#(they're great by the way)

[divineandmajesticinone]

4 MINUTES (2024) I 1.02 "It's pretty deep. All the doctors in the ER are busy. I'll stitch it up for you."

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[thnks--fr-th-vnm]

MORE SECRETARY GERARD :3

always thinking about him

[verstappentime]

my coworker, who is turning 50, said the best thing to me today..... he was talking about how he remembers when lewis was the first driver to really be a "celebrity" and get in on the fashion trends, celeb girlfriends, met gala, etc etc. and i'm thinking he's gonna say something uncool abt the young drivers or something but then he goes "and i'm just so glad that this new generation of drivers are all..... really weird." and he is so right. they are so weird and it rocks

[egophiliac]

LEON

LEON YOUR EYEBALLS

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[saturdaysky]

you lose sight of it, somehow, when you consort with gods: how fragile mortals are, and how precious.

[gale of waterdeep & my pc, mayhew of nowhere in particular]

[copia]

endless ghifs 18/? ⛧ source — "the ancient serpent deceiver..."

[your-turn-to-role]

moment of appreciation again for what is possibly my favourite later game percy quote that everyone always forgets about

(said to vex, of course)

[landofartandcraft]

I REALLY like them OKAY

They are so funny together and it's so obvious they care even if they can't stop bickering like a pair of silly dudes

[novelconcepts]

I really think we as a society don't give enough credit to performers who thrive in an ensemble situation. It's always obvious when an actor is excellent front and center, and we're constantly rewarding that skill set with awards, but god, there's something to be said for the power of a true ensemble piece. People who are so good at reading one another and playing off what they're given, tossing the ball and knowing when to turn it into a grenade. As much fun as it is to watch a solid monologue or a solo show, I always find it so much more thrilling--and so much more authentically lived-in--when there's an ensemble just feeding one another in every single scene. Who do I look at? What is everyone else learning and deciding even from the background? This is what life looks like, and actors who really shine in that environment have really become my favorite to follow.

[divineandmajesticinone]

4 MINUTES (2024) I 1.04

The first time.

[front-facing-pokemon]

[princema-k]

so draw your blade, you wretched fiend and let's you and i fight like the dishonourable dogs we are savage, violent, yet free and when the curtain calls, let me put you out of my misery

[casualavocados]

"Who is Ai Di to you?"

Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)

[cassianandfenrysaremyboyos]

The way the Crescent City males are unafraid to cry and to say I love you to each other. And how they constantly check in on each other and ask if they're ok like really ok. They are just the ultimate in non toxic masculinity. Just the most beautiful men inside and out