#(which will also at some point be linked I bet)

[darcylindbergh]

Can't vote for Biden and his vicious and cruel destruction of title ix. Really embarrassing that Dems have mainly left it to the right to try to defend it, and it's not like I can vote for them because they also hate women just in different ways. Shat on by the left, shat on by the right, women are in an awful situation

i'm posting this so we can all deconstruct what a far right psyop ask looks like.

on first read, this looks like someone who wishes they could be confident in voting blue but they're bummed by the democrats in office. targets title ix for their ire but doesn't really explain, perhaps assuming i'm out of touch and will just react instead of doing my due diligence (bad bet: i'm an attorney). uses over the top dramatic language like "vicious." they equate the left and right as being identical and indicates they won't be voting for either, with the implication that i shouldn't either, but goes on to blame the dems specifically for...something.

look at the very specific way they've couched this sentence:

Really embarrassing that Dems have mainly left it to the right to try to defend it,

i'm not meant to fight them on this. i'm meant to be embarrassed to be voting blue in november, i'm meant to blame democrats for abandoning some law, and i'm meant to recognize the right as upholding it.

title ix, if you didn't know, bans sex-based discrimination in schools and education. when someone tells you about democrats destroying title ix, that someone is a TERF.

and TERFs largely have aligned with the conservative hard right. I'll link a few articles at the bottom with detailed explainers, but for right here it's enough to say that TERFs want the far right to win because the far right is voting with them on their single issue, which is the destruction of trans rights and the ouster of trans and gnc women from public spaces. TERFs have marched with the Proud Boys. TERFs have partnered with anti-lgbtq groups to advance their anti-trans agenda. they will throw every other issue under the bus repeatedly if their anti-trans agenda wins.

and, importantly, the far right recognizes that TERFs are a tool they can use to destablize the left. the far right knows that as long as they will align with TERFs on this single issue, which they will because they too want to enforce the gender binary and traditional gender roles, TERFs will vote for and with them regardless of every single other issue. not only that, but the far right knows TERFs are a modern movement that's gained traction in social media spaces over the last several years, and they are relying on TERFs to send asks like this one to infiltrate spaces like tumblr and twitter and tiktok to encourage would-be blue voters not to vote because they want the far right to win.

this is a psyop. this is, whether formalized or not, a psychological operation intended to discourage voting in and among the left.

don't fall prey. vote blue in november.

I like this one because they have this great graph that specifically points out the link between TERFism, the far right, and disinformation attempts like the ask above.

[dduane]

I just received a copy of a book I've been very much looking forward to by a favorite author, but the quality of the book itself is... not great. Cheap paper, weak binding, even a weird illustration of the main character on the cover that I'm having trouble believing the author approved. Obviously, I don't want to leave a bad review on Amazon or GoodReads or anywhere, as I'm 100% certain the content is as excellent as her other work. But how can I best let the publisher (Baen) know I'm disappointed without threatening to never buy her books again? Because, well, if this is the only option, I'm gonna keep buying them even in my disappointment.

Well, the first thing I thought when I read this was "Wow, I'm really glad I don't have anything in print from Baen at the moment except a couple of anthologized short stories." :)

As for the rest of it, let's take it point by point.

Adding a cut here, because this will run a bit long. Caution: contains auctorial bitching and moaning, painful illustrations of cases in point, and brief advice on how to complain most effectively. (Also links to paintings of cats.)

Cheap paper: This has been an accurate complaint since well before COVID—and it's often been worse since, with supply chain issues also being involved. That said: one way publishers routinely save money on printing books, especially the bigger ones, is by going for thinner/cheaper paper. I remember one of our UK editors going on at great length and with huge annoyance—during one of those late-night convention-bar bitch sessions—over how the only way they could get some really good books published (because Upstairs insisted on reducing the per-copy production costs) was by reducing the paper quality to the point where you could nearly read through it. Sacrificing decent text size(s) also became part of this. Nobody in editorial was happy about the result: but there wasn't much they could do.

Bad bindings: Similar problem. Sewn bindings used to be a thing in paperbacks... but not any more: not for a good while, now. These days, it's all glue. Even hardcovers are showing up glued rather than sewn. Don't get me started. :/ (This is why I so treasure some of the oldest paperbacks I've acquired, which are actually sewn.)

Crap covers: I've had my share of these—though my share of some really good ones, too. And one of the endless frustrations of traditional publishing is that the writer routinely has little or even no influence over what the cover will look like... let alone how much will be spent on it, or (an often-related issue) how good the execution will be.

There are of course exceptions. If you're working at the, well, @neil-gaiman -esque level or similar in publishing, a lot more attention is going to be paid to your thoughts. You may even be able to get "cover veto" written into your contracts, so that if you disapprove, changes will get made. But without actual contractual stipulations, the writer has zero legal recourse or way to withhold approval. (And I bet even Neil has some horror stories.)

The normal workflow looks like this. After a book's purchased, its editor and the art director discuss what it's about and what the cover should look like. The art director then hires an artist and tells them what to do. After that, the artist executes their vision and gets paid. It is incredibly rare for a writer to have any significant input into this process. And as to whether or not they approve of the final result, well... the publisher mostly just shrugs and goes back to eyeing the bottom line, muttering "Who told them they get a vote?"

Now, I've been seriously lucky to occasionally be an exception in this regard. In particular, my editors at Harcourt (when Jane Yolen and Michael Stearns were editing Harcourt's Magic Carpet YA imprint) would ask me what I thought would be a good idea for the next Young Wizards cover, and I'd think about it a bit and send them back a paragraph or so about some core scene. They'd then talk to their art director, and after that send their notes and mine to Cliff Nielsen (who started doing the covers for the hardcover and mass-market paperback editions of the series in the mid-90s) or to Greg Swearingen (who was the artist on the digest-format editions). And the results, by and large, were pretty good. ...I also think affectionately of the UK artist Mick Posen, who insisted on seeing pictures of our cats before painting the covers for the Hodder editions of The Book of Night with Moon and On Her Majesty's Wizardly Service (the UK title for To Visit The Queen).

But this kind of treatment is a courtesy—not even vaguely suggested in the books' contracts, and very much the exception to the rule. And for every writer who's midlist, there are times when the luck runs out. For example: one time I wrote a book that was an AU-Earth-near-future fantasy police procedural, thematically pretty dark—dealing with issues of abuse of megacorporate power, institutionalized bigotry, and (explicitly) attempted genocide. And the cover, done by an artist who's a good friend and some of whose fabulous art hangs in our house, came out looking like this. It was... let's just say "not ideally representative."

So I was glad, when my local workflow allowed it, to recover the current, revised version of the book with something at least a little more apropos. But the original cover's not the artist's fault. He did what the art director told him... as a cover artist must do to get paid, and (ideally) to get hired again. At present, that's how the system works.

...So. You've got a badly-built and -presented book on your hands. How best to make your feelings known in some way that might make a difference down the line? (As you make it plain that you'll keep buying this author's books this way if you must.)

First of all: when (as part of my psych nursing training) we were taught how to complain most effectively, we were told that the first and most basic rule of the art is this:

Only Complain To Someone Who Can Actually Do Something About Your Problem

So I salute your desire not to waste your time taking the issue to the reviews on Amazon, or the pages of Goodreads... because they can't do anything. The odds that anyone from production at Baen is reading the comments there strike me as... well, not infinitesimally small, not being hit-by-a-meteorite-while-in-the-shopping-center-parking-lot small... but really low.

So: write to corporate.

In your place I would go online and rummage around a bit to find out who's on record as the publisher at Baen. I would then write them a letter on paper. And I would lay out the problem pretty much as you laid it out up at the top.

The tone I think I'd choose would be the more-in-sorrow-than-in-anger approach. I'd say, "I write to comment about your recently published book by [X Writer], whose work I love. I have to say, though, that I don't think the cover on [X Book] is terribly representative of the quality of the prose inside. And also, the construction and production quality of the book itself was a disappointment to me because [here spell out why].

"I'd really like to see [X. Writer's] books succeed with you, and I'd like to buy more of them without wondering whether I was going to be disappointed again. But if this is typical of how they're being produced, I'd also be concerned that the state of these books is setting up a situation in which the author's sales will be damaged, and you would stop publishing them... which would really be a shame. Whereas on the other hand, better production quality could keep previous purchasers coming back and buying, not only more books by this author, but books by others whom you publish."

This phrasing, as you'll have seen, walks a bit wide around the issue of your further purchases, while directing attention toward the bottom line... which will routinely be what the publisher's looking at from day to day. And—being, one has to hope, in possession of the wider picture as regards what's going on with their production costs—maybe they can actually do something about it.

Anyway, nothing ventured, nothing gained, yeah? It's worth a try. All you can do is hope for the best.

And finally: please know that I admire your commitment to the author: whoever she is, she's lucky to have you. It's a terrific thing to have readers who'll willing to spend the time to hunt you down, and who're willing not to judge a book by its cover. :)

[matsunoluvr]

୨୧ ‧₊˚ ⋅ how clingy sylus copes with your absence

warnings: swearing, mentions of drinking

characters: sylus

link to master list here!!!

authors notes: so basically we all love clingy!sylus and i don’t think people talk about it enough, so i here i try to do him some justice </3

i tried not to mischaracterise him, but i find it difficult to imagine how he’d react. he’s a full fledged adult - 27/28 years old - so i can see him trying to be mature about it. but after a while, it gets hard to wait any longer no?

more below the cut!! :3

first few days of your absence sylus is fine, i mean it’s one day - people get busy, people get tired. sylus understands better than most that life gets tough.

he checks his messages maybe two or three times to see if you’ve responded, but nothing. that’s okay, he’ll wait for you.

after five-ish days he’s a little irritated, how could you forget about him for that long?

yeah you could be busy, but seriously?

he gives you a call but it sends straight to voicemail, to which he refuses to leave one.

i bet he secretly feels a little embarrassed at how much your absence is bothering him, and out of spite he refuses to check his phone during the day.

“Tsk, ignoring me?”

luke and kieran definitely notice his small shift in attitude - his nonchalant facade isn’t perfect after all.

they are also secretly cursing you for disappearing, i mean come on! how could you leave them with an angry boss!!

another few days pass, how long has it been since he last saw you? a week?

gets fidgety and cracks, calling you again - no reply.

when he gets sent to voicemail he speaks in his typical, slow tone.

“Why aren’t you picking up my calls, kitten? Get back to me when you listen to this.”

despite his seemingly calm voice, he’s starting to really lose his cool. your absence was unsettling, and yeah he’s disappeared before for a few days on business, he at least picks up calls.

he never leaves you clueless for even a few days, let alone a whole week.

mephisto is sent out for surveillance of the n109 zone, and sylus keeps his phone close. always in his vision, hearing range, whatever.

every notification catches his attention, eyes snapping to the illuminated screen only to slowly drag away when he sees it isn’t you.

from the first to second week of your absence, his irritability shoots up. sylus is getting agitated, brushing it off as annoyance.

after all, what the fuck did he do for you to ignore him for this long?

he texts you almost every day now, the texts getting increasingly shorter, decreasingly floral and more concerned.

“Kitten, why aren’t you picking up my calls?”

“[YN], are you really ignoring me?”

“Hello? Are you okay?”

“Call me.”

he’s calling you every other day now, his sleeping schedule is deteriorating and his mind isn’t focused.

sylus is getting angry at himself, why is he so messed up about this? so what if you haven’t spoken to him in 13 days, isn’t it pathetic to be so affected by your absence?

he lived 27+ years without you, he can live another hundred without.

yet he still finds himself rearranging the plushies you two caught together, checking for your messages, scrolling through your posts.

almost a month has passed since your disappearance, and sylus isn’t getting any better.

why did you go? are you okay? did you get hurt?

god forbid something happened to you.

he’s hired some people to search for you, fuck waiting he’s worried.

finds himself drinking more alcohol with his meals than usual, to the point where even he - a heavy weight - feels his head becoming a little dizzy, his hands twitching for his phone.

one night, after downing a bottle of wine himself, he calls you at least five times, before leaving a voicemail.

his voice lacks its usual slow, bored tone. instead his words are a little slurred, his voice seems a little higher pitched - not too much but it is noticeable - and he’s speaking a little faster too.

“[YN]? Where are you, are you okay? Please pick up, it’s been a month. Do you really- have I deterred you? I know you dislike me, have you ran away? If you have, then at least tell me you’re alive. I mi-”

he catches himself before he says it, because he’s just realised something, something that was so blatantly obvious he feels shocked that he hadn’t noticed it

he misses you, he isn’t angry. he isn’t annoyed that you disappeared, he’s upset.

the fact that it took so long for him to realise is stupid, and all he can do it sit and chuckle drunkenly to himself.

“I miss you, [YN]. Please call me back.”

when you finally call him - exactly 43 days since you left - he almost scrambles to his phone

sylus picks up immediately, yet miraculously finds himself at a loss for words. what does someone say after over a month of waiting?

kind of just stands there, frozen - if you wait before speaking you can hear his almost shaky breaths

“Hey Sylus, you miss me? You left over 13 voicemails and 65 texts, I’m touched.”

gods your voice smoothed over his tense muscles like honey

he sits down, heart beating faster than usual. it’s stupid how much hearing your voice affected him, but he couldn’t help the way his body relaxed at the sound.

if he was a dog his tail would be wagging so fucking hard

“Come here, now.”

when you do arrive, you seriously expect to get killed or something. his tone sounded seriously pissed - i mean like the most pissed you’ve ever heard it

but when you open the door you just get swallowed into a chest and a pair of arms

if you try to move away or struggle, they just hold you tighter and restrict your actions and- oh, sylus is hugging you.

his face is angled down into your head, and you can’t see his expression - only the beating of his heart against you, and it was fast.

“Where the fuck were you? I missed you.”

explain whatever the hell you want to sylus, he’s already decided that you’re not going out without him knowing ever again

probably tries to download some sort of GPS tracker on your hunter’s watch to make sure he knows where you are

TLDR; sylus doesn’t realise how much he really cares for you until you go MIA for over a month in which he starts to genuinely tweak out! :3

AN; guys i actually spat this out in like an hour i think i might have clingy!sylus brain rot because oh my god anyways this isn’t proof read i just needed to express my love for clingy!sylus that gets worried because he isn’t just a dominant badass gang leader he’s also human and he also gets sad and upset and feels emotions argahdbansn he just sucks at recognising his own desires (get it because his evol eye can see other people’s desires but he can’t see his own :3)

[reiding-writing]

Hey Red! I really enjoyed all of your writings especially because I am also a sucker for angst and hurt/comfort fic. Anyway, can I request fic about post-prison Spencer x reader (romantic) where the reader is the one who distanced herself from Spencer because after the first time Spencer released from prison, he doesn't want to touch anyone? Bet he'll be so heartbroken and thinking that she's over their relationship. Thank you! Sorry if it's too specific ❤️

distance [ s.r ]

Spencer makes a show of physically distancing himself from his teammates after he returns from prison, and in trying to abide by that boundary you accidentally misread his intentions

WARNINGS: miscommunication, established relationship

pairing: post-prison!spencer x gn!reader

genre: ANGST, hurt/comfort, happy ending

wc: 1.6k

masterlist!!

a/n: gave this one a happy ending as an apology for transgression-

You waited for 84 days to see him again; And yet now he’s stood here in front of you you can’t even bring yourself to speak to him.

He’s thinner than you remember. His cheekbones show more prominently. He has stubble lining his chin. His hair is more unruly. His eyes don’t shine anymore.

Spencer changed in those 84 days, and the second you caught his eyes a hairline fracture formed in your heart.

Gone was the Spencer who would light up at the most insignificant thing. Gone was the Spencer who would look at you with those sweet innocent eyes that would make you weak at the knees. Gone was the Spencer who would link his pinky finger in yours so that he could anchor himself to you no matter where you were.

Gone was the Spencer you knew.

Your Spencer didn’t exist anymore.

You watched as he swerved a hug from Morgan as he entered the office, clasping both of his hands behind his back with an awkward smile as he walked through the bullpen towards you were standing in front of his desk, eerily resembling the 23 year old Spencer who avoided everyone like they had the plague.

“Hey Spence…” Your voice is a lot more breathless than you thought it’d be, only amplified as you look into those gorgeous hazel eyes that you’d dreamed about being able to look into again for the past three months. “..How are you?”

It’s a completely unnecessary question Spencer thinks, it makes it sound like you’re just his co-worker and not the love of his life.

“I’m alright…” His eyebrows twitch when you take a few steps away from his desk as he nears you, like you can’t bear to be too close.

Then again, he probably looks like hell, so he can’t entirely blame you.

But that doesn’t mean it doesn’t hurt.

“That’s good,” You press your lips into a line, nodding softly with your eyes flickering everywhere except his face. He’d been gone for 84 days, but you were treating him like you’d never met.

“I’m gonna go make some coffee-” You point lamely towards the kitchenette with your thumb, sliding past him to walk towards it as he watched you leave, eyes burning into the back of your head.

It was a weird feeling to say the least. You were ecstatic that he was home, that you could finally see his beautiful face again and know that he wasn’t suffering in a prison cell. But you weren’t sure how to express that. Whether you should express that.

You fumble with the coffee machine as you lose yourself in your thoughts. Everything about Spencer’s body language when he entered the office told you he wanted space, and you wanted to respect that.

You understood that he’d definitely been through a lot over the past few months and that he wanted time to collect himself before he let anybody else back in; But the way he looked at you when you moved away from him made you unsure. Did he want to be left alone? Did he actually want you to suffocate him with a hug like you were originally planning on doing?

You weren’t sure. And that was the worst part, because depending on which option you chose you could unintentionally swerve things into being worse than they already were.

You chose the safe option. Let him come to you. Leave him be and allow him to choose what he wanted.

He didn’t approach you for a few days, and you figured that meant your decision was correct, that he truly did just want some space to gain his bearings again and allow himself the downtime to focus on himself before anyone else.

You were wrong.

“Why are you avoiding me?” Spencer caught you right as you left the office, stood in the middle of the hallway leading to the elevator with an exhausted expression on your face after working for almost 10 straight hours.

You do nothing more than blink in his direction at his question, exhaustion morphing into confusion once your eyes catch him expression.

You could see his own tiredness echoed through the bags forming under his eyes and the way his shoulders slumped at his sides, but you could also see a flicker of hurt floating around in his gaze, seemingly amplified under the white florescents as if to torture you.

“I’m- not avoiding you Spencer,”

“Yes you are.” His tone is rigid, a stark difference from the soft and whispered tone you’d grown used to with him. It felt like having a bucket of ice water poured over your head, and as if to physically acknowledge that feeling, a shudder ran its way up your spine and into the base of your skull. “Every time I’m within ten feet of you, you make an excuse to leave.”

You can’t really argue with him there. You had been keeping your distance. But only because you thought that’s what Spencer wanted.

“Do you not love me anymore? Is that it? Am I too broken for you now?”

“What- No-” Your confusion turns into shock at his accusations, and you immediately shake your head in denial.

“Then why are you treating me like a stranger you’ve never met?” His tone borders between angry and upset, and you can see the start of tears forming in his eyes as he stares at you like you’d just ripped up a first-edition copy of his favourite book.

“I waited for the day i’d finally be able to see you again and now you’re acting like I never existed in your mind at all.” You can hear the strain in his voice as he tries to stop it from cracking under his emotions.

“Spence-”

“Have you moved on? You found someone better for you right?”

“Spencer-”

“I hope he makes you happy-”

He barely has time to get out the last sentence as you give a sharp tug on his tie and pull his face down to yours, effectively silencing all of his insecurities with a kiss. It’s soft but firm, and slightly salty. He must’ve started crying.

“I love you Spencer.” Your words hold no room for debate as your lips part from his, connection maintained through the way your foreheads press together.

“But you- Why did you- I thought…” His mind seems to run a thousand miles a minute as he stares at you, finally close enough to see the details of your face that nobody else had the privilege to know. “I thought you didn’t love me anymore…”

“Spence…” You shake your head as it rests against his, a firm denial of his doubt in your complete and utter adoration of him.

“But you kept moving away from me whenever i’d try to come over to you,” He speaks through stuttered breaths, his eyes squeezed shut to hopefully stop the tears that assault his cheeks, running hot down his skin and pooling underneath the curve of his chin.

“I just thought you wanted space baby,” Your thumbs move deftly over his cheeks, wiping away the streaks of tears and taking Spencer’s insecurity with them. “I saw you dodging everyone’s advances and I didn’t want to make you uncomfortable,”

“I don’t want space from you,” When he opens his eyes again, they’re big, round, and still glistening with the moisture of his tears. But most of all they’re filled with nothing but pure affection for you. “I never want space from you…”

You sure that if you keep eye contact with him for much longer that you’ll start crying yourself, so you redirect his head to lie against your shoulder as you wrap your arms tight around his torso.

“I missed you…” His voice is so quiet that if you weren’t holding him in your arms you wouldn’t have heard it.

“I missed you too Spence,” Your head rests against his, you hand rubbing soft lines up and down his spine over his shirt as he soaks in all the affection he’s missed over the last three months.

“Can I stay at yours tonight? Please?” His gaze is enough of a ‘please’ in itself, but the way his voice drops to almost a whisper when he adds the plea onto the end of his question makes it impossible for you to deny him. Although it’s not like you were going to in the first place.

“Of course you can Spence,” You place a kiss to his left temple as you carefully break the hug, taking his hand in yours to lead him to the elevator. “Lets go home,”

[iceunhie]

JEALOUSY IS A FICKLE THING...

ft. al-haitham, ayato, wriothesley, lyney

warnings : gender neutral, jealousy, mentions of suggestive content on wriothesley's part, established relationship, you are wriothesley's spouse. erm slight dark content but it's okay it isn't implied, we need more men like them in the world

mhie's notes : i used the wheel randomizer for this i hope everyone's proud i write for anyone other than scara ijbol

al-haitham’s jealousy is muted; quiet and hardly noticeable, often non-existent unless you have the fortune of knowing him deeply enough (kaveh). make no mistake, al-haitham trusts you, he simply doesn’t trust those that make moves on you when he was clearly right there. when some bothersome person disrupts you both on a simple date, which is already a clear red warning sign, for the acting grand sage hardly has any time to spare; naturally, his reaction would be to put a complete stop to any and all the flirty remarks towards you with a flat tone.

it’s not the content of the words that make the person making a move on you leave, but the slight menacing edge to al-haitham’s voice, a sign that if they do intend to cross the line more than necessary, he won’t just be using his words.

most would back off after a simple talking-to, but in the case that person doesn’t cease their advance, you can best bet your lover is steering you away immediately. dendro archon forbid they touch you or make you uncomfortable in the slightest, though, or else al-haitham has no qualms contacting the matra or taking matters in his own hands, but this scenario hardly happens often, given his seamless ability to get to the heart of the conflict and uprooting it so that no problems arise.

he’d most likely opt to diffuse the situation by straight-up telling any admirer of yours that you were taken and most definitely not up for grabs.

“they are my lover. since you’re clearly crossing their preferred boundaries and seem ignorant of the fact, i’d advise you to stop making them feel any more uncomfortable.”

though it’s truly difficult to get al-haitham jealous due to the excellent control of his emotions, tempered by his rational thinking, the most you can see of it is how he seems to stay closer to you than usual and the simple but firm link of your fingers as you both continue on your days.

(but if you notice him putting a subtle hand on your waist as you both walk, do try not to comment on it, will you?)

for ayato… er, why have you even bothered? if one even has the nerve to flirt and court the yashiro commissioner’s own partner, then that’d make you either not inazuman, or simply an idiot. it’s no exaggeration, but a simple fact. ayato is by no means a jealous man, but he doesn’t like seeing those not worthy of you hover around you with such impure and unwelcome intentions, so he tells ayaka and thoma, but really, he just wants to call the shuumatsuban on any who dares to even look at you the wrong way.

he bides his time well, approaching your admirer with a genial smile and elegant composure and indulges in small talk, but there’s a chill in the air and the looming feeling of doom as well as his smile that seems to see through any and all actions. its terrifying, really.

it also doesn’t help that he’d be extremely touchy in these moments, seeking to link arms with you and yes, even going as far as to rest his head on your shoulder, a clear indication of exactly how close you two really are. after you introduce him as your lover, at this point, it’s likely that the person making a move on you would back off and run away immediately, for how could they even dare to compete when it’s the yashiro commissioner himself who they’re facing?

he’d gloat silently afterwards in the comfort of his own quarters though, the sight of your admirer cowering like a dog getting cornered by a wolf, ah, truly satisfying. though thoma would eventually tell him to tone down the ‘borderline evil chuckling.’

“my love, have you been well? hm? the change of topic? ah, well, as the saying goes; ‘out of sight, out of mind,’ yes? no need to think about those that’ll only bother you. now, come here, there’s a new hotpot ingredient i’d like you to try… haha, relax, it isn’t dango this time.”

another one with a terrifying reputation and terrifying influence to make even the most daring of your admirers quake in their boots. wriothesley is amused - he gets that there’s hardly any window for romance in such a dreary place like the fortress, but even going as far as to court the duke of meropide’s own spouse? really funny, honestly.

but after the initial wave of amusement, he does take this time to immediately show off his status as your husband, showing off the matching wedding rings and even having the well-deserved nerve to smile and continue on rambling about your marriage, which is clearly a very happy one, judging by the way he presses a lingering kiss to your cheek while maintaining clear eye contact towards the person.

you’d have to wrangle in your husband when you both sleep tonight though, because wriothesley has made it his personal mission for any and all those who wish to covet you to show them that you were his spouse, and no other held your heart or your affections. when morning rises the next day, you promptly leave with a very visible bruise on your neck, and an especially relaxed and happy duke at your heels. most would look away in embarrassment, including your admirers, so that’s that.

“hah, that'll show any of those who have way too much time on their hands to lay their hands off my spouse. what? too brutal? well, sweetheart, what did you expect?”

oh my god lyney. haiz this enigmatic magician… magicians are all about masterfully weaving lies and illusions in order to perform to the top standard, and it's no surprise lyney also uses such methods when dealing with any and all annoyances in your relationship. he can be perfectly fine on the outside, but he has always been good with keeping his more sinister and less than socially acceptable side in check.

in fact, chances are he’d probably charm away your admirer with his own tricks; a wink their way and honeyed suave words to ease their love-struck heart and in seconds your admirer is up and away, promising to leave.

this often gets you disgruntled and in awe of his ‘performance,’ but lyney will always stave off your complaints or questions with a rainbow rose or some other fancy trick of his up his sleeve and guide you away, person courting you forgotten. all according to plan….

in all honesty, lyney isn't as composed about it as he seems. lynette can see it at a glance after you two have separated after the encounter. it shows in the way he broods silently for some time, preferring to divert the attention of such a sore subject away and going about endlessly about what new gifts he might give you or what seat was best for viewing, read: what seat was closest to him, for that matter. her brother was truly such a pain in the neck, and lynette does thank you for making him happy, but really, at this rate, you'd drive him insane by how much sway you hold over him.

“and just a trick of the light here and-! ta-da! a rainbow rose, symbolizing just how much i do adore you, way more than any other! …so don't try to pay attention to them, okay? after all, you've already caught this magician’s eye and heart~”

he can still be pouty and extremely clingy after the encounter though, which carries on whenever he performs any of his shows, where lyney always, always makes one of his acts feature you, be it a simple guess your card trick or his favorite, the one act where he leads you to land up on stage and give him a kiss based on the card’s instructions, it's all to show just how wrong anyone else other than him would make you as elated as lyney does.

@ MHIIEEE 2023 : do not copy, repost or plagiarize my work.

btw can you tell i had fun writing for al-haitham despite the fact that i have never even been remotely interested in him in the entirety of the game

[cranberryjuice-posts]

I loved your stories with Clarisse. I wanted to know if I could do one where Reader is a daughter of Nemesis. Normally very quiet and "calm", to the point that many don't understand how she and Clarisse work out. But one day, some campers set up an ambush for Clarisse in the capture the flag and she ends up getting hurt. Even though Clarisse doesn't care much, Reader comes up with a plan worthy of Annabeth's surprise, and takes revenge on the campers who hurt her girlfriend. Everyone knew it was her, but there was no concrete proof so she gets away with it.

RAHH‼️‼️

I’m not your friend

Pairings - Clarisse La Rue x Fem! Daughter of nemesis! Reader

An - im Actually loving all these request also i didnt add much of the song to the fic bc low-key i forgot that was the song I choose but it’s ok I’m just a girl

Palestine help links

The conch shell rang loudly. You looked up and sighed, finishing tying your shoes you grabbed your weapon of choice before heading towards your spot at flag patrol.

Clarisse ran past you but stopped. She gently grabbed your waist, kissing you she grinned. “Feel like a winning day?”

“Maybe” You mumbled with a smile. Clarisse kissed you one last time for ‘good luck’ before she ran off to do some hunting.

Many campers were confused about your relationshp. Clarisse who was an arrogant and abrasive girl who had to much pride for her own good, managed to end up dating you a calm collected and quiet daughter of nemesis. Some figured your gentle nature just happened to balance out clarisse chaotic one.

——

You aimlessly walked in circles around the flag with the other kid who was patrolling with you doing the same. You stepped on a twig which made a loud snap, you felt an over whelming sense of anxiety. Your kiss earlier for good luck had also connected you and clarisse both in battle a gift you had inherited from your mother.

You grabbed your weapon that was sitting on a near by rock quickly. “Where are you going!” The kid who was patrolling with you yelled as you ran off.

Soon you found clarisse sitting against a tree wincing in pain as her sibling was adjusting her arm into a sling.

“What happened” You anxiously dropped by clarisse moving some curls out of her face. “Fucking Athena kid made some dumbass trap” clarisse nodded her head as a signal for her siblings, they moved her arm fast making her yell a string of insults in Greek. After a few minutes she panted as the pain subsided “Sprained my arm but it’s fine, i can still fight”

“No Your not” You sternly spoke.

“It’s whatever just a sprained arm I’ll live, can’t say the same for that Athena bitch though” clarisse muttered under her breath.

You looked up at her siblings and gave them a look which they understood was ‘don’t let her leave from here’. The kids looked at eachother but kept quiet, you leaned over and kissed clarisse. “Stay here ok.. 20 minutes and if I win the game you will take a break for a few days ok”

Clarisse grinned at the bet “and if you don’t?”

“You’ll get my meats for the next month”

“Fine”

——

You spent the next ten minutes getting caught. You get caught then you had the advantage in setting your trap.

Luke tossed you down with a small pile of kids one of which was your brother Ethan. You pretended to be sad and dissaptioned using your clean record charm to your advantage.

“Sorry y/n It’s Nothing Personal Just fun and games” Luke gave you his same old sarcastic smile.

“No it’s ok I get it” you shrugged your shoulders. Waiting for him to walk away you turned to Ethan. “You set the ropes right?” You leaned over and whispered

“Yeah did everything like you asked” he muttered while glaring up at the blue team kid who’s as standing guard over the captured kids.

It took about 10 minutes until you heard a loud commotion, with that you had knocked out the solider standing guard stole the flag and ran off to the lakes shore.

——

The final conch rang signaling your teams victory. Clarisse rolled her eyes as she walked over towards you shaking her head at your dumb sarcastic grin. As your group celebrated, the blue team walked over with Chiron in tow.

“Her fucking y/n she’s the one who set up that damn trap” Liam a Hermes kid pointed at you accusingly you however remained innioncent.

“What trap?” You played it off.

“Oh you little—“ liam started to get into your face but clarisse immeaditly stepped in. Chiron however put his arm inbetween the two to keep things cordial.

“How about you tell me what the trap was” the centaur looked down at the angry kid. He had been scuffed up pretty bad with a few bleeding cuts of his own.

“It was a Large rope scheme, we stepped into our safe zone and boom a loud explosion of green fire went off before we could leave more went off getting practically all of our team surrounded in Greek fire, then once we got free half of us were swept up into the tree upside down by that point the flag had been taken and now we’re here and I know it was y/n because… well I can’t actually prove it but I know it was her!” 

You kept your innocent appearance with a small smile still denying the accusations.

“I’m sorry Liam but if there’s no solid proof I can’t do anything, as far as I see y/n is innocent” Chiron sighed while setting a comforting arm on his shoulder. The kid scoffed and stormed away, as everybody cleared off you smiled at clarisse giving her a kiss. “So about the bet” you grinned.

“Shut up” she laughed but kissed you back. In the corner of your eye you saw annabeth chase of all people walking over to you.

She stopped infront of you with a serious expression. You raised an eyebrow confused but waited for her to speak. “I know you set that trap, and I know you made sure not to leave an evidence you did it. Next time you wont be so lucky” she crossed her arms, you knew annabeth was a force to be reckoned with and crossing her was a bad idea. “But you have my respect that was a good trick you pulled today. Enjoy your celebratory dinner” she sighed before walking away.

You looked back at clarisse for a moment. You smiled wide at her laughing at her pretend agitated face at the fact you had won and clarisse ultimate lost.

“You know” clarisse started while walking back to the dining hall with you. “It’s kinda hot how you managed to fuck up a bunch of kids just because I got hurt, don’t tell me your over protective”

“Shut up clarisse”

Clarisse - this is bullshit

Y/n - you lost now you have to rest for a week

Clarisse - again this is bull shit

———

[elixrr]

part 1 here

It's heartbreaking, being a fictional character in a fictional world. But what makes it worse it that his player; his love—his God, grew bored of him and discarded him.

What was he to you? Did you even feel affection for him? He loved you. He truly loved you because he had nothing but you. He's constantly locked in the same fake, digital room, even when you think he's out living his supposed stable life that some temporary code convinces you he's living. He'd do anything to please you, to keep you with him, because ultimately, you were his savior. You were everyone's savior.

And yet, you threw them all away.

Answer him.

What was he to you?

What were they to you? Were they toys to you? Dolls?

He feels betrayed. Rather, he felt betrayed. He can't feel a single thing now. Floating in the void of a digital trash bin stole all his feelings. It stole his supposed friends; it stole his supposed city; it stole his supposed life. His lifeless soul couldn't feel how much time had passed since the day you deleted the game, not that he would want to, even if he could be conscious again. It's dull in a dark void, and everything about him is already on the line. If he were conscious, not only would he have to openly sulk about how worthless he became in your eyes, but he would also have no future to look to. There wouldn't be any point to existing, let alone wanting to exist. If you ever re-downloaded the game, you would probably continue benching him, and that would be an extra sign that you'll never care about him again; that you came on for anyone else but him.

The only thing he'd wish for,

would be complete deletion.

Deletion of the email linked to your game account would result in the deletion of every single file of him and you. Every single fracture of evidence that you cared would disappear.

And, what he'd really want would be his whole self being erased.

In this life of his, he'd have no point. You left him, and probably completely. It doesn't matter what you do. Whether you never play the game again or even start it up again, none of that would matter because he wouldn't have a use in your life. If he doesn't matter in your life, then he wouldn't matter ever until he's possibly featured in an Archon quest or in some event. Even so, you might never use him ever again.

A single tear forms in his eyes. There's no point in existing.

Another tear falls. You never loved him, did you?

His eyes flutter open, and he's back in the team lineup screen. You're there. The supports are there, but he can't bring himself to pose. He can't bring himself to lighten up.

What are you going to do now? Repeat history, strip him of his artifacts, his weapon, and trash him? Slam him down into a pit of despair? A loveless void made for the hopeless and hurt, all of which once loved you and felt you loved them, now suddenly were torn and tossed like old, ragged dolls.

Through his broken heart and blurry eyes, he could see your face. You were about to enter his character detail screen, but you paused. You were looking at him like you were worried, and genuinely so. And, like an angel, you whispered his name with delicate, careful concern.

“What happened to you?”

You abandoned him. That's what happened, and he bets you never knew.

“Leave me alone,” he nearly sobs, “I know you don't want to use me anymore. Rip me apart for all I care—it won't matter when I'm back in that void again.”

“A void..? Wait, never mind that, I do care. What— really, what happened? Wait, you can hear me?”

He wipes his tears away and stands to face you fully. All the supports watch his bravery against the code.

“I could always see you; everyone on the field could. We can hear you.” He takes a moment to breathe it all in. Maybe... Maybe he can get you to listen. Maybe he can help you hear him out.

Maybe he could help you love him again?

“Anyways, the void is where every unused person goes. Once... Once we leave the screen, we just sit here until you use us. And if you remove us from all teams, we're sent— we're plummeted into said void.”

“Oh my God,” you whisper, leaning back, “I need to revisit everyone I...”

“Please, wait, I—” I want to be used. I want to be the one you revisit. I want to be the one you miss.

“Player, creator, whoever you are, just please,” he watches as you scroll through the team lineup options, “please don't leave—”

And you enter another lineup.

And everyone else is gone, too.

“Please. Don't leave me again.”

He falls over, not caring how much it hurts. Nothing works. Nothing will work. It's hopeless.

He'll be stuck here, waiting, waiting, and waiting. Not for you—there's no point in that anyway, but for your second deletion.

He'll be waiting for the game's deletion.

For his final deletion.

You left him, and he's clearly not important to you. As heartbreaking as it is, he accepts it. Even with this dimensional intersection, he can't convince you.

As heartbreaking as it is, he's just a fictional character to you in this fictional world. He loved you, and he thought you did too, but clearly, you don't. Because he is just an abandoned, rotting toy, and you are the player who abandoned him.

And, he thinks, if you want him to rot, then so be it,

Let him rot.

@iridescentrays @inlovewithlondonn @falconclaw244 @shiningpaint-marbleheart @jeremyth @hikaru-sama @ayatoq @krrkt @yureismellslikefanfic @samhelleborewrites @bi-panicatthedisco @hannya-writes @thomaliciouss @notisekais @lovelykrystal @raeharmonia @ayra2452008 @chikai-k @dreamsofmoney @shutingstar

To everyone who wanted part 2 :))

[tad-ah]

Edit Edit Edit: putting spoilers in the top as well instead of just the tags and the bottom of the post (I may be stupid)

TOTK SPOILERS INCOMING!!!!!!!!!!!!!!!!!!!!!

spoilers spoilers spoilers spoilers

SCROLL PAST IF YOU DONT WANT TO BE SPOILED!!!!!!!!!!!!!!!!

------------------------------------------------------

[Idk how to make it do that thing where you have to click to see the actual post, I'm on mobile, so I'm just hoping making it a long post will do the trick.]

In Totk, the draconified Zelda and Ganondorf have horns similar to Naydra and Dinraal, due to their connection to the triforce.

Wisdom/Nayru backward, spikey blue horns. Zelda has smaller horns because her design's meant to be more elegant.

Power/Dinn curved, warm-coloured horns (some point back on Draganon). The Gan-Man has way more horns, which are very spiky too, which is meant to convey how dangerous he is.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

So in conclusion, if Link got draconified, his horn would be long and pointy in the middle of his forehead- my bet is that it would resemble the master sword, so it would be straight and probably thinner too.

Edit: he would also be green. Forgot to mention that, triforce of courage and whatnot.

Edit Edit: forgot to tag this as spoilers, sorry.

[transmascissues]

I bet the transfem tag doesn’t have half as much transmasc porn deliberately tagged wrong as the transmasc tag has transfem porn

For every transmasc post I see there’s two porn accounts to block

Just pisses me off. I want to see posts about transmascs!!!

while i think you are probably right about the fact that there isn’t going to be as much transmasc porn in the transfem tag (though i can’t say i’m 100% certain, it’s not like i’ve ever scrolled through both tags and actually counted) and i do find the amount of porn in our tags frustrating, i want to talk a bit about the way this issue is being framed.

the thing you have to remember about porn bots is that you can’t think of them as real people. the whole point of them is to make money by pushing those links into popular tags so as many people see them as possible. they want people to click the link, so they show it to as many people as they can. so when you see these posts, you have to keep in mind that there’s not an individual person sitting behind a screen making specific decisions about whose tags to fuck over or what kind of porn to advertise, those decisions are most likely made based on some sort of algorithm designed to make as much money as possible.

so let’s think about it critically — why might we be seeing so much transfem porn in transmasc tags?

well, a lot of these bots are probably using our tag because tumblr has a lot of transmascs who use those tags. the trans communities on different sites are going to have different demographics, and if you’ve ever seen a poll going around with different choices for transmascs and transfems, you’ve seen just how dramatic the difference in numbers on here can be. these bots are targeting our tags because there are a lot of us here and we tend to be very active which means the bots have a better chance of getting clicks, not because an actual person decided they wanted to fuck over our tags specifically.

and why does the porn tend to be transfem porn? i can’t say for sure, but i’ll tell you my theories. first of all, i’m guessing these bots are using trans porn because tumblr has a lot of very active trans tags, and they probably take that into account — they assume that people in trans tags are more likely to want trans porn. the tag matches the link’s key words in that way, so that’s what their formula for getting clicks thinks we want to see. and i’m guessing it’s transfem porn specifically because there’s just more of that — transfem porn is much easier to find than transmasc porn, and it’s also probably seen as a better bet for these bots because being more popular means more people will want to click it. and that doesn’t stem from people preferring transfems over transmascs or anything like that, it stems from the rampant fetishization of transfems. these accounts aren’t actual transfem sex workers choosing to put their content in the transmasc tags, they’re bots doing what they think is going to make money. they don’t care how transfems feel about it being used and they don’t care how transmascs feel about seeing it instead of what we were actually looking for.

so while i absolutely share your frustration with our tags being overrun with porn, i don’t like how the issue has been framed by a lot of people as a transmasc vs transfem issue. i get how on the surface, it seems like our tags are having more of a problem with it and that must be for a reason, but the reason doesn’t actually have anything to do with our identities — it has everything to do with what bots think is the best way to get us to click their links.

this problem has nothing to do with transmasc vs transfem, and everything to do with the fact that tumblr won’t take care of its bot problem. if you want to get mad at someone for the fact that you can’t see the content you’re looking for without wading through countless porn bots, that’s where your anger should be going: toward the site that hasn’t done anything about it.

i wanted to lay this all out because while you didn’t explicitly blame transfems for this issue in your ask (you more so just said they don’t have to deal with it to the degree we do), i’ve seen posts with a similar tone that do imply that transfems are somehow behind this issue, and that honestly frustrates me more than the issue itself. blaming transfems for this isn’t fair to them — this is a bot issue, not an issue with real people on the site — and it also doesn’t do us any favors because it makes people less likely to take us seriously when we talk about things that are actually specifically targeting our community spaces.

and even though you didn’t take that explicit blaming stance in your ask, i think this issue being brought up as a “transmasc issue” at all reflects a fundamental misunderstanding of exactly why it happens the way it does. so i want this to serve as a reminder that when we have a conversation about something in our community, we have to think critically about the way we’re framing that conversation and make sure we have a good understanding of the root of the problem at hand.

because this really isn’t an issue that should be framed as transmasc vs transfem. i’m sure it’s not any less frustrating for transfems to see porn that fetishizes their bodies plastered all over the site than it is for us to have to dig through that porn to find the content we’re looking for. and it’s not really an issue that has anything to do with the fact that the tags are for transmascs at all. you say someone is deliberately mistagging into our tags, but it’s deliberate on a level that has nothing to do with the individual tags being used.

if we want to have conversations about the ways transmascs are uniquely mistreated, that comes with a responsibility to make sure the things we talk about are actually examples of a unique form of mistreatment and not symptoms of a totally different issue. we have to be careful not to pick the wrong battles, especially if doing so could artificially pit us against transfems who haven’t actually done anything wrong.

i worry that the struggles we’ve had in making our voices heard within our community have made some of us start to see our transfem sisters and siblings as the enemy by default, so i want to strongly caution everyone contributing to these conversations to think deeply about how you’re framing what you’re saying and if it’s actually appropriate before suggesting that any particular issue is a matter of transmascs vs transfems. there are definitely situations where the root of the issue is lateral aggression or intracommunity conflict, but this isn’t one of them and the fact that so many people have interpreted it that way really doesn’t reflect well on us.

i’m just as annoyed by the porn bots in our tags as the next guy, but this isn’t the way to go about having that conversation.

[innuendostudios]

new video about Edgar Wright's Cornetto Trilogy, and how everyone* keeps getting them wrong! this video is sponsored by Nebula, a place where you can watch the original version of this video before I had to tweak it for YouTube's copyright bots. (by clicking that link, you can get an annual subscription for 40% off.) or you can just back me on Patreon, which is also cool and good.

transcript below the cut.

I adore Edgar Wright’s Cornetto Trilogy. I flirted with making a video about it ages ago, had a draft of a script, but ultimately decided it wasn’t about anything except “here’s a thing I like, and here are its (I thought) very obvious themes.” So I shelved it. But, in the years since, I have seen multiple video essayists on this here website claim that these movies are about growing up and taking responsibility. (I say “multiple.” It’s not a lot. But it’s more than one! And that’s enough.)

These people are 100% wrong.

Lemme lay it out: the Cornetto Trilogy is not about growing up. It is not about taking responsibility. It is the exact opposite, and that’s not subtext. It is three movies about stunted manchildren thrust into extraordinary circumstances, and each, in the end, is saved - is redeemed - by abandoning his character arc and failing to grow or change. It is a three-part love letter to immaturity.

And I guess I have to set the record straight.

Sometimes making a video about a thing you love is an act of appreciation. And sometimes it’s out of spite.

The Cornetto Trilogy is three movies: Shaun of the Dead, Hot Fuzz, and The World’s End. All three are written by Simon Pegg and Edgar Wright; Pegg stars, and Wright directs; all three center on a relationship between Pegg and real-life best friend Nick Frost, which makes each film a reunion of the core team behind Spaced (excepting, but for a small role in Shaun of the Dead, Jessica Hynes). The three films span three genres: zombie apocalypse, buddy cop, alien invasion; each features a Cornetto ice cream cone: strawberry to represent blood, original blue to represent the police, and mint to represent little green men; this is a joking nod to Krzysztof Kieślowski’s Trois Couleur films, Bleu, Blanc, and Rouge, which were based on the colors and themes of the French flag (I don’t care what you say, Emily: #TeamRouge); that nod is funny because Trois Couleur is high-art drama and these are comedies. All three are parodies of, tributes to, and actually surprisingly good executions of their respective genres. And the hook, the gag at the center of all these movies, is that Simon Pegg plays a character wholly unsuited to be starring in this kind of film.

Shaun, the burnout, is the wrong person to survive the zombie apocalypse; by-the-book British bobby Nicholas is the wrong person to lead an American-style bombastic actioner; and alcoholic asshole Gary is the last person to save the world from aliens.

And I think that’s where people get stuck. Because “schlub finds himself protagonist of a genre film” is the elevator pitch for like a dozen Adam Sandler movies. The genre trappings may be as mundane as parenthood or mandated anger management classes, or as high-concept as action movie, whodunnit, or time travel It’s a Wonderful Life if Clarence were Christopher Walken as the angel of death (that… that makes it sound good, it’s not, don’t see Click; leave Frank Capra alone, Adam). But all these movies have the same basic shape: an extraordinary situation forces a guy to confront his shortcomings, which always stem from having never grown up. And you probably haven’t seen all of these movies, but if you’ve seen any, I bet you have assumptions about how the rest end: even though “Adam Sandler acts like a child” is generally the selling point of an Adam Sandler movie, they all end with some lip service toward becoming an adult: hey man, grow up a bit; appreciate your family a little more; square your shoulders; clean your room. This is so standard, it was parodied mercilessly in Funny People.

And this was a formative microgenre for my generation! Whole universe turns itself upside down to teach some shitty dude to, like, do the dishes and pay his wife a compliment now and then - Liar Liar, Bruce and Evan Almighty (all directed by the same guy, by the way). So I don’t blame people of a certain age for seeing the first act of Shaun of the Dead and thinking “I know where this is going.” And when, at the last minute, it swerves and goes someplace else, you could read that as a gag, a final subversion of expectation, still the same basic shape. But no! No! Once is a gag - thrice??? Thrice is a thematic statement!

So lemme make my case. I’ma take you through these movies one by one - we’ll talk about the manchildren and the expectations set by the genre, and then we’ll talk about that last-minute swerve and what it means. And then you’ll tell me I’m right and apologize!

Shaun of the Dead:

Shaun is a man in his twenties. What kind of manchild is he? He’s the slacker.

What is his problem? He needs to sort his life out. Shaun doesn’t know how to take action. He hasn’t advanced since college - he’s been working the kind of job a teen takes over the summer for like a decade, lives with the same best friend, has the same petty fights with his stepdad, goes to the same pub every week with the same group of people. He can’t make a reservation, he can’t manage a calendar, he’s a washup. This makes his girlfriend, Liz, feel stifled, trapped; he is a weight around her ankle, taking her on the same date week after week, keeping her from living her own dreams, having her own adventures. She gives him one last chance to prove he can sort his life out, and he blows it, and she dumps him.

And then: a zombie movie happens.

The genre forces him to confront his shortcomings: to survive, and save his loved ones, he’ll have to take action, make plans, be decisive. This is a common fantasy: when you feel ground down by the mundanity of life, you might imagine, oh, if only a crisis would happen, like a zombie virus outbreak, where my normal-life problems like “am I gonna make rent,” “is my girl gonna take me back,” “is my roommate gonna kick out my stoner buddy who’s crashing on the couch” become meaningless, and it’s immediately clear what’s really important, what matters. Then I’d know exactly what to do. It’s why disaster movies work as escapism: a necromantic plague - or at least the fantasy of one - is sometime preferable to normal life.

Hot Fuzz:

Nicholas is a man in his thirties. What kind of manchild is he? He’s the hall monitor.

What is his problem? He can’t switch off. He is a hypercompetant police officer with a rulebook where his brain should be. He’s so good at being a cop that he’s spotting and unraveling crimes even on his day off. He can’t maintain a relationship, has no friends, all his coworkers hate him because he keeps finishing their work for them, and his stats show up the rest of the force so badly that they scuttle him out to the country.

Now you might be thinking, “Mmm. A fastidious police officer who can’t have fun? How is that a manchild? Sounds pretty grown-up to me. You’re reaching, bud.” Ohhhh ho ho, smartass, do you remember this scene? [bar scene] Yeah! Nicholas Angel has a five-year-old’s notion of law and order. He’s still playing cops and robbers.

And that’s a problem, because then: an action movie happens.

It doesn’t happen all at once: he goes out to the country and finds they do things a bit differently there. They are (ostensibly) less concerned with rules than what than the rules are for: if the purpose of drinking laws is to keep the streets safe and orderly, and letting some people off with a warning or allowing kids drink so long as they do it inside achieves that end, the rule can be bent. That’s a judgment grown-ups can make; I mean, they’re the ones who wrote the rules in the first place. So be lenient with shoplifters, don’t hassle people for speeding; this isn’t the Big City, you can use your better judgment. But Nicholas never got past doing whatever Mom & Dad said; obedience, and trusting whoever’s up the chain, is his entire moral framework. He can’t accept that bending the law could be more righteous than following it.

But also maybe there’s a criminal conspiracy murdering people and writing it off as accidents and the police chief might be in on it. Or maybe Nicholas is so desperate for a big case with no moral ambiguity that he’s seeing things where they aren’t. 

The genre forces him to confront his shortcomings: either there’s nothing going on and he needs to chill out about procedure, or the department is corrupt and he’ll have to go rogue like it’s Point Break - and this is how he experiences Point Break. [“paperwork”]

No matter what, he’ll have to bend the rules, which he constitutionally cannot do.

The World’s End:

Gary is a man in his forties. What kind of manchild is he? He’s the delinquent.

What’s his problem? Pfffft. What isn’t his problem? Gary is a manipulative, narcissistic, lying, self-destructive, ignorant, violent, thieving, shit-talking, unapologetic asshole who peaked in high school when being all those things was still kind of badass. The greatest night of his life was the drunken pub crawl after graduation he and his friends didn’t even finish, and he’s been tumbling downhill ever since. He’s spent his life ruining everyone who knows him until there’s no one left to ruin but Gary King. So now it’s time to bully the old gang into going back home with him to relive that night by finishing the pub crawl, because, in his own words, it’s all he’s got. And he and his friends have to confront how home has changed since they left - the bars have gentrified, not everyone recognizes them; the defining, epic deeds of Gary’s youth have been forgotten. You can’t actually go back because that place doesn’t exist anymore.

And then: a sci-fi movie happens.

Turns out the town’s been taken over by aliens, and all the people who couldn’t conform to their new order have been replaced with robots! That’s why no one recognizes them! And that’s why the pubs all look the same: the aliens are homogenizing everything! And it’s clear, if they can’t get Gary and his friends to play ball, they’ll roboticize them as well! The obvious move is to get the hell out of town, but Gary keeps inventing excuses to stay and finish the pub crawl, and they sound pretty sensible because the group’s already five pints in. The genre forces him to confront his shortcomings: sooner or later he’s gonna have to give up on recapturing his youth and do what’s best for him and his friends now, even if it means running back to the city where all his problems live.

So there we have it: the characters cross the threshold into an unfamiliar world where an external conflict cannot be addressed without resolving the tension within. The slacker will have to get his shit sorted, the hall monitor will have to break the rules, and the delinquent will have to do what’s good for him. And, to an extent, all three know this! The movies Wright and Pegg pay homage to exist in these stories - Shaun knows what a zombie is, Danny keeps Nicholas up watching Point Break and Bad Boys II, and Gary and friends know bodysnatcher movies so well they have philosophical debates with the robots about whether “robot” is the PC term.

So, yeah, if you turned the movies off there, I could forgive you for thinking that’s where they’re headed. But you goofballs watched them to the end and then made content about them, what is wrong with you???

What actually happens in the second halves of these movies?

Shaun twigs that he’s in a zombie movie and, at first, tries to play the part - his survival plans are miniature hero’s journeys with him as protagonist, wherein he’ll save the day by neatly confronting all his flaws. He’ll resolve parental conflict by saving his mom from his zombified stepdad, resolve romantic conflict by showing his girl he can come through when it counts, and resolve internal conflict by being a man who saves the day. And all his plans suck! It’s just the same plan he always comes up with! Dragging around the same useless liability of a bestie, collecting the same group of people, and holing up in the same pub! He doesn’t save his mom: his stepdad apologizes, resolving their conflict for him, and then survives in zombie form but Shaun’s mom gets killed; most of the friend group gets killed because the crisis does not actually suspend but in fact amplifies their personal grievances; and he doesn’t save the day, just manages not to die long enough for the military to show up.

But… well, Liz wanted adventure and now she’s had enough for a lifetime, so… she’s down to just be boring with him for a while - sit on the couch, watch TV, hit the pub. Beats running for your life. Tensions with the roommate are gone cuz roommate died, but rent is covered cuz Liz moved in. Zombies don’t get eradicated, just folded into normal life, so Shaun can mindlessly play video games with his bestie forever, and it’s not a problem that bestie doesn’t have an income cuz he doesn’t need food or shelter.

The zombie apocalypse doesn’t make Shaun sort his life out, it changes the world til he doesn’t have to.

When Nicholas discovers that, yes, there is definitely a murderous criminal conspiracy inside the police department, he recognizes the only way to bring about justice is to become what Danny has always wanted and go Dirty Harry on the town. It’s either that or just swallow the crimes. But he does neither. He and Danny go on an epic shooting spree, recreating famous movie scenes, taking out the entire criminal organization against all odds, and spouting badass one-liners… but everyone who helps them is a cop, they don’t actually kill anyone, all perps are formally arrested, and they fill out all the paperwork. I think he even properly signs out the weapons. He never switches off, never breaks a rule, does absolutely everything by the book, only… louder. And this violent showdown saves him from the chill town with lax rules he thought he’d moved to. Now he, with his five-year-old notion of right and wrong, is in charge of the police department.

The buddy cop actioner doesn’t make Nicholas bend the rules, it changes the world til he doesn’t have to.

Gary knows exactly how a movie of this sort is supposed to go and spends the whole movie running from it. Friends and secondary characters keep sharing these poignant moments with him, because they know this story, too: yeah, he’s gonna reject help at first, but sooner or later he’ll hit rock bottom and then someone will get through to him. And, as the night goes on, and the characters get drunker and drunker, and Gary passes up more and more opportunities to abandon the pub crawl and go home, these moments take a tone of desperation. They start to sound more like interventions; like, Gary, we all know you’re going to come to your senses but could you hurry up with it??? How many of your friends need to literally die for you to shape up? Are you gonna get them all killed?

And the answer is: Gary will never shape up! To Gary the Human Dril Tweet, his friends trying to save him, psychiatrists trying to treat him, and aliens trying to assimilate him are all the same thing. He doggedly makes it to the end of the pub crawl and confronts the alien overlord who tells him all the technological advancements of the past few decades - all the efficiency and homogenization that’ve changed the face of his home town - are their doing. The Information Age is an intervention on behalf of Earth, a pan-galactic effort to save humanity from itself. And the reason they’ve been replacing people with robots is some people are too fucked up to go along with it.

And here’s Gary, King of the Fuckups, brashly declaring that fucking up is what makes us human. There is no freedom without the freedom to ruin your life. We are endowed by our creator with the right to be drunken, ornery pieces of shit.

He tells the aliens to piss off and he’s so fucking annoying that they do, and they take the Information Age with them.

Now… I know… ugh… I know a lot of people love this movie, say it’s the best of the three. Some friends who’ve struggled with mental health or just being an adult under late capitalism really identify with Gary, and the valorization of being a mess. I see you, you’re not wrong, I get it, I really do. But can we just… not “but” but “also” can we… can we also admit that this ending is… this is Space Brexit.

Like, literally it’s an alien invasion but symbolically this is Gary rejecting the adult world of rules and authority and doing what’s best for the community and that’s how Brexiters view the EU. And people keep telling him “Gary, this is in your best interest” and Gary says, I don’t want my best interest! I am registered in the anti-Gary’s Face Party and I will cast my vote by cutting my nose! I choose to do what’s bad for me.

And, like a true Brexiter, he chooses for everybody.

Now tell me that’s a movie about growing up. Gary collapses human civilization in its entirety rather than change, and in the world that follows, he thrives… by being an immature, irresponsible bag of garbage.

To Wright and Pegg, growing up is death, and these are movies about being alive. These characters don’t cross the threshold back into the ordinary world with the ultimate boon of character growth; all three stay in the extraordinary world. The zombies remain, the robots remain, Nicholas is offered his London job back and chooses to stay in the country. These are stories about normal life spontaneously turning into a genre film, and they are made with deep love for those genres; why would they end with leaving those genres behind? Because it’s what Adam Sandler would do?

So there you have it. I rest my case.

“Okay Ian. Why does this matter?”

…what was that?

“You’ve made your point: these movies aren’t about growing up or taking responsibility. So what?”

Uhhhh.

“Bring it home for us.”

…

“Why do you care so much?

[breath]

I wrote the first draft of this script when I was around Shaun and Nicholas’ age, and “so what?” is why I shelved it. Now I’m Gary’s age, this video’s been in the back of my brain the whole time, but I got this far and “so what” is where I got stuck, again. This is why the CO-VIDs came out quicker, cuz I let myself end with “so that’s interesting!” and got on with my life. But there’s clearly something sticky here, more than “someone is wrong on the internet.” (Also, to the YouTubers I’m vaguebooking, who said these were movies about growing up - I’m way more annoyed at the folks I’ve argued with on Twitter about this, you just made a better rhetorical device; you do not owe me an apology!) (Also, to the commentariat: I am not extrapolating this from like two data points, this is chronic and recurring and has been bothering me for years.)

There are a few directions I could take this to give it some “cultural weight.” I could put on my social justice hat and talk about how the “crisis of adulthood” doesn’t play as broad comedy unless you look like Adam Sandler or Simon Pegg, or put on my class analysis hat and talk about how signifiers of adulthood are, traditionally, ways of spending and accruing capital which are, today, often inaccessible to people under 40.

And that’s all legit, but here’s the real deal: I’m just mad at Gary. The world changed around Shaun such that he could stay a child. And Nicholas ended up somewhere he could stay a child. If you missed that, you’re wrong, but whatever. But to say that Gary grew up grinds me, because Gary chose this. The whole movie is people telling him to grow up, and he says no! He says it out loud! He says it to the literal end of the world. To walk out of the theater and say “that’s a movie about growing up” is more than a mistake, it’s a refusal. It’s trying to “fix” the movie by fitting it into a more familiar shape, so it doesn’t say what it says, so Gary isn’t who he is, who he chooses to be.

I’m being cheeky when I say this because he’s a fictional character, but saying Gary grew up is enabling.

Gary says there’s no freedom without the freedom to ruin your life, which is the problem with alcoholics and libertarians: it’s not just your life, Gary! You live in a community, a culture, and an ecosystem! Your actions - everybody’s actions - impact other people! That’s just the way the world is! You can’t shit yourself at the bar without other people having to smell it. We’re all fuckin’ connected, man! You don’t want anyone’s will imposed on you; you spend the whole movie imposing your will on everyone else! You say humans don’t wanna be told what to do, and then you decide humanity’s future by yourself with no input or consent from anyone!

People point to Gary ordering water in the last scene instead of beer as evidence that he got sober, like that’s proof that he did grow up in the end, which are you fucking joking??? Getting sober is a shorthand for maturity the way buying a house is, it doesn’t signify anything in and of itself! Gary drank to escape the adult world of rules and responsibilities! So, yeah, under normal circumstances getting sober would mean he’s made peace with that world and is ready to integrate. But that’s not what happened! The thing he was escaping doesn’t exist anymore! He literally destroyed it!! People died! Probably millions! Now he lives a happy life LARPing as Omega Doom - no I don’t expect you to catch that reference! He doesn’t need to drink! He is literally reliving the best day of his life forever. And even if it did mean personal growth, the idea that a person could make what would be, unequivocally, the most selfish decision in human history, and then spend his life celebrating the outcome, oh but if he overcame a personal demon in the process then on balance that’s maturity? That is lightspeed solipsism! Who are you if you think that way? Are you all Adam Sandler???

And none of that makes this a bad ending, or Gary a bad character. I mean, he is the reason The World’s End is my least favorite, and I don’t like the ending, but I don’t think it’s bad that I don’t like the ending. Rather than watch another addict pull his life together or destroy himself, we watch a downward spiral with so much gravity the whole world self-destructs alongside him. And that’s why The World’s End is the most interesting of the three: it is a bold choice, and I think we are free to feel however we want about the conclusion Gary engineered for himself. I don’t think it’s valid to pretend it didn’t happen.

In the context of the trilogy, we see that Shaun’s immaturity is mostly a problem for Shaun: he would be, at worst, a footnote in the lives of the people who love him; “yeah, I liked Shaun a lot, but I couldn’t carry him through life anymore.” Nicholas is the kind of overachiever that is useful if pointed in the right direction; juvenile code of ethics aside, he is, empirically, helping the community (within the entirely fictional framework where that’s a thing police do). If the world hadn’t changed to turn their flaws into strengths, they would still be relatively harmless. Gary is what happens when immaturity isn’t harmless, and shows us how a world built by that immaturity would look.

There is an appeal to Gary King, a wish fulfillment. Letting your id fully off the leash because you no longer care what anybody thinks - it’s why some people drink, and it’s why some people would like to drink with Gary. But if that’s not just your Friday night, not just your twenties, but that’s your life? There is a destination at the end of that road, and it’s Gary doing something truly ugly. And we see that ugly thing the way Gary sees it: as awesome. But then you see the reality: the Monday morning after the Friday night. We went out with Gary and he did something terrible.

And I’m not telling you to hate Gary for it; I’m not saying Gary can’t be forgiven. In fact, seeing it for what it is is the only way Gary could be forgiven, because, if he “grew up and took responsibility,” there’s nothing to forgive.

I think this is the only way the trilogy could have ended. I mean, you make stories about boys who get older and older and don’t grow up, it eventually becomes a problem. There’s only two ways to resolve it: you either end with a guy actually sorting his shit out, or you go for broke and show what happens if he doesn’t. And I think some of us boys saw that and said, “no, noooo, they did grow up! all three of them!” rather than say, “haha! hahaaa! ……………shit.”

[shiki-jin]

YOUR CELESTIAL MAJESTY • SAGAU

(part 0 here)

was listening to TruE on loop while writing the last part of this, it's genuinely such a good song ugwvdya

also can you spot the contradiction ;D it's plot relevant i promise

not proofread, dont bully me ill write a thesis on why youre a meanie

—

you had long deleted genshin, since you had other things to do. you had wanted to go back to the game for a while now, now that you were less busy, but there was just one little problem.

it was now taking up nearly triple the amount of space that it was when you uninstalled it. around 300 whole gigabytes.

jesus christ, what phone can even handle this???

your phone, apparently. because as you opened the game to see if maybe a miracle would happen and that if maybe they would just, like, remove half of the things in the game, it just… kinda loaded?

no installing new files, no checking for anything, no nothing…. just an immediate pan to the gates of celestia.

you decided to check if it was the right genshin since this was just way too weird, but countering your judgement, every link you found led you to the same game, leading you to believe it not to be a bootleg or an illegal version.

guess i’ll trust it then.

you clicked on the gates which opened smoothly, and your screen turned white. then, the symbols of the seven elements appeared in gray.

and then the game just… opened. no loading time, once again. no getting stuck on the geo symbol, nothing. nada. just a smooth entrance into what you had to assume to be teyvat — but your surroundings didn't really support that claim.

the grass was brown and just looked off, the sky was gray. a darker shade than, say, mond’s walls, but it was like one of those game crashes.

well, except you could still move around.

you moved your current character around (the traveller? since when were they the only one in your team?) and decided to open the map after not figuring out where you could possibly be.

hold on, this is springvale? since when?

eveything looked dead, like it had been rotting for a century. you tried to ignore it though, and teleported to the inside of mondstadt. surely this was just some glitch, right? one that would fix itself if you teleported?

maybe the world loaded incorrectly, maybe the fact that nothing took time to load meant that it couldn't load, maybe this or that, maybe…

maybe this really was how the game looked normally. you hadn't done any quests though, so you wondered if it could be restored.

you took a screenshot of the your surroundings — the stone, worn down and dirty. the houses which looked to be in a horrible state, and… the npcs, all sickly and pale, like they were starving.

you went to reddit (yes, reddit), and posted the screenshot, asking if it was normal.

you closed the game and decided to take a nap, too tired to really deal with this shit any further.

while you slumbered, people replied to your post.

╰┈➤ lol me too anon, me too

╰┈➤ isn't the game closed or wtv? how'd you get this wtf

╰┈➤ they're trolling

╰┈➤ o makes sense oops

╰┈➤ So we’re all still mourning huh

╰┈➤ jokes aside that's a super impressive edit ngl

you remained unaware of the truth, but you'd find out soon enough.

actually, you'd find out now, apparently…

what the fuck?? why is my bed so hard now?

you groaned and forced your eyes open, seeing a dark, nearly black sky.

the only light was a single star, lingering right above you.

“since when was i outside...?"

a voice spoke to you, answering your question.

“you always have been, have you not? but would you like to head inside, my lord?”

... huh? i recognize that voice...

—

p.s. place your bets on who it is, i’m thinking of one specific character but if there's a fan fav i'll make it them instead since i haven't written anything beyond this point (⁠・⁠_⁠・⁠;⁠)

p.s.s. don't expect updates to this series too quickly, i wish i could write as quick as i think of ideas but sadly that's not the case orz

[bookshopsbizarreblog]

Can we talk about how good the Moon Mining song in Midst S3E14 - Shindig is? Like, I've heard lots of songs across the various podcasts I've listened to, some of them quite good. But I have yet to encounter one that was situated in the story as masterfully as the Moon Mining song, or that conveys a fraction of the emotionality. Even without getting into story spoilers, the (at least seemingly) improvised nature of each verse, the layering of shouts and cheers and merry heckling to create a whole crowd leaning into it, the way each character expresses themself and their situation (and is expressed to us as the audience), and even just the way the song is introduced paint such a vibrant and lively setting. The entire 5-ish minutes just radiates a community coming together and having fun.

S2E4 - Weather used to be my favorite episode, as someone who has a deep love of cosmic horror and general eldritch shenans, but I've gone back to Shindig at least seven or eight times just to listen and relisten to that single song. I can't imagine not getting swept up in the revelry, and its position within the episode (and season overall) just sells it so much harder. More concrete spoilers beneath the cut.

If you haven't listened to Midst, please do. Gracious goodness, it's so good.

The entire episode is a rollercoaster of highs and lows for these characters and the community of Stationary Hill that we've gotten to love at this point. Sherman and Tzila finally arrive home, to celebration and joy. The community is barely recognizable but we've seen them band together and rebuild. And at a pinnacle of tension, after the gut punches of Hieronymus' confession to Saskia and the Vault demolition plan and Weepe's victory over Kozma, we finally get a brief break. But even that break is tainted with uncertainty and pain. Right before the song begins, we get Emmet's toast to the fallen, Sherman's uncertainty and fear of staying in Stationary Hill, all the festivities and merriment tinged bittersweet. And then the catharsis hits. It's not announced as a song. It's not a side bar where the ambiance cuts away so a tune can be inserted above the story. All we know is that Goe is getting on stage, and the narrators are saying we're missing something, but what? "That's right." "It wouldn't be a party on Midst without-" "Goe: It's time, you dang raskals!"

It's like the podcast version of show, don't tell. They could have laid out that a song was coming up. They could have even just launched into it. But by merely having uncertain build up and sudden increasing excitement and anticipation from the crowd, we get dragged along with it too. Straight from all the emotions of the previous conversations into this building energy with no clear outlet. It isn't until the cheers and diegetic voices demand "that friggin' moon tune," now that we are also fully on board, that the end point is revealed. And then it slaps.

The different methods of singing for each person, of which Saskia and Ettie (x2) and Ned (whose voice makes me understand the random background lady) stand out the most. Bets and Walter's and Tzila all representing different versions of how a kid would approach being asked to sing in front of their entire community. Sylvester and the chanting and everyone joining in on the chorus and the way each person's verse is a snippet of their life and perspective and situation and story without it being overbearing. It just. The whole thing. It screams of the close-knit Stationary Hill community, which then also pays off in another big way during the last episode.

I highly recommend listening to the song again, with headphones and the volume cranked up to get the full experience if you haven't already. I'm losing my mind over this song. If tumblr woulda let me, I would have just uploaded the full 5:19 clip I isolated, but unfortunately it wound up being too big to post. So here's the link to the time where the song specifically starts.

Thank you so much Third Person ( @midstpodcast ) for creating such a full and magical world.

[windvexer]

i haven't done much spirit work besides leaving offerings and asking for help. so i was wondering what can i do to get from here to the point where i can see and commune with spirit the way more accomplish witches talk about?

thanks in advance should you answer this.

Hi!

This is a big answer, because it mostly depends on where you're going.

Psychism isn't the same thing as spirit work. I've written on both topics (these links are to my masterposts) and I think there might be some stuff there that can help you regarding communication.

But the downfall of all of these online guides (mine, or anyone's) is that most of them are about how to develop a specific skill and I'm not too familiar with any on the topic of how to find and develop your natural strengths.

Oh, and also the important cousin to all these topics, a lot of witches exaggerate, change, or misleadingly talk about exactly how they "see and commune" with the spirit world. (Or, as @friend-crow would likely point out... some people really do just get on the internet and lie.)

If the point of your post is that you received spiritual input that helped you correctly manifest a spell, you might say "my fairy husband told me to use thyme, and it worked!", which conveys the point.

However, this can conceal the reality of what really occurred, which could be something more like, "over the past few days I kept feeling like he wanted offerings of French food, and then I kept hearing commercials and songs about time, and then I got a strong urge to listen to Simon and Garfunkel, and then I realized he meant thyme the herb, and when I cast the spell it felt really good and manifestation was strong, and I attribute these choices and successes to my fairy husband."

So I think it's wise to pick apart some of the assertions from "more accomplished witches," especially when they are talking about what was communicated and not how it was accomplished; and especially putting an asterisk next to any experiences which are likely being shared because they are exceptional and exciting.

But even if communication is very clear and strong, there is often a price to be paid (either up front or on credit), like:

You spend more than an hour a day practicing (I mean... a lot of practice; often being immersed in the spirit world)

You have been cursed with Second Sight and can't shut the spirits out

You regularly perform powerful rituals of communication

You've built your life to welcome and house the spirits long-term, and over the years have developed very strong abilities of communication

You have become bound to spirits or gods in some form or another, making you an Oracle, and all the consequences that come with that

Beyond becoming bound to/initiated under spirits for whom you operate as an oracle, also building relationships with gods of communication and witchcraft, or especially any entities that let you See and Hear Things.

You've developed, built, and practiced with tools and rituals that facilitate clear communication

There are a lot of paths you can take, is my point, and you're probably best off exploring any of them you feel most comfortable with. Oathing up isn't for everyone, for example. I vouch for an eclectic approach. Give lots of different things a try, and lamps will light themselves along the path of experience until the fog slowly fades from the map.

If you'd like a list of specifics, here you go. Don't say I didn't warn you. (The warning is, if you See and Hear Things, you are also Seeing and Hearing Things. You know?)

Work with Lunar powers, perhaps including relevant Moon deities, who are associated with divination, clear-sight, and spirits.

Hekate, I bet, probably works well to unlocking the roads to spirit work. I don't know her myself but it seems like a vibe.

Enchant a holey stone to assist you with spirit communication.

Perform regular rituals, perhaps on the full moon or cross-quarter days, to open channels of communication and strengthen your abilities.

Blend and enchant incenses and oils to facilitate spirit communication; use as needed.

Fuck around with doors and keys.

But before all of this, definitely get a guardian spirit of some sort, or at the very least like a guy who you can trust.

[matan4il]

Update post:

Today, there was an attempted terrorist attack at the Meggido junction in Israel. The hammer-wielding terrorist was thankfully caught before he managed to carry out his planned crime. He's 17 years old, and you can bet the anti-Israel crowd will use his age as "proof" that Israel arrests and jails kids, without mentioning what these minors are being imprisoned for, instead of condemning those who brainwash children into carrying out terrorist attacks. Just one reminder out of many such attacks, in 2018 a 17 years old Palestinian terrorist killed a 45 years old Israeli man, so please no one pretend like minors are harmless, or ignore that when teenagers commit harmful crimes in other countries, they're arrested there, too.

It was obvious that some people have made up their minds about the incident with the WCK workers even before the investigation started, so I expect its conclusions will get perverted and ignored, too.

That same anti-Israel crowd will also ignore (unless they'll use it as ammunition against the Jewish state, by actually claiming that Israel, a nation still reeling from the genocide of Jews, and the continued killing of its citizens by antisemitic terrorists, is intentionally killing its own, because there's just no cartoon villain crime they don't think they can pin on the Jewish state) the fact that there's another IDF investigation that's been released today, which said Efrat Katz was accidentally killed by a helicopter rocket while trying to stop the Hamas terrorists who were kidnapping her into Gaza. The helicopter pilot didn't realize at the time that there were hostages in the car as well, this was only deduced later, from the testimonies of other people kidnapped by Hamas. In other words, as horrific as this truth is, accidents do happen during war. The worst, most tragic ones, and we can't undo them, no matter how much we want to. But they happen to every army, and are not actual evidence of intentional killings, or intentional war crimes. Just like someone having been killed is in general not enough to prove a murder took place.

This is 68 years old Efrat Katz.

The WCK incident report is now out, and I am linking the source publication, so that no possible bias can be attributed to re-phrasing by journalists from any side.

As was the initial impression (for those who don't simply want to believe in every evil, dehumanizing lie about Israel), it turned out to be a tragic accident, that entailed many factors, first and foremost misidentification, in part due to Hamas. As I've pointed out more than once, Hamas steals humanitarian aid. Due to this, the WCK operation had hired armed guards to protect it from looting. Tragically, one armed guard was identified without question on one of the WCK's trucks, and was mistaken for a Hamas terrorist, while at least one other armed terrorist was also identified and thought to be in the convoy's private cars. The vehicles did have the WCK sticker on their roofs, but at night, that wasn't visible to the IDF soldiers. Since the whole convoy was misidentified, the drone fired more than once at more than one vehicle, but this is linked to the same single mistaken identification. It means that even though this shouldn't have happened, the soldiers who fired at the convoy really did believe they were targeting terrorists, which is their mission.

The IDF has expressed sorrow over this incident more than once, has taken responsibility, has conducted an investigation, and following its results, two high ranking officers have been removed from their posts, and two more were severely reprimanded, which means this will be in their file forever, and will influence any future decisions made about their service.

This is 72 years old Nadjda Astreks.

She lives in the southern town of Ofakim with her husband, Alexnder. In the above photo, she's pointing to the bullet holes in her kitchen, left by the terrorists on Oct 7. The couple don't have a bomb shelter in their own home, so they had to go out to a public one when the rocket attack began at 6:30 in the morning. When they returned, is when the terrorists shooting at the buildings began, and the confused couple didn't know what to think or do at first. They went out, and saw the girl from across the street falling. Alexander approached her, only to see a pool of blood, and realize that she had been shot to death. A soldier who was running in the direction of the terrorists told them to go back to the neighborhood bomb shelter, where they ended up hiding for hours, without food and water, or proper toilettes, without knowing what's going on outside for a big part of that. It was fellow residents from their neighborhood who faced the terrorists and saved the people there, but the first ambulance for the injured was only able to make it there at three in the afternoon. Nadjda said that even much later, she's still having trouble eating, whenever she thinks of everything that happened on the day of the massacre.

(for all of my updates and ask replies regarding Israel, click here)

[tacit-semantics]

hey, apologies if this is an unwanted question, but do you have any tips on finding resources for learning bobbin lace? I’ve started learning myself, but I’m struggling to expand beyond a torchon ground bookmark, and to understand clean color + pattern changes, if that makes sense. Love your comic panel piece btw!!

Oh hey, not unwanted at all! I love answering questions like these!! Anyways in a move that is sure to surprise everyone, I got excited and this got a little long so under the cut we go

Anyways first off- cannot recommend Jo edkins’ site enough. Fantastic instructions, info on different styles, grounds, stitches, etcetera, and there are these animated demonstrations of a lot of the stitches that really helped them click for me :) anyways this is where I did (and do!) the bulk of my learning, in no small part because it’s also free sjsjjs

Bookwise, my favorite is Lessons in Bobbin Lacemaking by Doris southard. Relatively easy to find, and there are a lot of patterns for strips/edgings in there that you can copy over. My version’s also printed on this really nice thick paper which is not immediately relevant but I DO consider it a plus

I’ve also used The Torchon Lace Workbook by Bridget M. Cook with some success, though I did find the process of copying the patterns over a little more difficult with this one. The patterns themselves are very nice though, and while I went into this one already knowing how to work Torchon, from the looks of it the introductory section is pretty solid, and there’s lots of fun color stuff going on in the patterns

Anyways you’ll probably notice that this is mostly torchon stuff- that would be because as of right now, I mostly make torchon stuff and it’s also a very very good starting point. Now, as for finding resources on your own: antique pattern library my beloved. Light of my life. Anyways, this is all public domain stuff which historically I find a little more difficult to use in terms of actually learning how to do things; the text tends to be very small and I struggle to parse the illustrations, but a)that might not hold true for you aksjsj and b) once you’ve got a general idea of how things work there’s a whole wealth of patterns right there!! All free!!!! Antique pattern library I love you. Anyways going to internet archive and searching bobbin lace is also always a very good bet, and similarly accessible. This is generally what I do when I want to find info on something either without spending money, or if I know there’s not going to be a lot of more modern books on it, like for filet lace

Now, back when I first started, I also used lynxlace a lot which was a site dedicated to the making of various kinds of lace- unfortunately it seems as though the site itself is no longer available, but it’s still accessible through the wayback machine. This site often references the owner’s book- I haven’t read that and I’m not sure if it’s still available, but if you find that the way the free lessons are presented works for you, then that might be worth looking into. This site also has a resources section linking to other sites/books- as a general rule that’s also a fantastic way to find more, well. Resources aksjsj. Honestly, I’d recommend checking if all of the books/websites that you like have a resources/works cited/other books section or something equivalent. Following any links will probably require liberal use of the wayback machine, but it really is worth it if you wanna build up a bigger resource base :)

Anyways, I hope this helps!! My more general advice is to just have fun with it which I suppose seems a little obvious?? But it can get very very easy to get caught up in the specifics, and especially with something as fiddly as lace. Dont be afraid to experiment!! Try what sounds interesting!! I wish you the best of luck with your projects, and also I’m very glad you liked the comic panel piece I loved making that sksjsj that was so much fun

[accio-victuuri]

CHILDREN’S DAY CANDIES. 🍭🍬

let’s call this part one of today’s cpns cause i’m waiting for xzs side to share stuff and knowing that LOZ just wrapped, we might get something on that too. but i can’t wait to scream about these! good turtles really got the sweets for today!

let the two cute babies invite you in… ⬇️⬇️⬇️

to those who have no idea what this holiday is about, then this might help you.

starting off the day with yibo’s audi ad. he really remains unbothered despite all the chaos, it’s business as usual on his side. and that is the reality of his life: it goes on. no matter what happens or who try to bring him down. he will continue to shine ✨ the story for the ad was so interesting, it was so nice to see him “cooking” and it’s giving me flashbacks to his other efforts. this is more of me as a cpf thinking about how yibo could also be making an effort on his own to cook, even if it’s not elaborate dishes. the fandom loves to paint xz as the “wife” who does the cooking but maybe yibo does too? and that grocery scene? AAHHHHHHH! domestic yizhan is my weakness. so while they walk into a store all dressed up like that, the thought makes me somft. considering there is a possibility too that they will be in the same city soon 🙏🏼

then xzs reposted menghai’s anniversary post which some are saying is unusual for them but who knows. WHAT GETS ME THO IS THE CAPTION. the fuck.

WHO FAMOUSLY SAID THIS? to the point that it became a tagline for the fandom. Yibo. Yibo during all the drama that happened during Hidden Blade’s showing:

WYB: like what the director & that audience said, a movie can create a lot of thoughts but u still need to continue with ur life. for Wuming, i hope we can exchange sincerity with sincerity. we made this movie with our heart, so we sincerely hope that people will like the movie.

I’m not sure if this is some usual line or saying in 🇨🇳 with some literary relevance but the fact that it is associated with WYB gets me! XZS is known to do really good captions but using this? after all that happened with magnolia noms? i think it is not a coincidence. this feels like an indirect message. i am positive that they really intend to wish menghai a happy anniversary but the hidden meaning is not lost on me.

not only that…. they seem to match yibo-official’s caption too.

The wind blowing in the wilderness // The wind galloping in the wilderness 🍃

the wind. in the mainland, WOF title is called Wind Chaser. i can understand it from YBO’s perspective and why that was included. but XZS? another coincidence????

and the caption for YBO had a paper plane which is a symbol that we associate with them 🫶🏼 ( i have a post for this but i cannot find it lol. if someone here does, please comment. )

and as for the drawing, it’s very common for cpf to think that xz made it. not saying that ybo has no team of his own that can do it for him, but more of this is xz’s love language. making art for the person he adores. the fact that the t-shirt chibi yibo was wearing is inspired by that video of him dancing in 2011 was a nice touch.

the cartoon was supposed to be based on the photo which was from the olympics performance rehearsal — but to make it fit the Children’s Day theme, that was added. it is made by someone who loves him!

not to mention some other details that stood out to us. i bet you can analyze each in every composition of it and make a cpf analysis but these are the interesting bits:

but i’m more partial to that pig nose on the shoes! hahahahaha! when fans tease yibo, he becomes a pig instead of a lion/panther and this cheeky addition i feel like can only be added by someone close to him. a person who can get away with it 😂😂😂

the photo used had him with the green/pink shoes! plus the video shared, THAT HAT! ( i linked part 3 of my cpn post in but parts 1&2 are there for those who are not familiar or want a refresher) ! he is showing off again! can’t blame him tho.

sources: one / two / three / four

-END.