#(they are very different & want to be distinguished from one another)

[riddles-n-games]

Hey guys, I've been seeing another rift going on in the fandom regarding TGG and TIG characters, so I've decided to make a statement that can hopefully make things more cohesive.

I understand that not everyone likes the new spin-off and honestly, I'm considering just stopping after GU. Personally, I don't have anything against the characters of TGG but my problem is that they sound too much like our old mains. However, that's not their fault. It's the author's. There's nothing wrong with JLB wanting to expand the TIG universe but it is problematic when you are repeating the same character arcs of the old characters that are also present and interacting with these new mains. The problem that we face is the fact while even in The Naturals there are similar characters, they are divided by different series. However, that is not going on here with TIG and TGG. TGG is a continuation of TIG and our TIG characters are still present. Heck, one of our old mains is a player and a love interest here to one of the new mains. And therein lies the issue. When you have a connected series, it's important to have distinguished characters with different voices, not carbon copies.

What I expected for TGG characters was that she would move from the character tropes we've seen already in the series and come up with new ones. I mean, come on, she's a psychology major, we bring that up so often but what's the point when she keeps going in circles and never brings up anything new? I pointed a lot of this out pre-read because I already correctly guessed where this was going within just a few pages of reveal. Don't get me wrong, if she wanted to, she could do it but it doesn't feel like she has new plans or plots. Be honest with yourselves and don't just praise because she's your favorite author. You can be a reader, a fan, and a respectful critic all at the same time. Don't lower your expectations just because they can't deliver every time.

The trouble is that when you go back to TFG, in the acknowledgments, she herself wrote she wasn't sure there was going to be a third book. And now look, suddenly two books were announced a month or two after she released the last book of the trilogy which introduced our mains and not the most fashionably. I do believe she had ideas but I don't think they were the best fleshed out. You have to realize that just reading TGG, how many of you recognized the obvious plots, the romantic subplots, the character arcs, and even the semi-hidden plots just getting to the halfway point? And how many of you said, hey, wait a minute, we've had this plotline before? You did, didn't you? I want to give Jennifer the benefit of the doubt but I truly think she is in over her head because I don't believe she quite thought that this is how long the series would go.

In fact, I think that she is making more trouble for herself in trying multi POV for this new series when really I think it should have just been Gray taking over. It would have allowed us to see how he's grown especially after the heartache and mental health issues he's had to go through to get here. It felt like the obvious next step, even the summary for TGG made it sound like that. However, the only thing that seems new to me is the hypersexual atmosphere which also makes no sense to me because teens may go through attraction but that doesn't mean they're horny all the time and anyone who's gone through puberty can attest to that. So I ask again, like one reviewer on Goodreads put, were the romantic moments in the room with us? 12 hours is not love or romance, it's lust, that's it. Couldn't summarize it clearer. If she wanted to make it better, it could have been that she made the book stretch over a series of weeks which is why I wonder what the heck will happen to any character development if this book series is done in like 3 days?

As I said, a lot of things feel very repetitive, the plot, word choice, thought processes, quotes and sayings, etc. We are in a loop. She's in a loop. I think that the best thing JLB could have done is leave TIG alone for a few years after TFG, make a new series or whatever works outside this series she wanted to, give herself time to truly see if she has new stories to tell for TIG by writing a spin-off and then come back to give us that content. Because it's really telling how forced things have been in the last two books, even here with GU and I really think this empire is toppling. As they say, quality over quantity and thoughtful than full of thoughts that are just a variation of one another. That's what makes me think more and more she should have left it at TFG.

Thank you for reading and I hope this gives a new perspective that can help you see some things more clearly.

[canmom]

This an interesting angle. I've never been particularly taken with trying to determine True Art from False Art on the basis of specific qualities of the piece.

(I did ok-ish but not exceptionally on the AI art quiz, probably with a slight bias for misattributing human pieces as AI ones - like many other respondees, I found the Impressionist pieces hardest to distinguish, since they very much play to the AI's strengths.)

There are many different ways you could describe "art" as a human activity, I'm sure there's a post somewhere where I make a list, but a really big one is its communicative function - one purpose of art is to somehow pass on some aspect of our 'inner world' to another person, through a lossy and limited channel.

That a signal can be easily imitated doesn't mean it doesn't carry contextual information. For example, I could ask a yes/no question of enormous emotional importance - "should I take the shot", "has the baby been born", "will you go out with me", "am I a good girl" - and be answered with either "yes" or "no". It would be trivial to generate a machine which randomly substitutes for this communication - that's basically all a magic eight-ball is.

The amount of information that can be contained in an image of a given size and colour depth can also be calculated. For example, the number of fullscreen images that would fill my current monitor at 8 bits per channel would be 2^(3440 × 1440 × 24) ≈ 3 × 10^35788372 - about 15 megabytes uncompressed. It's a number that seems astronomically huge, though effectively the amount of information is much less than you'd calculate since all the likely pixels are correlated. The same goes for other art forms, like novels (encoded as, say, UTF-8 strings or PDFs) or pieces of music (encoded as sound files, MIDI, MuseScore files, etc.). The exact number is complicated, you end up getting into Kolmogorov complexity and shit like that, but the point is that it's finite.

If we want to claim that all the information about a human life that Hofstadter describes (grief, despair etc.) is in there somehow, we're claiming that this finitely many bits is adequate to capture all the nuances of a human life. I don't know that that's true!

This, however, doesn't really seem to align with how we interact with art. Human production and exchange of "art" is a social act - I would describe it as being continuous with "play". When we observe a piece, we are opening a communications channel - at least a one-way channel. The person on the other side sends some information into the channel, and we process it somehow.

Since it is a lossy channel with limited information, we must infer various things about the other mind on the opposite side of it. If I show you an artwork that I made, we might have a conversation about how I did it, why I made the choices I did. If I feel something looking at the work, I might imagine that you felt something similar, and designed the piece to evoke it intentionally (a guess that will often be wrong but sometimes still productive). I might also look at what specific choices you have made, compare them to the choices others have made in the same medium, etc etc.

We form these inferences on the basis of experience - the more you learn about making art, the more you learn to appreciate other peoples' art and vice versa. And we project these experiences, usually plausibly, onto other artists.

(Perhaps I am saying all art is in a sense performance art? Seems like a tasty soundbite, though I'm not fully sure I wanna commit to it.)

I'm not meaning to claim that a computer couldn't simulate this kind of 'how did you make it' interaction too. This line of argument was anticipated by Turing in his original 1950 paper on the 'imitation game' that someone links in the comments above, where he describes a poet undergoing a viva voce test interrogating their word choices, and argues that a computer might be programmed to give convincing answers to such a test. I imagine he's right - for a paper written in 1950 he makes some surprisingly sharp predictions for how future AIs might be made, such as the idea that an AI could be built to be 'educated' like a child. (He also thought the evidence for ESP is 'overwhelming', but hey, can't win 'em all).

A lot of the context around art would be quite easy to forge, had you a mind to. For example, suppose I go to a film screening, and someone is introduced as the director so we can all clap them. Did they really direct it? I don't know! You could totally send an actor. Less conspiratorially, if someone says they made an artistic choice for x or y reason, they could be lying about it, or misremembering, or most likely oversimplifying a complex and inscrutable process down to a simpler story.

At some point you have to take something like that on trust, or else simply accept that being lied to about it is part of the game you're there to play! (c.f. Oshi no Ko.)

Anyway, the sudden arrival of a new process that can produce, at least sometimes, near-indistinguishable output to various types of communication, throws a spanner in the process. If we're feeling uncharitable, we could call it something like a DDOS attack, stuffing the channels with spurious inputs that don't fit our design assumptions. I think that goes too far, though. AI gen doesn't preclude communication, but it does need we need to think differently about what is being communicated.[1]

So to consider that last question, if art is like a game, could you train an AI art to produce art that is meaningful to humans only by 'playing against' itself, like AlphaGo Zero? I don't think this is so likely. The rules of Go are strict and well-defined; the rules of what humans find meaningful are inseparable from the history of interacting with other humans, which is why art constantly evolves. Training an AI on existing human artworks is training it to compress and interpolate/extrapolate that dataset; training it to optimise for "making novel art that expresses something in a form that its interlocutor could understand" requires it to be interacting with someone.

You could imagine a training process with an "artist" AI and a "critic" AI (a sort of more sophisticated GAN, where the adversary is optimising not to distinguish human/AI art but to judge it on aesthetic grounds) - but how would you get the "critic" AI? Whose taste would it express?

Admittedly, the developers of image generators are constantly refining their models in response to users, so they are being optimised to appeal to someone, not just interpolate existing artworks. But I think it would be very hard to remove humans from the equation entirely. And the present means of providing feedback to the AI are very crude.

For an AI to learn from interacting with other AI (and the world), I feel like you'd need a whole new process that isn't about minimising loss against input-output pairs. Romantically, I imagine it would be closer to how humans learn from life, but I don't really know what will 'work' in the end.

below: some other remarks that were excised from the main post.

[1] We can view AI image gen as another channel for communication between humans, with its own set of inferences to make. If someone shows me a picture they've generated with AI, there's no point asking why they painted this bit that way, but I might approach them more as a curator and ask why they chose this generation over others, or how they went about prompting it.

The AI artists who go to the trouble of finetuning their models with LoRAs for a specific end goal, or using more involved processes with multiple stages of generation, probably have most to 'say', either through the work they generate or how they'd discuss it. (I find it very endearing when someone trains an AI to serve up a hyperspecific fetish.) And the more I know about how AI images are generated, the more I can probably have a productive conversation.

In this light, the "problem" of AI is mostly one of deception, insofar as it tries to look like something else and thereby tell a misleading story. That's probably a big reason why why it brings the rancour it does, although it doesn't explain all of it. It's not (usually) a forgery of a specific human's work, but it is designed to forge spurious communications in this channel in general, so the channel is 'noisier' - and this could be thought to undermine many of the contexts, i.e. the operating narratives and social games, which are why we exchange art in the first place. Over time, we'll presumably end up renegotiating the 'games', and spawning new ones, as humans always have.

And of course, the issue of provenance and plagiarism in art - particularly when prestige and money get involved - long predates AI and is full of all sorts of bizarre contortions when you look at it closely.

More intriguing is whether there is some possibility for "real communication" between humans and AIs - that is, could there be an AI output that does respect the 'rules of the game' in some way. This is harder to imagine! Like, if you ask why we aren't solipsists, we could point to how much we resemble other humans and say, all things considered, seems very unlikely we aren't the same type of entity. But I only know 'what it's like to be' a human. Conversely, while I know a reasonable amount about how AIs work, the attention mechanism and latent-space vectors and so on (thanks 3blue1brown), the analogy isn't so clear anymore, so I don't even know how I'd determine whether there even is a 'what is it like to be' under all the 'noise' of communications aggressively optimised to fit the patterns of something a human might say. If there is, it's probably very alien to all of my experience.

Ironically I feel like the current model of 'AI', which teaches us to regard any generated output with suspicion of having 'nothing behind it', would make it harder for any 'real', agentive, subjective-experience-having AI to make itself known to us. But perhaps it's good that we're forced to sharpen our criteria of what we're looking for out of these things.

Anyway, all of this is probably just idle imaginings, because nobody can figure out how to make anything like enough money to justify the exorbitant costs of training and operating AIs, so at some point this whole speculative bubble will go up in smoke and whatever AIs continue to be in use will likely remain about as good as they are today, or stupider - at least until the next 'AI summer' when a new paradigm emerges.

Thinking about that that "slop accelerationism" post, and also Scott's AI art Turing test.

I also hope AI text- and image-generation will help shake us loose from cheap bad art. For example, the fact that you can now generate perfectly rendered anime girls at the click of button kindof suggests that there was never much content in those drawings. Though maybe we didn't really need AI for that insight? It feels very similar to that shift in fashion that rejected Bouguereau-style laboriously-rendered pretty girls in favor of more sketchy brush work.

But will we really be so lucky that only things that we already suspected was slop will prove valueless?

As usual with AI, Douglas Hofstadter already thought about this a long time ago, in an essay from 2001. Back in 1979 he had written

Will a computer program ever write beautiful music? Speculation: Yes, but not soon. Music is a language of emotions, and until programs have emotions as complex as ours, there is no way a program will write anything beautiful. There can be "forgeries"—shallow imitations of the syntax of earlier music—but despite what one might think at first, there is much more to musical expression than can be captured in syntactical rules. There will be no new kinds of beauty turned up for a long time by computer music-composing programs. Let me carry this thought a little further. To think—and I have heard this suggested—that we might soon be able to command a preprogrammed mass-produced mail-order twenty-dollar desk-model "music box" to bring forth from its sterile [sic!] circuitry pieces which Chopin or Bach might have written had they lived longer is a grotesque and shameful misestimation of the depth of the human spirit. A "program" which could produce music as they did would have to wander around the world on its own, fighting its way through the maze of life and feeling every moment of it. It would have to understand the joy and loneliness of a chilly night wind, the longing for a cherished hand, the inaccessibility of a distant town, the heartbreak and regeneration after a human death. It would have to have known resignation and world-weariness, grief and despair, determination and victory, piety and awe. In it would have had to commingle such opposites as hope and fear, anguish and jubilation, serenity and suspense. Part and parcel of it would have to be a sense of grace, humor, rhythm, a sense of the unexpected and of course an exquisite awareness of the magic of fresh creation. Therein, and therein only, lie the sources of meaning in music.

I think this is helpful in pinning down what we would have liked to be true. Because in 1995, somebody wrote a program that generates music by applying simple syntactic rules to combine patterns from existing pieces, and it sounded really good! (In fact, it passed a kind of AI turing test.) Oops!

The worry, then, is that we just found out that the computer has as complex emotions as us, and they aren't complex at all. It would be like adversarial examples for humans: the noise-like pattern added to the panda doesn't "represent" a gibbon, it's an artifact of the particular weights and topology of the image recognizer, and the resulting classification doesn't "mean" anything. Similarly, Arnulf Rainer wrote that when he reworked Wine-Crucifix, "the quality and truth of the picture only grew as it became darker and darker"—doesn't this sound a bit like gradient descent? Did he stumble on a pattern that triggers our "truth" detector, even though the pattern is merely a shallow stimulus made of copies of religious iconography that we imprinted on as kids?

One attempt to recover is to say Chopin really did write music based on the experience of fighting through the maze of life, and it's just that philistine consumers can't tell the difference between the real and the counterfeit. But this is not very helpful, it means that we were fooling ourselves, and the meaning that we imagined never existed.

More promising, maybe the program is a "plagiarism machine", which just copies the hard-won grief, despair, world-weariness &c that Chopin recorded? On it's own it's not impressive that a program can output an image indistinguishable from Gauguin's, I can write such a program in a single line:

print("https://commons.wikimedia.org/wiki/File:Gauguin,Paul-Still_Life_with_Profile_of_Laval-_Google_Art_Project.jpg")

I think this is the conclusion that Hofstadter leans towards: the value of Chopin and the other composers was to discover the "template" that can then be instantiated to make many beautiful music pieces. Kind of ironically, this seems to push us back to some very turn-of-the-20th-century notion of avant-garde art. Each particular painting that (say) Monet executed is of low value, and the actual valuable thing is the novel art style...

That view isn't falsified yet, but it feels precarious. You could have said that AlphaGo was merely a plagiarism machine that selected good moves from historical human games, except then AlphaGo Zero proved that the humans were superfluous after all. Surely a couple of years from now somebody might train an image model on a set of photographs and movies excluding paintings, and it might reinvent impressionism from first principles, and then where will we be? Better start prepare a fallback-philosophy now.

[dreaisgrayte]

Half Blood | Muzan Kibutsuji x fem!reader

Warnings: NSFW, MDNI, TW! YN does get assaulted, mentions of blood, drinking blood, gore, how many times do I mention claws? Oral fem!receiving, fingering, kissing, breeding kink, virgin sex, creampie, and overstimulation.

Word Count: 4.9k

a/n: guys this started off as a quick break from a Sanemi fic I'm working on (keep in mind I think short fics are no longer than 3k) and here I am... with a way longer fic than I intended and something I actually want to expand on in the future. It was a lot of fun to write this so I hope you enjoy it <3

“You,” His pink irises are illuminated by the moon high in the night sky. The blood within your body cools as you stare back at the man who stored your fate. His inky black hair flows down his shoulder in waves. A deep blue yukata loosely hung on his frame. “I’ve been watching you.” Muzan growls, edging ever closer to where you stood. His pointed canines glinted in the light, his nails sharp and ready to claw at your jugular. The demon king rolls his tongue along the tips of his teeth, studying you carefully. Was he deciding whether or not to feast upon your flesh?

He had never seen such a creature as yourself. Your skin was glowing, soft, and supple. The lavender color yukata covered most of your body, a delicate pattern of white flowers spanning the kosode fabric. Your obi was white with purple vines flowing around it. You wear simple white tabies paired with purple strapped zori. Elegance and grace radiated from you. He could smell the wisteria perfume in your hair. 

It was strange, you were a confrontation to the world he wanted to live in – yet something he could not tear his eyes away from. Here you were, standing in front of him without fear. He rather thought it would be better fun if you were afraid, he did so enjoy the chase. Though, there was – of course – a reason you relented in running away from him. Your eyes were stormy, eclipsed by thousands of emotions. That’s when a different smell, that had not yet hit him, tickled his nose. Blood, and not just any blood. You had the blood of a demon in you. Your stern, furrowed brows, with the revolting smell of wisteria burning his nose. You confused him. “What are you?” He purs out, not sure if what would come out of your mouth would be a lie or truth. He could always figure it out for himself one way or another. 

Your lip ticks, a show of annoyance you’d yet to master. The man in front of you knew, he could smell it, of that you were sure. Yet, he dared ask. What are you? You’d been told many times what you were. An abomination. A curse. A monster. “Are you not the demon king?” You spit back, growing angry. Would the other half of you reject your existence as well? You had hoped at least the demons would have the scarce bit of comradery running through their systems. Muzan’s brows lift, then knit together. Did he need to answer you? After all, he could easily swipe at your neck to kill you for being so insolent. The eager need to hear what you had to say captivated him though. 

When the man does not answer you tut, crossing your arms over your chest. “Here I thought the mighty demon king would be able to tell me apart from the rest.” You shake your head, laughing stiffly into the night. In a flash Muzan has you pinned to the trunk of a tree. Splinters etch toward your face from the very force of his hand. His muscular body cages you in and it takes you a moment to realize how your body aches to be near him. 

“I can smell you,” He mutters, squinting his beautiful eyes like he couldn’t quite distinguish what he was looking at. “You assault my senses, it’s driving me mad. There’s something different about you.” Muzan had first observed you walking in your village one evening, the way people sneered and cowered at your presence intrigued him. He found himself looking for you every night, wondering what your story was. These villagers were shunning you. He wished to know why such a pretty thing as yourself would be outcasted in her own village. “You smell like me, yet you are not. So I ask you again, what are you?” His voice is low, edging on the precipice of anger. 

You do not yield in holding his gaze. “I am you, yet I am not. Born of the sun and moon. A half-blood.” 20 years ago your mother found herself in the entertainment district, serving the pleasures of others. A man came to visit her on multiple occasions. Eventually, the two ran away together. Sharing in love and secrets. Your mother was a demon and your father a local carpenter. How you were able to be conceived was a mystery, even to them. They lived in peace, until one night. The villagers had finally seen through your father’s lies, storming their house. They slaughtered both of them and assuming you were a child taken captive, they whisked you away to a widowed mother. As you grew it was obvious where your origins lay, yet no one in the village dared to lay a hand on you. 

Muzan lets his gaze drop to where your heart pulsed, bouncing the skin of your jugular. “You are human and demon?” Something pulled tight in his chest. Could you walk in the sun? Did you regenerate? Were you the answer to his plight? “You are radiant.” He cannot stop the words from falling past his lips. Your eyes light up with recognition, acceptance, and for a moment your past falls away. He had the ever-growing urge to sweep you away. Your very existence was tantalizing to him in the least. He tilts his head, wrinkling his nose at the obscure way you smelt. 

Your eyes settle on the way he reacts to you, wondering if he’ll take you away someplace. Some place away from these villagers who had slaughtered your parents who just wanted to live in harmony. They did not deserve to die and you did not want to live one more second with their murderers. Muzan wanted to take you, but he couldn’t. Not yet. You were so fragile. If he were to touch you he would fear you would break on the spot. “Are you going to take me away from this place?” You whisper, hopeful tones floating to Muzan. He swallows something deep and thick. 

Muzan backs away from you, eyes tensing. “No.” He replies softly. He could not take you into his den, the other demons were too stupid to realize how precious you were. You would be dead within seconds. The line between your brows hardens again as his words hit you. 

“No? Why not? Am I not good enough for you?” Your voice is rising. You sound like a whining child who hasn’t gotten their way. Muzan winces at the obvious pain seeping into your voice. You were nothing like he’d ever seen before. Something beautiful, a miracle in his eyes. Therefore, he did not answer you. He simply faded back into the shadows. With his disappearance, your hopes and dreams faded as well.

—

The next time you see Muzan is two years later. His hair is shorter than you last saw it, the curls kissing the nape of his neck. This neat look couldn’t contain the loose curls that framed his face. A starched white collar shirt was tucked into an ornate waistcoat. He looked utterly different, yet he was your Muzan. He had the same eyes, the same far-off look, and on top of that, you could practically taste his scent. It was overwhelming, crushing even, but in a way, you enjoyed the rush. 

It was also a fact that you had escaped your village after one of the men tried to see how strong a half-blood was. He told you he was turned on by how revolting you were and he would take you as his wife in duty only. Until then you had never seriously thought about killing a human. The realization was both terrifying and freeing. So you fled to the entertainment district, living off of what you could at the Kyogoku House. There were so many smells here. Food, humans, sex, and demons. 

You worked under a beautiful oiran, and you could tell… she wasn’t human. Part of you wanted to become friends with her, but if she hadn’t reached out for the sake of commonality, you didn’t think there was a chance of any other relationship than servant. 

Muzan’s brows furrowed. He had come to visit Daki and yet your scent prosecuted his brain. Ever since he left you in the forest that day he had been thinking of a way to retrieve you. You were too precious to let out of his sight again. This time he would secure you. He could feel his blood boil at the thought of you living in the Ukiyo. Kyogoku House was well protected, but anywhere without him wasn’t safe for you. Were you being used by men far beneath you? Muzan had never felt such rage toward the thought of men touching a woman. He often indulged in watching, humans were ever so entertaining – but you weren’t human. You were one of his and he swallowed harshly at the fact that you weren’t only his. 

He brushes past some of the lower-ranking courtesans, his eye twitching at their giggles. You watch from afar, the familiarity of his back etching a cold ache into your heart. He would leave again, of that you were sure. You hug the fresh sheets to your chest, making your way to the linen closet down the hall. “Ah, YN, I’ve been looking for you.” The Okaasan Omitsu stands before you. She has a cunning sneer behind the kind smile she wears. 

You bow, storing the sheets away before turning your full attention to her. “Yes Okaasan?” You can smell the evil intent behind this woman, it makes your stomach sink. 

“You wouldn’t mind doing me a favor would you?” She uses the word favor like you’d have a choice. She is the Okaasan after all. It’s like she thinks you’re some stupid girl that will follow whatever she says. Using the word favor is a manipulation tactic and if you were a naive girl, you would be eating out of the palm of her hand. 

You tilt your head to the left, plastering a fake smile of your own onto your lips. You knew anything out of your mouth except ‘yes Okaasan’ would make things harder for yourself. So with all your better judgment pushed aside, you say exactly that. 

Her eyes gleam. “Thank you, my dear. If you will kindly follow me.” She walks back up the hall, toward one of the private Ozashiki rooms. You glance around, nerves settling into your bones. You couldn’t be headed into one of these rooms, you weren’t even a kamuro. You were just an older shinzō. 

She stops in front of the panel, a cruel smile lifting the corners of her mouth. No, please, not this. “You are very blessed my dear, one of our chūsan is interested in you.” She slides the door aside and sitting against a wall smoking a pipe is a middle-aged man. Cushions are scattered around the floor and a twisted smirk plays with his mouth when he sees you. Okaasan bows then slides the door shut behind you. 

The room was stifling, the smoke choking out any of the senses you had. It was dizzying. “Mmm, you’re a lot older than I thought.” The man sneers, setting his pipe down. The fog of opium seemingly wraps around your throat, making it hard to breathe. “But you’ll do.” He laughs, patting the cushion next to him. “Why don’t you come a little closer?” He offers. Your body tenses. You were in danger, of that you were sure. You were not willing to give your virginity up to such a man but if you denied him the right to your own body, there would be outrage. You swallow, tentatively kneeling on the cushion next to him. 

He leans over you, sniffing the area around your shoulder. You stiffen. “You smell so good, better than all those flora bitches.” He growls. “I like your natural…musk.” Oh Gods did this man – who probably has a wife and children – just compliment how you smell when you’ve been working all day? “What do you like about me?” What a loaded question. 

You smile, one that shuts your eyes – if he saw the look in your eyes he’d be sure to know you were lying when you said, “I appreciate your generosity.” You bow your head and the man laughs heartily. 

His tongue darts out to coat his lips. “I can be more generous if you’d like?” He moves himself closer to you. “I was blessed with wealth, good looks, and a tool to make women scream.” Please let the tool be an ice pick so you can lobotomize yourself. “Whad’ya say, darling?” He coos, going in for what appears to be a kiss even though you hadn’t been given the time to answer him. 

You grimace away from his advance, shoving at his chest. The eerie playful tone in the room suddenly seems to vacuum out. The fog is still thick from the burning opium, but you don’t miss the way the man before you lunges for you. He’s panting above you with a charming pointy sneer. “Ah ah ah, not so fast. You haven’t serviced me, whore.” He digs his nails into your shoulder, pinning you to the wooden floor. “Look at you, begging for my cock with your eyes, ooohh you want it that bad you slut?” He hisses, fumbling with the buckle of his Western-style pants. You squirm wildly under his grasp but it’s like he’s infused with superhuman strength. “I’m gonna fuck you and then, as your reward,” His face is next to yours now, eyes glowing an electric yellow, pupils in slits. “I’m going to kill you.” His hand is on your throat, crushing your windpipe. You choke on what little air you were able to breathe earlier. 

A demon, this man was a demon. One of your kind. No… he wasn’t. He was something else. He was driven by the carnal desire to fuck and kill. You were too weak to push him off, your internal forces constantly warring against each other. You had always presented as human, meek, malleable, and obedient. What you would give to have your demon side come forth, bite this fucker’s head off. You want to scream – but on account of his claws sinking into the back of your neck – if you even moved that would surely be the end of your life. 

He tears your yukata to shreds, ripping the soft skin of your stomach open as well. Your mouth opens the pressure of a scream pushing against his hand. Blood mixes with the tattered cloth, the cotton dying red.

Muzan pauses, Daki grumbling about some inferior human drama. His eyes search the room, this time Daki taking notice from her self-indulged rant. Where was that smell coming from? He stands, silencing Daki before she can start whining again. The potent smell of blood was swirling to the top floor, but not just…any blood. “YN,” He hisses, the annoyance, rage, and blood-boiling sensations he felt earlier returning tenfold. Why were you bleeding? This was fresh cut blood, not from the dues women endured every month. He needed to find you, or he feared the worst. “I need to go.” He barely says to the demon next to him. Her face morphs into one of anger, and before she can hurl anything at him, Muzan slips out of her room. Where were you? He follows the pungent scent, clambering down the stairs and rushing down the hall until he’s in front of a private room. He’s sweating, for once fear is humming in his ear. He shoves the door to the side, witnessing a demon hunched over your body. 

Your blood is pooling around you dying the wonderfully blue yukata you wore earlier a sickly brown color. The demon doesn’t have time to look up because Muzan is already crushing its head, slashing its throat to shreds of what it once was. 

The room is covered in blood but the demon is dead. Muzan slides to the floor, cradling you in his lap. “YN, no, no please don’t die.” You were his miracle. You were his hope. If anything could save his damned soul it would be you. His arms are trembling as your stomach bleeds out, the skin marred, and…God the smell of your blood was driving him mad. It was something he shouldn’t be thinking about as you bleed out under him. You needed to regenerate. He wasn’t sure if you could so maybe your demon just needed a little push?

With his free hand, Muzan tears the flesh from his arm, bringing it down to your mouth. His blood trickles onto your lips, sliding into your mouth. After a few silent beats, your eyes shoot open. Muzan has never felt such joy as this very moment. Your arms wrap around his, bringing it into your mouth. Muzan hisses at the way your tongue dances around his wound, lapping up the blood he shed for you. You’re panting, gasping for more. Your eyes glow as you drag your tongue up the muscle of his forearm. His blood flows through you like your own life force, strengthening your nerves, hardening your muscles. He has made you stronger. 

It sends a pinch of desire through Muzan. He hadn’t felt the heat of wanting to sink his cock into the warmth of a cunt in decades. You were mouthing at his arm, wounds healed on both ends, but now that you were moving the once whole yukata falls off your shoulders. Blood trails from your lips down your chest, between your breasts. Muzan was never one to fend off his desire to want. He took whatever he wanted, without a care. He wanted to take you without a care. Fuck you senseless into the floorboards, claw at you, feed on your blood while you fed on his. It was ecstasy just imagining driving his cock into your pretty tight pussy. 

“I should’ve never left you.” He whispers and it sends a rolling wave of want through you. You move to straddle his lap. 

“Then don’t leave me now.” You could both smell it, the heat and arousal in the air. “Take me, my Lord.” He smirks, holding onto your thighs. 

He hums, enjoying the way you’re bare in front of him. You were a sight to behold. “Mmm, such a smart girl.” A portal opens underneath him, the wooden floor sinking into an expanse of rooms, platforms, doors, lights, and endless corridors. The sheer speed whips your hair around your face until – it doesn’t. You’ve stopped in the middle of whatever this place was. “Welcome home,” Muzan’s pink eyes darken to a deep crimson as he sits up straighter, pressing himself into you. You moan in delight as his hands work their way up your hips, sitting you down on the stiff part of his lap. 

You tilt your head, peeking at him. “I’ve never liked pants,” you mumble, playing with the hem of his. He chuckles his smirk growing. 

“And why is that?” He inquires, moving his tongue to lick up the blood that has traveled toward your navel. You choke out a moan as he makes his way between your breasts. You can feel his teeth against your skin and it’s a wretched thought. “Aheh,” He swipes at the crest of your breast. 

“H-hard to get off.” Muzan hums against your skin in agreement, but he’s too preoccupied with the way you tremble with untapped pleasure. 

He wants to tear into your flesh, mark you as his, burn only his name onto your tongue. “Such an eager kitten,” He licks his lips, capturing the back of your neck in his hands. “You want me bare that badly?” All you can manage is a small nod as he gingerly moves you so that you’re laying down. Your hips are still lined up with his as he gazes at you. “I can promise you I have a similar urgency.” He grins, pulling the belt from his breeches with a smooth movement. He tosses it to the side, but doesn’t make any more movements to pull his pants down. Muzan notices your heated gaze pointed toward his hardened groin. 

Did you know nothing about the workings between a man and woman? His eyes trail down your body, stopping at the apex of your thighs. He wraps his arms around the bend of your knee, smirking when your eyes widen in surprise. He tugs you upwards, to where your legs are over his shoulders. Being this close to your glistening pink cunt made his groin stiffen even more, if that was possible. The smell of you was intoxicating. He couldn’t help himself. “What a fucking view.” He growls. 

Muzan buries his head between your thighs, latching his mouth onto your swelling clit. You gasp in pleasure, breaths turning into ragged moans as he plunges his tongue deeper into you. “O-oh my God, f’ck, ngh.” With the way his tongue his twisting and sucking inside of you, breathing seemed impossible. His claws dig into your outer thigh, scratching red trails to your knees. He devours every bit of you he can reach, crazed by the tangy sweetness of your arousal. Your walls were squeezing around his tongue, heat running through your body. 

Your own hands find your stiff nipples, rolling them around in your fingers. You couldn’t get enough, it was the same feeling you received from drinking his blood. Heat rolling around in your veins as his eyes take in your puffy cunt and how your eyes roll to the back of your head. He maneuvers one hand from under your knee to the one place that was being ignored on you – your entrance. It was like the gate to a shrine and he wanted to worship there for eternity. “Look at how fucking wet your cunt is.” His pointed nails shape into shorter rounder ones, he dare not damage this holy place. Then, without warning, he presses two fingers into you. A yelp echoes across the void of the infinity castle. “Ahhh, shit,” You huff, tensing from the sensation of your pussy being stretched. 

Muzan knew you were a virgin, he would be lying if the fact didn’t make him grow more feral to have you sit on his cock and take his seed deep within you. He wanted you. He wanted you. He wanted you. That was all he could think about while lapping up your wetness. 

The slick from your cunt was sucking his fingers in, a growl rumbling around your clit. This makes you scream out as a shockwave shoots through you. Your thighs are shaking and every once and a while – as Muzan still selfishly fingers you through your climax, sucking on your clit – your body will twitch. Heavy and heady moans fall from your lips, breaking into whines as you come down from your high. 

“You did such a good job my sweet,” Muzan lowers you gently back to the floor. Your neck is sore from being at an awkward angle for so long, but you would give anything to see the disheveled man before you with your arousal still on his lips. “That’s it. Prefect. You’re so perfect.” He mutters, licking his lips and watching you still play with your nipples. 

Though you feel like you’ve just ascended, you crave more. You want Muzan to breed you like his own personal slut. “M-more,” You gasp. “I feel so empty my Lord.” You huff, the edges of your voice bleeding to a whine. Muzan’s eyes widen. He hadn’t intended to fuck you just yet. Give you some time to grow accustomed to sexual things so it wasn’t rushed, but your eyes are pleading him to continue. He’s… nervous, which isn’t like the demon king. He’s so eager to please you. Make sure you’re comfortable. He wants to give you hell, heaven, and the earth. 

“You’re practically begging me.” He chuckles, unsure if you really knew what you were asking. There was no way that once Muzan slid into your heady cunt that he would not ravish you. There was no way to tell time in the infinity castle, so there was no way for him to know when to stop until he was satisfied. You squirm to get closer to him, spreading your legs wide for him. His gaze drops from yours to your center, whatever shred of humanity that was left in him suddenly flying away. “Such a filthy slut. You’re already hungry for more? You want me to fill you up? Then beg for it.” His eyes narrow into slits, the magma growing in his belly. 

Your body cools with a shiver of excitement, as you reach down in between your thighs. You purse your lips and then spread your labia apart. The cool air tickles the sticky wetness but you can tell it’s doing something for him. “Please, my King, I want you to fuck me so hard I can’t think. I want you to take my virgin pussy and make it yours.” 

The corner of his mouth ticks up in a smirk. “As you wish my Queen.” He frees his cock and you have to take a moment to gulp at the sheer size of it. The head is leaking precum and bruised a red color from the lack of release. The shaft is a pale pink, a thick vein running down the underside. The muscles of his hips also catch your attention. They were unlike the drawings some of the courtesans had shown you. His were muscular, ready to thrust into you for hours. 

Muzan lines himself up at your entrance, this time with the head of his cock. The idea was thrilling, finally pushing into your pussy and breaking the barrier of your womanhood. He hisses as your slick coats him, making it easy enough to start entering you. Your face contorts with a mixture of pain and pleasure. “Shhh, you can take it.” You want to wiggle away from him, the pain of his member stretching you out is enough to break you. “Ah ah ah, you’re not going anywhere pretty girl. Remember you asked for this.” Muzan leans over you seizing your mouth with his own. You share a leisurely kiss as he swallows your moans. 

He feels the head of his cock hit your hymen and with a wince he thrusts past it. He can feel the rush of silky blood around his cock, but he tries his best to divert your attention with heated kisses. You break free, a long drawn out moan gasping out of you. “Ahhh, oh my, hngh nngh yes!” 

Muzan nuzzles into your neck, the feeling of your walls clenching around him driving him practically insane. “Yeah? Tell me how good I am. Tell me how good I am at fucking you.” He hisses out, desperate for your compliments and approval. 

“Nnnggh, s’good, f’ckin’ me s’good.” You slur, drunk on how he guided a new path into you. You pant and writhe under him, eyes fluttering shut. 

“Not yet my love, I want you to watch.” He starts to move his hips and you wince in burning pleasure. “That’s it. You’re doing so good.” He grunts, snapping his hips back into you. The wet slap of skin hitting skin sends shivers down your back. 

You’re straining against the build up in your stomach, a pit of coils wanting to spring forth. “Mmm, harder.” You huff, reach out to grab the back of his neck. He shakes his head, a playful smirk on his swollen lips. 

“Use your manners.” He teases, squeezing his eyes shut. 

“Please fuck me harder.” You mewl just as he starts to thrust into you with a quickened rhythm. Your breath is sucked away by the pure bliss aching from the friction. 

Muzan bites down on his lip, brushing a few curls that had come free from behind his ear. “You like it when I do that?” He quizzes, fucking you harder. You can only manage a nod.

Your voice has grown hoarse from moans breaking into screams and whines. You buck your hips along with his as you arch your back, tumbling over your peak. “F’ck, haa haa hnngh,” You squeeze his cock and release his neck, breathless from your second orgasm. 

“Cum all over my cock, fuck,” Muzan growls, the feeling of your slick cum coating his length. He was gliding into you with such ease. He would apologize to you later for this. He pounds into your sensitive cunt, overstimulating you as you cry out. He rams himself into you and stays deep within your pussy. Panting heavily Muzan finally crashes over his own wave of pleasure. Splurting his cum around the walls of your pussy. He doesn’t want to pull out – for one fact he wanted all of his cum to stay within you – and for another fact, you were all the salvation he needed. He could find redemption with you. He rolls you both onto your side, hiking your leg over his hip to make sure he can stay inside of you. 

This was it, you had driven him to the edge and he would make sure to never let anything else touch you. As he gazes upon your soft features drifting off to a satisfied slumber he feels what once was his heart ache. “We should get married.” He blurts out.

[ldrfanatic]

this happens once every few lifetimes

mattheo riddle x reader

synopsis - reader transfers to hogwarts from ilvermorny. she and mattheo fall in love with each other at first sight.

warnings - none, i think?

listened to while writing - the alchemy by taylor swift

i have a clara bow theo one in the works right now that i'm excited to drop at some point. ngl this gif of benjamin in deadly class inspired this idea A LOT.

part two?

slytherin boys works

you waited with baited breath outside of the great hall.

any moment now the doors would swing open and albus dumbledore, who you knew only through legend, would announce your transfer to hogwarts.

it was terrifying honestly. leaving ilvermorny was indescribably difficult. but when your father got a job opportunity at the british ministry of magic, it was decided. already you were feeling overwhelmed. you'd done your research but hogwarts was much larger than ilvermorny. it was much older as well, and thus had gained a reputation over a thousand years of producing some of the greatest witches and wizards the world has ever seen.

the large magnificent doors opened and every pair of eyes was on you.

you walked forward with sweaty palms, subtly attempting to dry them on your plain, black hogwarts robes. another change. the wardrobe was much more strict here than back in america. and where every student at ilvermorny wore the same blue and gold, students at hogwarts wore colors representative of their house.

finally, you reached the end of the walkway and stood face to face with a dusty and rather ancient looking hat. to your light surprise, it spoke. a woman whom you'd met briefly beforehand, professor mcgonnagall, picked up the hat gently and motioned for you to sit on the stool.

it was time to be sorted into one of hogwarts four houses. you'd been in wampus, the house of the warrior, at ilvermorny, and despite hours of research, you couldn't distinguish what the hogwarts equivalent would be. all four houses seemed to be good choices but there was one in particular that stood out to you.

no shorter or longer than exactly fifteen seconds after the sorting hat touched your head, a declaration was made.

"slytherin!"

an older student in green robes gestured you over to the table on the far right. not wanting to sit at the very front and continue to be gawked at, you briskly walked a little further down and took a seat at the middle of the table.

once you'd taken your seat, dumbledore began to explain that hogwarts would be hosting the triwizard tournament this year. after a flashy introduction from beauxbatons and durmstrang, you effectively decided that you were not the most interesting shiny new toy at hogwarts this year and silently thanked the universe for this turn of events.

at last, it was announced that you could eat and the tables filled with food. all around you students' plates began magically creating complex dishes. there were even some dinners that held food that you were sure you couldn't see anywhere on the table.

frustrated, you stared down at your empty plate. it was a long journey to hogwarts. you were hungry and quite frankly tired of things being so different. if one more complicated situation made its appearance at this school, you were undoubtedly going to lose it.

"just think about a food you really want to eat. it can be anything."

a boy next to you with brown hair and bright blue eyes leaned over. a thick italian accent levied on his deep voice.

you closed your eyes and thought about a delicious juicy cheeseburger with golden-crisp french fries. sure enough, when you opened your eyes, your plate had filled with food.

absolutely giddy with glee, you turned to thank the mystery man.

"no problem. i'm theodore nott. this is draco malfoy next to me."

the platinum blonde boy didn't even look up to acknowledge your existence. theodore, seemingly sensing your mild displeasure, spoke up.

"don't mind him. welcome to slytherin house. riddle, say hello to our newest recruit."

the dark haired boy directly across from you who you assumed was 'riddle' did in fact look over from his conversation with a boy with a chestnut colored complexion. yet, when your eyes found his, he didn't say hello.

he didn't say anything actually. he just sort of stared. as you held eye contact, it was like lightning running through your veins and sizzling at your fingertips.

for a moment, you wondered if he'd ever seen a person before.

then, as if he'd snapped out of a daze, a gentle smile played at his lips. dark curls fell over his brown eyes that seemed to sparkle the longer you looked at them.

his large hand crept over the table until it was outstretched towards you with a kind smile.

"mattheo."

you shook his hand with a shy smile. mattheo was currently looking at you like you were the only thing that mattered. in fact, your little interaction had gone on so long that theodore and the boy mattheo had been speaking with had both strucken up conversation with other students at the table.

"y/n."

mattheo eyed your appearance. his gaze flickered across your face, then to your hair, and all over the parts of your body he could see.

"sorry if this is a little awkward, but i can't remember the last time i was this captivated by someone." mattheo finally released your hand and you had to stop yourself from begging him not to.

"welcome to slytherin house. you're in the snake's nest now, beautiful."

---

7.8.2024

[ancientgoddessofegypt]

Cleopatra's Secret.

The Ways Of The Wise Woman. Beauty Secrets Of The Nile.

Cleopatra was an empress, a goddess, a mystic woman. She was a lady who knew how to attract the flow of abundance to her.

Cleopatra knew all about beauty and how to keep them strong, powerful and vibrant. To this day, we still don't know everything she has done to be known as the beauty queen she is today.

In my own years, I have found a liking to her. There are moments in my own life, where I feel as though there is a connection of some sort. Im pretty good at taking understanding to the vibration of certain goddesses and queens from past generations. Sometimes they come with a message. Others, like cleopatra, come with divine guidance.

In this reading, I will bless others with a truth that all of us have come to learn, and are still trying to accept.

The first thing is this:

The beauty standard isn't real. Beauty is not something outside of the self. It is always in you, first. Everything else comes as a source of inspiration from the Goddess. You are not only beautiful because the entire world says that you are, that is merely the flesh. It is the vibration, the energy you put in to your work to obtain beauty, and the luxury you have into keeping it.

Cleopatra's secret is that of self-love, and knowing what works for her & using that to her advantage. Especially with her hair.

The thing's that I would like to mention is this, You guys have to want to see it for yourselves. See it in you, first, and the guidance of what works for your body-mind-soul comes right after.

So I have a story I would like to talk about, on what even made me speak about this. One day I was out with one of my favorite looks, but I had to pin it up because it was too much for me. Usually I love it in a ponytail, but today not so much.

Tell me why the entire day I had got nothing but compliments on my hair! My hair! My hair my hair! That's all I kept hearing. And sure I was flattered, but I noticed there was a different vibe coming in when it came to the hair and how everyone gawked at it. People stopped and stared, one asked for a picture, some would just come up to me telling me how beautiful I looked. I was shocked, because again. I wasn't vibing with my hair like this fully.

Not only did they compliment my hair, they complimented the outfit as everything went together (the hair color had matched the dress). And someone even said i looked like a painting, another an empress.

With all the beautiful compliments, It was like they seen a ghost. All jokes. But you catch my drift right?

I had a full day out an about, so the entire day I got tones of compliments, my final compliment of the night is what inspired me to write this when a guy tells me that my hair reminded him of 'cleopatra'.

I said huh? Cleo? Lol.

And of course it was all love. Just jokes.

My hair wasn't even in braids, which is why I found it funny.

And even though he was playing, I had meditation sessions where cleopatra would come out into the meditation, as if a ritual was taking place. This was a while back, before the comment. I noticed I kept feeling her vibes and would catch a couple of syncs from her, thinking it was from working on a couple of goddess readings. Something about what he said rung a bell right after.

Although his compliment was very sweet, Immediately had one of those 'eureka' moments. Like that of Jimmy Neutron. Lol.

'Cleopatra's Secret"

She had been speaking through me all today. With my experience of course. I could imagine how she must feel being known with a distinguished look that nobody else had. A body of her dreams, and an aura of delight. She was a chosen one who was cherished with a royal empire, but not only that, she had looks that could kill. That was her, Cleopatra.

It was a message. The entire day was a reminder. The signature style. The energy, the appeal.

I have spoken before that goddesses and gods tend to carry a vibration and you can channel them. It wasn't me channeling her at the time but I could understand that whatever I was sensing from cleo it showed itself to me that day. I was just relaxing in the sun. Her spirit walked so that we could run.

The Style. The Flair. The Signature Look Of An Era.

GIF by indigaux

She had a DISTINCTIVE look which is why so many gawked at her. She did not look like anyone you've seen in your day. Which is why she was so special. Cleopatra had the LOOK. She was the MOMENT. She was the IT GIRL! In today's language, that's what she'd be. It is about knowing what works and shaping that into your reality. I knew my favorite hairstyle would always get the girls looking ;) but when i toned it up a notch it had the girls singin'!

Is the style you're going for you look forward to wearing? Be it you cut it different, changed the color, adding a little accessory. How does it make you stand out?

From hair to clothes, finding your niche is what works. & letting go of whatever doesn't make the cut in what typically looks like eye candy. You gotta give yourself something you'd desire seeing for a long time. As the people will never make you forget it. ;)

Cleopatra had her own style. Her own flow. Her own grace. She didn't mirror anyone you would see, and she took advantage of that. & I'm here to say you can too.

Here are some tips as far as confidently being yourself go, and then we go into the spiritual baths & luxuries miss cleo would have indulged in herself.

The Sun Child

Cleopatra was a one of a kind. Lets start there. She had the confidence of a woman who knew she was gorgeous. Who knew everyone wanted a glimpse of one of god's most beautiful creations. Everyone wanted to touch her hair, to taste her, to smell her eloquent perfume... She was someone you wanted to have but couldn't imagine the possibilities.. Because in her mind, she knew that all you would get is a fantasy. In the city of the nile rivers, this beauty was chosen to light up the people with her smile and seductive prowess. So much so this helped her win and intrigue men, helping her win wars throughout her dynasty.

So for you, I say to be a light. To conquer your inner strength and use that as your advantage. Take what you can and run with it. Because your aura is a hypnotizer, as is the sun of course.

When your light shines, you become a Goddess, because you are a reflection of what gives us life.

Rose Bath

GIF by mizworldofrandom

One thing Miss Cleopatra was most known for was her beautiful bath water routine. Every night she'd soak into a bath that would make her skin pop, fresh, and glowing.

So here is an inspired Rose petal baths on a sunday afternoon will be a killer for your skin. Add in shea butter with nut milk (oats or almond milk) with some leaves from your garden, soaking into the bath for about 25-45 minutes will give you an everlasting sensation as you awake.

Also a cup of lavender, as well as some sea salt/epsom salt will do the trick for any anxiety you have been feeling. If you don't have that problem, lavender is also good to help with better sleep.

Lemon Balm Milk Tea W/ Almond Milk

GIF by prettygirlthatsparkles

1 cup of almond milk.

1 tbsp of lemon balm / half tps rosemary, 1 tsp basil leaves

1 tps of honey

1 tsp Caramel filling (or to your liking)

pinch of sea salt mixed well (A PINCH)

mix together.

You can infuse the herb extraction into the milk.

Another way is getting 1 1/2 cup of water in a pot. slightly boil for 5 minutes, place the herbs in there for 2-3 for them to begin infusing. Mix the 1 cup of milk into the pot

You can use a hand mixer to give your milk tea that 'fluffy' look at the top.

1 chunk of cinnamon powder drizzeled at the top

Enjoy.

Aura - The Mystique

If there is one thing I got for you all, is that the vibes need to match the face. Your beauty is one thing, but your vibe is another. And if theres anything that you need to do, you need to work your magic on the world ladies. The gift in being you is in your vibration. How does it feel to be you? To wake up as you? To breathe in your skin? To simply BE.

Your energy is magic. Meditating on the way you want to view the world helps the aura shape its reality. You are youthful, vibrant and intelligent. Use that energy to its advantage. Go to places that represent the person you want to become. Study and read the books that give you the most insight on what it is you desire to understand. Look beyond the universe.

And. Tell. Nobody.

The mystery in who you are is that anybody can be perceived, but the beauty in being who you are is that you are perceive-less. And thats the energy you want to embody.

Nobody knows you. But yourself.

Open Your Spirits, Come The New Dawn

So as I'm currently outside writing this, I'm allowing my intuitive mind to come in and talk to me.

Cleopatra was very spiritual, and was heavily impacted by the moons energies. The sun had a big play in her story/impact. But her wisdom came from self-reflection and having play time outside with the moon's glow.

As I written before, she was the sun's darling. Her aura shined bright because she knew she was The One.

And as do you.

You are much greater than the stars because you come from them.

You are the entire sunset, to the moon and back.

You are a gracious creator, because the God's gifted you with skin that reminensed theirs.

You are capable of anything if you let it. So Mote it be.

With Cleopatra's story, her eyes gazed into the moonlight and she became the wind. She held tightly to her reflection as it is the very thing that opens up the mind finding its way into the heart.

She was open to understanding the things she didn't grow up in. She allowed lessons and tribulations to be her story, but to not let it break her.

She was open to the memories of the nile, the banquets, the rituals, the energy, the channels of the godly forces of creation. The energy of the Sun. She was knowing of her strength. Knowing of her power. Knowing of her grace. She knew who she was at a young age, and she always thought highly of her presence.

Til' Next Time..

[shapelytimber]

Updated my au's recap to add Tarkin and Krennic :)

And of course I updated The Science

[COMMISSIONS]

(also fixed Sabé's sexuality ! Thank you to the Sabé connoisseurs for letting me know she has a canonical boyfriend at one point ! xoxo)

Yapping below vvv

Welcome to me and my struggle with imperial military uniforms fjdkdkk they just so boring and often khaki-

For Tarkin I took inspiration from a Star Trek concept that I'm so mad isn't a thing in Star Wars... The dress uniform ! The classy, just for show, uncomfortable version of classic uniforms ! (Couldn't believe that wasn't already a thing in sw, but when I searched for it I stumbled upon a sub reddit called "the empire did nothing wrong" and sometimes self care is to not clic on the clearly far right corner of your fandom to look upon a shitty fan made alterations of imperial uniforms 🌸)

Also, I had to make a choice here... Do I make the empire more strict when it comes to gender norms and expectations i.e do I put Tarkin in a skirt gkkgkffn like, I already kinda did that with both Tarkin and Krennic keeping their hair long. But in canon imperial uniforms are unisex and the same for everyone, which is great to like know the imperial military (in universe at least) doesn't do sexism a lot.... But once again, the canon uniforms are a bit boring to draw, they don't have the more classy ones you would wear for special occasions and frankly if you want a side to show more gender inequality would you pick the mismatched rebels fighting for their rights and to overthrow the government, or the established force in power that is also incidentally an empire that took inspirations from a real far right party hmmmmm

Let's look at what I made different about the empire in my au, a) Palpatine is a woman, they have an empress but b) said empress force masced her apprentice and made *him* the figure head of her empire. When you think of the empire you don't picture an old woman in a bathrobe, you picture Vader, a tall muscular cyborg with no face a glowy sword and evil telekinesis.... That is gendered in the masculine (still a dyke tho, but random civilians wouldn't know that- they don't even know if he's human). Having a woman lead a fascist empire doesn't make it better- (in my country, France, the far right party has been lead by a woman for the last 20 years and that doesn't make it fucking better)

All this to say I put her in pants fjkdkd tested with a skirt but it felt too uncanny.

And I also made her stand in the worst position to draw (for me at least) : perfectly facing the camera with a stick up her ass and at parade rest so with her hands behind her back fjkddk I struggled so hard to make it look somewhat good, and I'm still not really satisfied- also Peter Cushing's face with a hat that covers his forehead looks very wrong to me fjfkk

But enough about Tarkin ! For Krennic I also modified the uniform :D (for a second time jfofk link to the first post with another version of her uniform), but hers isn't the fancy version, it's very much her work clothes ! Still trying to distinguish her from the classic military, since she is more of an engineer/architect, so she get heels, slutty white gloves and a dramatic cape coat. Also I loved putting her in a very strict outfit but making it a bit messy in small ways kgfkgj one side of it isn't zipped all the way down, and her hair is coming down from her hasty made bun :)))

PS : one must always picture the death star as the third member of this relationship <3

[souliebird]

[[and then I met you || Ch. 25]]

Series: Daredevil || Pairing: Matt Murdock x Fem!Reader || Rating: Explicit

Summary:

A one-night stand years ago gave you a daughter and you are now able to put a name to her father – Matthew Murdock. Everything is about to change again as you navigate trying to integrate your life with that of the handsome and charming blind lawyer’s and Matt realizes he needs to not only protect his new family from Hell's Kitchen, but from the world.

chapter masterlist

Words: 4.4k

ao3 link

It is a beautiful Sunday morning at the Bronx Zoo - the sun is shining, the weather is warm, and there is hardly a crowd to speak of. Tourist season is over, and the school year has just started, so all the locals who would be here with their kids are otherwise preoccupied. Navigating through the pathways has been a breeze and there has been no one to block your view of the animals.

Another perk from the lack of patrons is the opportunity for a unique interaction at one of the exhibits Minnie was the most excited to visit.

“You has…you have very pretty fur,” Mouse whispers to the massive lowland gorilla that is mere inches from her face. There is a thick glass barrier between them, but you can’t help but feel a little bit nervous, especially with how the great ape has her full attention on your daughter. Large soulful eyes are focused on your little one as she gives compliment after toddler compliment. 

“It's a lot of colors and it looks really really soft,” Minnie continues on, nose practically smooshed flat against the glass. “I bets you gotta brush it lots. Mommy brushes my hair, but I can do it myself. Like a Big Girl.”

The gorilla responds by chewing on some leaves that she has in her hands. It is what she has been doing since she came down from the trees to sit right in front of you five minutes ago. This, of course, doesn’t deter Minnie at all and she asks, “Does your Mommy brush your hair, too?” 

As she has her imaginary conversation, you steal a glance at Matt.

After you learned about his senses, you thought joining you at the zoo would be torture for him. Even though the exhibits are kept clean, you know they must smell awful and there are loud birds screeching everywhere. It is completely different from the city noises he must be used to, and you even packed ear plugs and ibuprofen for if it became too much, but to your surprise, he seems to be thoroughly enjoying himself. 

Minnie has taken on her role as his Guide, excitedly explaining what each animal is and what they look like, to the best of her abilities - making you oh so proud. You’ve noticed that as your daughter takes in the sights, Matt will tilt his head minutely - his tell that he is intently listening to something. Occasionally, he’s asked a question - usually pointing to an animal Minnie did not describe and asking what it is. You’ve found lots of hidden creatures that way.

You cannot imagine what inputs he must be receiving from the gorilla in front of him. You know humans and great apes are closely related, but how does that come across to Matt? The smell must be different, but is he able to distinguish between her heartbeat and the heartbeat of someone observing her? Do her lungs sound human? 

Can he tell if she’s sick or well taken care of? Is that something he can determine in an animal he has no history with? 

He must sense you looking at him because he tilts his head towards you and grins. Your heart squeezes in your chest and your stomach does a sort of funny flip. 

He is so handsome and charming, and you have no idea what you’ve gotten yourself into. You weren’t prepared to get into a physical relationship with Matt, but you don’t want to roll back on it. 

You like how touchy he has been all morning. It hasn’t been anything obscene or inappropriate, but his hand has found its way around your waist more than once. On the subway, standing in line, or even just watching the animals, if you were next to him, he’d wrap you up and pull you a little closer. His hand would rub up and down your side and each time you’d feel like a little picture-perfect family on an outing.

You haven’t kissed in front of Minnie, but you have both been sneaking them in - when you woke up, when you were making breakfast, when Mouse was preoccupied getting ready. 

You feel giddy and like you belong in a teen romance movie. This is something you haven’t had in such a long time - or ever really - and you don’t want to ruin it by overthinking.

You made a deal with yourself that morning - you were going to enjoy your trip to the zoo with your family and you were not going to overanalyze sleeping with Matt. It will be a tomorrow problem.  

Right now, you are going to soak in all the goodness that is happening - including the pleasant ache in your core from getting thoroughly fucked.

You break yourself out of your own head and take a small step, so you are properly beside Matt. You reach up and wrap your arm around his bicep, leaning into him a little as you ask, “Who would win in a fight - you or the gorilla?” 

“Oh, the gorilla,” he whispers back. “She’s all muscle and teeth. One good whack would easily break bone and even I’ve heard the stories about angry primates. I’m not that reckless.”

You have to bite your lip to keep from smiling too much, then you lightly squeeze his arm and tease, “Exactly how reckless are you?”

You don’t realize the innuendo until the words leave your lips and then you can’t take it back. Matt’s grin only grows, and he ducks just slightly so he can nuzzle into your ear to purr, “would you like to find out?”

Your face heats up and you have to hide your face in his shoulder, so you don’t die from absolute embarrassment. He gently pulls his arm from your grasp so he can instead wrap it around you and hold you firm against him. He rocks you slightly and you conclude that yes, Matt is very much enjoying his time out at the zoo. 

In front of you, the gorilla stuffs the last of her leaves in her mouth, chewing slowly as Minnie babbles away about hair care. 

“..and if you braids it, it makes it super-duper wavy after,” she wisely tells her new friend, “You could be really poofy. Like a flower.” She pauses, then you watch her as she watches the great ape stand back up and start to walk away. You expect her to be sad, but instead, your sweet girl just calls out, “Okay, bye-bye, I love you!” before whirling around to beam up at you. 

“Can we go see the mices now?” she asks, all sunshine and rainbows. 

To your great amusement, Minnie is dead set on following the plan she made. She only wants to visit certain animals and she must see them in a certain sequence. She brought the map of the zoo you bought her all those months ago - the one she’s drawn all over and has practically memorized - and they are your marching orders. You and Matt are more than happy to follow her lead - especially because she does not want to see any of the birds, which saves you a lot of walking. 

“Let’s go to the Mouse House,” Matt agrees. 

You have to pull away from him to be able to walk and your little Mouse goes right for your hand so she can hold it. She has been extra good all day about holding your hand and staying by your side - loudly saying she’s a Big Girl and can follow all the rules. You’ve been very impressed with her determination and definitely plan to reward her for her behavior. 

Matt falls into line beside you as you begin to lead the way, lightly grabbing at your elbow. You feel a tad bad for taking up so much space on the path, but luckily there is no one around. 

“What did you think of the gorillas?” you ask as you make your way to the next exhibit. 

“They’re amazing!” Mouse says with the biggest little grin, “She was really big and pretty and soft and went…she went,” she proceeds to make soft little grunts like you imagine a monkey would make, but you didn’t hear the gorilla make any noises beyond chewing.

“She really liked you, huh?” Matt teases with a little hum, his own smile as large as his daughter’s. 

“She did!” Minnie absolutely preens, “She’s my favorite!” 

Every animal has been her favorite, but you do think, for the moment, the gorilla does take the cake. 

“You’re favorite, huh?” You muse, “I don’t know, I think the tiger was really cool.” The cat had been much larger and vibrantly colored than you expected, and you had been a little bit starstruck by the apex predator. You might just see if there are any tiger shirts in the gift shop.

“He was sleepy!” Minnie proclaims, and it is true - the tiger was enjoying a midmorning snooze.

“What about you, Matt, who has been your favorite?” 

He makes a show of tilting his head back and forth as he thinks, “My favorite? I liked the elephants - I didn’t expect them to be that large and using their noses like that is…unique.” 

“It’s called their trunk!” Mouse eagerly tells her father, repeating what the zookeeper told you. “They can use it…to… to …to… grab things and drink water!” To emphasize her point, she raises her free arm up to her face and mimics an elephant’s trunk waving around. 

“That is impressive,” he says, “can you do that with your nose?” 

Minnie halts, then screws up her face to try to wiggle her nose. She purses her lips and pushes them around, but she does not succeed in independently moving her cute little nose. She does not give up right away, proceeding with multiple attempts before declaring rather cheerily, “Nope!”

You both laugh at your daughter’s antics as you start walking again. As you get closer to your destination, your little one gets more and more excited - she takes bigger steps, and you can tell she wants to run towards the building. 

At first, she thought one giant mouse lived in the Mouse House, but you explained it held lots of little houses for different types of rodents. Now, you think, she is determined to make sure all her tiny brethren are happy in their homes. She takes her role as Mouse Princess very seriously, after all. 

Like the Congo Forest, the Mouse House has a scarce population of humans. You let go of your daughter’s hand once in the darkness of the building so she can run up to view the first set of new friends. Once she is thoroughly distracted and talking to the little creatures, Matt moves. 

He lets go of your arm to slip behind you, wrapping his arms around your waist and resting his chin on your shoulder. You rub at his forearm as you pull your phone out - you don’t want to miss any cute moments of Minnie with her subjects. As you bring up the camera app, Matt nuzzles at your neck, placing a sweet kiss there. 

“Good day, so far?” He asks against you, and you can’t help but smile and duck your head a little. You aren’t used to affection, let alone public affection, and his attention makes you a bit dizzy. 

“So far, so good,” you whisper in response. To distract yourself from how solid Matt is against your back and how he’s practically wrapped around you, you start tapping at your phone to get it to focus in the low light. “Are you having a good time?”

He hums into your skin, then gives another kiss, “the best time. Doesn’t smell nearly as bad as I thought it would and the animals seem well taken care of.” 

“It’s AZA accredited,” you instantly chime, and he huffs against you. You did so much research about the zoo beforehand, so that you could answer any questions Minnie had. So far, she’s had zero. 

“I don’t know what that means.”

You angle your phone to get a picture of Minnie and the enclosure she’s looking into, and whisper back, “It’s like the board that makes sure the zoos are humane and everything is done properly.” 

He hums again, then buries his nose into the crook of your neck. You try to not shiver, but you do end up pressing back into his hold as you watch your daughter. You fall into a pleasant silence, swaying slightly in Matt’s arms, as Minnie moves between the different displays. She has no apparent interest in learning the types of animals she’s looking at - she goes right into talking to them. When she gets a little too far away, you gently guide Matt down the hallway, all while he stays wrapped around you. 

“I like your feetsies,” Mouse tells an elephant shrew, and you turn on your camera to record her interrogate the little creature. “How many toes do you have? I can…I see…I see three toes. Do you have three toes? I gots five. But they go in shoes. You don’t haves shoes. Where are your shoes?”

You and Matt follow Minnie all through the Mouse House for almost thirty minutes. You let her take her time - you are in no rush to go back out into the heat, and you want her to not only enjoy herself, but tire herself out. She’ll get a burst of energy after lunch, but by the time you leave for the day, you hope to be a zonked-out toddler. 

At the last of the exhibits, Matt gently nips at your throat before mumbling against it, “I have a surprise after this.”

You have no idea what he could possibly have up his sleeve, but whatever it is, it is making him start to grin and get a bit of cockiness to his voice. So, to tease him right back, you play dumb.

“After this?”

“After the Mouse House,” he confirms, squeezing you and rocking you in place. You start to smile at his teasing and let yourself enjoy it. 

You hum, then begin to trace your fingers over one of the hands on your hips as you question, “A surprise? After the Mouse House?”

“A surprise after the Mouse House.”

That, of course, gets Mouse’s attention. She whirls around, eyes going wide with toddler excitement as she asks, “A surprise?”

“After the Mouse House,” Matt repeats, a mix of pride and smugness in his words. You can tell he is enjoying this interaction and that funny feeling in your heart and stomach return. 

“Is it a pony?!”

You pull away from Matt just as he starts to laugh, and as you do Minnie hurries over to take your place. He scoops her up into her arms, and with all the fondness in the world, tells her, “No, it’s not a pony.”

She dramatically flops over his shoulders with a big pout, then, like it was all a joke, hurriedly moves to hug him around his neck and with pure toddler innocence tell him, “You’re better than a pony!” 

Always ready for their sweet moments, you snap multiple pictures as Matt hugs his daughter back tightly and you just barely hear him whisper back, “I think you’re better than a pony, too.”

As always, it takes him a few moments to release Minnie and set her back down. She instantly latches onto his hand and begins to shake it vigorously, “I wanna know the surprise!” 

Matt is quick to concede to her demands, “Okay, okay, sweetheart. Let’s go to the surprise.” 

You put your phone back into your purse so you can slip over to the pair and offer your arm to Matt. He takes it just above your elbow, and you start towards the exit of the Mouse House, Minnie skipping along on the other side of Matt.

You’ve not walked with Matt before where he is the one to lead you, but you are sure to be in step with him, so no one takes a second look. His cane is folded up and tucked into your purse, so you don’t think anyone would guess he is blind just by looking at him, but your anxiety tells you someone is always watching and one little slip up will have people questioning you. 

Once out in the sunshine, Matt directs you back towards the gorillas again. You are confused about what could possibly be back that way that you don’t already know about, but you trust him.

“For your surprise,” he says to Minnie as you walk, “you have to be quiet, okay? We can't be loud and attract other people because this surprise is a secret.”

That has you even more curious about what could possibly be going on, but you focus on your daughter’s reaction to the request. You know she knows what a secret is, but you don’t remember if you’ve ever asked her to keep a secret before.

Mouse’s free hand goes into her mouth as she thinks over Matt’s request, and you try to not gag. Her fingers must be covered in all sorts of germs, and you should have been more on top of sanitizing them. A nice lesson in hindsight.

Moments later, she drops her hand, and she looks up to Matt and squints suspiciously, “can Mommy know the secret?”

Pride streaks through you at her question and you might get a little bit teary eyed. She never fails to amaze you with how her mind works and what information she takes in. The fact she’s aware she shouldn’t keep secrets from you is probably the highlight of your week - Matt eating you out included.

“Of course, Mommy can know the secret,” Matt tells her instantly, “We should not keep any secrets from Mommy. It’s important she knows everything so she can keep us safe and happy.” 

As he says that, he squeezes your arm a little and you know he is talking about himself as well. You remember all the times he’s told you he doesn’t want to keep anything from you, and you know he’s telling the truth. He’s been very open with you about everything, even if it has taken some time for everything to rise to the surface. You don’t blame him for that at all - the things he keeps close to the chest are pretty important and you more than understand him not telling you on day one.

But he did tell you, and he has been honest about not being ready to divulge everything just yet, and that is what matters. 

“Mommy keeps us safe and happy,” Minnie mimics and you have a feeling that is going to be added to her repeated phrases.

“Mommy keeps us safe and happy,” Matt repeats, then adds, “Can we be quiet, though, so other people don’t know?” 

Mouse nods and you have a feeling that whatever Matt has planned is going to get her extremely worked up. 

You end up in a very secluded inlet, away from the main path, surrounded by trees, and part of you wonders if you are meant to be able to come to this spot. There is no one else around and you don’t know what sort of surprise Matt could possibly have that requires you to come here.

Your questions are answered only seconds later, when a friendly voice comes from above you.

“Hi, there!”

You jerk your head up, and hanging there upside down from a tree, is Spider-Man. 

Your daughter loses her fucking mind. 

It’s like it is in slow motion - Minnie gasps with her whole body before dropping Matt’s hand. She turns to latch onto his pants, instead, and begins to pull on them over and over with enough force you think she’ll rip them. You don’t know if she remembers that she’s supposed to be quiet or if she’s so excited she can no longer vocalize, but she starts to whisper-scream.

“Daddy, Daddy! It’s Spidey-Man! It’s Spidey-Man!!!”

You try to not go slack-jaw in your own amazement as the vigilante lets go of his web and drops to the ground right in front of your daughter, doing a backflip in the process. 

“That’s me!” Spider-Man declares, and he sounds way younger than you thought he would. “I heard it was your birthday, so I had to come and say ‘Hi’!” 

You rip your eyes away from the hero to stare at Matt and he looks like he is trying to not look smug as hell. You have no idea how he pulled this off - this is the real Spider-Man. The fake ones can’t hang from webs and sneak into zoos. 

Does he work with Spider-Man when he’s out as Daredevil? And did he actually request for the man to come say Happy Birthday to Minnie? Does that mean he knows who Spider-Man is behind the mask? And vice versa?

“It’s my birthday!” Minnie chokes out and she sounds like she is about to start crying. You know she loves the hero, but you did not think he would get such an intense reaction. You turn your gaze back to her, your own excitement growing in your belly.

“Happy Birthday, Minnie!” Spider-Man tells her in the cheeriest voice, before crouching down and throwing open his arms, “Do you want a hug?” 

He barely finishes getting the words out before Mouse is letting go of Matt to launch herself at him. He wraps her up in a hug and she just clings on. You want so badly to take a picture, but you respect that this is a secret meeting just for your baby. 

You’ll just have to commit every moment to memory.

Matt has let go of your arm, so you turn so you can grab onto his bicep again. You lean against him and let yourself grin like an idiot as you watch your daughter with her hero.

“Your Dad told me that you’re really smart and like to learn new things,” Spider-Man says to the top of Mouse’s head. You wonder exactly how much information about your family was exchanged, but that’s something you can review later. 

Minnie just barely nods against the man’s chest, and you can hear her start to talk, muffled against his suit, “I knows my ABCs and how to count ands I can do one plus one.” 

“You can do one plus one?!” 

“Elmo taughts me,” she explains in the sweetest and watery voice, “Its two.”

“That’s amazing,” Spider-Man tells her, “Keep watching Sesame Street, it has a lot of good lessons. Do you like Beaker and Dr. Honeydew from the Muppets? They were my favorites when I was little like you.” 

Minnie squirms against Spider-Man and you expect her to pull away, but apparently, she is just getting more comfortable, because she nuzzles back into him and goes, “Meep, Meep.” 

You laugh into Matt’s shoulder, overwhelmed with how sweet she is. Matt gently pulls his arm from you so he can yet again hold you close. You hand moves from his bicep to his chest, and you curl your fingers into his shirt, over his heart. You can’t tear your eyes away from your daughter to look at his expression, but you have a feeling it is a lot like yours.

“That’s right, ‘meep, meep, meep, MEEP,’” the vigilante does a good Beaker impression, causing a round of giggles. “Well, because you are so smart and your Dad is a pretty cool guy, I got you something I think Dr. Honeydew and Beaker would approve of.” 

Your eyes go wide at the statement, and you cannot believe what you heard - Spider-Man, the famous New York vigilante, got your daughter a birthday gift?

Apparently, Minnie can’t believe it either, as she pulls back just a little so she can look up at him, and asks in the tiniest voice, “A presents?”

“A present!” He explains, then, so fast you barely see him do it, he flicks out a hand and shoots a string of web up into the trees where he has been waiting. Then he pulls and a box comes flying back at him. He expertly catches it, and you can see it is wrapped in blue wrapping paper that has white sparkly snowflakes all over it - clearly Christmas themed. You don’t think Minnie cares at all, because when it is held out to her, her little brown eyes just get so big.

“For you! Happy Birthday!” 

Mouse looks back at you for permission and you quickly nod. She delicately takes the gift and once it is fully in her grasp, tears into it. As soon as it is free of its prison, she holds it up in triumph, “A mibo-scope!”

It is indeed a miniature microscope - at least that is the main picture on the box. You think it is one of those ‘Baby’s first science kit’ type things and you just know you are going to spend so much time over the next week hunched over it with Minnie. 

“What do you say, sweetheart?” Matt gently prompts and she instantly throws herself back into Spider-Man’s chest. She drops the box in the process, but the vigilante has lightning-fast reflexes and catches it before it hits the ground. He sets it aside before properly hugging your daughter again.

“Thank you, Spidey-Man! You’re…you’re the bestest! Bestest-bestest! I loves you!” 

“Aw, thank you! I love you, too!” 

There is a gentle pressure to the top of your head, and you realize Matt has turned his so he can press his lips there. You shuffle even closer to him, tightening your grip on his shirt. 

As you watch your daughter hug her favorite super-hero, you realize you have never been this happy before in your life. Everything in this moment is perfect. You would not change anything at all, and you do not think you would change anything that lead up to this moment of time. You wish and pray you could trap the day in a bottle and hold it in your heart forever. 

You and your precious Winifred Love are blessed that not only is Matthew Murdock a good man, but he is also a good father. 

---

a/n:

And that concludes Season 1 of 'and then I met you'!

Next, we are onto Season 2 and diving into the Sokovia Accords and how it will affect our perfect little family.

Special thanks to @ebathory997 for their help with information about the Bronx Zoo and special shout out to @bellaxgiornata @mattmurdocksscars @she-likesorchids and @loveroftoomanyfandoms for all of their amazing support <3 You guys are amazing and I could not have written any of this without y'all.

--

tags:

@midnightreids @cloudroomblog @yeonalie @thychuvaluswife 

@petrovafire39 @ghostindeath @roxytheimmortal 

 @allllium @waywardcrow @thatkindofgurl

@anehkael @akilatwt @lostinthefantasies @reluctanthalfwayoptimism @ethereal-blaze

 @nennia-2000 @seasonofthenerd @abucketofweird  @mattmurdockstateofmind @imagineswritersblog @hazelhavoc @smile-child-13 @allst4rsfall @hashcakes @kezibear @mapleaye @sammanna @gamingfeline @moon-glades @nightwitherspring @phoenix666stuff @dare-devil

@ladyoflynx @hobiebrowns-wife @sarcasm-n-insomnia @lillycore

@dorothleah @mattmurdocksstarlight @mars-on-vinyl @mywellspringoflife @sleepdeprived-barelyalive @simmilarly @soupyspence @darkened-writer @akila-twt

@murc0ckmurc0ck @groovycass @sumo-b98 @just3rowsing @tongueofcat @zoom1374

@theclassicvinyldragon @aoi-targaryen @lunaticgurly @nikitawolfxo @shireentapestry @snakevyro @yondiii @echos-muses @honeybug-victoria @the-bisaster @ristare 

@mrs-bellingham @eugene-emt-roe @cometenthusiast @stevenknightmarc @yes-im-your-mom @hunnybelha @actorinfluence @capbrie @prowlingforfood @jupitervenusearthmars

@

Specialagentjackbauer @yarrystyleeza @ofmusesandsecrets 

@mayp11-blog @danzer8705 @thinking-at-dusk @remuslupinwifee @akila-twt  @nommingonfood @mattmurdocks6thscaleapartment @dil3mma @allllium 

@

two-unbeatable-beaters @kiwwia-wiwwia @1988-fiend @xblueriddlex @loves0phelia @ninacotte @lovelyygirl8 @littlenosoul @ednaaa-04  @ astridstark13

 @lovingkryptonitehideout @moongirlgodness @soocore @bluestuesday

@starry-night-20 @rebeccapineapple @writtenbyred @cherrypie5 @capswife @silvercharacterchaos @resting-confused-face

[vroomvroomwee]

Aziraphale's vest

I'd like to take a second and talk about his vest because I think it's a really good metaphor for Aziraphale's internal feelings.

At first glance it's obvious the vest is quite old. Really old in fact if you note the way it's practically disintegrating.

And it got me thinking a bit. The way the white practically bleeds from the edges of the neck, shoulders and buttons, going further and further, one day if he's persistent enough to wear it, it might even take over the entire vest. You could say that that, somehow, mirrors Heavens influence over Aziraphale. Slowly, slowly, biding their time, until it has completely ridden him of any colour. Until it has completely washed him of his identity, of his originality, of his character.

Take a look at his clothing when he's up in Heaven.

Completely and utterly white. Every piece of clothing he's wearing is pure and untarnished white. Upon entering Heaven, against his own accord, it has stripped him of his uniqueness, of anything that might distinguish him from any other angel who blindly follows orders and who's sole purpose is to do Heavens bidding.

Now, he could miracle the white patches on the vest away easily. But he doesn't want to.

The thing is. He likes the imperfect. He likes partaking in human activities and pleasures, like food, music, etc. Likes to indulge himself in earthly things Heaven would label as sinful or "sullying." And as someone who bas been on the receiving end of Heavens ridicule and passive aggression for millenia, as someone who for centuries has been told that he's underperforming and needs to do better, as someone who is all too aware of his own impurity by the standards an angel should hold and of the quite frankly unholy behaviour in performing immoral temptations and directly going against Heavens orders no more than a few times throughout the eras, it's no wonder he finds comfort in the imperfect.

He keeps the deteriorating edges because they are a perfect representation of his own internal feelings and image. After all, there's no rule that says he can't. And a big kudos to the costume department, for the patches perfectly encapsulate his religious trauma. Without it, he would probably be a very different person. He wouldn't be the same Aziraphale we know and love. The same way he likes being old-fashioned with his clothes and how that is a part of who he is, his trauma is a part of him as well, along with Heavens influence that has shaped him into who he is today, whether he likes it or not.

Every part of the vest illustrates Aziraphale's character and internal feelings, which brings me to another point I want to draw attention to, and that is the BACK of the vest.

It's DARK. And I don't think I'm mistaken when I say that most of us didn't expect it to look like that from behind. We all just assumed that it would be the same beige colour as the front, which is in tune with the rest of his attire. After all, seeing him wearing a dozen different outfits all throughout history, all of them some shade of white, it was the logical conclusion.

But no.

It's not white. It's a dark, slightly viridian or a dark blue colour. "Dark blue suggests a more mysterious depth or ominous quality. Power and authority: Dark blue signifies power and responsibility. "

Not what we would have expected that colour at all. Similarly to how one wouldn't expect an angel to perform temptations or be gluttonous, or envious, or slothful, or hedonistic. Not at first glance anyway.

Not unless you look carefully.

Not unless you know him.

The coat almost acts like a cover. The light over the dark. Almost as if it's trying to hide something. The only times we see Aziraphale not wearing the coat is in his bookshop. Which is logical, of course. You wouldn't wear a coat indoors, obviously. Except he DOES. He wears the coat when he and Crowley are drunk, he wears it when he's reading Agnes Nutter, he wears it when Gabriel and Sandalphon pop in, he wears it when he's talking to the Metatron, he wears it when he's listening to Shostakovich, he even wears it at the Ritz where it would be custom to take off your coat while dining. And it's worth noting that during the events happening (at least in the first season), the season is summer. Which would make it quite ridiculous to be wearing so many layers everywhere you go and therefore risk boiling. But he still wears the coat.

The only times he doesn't wear it is in the first episode after the sushi, when he's all ALONE, and in season 2 at the bookshop when Crowley comes back and in 1941.

And there's something oh so personal about that.

I don't think it's a coincidence that the darker part is specifically the back of the vest. There's always been this natural human instinct to protect yourself by never ever turning your back on a foe. And I don't think this is a conscious effort on Aziraphale's part, but rather genius writing, directing and costume design, and anyone who's watched and read Good Omens knows that almost nothing is coincidental.

Note this is probably the first time Aziraphale has called Crowley his friend, seeing how uncertain and doubtful he was to even say the word in this scene and how quick he was to deny their friendship in the Shakespeare scene. And the camera immediately cuts from Crowley to Aziraphale, who is turned away, whose back is turned to Crowley oh so casually without a care in the world. Just before he calls him his friend. His back is turned, and so is the dark part of his vest.

The dark part he only shows in his bookshop, when he's alone and there's no one there. The part that he now only shows to Crowley as well. Crowley who knows him so well and who's been with him through everything. "I won't tell anyone if you won't." And "you said trust me""and you did". Just this small motion of Aziraphale depicts exactly how much trust he has in Crowley not only that he'll keep him safe and protected but to accept him just as he is, to not judge him, to not demean him for his imperfections as an angel. Practically mirroring Crowley's self-protection mechanism that is reflected in his motions to hide his eyes with his sunglasses (there's a wonderful meta on this by @simply-brightly-zee here )

And it might just be clothing, or it might just be genius symbolism, but note how self-aware Aziraphale is of his looks when Gabriel pops up.

The desire to impress is almost unconscious in this scene, and how does he go about doing it? By making sure he looks presentable. Presentable, despite the white patches and the vest that is falling apart, he doesn't even realise it. Therefore, it's clear Aziraphale puts thought into his clothes, whether consciously or unconsciously.

I personally dont think any of this (the coat, the patches, the way he turns his back, when, where and around who he's most comfortable) is a deliberate and intentional act on Aziraphales part but rather creative brilliance from the directors and producers. So him being shown to expose the back of the vest only in scenes with Crowley (and the one in s2 infront of an amnesiac Gabriel with the intelligence and awareness of a squirrel) is a master move on the costume department's part. The symbolusm being so small and imperceptible, but holding so much meaning. This small metaphor shows how much Aziraphale trusts Crowley and how comfortable he is around him. Crowley who knows about Aziraphale's transgressions, sins, unholy behaviours, lack of interest and dedication to his job, and overall "incompetence" as Aziraphale might put it and how he's "just enough of a bastard to be worth knowing". Crowley, who will accept him and love him no matter what. Not despite those things, but because of those things.

They have found their "own side".

Edit: Not that important, but I just want to mention how, despite being tattered and falling apart, the vest is still in perfectly good condition. No matter the white seeping in and draining its colour, the vest doesn't have a single seam torn, not a button lost, perfect as the day it was bought. No matter what it's been put through, it's still kicking, whether by miracle or sheer willpower. Very much like the person wearing it.

[rayveneyed]

cw: smut / cisfem!reader / scent kink

something nobody ever considers about satoru gojo is that he’s very particular about scents.

it’s a weird side effect of the six eyes that is rarely ever spoken of, by him or any other; along with his fantastical sight, his ability to distinguish minute details kilometres away, to read the ever-twisting flow of cursed energy, yadda yadda yadda — the extrasensory perception he was granted the second two gametes fused into a zygote had skyrocketed every perceptible sensation above the level of the average human. leagues above the level of not-so-average humans, too, but that’s a story for another time.

beneath the slightly dusty smell of skin cells and flesh, each person is different. diet and exercise play a huge part, of course, but then there’s the more obvious things — perfume, toiletries, surroundings. nanami always smells like paper and sandalwood. nobara, sweet and fruity, with a sneaky undertone of something synthetic — something almost hospital-like. yuji smells like grass and citruses, like he’s just popped open a can of something fizzy and caffeinated on the lawns of jujutsu tech. but if he had to choose a favourite…

“could — could you, um—”

one really must forge their own little bits of happiness in this line of work. the constant death and despair really puts a damper on one's lust for life. for gojo — sweets, cute little figures, themed cafes and expensive cakes, things that pleasantly appeal to and delight each one of his six senses. you, in a similar way, enjoy the finer things in life — cashmere and vicuña wool, luxury furniture for your top-floor apartment, century-old wines with names you cannot pronounce — and, to gojo's delight, perfumes.

oh, you have one for every day of the year, he's sure. white florals bursting with zesty citrus, bergamot and black tea when the weather cools. there's fluffy vanillas and sugar-sweet marshmallows, tempered with the smooth depth of sandalwood. osmanthus seeping with syrupy apricots and and peaches. cloves and nutmeg and cypress for the days when the clouds split open and tokyo turns grey.

with your back pressed against the couch and gojo flush against you, hips slotted between your pillowy thighs, he's able to dig his nose right into the curve of where your jaw meets your neck, exactly where you spritz your perfume every morning. today, it's one of those delicious, good-enough-to-eat type of smells; white chocolate and macadamia nut and — fuck, he almost moans against you. sugar and spice and everything nice — you smell like everything he's ever wanted to gorge himself on. he's reminded of the cheap, strawberry body spray you used to use back in high school — how the scent would catch on his nose when you walked past, how it lingered on his jacket when you brushed against him. he shivers.

he lifts his lips from your skin — lifts his nose from the cradle of your neck to give you a distracted, slightly disgruntled, "huh? what?"

it's only without the smell of you clouding his nose that he suddenly realises that you're squirming against him — the heat of your clothed pussy pressing against his hardened cock, layers of cotton and denim and linen between you both leaving you with only the slightest, most irksome hint of pleasure. even with his blindfold fastened over his eyes, it's all so much.

"just — i need something," you say, exasperated. your forehead's dewy with sweat, glasses slipping down the bridge of your pretty nose. "you've been at this for ages."

"ah, my bad." but he doesn't stop. how can he tear himself from your warmth, the heat of you radiating from your skin, your arms wound around his neck and fingers in his hair? how can he leave even a single inch of space between you, when your chest is heaving with excitement and the musky sweetness of your arousal is reaching his nose? he satisfies both your needs for stimulation with slow, curling rolls of his hips, dull pleasure tingling up his spine and leaving him shuddering. "i thought you were more patient."

"you — you're the one that dragged me in here," you say, even as your breathing gets heavier, even as your head falls back with a whine, baring the column of your neck to his greedy, seeking nose. "i told you i have plans, so unless you—!"

"alright, alright," he concedes, though all of your arguments about the time have been half-hearted at best. "don't you worry, i'll take good care of you — real good care."

"you sound like such a sleaze when you say stuff like that."

"mhm." for a moment, he lifts his head — and he doesn't have to look at his reflection mirrored in your eyes to know that his pupils are blown wide, his cheeks flushed pink. you're not much better off — for all your whining and posturing, your proverbial claws aren't much more dangerous than those of a scrappy little kitten. beneath it all, your breathing is laboured, your blood vessels dilated. you smell sweeter, like your body is a ripening fruit or blooming flower, opening for him. your blood rushing to the surface of your skin, heating up the fragrance oils still dotted along your flesh, turns it all heady and head-dizzying.

you want him — you can deny it all you want, but he can see it clear as day. the reminder sends what little blood remains in his head straight to his cock.

"you smell sweet," satoru says, blank and dumb. "when you're horny."

for a moment, you pause. embarrassment — and arousal, though you probably won't admit it — has you locking up. a hint of bitterness turns your fragrance — like burning chocolate — before you huff suddenly, smacking at him until he begins to back up. "oh, my god — you're so shameless, satoru—"

"no, i'm serious! h—hey, stop!" he argues, wriggling until he's back in your good graces again. he dips his head to your skin again, teasing you with little nips along your neck. you'll see the bruises it leaves tomorrow and demand he make it up to you with sweets that he'll just have to eat with you, earrings that glimmer in garnet. for now, though, he’ll get a little serious.

"you get a little sweeter when you cum too, y'know," satoru coos. he tugs at his blindfold, blinking as unfettered light filters into his retina. it's sensory overload, overstimulating and overwhelming, but it's exactly what he wants: to see you, feel you, taste you, smell you — be engulfed by you in every way he can. as if drawn there, his hand sneaks between the tight fit of your bodies, slipping under the hiked-up hem of your skirt and petting at your underwear — soaked, as he’d expected, coating the tips of his fingers. "like syrup. i wanna smell you like that.”

his tongue peeks out over your pulse point, touch reaching up and up and up to that fantastic little ball of nerves he adores. you let out a moan so loud that even he’s taken aback. giddiness bubbles in the pit of his stomach — giddiness, horniness, it’s all the same to him — and he shoves his nose so hard into your skin he swears it’ll bruise. ah, there it is. he’s barely even touched you, too. it’ll be even better when he does.

“g—god, you’re horrible,” you say, arching into him, like you can’t bear to be apart for even a second.

“me?” satoru laughs. you’re distracting from the task at hand, though he usually doesn’t mind. he can’t help but respond, giving you your own attitude back a thousandfold. it’s just now, when it’s been so long since he’s gotten his fill of you, he’s just… a little impatient... “oi, don’t get all embarrassed — you always get so mean.”

“then stop saying things like that, and i won’t have to be — a—ah!”

satoru suckles at the cold-hardened flesh he’s just taken in his mouth — your mouth falling open in wonder and your chest heaving as he takes your nipple between two dull rows of teeth, humming. between his fingers and his mouth, you’ll soon be rendered almost completely silent, shuddering and twitching in what he knows will be a strong, satisfying orgasm — sweet with sweat, salt and musk gathering between your legs. looking up at him with glassy eyes and calling his name. his mouth waters.

he better get a move on, though: you have plans, after all.

[ziseviolet]

Hi my friend wanted to ask about Chinese Opera and the red pom poms on their hats and their significance. I asked my mom and she said they were for decoration so I just wanted clarification

Hi! Thanks for the question, and sorry for taking ages to reply!

The pom poms you see on 盔头/kuitou (Chinese opera headdresses) are called 绒球/rongqiu (lit. "velvet ball"). They are often red, but can also be other colors, and vary in size. Rongqiu are decorative and serve to distinguish the many different types of kuitou from one another. Each type of kuitou is distinct in the number, size, and color of rongqiu that it's decorated with (of course, not all kuitou have rongqiu).

Below - a few different types of Beijing opera kuitou decorated with rongqiu (x):

Rongqiu isn't used just for Chinese opera performances - it's a very common decorative item for Chinese headwear, especially for traditional/folk performances.

Below - examples of rongqiu use in folk custom/performance costumes, left to right: 1) 游神/youshen (wandering gods) procession in Fujian (x), 2) 英歌舞/yingge wu (yingge dance) performer in Guangdong (x), 3) & 4) 高跷/gaoqiao (stilt walking) performers in a 社火/shehuo parade in Gansu (x):

As a festive decoration, rongqiu was also widely used on bridal guan (crowns) from the Qing dynasty into the modern day.

Below - examples of rongqiu use in historical bridal guan: Left - a bride during the late Qing dynasty, circa 1890 (x); Right - a bride during the Republican era/minguo, in 1939 (x):

For some reason it's been extremely difficult to find sources on the origin of rongqiu that would shed more light on its significance, but based on historical paintings the use of rongqiu as a head ornament may have originated in the Qing dynasty. During the late Qing dynasty, it was fashionable among women to wear rongqiu on the sides of their hair, as can be seen in the paintings below (x):

This particular style of rongqiu hair ornament was depicted in the 2012 historical cdrama 娘心计/Mother's Scheme:

For more references, please see my rongqiu and kuitou tags.

If anyone has more information on the significance of rongqiu, please do share!

Hope this helps ^^

[erika-xero]

Beware, the long post incoming. Pro tips for artists who work on commissions!

DISCLAIMER: I do not have, like, a HUGE online following and can’t be called a popular or viral artist, but I do have some experience and I’ve been working as a freelance artist for more that five years, so I could share a few tips on how to work with clients with my fellow artists. Scroll down for the short summary!

First of all, you always need to have your Terms of Service written down in a document that is accessible for your potential clients. And by terms of service I don’t mean a set of rules like “I don’t draw mecha, anthro and N/S/F/W”. There is much more into it, than you may think when you first start drawing commissions.

You’ll need to understand how copyright law/author’s rights in your country works (for example, US copyright or Russian author’s rights, be sure to check your local resources). There are a bunch of sites where you can actually read some legal documents (. I know it might be boring, but TRUST me, you WILL need this knowledge if you choose this career path.

Russia, for example, is plagued with shops selling anime merchandise. The merchandise is usually printed somewhere in the basement of the shop and the shop owners literally rip off other people’s intellectual property. If the artist ask them to remove their IP from the shop the owners usually try to fool them with lies about how the IP works. They will tell you, that you have to register copyright on every single drawing and if you don’t do it anyone can reproduce and sell your artwork. In reality, copyright law in most countries simply doesn’t work this way. Once you create an original work and fix it, take a photograph, write a song or blog entry, paint an artwork, you already are the author and the owner. Yes, there are certain procedures of copyright registration, which is only a step to enhance the protection, but you become an author the very moment you create a piece of art, and no one have a right to take your creation from you. Knowing your rights is essential.

Some of your commissioners may try to scam you too, but most of them might simply not be aware of how copyright law works. I literally had people asking me questions whether or not the character I am commissioned to draw becomes MY intellectual property. I literally had to convince the person (who was legit scared, since the commissioned piece was going to be a first image of his character ever created) otherwise. If you have an idea of the character written down or fixed in any other form such as a collage, a sketch, or a concept art -- the character is yours. Artist may have rights to the image they create, but not the character itself. Your potential commissioner must acknowledge that their characters, settings and etc. is still theirs, while your artwork is yours, if your contract doesn’t state otherwise. You can sell the property rights on your artwork to your commissioner if you want, but it is unnecessary for non-commercial commissions. And I strongly advice you to distinguish the non-commercial commissions from commercial ones and set the different pricing for them. Even if you sell ownership of your artwork to your commissioner, you can not sell the authorship. You will always remain an author of your artwork, thus you still have all the author’s rights stated in the legal documents.

Another thing that is absolutely necessary to be stated in your terms of service is information whether (and when) it is possible to get a refund from you. You absolutely have to write it down: no. refunds. for finished. artworks.

You have already invested time and effort to finish an artwork. The job is done and the money is yours. I’ve heard stories of commissioners demanding refund a few months later after the commission was finished and approved by the commissioners, because, quote “I do not want it anymore”. Commissioning an artist doesn’t work this way, artwork is not an item purchased on shein or aliexpress that can be sent back to the seller. It is not a mass production. It is a unique piece of art. Example: My friend once drew a non-commercial commission for a client who tried to use it commercially later on. She contacted him and reminded of the Terms of Service he agreed with, offering him to pay a fee for commercializing the piece instead of taking him to the court or starting a drama. He declined and suddenly demanded a full refund for that commission via Paypal services. My friend contacted the supports and showed them the entire correspondence with that client. She also stated that the invoice he paid included a link to the Terms and Service he had to agree with if he pays that invoid. The money were returned to her.

However, partial refund can be possible at the certain stage of work. For example, the sketch is done, but something goes horribly wrong. Either the client appeared to be a toxic person, or an artist does not have a required skill to finish the job. I suggest you keep the money for the sketch, but refund the rest of the sum. It might be 50/50 like I suggested to my clients before (when I still could work with Paypal), but it really depends on your choise. I suggest not doing a full refund though for many reasons: not only you make yourself vulnerable, but you also might normalize a practice harmful to other artists this way.

The main reason why full refund when the sketch/line-art are done must not be an option is that some clients may commission other artists with lower prices to finish the job. This brings us to the next important point: you absolutely need to forbid your clients from altering, coloring or overpainting your creation or commission other artists to do so. This also protects your artwork from being cropped, changed with Instagram filters or even being edited into a N/S/F/W image. Speaking of which. If you create adult content, you absolutely need to state that to request such a commission, your commissioner must at least be 18/21 years old (depending on your country). And as for the SFW commissions you also have to state that if someone underage commissions an artwork from you it is automatically supposed that they have a parental concern.

There is also a popular way to scam artist via some payment systems, called I-did-not-receive-a-package. Most of the payment systems automatically suppose that you sell goods which have to be physically delivered via postal services. This is why it is important to state (both in the Terms of Service and the payment invoice itself) that what commissioner is about to receive is a digital good.

And the last, but not the least: don’t forget about alterations and changes the commissioner might want to make on the way. Some people do not understand how difficult it may be to make a major change in the artwork when it is almost finished. Always let your commissioners know that all the major changes are only acceptable at early stages: sketch, line-art, basic coloring. Later on, it is only possible to make the minor ones. I prefer to give my commissioner’s this info in private emails along with the WIPs I send, but you can totally state it in your Terms of Service. I do not limit the changes to five or three per commission, but I really do appreciate it when I get all the necessary feedback in time.

To sum this post up, the info essential for your Terms of Service doc is:

- The information on whether or not your commissions are commercial or non-commercial. If they are non-commercial, is there a way to commercialize them? At what cost?

- The information on author’s and commissioner’s rights;

- The information on whether (and when) refunds are possible;

- The prohibition of coloring, cropping, overpainting and other alterations;

- The information on whether or not you provide the commissioner with some physical goods or with digital goods only;

- Don’t forget about your commissioner’s age! If you work with client who is a minor, a parental consern is required. And no n/s/f/w for underage people!

- You may also want to include that you can refuse to work on the commission without explanation in case you encounter a toxic client or feel like it might be some sort of scam.

- I also strongly suggest you work with prepay, either full or 50% of total sum, it usually scares off the scammers. I take my prepay after me and my client agree on a rough doodle of an overall composition.

- I also include the black list of the themes: everyting offensive imaginable (sexism, homophobia, transfobia, racism, for N/S/F/W artists it also might be some certain fetishes and etc). Keep your reputation clean!

- Ban N/F/T and blacklist the commissioners who turn your artworks into them anywayss, don’t be shy <3

These are the things that are absolutely necessary but are so rarely seen in artists’ Terms of Service that it makes me sad. Some of these tips really helped me to avoid scams and misunderstandings. I really hope it helps you all!

[llamagoddessofficial]

llama i must know

do you have any thoughts about siren bad sanses? 👉👈(//ŏ⁠﹏⁠ŏ⁠//)

do i

Horror: Now, Skull is a cecaelia. But I think Horror would be a little different. A big frightening toothed whale - particularly, a Risso's dolphin. Risso's dolphins have a cool effect where any time they get an injury, their scars lose pigment and remain white forever. Horror is slowly turning whiter and whiter as time goes on.

Just like usual, he used to be normal sized, but his injury kickstarted a bizarre growth spurt and he's become far larger than he ever should've. He enjoys targeting boats - since he's so big he can easily sink small ships, his favourite 'game' is ramming vessels and seeing who survives after the ship rolls over. He eats anyone who drowns.

I can imagine him falling in love with you from the water, and rocking your boat purely to get your attention. If you ignore him he slams into the hull in frustration. He'd never sink your boat, of course... not unless you were really, REALLY ignoring him, and he lost his temper.

Dust: An oceanic whitetip shark. The beautiful dark colouring. The 'dusty' white edges of the fins and tail. A solitary, wandering creature that's probably responsible for many of the open-water shark attacks attributed to other species... IMO, it's absolutely perfect.

Before joining Nightmare, he travelled long distances in isolation, avoiding large vessels or groups but hunting down and killing anyone (or anything) he caught alone. He'll follow prey for weeks; he often waits for people on boats to go stir crazy before he attacks.

He's a distant admirer. He'll stalk from afar, but come closer at night, when it's hard to distinguish his dark shape against the moonlit sea. He thinks you'll be a very pretty siren.

Killer: @aka-indulgence suggested Killer is a bull shark and she's absolutely right. Killer is hyperactive and murderous, but incredibly loyal to those he cares about (even if he won't admit he cares). Bull sharks are fast, notoriously aggressive, yet surprisingly social.

Killer just enjoys... well, killing. He sometimes plays with his prey, but the games are never as forgiving as Horror's, or as patient as Dust's. He likes to bite the limbs off of his targets and watch them struggle to get away.

He's extremely friendly to you. Worryingly so. He lacks any subtlety, he'll come right up to your boat and put his arms over the edge when he wants your attention, flirting like you didn't just watch him murder another siren in cold blood. A swift strike with an oar is usually enough to ward him off - but unfortunately, it never seems to chase him away permanently.

Nightmare: He isn't any one species. He's much, much older. He was something else before his corruption... but times change, don't they? If you don't know what to call him, he certainly doesn't mind the ego stroke of being called a kraken.

Obviously it would be ridiculous of me to make Nightmare anything other than a cecaelia. He's large, scary, black as midnight sea, beautifully bioluminescent when he wants to be. He has attributes of lots of different deep-sea creatures; retractable hooks in his tentacles, a toxic bite, terrifying teeth, incredible vision. He's not the kind of thing you want to encounter underwater. Ever.

The other sirens would be very reluctant to let Nightmare know you exist. But when all three of his underlings are chasing the same prey... well. You'll catch his eye sooner or later.

[alpoocka]

I love @queens-nightmare AU so much!!! Aaaaaaaaaaaaaaa!

You can call this a review with funny pictures, because I want to highlight and share everything I like

Let's go!

I am honestly amazed by the work done, this amazing sometimes meticulous attention to detail and explanations and different types of media for the implementation of the AU! I can't plan well, so this looks unrealistically cool to me.

I enjoy watching the characters here, all charismatic cuties!

It's nice to see a second chance for this long-suffering trio and the revelation of the Moonjumper. The entire Subcon forest works through psychological trauma in essence ... Since there are many AUs, I like to see what distinguishes one from another: more is shown and explained about the psychological pressure on Vanessa in childhood, but at the same time her emotional intelligence is at its best. Snatcher is more confident…

.😎

.🤓🕶️🤏

during his lifetime than in some other AUs, it's cool to see this as a basis and prerequisite for who he will become later. This is not a coordinate change, cool! And I love watching every moment when he acts like a nerd, it's wonderful. MJ is such an ancient child.. I got nostalgic when I saw that MJ writes letters the wrong way, I think many wrote like that in childhood and this is a very cool find!

Oh, and I like the revelation of the inhabitants of the Subconites, the old lady Elder sank into my heart!

In short, I really love this AU for the characters, the performance and the lore!!!

I hope I haven't forgotten anything! Sweet dreams!

[emeritusemeritus]

overstimulation and breeding with the twins? ive read both of your brat-taming fics and I’m just on the edge of my seat i swear to god. your writing hits me so differently. 🫣

My dear Anon, you clearly know the way to my heart. You ask, I provide the completely sinful smut, enjoy! 🖤

Warnings: where do I even start? Smut, graphic smut, piv, oral (m receiving). Fingering. Breeding link, pregnancy kink, possessiveness, overstimulation, cum play. Polyamory, two boyfriends, excessive mention of pregnancy.

Word count: 1.2k

Our own Quidditch team.

"Fuck!" You cry out, the only full word able to slip past your lips for at least the last hour, mind empty and unable to speak as you lie with your body and face pressed into the mattress, hips held up by two very strong hands as their cock thrusts deep inside you from behind. Their names had been lost long ago as had your ability to distinguish between them as they fuck into you one after the other, over and over.

It's been hours, your legs cramping, vision blurry with unshed tears and your pussy drenched in both your cum and theirs. There's so much, so many loads that your pussy can't possibly hold another drop, filled completely to the brim as it starts to freely drip down your legs, your own arousal mixing with their cum to create a pool between your hips where it's dripped and soaked the bedsheets.

"Fuck that's it princess, so fucking good for us," the voice behind you says as his fingers grip into your hips, undoubtedly leaving finger prints shaped bruises in their wake. He lazily fucks up into you, watching as his cock slips in and out of you, your drenched and abused hole still readily accepting him, pulling him in. He gives a few different thrusts, watching as your ass jiggles for him with each amount of force, a sharp gasp escaping you when he hits that one special spot inside you.

The noise is obscene, the squelch as he pulls out, your overfilled pussy dripping around his cock as he tries to fill you again. You've lost count of how many times they've cum inside you, how many times your cunt has clenched around them as they play you like an instrument, a fuck toy.

"That's it sweetheart, fuck you're doing so good," he says slightly breathless, thrusts increasing as he approached his climax again.

"You want another load princess? Think this will be the one? Going to look so fucking pretty all knocked up. Everyone will know exactly who you belong to, know you fucks you just right.”

The other brother steps in front of you then, semi-hard cock directly in line with your face as he renders reaches for your chin. You don't wait for instruction, already knowing what he wants as you open your mouth ready for him.

"That's it Angel, get me hard for you again."

You want to moan at his praise but you can't, your throat scratchy and voice weak after the screams they'd ripped out of you earlier in the night. His cock tastes of you, of your cum and his mixed together as you eagerly lap it up, sucking as good as you can as his twin pounds you from behind. His cock hardens against your tongue as you eagerly suck, taking him as deep as you can as he moans and groans above you.

"Fuck princess, gonna fill you up again, gonna knock you up, oh you'll look so fucking beautiful all round and swollen with us." His hips snap against yours with a newly renewed vigour as you fight not to choke on the cock gliding past your lips. George, you think it's George, pulls out of your mouth just in time for Fred to slam his hips into you one last time, holding you tightly to him as his cock twitches and spurts inside you. You cry out, completely overstimulated as your increasingly sore pussy accepts his load, his cock so deep and pressed against your cervix tightly that you can't keep still, the sensation too overwhelming, verging on painful. He's so big, you're so full.

When he pulls out you can't help but whine, feeling the loss of his cock and a flood of cum escaping your little hole as George quickly swaps places with his twin, immediately reaching up with two fingers to fuck the cum back into you, not letting any slip out.

"That's it Angel keep it all in for us, need you to keep this if you want us to give you a baby."

"Think you can take me one last time?" He asks, absently fucking you with his fingers. You can almost hear the smirk in his voice, the pleasure he's taking from watching you whine and moan, fucked out and rendered dumb.

"Can't," you manage to say, already overstimulated and unable to take anymore. When his hand slips over your bum cheek and underneath you, tentatively reaching out to glide his middle finger through your drenched folds until he makes contact with your swollen nub, you cry out desperately, hips falling onto the bed in exhaustion.

"One more sweet girl, give us one more," he says, circling your numb with perfect precision, the exact right amount of pressure and on the spot that makes your eyes roll back in your head. It's verging on painful, body overused and over fucked but it still feels so good, so fucking good.

"Gonna let me in Angel? Let your man give you what you need? Hmm?" He says, using his other hand to grab for your waist as he slips over you, knowing you can't hold yourself up anymore. You nod, face stuffed into the pillow to muffle your cries but he suddenly pulls his hand away, ghosting it over the red flesh of your bum cheek.

"Need to hear it Angel, you want your man to knock you up? Want me to breed you?"

"Please, please!" With the last bit of energy you had, you cry out desperately, trying everything to roll your hips back so that the thick head of his cock that is pressed dangerously close to your opening can slip in.

He pushes in finally and you bite down onto the pillow, pushing through the walls of exhaustion and overstimulation as he begins fucking you roughly. His hand slips underneath you to toy with your little swollen nub and in no time at all your soaring towards your orgasm, walls clenching around him. You need him to cum, to cum with you.

"Fuck that's it! Cum for me Angel, cum for me whilst I fill you up.”

You shatter the moment your orgasm crests, unable to cry out, unable to speak. You’re past the point or exhaustion and overstimulation but somewhere in the back of your mind you register George cumming one last time. You’ve been so thoroughly fucked that your mind is entirely blank, only visions of them cumming in you over and over again repeating in your mind.

“Think it’ll be twins?” George says, flopping onto the bed beside you as he slowly catches his breath, stroking your hair as his twin joins you on the, frankly destroyed, bed. You can’t even lift your head to look at them, nor mutter a reply.

“Reckon it will be a whole quidditch team with how much cum she’s got in her,” Fred says, reaching out to draw soothing lines up and down your spine as your eyes close, the exhaustion finally overtaking you.

[ruins-of-babylon]

𝐄𝐧𝐞𝐦𝐲

♥︎♡︎♡︎♡︎♡︎♡︎

Mattheo Riddle x reader 𝒮𝓊𝓂𝓂𝒶𝓇𝓎：in search of the perfect way to mess with Theodore Nott, his enemy, Mattheo Riddle decides he needs to win over his girlfriend, who just so happens to be you 𝒲𝒶𝓇𝓃𝒾𝓃𝑔𝓈：toxic!theo, kinda abusive relationship between reader and Theo, mentions of fighting and blood, smut, unprotected p in v, fingering, creampie, cheating both ways, lmk if I missed anything MDNI!!! 🔞🔞

It was no secret that you and Theo were dating. The promise ring he gave you was beautiful, and caught your relationship lots of attention. Or maybe it was the hickeys that seemed to be permanently marked on the skin of your neck, the giver obvious to anyone who saw you two walking together. Theo always had his arm around your neck or waist, occasionally holding hands, walking you to each class and kissing you deeply before letting you go, for anyone to see.

Your peers would talk about you two, naming you the best couple of their year, saying how they envied your so called love. Little did they know how Theo would control your every action, word, and emotion. He carefully prepared how he would carry your books, and kiss you in the halls. How you two would walk together, attend parties held in the common room together, study together, everything you needed to say to keep the image he created. After all, he had the girl everyone wanted, so he needed to show off his prized possession. Even the hickeys he gave you were planned, for fucks sake!

When you dragged your body into your bed every night, feeling the smooth material of your sheets, you would think about how nothing felt real to you. It felt like a trap. Each night you conjured up a version of Theo that you had fallen in love with to keep you sane. Instead of controlling, he was so deeply in love with you that he needed to be with you all the time. In your little fantasy he actually loved you and everything was okay. As that image played in your mind, you would fall asleep.

Mattheo Riddle saw through his facade, however. He saw the fake, plastic-seeming image he had made for himself. He and Theo had hated each other for a few years, after a series of fights and arguments. Theo had this habit of insulting his name and who his father was, stealing his weed several times, and tricking Mattheo’s ex-girlfriend into having sex with him. So, of course his mind was filled with ideas for revenge when he found out Theo was cheating on his girlfriend. One night, at a party in the Slytherin common room, a very drunk Lorenzo spilled Theo’s biggest secret: he would drive a few hours to meet up with different girls, fuck them, then come back to kiss his girlfriend’s cheek, whispering how he loved her. Mattheo willed himself to keep a straight face. Surrounded by vibrant green light, his house’s colour, he gently pushing past Lorenzo to find Theo. His step was slightly off, his vision blurring a bit as he looked around. Although his eyes weren’t exactly providing a perfectly clear view, he spotted Theo’s figure, a distinctive shape in his mind. His hair, sharp cheekbones that were accentuated by the contrasting lighting, and height seemed to be easily distinguishable from everyone else, at least to Mattheo.

Once he laid his eyes on his enemy, he quickly manoeuvred his way through the crowd, feeling another surge of determination run through him when he saw you on his arm. He stopped in his tracks, a sudden logic changing his plan. He quickly turned and retreated to his dorm to formulate a map of what he would do. He needed to hit Theo hard, right where it hurt.

❤︎︎❤︎︎❤︎︎❤︎︎

Potions was not your favorite class by a long shot. Nothing ever made any sense to you, the instructions on the book refusing to transfer to your mind. The potions you made were always far from what they were supposed to be, if they hadn’t already exploded or evaporated. Mattheo happened to be in the same class as you, and after his new found information, he noticed you in many of his classes. He would watch you as you frustratedly huffed and groaned, adding ingredients into your cauldron. He laughed to himself, and as you turned to look at him with a glare on your face, he knew it was time to put his plan into motion.

He set his potion making aside and took long strides to get to your table directly in front of his own. He placed his forearm on the table to lean on while facing you.

“Not doing too good, are you sweetheart?” He asked, a smirk gracing his features. He gained a special confidence whenever he talked to girls, sure in his attractiveness. You knew about the conflict between your boyfriend and Mattheo, but he was always friendly to you, despite your position in his enemy’s life, so you had nothing against him. “No. I swear to god, my book is in another language.” You sighed, trying to seem nice. You smiled when he did, noting how pretty it was. “You know, I can help you if you want. This is my best class.” He offered, inching closer to you.

“Really? That would be lovely.” You replied. You were surprised to hear that. Everyone knew Mattheo was not a good student. He nodded, and just as he opened his mouth to say something, the bell rung and Theo came marching into the room, looking for you. He always got out of his classes early to go to yours, waiting to escort you to your next destination. Mattheo smirked as he made eye contact with him, ready to face whatever Theo could do. He was almost running towards you, your expression shocked as your heart pounded in your chest. You had only witnessed a few of their fights, surely only a small fraction of them, but each one you saw was brutal, only ending when both of them were bleeding profusely. Theo didn’t say anything, and neither did Mattheo, just staring at each other. Theo must have understood the look Mattheo was trying to convey with his eyes, a look of knowing, a threat. You watched in fear as they kept eye contact, waiting for the inevitable first punch.

Suddenly Theo brought his eyes to you as you packed up your things, taking them from you. He slightly raised his hand and you flinched to cover your face, and he grabbed your wrist tightly and pulled you with him. Mattheo stood there as you walked away, replaying the image in his head of the way you flinched at Theo’s movement. Another layer worked itself into his plan as he watched you two leave. He felt like he needed to save you. He moved back to his table and packed his things before heading to his next class, which you happened to share.

❤︎︎❤︎︎❤︎︎❤︎︎

In class, he didn’t see you. You didn’t even come in late. Mattheo was a little suspicious, his mind wandering to the possibilities of what was going on with you. His first thought was that you and Theo were fucking, but that shifted to Theo yelling at you, lecturing you about not talking to his enemy. He briefly thought about Theo possibly hurting you, remembering how you flinched like he was going to hit you. He decided he was going to check on you when he could, explaining the idea to himself, saying it would help him get in your pants.

In the mean time, he tried to entertain himself by throwing paper planes at unsuspecting peers.

❤︎︎❤︎︎❤︎︎❤︎︎

A few days later, Mattheo still waited to take action. When you had classes together, you avoided him, when he tried to talk to you, you kept it small. You didn’t show it on your face, but it sent a pang to your heart whenever he tried to talk to you. You felt rude, especially after he was nice to you.

Theo had given you strict instructions to not speak to Mattheo, and you obeyed to some extent. You decided that you wouldn’t ignore him if he talked to you, but that was as far as it would go.

Whenever he talked to you, he was very sweet. Always offering you something and smiling. You wondered what the sudden change was in his new interest in your company. You were wary of what he might be planning, but after a while you stopped the investigation and started enjoyed spending time with him. He kept good on his word and helped you in potions, which you appreciated, and always passed notes to you in class, as well as always offering to partner with you for every project or assignment. You slowly grew fond of him, feeding into his plan unknowingly.

❤︎︎❤︎︎❤︎︎❤︎︎

As a few weeks went by as Mattheo’s friend, so came the weekends. This was when Theo would leave for almost all of Saturday and Sunday, claiming he was out drinking and hanging out with friends. In reality, he was meeting with the girls he regularly hooked up with. You never suspected that of him, because you trusted him, and the way he would control you led you to believe he was solely invested in you. While Theo spend most of his time with you, he also had a life outside of your relationship. He would hang out with his friends, causing trouble and creating problems. He got into a lot of fights and got blackout drunk regularly, which you hated, but knew you couldn’t change. He lived wildly, reckless. But it was all just a cover up.

You were staying in Theo’s room this weekend, as he requested, reading on his bed when you heard knocking on the door. You got up to walk to the door, practicing how you would greet this person and explain that Theo was gone during the short walk. You were surprised to open the door and see Mattheo, but still gave him the practiced speech.

“Theo isn’t here, but I can tell him you stopped by.” You offered, still holding the door open to show him you were the only one there.

“Oh, I know.” He smirked, gently walking forward to get into the room. You let him in and closed the door behind you, curious about why he was here.

“What’s up?” You asked, standing and facing him.

He took a few seconds before answering, slowly pulling his body to yours. You took a step back for every one he took forward, slowly backing yourself into the door.

“I wanted to see you.” He drawled, still stepping towards you. He braced his hands on both sides of you, trapping you between his arms. “Can I touch you, baby?” He asked, noting your heavy breathing and the blush on your cheeks.

“You know I have a boyfriend.” Was all you could say. You had to admit, he was very handsome. But so was Theo. You debated your options. You had wanted to break up with Theo for a while, but was this the right way to do that?

“Yes.” You said, confident in your decision.

He gently grabbed your face, caressing your cheek. Your breath hitched in your throat at his other hand reached for your waist, massaging the skin under your shirt.

”What are you doing?” You asked. You were afraid to touch him, your body stiff in his grasp. Even as he caressed your soft skin, you felt shy.

“Mmm.” Was all he said before starting to kiss your neck. You moaned as soon as you felt his lips on your throat, your touch starved body finally melting into his touch. You grasped your skirt in your hands as he continued to kiss you.

He laughed as he heard you, starting to suck the soft skin under his lips. Everything he did was so slow, making you crave him more and more. You brought your hands up to hold the back of his neck, rubbing the area under your thumbs.

“I bet he doesn’t fuck you.” He said teasingly, breathing the words into your skin.

“He does.” You shakily protest, trying not to moan again as he softly bit down. You couldn’t remember the last time you and Theo had sex, however. Actually, you could. You recall how he made you suck his dick before fucking you, not making you cum once.

“Really? Because your body is telling me otherwise.” He cockily replied, bringing his face from your neck to finally face you. You groaned when he moved his lips from you, only spurring him on.

“Please, Mattheo.” You whispered, looking into his eyes. You felt slightly embarrassed at his discovery.

“Please what? Actually make you cum? Give your pretty pussy some release? Make you feel good?” He asked, leaning in to brush his lips over yours. You whined against him, tired of the teasing and unsure of what to say. You wanted him so bad now, but you already had Theo. What would he think about you fucking his enemy? You debated the different options in your head, chewing on your lip.

“Use your words, princess.” He said, biting your lip gently. You moaned, finally giving in.

“Please make me cum. Theo never has.” You laugh, thinking of how unskilled he was. He laughed too, and brought his hand under your skirt.

“When I do, you’ll be mine.” He says before sliding his hand into your underwear and gently rubbing his finger through your folds. You moaned and tightly grabbed his shoulders as he found your clit and very softly rubbed it, the pad of his finger barely touching you.

“Can you say that for me? Say you’ll be mine, then I’ll make you come.” He says, holding you still as you tried to grind down on his hand. You whine again, looking into his eyes.

“I’ll be yours. Please.” You said, giving him what he wanted. He groaned at your words, finally putting pressure on your clit, slowly circling it. You let out a little sound of pleasure at the action, your head falling back onto the door with a thud. As his thumb played with the bundle of nerves, his index finger slowly trailed down to tease your hole. You clenched when you felt him there, and he let out a soft chuckle when he felt your movement.

“Needy, are we?” He playfully asked, slowly inserting his finger into you. You moaned and clenched around his finger as he held it still inside you.

“Please, Mattheo.” You moaned out again, filled with need and lust. You felt yourself getting closer and closer to release every rub of your clit and thrust of his finger. You clenched around it again, trying to distract yourself from the strong sensation.

“I’ll do whatever you ask. Just say the word, gorgeous.” He groaned against you, imagining what your cunt would feel like around his dick. He continued his movements, slowly adding his middle finger into your entrance, preparing you for his cock. You could barely take one of his fingers, so getting a second one in was a struggle. You whined in discomfort at the additional stretch, leaning your head into his neck and biting the collar of his shirt.

“I know it hurts, but I need to warm you up for my dick, love.” He explained. The thought made you shiver. You hadn’t been fucked good in months, and Mattheo seemed promising so far. You slowly felt your climax approaching as the pain subsided to pleasure.

“I’m gonna cum soon.” You told him, moving your face to kiss his neck. The moan he let out at your kiss spurred you on as you started to leave a hickey on the supple skin. “Yes, mark me.” He stated, relishing in your company. He felt lucky that he got to fuck you, a stunning, funny, sweet witch. He felt his member twitch in his pants at the thought.

“I’m cumming.” You breathed out as you released in his fingers. He stopped his movements after he thought you were completely finished, collecting your cum on his fingers before slowly pulling them out. He looked at the mess covering his hand, bringing it to his mouth to taste your juices. You eagerly watched as he cleaned his fingers with his tongue, and he smirked when he saw you watching. He pulled away from you briefly to undress, and you followed suit, both of you naked and staring at each other.

“You’re so beautiful my dear.” He said, holding your hand. You smiled at him, pulling him closer to kiss his lips.

Without a word, he lifted you to wrap your legs around his waist and manoeuvred his dick to your sweet cunt. You both watched as your bodies connected, his tip slowly disappearing past your folds. It hurt for a bit, your body stretching to fit him, and he waited patiently for your cue to move. When you opened your eyes and looked at him pleadingly, he knew you were ready.

He started thrusting at a steady pace, watching your expressions and body to try to understand you. When he saw no sign of distress, he started to move faster. Your body was banging against the surface of the door as he fucked you, feeling pure bliss. When he hit a particular spot deep inside you, you let out a loud moan, tightly gripping the back of his head between your fingers.

“Did that feel good? Is that your favorite spot?” He asked, intentionally trying to angle himself to hit it again and again.

You could only nod, your mouth open while releasing pleasured sounds. Every time he hit it, you would reward him with sharp squeals and a few clenches around his cock.

He started rubbing your clit, adding to the building pleasure inside you.

“I’m so close, baby. Are you?” He breathed out between pants, and you could feel it. The muscles of his abs clenched under you and his dick twitching inside you.

“Mhm.” Was all you could muster, his movements blocking your thoughts from becoming words. As he watched you, sweat falling down your face, mouth open, letting out continuous moans and sighs, he could only think about how he wanted to spend the rest of his life with you.

“I’m coming, I’m coming, please.” You shouted as you did just that, releasing around his cock. He grunted and came with you, filling you up and placing his forehead on yours. You breathed in sync for a while before you kissed him deeply. He groaned into your mouth, roaming his hands around your body. Almost reluctantly, he pulled you off of him and set you down.

“Come on, let’s get cleaned up.” He said, grabbing your hand and pulling you with him. Your legs felt a little wobbly as you followed him. Once in the bathroom, he reached to grab a towel and wet it. When he turned back to you, he watched as his cum dripped out of you and down your leg. You followed his gaze and laughed softly as he groaned.

“You don’t know how hot that is, darling.” He said, rubbing his hand over his face. He focused himself and bent down so he was face to face with your legs, and wiped away the evidence of his pleasure. You smiled down at him, gently grabbing his hair. You could get used to this.

_________________ This is my first post on this app, so I know it’s probably not the best. Please let me know any writing tips or errors I made or anything. I hope you enjoyed!

[orpheusluvr]

Aggressive (Frederick Kreiburg x Female Reader)

NSFW WARNING

After constantly teasing him, Frederick has tolerated enough and decides to take matters into his own hands…in the brutalist way possible.

Idk how many of y’all simp for this man but I’m not lying when I’d say that I’d absolutely let him DESTROY me (and he would tbh)

Just imagining him and Orpheus makes me go hhhgrdghffggh

Your husband was a charming and well mannered man. Always making you feel special and loved. But there was one thing about him that distinguished the differences between you both.

Intimacy. The one word that Frederick despised.

You and him had sex only once ever since you married each other last year. He didn’t really like the experience at all, and said that it made him feel slightly uncomfortable and he wished to not do it again until he was ready. You respected his wish, however he felt guilty knowing that it wasn’t your fault at all, it was just how he felt about the whole thing.

The only form of “intimacy” that you received from him were hugs and kisses on the cheek. On rare occasions, you’d kiss on the lips and it would turn into make-out sessions but nothing more than that.

It was becoming more and more unbearable for you, but in the mean time you tried to find ways to cope.

Even Orpheus himself offered to give you a hand.

“I’m much better than him. I’ll give you a spectacular experience.” He said, with a slight grin.

You politely refused, turning away from him.

“Orpheus, I’m married to him. That would just be extremely messed up. As much as I crave the feeling, I must not let my self respect come undone.” You said.

Orpheus nodded.

“Very well. Though, I’m always here if you ever change your mind.” He said, before turning away and silently walking off.

For the past few days, you had been doing something risky to get Frederick’s attention in some way. And so far, he had managed to compose himself each time. Until now.

You were currently seated in the dining room, along with Orpheus and Melly Plinius. Frederick was sat next to you. You all ate dinner in silence.

A smile appeared on your face as you slowly moved your hand under the table, placing it over Frederick’s crotch.

“Ngh…!” Frederick groaned.

Your smile increased. It was working.

Orpheus looked at Frederick suspiciously.

“My apologies, the steak is quite warm.” Frederick said, clearing his throat. He then picked up his cutlery again and began cutting up the steak in a desperate manner to try and look normal.

You on the other hand, began stroking his crotch. He closed his eyes, his breath increasing. He tried clearing his thoughts, pretending your hand wasn’t in his sensitive spot at all.

“Mr Kreiburg, perhaps we should open a window?” Orpheus said.

Frederick shook his head.

“I’m…good.” He said, struggling to speak.

“You don’t seem like it.” Orpheus said. He then looked at you, his facial expression making it seem like he knew what was going on. He then returned to eating.

You decided to take an even larger risk.

You slid your hands into Frederick’s pants, but just as you were about to feel his cock, he immediately dropped his cutlery. It gave you a shock and you immediately moved back.

“Mr Kreiburg? Is everything alright?” Melly asked.

Frederick slowly turned towards you, anger and lust filling up his eyes as he stared at you. His cheeks were red.

“Pardon me, Mrs Plinius. There is something I must deal with.” He said, not breaking his eye contact with you.

He immediately grabbed your hand and got up, dragging you along with him.

As you were in the hallway, you tried to ask him what was going on.

“Fre-”

“I don’t want to hear another word from you.” He snapped.

After reaching your bedroom, he threw you onto the bed, removing his coat. You smiled to yourself, knowing that your plan had finally worked.

“What on earth are you smiling about?” He said, immediately pinning you to the bed. His face was extremely close to yours as a few strands of his light grey hair fell onto his face.

He was slightly annoyed that you didn’t respond to him.

“Well then. I guess I’ll just be hearing sounds from you tonight instead.” He said, moving forward and kissing you. His grip around your arms increased while you both moaned and grunted. He pulled away and began removing the belt to his pants, pulling them down. He revealed his cock that you hadn’t seen in so long, making you even more wet from below as you saw how hard he was, how the veins were running through it and how precum was already dripping from the tip.

He removed your pants and panties, and saw how wet you were from him. He gave a small laugh.

“Naughty girl.” He said, lifting both of your legs and placing them on his shoulders.

He immediately inserted into your entrance, thrusting into you without warning while tightly grabbing your legs.

“F-Frederick! Ngh…hah…” your moans filled the entire room.

“Slow…down…”

Frederick looked at you bitterly.

“I’m giving you what you want, and you’re telling me to slow down?” He said.

He increased his speed even more, hitting your sweet spot each time and sending you to the absolute climax.

“Frederick…I’m gonna c-”

“Don’t.” He said, coldly.

He slowly stopped thrusting and lowered his head towards your ear.

“I’m not letting you cum after how you’ve been treating me lately. Let’s see how long you can keep it in.” He whispered, his voice thick and deep with desire.