#* richard milton

[spilladabalia]

Wigan Casino 1978

Photos by Richard Milton, Editing and Video by Glynis Elgey. The songs are Manifesto by Case Of Tyme and I'm Com'un Home In The Morn'un by Lou Pride.

[illustratus]

Satan Exulting by Richard Westall

[snderist]

so i got to thinking... & i decided i wanted to create a picture series. (i just didn't wanna get bored only posting the sbl legacy lmaoo).

This series follows the story of two young best friends who share the trauma of being emotionally abused, Ryder by his mother & Scarlett by her uncle. Scarlett's parents passed away in a tragic car accident (typical teenage trauma lore) and was forced to move in with her drunken uncle Richard. Since her move, Scarlett has faced adversity as her best friend's mother (who is also her neighbor) holds secret animosity towards her and her uncle because of their physical differences. Richard's emotions towards Ryder's mother, Riley, is no different though. Both teens try to navigate life while dealing with the lingering shadow of their guardians' behavior & the fear of becoming just like them...

unedited photo below the cut** ignore the clipping LOOOOL i couldn't be bothered to fix it ngl

[warhead]

[filmjunky-99]

t h u n d e r h e a r t, 1992 🎬 dir. michael apted

[nikidontsurf]

Richard Burton and Elizabeth Taylor photographed on the south bank of the River Thames in London, 1963. Photo by Milton H. Greene.

[milton-dammers]

Bonus, an interview with Jeffrey Combs and Peter Jackson about the creation of Milton Dammers character.

(2/2)

[spyderthedecider]

live laugh love hurricanes

[ausetkmt]

DETROIT RNA IS THE TARGET - COINTELPRO PAPERS

[yawpyawp]

richard p really likes to hang out on the landing cuz it’s at the center of the apartment and he can survey his entire domain from there :)

[nerds-yearbook]

Timothy Dalton's last James Bond film Licence to Kill was released on July 14, 1989. It wasn't meant to be his last film, but due to legal issues, another Bond film wasn't able to go into production until 1995 and by that time Dalton was ready to move on. For the most part, the movie took on a more series tone for the character and story keeping more to the Bond of the books as was the case of Dalton's previous film The Living Daylights. It was the first Bond film not to be titled after one of the Ian Fleming Bond books, but the story pulled from many elements from Live and Let Die and The Hildebrand Rarity. David Hedison became the first actor to play the role Felix Lieter (Live and Let Die - 1973/Licence to Kill - 1995) more than once and the only actor play the role against two different Bonds (Roger Moore and Dalton). Besides being Dalton's last film as Bond, it was also the last Bond film with Robert Brown as M and Caroline Bliss as Moneypenny, and the last Bond film worked on by writer Richard Maibaum, director John Glen, and title designer Maurice Binder. The film also featured Robert Davi (Franz Sanchez), Carey Lowell (Pam Bovier), Talisa Soto (Lupe Lamore), Anthony Zerbe (Milton Krest), Frank McRae (Sharkey), Everett McGill (Killifer), Wayne Newton (Professor Joe Butcher), Benicio Del Toro (Dario), Anthony Starke (Truman-Lodge), Desmond Llewelyn (Q), Priscilla Barnes (Della Churchill), Don Stroud (Heller), Grand L Bush (Hawkins), and Cary-Hiroyuki Tagawa (Kwang). While not the most finacially successful Bond film at the time, like On Her Majesty's Secret Service, the movie has grown in fan appreciation over time. ("Licence to Kill", Bond Film, Event)

[oldshowbiz]

"I don't do political [humor]. I leave that to you and Mort Sahl, but I'd say if Nixon was the captain of the Titanic, he would have told his passengers, "Don't worry, folks. We're only stopping for ice."

- Milton Berle, Tonight Show starring Johnny Carson, June 1974

[sesiondemadrugada]

House of Strangers (1949).

[shallowstories]

It was very easy to convince Anna to kill Sam Winchester. All we had to do was threaten to cast her human "parents" into Hell.

[perkwunos]

It might be objected that Whitehead himself, in the opening chapter, writes (p. 12) that "philosophy has been misled by the example of mathematics; and even in mathematics the statement of the ultimate logical principles is beset with difficulties, as yet insuperable." Also, (pp. 11-12) "philosophy has been haunted by the unfortunate notion that its method is dogmatically to indicate premises which are severally clear, distinct, and certain; and to erect upon those premises a deductive system of thought." On the other hand, Whitehead emphasizes that the categoreal scheme must be "coherent" and "logical," and that (p. 5) "the term 'logical' has its ordinary meaning, including 'logical' consistency, or lack of contradiction, the definition of con[1]structs in logical terms, the exemplification of general logical notions in specific instances, and the principles of inference." Also (p. 13) "the use of the categoreal scheme ... is to argue from it boldly and with rigid logic. The scheme should therefore be stated with the utmost precision and definiteness, to allow of such argumentation." ... "Speculative boldness (p. 25) must be balanced by complete humility before logic, and before fact." There is no conflict between these two types of statements if it is recognized (p. 12) that "the accurate expression of the final generalities is the goal of discussion and not its origin" and that "metaphysical categories ... are tentative formulations of the ultimate generalities." Thus even tentative statements are to be expressed "with the utmost precision and definiteness" and with "complete humility before logic." If "the logician's alternative, true or false" is applied to the scheme of philosophic categories regarded "as one complex assertion ... the answer must be that the scheme is false. The same answer must be given to a like question respecting the existing formulated principles of any science." The categoreal scheme is put forward rather in a provisory way, to be improved upon by further reflection, better formulation, deeper insight, and discovery of further facts, scientific laws, and so on. Thus it is not "dogmatically" contended that the items of the categoreal scheme are "severally clear, distinct, and certain." Such a contention would indeed be unfortunate, and has been abandoned for the most part even in mathematics. Not only the "difficulties, as yet insuperable" that infect Principia Mathematica (as Whitehead noted, p. 12, footnote 3), but also the presence now of various kinds of set--theoretic alternatives, G6del's incompleteness theorem, the Loewenheim-Skolem theorem, various intuitionistic and constructivistic systems--all of these militate against any dogmatically certain rendition of the fundamental notions of mathematics. Whitehead's strictures against mathematics, written before 1929, are based upon an inadequate conception of its foundations and are no longer applicable.

Richard Milton Martin, Whitehead’s Categoreal Scheme and Other Papers

[rastronomicals]

July 2021:

Richard Swift - "A Song For Milton Feher" From the album   Oh! You Pretty Things: Mojo Presents 15 Chamber Pop Nuggets

Last song scrobbled from iTunes at Last.fm

Giveaway with September 2021