#(w/ sound!)

[kensatou]

i'll let phie-san say it:

[ruushes]

> pull her into a hug

[reunitedinterlude]

teddy 🤝 bowie 🤝 billy

[teh-inggris]

pvp civ nation...... this aint much but pls take my contribution for this series bc im going insane i love hate this man so much get him out of my head

[lotus-pear]

the dialogue choices in this game should be more diabolical

[cowboylikeyouu]

in germany, chris evan‘s roles (including steve) are mostly voiced by dennis schmidt-foß, but as johnny storm he‘s voiced by benedikt weber, and it made for a really cool moment during dp&w. bc wade’s super convinced that he‘s steve, but all the german people who watch the german dub of marvel movies religiously are already like huh??? bc that‘s NOT steve rogers‘ voice, and then when it’s revealed that he‘s actually johnny, wade‘s like "ah yeah, i should’ve known from the voice". and idk, it’s not hilarious or anything, but it just made me soo happy that they used wade‘s 4th wall breaks differently in different languages. just felt the need to share this

[hinamie]

bunch of portraits

[dansemacabre]

(tw unreality!)

ayo new theory just dropped and bad news! the implications are cosmically horrifying

in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool

when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:

the therapese at the bottom translates to “set coords for dimension: r34lity”.

and putting r34lity into the website gives us this image:

the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)

none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.

meanwhile, in the book of bill:

because bill’s not talking to a mystery “reader” who’s reading this book.

bill fucking sees us.

bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.

[lylahammar]

Zorella, the centaur pop queen ✨

Thank you to everyone who helped me by voting on her final design in the poll from last week! I'm so so so happy with how she turned out 🥰

[writer-room]

Dragons Rising really is the best sequel series for diehard Lloyd enjoyers, cause, yes, we acknowledge that he has panic attacks, crappy mental health, and also he's the grandson of God, but you know what really gets me? Lloyd is tired.

He's plagued with migraines (the visions are also migraines don't @ me), he's bemoaning about never getting a good nights sleep, hes struggling so hard to be a good leader and clearly doesn't have all the answers, and he's just some 20yo who's been cursed with saving the world since he was younger than his own students.

That's the realest way Lloyd could've ever been written in a future-series. It's what he is. But he's not angry (usually), he's not telling everyone to deal with it themselves, and he's not giving up. I love when Lloyd has finally had enough, but the real, genuine Lloyd? He'd never stop caring. He cares so much it'd kill him. He's tired and by god does he refuse to quit. I love that kid. Please get him a warm blanket

[kiashieart]

Goatee Nick: getting an expert opinion

[image descriptions in read more]

(the setting is after timeskip, after Diego has been released from prison. Diego has specialized contacts to replace his visor)

page 1: in the top 2 panels, Phoenix is wiping his face with the towel around his neck, saying "alright", going into the second panel where he lowers the towel to reveal his face with his freshly cut goatee and ask "what do we think?". the third panel has Diego and Trucy with hands to their chins, both humming in deliberation. in the fourth panel, Trucy cheekily responds with a bright smile on her face: "yup! it suits my dear old daddy!", which Phoenix shouts "hey!!" from off screen in offense to his daughters statement; meanwhile Diego is starting to take a step forward, stating "hold on" - as his judgement will require more inspection.

page 2: the top 2 panels are drawn in a comedic simplified style, showing Diego bluntly grabbing phoenix by the chin, and then tilting Phoenix' head back while he leans in close to inspect the goatee. Trucy stands behind Diego in silence, unprepared for what she is about to witness.

the third panel at the bottom is a more detailed drawing of Diego holding Phoenix by the chin in a way that appears surprisingly and unintentionally intimate; Phoenix is wide eyed and starting to blush, while Diego is calmly assessing the goatee with his lips pouted in concentration, narrating his assessment: "hmm… the cut is clean… looks even".

in the bottom right corner, a 'LIVE TRUCY REACTION' display shows Trucy's face cropped; she is smiling thinly, and her eyebrows are raised to the point of a light crease in her forehead in stunned surprise. she is doing her best to reel it in.

page 3: the top two panels are portrait closeups; Phoenix's blushing and surprised face with Diego's hand around his chin almost as if from Diego's point of view, sparkles around his face - and then to Diego's face, calm but his lips still pouted. he idly thinks to himself '… he's pretty handsome'.

the third panel goes back to Phoenix's face; cropped and more close up to his even more flushed lower face, a bead of sweat rolling down his cheek and Diego's hand on his chin, Diego's thumb slipping to touch the corner of phoenix's lips. Diego thinks to himself 'hmm…', and then catching himself in surprise to the position of his thumb; 'ah-'.

the fourth panel goes back to the comedic simplified style with all 3 of them, Phoenix is wide eyed and full on blushing, Diego has quickly pulled his hand back while also blushing and a creased brow but is trying to play it cool with a smile, and Trucy is behind Diego also with wide eyes and her mouth in a straight line. Diego plays it off, stating: "woops - apologies, hand slipped, anyway-" with his speech bubble captioned with 'smooth recovery!!'.

the final panel is like the 4th but bigger and back to being drawn with more detail. Diego is leaning back with his hand close to his own chin again and a pleased smile and blush, slightly sweating from having recovered his slip up; he makes his final positive judgement on the goatee and says "well done! it looks good on you birdie~". Phoenix is still somewhat blushing but he's smiling and leaning back tilted bashfully, responding with "haha, you think? i quite like it myself!" Trucy has put on a calm and friendly smile one her face, but is turning her head to look away and brought her hand up to shield her peripheral view; above her is a faded crudely simplified drawing of her face that reveals her internalized true expression of a stunned grimace. she thinks to herself both impressed and slightly horrified at the outlandish unintentional flirting her father experience with 'wowwww'.

[sixofclovers]

a lot can change for a young bard over the course of a campaign! 

[longlostlorian]

a style test for a short trans-coded nsfw merman comic I may or may not finish. I roughed out like 50 pages in a haze over a few days. A mer becomes interested in a human, tale as old as time

[cenvast]

"Toshiro Is Sexist," "Toshiro Owns Slaves": What's Really Going on With This Guy?

I've seen a lot of debate on whether or not Toshiro is problematic because he's a slave owner or because he's sexist in the context of his crush on Falin. While I do want to examine his relationship to Falin, I'd like to take a few steps back and unpack his upbringing first. We'll dive into the gender and class dynamics he was raised with and how it impacts his behavior in the main storyline.

Like all people, Toshiro is shaped by the environment he grew up in. Toshitsugu, Toshiro's father and the head of the Nakamoto clan, is the most impactful model of authority and manhood in his life. Toshiro does recognize some of his father's flaws and tries to avoid replicating them. But whether or not he emulates or subverts his father's behavior, Toshitsugu is often the starting point for Toshiro's treatment of others, particularly marginalized people.

The Nakamoto clan exists under a patriarchal hierarchy with Toshitsugu at the top. As noted by @fumifooms in their Nakamoto household post, his wife has more authority than Maizuru. She's able to ban Maizuru from parts of their residence, but despite disliking his infidelity, she can't divorce him or stop him from cheating on her. Their marriage is not an equal partnership.

On an interpersonal level, Toshitsugu and Maizuru also have a fraught relationship. While she does seem to care for him, she's often frustrated by his thoughtless behavior.

For example, he drunkenly buys Izutsumi for her — without considering how she'll have to raise this child — and invades her room in the middle of the night. When he cryptically says, "It's all my fault," she replies, "I can think of a lot of things that are your fault." She calls him an "idiot" and "believes that [Toshiro] will grow up to be a better clan leader than his father," implying that she takes issue with Toshitsugu's leadership.

Because Maizuru and Toshitsugu are described as being "in an intimate relationship" and "seem[ing] to be lovers," Maizuru appears to be a consensual participant. Still, this doesn't negate the large power imbalance between them as a male noble clan leader and his female retainer. This imbalance introduces an insidious undertone to Maizuru's frustration with Toshitsugu. Like Toshiro's mother, Maizuru doesn't have the agency to do as she pleases in their relationship; he has the ultimate authority. For instance, she doesn't seem to want to raise Izutsumi, but she has to anyway.

While Maizuru's role as Toshitsugu's mistress is significant, she's also the Nakamoto clan's teacher and Toshiro's primary maternal figure. She cares deeply for Toshiro: tailing him, feeding him, and taking responsibility even for his actions as an adult. While it might seem sweet that she cares for him like a son at first, Maizuru was notably fifteen years old at the time of his birth. In the extra comic below, he's six years old and has already been in her care for some time. Even if we're being generous and assuming that she didn't start raising him until he was six, she was still only twenty-one at the time she was parenting her boss/lover's child with another woman.

Maizuru's roles as mistress and maternal figure, in addition to her role as retainer, demonstrate the intersection between gendered and class oppression in the Nakamoto household. Despite her original role being a retainer trained in espionage, Toshitsugu presses her into performing gendered labor for him and eventually, Toshiro. She's expected to be Toshitsugu's lover, perform emotional labor for him as his confidant, care for his child, and carry out domestic tasks like cooking. She says, "Even during missions, I was often dragged into the kitchen." If she was a male servant, I doubt she would have been expected to perform these additional tasks. She can't avoid these tasks either, stating that her "own feelings don't factor into it."

Toshitsugu disregards his wife's and Maizuru's desires and emotions to serve his own interests. Because he has societal power over them as a nobleman and in Maizuru's case, her master, neither woman can escape their position in the household hierarchy.

As a result, Toshiro grew up within a structure where men and male nobility, in particular, wield the most societal power. The hierarchical nature of his household and society discourages everyone, including him as a clan leader's eldest son, from questioning and disrupting the existing hierarchy.

The other Nakamoto household members also internalize its sexist, classist power dynamics.

For example, Hien expects that she and Toshiro will replicate the uneven dynamics of the previous generation, regardless of her personal feelings. She sees her and Toshiro's relationship as paralleling Maizuru and Toshitsugu's relationship; she is the closest woman to Toshiro and his retainer, so she's shocked when Toshiro doesn't attempt to begin an intimate relationship with her. Notably, she doesn't have actual feelings for him. Her expectations are centered around the household's precedent of placing emotional, sexual, domestic, and child-rearing labor onto the female servants without any regard for their personal desires.

Hien also probably knows that her position in the household will improve if she is Toshiro's lover because she's seen it improve Maizuru's position. However, the fact that being the future clan leader's lover is the closest proximity she, as a female servant, has to power further reveals the gendered, class-based oppression she and the other women live under.

It's important to note that the Nakamoto clan bought Benichidori, Izutsumi, and Inutade as slaves, so they have less power and agency than Maizuru and Hien. The clan further dehumanizes Izutsumi and Inutade as demi-humans; their enslavement contains an additional layer of racialization.

Toshiro isn't oblivious to the gendered, class, and racial power dynamics of his household. He tries to distance himself from participating in its exploitative power structure. He walls himself off from Hien, who he's known since childhood, to avoid replicating his father's behavior and making his servant into his lover. He disapproves of his father's enslavement of Izutsumi and Inutade, and he lets Izutsumi go when she runs away in the Dungeon.

But does any of this absolve him of his complicity in his household's sexist, classist power dynamics and racialized slavery?

The short answer is absolutely not.

Despite his distaste for his father's exploitation of his servants and slaves, Toshiro still uses them. He refers to his party as "his retainers," and he has them fight and perform domestic tasks for him. You could argue that Toshiro doesn't like to and thus, doesn't regularly use his servants and slaves. In the context of him asking his retainers to help him rescue Falin, Maizuru says, "The only time he ever made any sort of personal request was for this task." But it shouldn't matter whether exploitation is a regular occurrence or not for it to be considered harmful. Toshiro asking Maizuru to cook him a meal still constitutes asking his female servant to perform gendered labor for him. He's also very accustomed to her grooming and dressing him.

Maizuru sees feeding, washing, and even advising Toshiro romantically as fulfilling Toshitsugu's orders to care for his son. They aren't fulfilling a "personal request." But just because her labor has been deemed expected and thereby devalued doesn't mean that it isn't labor or that she isn't performing it.

Maizuru's dynamic with Toshiro is also complicated by her role as his maternal figure. She loves him and wants to take care of him, and she doesn't have a choice in the matter. During Toshiro's childhood, the onus was on Toshitsugu to cease exploiting his lover and release her from servitude, but Toshiro is now an adult man. Seeing as how Maizuru defers to his wishes and calls him "Young Master," they still have a power imbalance that he's passively maintaining. Ideally, he would not ask anything of her until he has the authority to release her from servitude.

Throughout the story, Toshiro acts as if he has no agency and quietly disapproving of his father's actions absolves him of his participation in maintaining oppressive dynamics. While his father still ranks higher than him, he's essentially his father's heir. He has much more power than Maizuru, the highest-ranked servant. At the very least, he could leave his slave-owning household.

Unfortunately, his refusal to confront injustice is consistent with his character's major flaw: he does not express his opinions, desires, or needs. While this character trait obviously hurts his friendships, it also furthers his complicity in the injustices his household runs on.

Toshiro's relationship with eating food — the prevailing metaphor of the series — also parallels his relationship with confronting injustice. Maizuru mentions that he was a sickly child, so the act of eating may have been physically uncomfortable for him. As an adult, his refusal to eat crops up during his rescue attempt of Falin. Denying himself food might have been punishment for not accomplishing important tasks like rescuing Falin and/or a way to maintain control over something in his life when he felt like he'd lost control over the rest of it, again in the context of losing Falin. (Note: I suggest reading this post on Toshiro's disordered eating by @malaierba.)

But he cannot and does not avoid consuming food forever.

Similarly, Toshiro keeps his distance from his retainers and tries not to use them until the Falin situation occurs. His efforts to avoid exploiting his retainers amount to inaction — things he doesn't ask of them or do to them. But his inaction does nothing to dismantle the existing hierarchy that places his retainers under his authority, denies them agency, and often marginalizes them as not only servants or slaves but as women, and he ends up using them as servants and slaves anyways.

Returning to the narrative's themes of consumption, Toshiro cannot avoid eating just as he cannot avoid perpetuating the exploitative system of his household. The Nakamoto clan consumes the labor and personhood of those lower in the hierarchy. The retainers' labor as spies and domestic servants is the foundation of the clan's existence. Thus, the clan consumes their labor to sustain itself.

Within this hierarchy, the retainers' personhood is also consumed and erased. As Izutsumi describes, they are given different names and stripped of their agency to reject orders or leave. Maizuru and Hien also say their feelings are irrelevant in the context of Toshitsugu's and Toshiro's wants and needs. Both women are expected to comply with whatever is most beneficial and comfortable for the noblemen. Clearly, despite Toshiro's detachment from his household's functions, these social structures remain in place and harm the women under him.

Although we know the Nakamoto clan has male retainers, the choice to highlight the female retainers seems intentional. We're asked to interrogate how not only being a servant or a slave in a noble household impacts a person's life and agency, but how being a woman intersects with being a member of some of the lowest social classes.

Toshiro only distances himself from his father's behaviors of infidelity and exploitation so long as it doesn't take Toshiro out of his comfort zone. He doesn't free his slaves. He's far too comfortable with his female retainers performing domestic labor for him, and he barely acknowledges their efforts; they're shocked when he thanks them for helping him save Falin. He hasn't unpacked his sexist (or classist or racist) biases because he perpetuates his household's oppressive hierarchy throughout the narrative. Considering all of this, he inevitably brings this baggage to his interactions with Falin.

Falin is presumably one of the first women he's had extended contact with that isn't his relative or his family's servant. Because of his trauma surrounding his father and Maizuru sleeping together, he understandably falls for a woman as disconnected as possible from his father and his clan. He seems to genuinely like Falin, respects her boundaries, and graciously accepts her rejection. His behavior towards her is overall kind and unproblematic.

But if Falin had gone with him, she would've likely been devalued and sidelined like the other women of the Nakamoto household. No matter how much he loves Falin, simply loving her cannot replace the difficult work of unlearning his sexism. Love, of course, can and should be accompanied by that work, but by the close of the narrative, we gain little indication that Toshiro acknowledges or seeks to end his part in exploiting and devaluing women and other marginalized people.

A spark of hope does exist. Toshiro expressing his feelings to Laios and Falin suggests that his time away from home has encouraged him to speak up more. Breaking his habit of avoidance may be the first step towards acknowledging his complicity in systems of injustice and moving towards dismantling them.

Special thanks to my very smart friend @atialeague for bringing up Toshitsugu's relationship with Maizuru and the replication of dynamics of consumption and class! <3

[beescake]

im a sollux kinnie and ur art is great. like a delicious meal. 1 million courses. my compliments to the chef.

AOGHHH TYSM I REALLY APPRECIATE IT

in gratitude i present a little guy doing setup for the first time 🐝

[yunogf]

she's sweet like watermelon i love the way you taste