.

The Opening

For the most part, this sketch's opening is the same, though the video version's dialogue is a bit more streamlined. In this version of the sketch, prior to the angel reveal the band is playing "trampoline girl," but otherwise the beats are the same.

The Angel

As this stage direction states, Chris Robinson would be nice - and that's exactly who they got! For more information on how he found his way to playing the rock and roll angel, see bruce's youtube video above.

the angel segment is largely similar, but with a missing beat. in this version of the script, we never cut back to the band in their 60s again, and as a result never seen bruce's character's heart attack and several iconic lines are lost because of that.

The Ending

this script includes an extra ending beat where the previous events are all revealed to be a daydream of young-kevin in 1994

overall, this script has the characters much more self aware of their own faults, so it's clear why these changes were made in the final version. there's doubt in their convictions here, versus the trademark "but do we make it?" optimistic in its pure obliviousness. i prefer the ending they went with on the show. even though by all accounts armada is not going to make it, the characters' refusal to believe that is infectious. ending on the question "but do we make it?" somehow leaves you asking it as well, even with all the evidence presented.

what i love about this sketch is that all these years later, that's a question still being asked by the kids in the hall. while all 5 have gone on to have very successful and creatively fulfilling careers, there's still a sense that every new thing the troupe has done from this point forward, whether it's brain candy or death comes to town or the amazon revival, has still been a question of do we make it? while most mainstream comedy icons can coast on their star power to shield them from these creative risks, the kids in the hall embrace that idea of breaking new ground in everything they do even if it's not always successful. this question of "do we make it?" is a force of creativity, and even when the answer is clearly no, sometimes the question itself is enough to drive you forward.

[frayed-symphony]

Since Twitter might not be a thing for much longer I wanted to move the trivia threads for my picture books to tumblr.

OC lore dump and sketches for my first self-published picture book Hurricane Lane under the cut;

The number one thing I'm worried about is people thinking my book is related to the hurricane of the same name. I wrote this in 2010-2011 which predates it and the title is meant to convey Amelia's life in her suburban town and how she views it more dramatically then it is.

The name was also inspired by this beautiful song by The Hush Sound which I was listening to a lot whilst concepting and really influenced aesthetics (more subdued colour, the inclusion of the piano being an important story point etc).

I started getting interested in children's illustration when I saw the Penguin Design Competition advertised at my uni in 2010. I didn't make the cut but figured I'd go ahead and finish my book anyway because at that point I was invested in my story and wanted to complete it.

The contest called for an ebook with interactive pages so I made Hurricane Lane have seven special pages of  'wonders' Amelia finds throughout her story. Unfortunately with flash player gone the interactions don't play but they're still found online here;

I based Amelia's design on a Mii I had made which was supposed to represent a human Pikachu. You can see the Mii on the bottom left here. I really liked how it looked and she gradually evolved into what she is today.

Initially the dinosaur suit that her brother has was going to be worn by Amelia but I preferred her without it and thus Bailey was born. The dinosaur itself was based on a purple stegosaurus keyring I had when I was younger and loved even though I had no keys at the time.

Here are some more initial outfit designs for Amelia but in the end I went with the one on the right, inspired by Miku Hatsune's 'Out and About' module from Project Diva.

The family's father Rupert was partly based on my own dad (definitely the dress sense) but in 2010 I was also really obsessed with the BBC show Merlin and may have tried to age up Colin Morgan a bit to make this character.

The mother's design was a little based on my own Mother's and a little the title character of the film Amelié (she evolved beyond this quite early so there's not too striking a resemblence). I was also obsessed with the music in that film which inspired this book a lot.

I kept it vague whether she worked at the hospital or was staying there as a patient because at the time I had an idea for an overarching narrative where the families of Hurricane Lane and 256 Postcards Ago meet. This didn't pan out so feel free to have your own interpretation.

Here's some initial concepts of the logo which I was mostly scribbling during my Uni classes.

One more random tidbit is that I based the background of their journey home from the Toad's Turnpike track in Mario Kart 64. I really loved that game and it holds a lot of childhood memories for me so the nostalgia felt fitting. Maybe that's too weird to mention!

Towards the end I was concepting the protagonists of Hurricane Lane and 256 Postcards Ago meeting in a connecting rpgmaker game but sadly that never came to be. I'll talk about it more in my thread for the next book though!

I also made a little soundtrack for my book here

1) Kiara 2) Cornflake Girl 3) Indaco 4) La Valse D'Amelie 5) 春よ、来い (kites) 6) The Heart Asks Pleasure First 7) Lotus (dragon hunters) 8) Nightbook 9) Reverie 10) Hurricane

I listened to these songs a lot while reading and the final track inspired the title.

And final last tidbit- Hurricane Lane takes place in my childhood hometown. It doesn't have too many standout locations but I took photos for background references and anyone who lives there may recognize the small nods to it.

(Almost forgot links to where you can read my book) Amazon paperback; https://amazon.com/dp/1475009097 eBook; https://frayedsymphony.gumroad.com/l/LuNug

Thanks for reading!

[alexbrunn]

You're pretty damn good at making comics. How did you develop such a skill?

As cliché as it sounds, I think it's a matter of practice here. I'm not an avid comic book reader, I always prefer anime to manga (I read manga 2 times when I was eager to know the sequel, but I was well aware that I just couldn't wait for the anime adaptation). I encounter this kind of art only occasionally on the vastness of the internet and never emphasize too much to gain experience or anything like that. And if I learn, it's only from my mistakes. (Maybe that's why I still can't master the dynamics of lines when moving something, because I don't have much exposure and understanding of how it works)

If telling it from the beginning, my journey started with what could be called "art with text". That's a long period from late 2018 to early 2021. I didn't take drawing and drawing comics in particular seriously enough at the time, but as a first step to what I have now it's worth talking about. I just draw the art (at the time I didn't care about the background, which gave me some room to add text) so that it appears to stand alone and without text next to it, and write the text in the remaining space. There was no hint of separate panels or dividing the canvas into multiple parts. The composition and perception suffers from this, but because the character in the picture itself is elaborated I thought that everything looks even good. Also, as for me it is important to say that I always had an incentive. Question format. People ask a question of a character, and artists answer that question by drawing a comic. I had a deadline that I always had to meet, which in a lot of ways kept me evolving and moving forward.

At the beginning of 2021, I'm doing similar things in the same way, but there is some kind of turning point. Perhaps I had grown older and perceived the world around me a little more maturely, perhaps the subject matter of the issues seemed more interesting, because now I wasn't just talking about my favorite character that anyone in the fandom who knew that character could talk about, but about the interaction between two characters close to my heart. The fandom wasn't set up to think about their relationship. Probably half forgot one of the characters existed or turned it into a silly joke. But I found something different about them that no one else saw. I saw in them a very touching father-son relationship that in many ways helped me through some of the moments of this life as well. Faith, help and support was the outlet that I was anxious to develop between them. And it was exactly what I wanted to show the world around me, because it had already happened in the fandom, but with characters who couldn't do that in canon, and people didn't even notice such a great option that I found.

That's why I went from light and non-committal comics to something heavy. There appeared full panels and division into several plans and characters that could go beyond the panel. But the composition was still lame because of the perception of the comic as a set of artwork. The bubbles were inserted anywhere, they were transparent, which made it uncomfortable to read. The pages were also time-consuming, because I wanted to put all my efforts into them and to make the audience feel at ease, if not with high skill, then with dedication and hard work. I almost always drew the background, although I blured it so that it did not stand out in the foreground, drew all the dialog, even those that did not make sense.

I think I did about a hundred pages between early 2021 and mid 2023. That's not a lot, but considering I'm still learning and it's periodically time-consuming, I think I can be understood. However, it's been enough to gradually progress. To learn composition (not to try to make the largest possible portrait of the character, and already in the sketch to lay a place for the text, In general make the text small and leave empty air space for it in the bubble). Then the background started to appear not on all panels, but only on the key ones. I think it’s stylish?

I even tried to make a manga, but it didn't succeed. After all, I've been drawing in color all this time, and the ability to handle screentones is a whole other direction that also needs to be learned. And of course the dynamic strips... That's how it stopped at 5 pages.

I came to what I have now around the fall of 2023 after a bit of a break, moving to a different fandom, switching to an iPad from a computer. I'm just as driven by the desire to show the fandom something it hasn't seen yet, but already talking about Marcoh, Pav and already their interactions. I still have a lot to look forward to and I think this won't be the last post about my milestones.

Thank you so much for this question! I apologize for taking so long to reply. I tried to find some old works to show them, but unfortunately I deleted everything, so I had to tell everything in words.

[cata-strophes]

I just found you and im like in love with all your art!!!! Do you think you could like catch me up on your ocs? Like a little introduction to them? Cause I am invested! I hope that's not too much to ask!

(Funny story, i was writing this and wrote a lot and then my power went off and i lost what i had written L)

Thank you!! :D And of course!! Im sorry this took so long, when i saw your message i realised i dont have a lot of actually-colored drawings of my ocs (that arent dante), so i ran to do some quick sketches (and got busy in the middle of it)

In the world of my OCs, some people are born with powers, but they have consequences and drawbacks if they're overused.

There is an Evil Bad Guy(tm), who, of course, wants power, and so when a kid is born with a strong enough power, it's more than likely they will be taken to join the ever-growing brainwashed army of Evil Dude(tm). Evil Villain Guy(tm) also carries forward... tests and experiments, to see if it's possible to evolve these powers and overcome their drawbacks.

This guy is my poor special little guy, Dante, and by that, I mean he's the one that I make suffer for my own amusement, i'm sorry, Dante.

He doesn't know his age, but he guesses he's in his mid-20s.

He was one of the child soldiers the Evil Villain Man(tm), and has been with him since he has memory. Now all he wants is revenge against him, and doesn't care about much else.

He was a favourite, because he was the first one to survive the tests and evolve the powers he has. (drawbacks are still a work in progress)

His power allows him to create limbs made from shadows, he specialized in wings. Altho he started only creating two wings, with the tests, he started calling more and more wings to his control, and they eventually stopped looking soft and feathery, and started looking more and more leathery, and he stopped using them to fly, more like spider legs to help support him and that he can turn into extremely dangerous and sharp weapons.

This guy over here is Nicholas. He is *drum roll* Evil Villain Guy(tm)'s older son!

Nicholas is in his mid-20s. He also has a younger brother, Theo, who is in his early 20s.

He was raised in blissful ignorance until he was a teenager, where he started figuring out his family's dark history. He started questioning his father's authority more and more, until, when he was around 16 years old, his own father commanded his assassins to get rid of him.

He was left for dead, but little did they know he had been hiding self-healing powers, and managed to survive and ended up joining a rebellion against his father, meeting Dante again ten years later, when he escaped. His brother is still with his father.

I'm very bad with names and can't choose, I have at least twenty options for each, but these are also some very important guys for them. All of their designs might change!! I'm still playing around.

The woman to the left is the leader of the rebellion, she took Nicholas in and knocked some sense into his head when he was pushing his body and powers farther than he should. She has electricity on contact powers, she uses it for the most shocking punches, or for charging whatever metalllic weapon shes holding to make it Hurt. Her drawback tho, is a loss of fine motor skills, her hands shake a lot because of this.

The guy in the right is Dante's uncle. Dante's uncle was a renowned knight, when he learnt that his brother, sister-in-law and nephew, his only family, were all wiped out in an attack, he lost his control and threw himself to battle with no second thoughts. His power is something of future visio; it doesn't go too far, just a few seconds or minutes (although he might get a few days or weeks worth of it in dreams), which made him unstouchable in battle. The drawback is the lost of his own eyesight. He is blind because of the overuse of his powers, and can really only notice light and very blurry shapes if he focuses (he usually doesn't). When he got tired of fighting he up and left, trying to forget and be forgotten, finding a village in the middle of nowhere and staying there to pass his days.

UNTIL his war-buddy, mister-in-the-center-drawing, came looking for him. They used to be the closest friends and he spent years looking for him after he vanished from the face of the Earth. He doesn't have any powers, but he is very much to Dante's uncle's levels of swordmanship and whatever-knights-do-ship (with the exception of. you know. literal future vision powers). They are boyfriends now.

Also Dante and his uncle meet later on, and this meeting is the reason Dante doesn't go off the deep end as it was very much looking like before. Dante's uncle knows Dante's real age and birthday, he never forgot.

[thewandererh]

HII wait are you THE the Wanderer (like the one on yt)??? Really sorry if not and I’m mistaking you for the wrong person here

In any case! I love the way you draw iterators and slugcats SO MUCH??? Like your style is just so incredibly eye-pleasing and wonderful to look at I am in incredible awe. Anyway uhm. Yeah! Scuttles away

(- @strandedaylily)

yes!!! i am :]!! the one who animated tr on yt yeash thats me💥. and its you!! the real strandedaylily,, reposted some of ur stuff recently to show it off f4 answering this. love ur thingers :DD✨

and thanku sm 😭😭 that means??? so much??!? its been a journey finding my style and i love that u love it sm!! i have a few diff styles for iterators and slugcats, and whipped up these fast sketchy style analysis sheets last night.

observe:

Iterator Styles

I have two main styles for iterators: chibi and humanoid-ish. round head vs oval head with a cheek curve (cheek curve is a staple of my style. was actually against it when drawing iterators with it for the first time, yet it’s become such a signature now XD. I love it a lot huhu). here is an example with my lovely boy Twine (he is not the main antagonist despite his mischievous posings). also!! slim eyes for devious characters, like twine and shadows (and leaves, unwillingly /lore). the two ogs 💛 with their yellow jack-o-lantern faces. theres a phrase i made up a bit ago: you can’t spell wanderer without jack-o-lantern-faced iterator, can you?

got better with posing over the years but im still struggling with fabric and cloaks </3

Slugcat Styles

now for slugcats, its evolved a different way. rather with two stages, they have a few more. when i first discovered rainworld, i had a very simple way of drawing. u heads and 3 fingers and toes, aswell with really odd aggressively-digi legs. and then it evolved when i learned “sketching” (blotting down odd shapes with barely any sense of proportion. balls for the elbows, no line of action, eyeing it and getting anatomy wrong lol) and things got really disproportionate. theres more stages, but i made a few complex and simple examples of my style over the years :]!! maybe i put too much effort into it but it was interesting to figure out!!

theres some timeskips in the big timeline one, and some other arts of mine might showcase style changes a bit better, and this is only my digital gallery, but oh well!!! whats done is done until its undone💥 /ghibli movie reference

didn’t do iterators or general effects-and-tidbits-i’ve-learned (shading, rendering, lineart, etc) bc i’ve spent so much time already. so you get SLUGCAT BEAM BLASTED💥💥. all this art ranges from 2019-2024 (the years i’ve been a rainworld fan :])

yes i spent hours analyzing my old and new art just for fun but i think i learned something. thanks for asking this and putting a big smile on my face :]!! have a good day you (and anyone else whos reading this. thx for reading so far and so much💛✨!!)

[catwings-writes-things]

If you still take questions from the Tree writer ask game: Gingko: What part of your story is the oldest, has stuck around from that original idea?

Paper Birch: Which character has the most layers peeled back?

I am indeed still taking asks! I am always taking asks from any ask game I’ve ever reblogged, by the way. Just tell me which one and preferably include the questions, especially if it’s from a while back. You did this exactly right 💚

Gingko: A World of His Own has actually changed shockingly little from the original idea. From the first “hey, what if” series of texts about the concept I sent to @thethistlegirlwrites, the basic premise and who was involved were set. I had the basic plot sketched out in its entirety within a few days. So to answer this question, I’m going to have to go back to a few days before the actual germ of the idea, when I read this fic by @mikecrewsteacup and started thinking about Mike a lot more than I previously had. One of the things I noticed was that Jude said Mike “hangs around with the Fairchilds sometimes,” so he clearly knows and gets on with them but isn’t one himself, and I started wondering if they hadn’t invited him to join or if they had but he’d declined, and if so why. I did eventually decide it makes total sense with his character that he would prefer to remain as unaffiliated as possible with anything and anyone except the Vast, and especially that he’d be uncomfortable with the idea of a family of any sort, but it led to wondering what, if anything, might have been different if he had been a Fairchild. That led to me thinking more about the Fairchilds in general, which led to me going back over Freefall and wondering who Harriet was (besides the only Fairchild besides Simon we get a name for. We get the names of more Lukases, for crying out loud) and what the deal was with Robert Kelly and Open Skydiving (more on that in chapter 11), and that led to me writing a ficlet where she gets sent to invite Mike to join the Fairchild family a year or two after his Becoming. Even then, when they both suspected that the other might start trying to kill them at any moment, I could tell within a few minutes of them interacting with each other that their dynamic had, pun intended, vast potential. So, probably the oldest part of this story is the relationship between Mike and Harriet. (My interest in Jon and Helen’s dynamic is even older, but the way I think about it has evolved enough over time that I think the above answer still stands.)

Paper Birch: surprising no one, I’m gonna have to say Helen. Not just because she’s been a thousand different people over the past who-knows-how-many centuries, not just because she’s often a mystery even to herself, but because one of the many consequences of the fact that this fic is being told entirely from Jon’s point of view is that what gets conveyed to the readers is limited by what he knows and thinks and believes, and even though Jon is hands-down Helen’s favorite person and (by this point in the story) the person who loves her most, he’s also fundamentally unable to understand her (for practical reasons and for her safety), not to mention just. Kind of shit at actually understanding other people in general. However, he’s also inclined to keep trying to work around that, partly because it’s hard for him to grasp any other way to love someone. He’s definitely getting better at that, but in the meantime, the upshot of all that is that he will keep forming new misconceptions about Helen only slightly more slowly than he learns better. Sooner or later they’ll both realize that that’s not a bad thing, but for now… yeah.

Thank you for the ask, friend! Best!