#* ↷ . JOHN MOORE / WRITING .
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Saw this in the sastiel tags by @cascigarette
Rules: Post the first line from your last 10 posted fics to see if there's a pattern.
1. Castiel's seen beauty beyond humanities comprehension.
2. Dean kept thinking about Sam, he's been off his game.
3. Sam walked into his room, exhausted ready to drop to the floor.
4. The entire drive, there had been one thing on Sam's mind, the only thing that has been plaguing him since it happened, Castiel.
5. After a successful hunt, Sam and Eileen were on their way back to the bunker.
6. Dean could admit to the diner being his idea, but he could not be blamed for the sight in front of him.
7. Castiel kept glancing at Sam, who caught them multiple times but neither said anything, Sam just continued to type with a curious look.
8. Whispers blew by Sam's ears as he looked around, finding nothing in the pitch black.
9. In a booth, on New Year's Eve sat Dean, Sam, and Castiel in some local bar.
10. Dean had left to the bar, Sam still treating his wounds, he patched Dean up and pretended to fall asleep.
Bonus favorite opening line:
Life was foreign to Sam now, ever since he was brought back, his reality was a fractured sense of his past and his present.
#the starting line typically is one of the last lines i write btw#bc i just start wherever i can see the most vivid picture and go from there#then go back and fluff it up a little bit#sam winchester#castiel#dean winchester#eileen leahy#jessica moore#john winchester#kevin tran#lucifer#sastiel#saileen
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20 songs in 20 days
Hi all!
Doing a drabble series with 20 songs in 20 days. Drabbles will be 100 words or more. Various fandoms but mainly spn.
masterlist on ao3
day 1: I know the end
day 2: savior complex
day 3: killer + the sound
day 4: wasteland, baby!
day 5: bite the hand
day 6: daddy lessons
day 7: warm glow
day 8: i'm your man
day 9: ya'aburnee
day 10: matilda
day 11: ends of the earth
day 12: clementine
day 13: ivy
day 14: northern attitude
day 15: july
day 16: devil's resting place
day 17: something in the orange
day 18: freedom hangs like heaven
day 19: the summoning
day 20: liability
#my writing#my fic#mine#spn#sam winchester#spn fic#samjess#jessica moore#dean winchester#castiel#destiel#doctor who#dw#dw fic#thoschei#doctor x master#john winchester#jack kline#tensimm#ofmd#edizzy#ed teach#izzy hands#spn lucifer#steddyhands#mary winchester#samruby#jo harvelle#spn meta
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Chapters: 6/? Fandom: Supernatural (TV 2005) Rating: Explicit Warnings: Graphic Depictions Of Violence, Major Character Death Relationships: Jessica Moore/Sam Winchester, Jessica Moore & Dean Winchester & Sam Winchester Characters: Sam Winchester, Jessica Moore (Supernatural), Dean Winchester, Bobby Singer (Supernatural), John Winchester, Real Tyson Brady, Luis (Supernatural: Pilot), Original Supernatural (TV) Character(s) Additional Tags: Complicated Relationships, Love at First Sight, Established Jessica Moore/Sam Winchester, Jessica Moore Lives (Supernatural), Angst and Fluff and Smut, Eventual Happy Ending, Hurt/Comfort, emotional af, Season/Series 02 Series: Part 3 of What Never Was But Should Have Been Summary:
Despite knowing about the Family Business, Jessica Moore has committed to being with Sam Winchester. Medical School, Law school, the Supernatural, and other secrets make balancing their two realities feel nearly impossible. And it may prove to be the most difficult challenge they've faced yet.
#Supernatural#Sam Winchester#Jessica Moore#Sam/Jess#SamJess#Dean Winchester#SPN Season 2#The CW#SPN#fanfic#writing#John Winchester#Sam and Jessica#Sam Winchester/Jessica Moore#Sam Winchester x Jessica moore#Sam Winchester and Jessica moore#Jess Moore#Sam and Jess#Supernatural Fan Fiction
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Jamie Delano Talks Hellblazer, Writing, and Creative Freedom in Comics
From the Early Days of John Constantine to Novels and Creator-Owned Projects
Jaimie Delano is a British comics writer. He was part of the first post-Alan Moore “British Invasion” of writers which started to feature in American comics in the 1980s. Best known as the first writer of the comic book series Hellblazer, featuring John Constantine.
How did you get started in Comics?
Around 1980, I was looking for a way to stop being a taxi driver and realise my long-held ambition to earn a basic living through word-manipulation when a friend suggested comics might be a route to that objective and offered me some introductions to editors in the business.
When you started writing Hellblazer was it hard coming up with plots for a monthly horror series?
Writing – in any format on any title – is always hard, and anyone who says it isn’t is a liar. Blank-page terror, with deadlines looming, is a burdensome condition in which to place oneself. Writing is an awful chore… just one damn word after another until you reach The End. Which of course you never do. At least not while you’re still breathing.
What do you think of the adaptions of Hellblazer?
My old mum always said: If you can’t say anything, it’s better to say nothing at all. I watched the Keanu Reeves movie and didn’t like it; so I didn’t watch the TV stuff. People I respect have told me it was decent though.
Read On: https://www.screamingeyepress.com/interviews/jamie-delano/
#Jamie Delano#Hellblazer#John Constantine#Comics#Comic Book Writer#British Invasion Comics#Writing Process#Creative Writing#Comic Book Adaptations#Horror Comics#Constantine TV Series#Keanu Reeves Constantine#DC Comics#Vertigo Comics#1980s Comics#Comic Book Industry#Comic Book Interviews#Jamie Delano Interview#Comic Writing Challenges#Comic Book Storytelling#Constantine Creator#Leepus Novels#Jamie Delano Books#Constantine Adaptations#Writing Hellblazer#Alan Moore#Comic Book Legends#British Comics#Jamie Delano Career#Comic Creators
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Happy Birthday Alma
It's Alma's birthday today. I decided that last night. I was filling out a character profile last night for her and figuring out more of her character and it came to me figuring out her birthday so I randomly generated five from a generator, and then used random number generator to pick one of those five and it just so happened to give me today. It's also John Deacon's birthday today so happy birthday Deacy.
I figure out Alma's last name last night as well. It's Moore. Alma Moore. That's her name. Woo hoo.
I currently have questions I stole from Tumblr answered for her. I have mentioned this before but I answered them as if she was answering them so the answers are all in first person. If you would like to hear some of the questions feel free to send an ask and specify what question you would like.
There are 148. Just say what number you want and I will tell you what the question was and the answer, if it doesn't give away too many things for the story. You will not know the questions until I tell you so just pick random numbers between 1 and 148. Also ask as many as you want.
I also think it's worth noting that the answers for the questions have been answered as if she was given a questionnaire, and it happened before the events of the book.
Feel free to ask, I am desperate.
AND HAPPY BIRTHDAY ALMA.
#she would technically be 14 now#but shes still 13 until the book comes out#then the birthdays will start actually applying#creative writing#fiction writing#novel writing#queer writers#story writing#tumblr writers#tumblr writing community#writeblr#writeblr community#writer on tumblr#almas grave#alma's grave#alma moore#oc's#ocs#writers#writing#happy birthday#happy birthday alma#john deacon#story#novel#paranormal stories#writers on tumblr#creative writers#fantasy writer#writers of tumblr
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Play for Today: The Cry (BBC, 1984)
"It's best forgotten about."
"You're not gonna be making a complaint?"
"Complaints? We're not making any complaints! We don't want to know about any complaints."
"Complaints against who?"
"Well, the police."
"Who should I complain to about the police?"
"Well, the police, I suppose."
"What good would that do me?"
#play for today#the cry#1984#christopher menaul#derek mahon#adrian dunbar#michael duffy#doreen keogh#breffni mckenna#carol moore#rio fanning#john keegan#michael gormley#peter quigley#oliver maguire#derek lord#birdy sweeney#stella mccusker#denys hawthorne#one of the very final Plays for Today before the series was formally shelved in mid 1984; adapted from a short story by celebrated Irish#writer John Montague‚ this is a short‚ tightly wound entry among those final plays. it concerns a Northern Irish journalist returning home#and witnessing first hand the casual brutality of the Ulster Special Constabulary (commonly called the B Specials) in the late 1950s#the focus however is not on the act of violence which opens the play‚ but on the reactions of the local populace: Dunbar's journo decides#to write about the event (pushed by his father‚ a revolutionary who'd rather his son used a gun than a typewriter; the scenes of them#debating political activism could very easily have been laid on too thick but actually they're pitched just right). he's met with fearful#silence at every turn‚ with nobody willing to speak up and face inevitable reprisals. it's a horribly tense piece; through modern eyes i#kept waiting for some terrible fate to befall Dunbar (ie. his being killed) but actually‚ as the play makes clear‚ his terrible fate is the#disillusionment he suffers: in the people he once respected who he now views as cowards‚ in the system he once felt neutral about but now#detests‚ and in his own ideals about using a free press to bring about substantial social change peacefully‚ which now appears impossible#Menaul ends the play with news coverage of the violent suppression of protestors a decade later; it's a powerful end to a powerful piece
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Excerpt from an untitled poem Lord Byron sent to his publisher John Murray, which has never been officially published due to profanity — 8 January 1818, Venice:
12.
Now, I'll put out my taper
(I've finished my paper
For these stanzas you see on the brink stand)
There's a whore on my right,
For I rhyme best at night
When a Cunt is tied close to my Inkstand.
13.
It was Mahomet's notion
That comical motion
Increased his "devotion in prayer"—
If that tenet holds good
In a Prophet, it should
In a poet be equally fair.—
14.
For, in rhyme or in love
(Which both come from above)
I'll stand with our "Tommy" or "Sammy"
But the Sopha and lady
Are both of them ready
And so, here's "Good Night! and God dammee to you dammee!”
source: “BYRON’S CORRESPONDENCE AND JOURNALS 10: FROM VENICE, JANUARY 1818-JUNE 1819” Edited by Peter Cochran
#Tommy/Sammy = poets Thomas Moore & Samuel Rogers#inkstand = dick#byron often joked that his dick was his pen#see: epistle to mr murray & beppo#that comical motion#lord byron#poetry#writing#wit#funny#or not#the romantics#romanticism#english romanticism#english literature#literature#the geneva squad#venice#john murray#poem#byron#chaotic academia#funny academia#bawdy academia#georgian era#19th century#early 19th century#european literature
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he almost doesn't remember what it feels like to be this close to his brother. it stings, at worst, like a thousand needles piercing his skin and he can't tell if its because of his ire for him, the bloodthirst, or if it was simpler than that. if it was simply that he could have been right there if he had come a little earlier or waited a little longer.
it didn't used to be this way. the rage. early on, he'd missed him. he forgot, if only briefly, the crime committed against him and wished for them to be the boys they were again. it used to be them against the universe, an impossible feat that may have been but they found some semblance of humor in it. the universe cursed them once, destroyed them, surely it wouldn't dare to do it again.
that was a long time ago. now it twists in him something awful, a black torturous anger festers in his heart. its been there for years, growing darker and fueled by the trail of blood he's left behind him. it doesn't worry him, the sight of this girl ... @cerynitiis. he's seen her a few times before. in certain ways, she reminded him of her. she was beautiful, fiercely loyal, and too stubborn for her own good.
" do you ever get tired of it? " he's not looking at her, not directly. a framed picture on a mantel though ... a delicate thing, the mirror of himself and her. an almost what could have been. " running, i mean. do you ever get tired of it? does he? "
#cerynitiis#* 𝘪𝘯 𝘤𝘩𝘢𝘳𝘢𝘤𝘵𝘦𝘳 . john moore.#man i forgot how fun he is to write#this poor tortured bastard#i love him#i can just imagine this is somewhere not exactly before bradly starts to give in but like... its become a thought#they're older. the bodies are piling up. there aren't many more places to go.#>)))#rubs my evil hands together
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from chloe melas' instagram story
#the caption added for john orloff is so funny to me i feel like that xkcd comic:#'hbo war is second nature to us hbo war fans-#so it's easy to forget that the avg person probably only knows webster was lost at sea and blithe didn't die in '48.'#'and john orloff spent years writing the script for masters of the air of course' 'of course!'#masters of the air#hbo war#chloe melas#jonas moore#john orloff#world premiere
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Ties That Bind (Pt. 3)
Summary: Blair is captured behind enemy lines. The primitive relationship she shares with Soap may be dead before it truly has the chance to live.
Pairings: Johnny “Soap” Mactavish x F!Original Character
Words: 7.9k
Warnings: Swearing, injury/gore, references to torture, slight insinuation to SA if you squint
May 23rd, 2021
Stirling Lines, Herefordshire, UK
Focus is a forlorn concept.
This brief couldn't be any more boring.
Half of the issue is the details have been intensely scrutinized a dozen times over with Kate Laswell until the back of Blair's eyelids is painted with the blue light of the projector screen. Another part of the problem stems from the late morning hours when Blair's body is flying on a measly four hours of sleep after catching a red-eye flight into the UK. The caffeine dependency only brings Blair along a certain distance, the rest of Blair's consciousness relying solely on willpower.
Something else plagues her – this ordeal is a three-headed monster, and the third part of the beast has no policy inhabiting the spaces of her brain. Plaguing thoughts ram themselves deep into the cerebral cortex like a splinter wedged under her skin. She should know better and do better. This has no place in her mind, not when duty is on the line.
Leg jostles as she swirls the endmost contents of coffee in its cup. She nearly jumps from her flesh as Colonel Lyons concludes the brief, and the room illuminates in full from the fluorescent lights overhead. Blinking, eyes glance at the eight other men, two Americans and six Brits, all rising from their seats. Lieutenant Spears, a SAS soldier, nods in Blair's direction and murmurs something about seeing her that afternoon for their flight to Germany.
They'd be subjected to another brief with German Special Forces in the evening. By 0200 hours tomorrow, a joint force of Americans, Brits, and Germans would be storming the estate of German gunrunner Hans Behrend.
Lofting her empty cup into the nearby trash bin, Blair departs the brief room with a stifled yawn. Her stomach, already clued in on the severe deprivation of food, gives a raucous protest as she weaves down the halls of the administration building and outside.
She's starving. But she also needs to locate him.
Him. John Mactavish.
The op in Al Mazrah had gone south in January. An entire squad, save herself and fellow 141-comrade John Mactavish, killed in action by the overpowering of the insurgents (the way the details were summarized in the reports still haunt her mind). These facts don't often bog Blair down, but the finer details still linger like a ghost. The intense desire to keep Soap alive. The hours wedged into an old garden shed, Blair sharing stories (see: her life trauma) to pass the hours. How she couldn't, nor wouldn't, leave his side until they'd made it safely back to base (even then, Soap had to be the one to dismiss her).
They sent her away before Johnny had been discharged from the hospital. Across the ocean to her American homeland, sent chasing after shadows before General Shepherd commandeered her back onto a flight to Europe. This op came in the variety of Bulgaria, partnered alongside Lieutenant Simon "Ghost" Riley.
The duo seldom swapped much of a conversation, Blair relatively content keeping to her own realm while Ghost didn't seem to have a social bone in his body. At one point they'd brushed elbows over Al Mazrah, Ghost mentioning off-handedly that Mactavish had been sent back to the UK for R&R and reconditioning. The news cleaned out the guilt and worry that gnawed at Blair since she'd left the base in Cyprus, and while her mind desired to press Lieutenant Riley for more details, she knew better than to let her affections be compromised by Ghost's slick intuition.
Soap is safe. That much qualms her worries.
She only wishes it doesn't take until the end of spring to be catching Soap once more.
The mess hall is dwindling at this hour. There are roughly twenty minutes before operations shut down and soldiers return to their duties or back to their barracks. Tentative eyes scan the seating, bouncing on her heels as she goes through the motions of procuring a tray of what could be classified as mystery meat, a heap of undercooked green beans, and a blueberry muffin on the side.
Hope dwindling, Blair almost resigns to locating a lonely seat at the end of a table to dine alone when her eyes fall upon an undeniably familiar form. It's the man's unmistakable mohawk that seizes her attention. The sight grabs the air locked in between her ribs, her heart thrumming against the hollow space.
(She remembers the giddiness, akin to the same vibrations she'd get the mornings she'd turn in the old bedsheets of Sierra's childhood bed, finding herself nose-to-nose with the woman she'd swore she'd take to the ends of the earth with.)
Pulse ripples. Ushering her shoulders back and tilting her chin, Blair takes purposeful strides toward the table Soap occupies.
He sits with several other unrecognizable soldiers – a collective of fanboys, for all Blair cares. She isn’t allowing the masses to prevent her from seeing Soap after over four months when the last time she’d seen him, he’d been occupying a hospital bed. She ignores the foreign faces, unbothered by the gang of wet-behind-the-ears operatives. Landing her tray on the tabletop, Blair sidles down into a space allocated between Soap and another soldier – a space, in reality, much too small for even the woman, but she shoulders without apology into her seat.
"Gentlemen," she greets with a nod at the blank faces staring at her. Leaning her head towards Soap, an impish smirk creasing her lips, she then greets, "Sergeant Mactavish."
"Lieutenant," Soap utters, stumbling over the word.
"Don't look too surprised," Blair remarks coyly, blue eyes gleaming.
"Well, my sincere apologies, hen, just didn't think to see our beloved American so soon."
The other soldiers all exchange unsavory glances with one another. Something wanted to be mentioned, but each individual seems to withhold their comments. The dynamics, however unspoken, are extremely clear in this group. Soap may be friendly to a fault but commands respect amongst the crew. Whatever sat on the tongues of these soldier boys will die in their larynx before being summoned to existence.
"They shoot ya over here to embarrass another base of finest soldiers here in the UK?" Soap teases, head tilting towards the blonde soldier with dark brown eyes. "Reeves here might need some humblin'; bastard thinks he's the fastest thing in selection for the SAS."
The soldier, Reeves, squeaks in protest. A reddish blush dapples his cheeks and neck as he fumbles for an excuse, only for the scathing group around him to start heckling him.
Blair puffs her cheeks, chortling at Soap's comment. "If only that were what brought me 'cross the pond," Blair muses with a bit of deflation. "My talents might be goin' to waste. But I'm part of a joint op. Headin' to Germany here soon."
"Germany," Soap repeats with a quizzical look.
She affirms with a nod.
There are no more questions. Both soldiers know that even if asked, Blair's best interest and her automatic reply would be to stonewall the queries. At this point, most attention is riveted to teasing Reeves and others being poked fun at, but Johnny's focus never wavers from Blair.
"Todesser?" Soap murmurs. His voice low and rough.
Blair remains quiet, shuffling remnants of the green beans on her plate. She only nods softly, never verbalizing the confirmation.
"Is Captain–?"
"I can't answer anything else, Soap," Blair calmly states. Her tone edges with reproach, the woman perplexed by Soap's sudden rigidity over her mission.
Soap grimaces. "You're going to get killed," he huffs.
Their blue eyes lock after his utterance. Soap realizes his remark falls out of line, and Blair quickly hides behind the walls of her typical stoicism.
The two lapse into silence. Blair hastily downs the food before her, not wasting time determining whether it's tolerable or treacherous. The soldiers around them keep jesting, Blair interjecting with razor-sharp remarks to ground these hot-headed boys. There's an unspoken air of tension that counters Blair and Soap, a static thick enough the air could snap.
Hastily, Blair gathers her trey once she's finished her meal and bids the lively bunch of soldiers goodbye. Her cheeks burn as she disembarks from the mess hall, making it only to the outside door before Soap closes in.
"Blair, wait," Soap calls. He manages to catch up and fall into stride with the woman.
"I have a flight to catch, Mactavish," Blair reports stonily.
"I'm an arse. I didn't mean it like that," he apologizes fervently. "It's just…Todesser is dangerous."
Blair snorts, animosity settling in her veins. She's accustomed to unsolicited opinions and the oversight of a man – despite her credentials, her tact, and her kill record. She's a woman in a man's field, and she'll never belong. The emotion of feeling like Soap underestimates her feels like gravel and sand against an open wound.
"Dangerous," she echoes. "He's a fuckin' terrorist. They're all dangerous."
"It just…seems like an undertaking for an elite squadron. Not…"
"Three of the best covert operatives from the US? A squad of SAS soldiers and German Special Forces?" Blair questions vehemently. The moment the fire brims from her tongue, Blair regrets the immediate defensiveness. Her shoulders slump, an exasperated sigh exiting her lips. "Soap, I'll be okay."
"I-I know. It's just…" He chews on the inside of his cheek. "I worry 'bout ya. Al Mazrah and everythin' was a mess. We lost–"
"You and I have lost people before…" she interrupts. Seeing the flash of panic and concern that caresses his features, Blair relents. She reaches and folds her hands along the sinew of his forearm, giving it a gentle squeeze. "I'll be careful. I always am." There is a fleeting pause before Blair's lips curl faintly into a morose smile. "But doubly, seeing as you won't have my six this time."
Soap leans back onto his heels, smiling faintly. "Those boys better take care of ya."
"You SAS boys hardly ever fail."
Her comment does little to quell the inkling of worry that still festers in his gut. He forces a smile to play across his lips, unaware of the joking remark in her rebuttal. Blair bids farewell, mentioning the packing required before she hopped on a transport to Germany. She's several meters away when Soap finally snaps back to attention, heart pounding.
"Moore," Soap calls.
She halts, pivoting to face him. Her straw-blonde hair shifts in the wind, a plaintive smile creasing her lips.
Ask her out, ask her out, his mind patronizes.
"I-uh…" his brain seizes. "Good luck. I-I'll see you when you get back."
She pauses, nodding solemnly. "Sir, yes, sir," she quips with a lazy salute. "See ya soon, sergeant."
***
He hates running.
For Soap, he'd do the bare minimum for his PT tests when it came to running. Luckily the scores weren't based solely on those averages because Soap typically cruised in at the lower end of that scale. But he'd started running more once his leg healed. Blair ran. She ran a lot. He figured it could be a decent common ground.
Goddammit, Mactavish, yer a whipped sonuvabitch, aren't you? Each step chastises him as the treadmill belt rolls miles under his feet. He's a hair under 3 miles logged when Sergeant Garrick strides into the gym. Dark eyes scan the soldiers milling about, spotting Soap and making a beeline in his direction.
Soap tugs his headphones from his ears, pressing the Stop button. His stride declines, chest still panting.
"Mornin', Gaz," Soap greets with an exhausted smile. He reaches up with the back of his arm to wipe away the sweat that drips from his forehead.
"Brief Room C. Ten minutes," Gaz states. No formalities. No smiles.
Soap blinks, blindsided by the sudden command. Shock infiltrates his core. "What the hell is going on?"
"Dunno. Cap said it was urgent. Let's not keep him waiting, yeah?"
Gaz waits for Soap to gather his things from the locker room, both soldiers falling in step with one another as they make haste for the administrative building. They find John Price setting up his computer in one of the smaller brief rooms, a line of worry tracing across his forehead.
John Price has two emotions that ever reveal themselves. Sobering stoicism and bottled-up rage. Occasionally, he might fancy himself a smile when impressed. But the fatigue of disdain that paints his skin is enough to cause alarm for Soap and Gaz, seeing as they'd hardly ever witnessed such response from the Captain.
"What's goin' on, Cap?" Soap all but demands. His mind has revolved around every crisis requiring Gaz and Soap for an immediate brief. The world around them wasn't on fire, but that scenario isn't completely negated.
"Call from Laswell," Captain Price informs. There are no other details to it.
The soldiers all shift uneasily. For an emergency call directly to Price, it meant something dire. Kate Laswell has almost any American military and counterintelligence agent at her disposal.
Advanced operatives only. An individual she could trust. Maybe the world truly is ending.
The icon appears on the computer screen. Price hits the call button and the screen pops up.
Kate Laswell mirrors an expression similar to Price's. She's always tight-set, but the lines of worry betray her face. The screen lags for a second as it establishes a stable connection.
"She's missing."
There's a pause as the three soldiers exchange glances
"Who?" A chorus of voices came.
"Rogue."
The air in the room compresses. A pair of craft scissors could slice through its density as all three men share a mutual shift in dynamic. Soap feels the blood in his body chill, fingernails digging into his palms.
Not Blair.
The inevitable silence is only interrupted by Kate as she begins to rattle off details. "She went dark four hours ago around 0430 local time. Her squad returned to the surface within the hour, and could send traffic.”
"What the hell happened?" Gaz growls.
Kate's face, already somber and serious, draws tighter. "A firefight, which had been anticipated. But there was an explosion and a fire. Comms went down. Officials have immediately declared her MIA."
"Fuckin' hell," the Captain breathes.
"Did they even look for her?" Soap demands, the outrage clipping in his tone.
"This was black ops, Soap," Kate responds. "Neither the US, Germany, or Britain can authorize reinforcements to locate her. Right now, they want their soldiers sent home, and objectives reevaluated."
"No one's goin' for her?" Soap bursts. His cheeks burn as his eyes flick to Captain Price, embarrassed for speaking out.
"Neither country can allocate the individuals to rescue her at this time," Kate repeats differently, articulating her words. Same implications, a different tone.
"This is ridiculous," Soap breathes under his breath. Gaz flashes him a warning stare, painfully sympathetic but warding Soap to remain in line despite the circumstances.
"My hands are tied," Kate informs.
"Not mine," Price announces. Without any further contemplation, he states, "Send me coordinates and details, Kate."
There's a soft sigh laced with relief from Kate. "Will do, John."
"We're gettin' our girl back home. She's alive, there ain't a doubt about that."
***
One is none.
Blair knows better, but her hubris got the better of her. Armed to the nines, assault rifle slung around her shoulder, a pistol holstered on either thigh and a combat knife packed close to her heart, Blair truly believes she's invincible. Without her weapons, she is just as dangerous.
They needed a team to flank the compound. But Blair saw the back entrance and the guest house, and her gut said Niko Behrends would be found somewhere within.
She wasn't wrong.
She'd just sorely underestimated the personnel employed to protect the information broker and gun runner. She eviscerated two of the men while accessing the home (severed arteries, mutilated body parts – Blair had not been kind or clean about the actions), only to be brutally beaten by Behrends personal bodyguard, Hugo.
The next hour is a lucid fever dream. Behrends snide remarks are lost in the fog of what is likely a concussion. They drag her to a maintenance garage at the edge of the property. She's drenched in blood, so they douse her in frigid water. They strip the mask she had pulled over her face and take her tactical vest off and discard it. Dragged back to one of the support beams, they tie her up and wring her out for information.
There are three men. Neither Behrends nor Hugo join them, but the head honcho is a massive brute with a jagged scar along his jawbone. Blair mentally labels him Vollstrecker. Enforcer.
"Do you speak German?" He asks in his native language.
Blair glares and, through clenched teeth, replies back in German, "Go fuck yourself."
Something slams into the posterior of Blair's skull. The butt of a rifle. Her brain seems to rattle from the force, ears hissing like a chorus of cicadas. She sways, catching her breath in her throat.
"You get to determine the simplicity of this all," Vollstrecker remarks. He squats down on his heels, leveling himself to Blair's eyesight. "Stubbornness will only cause more pain."
Blair pants, drawing long breaths in an attempt to steady her racing senses. Pain isn't her biggest foe, it's the fear that typically walks hand-in-hand with the factor, and that's what her captors were banking on breaking her. The woman mentally psyches herself, trying to remind herself to hold steady. Hold the line, like she'd been taught in basic training years and years ago.
(Carl Moore had ensured Blair feared very little in her young years. Military training had been the icing on the cake for an agent like Blair.)
"Let's start easy. What is your name, liebling," he quizzes. His voice is lowered, almost deceptively kind if Blair allows for that reality.
"You're wasting your time. Kill me. I'm not going to say a fuckin' thing to you motherfuckers," she snarls. Her words were cut by another hand across the face. Blair spits, pausing momentarily as the heat dazzles across her face. "You'll have to try a lot harder than that."
Vollstrecker clicks his tongue, head shaking. "Can't say I'm disappointed."
He rises to his feet, motioning to his men. They flash one another a look before one steps forward, grasping Blair by the fabric of her shirt and hauling her to a standing position. The other aims a poised punch into her abdomen. It hits squarely in the solar plexus, triggering a chain reaction of muscular spasms in Blair's diaphragm. She seizes, biting down on her lip as she tremors for a breath of air. What is mere seconds feels like an excruciating eternity before oxygen floods back into her lungs.
Blair trembles, bracing her core as several more blows land against her body. She counts seven and eight, but nine never comes. There's a lull in the combat. Her head spins. Her insides quiver.
"Are you convinced yet?" Vollstrecker questions, his tone tainted with arrogance. He hums a bit. "That's just the icing, liebling. We can go all night with this unless you just tell me what I want."
Blair scowls. Damp tendrils of her hair cling to her face. Sweat pours from her skin. The acidic taste of metal burns the back of her throat.
"Who sent you?" Vollstrecker prompts.
She sucks in a deep breath. Articulating in German, slow and contemplative as if speaking to a child, she states: "I don't know a fucking thing."
There are handbooks about torture. Blair could've written novels by now on the subject. It's an inevitable part of warfare. An inevitable part of combating against the boogeyman. But it never fully prepares a soul, because every facet of torture is dictated by unpredictable variables. The only thing that can be controlled is the self.
Adrift in the vertigo of pain and dismay, Blair retreats back to the protective recesses of her mind. It's a sacred territory she hasn't unlocked in years. Not since Bosnia, some three or four years ago (she tries not to keep a tally on the ordeal, the volatile nightmares that occasionally haunt her twilight were enough). Every operative trained in counterterrorism and behind-enemy-lines assignments has constructed this dwelling place for this specific reason.
Blair's is a rocky outlook somewhere in Utah. It resembles Zion National Park. She lays on dew-sodden grass, staring at a vast, starry canvas above her. Her memory is futile in repainting the scene, but it's enough to transport her battered frame from the warehouse in Germany. Previously, Blair would lie next to Sierra or Conrad, both individuals she had to lay to rest, literally and figuratively. Now, she looks to her side, and she sees John MacTavish.
His presence in her subconscious is overwhelming. Her pulse heightens. Her chest flutters with a hummingbird beat. She doesn't know what to do with this situation. But the savagery she faces in the flesh pales when her mind is thousands upon thousands of miles away.
She remembers his warmth in al Mazrah. The way he'd grabbed her hand when they'd been under fire. They'd held one another before extract. The way he felt, flesh and bone and sturdiness, still emblazoned on her skin. They'd nearly died, but Blair couldn't help but thirst for that insurmountable closeness they had shared.
She may never be able to touch him again.
That desire is dead in the water before it had truly been born.
Vollstrecker and his men must grow exhausted by the lack of response they solicit from Blair. The final round of infliction, where one man broke Blair's pinky, concludes their focused efforts for the time being. They let her drop back to the floor, Blair's body landing with a deafening thud.
She rolls, releasing the contents of her stomach onto the grimy cement floor. She hears one of the men utter as if the blood and gore are tolerable, but vomit is where he draws the line. Blair blinks back the tears and glares at her captors, teeth bared. She looks like a wounded animal, bound back from being feral but with rage blazing like a supernova under the surface. Vollstrecker seems less fazed, actually more amused than anything, by Blair's poor state. His lackeys shift uneasily, frightened by the radiation of anger that expels from Blair's frame.
"Leave her. We'll let her simmer for a while." He kneels, propping Blair's jaw to gaze into her eyes. He uses his thumb to wipe the spit from her chin. "Perhaps you'll be more compliant in a few hours."
"Fat fuckin' chance," she growls. Her voice is hoarse.
He drops her. Her nose falls back into the puddle of bile on the ground. Blair cringes but doesn't move until all three men evacuate the room.
Her senses feel like television static. An image beyond the fuzz trying to coagulate. She's nauseous from the pain sloshing through her system. The pain is so prominent that Blair is hardly bothered by laying in her own vomit and bile. She remains limp on the floor, shoulders twisted in an uncomfortable mess, for an eternity. Mustering her strength, Blair shifts into a seated position. Sweat, blood, hair, and vomit cling to her face. She blinks back tears still residing in her eyelids away, gathering a long breath to compose herself.
Everything throbs.
The pain won't beat you first; the hopelessness and panic will, an instructor's voice (who, Blair can't classify the face or the name in her gyri) warns from the depths of her hippocampus.
Neural circuits begin to reconnect. Blair inspects the dark building. There are cabinets against one wall, and a few tools propped precariously in a corner, obviously never making their way back into their homes. There's equipment covered by a tarp, something Blair assumes is a lawn mower. Immediately, Blair can pick apart a dozen useful items.
They should've never left me alone.
***
"Radio silence unless you have eyes on Rogue," Captain Price indicates. He's taken a spot on the hills above Behrend's estate. Sniper barrel trained on the sweeping terrain below.
Songbirds chorus around Captain Price, a sweet, innocent praise to the tepid spring midday. In any other situation, John Price may find it ironic that he's stationed in this beautiful foliage surrounded by harmless songbirds and a nice view, arms cradling a weapon with bullets that could pierce a skull in milliseconds. Paint the ground with blood and brain matter.
(He intends to do so if he sees the men that took Blair hostage.)
It's been twenty-nine hours since Blair Moore has gone missing. Here, embedded in the dense foliage of the Black Forest in southwest Germany, the team of John Price, Kyle Garrick and John Mactavish, along with three individuals in their extract team, have come to retrieve Blair.
Behrend's estate is cobbled with chaos. Workers and individuals mull about the half-singed mansion, dragging things to the massive dumpster parked in the driveway. Price almost denotes the shame of the ruined architecture, the home seemed decades old and a piece of art. Whatever occurred now two nights ago had destroyed a majority of the home.
Eyes sweep across the vantage point of the property. Behind the mansion is a garden, and beyond that, a small barn and pastures housing three broodmares. It's a little gem lodged in the forestry of the terrain. Looks were deceiving when it homed one of Europe's most dangerous gun runners.
Soap had entered the property from the northwest, while Gaz had from the east. They'd sweep the remote parts of the property, since the likelihood Blair had been located in the dilapidated mansion was minimal.
In the northeast corner is a maintenance building. Tucked away from plain view from a majority of the property. Its private structure is still visible from Price's post. He squints, jaw tightening as he sees a billow of ashen smoke spit from the infrastructure. He trains his scope on the area.
There's a figure that trudges from the door of the building. While distant, John Price can't help but recognize the tattered figure and the mane of gold hair that undeniably belonged to Lieutenant Blair Moore.
John reaches up and presses the button on his mic. The fuzz in the comm shifts.
"There's smoke coming from the northeast. Maintenance building," Price informs. "I see our girl. Move in."
***
There isn't anything Blair is if not resourceful. The ropes are twisted and knotted in a nasty fashion, and she swears her fingertips are worn bloody by the time she slips them loose. But she liberates herself. One step in the right direction.
While her vest remains in the building, her knife is nowhere to be seen. Her guns had never even made it to this building. They've removed anything remotely useful, leaving her med pack, a flare, few other miscellaneous items, and her stash of gummy bears.
Humoring her sweet tooth, she wiggles a few gummies from the bag before hastily scanning over her options located within these four walls. Fingers trace over yard tools. Sheers. Shovels. She grips a screwdriver in one hand, limbs trembling as she hears the grind of tires on gravel. A vehicle has approached, and Blair doesn't have the liberty of time to plot her next movements. She skids across the floor to the support beam, wrapping her arms around and shuffling clumps of rope into her palms.
Vollstrecker comes alone.
He strides into the building with an air of arrogance. Like a predator marching up to a sickly, immobile piece of prey. Blair glares at him through strands of unkempt hair.
Fiddling with a box of cigarettes, he draws one up to his lips. In another hand he takes a match book, striking a match to ignite the end of his cigarette. Waving the match to kill the flame, he flicks the dead thing in Blair's direction. He stands there, massive body towering over Blair as he takes several long drags. He releases the smoke into the air.
"Anyone tell you not to smoke indoors," Blair rasps. Her words laced with venom.
She glares up through deranged bits of her hair. Jaw hinged shut. Teeth nearly bared like a hungry wolf.
Vollstrecker flicks a glance in Blair direction, amused. He approaches and brings himself to a squat, leveling his eyes to Blair's. He takes one last draw from his cigarette before extinguishing it on Blair's arm. She catches a gasp in her throat, teeth razing into her tongue.
"Who sent you out after the wolves?" He asks, tenderly caressing her cheek. A broad smirk twisting along his lips. "A shame to waste such a face on this dirty line of work."
The calluses of his palms brush like sandpaper along the refined skin of her face. Blair's flesh itches as she tries to jerk away from his tainted touch, the back of her skull knocking against the support beam.
"Nothing but a lying, treacherous whore, aren't you?" He hisses.
Blair's heart gallops against her chest. She releases the rope from her hands, fingers curling tightly around the screwdriver in her right hand. Muscles ripple in her forearm as she shifts and relaxes her shoulder to prepare for her strike.
There's a shuttering quiet that enters her brain.
It's as if the waves of time suddenly ebb to a halt. Blair stares at Vollstrecker with an amount of unperceived rage. An anger more volatile than a dozen nuclear fissions set off in the body.
Vollstrecker rises, fingers trailing to his waist to unbuckle his belt. She doesn't hesitate, springing into action and launching herself up to barreling into Vollstrecker's frame. It's a swift instant. Blair transforms the existing situation of helpless victim, projecting herself into the role of perpetrator. His balance compromised, Blair aims the tip of the screwdriver into his throat, sinking it past the shank and to the handle.
Hands cling to her arms, a dying attempt to cease her actions. He hadn't even the second to scream, a muffled, agonized gurgle spitting from his mouth. Blood pours from the wound, a liquid crimson spilling out onto his skin, Blair's hands and the floor. His thrashes to unmount Blair are futile. He's too far gone.
He might be dead, or maybe the final gasps of light exiting his body, when Blair continues to dig the screwdriver into his throat and chest. Her breaths come in rasping pants of despair, vision blurred as she strikes bone and cartilage and soft tissue. When things finally simmer, the massacre that is Vollstrecker lays underneath her.
Lungs depress. Hands slump. Blair gently rolls herself off of the man and scoots away from the carnage of his murdered body. There's tears stinging her eyelids – not from fear or shock, but from the tumultuous ire that had beset her. She can't mull over her treachery for too long, dragging her exhausted frame to a standing position. She needs to escape. And now.
The first thing she needs is to create a massive diversion. Bringing the foundations of this damned building down would suffice. An easy task when Vollstrecker inadvertently gifts her the matches, and the gasoline packed away for the lawn vehicles remain at her disposal.
Kicking over the gasoline can, the pungent liquid burns her nose hairs. She watches it dance across the cement, a deadly ballerina pirouetting to blanket a massive area in the center of the room. The afternoon sun glinting through the singular window on the door makes it gleam. Shuffling towards the door, she props it open before unpocketing Vollstrecker's matches. She strikes one, watching the flame dance at the end of the stick before flicking it into the garage.
Flames eat the building.
The searing heat pushes Blair away quickly. She turns on her heel and rushes to the vehicle that had brought Vollstrecker here. The buffoon had left the keys in the ignition and the door unlocked. Blair starts to scramble into the driver's seat only to see another vehicle barreling down the drive.
The SUV spits as Blair twists the ignition. The engine has hardly chugged to life before Blair is throwing the vehicle into reverse. She doesn't hit the gas pedal before the second vehicle slams into the fender. The SUV bounces several feet, Blair's forehead smacking into the steering wheel.
Ears ring. Mind bleeds. Blair isn't sure she's even conscious, but revives back to life as two men tear her from the driver's seat and drag her across the cement. There's harsh German words, something she fails to interpret in this grueling state.
She scrambles on her hands and knees, gravel digging into her palms. One man fists a handful of hair and yanks Blair's head back. Blair heaves, blinking up at the shadowy expression through foggy optics. Fear sinks deep into her cells.
And then blood sprays. His body hits the earth with an unceremonious thud.
Before either Blair or the remaining man have time to react, the other man pitches to the ground with a shower of red. Another sure shot, straight into the cranium.
Somewhere in the distance, John Price has once again played her knight in shining armor.
***
"East, Soap. About two hundred meters from your position."
Soap has been in about every type of operation. He's more used to having several of his brothers or sisters flanking him or on his six. Out here on Behrend's estate, the only cover Soap has is the camouflage of his uniform and the faint dependency that Captain Price offers overwatch. Even then, he knows Price's eyes aren't necessarily locked on him, but scanning for a sign of Blair.
Price's voice coming over the comm half-startles the seasoned soldier, shivers tracing along his arms.
Our girl.
Her. Rogue. Blair Moore.
My girl.
Soap pivots and sprints through the thicket. His heart thunders against his chest as he slides down a small ridge, shouldering past a thorny bush that clings to the fabric of his uniform. It snags through, catching his skin, but Soap has little allowance for his body to register the pain. Blair is here, and that is the singular thought that monopolizes his mind.
Every fiber of his being is refined and focused to reach Blair. The desperate need to protect her permeates his essence.
He trips, boots catching on turned up earth, into a clearing, eyes landing on two bloodied bodies and a shaking figure. He starts to sprint again, balance in full composure, closing the distance as Blair plucks a gun from one of the felled men.
Soap slides to a stop ten feet from Blair, met with the barrel of a pistol pointed in his direction. He holds his hands aloft, rifle hanging from its strap against his chest. There's a moment of contemplation as Soap tries to muster the words to soothe the feral woman, all while Blair's brain itself connects the imagery to her memories.
Never before has Soap witnessed such unhinged rage devouring the woman. In combat prior, she'd always kept a composition of coolness no matter the circumstances. She'd been through just about every militarized situation in the handbooks and then some, the calmness ingrained on a molecular level. But here, reduced to a level of primal survival need, Blair emanates with the undiscriminated choler of a lioness.
The relief, though, floods through her body like a possession. Fingers grow limp, the pistol hitting the ground.
"It's me, Blair," is all he states.
He reaches up, tugging the gaiter that clads the lower half of his face to reveal himself.
Her torso slumps, palms stopping her from planting face-first into the ground. He's at her side in an instant, hands securing themselves around her battered frame. The adrenaline and sheer willpower saps from her like evaporation, disposed with the bile that she coughs onto the ground.
"Hey, hey, hey," Soap murmurs, pulling Blair into a seated position into his lap once her heaving ceases. He holds her like a crux, her head cradled close to his chest. Close enough that she could probably hear the nervous hammer of his heart against his ribs. "I gotcha, yer gonna be alright Blair."
"Johnny…" the word leaves her lips like a prayer. Breathless. Coarse like gravel. Eyelashes flutter as she fights to keep her eyelids open. Throat burns. She can taste the intense metallic flood in the posterior of her throat. "You came."
Soap's eyes darken, a storm along the ocean's evening horizon. "Damn fuckin' right I did," he breathes.
Her lips turn upward. Weakly. An incoherent smile. "Glad ya know how to help'a damsel in distress," she rumbles.
"Price and Gaz are here too. We need to get ya to extract, Rogue," Soap informs. He repositions Blair, hoisting her up as he rises to a stand. Blair huffs slightly, biting back a cry as her wounds burn from the maneuver. "I'm sorry, hen, gotta get movin'."
"I'm okay," she pants. Her forehead burrows into the slope between Soap's shoulder and neck, faint breath dancing along his skin.
"And yer gonna be okay. I'm getting you outta here, yeah?"
"I wanted to see you." Her lips mumble, too weak to project her voice.
"See me?" Soap muses. His words are distant, distracted but still trying to humor Blair and keep her conscious.
"Yeah," she chuckles. It's weak, like the laughter of a dying jester. "Today kinda reminded me of how shitty al Mazrah was."
"That one went cheekily well, hm?" Soap remarks.
"It was our first date."
Soap snorts. He grits his teeth as he repositions the woman in his arms. He isn't going to let her go. Adrenaline kicks are a hell of a stimulant. "That's a horrible first date. Lemme make it up to you."
She chuckles, distantly, as if a lightyear away. "I'd like that."
"I know, I gotta get ya outta here first, Princess. Then why don't we put those dinner plans on the radar, yeah?"
She shutters, body growing limp in his hold.
"Goddammit, stay with me, Blair," Soap implores, shaking the woman in his arms. There's little response from her. He curses once more. "Hold on, bonnie, I'm gettin' you outta here."
Up ahead Gaz slides into their path. His eyes scan behind Soap, rifle pointed in ready. "Half a click to the van. Is she okay?"
"She's holdin' on."
Blair blinks, raising her head a bit in response to the introduction to Gaz's voice. Her vision is fuzzy. It feels like she's listening through cotton. "I'm…here…" she grumbles.
"Good to see ya, L.t.." Gaz rests a gloved hand on her shoulder. "We're bringing you home, yeah?"
Blair chuckles, warm breath dancing along the tender skin of Soap's neck. His fingers fasten tighter around her.
"Let's run," Soap states. Gaz confirms with a solemn nod.
They're off with their girl.
***
The sound of a doorknob turning and the wooden structure swinging open stirs Blair from her slumber.
Her pupils burn initially from the onslaught of light bleeding through the window. Blair blinks rapidly, trying to weather the sensory overload as she awakens in a place completely foreign. It's a bland room, save for the view of clarion blue skies and budding deciduous trees beyond the glass of the window.
Once her initial senses charge, the discomfort and aching and pain come in a subtle wave. She's sure that she's flowing with pain medication, but they didn't entirely pump her full enough to numb the entire sensation. Her ribs constrict against her chest, and her diaphragm bullies the inner core muscles of her abdomen. In her peripheral vision, Blair catches sight of purplish contusions littering her arms and the single singe mark from Vollstrecker's cigarette.
Out of her own curiosity, Blair wiggles all ten toes and then clutches her fingers. Everything is operational. By the graces, and by the tactful decisions of John Price and 141, Blair is safe and sound.
The nurse smiles faintly, acknowledging Blair's conscious state.
"Where am I?" Blair asks. Her voice sounds like sandpaper gritting against metal. She nearly winces at the sound.
"Landstuhl, Lieutenant Moore." The nurse speaks in English. Landstuhl is an American outpost. She truly is the next best thing to home.
Blair releases a long exhale, head pressing further into the pillow of her bed. "My squad…are any of them…?"
The nurse blinks, shrugging gently. "I, personally, do not know. I can ask my supervisor to contact someone."
"That…that would be nice, thank you."
Her nurse continues to assess Blair, asking evaluating questions before departing the injured soldier.
The room is bathed in a serene silence. From outside the door, Blair can hear the shuffle of shoes of a hurried nurse making their rounds with other patients. Somewhere far off, an office phone rings at the nurse's station. Eyelids flutter back shut, Blair shifting her focus to the soft rattle of her lungs. Broken ribs and a menagerie of wounds, but Blair Moore lives another day.
Thanks to 141.
She feels the slight slip of her consciousness. It feels like a slow ebb into warm ocean water, head floating at the surface while the sun sings down on her skin. Suspended in a state of grace. She might've fallen into a slumber did the doorknob not click once more startling Blair into full-fledge consciousness.
Concerned eyes, blue like the horizon opposite to the sunset, peer into the room. Soap quietly shuts the door behind him.
"Hey…" His voice is a rumble above a whisper.
"Johnny."
He grabs a chair and positions it at Blair's bedside, taking a seat.
"Ya worried us," Soap admits.
Blair grins. "I keep people on their toes."
Soap scoffs, head shaking as he reaches to collect one of Blair's bandaged hands in his own. "You're alive."
"That's given I survive any reaming from Kate. There's little doubt that debrief is going to wrap up favorably."
"Laswell was the one who contacted Price to send us in," Soap tries to console. "She of all people were concerned the most about yer wellbein'."
Blair pins her lips downward. "Hans Behrand got away. I also jeopardized two dozen men."
"Yer overthinkin' it," Soap gently presses.
There's an uncomfortable silence as Blair unravels the events of the previous two days in her mind. A violent supercut. The discomfort deep in her diaphragm threatens to plunder her breath. If she didn't forcefully inhale a chest full of oxygen, she would've grown dizzy from the thoughts.
She flits her eyes to meet his. "Thank you."
He blinks, dumbfounded by her gratitude.
"For what?"
"Seein' the silver linin'....and for savin' my ass."
"I owed you for al Mazrah," Soap interjects.
Blair fastens her grip around his palm. "Now we're even, huh?"
Soap shifts uneasily in his chair, eyes dropping for a fleeting second. He draws in a deep breath, shaking his head dubiously. "No. I'd save you a dozen times over, Blair. No strings attached."
Blair hesitates. While her expression remains impassive, the pregnant pause in their conversation speaks enough on the severity of Soap's words. A comrade doesn't just say that.
Her shoulders flex a bit as she tilts her head, smiling faintly. "You're a good soldier, Soap."
A good soldier.
The deflection in her response makes Soap's skin burn.
"Yes but–" Soap pauses, gulping. He can feel the deep scrutiny coming from Blair's exhausted eyes. He bites into his cheek. "I can't explain it. Bloody fuckin' Jesus, Blair."
The edges of her lips turn upward in a devious grin. She squeezes his palm and laughs, wincing as the maneuver constricts against wounded ribs.
"Johnny…I can't help but tease ya."
Soap scowls. "And here I was thinkin' you deserve a good night out. Now I'm reconsiderin'."
Blairs face falls and she glares back. "No, no, you promised! Ya can't fall back on a promise, Mactavish."
He grins, swatting away Blair as she attempts to pinch his forearm.
He leans closer, gently brushing bits of her hair away from her face. "Then it's a date."
The word makes Blair's head fill with static.
A date.
God, she hasn't been on a date in years.
And the one's with foreign kingpins and political bigwigs, for the sake of counterintelligence, didn't count. This was genuine. Two individuals with a mutual attraction.
Attraction.
She can't get over John Mactavish. He's filled her headspace every day since al Mazrah. He's become her safe space when everything around her goes sour. He has no amendment possessing every fragment of Blair's mind, but here he is. And here Blair is, sinisterly enamored by the Scotsman.
He traces the lines of her palm. "Joanna," he breathes. The word plucks Blair back from her lull, sending electricity up her spine.
Pushing her weight onto her elbows, Blair shifts herself into a seated position despite Soap's protests. She heaves herself up, sides stinging but her willpower trumping that reluctance. Soap jumps to his feet, hands cradling her forearms to offer stability.
"Yer stubborn as hell, hen," Soap growls.
Blair chuckles, reaching out and folding her arms around Soap's sides. There's a moment of hesitancy before Soap reciprocates the embrace, grip tender to avoid squeezing her injuries. She kneads her head against his chest. A warm sigh leaves her lungs.
There's never been a place Blair can call home. As a child, the notion of home had really been a prison, and so she lived with that same generalized philosophy throughout her life. People and emotions were a truer concept of home for the soldier. Sierra had once been a form of home. Andrew, however briefly and stormily, had also been a safety net as well. And the last, however poorly judged and mismanaged, had been Conrad.
Her "homes" always seem to burn. Sierra and Conrad had both died in combat. Andrew and her had nursed something so volatile in nature it threatened to burn both of them down. Things just didn't work out for Blair Moore, and she constantly tries to swallow that pill.
But those fears and racing thoughts fall to rest when she cradles herself in Soap's embrace. She's always so apathetic, yet she always falls so hard.
"Thank you, Johnny," she rasps. "For everything."
He smooths a palm along her hair. "Anytime," he responds, tenderly, quietly.
They linger in that embrace for what could surmount to an eternity. Blair eventually laxes her hold, leaning back onto the hospital bed. Soap peers down at her, completely smitten and unadulteratedly infatuated with Blair Moore.
A thought passes through Soap, his face suddenly twisting and a guilty chuckle rattling his chest. "Gaz n' Price are waiting….by the way. The nurse said we ought to ask you if everyone at once would be overwhelming," Soap explains.
"You should've started with that!" Blair exclaims, swatting Soap's arms.
"And not be able to steal this time alone with you?" Soap refutes.
Blair scowls, shaking her head. "You're devious, ya know? Go get 'em, I ought to let Price and Gaz see for themselves that I'm still kickin'."
Soap grins and gives a half-salute. He turns to leave the room.
"Wait, before you go get them…" Blair pleads, reaching a hand out towards Soap. Stepping back into her vicinity, he collects her palm within his own, skin brushing against the fragile layers that hold the fire within that is Blair Moore.
She jerks him forward, clutching a handful of shirt to pull Soap down to her level. Without hesitation, she crashes his lips against hers. Slow. Deep. Without an ounce of regret. They'd nearly died half a dozen times together, and second chances hardly came in abundance. There was no time to waste.
#johnny soap mactavish x original character#john mactavish x original character#cod fanfic#cod oc#call of duty oc#fataliistic writes#blair rogue moore
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So… I might have done something…
Laszlo Kreizler, the alienist, had studied the numberless books filling the floor-to-ceiling shelves in his office at the Kreizler Institute for Wayward & Abandoned Children and in his house in the hope of unlocking aspects of the inner life that people could not or dared not give voice to. Paraphilia, inversion, perversion, urning, dioning. All of these he knew. He had seen them before his eyes. In his patients.
Not in him. Not in him. Right?
The glass touched his lips and Laszlo gulped down the remaining bourbon in it, wincing as the alcohol burnt his esophagus. Then, he placed the empty glass on the mantelpiece and swiftly stared at his reflection in the mirror.
“No,” he muttered and anxiously averted his gaze from his reflection to the intricate frame that surrounded the mirror. Candlelight dimly illuminated the office and randomly danced on its objects, and Laszlo obliged himself to focus on it.
Not in him.
Nevertheless, the thought crept up on him as he waited for the very person who had unleashed an epiphany not long before. “Why must you push away those who care for you?” John Schuyler Moore had asked Laszlo Kreizler in an overwhelming afternoon – the latter had found himself alone in the house and uncapable of unbuttoning his boots. Whenever his nonfunctional arm took the stage, a feeling of failure infuriated Laszlo; and, specifically in that afternoon, the feeling of failure had been joined by the feeling of jealousy after his housekeeper had returned to the house alongside his friend. That sequence of events had culminated in an unfortunate answer to the question – “The question you should be asking is not why I push you away but why you stay.” –, prompting John to leave Laszlo. The feeling of emptiness that replaced the others was paradoxically familiar and foreign. Familiar because he… Had felt it in regard to Mary, but foreign because he… Had never felt it in regard to… John.
Do I watch this gif on repeat every single day bc I hope someone will one day make a fanfic based of the way Laszlo looks at John? Yes.
#this is just a draft but... yeah... i got carried away by that gif...#who knows... this might turn into an actual writing...#also... sorry for any mistakes! english is not my first language!#john schuyler moore#laszlo kreizler#kreizloore#the alienist#nat writes
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CHAPTER FIVE IS OUT AND ITS EMOTIONAL AND ANGSTY AND I WOULD LOVE FOR YOU TO READ IT!!!!!!!!!!!!!!
Chapters: 5/?
Fandom: Supernatural (TV 2005) Rating: Explicit Warnings: Graphic Depictions Of Violence, Major Character Death Relationships: Jessica Moore/Sam Winchester, Jessica Moore & Dean Winchester & Sam Winchester Characters: Sam Winchester, Jessica Moore (Supernatural), Dean Winchester, Bobby Singer (Supernatural), John Winchester, Real Tyson Brady, Luis (Supernatural: Pilot), Original Supernatural (TV) Character(s) Additional Tags: Complicated Relationships, Love at First Sight, Established Jessica Moore/Sam Winchester, Jessica Moore Lives (Supernatural), Angst and Fluff and Smut, Eventual Happy Ending, Hurt/Comfort, emotional af, Season/Series 02 Series: Part 3 of What Never Was But Should Have Been Summary:
Despite knowing about the Family Business, Jessica Moore has committed to being with Sam Winchester. Medical School, Law school, the Supernatural, and other secrets make balancing their two realities feel nearly impossible. And it may prove to be the most difficult challenge they've faced yet.
#sam winchester#Jessica moore#samjess#jess moore#sam/jess#Sam and Jess#Dean WInchester#John Winchester#supernatural#spn#writing#fanfic#the cw#angst#a bit sad#still hate tagging things#spn fanfic#spn fandom#love#a03 fic
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So lets say we do Hound of the Baskervilles, but we do it a little differently.
We could try opening it with John getting off a train. He’s alone. Its been so long since he’s left london, nearly four years. Maybe we don’t know if this is before or after the hiatus. We don’t know if Holmes is alive or dead. And john is out on a haunted moore Alone.
Maybe Henry Baskerville is handsome and funny. He doesn't like being told what to do, especially by john. Maybe he drinks too much. This man is just like his brother, maybe just the way Henry Watson was before John left for university, when there was still hope that he could change. Now John has to protect this man who is just like his brother. He’ll get it right this time he’ll keep him alive.
Then there’s a woman, who is very kind and very lonely and she’s very brave. She’s so unlike Mary. Mary would never have married a man like Stapleton. Something about her eyes though, its enough to conjure another ghost to this haunted place.
And all the while John is writing. He’s writing because that’s what he does best. That and taking care of people. He doesn't think about the fact that the last time Holmes relied on him he let him down. Doesn't think about the fact that for a while now when someone’s life has been in his hands he has lost them. Henry, Mary, Holmes.
If Holmes was here, would he laugh at John for thinking the moore is haunted? Maybe. But he himself returned from death. So perhaps it would be too far-fetched that in the howl of the hound John can hear the thunder of an Alpine waterfall, and the beast's eyes look too much like a clever, evil, dead man.
#long post#acd holmes#hound of the baskervilles#john watson#sherlock holmes#like what if we make a story about unprocessed greif for no reason#what then
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re-reading the wikipedia page for byron’s destroyed memoirs on my phone because its so fucking funny and dramatic but also horrible at the same time. over 120,000 words. “i can assure you my life is very entertaining and very instructive.” chucked straight into the fireplace
#literature#english literature#lit#romanticism#english romanticism#lord byron#byronposting#geneva squad#john murray#thomas moore#hobhouse#fuck you hobhouse#english poetry#writing#reading#literary history#history#funny#sad#all of the above#dark academia#memes#lit memes
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The Night Manager will be returning for two more seasons with Tom Hiddleston at the helm once again, it has been reported.
The renewal of the hit adaptation of John le Carré’s 1993 novel, which aired to great fanfare eight years ago, has been greenlit by Amazon Prime and the BBC, according to Deadline.
It is understood that the new seasons about the hotel-manager-turned-spy will be filmed later this year in London and South America.
According to reports, David Farr – who wrote the original series – has been brought back to write season two.
The first series, which won two Emmys and three Golden Globes, featured an impressive cast including Olivia Colman, Elizabeth Debicki, Tom Hollander and David Harewood.
It followed Hiddleston as Jonathan Pine, the former British soldier who is recruited by the manager of a Foreign Office taskforce to infiltrate an arms dealer’s inner circle while he is the night manager of a luxury Cairo hotel.
The series quickly became one of the top-rated UK dramas of 2016 and spawned a number of subsequent le Carré adaptations from The Ink Factory, the production company run by le Carré’s sons Simon and Stephen Cornwell.
The new adaptation will be set in the present day, according to Deadline, and will follow Hiddleston’s Pine facing a new and more deadly challenge after being informed that arms dealer Richard Roper – played by Hugh Laurie – is dead.
Laurie, Colman and Hiddleston all won Golden Globes for their performances in the 2016 spy thriller, which became an international success and even led to rumours at the time that Hiddleston, 43, could be the next James Bond.
While the Bond rumours may have been put to bed, it remains to be seen where the plot may take Pine, seeing as Le Carré‘s novel has no sequel.
When Laurie was asked in 2016 whether the series would return, he said: “It’s based on a novel, we’ve got to the end of the novel and John le Carré has yet to write another novel. So in cold practical terms, no, we’re done.”
Le Carré, who died in 2020, took a very hands-off approach to the first series, but was said to be pleasantly surprised by the alterations Farr made to his novel for the script.
Charlotte Moore, the BBC TV chief, told The Telegraph in 2017 that “Le Carré is very involved” in discussions about the next series, saying: “We wouldn’t be talking with them if he didn’t think it was a good idea.”
Announcing the new series, Ms Moore said: “After years of fervent speculation I’m incredibly excited to confirm that The Night Manager is returning to the BBC for two more series.”
“Of course he wants to take part in it, it’s his work. He will definitely be involved in what we do next,” she added.
The Telegraph has contacted Le Carré’s estate for comment on the announcement of the new seasons.
Previously, Susanne Bier, who won an Emmy for directing the first series, revealed that scripts for a second instalment were “slowly being developed”, but she said writers were wary about being able to create the same hit again.
Elizabeth Debicki, Tom Hiddleston, Susanne Bier and Hugh Laurie at the premiere of the first season
Elizabeth Debicki, Tom Hiddleston, Susanne Bier and Hugh Laurie at the premiere of the first season Credit: Michael Tran/FilmMagic
Farr agreed with this sentiment at the time, telling Variety in 2016 that he was “not keen” to do a second series, adding: “I liked the fact that the story ended where the story ended.
“But that’s entirely personal. Given the characters, there is a potential for something more to happen, and I’m sure someone could find the right idea. But for me it’s done. My simple feeling is that I wouldn’t be able to make the next one as good.”
Hiddleston, 43, will be returning to executive produce the new seasons as well as play Pine.
The British actor said: “The first series of The Night Manager was one of the most creatively fulfilling projects I have ever worked on. The depth, range and complexity of Jonathan Pine was, and remains, a thrilling prospect.”
Simon and Stephen Cornwell said season one proved “a landmark moment for the golden era of television – uniting on-screen and behind-the-camera talent at the top of their game – and an audience reception which was beyond our wildest imagining”.
“Revisiting the story of Pine also means going beyond the events of John le Carré’s original work: that is a decision we have not taken lightly, but his compelling characters and the vision David [Farr] has for their next chapter were irresistible,” they added.
Vernon Sanders, the Amazon MGM Studios head of television, added: “We are elated to bring additional seasons of The Night Manager to our Prime Video customers.
“The combination of terrific source material, the wonderful team at The Ink Factory, a great writer in David Farr, an award-winning director in Georgi Banks-Davies, as well as the talented cast truly make the series the full package.”
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The 13 Clocks by James Thurber (1950)
The hands of all thirteen clocks stand still in the gloomy castle on a lonely hill where a wicked Duke lives with his niece, the beautiful Princess Saralinda. The Duke fancies he has frozen time, for he is afraid that one day a Prince may come and win away the hand of the Princess—the only warm hand in the castle. To thwart that fate, he sets impossible tasks for Saralinda’s suitors. But when the bold Prince Zorn of Zorna arrives, disguised as a wandering minstrel, and helped by the enigmatic Golux, the cold Duke may at last have met his match.
The Edge Chronicles by John Stewart and Chris Riddell (1998-2019)
Fourteen-year-old Quint Verginix is the only remaining son of famous sky-pirate Wind Jackal. He and his father have journeyed to the city of Sanctaphrax – a great floating rock, bound to the ground below by a chain, its inhabitants living with their heads literally in the clouds.
But the city hides a dangerous secret: deep inside the great rock, something horrible lurks. With his father away, Quint may be the only one who can save Sanctaphrax from the dreaded curse of the gloamglozer . . .
The Wandering Inn by Pirateaba (2018-present)
“No killing Goblins.”
So reads the sign outside of The Wandering Inn, a small building run by a young woman named Erin Solstice. She serves pasta with sausage, blue fruit juice, and dead acid flies on request. And she comes from another world. Ours.
It’s a bad day when Erin finds herself transported to a fantastical world and nearly gets eaten by a Dragon. She doesn’t belong in a place where monster attacks are a fact of life, and where Humans are one species among many. But she must adapt to her new life. Or die.
In a dangerous world where magic is real and people can level up and gain classes, Erin Solstice must battle somewhat evil Goblins, deadly Rock Crabs, and hungry [Necromancers]. She is no warrior, no mage. Erin Solstice runs an inn.
She’s an [Innkeeper].
The Moorchild by Eloise Jarvis McGraw (1996)
Half moorfolk and half human, and unable to shape-shift or disappear at will, Moql threatens the safety of the Band. So the Folk banish her and send her to live among humans as a changeling. Named Saaski by the couple for whose real baby she was swapped, she grows up taunted and feared by the villagers for being different, and is comfortable only on the moor, playing strange music on her bagpipes.
As Saaski grows up, memories from her forgotten past with the Folks slowly emerge. But so do emotions from her human side, and she begins to realizethe terrible wrong the Folk have done to the humans she calls Da and Mumma. She is determined to restore their child to them, even if it means a dangerous return to the world that has already rejected her once.
Peter Pan in Scarlet by Geraldine McCaughrean (2006)
In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do
The Many Deaths of Laila Starr by Ram V. (2022)
Humanity is on the verge of discovering immortality. As a result, the avatar of Death is cast down to Earth to live a mortal life in Mumbai as twenty-something Laila Starr. Struggling with her newfound mortality, Laila has found a way to be placed in the time and place where the creator of immortality will be born. Will Laila take her chance to stop mankind from permanently altering the cycle of life, or will death really become a thing of the past?
Wishing Chair by Enid Blyton (1937-2000)
Once Mollie and Peter have discovered the Wishing-Chair, their lives are full of adventure. It takes them to all sorts of magical places, from the giant's castle where they rescue Chinky the Pixie, to the amazing party at Magician Greatheart's castle.
Die by Kieron Gillan (2018-2020)
DIE is a pitch-black fantasy where a group of forty-something adults have to deal with the returning unearthly horror they barely survived as teenage role-players.
Poison by Chris Wooding (2003)
Poison has always been a willful, contrary girl, prone to being argumentative and stubborn. So when she discovers that her younger sister has been abducted by the phaeries, she decides to seek out the Phaerie Lord to get her back.
But finding the Phaerie Lord is just the start of it. By leaving home, Poison steps into a murderous world of intrigue and danger, where the Lords of the Realm, a sinister pantheon of demigods, are conspiring to overthrow the Hierophant- the most powerful lord of all. For the Hierophant is writing again, and his pen will decide all their fates... including Poison's.
With only her wits and her friends to aid her, Poison must survive the lethal attentions of the Phaerie Lord, rescue her sister, and thwart a plot that could mean the end of her people. What awaits her is beyond anything she can imagine.
Deeplight by Francis Hardinge (2019)
The gods are dead. Decades ago, they turned on one another and tore each other apart. Nobody knows why. But are they really gone forever?
When 15-year-old Hark finds the still-beating heart of a terrifying deity, he risks everything to keep it out of the hands of smugglers, military scientists, and a secret fanatical cult so that he can use it to save the life of his best friend, Jelt. But with the heart, Jelt gradually and eerily transforms. How long should Hark stay loyal to his friend when he’s becoming a monster—and what is Hark willing to sacrifice to save him?
#best fantasy book#poll#the 13 clocks#the edge chronicles#the wandering inn#the moorchild#peter pan in scarlet#the many deaths of laila starr#wishing chair#die#poison#deeplight
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