#(no but it does make the writing a lot more disordered)

[cripplecharacters]

Hello, I'm writing a novel and I'm curious if you have any resources or mods that could answer on the topic of full term pregnancy for characters with physical and mental disabilities? The character I'm writing is an amputee (both legs lost to sepsis) who struggles with psychosis/BPD and takes plethora of medications.

Would she have to go cold turkey to carry to term? Would the pregnancy have any negative effect on her physical disability? Just want to get my facts gathered before I start writing something I'm entirely unfamiliar with

Hi asker,

Some medicines are never safe during pregnancy because they have a proven high risk of miscarriage or serious risk to the developing baby.

But many more medicines are taken during pregnancy even if they can carry risk to the pregnant person or the baby. That's because they help the person using them so much, that the risk of not taking them is higher. They may modify doses or monitor themselves or the baby more often. So no, she does not necessarily have to go cold turkey to carry to term.

Some sources for more information:

Medicine and Pregnancy: an Overview by the CDC (US site)

Medicines During Pregancy on MyAlberta (Canada site)

You specifically mention psychosis, so maybe your character takes antipsychotics. There has been a lot of fear that antipsychotics can cause birth defects/abnormalities or miscarriages, but more recently many people are encouraged to stay on them while pregnant.

I haven't read fully through these, but they should be informative:

Use of Antipsychotic Drugs During Pregnancy on NIH (US site)

Antipsychotics in Pregnancy and Breastfeeding on RC Psych (UK site)

Antipsychotic Use in Pregnancy on NIH (US site).

There is no BPD-specific medication, so I can't really specify anything else. Some amputees take medications, and some don't, so I can't specify there either. If you know what your character takes, you can google their specific medication types + pregnancy. People get pregnant all the time, so this is not an uncommon avenue of thought.

Either way, this varies depending on what your character specifically takes. But ultimately, there is no absolute requirement that she must go cold turkey to carry to term.

Hope this helps,

mod sparrow

Hi!

One issue she could experience as an amputee is related to prosthesis fitting - I'll assume that she uses them since you didn't mention her being a wheelchair user. During pregnancy she'd probably gain weight, which might mean she will need to visit her prosthetist to make sure it's comfortable for her to walk in. She might also experience more swelling in her residual limbs, which basically means the same thing - depending on how much changes her body goes through, she might have to make a few trips. This is especially true if she's an above the knee amputee rather than below.

Amputee Coalition has a page on pregnancy that you can check out, with some possible timelines that are currently recommended (especially helpful since it sounds like your story is set in modern times).

Hope this helps!

mod Sasza

Hello! I'm someone with diagnosed schizoaffective disorder in remission and BPD keeps getting thrown at as a possibility for a diagnosis for me, and medication for BPD can range from nothing to a combination of antidepressants and antipsychotics, antipsychotics being front line for any psychotic symptoms or disorder. I have had doctors plan with me as the antipsychotic I am on (vraylar) is unsafe for pregnancy however olanzapine is often considered safer. Generally for someone on heavy-duty medication there is a safer drug in the same class their doctor switches them to and closely monitors their progress and health from pregnancy to breastfeeding.

-Mod Bert

[scriptlgbt]

Hello, hope you are doing well. I am currently trying to make an Aromantic Asexual character that is a sociopath. I believe there is a negative stereotype around these two parties that they are cold and unloving and would like to try portray and show people that hey they are human and are capable of love. However, I'm slightly hesitant to do so since I don't want to play into the stereotype. Please send advice! ( Also have a fantastic day)

This advice is going to lean on the "sociopath" term a bit because I have more advice to give on the topic, and it's also not something we've explored in this way before on the blog.

I have some biases here because I have a Cluster B personality disorder (a cluster which includes disorders that are often labelled as "sociopath"). The term sociopath is generally considered outdated at best and derogatory at worst, with people mainly only using the term to harken to a legacy of criminalizing and institutionalizing people who don't express care for others in a way that is legible to others, or whose care is not expressed in a healthy way.

Based on your wording here, I'm assuming that you are using the term in an earnest way to describe a neurodivergent experience, and do not believe in these ableist assumptions yourself.

Because of this, I would recommend determining more specifically what you mean by "sociopath," and then dropping the term. Do you mean low/no empathy? Do you mean a specific disorder (and which one)? What does this look like for them, and what does their emotional and mental experience feel like for them? There are resources out there for learning more about what these things feel like for people who have low/no empathy, or who have disorders that are categorized this way, but I think if it is not a thing that you experience, I would tread with a lot of caution and find a beta reader or sensitivity reader with these experiences who is comfortable talking about this with you.

Re: Aroace - there are people who are asexual and aromantic who have had pretty much every experience and identity alongside this. What makes a stereotype harmful is when:

They are the only representation.

They are not written as 3-dimensional characters with feelings and thoughts, identities and experiences that transcend these labels.

These can be countered by having more characters of the same identity who vary from the character you are concerned with, and making the characters all as multi-faceted as possible. You may not be able to explore every character's whole lives in depth in front of the reader, but to a reader, it still matters that this intricate life they have is implied and hinted at within the context.

But that is generally good writing advice, in my opinion. So many authors have characters that are written to fit a role within the life of the protagonist. Best friends are there to fawn over them and be supportive, but don't have hobbies or interests or an unrelated life thing going on offscreen. When you write, ask yourself, could someone feel inspired to write fanfiction of this character? Is there enough that they could put them in an AU and they would still be recognizably them? Or do they only exist by their relationship to the protagonist?

mod nat

[shadow-pixelle]

Help the snippet grew legs

I did more snippet. I actually did more snippet checks nearly two weeks ago now, but then things went to pot a bit and I didn't post. Because I am a living disaster.

But yeah the last DCxDP snippet I wrote has grown legs. In fact it has grown so much legs that I know where it starts as well as where it goes from the last snippet onwards for a while.

I don't know how we got from the start to here, but that's not my problem right now.

This however is not the start. This follows up directly from this post from a month ago.

--

Jason had been on edge since getting back to Gotham. The sort of on edge that made him want to go patrolling Crime Alley, just to make sure everything was alright. Which was ridiculous, because he’d only been gone for a week, and more importantly he was exhausted and patrolling when he was this tired was asking for trouble.

Mostly, he just wanted to go home and sleep, but he needed to head to the Cave to check on some information regarding this case, just to make sure it was closed and stayed closed, so he turned his bike to go and do that first. At the very least it would be quiet there, since it was just late enough in the night that all the Bats would be swarming out on their own patrols.

So of course Babs patched herself into his comms not two minutes after returning.

“Hood.”

“Hey, O.” He said, because he couldn’t really be mad at her for any length of time. And it wasn’t like it was her fault he was on edge right now. “What’s up?”

“Are you heading to the Cave?”

“Yeeesss...?” Jason frowned slightly, leaning forward. “Why, is something wrong?”

“No, just need to warn you, we’ve got visitors.”

Jason jerked in surprise, then swore as he regained control of his bike. He pulled to a stop so that Babs wouldn’t lambast him about it, before replying. “Visitors?”

“Red Robin made some friends while you were gone.” She told him, with an odd tone in her voice. “They’re doing something involving the Lazarus Pits.”

Jason went cold. “They’re- what?”

“The Pits.” She repeated. “They- Hood, we don’t know anything about them. But Red Robin says they’re trustworthy, and yes we checked for mind control and things. There’s nothing. But they know more about the Pits than anyone we’ve ever met.”

Jason laughed, strangled. “What, really?”

“Really. I think they might know more than Ra’s does.” Babs sounded nervous, he realised with another cold flush, and he started his bike again and pushed off.

“That’s not suspicious at all.”

“No, it isn’t.” Babs sighed. “But Red trusts them, for some reason, enough to bring them to the Cave for whatever project they’re working on. The others are there too, he’s not alone, and we’re keeping an eye on things, but…”

“Yeah.” Jason knew. They were Bats, paranoia was in their nature. The fact that none of the Bats that had come into contact with these unknowns seemed bothered at all was… intensely concerning. “You want me to take a look or avoid it?”

“...You can come by, if you want. I’m watching remotely in case we need a League alert or something, but…”

“I hear you.” He sighed. “Who’re we dealing with?”

“They all look to be about mid-twenties. The main guy calls himself Phantom. The other two defer to him on just about everything, so he’s definitely the boss. No real description, he’s not human and only sometimes has a human shape. Fairly middling height and frail-looking when they do, white hair and glowing green eyes. Most the time he’s wearing a sort of hazmat suit of some kind, but that shifts sometimes. When he’s not human it’s pretty much impossible to describe him, but I guess the best way to put it is that he looks like space.” Babs immediately filled in.

“The other two seem to be some kind of subordinates. The man goes by Duulaman, he seems to be a mix of tech guy and magic. Phantom also seems to know his way around technology pretty well, hardware while Duulaman does software. His magic is Egyptian themed for the most part, and seems linked to his technological ability otherwise. Fairly tall, dark skin and blue eyes with a green shimmer, black hair. He wears glasses but I’m not convinced that they’re actually necessary rather than being some kind of device for either his magic or technology. Also, we can’t hack him.”

“What, at all?”

“Admittedly I’ve not tried too hard, I don’t want to make them hostile if they’re not going to be, but I think he uses his magic to amplify what his technology does. Just what little I’ve seen is incredible.”

“Huh.” Also concerning, but in a different way. Though if Babs wasn’t trying too hard then it might just be that Duulaman’s tech seemed harder to deal with than it is. “And the third?”

“A woman, Caucasian with black hair and mostly violet eyes. Little bit of a green shine there, too. She’s the tallest of the lot of them, pretty thin but not as frail-looking as Phantom. Not sure of much more about her, she doesn’t seem to have the same sort of technological abilities as the other two and she’s mostly been standing to the side like a guard or acting as an extra pair of hands whenever either of the males need something. Name seems to be Belladonna, but both males have been giving her a few different plant-related nicknames, so I’m not certain which one’s real.”

“Great.” He sighed again. “Don’t suppose there’s any way to get an idea of that?”

“Not likely. Other possible names are Nightshade, Overgrowth, Foxglove, Yew, and Daffodil.”

“Daffodil?” That didn’t quite fit the theme, though the fact that the woman had a theme of poisonous plants was concerning. Then again, neither did Overgrowth.

“Daffodils are poisonous, apparently.”

“Huh.”

“Yeah.”

Babs went quiet for a while after that, letting Jason drive, and only spoke up again when he reached the entrance to the Cave.

“Be careful, Hood.”

“Always am, O.” He replied, slightly nervous despite himself. A part of him wanted to just run back to Crime Alley and go to bed, not deal with whatever disaster Tim had apparently brought into the family trying to study fucking Lazarus Pits, somehow. He just… didn’t want to deal with this.

But he had to, because if there was any chance the other Bats were under some kind of subtle mind control, they needed someone outside to go and take a look, and with Jason knowing about it ahead of time, there’d at least be a chance for Babs to call in the League if she saw a change.

The Cave was surprisingly quiet when he entered, though in a way Jason wasn’t surprised. The place was practically made to amplify certain sounds, and his bike roaring in was definitely one of them. Plus there was the fact that there were three unknowns in the Cave, so no-one was going to be talking about anything private or secret. Still, it was disconcerting to enter the Cave when it was so quiet, with none of the others calling out a greeting and no sounds of sparring on the mats. It just felt wrong, and Jason felt a chill run down his spine even as he stopped his bike and headed further in.

The chill only got worse when he saw the group. Most of the Bats were just hovering around the Cave, doing nothing in particular and obviously only there to keep an eye on the unknowns. Red Robin was the only one over by the workbench that had obviously been hurriedly pulled together from about four other smaller workbenches, leaning over it with his back to Hood. One of the strangers was with him, and Hood could suddenly understand why Oracle had said Phantom was difficult to describe. For the most part, he definitely looked like Oracle had said, a black hazmat-like outfit and white hair. Given the way he was leaning over the table next to Red Robin, it was hard to see much of him, but he did look fairly frail.

Except when Hood blinked, the man suddenly looked… well. Not human. At all. He could see what she meant by looking like space, because he just… cracked. Like a swirling void full of stars.

Then Hood blinked again, and he was back to normal, and all three strangers were straightening. The woman, maybe-Belladonna, looked up first from where she was hovering- not literally, unlike Phantom, who Hood now realised was literally floating at Red Robin’s side- behind Duulaman, met Hood’s eyes despite the helmet, and paled sharply. Duulaman looked up next, and both their eyes flashed a bright green- a toxic green, one only a few shades off being very familiar- before both swore sharply.

That was when Phantom turned around.

Hood froze. Not just from the sudden chill, fear biting down his spine in a way he hadn’t felt in a long time, but from the look. Something about Phantom seemed familiar, in a dangerous way. Floating slightly in the air, white hair waving like it was caught in an invisible breeze, and eyes shining a just as brilliant green as the other two but solid rather than mixed into their apparently-original colours. The being- because he wasn’t a human, no matter what he looked like most of the time and no matter what the other Bats thought, that wasn’t a meta or even an alien, he was something else- stared at him, a hazy mist of breath clouding in front of him, eyes wide.

There was a crackle of something like electricity and machinery starting, and Phantom disappeared. Hood suddenly felt like he could breathe again.

“Oh Ancients.” Duulaman murmured, looking pale. He was still staring at Hood, as was Belladonna, both of them looking horrified.

“Phantom?” Belladonna called, eyes darting upwards for a moment before returning to stare at Hood.

Slightly uncomfortable with the attention now, Hood looked up.

The Cave roof had been replaced with a starry sky. Based on… everything else about this situation, that was probably Phantom.

The electrical sound came again, somehow sounding apologetic and Hood had no idea how a noise like that could sound like that, and Duulaman sighed. “English, Phantom. Or at least something living, please.”

“Sorry.” The mass of space on the roof said, with an undertone of electricity and ice. “Just… Ancients.”

Belladonna laughed, a small, horrified sound. “You’ve got that right.”

“What happened to you?” Duulaman asked, and out of the corner of his eye Hood saw the rest of the Bats stiffen.

His focus was on the mass on the roof, though, which slowly crept down- like some demented dripping tap of space, Hood thought hysterically- to settle between Duulaman and Belladonna in a mind-twistingly strange blob.

The shape shimmered, and Phantom’s human form appeared, the space-blob folding away like it had never been there. He looked at Hood again, then winced and deliberately turned his head to focus on Duulaman as he leaned into his side. Light flickered again, and then-

Phantom shifted.

White hair swapped to black, the strange hazmat suit disappeared in favour of jeans and a long sleeved shirt- which looked immensely out of place compared to his… partners? Underlings? Outfits; Belladonna had a dramatic black dress lined with vines and pale flowers, and Duulaman leaned into the Egyptian theme with an outfit like a pharaoh. Compared to them, Phantom looked incredibly normal. Like a regular guy in his mid-twenties.

He looked over at Hood again, eyes now blue with only a faint green shine, and Hood shivered. No matter that he looked normal, something about the being still screamed unnatural.

“Phantom?” Both his partners asked, sounding surprised.

“Sorry.” He said, in a raspy voice. “It’s- easier, this way. Kidnapping isn’t exactly a good idea right now.”

“Kidnapping?!” Several of the Bats chorused, and Hood saw Batman stiffen ready to lunge.

Hood just couldn’t stop staring.

He was aware, faintly, of the conversation going on around him. More than aware, really; he was a Bat by training, he didn’t just… tune out of important conversations. Everything that was being said was being catalogued for later, held in the back of his head for evaluation once he had time. But at the same time, it was just… difficult. As much as he was aware of the conversation, he wasn’t really listening. A part of him just… couldn’t stop watching the three. Even as Phantom very deliberately looked away from Jason, almost like he couldn’t bare to look at him. As Duulaman put his hand on Phantom’s shoulder and Belladonna leaned into his side like they were anchoring him, while neither of them looked his way for more than brief glances that every time warped their faces into grimaces.

He was fully aware that the other Bats were interrogating the three. Something they really should have done long before this, before they brought them to the Cave because they were doing something with Lazarus Pits and knew too much about them. And he was well aware that none of them were making getting the information difficult. They talked easily, like none of it was a secret- and maybe it wasn’t. These Infinite Realms, these ghosts, everything about the Ancients and the halfas that Phantom apparently was, maybe none of it was a secret. Or maybe it was just that none of them cared, because-

Phantom looked him in the eyes for the first time since the start of this whole thing.

“Pariah Dark was a monster, and even he would consider what was done to you unforgivable.”

Jason jolted, pulling away from that horrible chill and the feeling that there was something incredible in front of him- something horrifying, something nightmarish and awful. And he listened, really listened, as Phantom laid out as best as he could what it felt like to look at him. It felt like drowning, almost, and somewhere in the back of his mind past the crystal haze of shock it felt like he was screaming. Jason just listened and stared as the three of them laid out how things felt to them- how he felt to them, and wasn’t that just hilarious, that there was something so deeply wrong with him that even these strange beings, these half-dead and partly dead people, were able to look at him and know immediately that something is wrong here.

He wondered a little if it was like the uncanny valley. If looking at him made these people, who were apparently ghosts or at least close to it, unnerved because there was something wrong here, something not quite correct for what it should be.

Of course he would be fucked up. He was already well aware that the Pit had done terrible things to him. What was one more?

Phantom glanced at him only once more, then focused on Batman.

“So,” he said, in a firm voice obviously used to being obeyed. “I’d quite like to know who did that to him. Because my next step is going to be to call the council, get war declared on them, and then erase them.”

Neither Belladonna or Duulaman objected. In fact they seemed like they agreed, or possibly they just didn’t intend to contradict the person that was their leader.

Jason wasn’t sure. He was still too busy being shocked, lost in a hazy daze of… something. He couldn’t have spoken even if he wanted too, and all he could do was stare at Bruce as well, waiting to see what was next.

Batman didn’t speak.

He wasn’t sure he was surprised.

The silence stretched, reaching a minute, two. Phantom continued to stare at Batman, who stared back, a firm line in what Jason could see of his mouth. No-one else moved.

Jason took a shuddering breath, and a step back. It was more of a stumble, really, and it broke the holding pattern the rest of the room was in. Eyes snapped to him.

The three- ghosts? Realms beings? Whatever they were- looked directly at him with only a slight wince. Phantom tensed slightly, like he wanted to spring, and both Duulaman and Belladonna did the same in response, hands grasping at their leader as if to keep him in place.

Jason took another trembling breath, and bolted.

Someone- Dick, he thought, but he couldn’t quite tell over the shuddering sounds of his own breaths and heartbeats- shouted after him, but Jason didn’t stop. He just ran, going straight for his bike and leaving.

The chill lingered in the back of his chest the entire time. Jason couldn’t remember the last time he’d felt so cold.

He hadn’t even realised he’d been warm, until he saw Phantom. Now there was just the chill, slowly seeping into his bones. He wasn’t even sure that was Phantom’s fault, though.

After all, Bruce had been silent.

Why would Dad tell them who hurt him? It wasn’t like Jason was his son, or anything. It wasn’t like it was only the League, like it was only the Joker, like it wouldn’t deal with so many of their problems without them needing to do anything.

He somehow wasn’t surprised.

So Jason ran.

[mashmouths]

so i started this show and it just gets worse and worseeeee not only did it lift the romance subplot directly from twilight (and not well) but they also are trying to play the forbidden love angle hard in the fantasy racism vein except it's a "cross-species" relationship between the two whitest people i've ever seen in my life and there are three people of color in the whole (first season of the) show who aren't villains and it seems that every other episode (and sometimes ebery episode and sometimes twice an episode!) there is a man physically or magically subjugating a woman and i keep waiting for the big reveal at the end to be stolen from fucking rainbow rowell

[st-peculiar]

I uh. Finished the first chapter draft for Ouroboros. Little sneak peaks below the cut I suppose.

“Deep down, you know that something has changed. You can’t quite put your finger on it yet.

-

That’s what it is. You’re alive.

-

Death does not always mean an end. It is simply a pit stop on a very long highway. You still have many miles to travel.

It is best if you get back in your car and begin to drive again.

-

How long can you take it? The way you have a mouth but no voice to speak through.

Can you take it?

-

You realize you are being rebuilt. It is uncomfortable and itchy knowledge. You feel it in the prickling numbness at the tips of your fingers, the eternal ache in your temples, and most of all, you fear.

Your aches and pains are all fear.

You are no longer human.”

[writers-potion]

Writing Mad Characters

Okay this is a bit awkward because I had this question copypasted into Google Docs I use to draft my answers, and I realized I've lost the question in my inbox (which is being flooded).

So...I'm so sorry for whoever asked this question. Sorry for the delay because I was struggling with life in general for the past month and definitely SORRY for losing your question (－‸ლ)

Q: I'm writing a story where a major character is slowly spiraling into madness where small details kinda hint into the downfall right before the bigger details appear and then it the floodgates open. Is there anything I should avoid? Anything that I should keep in mind? Anything that I should research?

Things to Avoid

“Mad” or “Insane” is too general. Writing a cliched ‘crazy’ character who randomly talks to imaginary people and lashes out at strangers, you’ll offend a whole bunch of people who've gone through/have mental illnesses. Read up on existing mental conditions (schizophrenia, bipolar disorder, post-traumatic disorder and borderline personality disorder, etc.) to see what your character might have. 

Words like “mad” “crazy” or “insane” aren’t enough when you’re describing their status. As mentioned, these words hardly mean much when it comes to providing a clear description.

Contradicting yourself. Throwing random unhinged symptoms here and there wouldn’t work. In fact, you must have a clear arc on which they’re traveling and ensure that your “hints” are all getting at something.

Making the character overly destructive or harmful to others (when nothing really justifies it)

Justifying damaging behavior with this “madness”. Mad or not, your character will still have motives and goals that drive them forward. 

Making them look incompetent just the fact that they have a mental condition that makes them appear “mad” to others shouldn’t prevent them from achieving success. In fact, they may be even more cool-hearted and logical when it comes to their obsessions/goals. 

Research Tips

Narrow down the mental conditions your character experiences. Even if it’s a fictional condition, try basing it on existing ones and building on top of them. 

Take some time to study characters and/or real clinical cases that resemble the kind of madness you’re going for. 

- Anxiety Disorders: excessive fear and dread (ex. phobias) - Mood Disorders: persistent swings in mood or persistent feelings that interfere with daily life (ex. Depression, bipolar) - Psychotic Disorders: disordered thinking (ex. schizophrenia) - Eating Disorders: extreme emotional attitudes toward food (ex. Bulimia, anorexia) - Impulse Disorders: unable to resist urges (ex. Kleptomania, pyromania, gambling) - Personality Disorders: extreme inflexible personality traits (ex. Anti-social disorder, OCPD) - Past Traumatic Stress: persistent, frightening memories leading to emotional numbness 

Does your character have empathy?  

A sociopathic kind of madness is different. 

General Writing Tips for Spiraling into Madness

Establish a Baseline 

A lot of factors (stress, family history, innate personality, trauma, etc.) can contribute to madness, but it is not going to happen in a week. Define the existing mental and physical conditions your character has, and start from there. 

If you’re aiming for suicidal tendencies at the end, you want to start with symptoms of depression (a condition that may lead to suicide) - growing apathetic, erratic sleeping patterns, irritability, etc. 

This is also the stage where you want to plant some triggers that’ll go off later.

Trigger Events

A perfectly sound character suddenly spiraling down the madness route due to a single accident or traumatizing event isn’t convincing. 

A madness “snap” denies the reader the experience of watching the character’s journey into madness and how they feel about it. 

Internal Conflict (antagonist in himself) 

You must remember that madness is incurable. If someone could “cure” themselves by eating healthy, exercising and taking a few pills, it wouldn’t be much of a madness, would it? This means that the worst antagonist is going to be the character themselves, or the part of them that’s been taken away. 

Show how they are frustrated with themselves, scared of themselves, angry at their “alternative self”. The experience of not knowing yourself is a whole journey of its own.

Physical Manifestations/Quirks

If your character has a routine, show how they break down. 

They might develop habits that they otherwise would never allow themselves to have, perhaps as an effort to “keep this madness out”

Deteriorating Relationships

Depict how the character’s madness impacts his closed/loved ones. In the earlier stages, those close to him might be faster to notice and accept the signs of madness, even if the character denies it him/herself.

The first signs of madness might show when the character is trying to deal with difficult relationships - like losing patience and being unable to pick up subtle social clues.

Choosing Obsessions Over Primal Urges 

For these characters, obsession can take over a person’s normal urge to eat, sleep or even live. This can lead to, more or less, suicide. 

Example: In Black Swan, Nina’s obsession with becoming the perfect ballerina drive her to insanity, to the point where she doesn't mind dying on stage for the show.

[steviewashere]

Kiss and Tell

(Can be found on ao3)

Steddie WC: 2,279 Tags: Post Season 4, Steve Harrington Has Auditory Processing Disorder, Eddie Munson Loves to Talk, Minor Angst, Mostly Fluff, Queer Eddie Munson, Steve Harrington Has a Bisexual Awakening, But He Already Knows (Sort of), First Kiss, Lots of Kissing

Based on this post that I made. Happy reading! <3

-------- Steve has a staring problem. He knows this. He's been told this. And it's not something he can help or fix or find an alternative for. This is just what he knows.

It's something he's tried to maintain since he was a little boy. And, on that same note, is something he picked up while being a boy in a room with two adults who were fast talkers and big negotiators and all-in on the nature of their careers. But his parents certainly hate that he has a staring problem. Which, that's not unusual, most people hate that he does. Because he doesn't look them in the eyes for more than thirty seconds at a time. And even if he does, he doesn't hear a single thing they said, politely asking they start over, and feeling hurt when they just scoff as loud as possible and walk away from the conversation all together.

The audio just doesn't process. Never has. Probably never will.

He listens to music, but doesn't understand any meaning. He talks over the phone, but must have all other sound blocked out and the curtains shut and his eyes closed to imagine what the words look like leaving the other person's mouth. He argues, but loses track of the original point of the argument—when he laughs instead of apologizes.

And it would be fine—if—he wasn't close to losing his life every year. Where he has to listen to everybody and the important tiny details and the plans and the reasons for what they're doing. Which leads him to danger. Which gives him a bruised face. Which makes the listening even harder, once the concussion leaves and he's just got the leftover damage of his quirkiness.

It would be fine—if—he wasn't made to feel so stupid for what he must do. The jabs and the constant reminders and the...yeah, his sob story.

But there was Tommy Hagan and Carol Perkins, who he could keep up with. Because they'd talk about the same things over and over, until he could practically relay all the information, pulled straight from the deep crevices of his brain, and it ends up that they had forgotten, rather than him.

And there was Nancy Wheeler, who was polite enough to repeat things. Who had flash cards and a soft, focusing voice. It was easy to write off looking at her lips. "Eyes up here, Steve," she'd say. "Sorry," he'd respond sheepishly, "getting lost." And he'd chuckle and she'd giggle and then they'd kiss a little and he wouldn't be reminded that he's just a little weird. That, maybe, he just isn't normal.

Robin Buckley makes things easy-ish. She talks fast. And a lot. And she never looks him in the eyes, unless she's asking for a very serious favor, or he has something on his face, or she just feels the need (she claims it's that she hasn't looked in a while, but he shrugs her off every time). (If he can get away with staring at her lips, then she can get away with never looking him in the eyes.) He's mentioned, though, that he has a hard time following her sometimes. That he needs the words repeated a few times. Explained the lip thing, with a tense voice and a quake in his chest and his fingers tapping at the sides of his thighs. And, for a brief moment, he had felt like a creep. Like one of those weirdos that preys on the idea of women kissing. And he wanted to open up Family Video's register, shove his head inside, and sort himself out into the container of fives. But she shrugged, said "Okay," and went back on some ramble, to which he was immediately drawn to her mouth. And saw her repeat the name, Vickie, at least twenty times. He grinned and then when the store was empty, he leaned across the counter and teasingly said, "You have a big fat crush on Vickie, don't you?" To say that he was proud of her sputtering is an understatement.

Now, Dustin and the others were harder to get through. Because they moved at their own pace. And they don't really stop to add him to the conversation. He gets it, to an extent. He knows that he's not really all that intrigued in what they enjoy. (Even if he really leans into the conversation when they mention Sherlock Holmes or Dracula or Star Wars or, even, Star Trek. And he pretends to not be interested in their science fair projects. Or the one time he caught them huddled around a Sports Illustrated, in which he fought the urge to chat their ears off about both baseball and basketball statistics.) But there's a point in the conversations where he's made to feel a little dumb; even if he was staring where they were speaking, but they always grow frustrated, a huff of air released, when they notice he's not "paying attention" (translation: looking them in the eyes. "Because, Steve, it's just talking etiquette!" Dustin had shouted once).

He loves all of them anyway. Even if he misses words. And he loses track of what they were saying. He just wishes they were a little bit more forgivable about it at the end of the day.

Then, Eddie Munson is walking along side him in an alternate universe. He's peeled the vest off his back and chucked it at Steve. And they're talking. Jealous of one another, but talking. But, Eddie's voice goes soft and quiet, his eyes pointing towards Nancy's back.

Steve is looking at Nancy, words fading into the background. And it's not a moment of realization. Or a moment of longing. Yearning, what say you. No—it's one of his moments in which he's "listening," but not processing. So he looks back. And for a mere second, Eddie's eyes are big where Steve stares. Big and wet and curious. Big and wet and persuasive. Big and wet and not at all his lips and Steve is still not listening.

But his lips. Well, Steve's seen lips. These are pretty. They're pink. Chapped and bitten and plush appearing. Mesmerizing. Stretching over Eddie's sharp teeth, exposing dimples and smile lines, making his recent stubble more noticeable than it's ever been before. But his lips are pretty.

Like girls lips, Steve muses. Not really taking in what that means. Because Eddie's saying something about true love. And—shit—okay. Steve can get behind an act of true love. He can get behind sharing denim and coating Eddie's clothes in blood and staring down his lips and—god, his eyes, Steve can't help but notice once more.

Eddie's like a vulnerable cow. With pretty lips, he has to point out. Or a baby deer. With such pretty lips. And he's talking and Steve's finally listening. But it's not just processing. No, Steve's intrigued, interested even. He tilts his head like a curious puppy. Leaning in. Eddie's breath ghosts the tip of his nose. And, sure, it's a little rank. But weirdly sweet. Warm where Steve is otherwise cold. Warm in places Steve's never considered to feel warm in, but he's willing to give in, to wrap up in whatever Eddie has to say. If it all means more of him.

So, it makes sense that after all that they go through, Steve finds himself in Eddie's orbit. As a friend. As a trauma bond. As everything Eddie needs him to be.

He sits on the Munson's couch. On the cushion that dips a little too low. The lights orange and dim and casting beautiful streaks of almost candle light on Eddie's soft, beautiful features. Highlighting where his nose is the most bulbous. His pronounced Cupid's bow. The outer edges of his irises, golden and honey against the off-white of his scleras.

Eddie talks like Robin does. Excited. A lot. Fast. But his voice is soft, focused on the information—like Nancy's. It's teasing, like Dustin's. Soft, though. So gentle. Murmured. Which makes sense, if Steve were to stop and think about it for just a moment. With how late it is. With the little amount of weed they smoked. And it all just fits, with how slow and careful Eddie's lips move. As if testing the words. As if searching for what he means.

But, god, Steve is following along. Of course he is. Hanging onto each one of Eddie's words.

"So, the cashier at the record store got all apprehensive about selling me this tape. Which, I guess makes sense because it's a special edition. Comes with a photo card or whatever, but like—Come on, y'know? If he wanted it so bad, he should'a bought it the moment it dropped. Not my fault he slacks on not just his job, but also his opportunities," Eddie rambles. And, that's right, he's complaining about the music store encounter he had today. Trying to buy some album for some band. Steve got lost part of the way through, so he's not sure who exactly Eddie was getting a tape for. The style of music. But he has most of the information. He just—

Has to squint harder.

So, Steve leans in. As casual as he possibly can. And narrows his eyes at Eddie's lips. The word pretty comes to mind again. Because of course it does. And he can't pull his eyes away, no matter how hard he tries. For some reason, the tips of his fingers tingle a little. Wanting to reach out. Trace his lower lip, right where it sticks out, just above the divot of his chin. Would it be soft, he asks himself. Does he wear chapstick? Steve sighs softly. I wish I could...taste it. His eyes widen, just the tiniest bit. But he ignores that in favor of whatever Eddie is saying. If only he could make it out. He leans impossibly closer.

And there it is again. The soft puffs of warm air. On the tip of his nose. His own lips. Tickling his stubble. Eddie's breath smells like weed and strawberry Tab; a little bit of Kraft macaroni and cheese. Maybe the smallest trace of pepper—

"Uh, Steve?" Eddie nervously calls out. But gets no response. Steve is only a couple inches away from his face. Eyes hooded. Glassy. Zeroed in on Eddie's lips. He's not talking. Doesn't even give a hum. Just...keeps staring.

Eddie sucks in a breath. Eyes darting over Steve's face. He doesn't talk again, hoping maybe Steve will stop. But, nope. In fact, the only thing Eddie gets as acknowledgement for the fact he's stopped talking, is that Steve pouts. Upset. As if his lips no longer moving is some great catastrophe to Steve, some tragedy, some misfortune.

And, Eddie, the awful wreck that he is, can only assume that this means one thing.

Steve wants a kiss. And is, maybe, too chicken shit to close the gap.

So, with no other option. And definitely not wanting to get away from the heated, stirring, calm mask of Steve's face—Eddie presses his mouth against Steve's. Hesitantly smushing their lips together. Dragging his lower lip against Steve's soft scowling one.

And he pulls away. Because Steve isn't doing anything in response.

No, in fact, Steve is extremely expressive now.

Wide eyes. Mouth opened into a silent "Oh." His cheeks are flushed. And as quick as it came upon him, whatever realization that was, fades. Like a cartoon character, Steve's face melts into one of pure infatuation. Mouth lilting. His posture slouching. Eyes going soft against the extreme red of his face.

"Do that again," Steve whispers.

Eddie obliges. And he obliges. And he keeps obliging until they're under a cool top sheet, skin slick with sweat and eyes piercing one another's mouths.

That's when, in the silent air of Eddie's tiny bedroom, Steve admits the greatest thing in the world. "I don't really process when people are talking unless I'm looking at their mouth. I have to read their lips. I didn't—I wasn't trying to kiss you at first, but—" And the motherfucker giggles. "If that's all it took..." Then he's kissing Eddie again. Like it's the last thing he'll ever get to do. And Eddie thinks, If I die from running out of breath doing this, then I've done everything in my life correctly.

So, sure, Steve has a huge staring problem. And he doesn't really listen. And it's something he'll never fix, even if there's a way to.

But he finds that his technique—the thing he's crafted since he was a little boy—no longer works. At least, not on Eddie. Because suddenly, looking at his gorgeous pink lips makes Steve only able to think about one thing: Kissing. And he can't follow along unless he fulfills that want.

Eddie could be in the middle of a deep, all inclusive description of his recent trap in the campaign he's crafting. He could be singing. He could be complaining about some movie he rented. But that doesn't matter. Because he stops talking the moment Steve leans in and kisses him. Kisses like he needs it to live.

And though he rolls his eyes. Huffs a breath. Smirks and barrels on. There's that giddiness, that love pooling in Eddie' heart. Just knowing the effect he has on Steve. And the way he's affected, too, when Steve just whispers, "Sorry, I got lost again. Start over?"

He obliges. And he keeps obliging. And his lips are usually swollen by the time he's finally done rambling.

Steve stares. Eddie talks. And it's the combination of a lifetime.

--------

❤️

[copperbadge]

So the ADHD Handbook post struck a chord with a lot of people...

I don't think I have it in me to write the book I suggested, mainly because most of what I want to write about is variable by situation. I can't actually offer a magic formula for getting a good assessment, all I would be able to do is say "Here are the warning signs, here's my personal story, shit's just rough". Which I could do but it'd be basically an entire book of "shrug emoji". The best possible way would probably be to offer it as a workbook, like "Here is a page for you to record every communication with the clinic doing your testing. Here is a page for you to write down possible other approaches to getting your medication if the pharmacy is out." etc.

I do think I might write it as a novel of some kind. Possibly even a novel about someone writing a handbook, I haven't decided. I had a dream last night about the book, in which I saw a woman watching a revolution taking place in the distance, thinking, "This is not what I intended when I set out to write a self-help book." Baller way to start a novel, honestly.

Anyway there were several suggestions for books in the notes, so I thought I'd compile those here. I have read none of these, so I can't vouch for their contents, but I'm including what my readers said about them.

@blogquantumreality linked to How To ADHD by Jessica McCabe, who is a well-known ADHD youtuber (I haven't found her videos super helpful but they're also not aimed at me). @knitsinweirdplaces added "The last section of the How to ADHD book is literally called 'how to change the world' and exactly points out we can advocate for a more disability friendly world that traumatizes ADHDer less in the first place. It's the only book I've read that hits the balance of 'your brain has immutable challenges' and 'these strats may help' right. Bonus, it is inclusive of people who use adhd meds and those who don't/can't."

@theindefinitearticle mentioned "I read how to keep house while drowning recently and it's been much more practical for me in terms of actual usable advice." This book has also come up numerous times during National Clean Your Home Month as a helpful guide to cleaning.

@buginateacup said "The year I met my brain is the only one I've read that actually felt like it was making useful suggestions for living with ADHD."

@cabloom said "iampayingattention on Instagram wrote How Not To Fit In."

@grison-in-space said "Do you have any idea how over the top excited I was when I found I Overcame My Autism and All I Got Was This Lousy Anxiety Disorder?"

@doubleminorforroughing wrote "Please read Devon Price. He wants to tear it all down and I love it." I will add that I don't think I've read Laziness Does Not Exist but I have read Price's shortform work extensively and I think he's been very influential in rethinking how we frame laziness and productivity in relation to both work and neurodivergence, so I can second the recommendation.

[veren-cos]

Bachelors (sdv) x reader on their period

Gender neutral, but purely because of the prompt, afab reader. I'd say everything I write is gender neutral besides the very rare Trans masc reader ☆

Not proofread and I wrote this in like 25 min- I'll update this when I'm less tired.

Harvey

• A literal doctor.

• Is not weirded out like at all. He is all like, "Oh okay! Do you need anything at all?" And moved on with life

• Maybe has a little blush when you first talk about it? It's a completely normal thing at work (and in life), but it's just because it's you that he wants to make sure he handles it well.

• Would probably get you chocolate. And a heating pad. And blankets. And all the things.

• Aka would just spoil you a bit more than normal, periods suck and he knows-

• If you had any like disorder involving you Period he would be extra on top of stuff.

• Will make sure you are well stocked on and properly take pain meds!

Elliott

• Would just absolutely spoil you!

• Runs a bath, gets chocolate, threw your pajamas in the dryer to get them extra warm, heating pad.

• Might give you a massage if they are super painful? Probably would do it regardless but he would definitely offer if he knew that got bad.

• Idk why he knows so much, maybe it's because of Leah? I don't really write about the bachelotettes, but I feel like she would be super open about it so that's why Elliott knows a lot.

• But yeah he'd be super good to you! Would make you food just because. He is great at spoiling people, but not actually great at knowing what to do physically haha. (I think I mentioned in a previous fic where he just makes you soup if your in pain, he would do that here too)

Shane

• So if I just take Shane as a standalone character I don't think he'd know a lot / want to know/ care.

• But!

• Jas. I'm not sure what age she is supposed to be (literally anywhere from 7-12 imo) but I feel like Shane would have read up on Period stuff in preparation.

• So he would actually be more informed than Elliott!

• Now onto the actual stuff lol-

• He wouldn't be super pamper-y like Elliott and Harvey, but he would definitely help around the house more.

• Animals are all taken care of, crops are all watered, took care of some weeds, etc.

• He would also probably be a bit more physically affectionate purely because he knows you like it.

• Might be a bit embarrassed about it at first but after the first one he gets the gist of what to do.

Alex

• Would be relatively informed just because he is a health nut, but also doesn't know what to do because the most important woman in his life is postmenopausal-

• Probably would just give you chocolate and hugs because he knows like. Emotional and cravings.

• If they were super bad he would ask his grandma for help!

• Wouldn't be embarrassed about it! Once again. Health nut. Gets you pain meds!

Sebastian

• Okay. So. Sebastian.

• Literally lives with 2 ladies. Both very strong confident women. He wouldn't be uninformed by any means, but he probably is still awkward around the topic lmao

• Like if you were complaining he would be like "...." "am I supposed to do something about that?"

• AND HE DIDNT MEAN IT IN A RUDE WAY he was genuinely asking. But he just doesn't know and also is an awkward guy?

• Would do the least out of all the Bachelor's. Maybe just be more emotionally available because Period mood swings be rough. Makes more time to talk about things with you.

• Grabs you ibuprofen or Tylenol, whatever you have in the house.

Sam

• So Sam lives with a kind of coddling mom, does not have sisters, so like. His mom wouldn't talk to him about it. He has no 'personal' experience with it.

• Would be the most clueless-

• But he would definitely be like, "oh babe that sucks let me know what I can do"

• Gives you more cuddles, helps on the farm.

• Super enthusiastic about making you comfortable! He makes it into a way bigger deal than it is but he is genuinely curious about stuff so you think it's cute.

• After your first one when your together he is much better prepared / informed so he isn't all over the place.

• Just very cute and well meaning.

An* I hope this was at least a little cute / silly / comforting / whateveryouwantedoutofthis! I base everything off of personal experience because, like, it's all I got- but more people should be comfortable talking about this! It's completely normal and just a basic human function. So if yours is different than what others describe, that's okay! If yours is exactly the same, also okay! Idk where I'm going with this, but there is no shame in having a period, and that's on that!

This also came off way more dramatic than I meant it to be, but I live for the drama so it's okay (this applies to both the fic and the author's note-)

Masterlist

[amazinglyashy]

hi! First of all - i love the way u write omg😭 i basically went through all your posts last evening and today hahah (procrastinating at it’s finest😌) Second - i wanna request a prompt, but i dunno if it’s too close to the one where ‘reader tells the lads boys that she’s too heavy for them’? if so, just ignore this!🫡💗

If not - could you write something about the boys finding out that reader/mc used to have bulimia(/or unspecified ed) and that she’s quietly struggling again, but not telling them? Maybe something angsty/comforting?

Trigger warning - This involves talk about eating disorders. Please use discretion when reading! Oh my gosh, thank you so much!! That means so much, because I used to write a lot years ago but stopped for a long time. I only got back into it recently, so the love I've been receiving has really done a positive number to my confidence. Thank you, lovely <3 I don't think it's possible for me to NOT write this request, because I'm a long time ED sufferer, and I am currently experiencing a harsh relapse unfortunately... You read me like a book, because 'Too Heavy' was a direct reference to that. It's hard, because it's such an invisible problem that oftentimes you suffer alone. Thank you for the request, hopefully I did it some justice, and for you or anyone who may relate to this post. (Also wrote this while listening to Lullaby - Jhameel on repeat. Give it a listen!)

Love and Deepspace Li's find out about your ED (and your current struggle)

Zayne -

The moment he finds out you live with an ED, he's down at the library finding any books he can, and researching as much as possible throughout the hospital and his old college's database.

He's also finding patient testimonials that have been released, so he can find the most compassionate approach that would help you without causing you any more harm than you already are experiencing at the hands of your own mind.

"I found a new restaurant I want to try. Apparently, they make a certain dish really well, I think we should try it together while we go over the latest mission you wished to tell me about."

He knows what you like, so it makes it easy for him to order things to share together places and ensure you're eating.

He will go out to eat every single day if he needs to, that's not any issue to him. Neither is sharing foods or cooking meals that he knows you love, even if they're not particularly his favorite.

He tries not to talk to you much about it, but does his best to be encouraging and nothing more whenever the subject of professional help comes up.

When you start opening up even more to him, he's all ears, and he's exceedingly careful about his choices of words, like he always is, but even more so now. The last thing he wants is to speak a trigger, especially when he's so focused on helping you get better.

He knows it never truly goes away, your disorder. But that's not an issue. It's more... a fact of being with you. And just like you take his problems and disabilities, he will take every single one of yours as well.

In stride, and with love.

Xavier -

He caught on, mostly because he found it strange that one moment you had eaten every single snack in the cupboard, and the next he heard, you hadn't eaten anything all day. He was wondering if it was something he was just unaware of, but-

Quickly finds out what exactly is going on after a few times of this happening. He was worried it was some strange habit, and now he's even more worried finding out it's been something you've been dealing with for quite a while.

He's upset, to say the least. But he'll keep that to himself.

He just wants to help you now.

He'll ask if there's anything that you feel like sharing with him on how to best help you, and there's definitely a note somewhere on his phone with a list of things you told him. If he can do any of them daily, he will. Anything else is always on his mind.

He doesn't let it get in the way of your day to day, though. You still play games together like normal, read together, and go the arcade whenever you both have the opportunity to win some more plushies for your hoards. He's always conscious about his own comments and behavior, but he doesn't ever let it seem like he's keeping an eye on you or trying to supervise you.

The tightrope of trusting you and helping you deal with your disorder is a thin one, and Xavier dances along it with grace.

No matter what, being around him is a comfort. Whether you're having a good day, or a bad day.

Sylus -

He's pretty internally frustrated when he first find out about it, but he doesn't let it show.

It has nothing to do with you or anything you did. He's just used to... having everything under control. For every problem to have a solution solved easily with money, force, or some compassion.

This is something he can't control.

And he hates it.

Aside from that, Sylus is like a light in the dark.

He had a list of trusted professionals to help you, should you want, and multiple of them at that- just in case you don't feel comfortable with the first one or three.

Any food you genuinely like to eat is available at all times, it does not matter if it is three in the morning. Are you wanting it? Nice, it's right there on your plate.

The frequency of which you see him increases, including the twins, despite both situations being... vastly different.

Where he takes you out for dinners at new and gorgeous restaurants, including ones feature in your favorite media or having special events for a game you like- the twins are throwing bags of snacks at you and yelling at you to throw pieces into their mouths and so they can do the same to you.

You will learn Sylus did not ask them to do this, in fact he explicitly told them not to do that.

It's pretty obvious though, they were worried about Sylus. And not just him, but you too.

Probably because of how much Sylus has been concerned about you, even if just in secret.

He doesn't want his feelings to make you feel anything but loved, so prepare for a speech the second you feel any kind of guilty. You're not getting out of this one.

Not until you know how much he cares about you, no matter what.

Rafayel -

The way he treats it is extremely encompassing. The way he sees it, is if you're sad or not doing too hot mentally, it's going to affect every part of your brain, including the parts that make you feel the way you do with your ED.

Driving you somewhere? He's playing upbeat music pounding out of the speakers of his sports car, singing along goofily or making up new words. You haven't eaten in a long time? Too bad, suddenly he's hungry and wants a snack. In fact, he wants a snack every couple of hours. If you binged and feel like dying, he'll be offering you water and any distraction he can to get your mind off of your appearance or the guilt of your binge.

He will spend more of his own free time at the gym if he needs to to work off any extra weight he gains just to help you eat, if eating with him is what helps you and he doesn't want you to see him change and feel guilty over it. He doesn't care.

Constant, constant praise with him. It is not about your appearance, unless it's something you can change. Clothing you picked out, the way your makeup looks today, a hairstyle you did to yourself, etc. So many compliments on your achievements or work, all with a sweet smile across his face.

If it's really bad, he'll paint you gorgeous works in different sizes, that are conveniently perfectly sized to display directly over any mirrors in your apartment.

Whatever you need, he's on it.

He'll be there for you no matter your highs or your lows.

[cripplecharacters]

Disabilities that You Should Consider Representing in Your Writing More… part 1

[large text: Disabilities that You Should Consider Representing in Your Writing More… part 1]

While all disabilities are underrepresented in basically all sorts of media, it’s hard to not notice the trend in what disabilities make up the majority of representation. It’s especially visible when having a blog like this, where we can see what disabilities writers even consider including in their writing, and which ones never come up.

One in four people are disabled. With eight billion people alive it means there’s a lot of disabled people, and a lot of reasons why they are disabled in the first place - but this diversity is rarely represented, even on this blog, and anyone who has been following for a while has probably noticed that fact.

To be blunt: there are disabilities other than “amputee” and “(otherwise invisibly disabled) mobility aid user”. Does that mean that it’s wrong to write either of those? Of course not, and we don’t want to imply that it is. Does it mean that either of these have a ton of good representation? Hell no. Does it mean that when you are deciding on what to give your character, you should think beyond (or along! people can be multiply disabled!) just those two? Absolutely. Disability is a spectrum with thousands of things in it - don’t limit yourself for no reason and embrace the diversity that’s built into it instead. 

This is, simply, a list of common disabilities. This is just a few of them, as this is part one of presumably many (or, at least three as of right now). By “common” we rather arbitrarily decided on “~1% or more” - so at least 1 in 100 people has the disabilities below, which is a lot. Featuring!: links that you should click, sources of the % that are mostly just medical reports and might be hard to read, and quick, very non-exhaustive explanations to give you a basic idea of what these are. 

Intellectual disability (about 1.5%) Intellectual disability is a condition we have written about at length before. It’s a developmental disability that affects things such as conceptualization, language, problem-solving, or social and self-care skills. ID can exist on its own or be a part of another condition, like Down Syndrome, Congenital Iodine Deficiency, or Fetal Alcohol Spectrum Disorders. This post covers a lot of basic information that you might need. We have an intellectual disability tag that you can look through!

Cancer survivors (5.4% in the US, about 0.55% worldwide) A cancer survivor is a pretty self-explanatory term. There is a lot of types of cancer and some of them are very common while others are very rare, which makes this a very diverse category. Cancers also have different survival rates. While not every survivor will have disabling symptoms, they definitely happen. Most of the long-term side effects are related to chemotherapy, radiation, and other medication, especially if they happened in children. They can include all sorts of organ damage, osteoporosis, cognitive problems, sensory disabilities, infertility, and increased rate of other cancers. Other effects include removal of the affected area, such as an eye, a spleen, breasts, or the thyroid gland, each of which will have different outcomes. Cancer, and cancer treatments, can also result in PTSD.

Diabetes (about 8.5%, ~95% of that are type 2) Diabetes is a group of endocrine conditions that cause hyperglycemia (high blood sugar) for various reasons depending on the type. The vast majority of people have type 2 diabetes, which can cause fatigue, poor healing, or feeling thirsty or hungry. A diabetic person will use insulin when needed to help manage their blood sugar levels. There are many complications related to diabetes, from neuropathy, to retinopathy, and chronic kidney disease, and there's a lot of disabilities that coexist with diabetes in general! You might want to check out the #how to write type 1 diabetes tag by @type1diabetesinfandom!

Disabling vision loss (about 7.5%) Blindness and low vision are a spectrum, ranging from total blindness (around 10% of legally blind people) to mild visual impairment. Blindness can be caused by countless things, but cataracts, refractive errors, and glaucoma are the most common. While cataracts cause the person to have a clouded pupil (not the whole eye!) blind eyes usually look average, with strabismus or nystagmus being exceptions to that fairly often (but not always). Trauma isn't a common cause of blindness, and accidents are overrepresented in fiction. A blind person can use a white cane, a guide dog or horse, or both. Assistive solutions are important here, such as Braille, screenreaders, or magnifying glasses. We have a blindness tag that you can look through, and you might want to check out @blindbeta and @mimzy-writing-online.

Psoriasis (about 2-4%) Psoriasis is a chronic skin condition with multiple subtypes; it can cause intense itching, pain, and general discomfort, and often carries social stigma. It’s an autoimmune and non-contagious disability that affects the skin cells, resulting in raised patches of flaky skin covered with scales. It often (30%) leads to a related condition, psoriatic arthritis, which causes joint pain, tenderness, and fatigue, among other things.

Stroke survivors (0.5-1%) A stroke survivor is a person who has survived any kind of stroke (ischemic, hemorrhagic, etc.). While the specific symptoms often depend on the exact location on where the stroke happened, signs such as hemiplegia, slurred speech, vision problems, and cognitive changes are common in most survivors to some degree. When someone has a stroke as a baby, or before they are born, it can result in cerebral palsy, epilepsy, and other disabilities. We have a brain injury tag that you can look through!

Noonan Syndrome (about 0.1-1% - mild is 1%, severe 0.1%) Noonan Syndrome is a disability that is almost never mentioned in any context, but certainly not around the topic of writing disabled characters. It’s a congenital condition that can cause cardiomyopathy, chronic joint pain, hypermobility, short stature, facial differences such as ptosis, autism, and various lymphatic problems among other things. Some people with Noonan Syndrome might use mobility aids to help with their joint pain.

Hyperthyroidism (about 1.2%) Hyperthyroidism is a condition of the endocrine system caused by hormone overproduction that affects metabolism. It often results in irritability, weight loss, heat intolerance, tremors, mood swings, or insomnia. Undertreated hyperthyroidism has a rare, but extremely dangerous side effect associated with it called a thyroid storm, which can be fatal if untreated.

Hypothyroidism (>5%) Hypothyroidism is an endocrine condition just as hyperthyroidism is, and it causes somewhat opposite symptoms. Due to not producing enough thyroid hormones, it often causes fatigue, depression, hair loss, weight gain, and a frequent feeling of being cold. It’s often comorbid with other autoimmune disabilities, e.g. vitiligo, chronic autoimmune gastritis, and rheumatoid arthritis. Extreme hypothyroidism can also be potentially fatal because of a condition known as Myxedema coma (or “crisis”), which is also rare.

Deafblindness (about 0.2-2%) Being DeafBlind is often considered to be an extremely rare disability, but that’s not really the case. DeafBlindness on its own isn’t a diagnosis - it can be caused by a wide range of things, with CHARGE syndrome (congenital), Usher syndrome (born deaf, becomes blind later in life), congenital rubella, and age-related deafness and blindness being some of the most common reasons. DeafBlindness is a wide spectrum, the vast majority of DeafBlind people aren’t fully blind and deaf, and they can use various ways of communication. Some of these could be sign language (tactile or not), protactile, the deafblind manual, oral speech (aided by hearing aids or not), the Lorm alphabet, and more. You can learn more about assistive devices here! Despite what various media like to tell you, being DeafBlind isn’t a death sentence, and the DeafBlind community and culture are alive and thriving - especially since the start of the protactile movement. We have a DeafBlindness tag that you can look through!

It’s probably worth mentioning that we have received little to no asks in general for almost all the disabilities above, and it’s certainly not due to what mods answer for. Our best guess is that writers don’t realize how many options they have and just end up going for the same things over and over.

Only representing “cool” disabilities that are “not too much while having a particular look/aura/drama associated” isn’t what you should aim for. Disabled people just exist, and all of us deserve to be represented, including those whose disabilities aren’t your typical “cool design” or “character inspo”. Sometimes we are just regular people, with disabilities that are “boring” or “too much”, and don’t make for useful plot points.

mod Sasza (with huge thank yous to mod Sparrow, Rot, and Virus for their contributions with research and data!)

[macgyvermedical]

Reference Guide to Writing Drug Withdrawal

So your character has a substance use disorder (or physical dependence to a substance for another reason). This post will tell you how to write a scene (or story) in which they go through withdrawal.

NOTE: THIS POST DOES NOT INTEND TO COVER ANYTHING EXCEPT WITHDRAWAL, WHICH IS A VERY SMALL PART OF SUBSTANCE USE DISORDER AND PHYSICAL DEPENDENCE.

Substance Use Disorders and Physical Dependence:

Substance use disorders are chronic illnesses in which a person continues to use a substance (commonly nicotine, alcohol, cocaine, opioids like heroin or fentanyl, benzodiazepines, etc...) even when acquiring or using the substance can be dangerous or cause significant problems in their life (such as problems with money, safety, law enforcement, job security, child services involvement, or physical problems like wounds, infections, side effects, hangovers, and withdrawal). Substance use disorders are a common cause of physical dependence.

Physical dependence is also it's own problem and can occur for other reasons too. For example, many people take prescription medications that they would go through withdrawal from if stopped abruptly (say, because the pharmacy couldn't fill it in time and they ran out). Assuming that the medication is being taken as prescribed, physical dependence in itself does not mean someone has a substance use disorder.

So what is withdrawal? Withdrawal (sometimes called "detox") is the process by which a body stops being physically dependent on a substance. Generally speaking, it is unpleasant. This is because when a body is exposed to a substance repeatedly, it changes how it functions to accommodate that substance. When the substance is removed, there is a period of time where the body has to re-adjust to not having the substance.

For example, alcohol is very similar to the neurotransmitter (brain chemical) GABA. If you drink a lot of alcohol (more than about 4 drinks per day) for longer than about a month, the body decreases the amount of GABA it makes naturally to accommodate the "fake" GABA from the alcohol. If the alcohol is suddenly removed, the body doesn't have enough GABA, and the effects of not having enough GABA result in withdrawal symptoms.

The difference being, someone taking a medication they no longer want to take can slowly reduce the dose to minimize withdrawal symptoms. Someone with a substance use disorder usually finds cutting back nearly impossible. Because of this, managing physical dependence in someone with substance use disorder generally means giving them a similar substance which they get from a pharmacy and take continuously (methadone, buprenorphine), or a similar substance they can then taper off of in a controlled way (benzodiazepines, gabapentin).

Specific Withdrawal Syndromes:

Alcohol/Benzodiazepines:

These are the only two substances that result in a potentially life-threatening withdrawal syndrome, and it's essentially the same syndrome. As stated above, when taken for either 2 weeks for benzodiazepines or 4 weeks for alcohol, the body decreases the amount of GABA it produces naturally. GABA is the "brake pedal" in the brain, slowing things down and decreasing the amount of activity. If you don't have enough GABA, you get too much activity, which can result in severe anxiety, insomnia, seizures, hallucinations, high blood pressure, temperature, and pulse rate, heart arrhythmias, and confusion.

6-12 hours after a person's last drink, they will experience insomnia, anxiety, tremors, and headache.

12-24 hours after a person's last drink, if untreated with benzodiazepines or gabapentin, they may start to experience hallucinations (they typically know they are hallucinating at this point).

24-48 hours after a person's last drink, if untreated, they may start to experience seizures.

48-72 hours after a person's last drink, if untreated, they may start to experience a severe symptom known as delerium tremens. This is a state where they are hallucinating severely and they don't know they are hallucinating anymore. This is also a state where the person has heart rhythm problems that could result in death. This is the most dangerous period during withdrawal.

If a person makes it through 72 hours, they are usually in the clear as far as life threatening symptoms go, though they may experience mild symptoms like headaches and insomnia for long periods afterwards.

Note that medication for alcohol or benzodiazepine withdrawal like other benzodiazepines, phenobarbital, and gabapentin are given only for the first 5 days of withdrawal, tapering to lower doses each day. This gets the person through the dangerous part hopefully with no life threatening symptoms. It does not mean all symptoms are controlled, but they are hopefully kept on the milder end while the brain learns to make it's own GABA again.

Opioids:

Opioids include a range of drugs including prescription medications like oxycodone, hydromorphone, and morphine, as well as street drugs like heroin. Today, the street drug supply in many places is heavily adulterated. Many samples of heroin (and even "pressed pills" made to look like prescription opioids) contain the much stronger opioid fentanyl (which increases risk of overdose) and the sedative xylazine (which causes wounds) in addition to the expected heroin or oxycodone.

Opioids work by pretending to be endorphins- another neurotransmitter usually used by the body to reduce pain and stress. Similarly to GABA in alcohol use, the body reacts to having sustained high amounts of fake endorphins by decreasing the amount of endorphins it makes itself. This means, when the opioids are no longer present, the body can't make itself feel good or recover from pain.

There are many parts of the body that endorphins work in, including the brain, gut, nerves, and spine. When they are removed, symptoms include:

Nausea and vomiting.

Diarrhea.

Insomnia.

Anxiety.

Increased body temperature.

Racing heart.

Muscle and bone pain.

Sweating.

Chills.

High blood pressure.

There is not really a universal timeline for these symptoms like there is with alcohol. For someone who primarily uses short-acting opioids, withdrawal begins 8-24 hours after the last use (though anxiety and cravings can start much sooner). For people who primarily use long-acting opioids, withdrawal can take up to 36 hours to begin following the last use. Generally, symptoms peak within 1-3 days after they start, and acute symptoms last 10-14 days.

Unfortunately, someone who has an opioid use disorder will frequently experience cravings for very long periods of time (potentially the rest of their life) after they stop use. For this reason, people do significantly better at reducing or stopping use over the long haul if they are taking an opioid replacement drug like methadone or buprenorphine.

Methadone and buprenorphine are prescription medications that a person goes somewhere each day to get (methadone) or picks up each day from the pharmacy (buprenorphine). The drugs essentially make it so the person won't go into withdrawal and will have significantly fewer cravings for as long as they take the drug.

The management of opioid withdrawal is usually done by switching the person from a street drug to one of these opioid replacement drugs. However, it is important to note that methadone doesn't work immediately (usually it takes about 2-5 days of titrating it up to get it to a high enough dose to work, longer if the person has a very high tolerance). Buprenorphine requires a certain amount of time in withdrawal (usually a day or two) before it can be given, or it can make withdrawal worse instead of better (something called precipitated withdrawal).

Once someone is on one of these medications, they can choose to stay on them (recommended) or taper off (nice to be off meds in theory, but high rates of return-to-use).

Cocaine/Amphetamines:

Instead of pretending to be a neurotransmitter, stimulants like cocaine and amphetamines prevent the body from re-absorbing the neurotransmitter dopamine, leading to a whole bunch of it hanging out in the brain. This increases concentration and energy and boosts mood. However, taken over long periods of time, the brain kind of burns out and fails to respond to the high levels of dopamine.

You may have heard that amphetamines and cocaine don't have withdrawal states. That would be a myth. People who use stimulants repeatedly for long periods frequently have a withdrawal that is essentially the opposite of the effects of stimulants- they feel very tired, have trouble focusing, and feel depressed because their brains can't use dopamine the same way they did before the drug use. This may last for weeks after cessation of stimulants.

Unfortunately, unlike with alcohol and opioids, there's not a ton that can be done for this withdrawal. There have been several studies, including testing medications like the antidepressant mertazapine, the migraine medicine topiramate, as well as naltrexone and buproprion (also an antidepressant).

In Conclusion:

There is so much more to drug use, substance use disorder, and physical dependence than I am covering in this post. I am just covering a small part of physical dependence, however the cause, by discussing the effects and common treatments for withdrawal.

Thank you all for reading this far! I hope you learned something and will use it in your writing!

[ghost-with-a-teacup]

Hiii LOVE your fic 🫶🏻! I was wondering if you could write a fic where everything that happens in the chase scene, happens to fem!reader but Miguel actually catches up to her & kinda knocks her down. He begs her not to do this, to stay down. As she gets up she asks him if any of it was real, he says it was and still is. He tells her that he thought that if he pursue her romantically then she would accept her dad's fate & wouldn't go against him (of course it doesn't work) she says she can't do that & escapes. He loses it a little & starts destroying everything & makes it everybody's mission to find her

Just pure angst 😭 I'm sorry if this is a lot

𝐅𝐨𝐫 𝐓𝐡𝐞 𝐒𝐚𝐤𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐌𝐮𝐥𝐭𝐢𝐯𝐞𝐫𝐬𝐞

Pairing: Miguel O'Hara x Reader

Summary: You finally understand the true purpose of the Spider Society; protecting the canon, protecting the multiverse even at the cost of all the Spiders' suffering. But you were going to stop at nothing to find your way home, though Miguel isn't keen on letting you go.

Warnings: Angsty, Miguel gets angry.

“Miguel…what are you doing,” you ask softly, still not wanting to believe what you were seeing. All around you, members of the Society began closing in, caging you in an inescapable circle.

You didn’t want to accept it. That all these people, the ones you have grown to call family would turn their back on you in the blink of an eye. Or rather an order from their leader.

“I can’t let you leave, mi vida,” he says, eyes apologetic but unrelenting.

“What is the purpose of this place, the true purpose of this place Miguel,” you ask, your voice hardening. You had always believed when Miguel first recruited you it was to act as Spider-Man across the multiverse, no longer limited to your own hometown. But it seems there was some other agenda you were made unaware of.

He hesitates for a moment before exhaling lowly, eyes boring into yours.

“The Spider Society…was created to protect the canon of the multiverse. To ensure that in each world the events progress as they should,” he explains as the world disappears around everyone, replaced with holograms of a complex web.

“I don’t understand, what does that have to do with me saving my father?” you ask, and he winces.

You were never supposed to see the hologram and the message that followed it, you realize now. But you had snuck into the monitoring room, carrying a lunch of all of Miguel’s favourite foods when you saw it.

A hologram of your father going about his day, the message ‘Canon Event Detected. Time: 2 Days’ followed by the words ‘Soon to be Deceased’.

You thought it was some sick joke, some prank a cruel spider thought to play on you. But when you asked Miguel about it he refused to make eye contact with you, and that’s when the intervention began.

“Your father dying, is a canon event,” he says. “Just like how every person in this room undergoes their own canon events, their own version of loss. It's what ties every person in this room together in the web that makes up the Arachno-Humanoid Polymultiverse,” he explains, and you only grow more confused as he acted like that explanation justified any of this.

“So you’re saying you know that some of the most important people in every Spider’s life will die, and you just let it happen?” you ask, in disbelief at the blatant cruelty.

“It must happen, to ensure that life continues. That it doesn’t disintegrate into nothing…like how my universe disappeared.”

You only shake your head, taking a step back as your breath becomes slightly unsteady.

“You’re saying that our job here is to make everyone suffer, because of something that you fucked up a long time ago?!” you say, and his eyes narrow at you. It was harsh, but it was true. Perhaps the cumulation of disordered events could destroy a universe, but there was no way of proving that slight changes would hurt anything.

Scientific fact arises through countless hours of testing and experimentation. One result that happened one time shouldn’t dictate what the conclusion will be.

“You can’t tell me not to save my father, Miguel! I can’t just let him die if I can do something about it,” he says, and a look of pity washes over his face as he walks closer to you, but you take a step back.

“All this happens for a reason, these canon events allow us to become who we are, even if it hurts,” he says gently. And even though you hate to say it, it soothes you. His voice always has.

So much so, that you let down your guard for a single moment. Allowing him to come close and slip the watch right off of your wrist.

“No!” you say, trying to take it from his grasp but he was too fast. “How am I supposed to go home?”

“You won’t,” he says in turn.

“I’m sorry,” a voice cuts in from behind you. Jess, with a sympathetic look in her eyes. “I know it's hard, but it's for the greater good.” Looking around, you see all your closest friends surround you, but against you.

“Even you, Peter?” you ask softly, and he only glances away with guilt.

“2 days? That’s plenty of enough time, I’ll get home one way or another,” you say, glaring at Miguel.

“I can’t let you do that,” he says before he tosses a trap right at your feet. Before it can work, you use your telekinesis to throw it back, trapping him instead.

“STOP! ENOUGH OF THIS!” Miguel shouts. It was the first time in your life you had ever heard him shout, and frankly, it scared you as you watch him try to claw his way out.

Everyone immediately starts to move in on you, but you throw your arms out casting a force field that throws everyone back.

Leaving an opening for escape.

~

Running from hundreds of different spiders all on the hunt for you was not easy. It doesn’t make you feel very superhuman when all that are chasing after you were also superhuman, and quite frankly you were exhausted.

Not only physically, but mentally as well. The whole situation was taking a toll on you even if you were trying to shove it to the back of your head.

Luckily everything served as a pretty good distraction for the pain your heart was in.

“You can’t keep running,” Jess says as you leap from car to car on the freeway, tailing behind you on her motorcycle.

“What choice do I have?” you say, though your voice cracks. You see her determined expression falter. You and she grew close soon after you joined the Society, she was truly one of your best friends.

But best friends don’t keep things from each other, especially things as important as the supposed ‘cause’ you were all working for.

You notice her hesitancy, and that’s when you strike. Kicking her off her bike, you pin her to a car with your webs as you snatch the watch from her wrist.

“I never wanted to hurt you,” she says, looking up at where you hung from the vehicle, sadness in her eyes.

“You already did,” you say before swinging away.

~

You were very quickly running out of options for escape. Even with the watch, you couldn’t find an opening to program the watch for home.

As a last resort you latched onto the roof of the high-speed bullet train of Nueva York headed toward the skies, hoping that the force of gravity paired with the speed would at least stall some of the spiders off of your trail.

But before you could realize it, Miguel was very quickly on your tail until finally, he grabbed ahold of you, slamming you down into the roof as you yelped out in pain.

“STOP THIS!” he shouts, straight into your face. He doesn’t even take his mask off as he does, making the whole situation seem even more impersonal. You could only scoff in his face before the hurt overwhelmed you, and you spoke before you could stop yourself.

“Was any of it even real?” you ask softly, tears welling in your eyes as you do. Miguel looks taken back for a moment, eyes widened in surprise as his grasp falters for a second.

“What?” he asks.

“Was any of it real?!” you say louder this time. “Those times when you held me in your arms as I cried, the times when you kissed me in the kitchen as we made dinner together, or when we danced in the living room at night. When you said ‘I love you’ for the first time, was any of it even real?” You say as you feel the anger rise.

“Or was it just some kind of sick way of keeping me under your thumb because I’m the 'original anomaly’, to keep me from going against the canon and your sick agenda that you force everyone else to suffer?” you say, your voice loud now as you struggle harder against his grasp.

“It was real...in the end,” he admits, and you feel your expression drop. You wished that this was all some horrible nightmare, that you would wake up and this would just be in your head and he would hold you like he always did.

But deep down you always knew.

Knew that you loved him more than he did you, that this relationship was built on a lie. But you ignored it for the sake of your fragile heart, and here it is getting shattered all over again by the one person in this life you thought you could trust.

“We’re done, Miguel,” you say, resigned at last.

“Huh?” he says, as though he couldn’t believe your words even after everything you had been through.

“I said we’re done,” you say before you kick him straight in his stomach, launching him off of you so that he has to claw his way back onto the roof.

“Goodbye, Miguel,” you say, before you take a leap backwards, flying through the sky for a few moments until you open up a portal back home.

~

Miguel shouts in frustration as he marches back into the monitoring room, rage radiating off of his form in waves.

In his anger he shoves everything in his path out of the way, talons scratching into the walls as the rest of the Society surrounds him, awaiting his next orders.

Finally, he manages to calm down enough to utter out a single phrase.

“Find her, for the canon…for the multiverse,” Miguel says as guilt creeps in like vines around his heart at his lost love.

Taglist: @beiroviski, @scaraza, @blueoorchid, @remuslupinwifee, @local-mr-frog, @johfaam0, @rawegggohan, @honeycriess, @alexenoirex, @chimpkinnuggies, @rqdior, @banana—belle, @notasadgirlipromise, @6billionyearsold, @gods-perfectidiot, @ieatmunson, @honeii-puff, @wh0re4zaynmalik, @toplinehyunjin, @ohworm-writes, @ishii03, @snowywhiterose

A/N: Could you believe I was going to post fluff today? Crazy how life gets in the way sometimes, but hey, managed to get this fic out lol. Sorry, I know I'm the fluff writer and all but angst just hits sometime :3

[scribblesofagoonerr]

— What if I'm not good enough, anymore?

pairings: beth mead x reader, vivianne miedema x reader

summary: reader has self doubts that she won't be as good as she was when she makes her return to the pitch.

Warnings: heavy angst, talks of mental health and a minor eating disorder.

Okay, I won't lie. This was, well this was hard to write and there was a lot of tears throughout because its' a little too close to home right now with things going on, but you guys wanted it, so here we go.

Let me know what you think!

"What if I'm not good enough now?" The thoughts spiral through your brain.

It's your number one fear. It's the thing that keeps you up at night, lying awake with those thoughts plaguing your mnd.

You know you shouldn't be thinking about things like that, but your mentality of your injury was overshadowing the physical rehab your still yet to get the greenlight for yet.

Would you be good as you were when you come back?

Sure you've watched each of the girls come back from their injury and make a return to the pitch, some of them a bit more rockier than usual, but now they're striving and you can only hope that your own journey will be as smooth sailing.

Your impatient though, both incredibly and insufferably impatient.

It's a downfall that has come back to bite you in the ass, one too many times previously.

Could you blame your dad for that though?

Growing up, hes' only ever pushed you. Pushed you to push through the pain; Your dad was an impatient man himself, one with a temper and he didn't believe that letting you rest was the best thing sometimes.

The first few months of your recovery after your surgery felt long, all you felt was agitation and more so frustration not being allowed to do things that you once took for granted.

You really did hate depending on those around you, you felt like a constant burden despite that fact that all the girls kept on reassuring you that you weren't, but in the back of your mind, you always thought different about it.

The one thing you never realised would be as hard would be the mentality of it all, the physical pain was tiresome and therefor, your mental health was taking a battering rapadly.

"You okay, kid?" The familiar voice of your team mum speaks up to get your attention.

Your too wrapped up in your thoughts to barely even hear her, "M' fine,"

"You sure? You seem quiet-- What is it, does your knee hurt? Do you want another pillow?" Beth tries to offer her help, assisting you with whatever you need.

"I'm fine, Beth!" You shout loudly.

You hadn't meant to snap at Beth of course, but your emotions got the better of you and your temper has always been your worst enemy, amongst other things.

"O... Okay," Beth is taken back by your sudden burst of anger. "Well, you know I'm just through the kitchen if you need me, okay?" She reassures you.

"Mhm," You barely acknowledge her precense, choosing to stare blankly at old episode of Bones you'd put on to try and disract your mind.

You wanted to retreat to your bedroom, but after the last time where you remembered the staged intervention with a certain blonde english skipper, you thought against the idea of that.

So for now, you'll just sit on the sofa, wallowing in self-pity and get attached to fictional characters whos' deathes are inevitable.

"Have you noticed that Y/N is uh..." Beth whispers, hesistant for you to overhear her from the other room.

"Distant?" Viv guesses straight away.

The blonde furrows her eyebrows and nods in slow motion, "Well, yes, uh and a bit snippy as well. Should we talk to her?" She wonders, trying to figure out the best approach to talk to you.

"It's probably a good idea--" Vivs' agreement is cut off.

"You know I can hear you guys, right?" You make your voice known, of course you knew they would be whispering about you.

After all, your not a complete moron to not hear it.

"Y/N," Viv begins to speak.

"I don't like it when you talk about me like that!" You uneasily stand up on your feet, going to move towards the direction of your bedroom for a bit of peace and quiet.

"At least use your crutches!" Beth shouts aloud, gesturing to the item that is currently the bane of your life.

"Bite me!" You respond, scowling at them as you shuffle slowly past, trying to withhold from wincing at the sudden shooting pain in your knee.

At least you do a good job to hold your tears back until your in the confindments of your own bedroom, comforted with the blanket that you can wrap around you and try to block out the rest of the world.

As soon as you got the go-ahead from the doctors to start your rehab at the training grounds, you were virtually jumping for joy.

At least you was on the outside; Inside on your head, it was a completely different story. You were battling your own inner feelings of doubt.

Of course from the minute you'd been allowed back in the gym, every single of your team mates were more than supportive of this step forward in your recovery.

They all knew you'd been finding it difficult, and sure enough most of them had even got the brunt of your anger.

Starting out with your rehab process, you had to start with light excercises but in your head that didn't feel good enough.

You want to be out there on the pitch already, you hate the fact that the healing process is taking so long.

You didn't feel it was fair at all, why won't your stupid knee just heal already?

"You've got this, Y/N!" One of the pyshios' encourage you to keep going with the current training excercise, something so simple felt so hard to you now.

Viv smiles encouringly as she cheers you on from the sidelines, "You're doing great kid." She states.

"Keep pushing!" Leahs' right there beside her, her voice gentle but still managed to hold a firm tone in a way to keep you going.

"You can do this, kid!" Beth chimes in, trying to keep her own tears of happiness at bay as she watches your journey to recovery step that step forward. "We're so proud of you!"

Tears of frustration were visable, even the simplest of tasks felt so gruelling; There were even times whether you questioned if you wanted to hang your football boots up, but that was an easy way out.

Football is your life and its your passion, you'd be gutted to do that.

You had to push forward, you had to do better. You had to be better!

If only it was that simlpe, right?

Nobody warned you off the setbacks in the journey. You had to figure that one out yourself, even the slighest knock and it was a step backwards.

It always seems to be one step forward, two steps back.

You shouldn't have pushed yourself, you should have known better, but of course, your stubborn streak let you down.

In your own opinion, your recovery wasn't going as quick as you wanted it to. So you took it upon yourself to train extra hard in the gym, sure it was difficult under the watchful eye of the older girls' as they wanted to make sure to not let you overdo it, but you had your ways.

Making excuses and staying late at the training grounds once the team had all gone, pushing yourself to the extreme - Unaware of just how much damage you'd be putting yourself through.

Damn stupid knee injuries.

It works to keep your extra training sessions a secret, at least for a while, until one night when your caught red handed, by no other person that the stern blonde English skipper, so just so happens to have come back to pick something up that she'd forgotten.

"Y/N?" You recognise that all too familiar voice all too well, having been on the recieving end of a few lectures.

You freeze in your spot on the treadmill, which isn't very safe in itself, "Shit-- It's not what it looks like!" Your quick to protest.

"Oh? So your not overworking yourself in the gym then, hm?" Leah quirks, raising an eyebrow.

"No, well, uh yeah. I guess?" You stutter your words, knowing you've definitely been caught out now.

Leah can't help but chuckle amusedly, "You guess?"

"I, uh... Look I know it looks bad, but I needed to do this, Le." If you've been caught out then you're at least going to try and fight your reasoning for it, even if she doesn't believe you.

Judging my her facial expression, the blonde definitely isn't fooled.

"Come on. Lets' go, baby England," Leah motions you to follow her, holding out her hand for you to take.

Furrowing your eyebrows, you shut the whirring treadmill off and gingerly look at her, "Why-- Where are we goin'?" You ask.

"Well first I'm taking you for something to eat and then I'm taking you home, its' already been a long day," Your English Captains' quick to tell you, although before you have chance to protest, she continues to speak. "And you shouldn't be pushing yourself anymore than you already are, alright?" She states.

"But..." You still try and protest against the idea.

"No buts, I know you haven't eaten much, buddy," Leahs' firm voice interjects, still continuing to hold her hand out for you to take. "Come on. Grab your stuff and lets' go,"

You should have known it would only be a matter of time before you were caught out.

How could you be so careless, though?

You didn't think you not eating enough would be that noticeable, but apparently not.

Begrudingly, you step off the treadmill and clutch onto her hand to steady your uneasiness coming off it, "Are you going to tell Beth and Viv about this?" You ask, cautiously.

"I have to," Leah replies in agreement.

"Why?" You fight the urge to whine, even if makes sense for them to know, you wish they didn't have too.

"You can't push yourself, kiddo. You know how serious this injury is!" Leahs' firm voice makes a return, not missing the chance to make it known how much of a bad decision this was for you to make.

You know it looks bad, you do but yet you still couldn't help yourself.

You wanted to get better. You wanted-- No, you needed to do better.

"But I'm so fed up, Le," You grumble, walking in the direction of the changing room to grab your stuff. "Why... Why won't it just fuckin' heal already?" You don't mean to swear, you've never been one to use colourful language, but your frustration is at it's brink right now.

"Whoa, easy on the language there, buddy," Leah jokes, chuckling as she wraps her free arm around your shoulder. "Listen, I know your frustrated, but its' going to take time and you know this. You can't rush it, or you'll make it worse!" She states, firmly.

"Stupid knees' injuries suck," You murmer, gathering your stuff together before you make the exit from the training grounds.

Leah chuckles as she unlocks her car, gesturing for you to climb in the passenger seat, "Yep, yes they do," She agrees with you.

"I just want to be out there on the pitch already," You admit, slumping down into the seat once you have buckled yourself in.

The blonde smiles sympathetically at you, understanding your frustration, "That day will come, but for now, you've just gotta trust the process and let your body heal," She pauses before she continues. "I know you don't like it and all, but you have to just be patient this once, buddy."

"Even if it takes forever?" You resist the urge to groan and throw your head back.

"Even then, because it'll be worth it when you make your return to the game," Leah promises you with a gentle tone of voice.

"Yeah, but, what if..." Your sidetracked from what you are going to say, trying to not spiral into your dark thoughts once again.

"What if?" Leah furrows her eyebrow.

You swallow the lump that forms in your throat, "What... What if I'm not as good as I was before I got injured?" You confess the fear that's been plaguing your mind for god-knows how long.

Leah looks at you concerned, "You don't know how its' gonna be, but what I do know is that whatever happens, we're all behind you," She promises you as she gives you a kind smile and gently squeezes your good knee. "The day you eventually do return to the pitch, you're damn sure we'll all be there cheering as loud as we can," She promises you.

"Even if you're on the pitch as well?" You can't help but giggle.

Leah proudly nods in agreement as she grins, "Hey, I'll personally stop the game just to welcome you on the pitch, baby England." The blonde winks playfully at you from where she sits in the car.

"Your silly sometimes, Le," You mumble, finding it hard to take the blonde serious in this very moment.

"I know you're all up in your head about this, but it's going to be okay," Leah words stick firm in your brain as you smile. "Your not alone in this journey, you're never alone. We've got you." 

© scribblesofagoonerr

[howlsofbloodhounds]

Can you talk more about the fandom's ableism with Ink and Killer??im quite curious!/gen (reference to your reblog tags)

I can try, but know im not an expert and also bigger knowledgeable inks fans are welcome to chime in.

So we all know how Ink is soulless, yes? It is because of this that people take it as an excuse to demonize them and make them evil, fake, manipulative, abusive, a bad parent, a rapist—everything under the sun simply because he’s soulless, lacks empathy.

Some people claim he doesn’t feel emotions because of his soullessness all the time and the paint vials he takes are just “fake emotions,” but in actuality Ink needs those paints to function (because without them Ink becomes an unmoving husk and this makes him extremely vulnerable to being used and taken advantage of), and to feel. It’s basically medication that he needs.

Not to mention; Ink is clearly a neurodivergent character, having hyperfixations and everything. This breeds depictions of “Ink is so stupid,” “Ink is a child,” “Ink needs to be leashed and treated like an animal,” “everyone is tired of and hates ink because ink is annoying.”

You see this type of thing with Killer a lot too in his fanon depictions, and this is because it’s a pretty agreed upon headcanon that Killer has ADHD; it’s just that most people clearly don’t do any research into how Ink and Killer’s ADHD/Autism are disorders, how they actually impact them as characters and their lives rather then how they annoy and inconvenience everyone else around them, infantilize and dehumanize them by treating them like hyperactive idiotic children or animals that need to be kept on a leash—is stereotypical depictions of ADHD with the typical “hyperactive talking a lot so annoying oh my god can you just shut up?” and “can’t ever stop moving or talking” and just generally have other characters be ableist and abusive as fuck towards them both and play it off as if it’s supposed to be funny to be talked to like that just because something they have no control over was a little annoying today.

there’s no discussions or depictions how this stuff effects either of them. Killer already has a dissociative disorder and CPTSD and can’t trust his own memory, and Ink has short term memory loss so bad he needs to write things down on their scarf just to keep track of it, and yet Killer’s memory issues are completely ignored because he has to be the silly haha comedy relief that all the characters use as their punching bag and Ink’s is only ever brought up in any serious capacity to paint them as a bad parent who would forget that his children even exists.

Killer and Ink are both characters with little to no empathy for others; and this is used to demonize them, or is completely ignored by giving Ink a soul or and forcing Killer into Stage 1 as their quick fixes.

Their lack of empathy and emotionlessness is only ever brought up to use them as villains in another character’s story; which is extra fucked up when people refuse to acknowledge that Killer is a canonical victim of literal conditioning, abuse, torture, kidnapping, and literal fucking trafficking.

People are demonizing someone who is literally trapped in a trafficking ring and being sent out as weapon of terrorism by Nightmare under threat of torture, death, and replacement all because, oh. He’s emotionless. He’s sadistic. He doesn’t act like a perfect victim curling up in a ball crying from guilt every single day and why doesn’t he just say no?

Killer isn’t perfect but people like to pretend he has more control and power than he does and like he actually wants this when the man doesn’t even know what he wants because he became who he needed to be to survive. People seem dumbfounded by the concept that victims will mirror their abusers to survive and that obviously won’t make them good people, but killer doesn’t consider himself people.

It’s never brought up how Ink’s memory loss and his lack of paints making him a husk would make him very easily to abuse and use and lie to and manipulate and take advantage. It’s never brought up how Ink thinks and feels about upsetting or losing friends because he forgot their names, or their birthdays, or when they were meeting up and where, and no matter how hard he tries things just keep slipping from his mind.

It’s never brought up how Stage 2’s indifference and overwhelming apathy and dehumanizing view of himself (and others, just like Ink, who sees others as characters in a story whereas Killer sees people more like codes programmed to follow specific scripts and roles in a long series of games and tests and just not real), means he is a lot more likely to be used and abused and taken advantage of—and yes, raped, because for some reason people really really love making Killer a sexual predator as if he’s not the one most likely to be abused in that manner—means he’d likely just accept whatever someone does to him (especially if he believes they’re stronger than him) because why should he care? Nothing matters anyway. There’s no point in resisting, why bother. This is how it was always supposed to end, and nothing is real anyway. This doesn’t affect me, i don’t have emotions, im not real. I’m not a person.

The only form of control Killer would have is playing along. Acting, pretending he enjoys it and is having fun—but ultimately, he doesn’t know if he does or not. Where does he begin and the act end. He doesn’t know, but if everyone around him is telling him one thing, then it must be true.

Stage 2 wouldn’t see himself as a victim or anything that happened to him as anything particularly significant. Nightmare asks him to do something and he does it because why not is what he thinks—it’s just how it works, Nightmares stronger. He ignores what would happen if he drug his feet or attempted to refuse because to him it’s just logical that he’d be punished for that, and he likes pain anyway, so enjoying means he must’ve wanted it.

(Does this justify the people he hurts when commanded to, triggered to, provoked, or when his dehumanization of others and conditioning leads him to do pretty awful abusive shit to them out of sadism or curiosity or just needing to feel in control? No, of course not. Any of his victims are allowed to hate him or feel however they want about him.

Doesn’t mean we have to ignore that he’s also a victim and has even less control than he allows others to see or know about, and that he himself likely refuses to acknowledge or look at too deeply.)

Which is another thing a lot of people use to justify Nightmare’s abuse of Killer. That he’s masochistic and sometimes pushes and provokes Nightmare into hurting him—the idea that it’s not actually abuse because he “wanted it” and “liked it” or that he’s somehow as bad as Nightmare because “he provoked him.”

He cannot access the emotions and trauma and fear and moral concerns and safety concerns of his other Stages because that is the entire point of his dissociative disorder and his conditioning. This makes him easy to control and this how he’s survived and remained even somewhat functioning.

Not to mention. The idea that Ink and Killer need to “learn empathy” or “learn emotions” to be better or good people, and not because being in touch with emotions is an important thing everyone should learn especially victims of abuse and those with trauma and that having little to no empathy is not some moral failing on their end or says something about the type of people they are. It just means they struggle to relate to others, understand their emotions, or feel others emotions as if it were their own.

There’s also the matter of some people trying to say that because Ink is soulless he is AroAce. That is not true, is both aro/aphobic and ableist. Ink is both soulless and AroAce and these are two completely separate things—they’d still be AroAce even if they had a soul.

There’s probably a whole lot more that can be said about this, but I’ll end it right here. Others can add on or correct me.

[nanowrimo]

5 Tips to Avoid Burnout as a Neurodivergent Writer

When taking on a project as big as writing a novel, you may run into the risk of burnout. NaNo Participant Joana Hill gives some tips on avoiding burnout as a neurodivergent writer.

Burnout.  As writers, we all know it. For neurodivergent writers, burnout can be even more damaging than usual. We can be much more sensitive, both mentally and emotionally, than our neurotypical friends and family.

This means avoiding burnout, and taking care of it when it does happen, can be even more important for us.  I’m here today to provide some tips for my fellow neurodivergent writers to tackle just that.

1. Write What Interests You

Write what interests you rather than what you think you ‘should’ be writing.  Many of us get caught-up in pleasing others.  For neurodivergent people who’ve spent much of their life masking, or hiding their true personality and needs because of fear of rejection, it can be a hard habit to break.

If you want to write a 50k slow burn coffee shop AU of your favorite fandom, an epic space opera starring ants, or a main character with ADHD, autism, dyslexia, or any other disorder or condition you have, go for it.

2. Get A Support Network

For neurodivergent people, we’ve often lived our lives with special interests no one wants to hear us talk about.  It often results in us not talking about them at all before someone can tell us they don’t want to hear about it.

Whether it’s offline with friends and family, or online here at NaNoWriMo or other sites, having people who are actively interested in listening to you and helping you plot and write can be a game-changer.

3. Celebrate As Many Victories As You Want

Many years, my personal goal is that I can get the new Pokemon game, which always comes out around the middle of November now, once I hit 50k.  But you don’t need just one grand goal.

Get a bag of your favorite candy and say you can have a piece every so many words.  Find something on Amazon you want (and can afford to get!) and say you’ll get it once you hit the halfway point.  Whatever motivates you to keep going, set it into motion.

4. Plan For Flexibility

That may sound like an oxymoron, but hear me out.  Neurodivergent people often love to have a plan.  I know I can get frustrated and upset when I’m expecting something to happen and something different does.  For a big goal like writing a novel in a month, a lot of things can end up going wrong.

Carry a notebook and pen or tablet with a keyboard case in case an errand takes longer than expected.  Back your writing up to several places in case your main writing device crashes.  Make sure at least one of those is a cloud service in case you end up writing on a device that isn’t yours.  The more contingency plans you have, the better prepared you are when life happens.

5. Be Kind To Yourself

Some days you may not get the minimum goal, or you might not write at all.  You may feel like you just can’t do it because you’re behind on your word count, or you decide you don’t like what you’ve written.

I get it.  But don’t beat yourself up about it.  Take a break.  Play your favorite game or read your favorite book.  Go for a walk.  And remember that you’re awesome.  No one can write this story like you can.

Joana Hill is a writer of young adult stories, as well as novellas inspired by Japanese light novels and anime. You can find her books, social media, and anything else you could imagine wanting to know about her on her LinkTree. Photo by Andrea Piacquadio