#(in which case why would i even write fanfic for it?)

[sorryimananti-romantic]

to a dying? atinyblr

i don't usually speak about these things, but a lot of blogs (amazing writers) are leaving this platform or taking time off bc of lack of engagement which serves as a big demotivating factor. especially and specifically in this atiny fandom, some things have come to my attention and i just want all readers and writers to take a look at this post and refresh some reading and writing etiquettes, as well as revive the essence of being a part of this fandom.

feedback:

i understand that there are a lot of silent readers on here, but since tumblr is dying and our fandom is not very huge, the least you can do to show the writers some support is like the post. 

which brings me to the point that the like function didn't even exist in the past. this site still runs on reblogs. as readers, to show your favourite writers some semblance of support, you should be reblogging with tags. a simple ‘#ateez x reader’ or ‘#ateez fics’ is enough. it's literally not asking for much– reblogs are the only way writers can get reach.

if you cannot do that bc of your blog's aesthetic or whatever, side blogs exist. if you still cannot do that, a simple anon ask appreciating the writer sometimes saves them.

also, what has happened to the quality of reblogs? readers consume years of writers’ work and efforts in mere hours and don’t even leave any feedback? art in general in all forms is very underappreciated and with all sorts of problems like plagiarism, ai writing and everything, true art and writing is dying and needs to be appreciated now more than ever. we’re literally the last generation witnessing ai take over in all fields of arts. appreciate content creators before it’s too late, don’t be a content glutton!

updates and requests:

asking writers for updates when they specifically mention that they would prefer posting at their pace is wrong for so many reasons– we all have a real life. you, the reader, do too. just like you don't always have time to read, writers don't always have time to write. do you ever see the writers asking their readers 'why have you not read my latest chapter?' 

most of the times, writers mention in their bio/faq post or elsewhere that they do mind being asked about updates. respect your writers, please, and do a little scroll before you send such demanding asks (also, sugarcoating when asking for updates does not make it any better!)

if you are only asking about updates, it demotivates a lot of writers bc these same people will disappear when it is time for feedback. writing is a form of art. we can write, artists can paint, musicians can compose music, but all of it has no meaning unless it is shared with an audience and appreciated. readers are just as important as the writers but there is no way of knowing fics are valued unless feedback is given.

the same goes for requests. you can only send a request when the requests are open, which is usually mentioned in the writer’s bio/faq post. it’s literally not that hard to check if requests are open and it’s basic decency to not send a request when the writers specifically mention that requests are closed. when sending a request, please be courteous. a ‘please’ or ‘thank you’ are examples of being courteous when sending requests.

the fanfics in atinyblr:

i understand that you can read whatever you like, but why is it that in the atiny fandom, fics that do not contain smut hardly ever get attention? as a writer, i enjoy writing and reading smut, and while i am not specifically a smut blog, i have noticed how fics containing smut get far more reach than fics that do not contain smut– not just in my case, but other amazing writers as well. 

there are such amazing fictions in this fandom. all fics are crafted with dedication and care, yet stories without smut often get sidelined. writers are not able to express themselves in their writing freely anymore and they simply conform to a genre they know readers will consume, as they are forced to consider adding smut to their stories so they can get more reach in this fandom. i have heard accounts from a lot of writers who were inclined to add smut to an otherwise smut-free fic just for reach.

this is by no means hate to the smut writers. i am also not placing blame on them. smut drabbles have always been in this fandom, and there are amazing smut writers out there, doing their thing. it is the readers here who are failing the writers. readers are quick to talk about the lack of ‘good fics’ or ‘plot’ yet will not even bother searching for these works. there used to be a good balance and appreciation for all genres alike.

i know that smut is what's hot and trendy these days, and drabbles in general, no matter the genre, are easier to read when you want to take a short break. but there is such a lack of longfics in this fandom, especially as of lately, and as someone who has personally witnessed the ratio of longfics decrease exponentially, i felt the need to point this out. appreciate all writers! appreciate all genres! longfic writers need as much validation and encouragement as drabble writers, and vice versa! don't be too harsh on longfic writers for not pumping out fics at the same speed as shortfic writers.

and on that note, smut drabble writers experience a lack of quality feedback despite the high engagement, so readers, please don't hesitate to point out exactly what you liked about a fic, even if it's a short drabble! be kind to those writers, give them time to write and be kind when sending requests! they may post more often but they, too, have a life.

tags:

this is specifically for the people who will post a very normal picture of a member, no caption, but tag it something like #ateez smut, #ateez hard hours, #ateez x reader. and for the people who tag their asks with irrelevant tags– literally learn to tag your post properly, and stop crowding the wrong tags. you're just proving the point that if you don't tag a post with the smut tag or something similar, it won't get reach. if you've posted with a caption, that makes sense (though it still doesn't warrant some of the tags being used there).

as for writers, also learn to use your tags appropriately. fics that do not contain smut should not be tagged with smut related tags. believe in yourself. i get that there is the problem of reach but do not overcrowd tags with irrelevant material.

disclaimer:

this is by no means about me. if i cared about the notes, or lack thereof, i would have stopped writing a while ago. while it is challenging to be a writer here, especially as of lately, i still enjoy posting whatever i write no matter the genre or the word count. but it's a bit disappointing that my planned out fics get much less attention than a simple smut headcanons post that i wrote in the heat of the moment with my friend in literally a few hours as a joke (which has reached almost 10k notes btw in a span of 2 years). sure, it has exposed my blog to new readers but that's about it.

this post is for all the amazing writers who have left, are thinking of leaving, or are struggling to voice these problems because they are afraid of being marked as 'problematic' or a 'hater' or something worse. i am not afraid to voice my opinion on here, and if you think that i am wrong, feel free to interact with this post and correct me because i am not claiming that i am right about this.

these are just the observations i have made as someone who has been actively writing on this platform for about 4 years now, and since i have a decent number of followers, i hope this post gets more reach. do not be afraid to reblog this if you agree, and even if you do not, reblog this so someone else gets educated. i may have missed some points so feel free to add if you want too.

[zarameraki]

♡₊˚☀️・₊✧ 𝗻𝗮𝗻𝗮𝗺𝗶'𝘀 𝘄𝗮𝗻𝘁𝗲𝗱 𝘆𝗼𝘂 𝗳𝗼𝗿 𝘀𝗼 𝗹𝗼𝗻𝗴 & 𝘆𝗼𝘂 𝗱𝗶𝗱𝗻'𝘁 𝗸𝗻𝗼𝘄 ♡₊˚☀️・₊✧

: ̗̀➛ tropes: fem! reader 𖥔 he's obsessed to the max 𖥔 ceo x baker 𖥔 grumpy x sunshine 𖥔 she talks a lot x he listens a lot 𖥔 spoils the literal shit out of you 𖥔 mention of parental death 𖥔 major fluff 𖥔 sexual content in vague details 𖥔 alternate universe 𖥔 super soft nanami 𖥔 close proximity 𖥔 he loves kissing the fuck out of you

: ̗̀➛ words: 7.7k

: ̗̀➛ notes: you guys are so sweet for supporting my toji fanfic which is why i wanted to write another and this time its about my husband, the father of our children, the man who deserves every beautiful thing in this world. if you enjoy my work, please leave a comment, like, and reblog! thank you & ily. enjoy!

Nanami Kento entered your bakery at exactly six o' clock.  

You carefully observed the moments he dedicated to perusing the array of pastries, the vibrant mountain of macaroons, and the freshly baked, warm casse-croûte that you unfailingly prepared for him when he clocked out. There was a tender quality to his countenance, noticeable in the slight release of tension between his brows as the soft, buttery flakes dissolved on his tongue in your presence. Without fail, he consistently left a generous tip in your travel jar, dedicated to a solo trip to Malaysia.

"Did you know they've got this thing about not wearing yellow in Malaysia?" you mentioned during your initial meeting, eyeing the distinctive black-dotted tie worn by the stoic salaryman. "Well, not that your tie would get you in trouble; it's not entirely yellow. In fact, I think it's perfect as it is, just like your hair, which also has a touch of yellow.” 

Please cut your tongue off. 

Anticipating a polite nod and perhaps a slightly regretful five-dollar tip left in the jar, you were taken aback when he queried, “Why is that?” 

“Oh, uh . . . a bunch of protesters wore the color during a demand for their prime minister to step down," you stumbled, feeling a twinge of embarrassment for veering off into an unintentional crash course. Dropping trivia about Malaysia wasn't exactly the same as flirting. "So, it's kind of become a symbolism for protest and, well, threat. I read it in a book once. I don't know if it's a legitimate law, though."

“Do you like reading?” he asked, still interested in conversing with you. “Most people would Google information.” 

“I like reading. It’s easier to retain information that way.” 

Nanami acknowledged your gesture with a nod of gratitude as he accepted the casse-croûte and exited your bakery. Anticipating that he might not return due to his reserved nature and your awkward attempts at compliment-flirting, you were surprised to find that he was, in fact, full of surprises.

Nanami became a regular visitor. Day after day, for the past year, he arrived at precisely six o' clock. He continued his routine, whether he purchased a box of pastries, a pair of bagged bread loaves, or simply a casse-croûte and a small cup of milk coffee. You always prepared his order five minutes ahead of time, just in case you were occupied with other customers.

"Enjoy!" you chirped, casting a warm smile at the customer you just served as the bakery slowly emptied, leaving only Nanami browsing the delightful array of small cakes. "Good evening, Mr. Nanami!"

Nanami raised his head in your direction. "Good evening." He finally settled on the black forest cake from the open freezer and brought it to the counter.

"Special occasion?" you inquired as you rang him out, sneakily not charging him for the casse-croûte and coffee. There was a special occasion of your own that you were eager to share, hanging from the tip of your tongue.

"An intern's birthday."

"Sounds fun!" You had been saving up for your birthday present since summer, and Nanami had played a significant role. "When's your birthday?"

"July third."

Your eyes widened with surprise. "No way! Mine is July sixth. We’re summer babies."

“Happy belated birthday,” he said, fishing for his wallet, gaze barely meeting yours. 

"Same to you." Offering the sandwich and coffee, you extended them towards him. "Consider it a belated birthday treat."

Nanami’s brows crinkled. “I cannot accept.” 

"Why not? It's a gift." You slid the items closer with a subtle nudge, leaving him little room to refuse. "And you've given me a priceless gift, Mr. Nanami." Your eyes hinted at the tip jar's location, which now lay empty. 

“Were you robbed?” he asked, concern evident in his voice. 

“What—? No! Oh my god. You’re so funny.” A chuckle escaped behind your fist, and he observed you momentarily before glancing away. "I'm heading to Malaysia next week!"

Nanami gave a subtle nod. Although his lack of a more animated response disappointed you, you understood that shortness was his nature. "Congratulations.”

"Thank you, Mr. Nanami. Your generous tips really made a difference. They covered half of our trip.”

“Our? It’s not a solo trip?”  

You let out a little nervous laugh. Should you really be telling Nanami about your crippling love life? Would he even be interested? Well, he seemed to listen carefully when you talk. Maybe he wouldn’t care, but you really needed someone to talk to about this. Unfortunately, all your friends were too busy with their marriages to care.

“Well?” Nanami prompted. 

"Right, sorry. It's just—I've actually been seeing someone. Funny enough, we met in a Facebook group for solo travelers. He lives in a nearby town.”

Unexpectedly, Nanami's first question caught you off guard. "Can you trust him?" His concern surfaced, causing you to pause. "I'm only asking because you met this man online. You can't trust strangers on the internet."

"Thank you, Mr. Nanami, but I’m capable enough to know about stranger danger," you said with a funny smile, dismissing his parental concern. "Besides, we’ve gone on a few dates over the past month."

Nanami's frown remained intact. "Correct me if I’m wrong, but are you paying for him, too?"

"Yes."

“Why?” Nanami asked, firmly placing his palms on the counter, making it clear he wasn't leaving until he was convinced you wouldn't get in trouble during your Malaysian adventure.

"What do you mean 'why'?"

His mouth opened but then closed into a thin line, his forehead lines deepening. "It’s not my place to tell you what’s right and what isn’t—"

"Yes, you’re right about that," you interrupted.

"—but this is bordering on recklessness. You cannot use your trip’s money to pay for a man you’ve known for a mere month. Why is he even in the traveler’s group if he cannot afford to pay for himself?"

"Mr. Nan—"

"You are being scammed." 

Your teeth clenched together. You rarely got impatient. Years in the hospitality industry and dealing with misogynistic tenants didn't break you. Even setting up your bakery and almost draining your savings didn't dim your optimism. 

But getting scolded by someone who barely spoke more than five sentences to you in a whole year of being a regular? That's pushing it.

He didn't know you or Toji, the guy you're seeing. He didn’t understand how much you appreciated him accompanying you. So what if you covered his share of the trip expenses? Toji promised to pay you back, and he's been paying the bills for your dates. They might not be fancy, but it's the gesture that matters.

Sure, Nanami chipped in some money, and you're thankful for that. But he has no right to question you. Other people also contributed to your travel fund; it's not like he single-handedly financed the whole trip. You appreciated his support, but he was not in a position to lecture you.

With a sigh, you managed to contain your frustration and said, "Have a great rest of your night, Mr. Nanami.”

Nanami's frustration was palpable as he stood firm, his gaze piercing through the windows of your soul. “I suggest you take my advice into serious consideration. It would greatly upset me if you had the chance to visit one of your favorite countries taken from you.” 

You didn't bother watching him go. Instead, your discovery awaited you at the counter—the money for the coffee and casse-croûte lay there, accompanied by a crumpled yellow note that had slipped to the floor. Moving around the counter, you picked it up and smoothed out its wrinkles.

What greeted you was your own name scrawled across the sticky note, repeated around fifty times, the letters overlapping in a chaotic dance. Some were hastily scratched out, while others were executed with perfect cursive precision. You didn’t know what to make of it.

During your confusion, a new customer walked in. Quickly, you pocketed the note, focused on carrying on with your day despite the lingering frustration that Nanami's cryptic message had left in its wake.

Toji never showed up.

You waited for him for two agonizing hours, extending the torture even more after your flight had taken off. It dawned on you that he likely didn't bother getting a ticket. He probably pocketed the money you sent him and vanished into thin air. Every attempt to reach him failed miserably—your calls were forwarded, and the fifth one hammered the heartbreaking truth that he had blocked your number. To compound your misery, you sent him a string of text messages that refused to deliver your pain. You didn't even know where he lived, as your encounters were always in the obscure locations of your budgeted dates.

The thought of reporting him to the police crossed your mind, accusing him of theft, but the lack of photographic evidence left you helpless. To make matters worse, he hated taking pictures, and you were uncertain if the name he provided was even real. All that remained was a flicker of hope that you might cross paths with the bastard and unleash your pent-up rage with a hard kick to his dick. 

With a heavy heart, you gathered your strength, brushed away the tears until not a single trace remained on your lashes, and lugged your suitcase and carry-on outside the airport, hoping to hail a cab.

The idea of facing the upcoming days at work felt agonizing, goading you to spend them in the isolation of your shabby apartment. You were engrossed in a depressing routine—microwaved dinners, aimless hours on the couch, and a marathon of old cable TV shows.

As hunger struck again, you contemplated your options. Baking seemed like a possibility, but motivation had abandoned you. Pasta could be an option, but the lack of noodles and tomato sauce made it impractical. So, you settled for the one thing that required no ingredients: crying.

At least that was free. 

Despite the inner turmoil, you mustered the strength to shoulder your overcoat, sporting your fleece pajamas printed with candy canes and well-worn second-hand boots. 

The short walk to the corner store felt longer than usual, the biting cold making you clutch your threadbare coat tighter. Your teeth chattered in protest as you entered, and the rush of warm air was a momentary relief against the chill. Fingers numb, you mindlessly reached for familiar comfort snacks—chips, chocolate milk, anything to dull the ache.

A hand much larger than yours beat you to the last packet of croissants.

“Ah, sorry.” You let it go. “All yours—” You choked as you looked up, and up, at Nanami staring at you wide-eyed, his hazel eyes flickering at a rapid speed as if he were hallucinating your presence. Your face flushed with embarrassment, and the weight of the past five days crammed upon you—his uncanny prediction, your own naivety, and the sting of being swindled. “Mr. Nanami . . . ”

“Aren’t you supposed to be in—”

“Good night.”

With a dismissive shake of your head, you left the basket on the counter, mumbled a quick apology, and retreated back into the biting cold. 

You’ve faced tons of humiliating moments—slipping in front of customers, your purse strap getting snagged in a door and dragging you back, and that one unforgettable instance when a little boy labeled your eyebrows as caterpillars in front of a line of onlookers. Yet, none of those incidents could hold a candle to the awkwardness of bumping into the very man who had warned you about the ill-fated choice of paying for a stranger's trip—stranger now—when it was supposed to be your trip. 

You felt a firm grip on your wrist, making your restless pacing suddenly stop.

Startled, you turned around to find a pair of expressionless hazel eyes and a slightly out-of-breath figure. Now is not the time to ogle Mr. Nanami’s broad shoulders, you idiot!

Releasing your wrist, he handed over a white, plastic bag. With a raised eyebrow, you peered inside to inspect its contents. It held everything from your shopping basket, including the last packet of croissants. Even more unexpected, he had paid for it all. 

“I’ll pay you back tomorrow,” you assured, your eyes already scanning for the nearest ATM, just in case you forgot. "But for now." You pulled out the packaged croissants and extended them toward him. Your body was shaking, not because of November but because of how you were scammed after being forewarned by Nanami. “Please. Take it.” 

He took your small hand in both of his, the warmth immediately melting the tension in your body. “So cold.” 

A soft giggle escaped you at the obvious observation, and you placed your free hand on top of his. "So warm." Sniffling, tears welled up in your eyes. "You know what else is warm? The sun. And it's yellow. It's so yellow."

“Factually speaking, it is white.” 

You wiped an arm across your nose. “What?” 

“The sun. It’s white. It’s only yellow in children's books.” 

You weren't about to argue with the guy who vindicated your slip-ups. Still, given the circumstances, you wished he'd soften the bluntness and let you bask in the illusion that the sun was a simple shade of yellow.

"I've always loved the color yellow," you mumbled. "Maybe getting scammed was a blessing. I'd probably get fined for wearing yellow otherwise. I couldn't afford to mess up on my trip. Besides, it all depends on the shade, right? Imagine how many fines I'd rack up just testing which shade of yellow suits me—"

Nanami tugged you close, capturing your lips with his.

A sharp intake of breath filled your lungs, eyes widening in surprise. Instinctively, your hands pushed him away, fingers grazing your tingling lips.

“I’m sorry,” he whispered. “Fuck. I’m so sorry.” 

“No, it’s okay. Don’t—Don’t worry. About it.” You tucked your lips in and tasted chocolate and mint—two of your favorite combinations. Nanami always seemed like the kind of man who would hate both flavors independently and dependently. “You’re okay. I mean—You’re okay in general. You’re not okay with kissing. You’re probably great, I’m sure.” Your tongue traced the curve of your lower lip, and Nanami’s eyes followed the motion. “Oh, God. I’m so sorry.” 

You walked up to him, grabbed the lapels of his coat, and tugged him down a notch, your lips colliding with his. 

Nanami's touch was calculated, his hand sailing onto your cheek, feeding warmth to your cold ear before vanishing into the labyrinth of your hair. Simultaneously, the other serpentined to the small of your back, his magnetic energy drawing you snugly against his chest. His warm tongue delicately swept across your lower lip, an unspoken cue that encouraged you to part your lips in response.

Nanami deepened the kiss, your tongues stroking against one another feverishly as if it were your last kiss. Who knows? Maybe it could’ve been. But the way he kissed with such desperation, releasing soft moans, not allowing you a moment to catch your breath, made you think that maybe this was just the start.

And you kissed him back just as needy.

If your hands slightly released their hold on his lapels, you'd gently cup the sides of his neck, rising on your tiptoes. And if your calves protested, you'd draw him down, wrapping your arms around his neck, your fingers entwining in his pale, golden locks. The taste of mint chocolate lingered on your lips, and a smile curved on your mouth as he stole a quick peck, pulling back just to gaze into your eyes for a moment before kissing you again.

You’re not sure how long you two stood and kissed there. Nanami was the one who always took the lead, savoring the taste of your pink, tender tongue, kissing your chilly cheeks and dewy eyes. The desire for each other made it hard to break away, yet the need for a breath of air was undeniable.

Finally, you decided to be the one to step back, signalling the end of your first kiss with him.

Your bottom lip tingled as you pulled it in, jaw aching from the infectious smile that had taken over your face. You couldn't help stealing glances at the tall man before you, who returned your gaze with a soft, almost imperceptible grin. Yet, in his eyes, under the gentle glow of the streetlight, you could see the excitement and joy of kissing you, twinkling brightly.

“I'm gonna—”

“I should—”

Both of you sighed; you with a soft chuckle, and him with a discreet throat-clearing.

“I've already missed quite a few workdays,” you said. “Gotta earn that dough if I want to make next month’s rent.” Nanami didn’t quite catch your bakery pun, but he nodded in agreement.

“Right,” you murmured, subtly veering to the side, putting on a little show as you started to walk away. You admitted it—you were a hopeless romantic. You secretly hoped for him to steal a kiss on your cheek and watch until you safely disappeared around the corner. “I’m off now.”

“Goodnight,” Nanami replied, subtly licking his lips for the sixteenth time. Yes, you were keeping count. 

“Night-night.” 

Nanami strolled down his end of the sidewalk. You followed suit, turning down your street. 

Luck had only sometimes been on your side when it came to men and their romantic gestures. Oh well. At least you experienced a passionate kiss from one of your favorite customers. Asking for more seemed a bit too much—

A hand gently pressed against your back, and as you turned, it gracefully curved around your waist, drawing you in. Nanami caught your gasp and kissed you with an urgency that doubled, holding onto you as if his life depended on it, lifting you off your toes. Three sweet pecks later, he released you, both of your faces flushed.

"Get home safely," he whispered, walking away without a second glance.

That night, you couldn't help but giggle into your mascara-stained pillow.

The morning after, you were a whirlwind of joy and light, twirling through the bakery with trays of freshly baked pastries, replenishing boxes and take-out essentials. You greeted customers with an extra dose of sweetness, and to top it off, you even handed out a tray of delectable chocolate jam cookies. And you wore a yellow bow in your hair. 

The oven beeped as the casse-croûtes finished baking, signaling their readiness for Nanami's arrival in just five minutes. You took special care in preparing his milk coffee, indulging in a quiet chuckle at your undeniable favoritism. Though the neighborhood bakery wasn't bustling with a large customer base, your attention was solely dedicated to him—your only regular as everyone else buzzed in the distant city an hour away.

With his coffee prepared and two casse-croûtes packed, you added a chocolate-mint cookie to the bag. Then, you decided to rearrange the shelves of gift baskets to pass the time. 

Setting up the ladder, you ascended the shaky steps until you were eye to eye with the fifth shelf. Heights were never your forte, which, in hindsight, was another reason why flying to Malaysia was out of the question. The more you thought about being scammed, the more your heart wrenched from your lost trip. You’d again brought out your tip jar and prayed the odds were in your favor. Hell, maybe you’d ask Nanami to join you if you decided to take your relationship to the next level. 

As you secured the bow on the basket, your gaze landed on the clock—6:30 p.m., and Nanami was a no-show. 

Anxiety surged through you in an instant.

Did he leave you hanging? Maybe that kiss was a turnoff, and he chose to disappear rather than be upfront about finding you too overwhelming. Did your breath smell bad? Were you a terrible kisser? Or, worse, did something happen to him?

A torrent of worries flooded your mind, breaking through like a burst dam. Each imagined scenario seemed more nightmarish than the last, causing your head to spin. Recent events, like Toji's betrayal, fueled this self-doubt, made you question your intuition. While Nanami was clearly wealthy, consistently tipping a twenty each day, you found yourself questioning whether he had plans to use you for something else. As if that weren't enough, doubts crept in about your appearance and your optimistic, extroverted personality.

It started to make sense, didn't it? Nanami led a tranquil life, sticking to a routine of work and home, while you were a whirlwind of spontaneity—constantly buzzing with new ideas and discussions, unable to sit still or resist laughter at the silliest jokes. Everything seemed to fascinate you, yet nothing appeared to faze him. How could you have been so naive to entertain the thought—

“Good evening.” 

“Ah!” you yelped at the sudden baritone intruding into your thoughts. Your foot, betrayed by the unexpected intrusion, lost its balance on the step. Your arms flailed in a desperate attempt to find stability as you teetered backward, the impending hazard of a severe concussion and potential spinal cord injury looming.

But just as you were prepared to shake hands with God, Nanami's powerful arms swooped in at the last possible moment. With a secure hold, he cradled you in a bridal style, and you clung to him like a shaking puppy, arms looped around his neck.

"Are you okay?" he asked, his breath slightly labored.

You gingerly peeled one eye open to peek at him. His expression was one of calm disorientation; eyebrows knit together while his lips maintained a straight, tight line.

"Yes," you whispered, soothed by his timely intervention.

Nanami steadied you back onto your feet but maintained a firm grip on your elbows. “Look at me.” As you did, he inspected each eye closely while keeping his hand steady on your left cheek. He checked below your jaw, down to your dusty palms, which he cleaned with his silk handkerchief. He also patted down your tousled hair. "Are you sure you're okay?"

“Mm-hmm.” You could cry from how gentle he was with you. “A-Are you okay?” 

“I am now.” He took a composed breath and effortlessly retrieved his suitcase from the floor, brushing off invisible dust. “I apologize for being late. My . . . car broke down.” 

"What? Oh my god! Do you need me to give you my mechanic's number? I promise he's not as bad as the Google reviews say. He's actually quite a sweet man. And he gives me a friends and family discount because my father was close with him." You beamed, and Nanami squinted his eyes as if the brightness of your smile momentarily blinded him, but he tried his best to reciprocate.

“Do your parents live here?” 

You shook your head. “They passed away a while ago.” 

“I apologize.” 

"Don't be." You quickly switched subjects by fluttering towards the counter to pick up his items. “Tell me how your coffee tastes.” You turned around, adding, “I switched to a new brand of milk—”

Nanami pressed his lips against yours, momentarily freezing you. His seamless transition afterward could have fooled an onlooker into thinking you'd been married for years. "Thank you.” He took a sip and nodded thoughtfully. “It’s great. Everything you make is great.” 

“Thanks,” you mumbled, sudden shyness enveloping you. From the kiss? The compliment? Him? You didn’t know at all. “Do you still need me to give you the mechanic’s number?” 

“It’s all right. I had it fixed. Minor battery issue, that’s all.” 

“Ah, okay. See, that’s why I prefer to walk.” 

Nanami glanced elsewhere, nodding. “Then, would you like to walk with me after you’ve closed?” 

“Oh.” A subtle flicker of surprise crossed your features. Nonchalantly, you brushed a strand of hair behind your ear before smiling warmly. “Of course, yes. I’d love to go on a walk with you. Where are we going? There are lots of cafés in a nearby shopping district. I know all the best places to take you to.” A grave thought struck you just then. “Oh, actually. Hmm.” 

Curious, he tilted his head down, meeting your worried gaze. "What is it?"

"Well," you began, your thoughts taking a cautious turn, "you probably have a set time to be home unless you live nearby. In that case, we could spend the entire evening strolling around. Only if you're interested, of course."

Nanami’s lips twitched. “I live nearby.” 

“Where?” You weren’t ashamed to have been so upfront. It was more of a precautionary measure. 

And he didn't seem bothered, quickly revealing the familiar neighborhood you instantly recognized. It was a fifteen-minute walk from your own place.

"May I step out momentarily to make a call?" Nanami asked, pulling out his phone. It was the latest model you noticed—one that came out last week and mocked your own that was five versions older. “It will be quick.” 

“By all means.” You had to fix your hair and make-up anyway. 

Nanami nodded and exited the shop, leaving you to flee behind the counter. As you crouched down to check yourself in the small mirror tucked away in the lower drawer, you couldn't help but feel a warmth on your face from the unexpected collapse, the sweet, brief kiss, and his impeccable navy blue suit decorated with yellow cufflinks. Maybe a café was too casual for him; a restaurant might have been a more suitable choice. An expensive choice. However, you were adamant about not letting Nanami cover the entire cost.

Upon his return, five minutes later, you both settled at one of the three round tables in your bakery (he even pulled out your chair for you). Sipping on your coffees and enjoying the casse-croûtes and chocolate pastries, the conversation seemed somewhat one-sided. Yet, Nanami's aloof demeanor never made you feel inferior for dominating the dialogue. He listened to every word and vowel with his undivided attention, nodding alongside and adding in short sentences when he could relate to your childhood shenanigans. 

"Wait," he interrupted, causing you to halt in your tracks. The sun cast a warm glow on his face, making his eyes narrow into slits, but God did he look handsome. He extended his hand and brushed a thumb near your lips, discovering a small chocolate smudge. Swiftly, he licked it clean and tidied up the area around your lips with a napkin. "Beautiful."

“What?” 

Nanami was a deer in headlights. He sunk his head, beating himself up from murmuring his thoughts aloud—at least, that’s what you concluded. "You look beautiful," he declared with more assurance, his gaze on your face. "You are beautiful, Y/N."

Oh, my. 

Your heart was going to claw itself out of your chest. You could cook an egg on your face from how heated it had gotten. In fact, you were burning hotter than the sun, which continuously made him squint and blink. “Thank you.” 

He nodded twice, finishing the remnants of his coffee. Rising, he disposed of the cups and wrappers in the garbage bin, then extended a hand to help you stand. "I'll wait outside while you close up."

At a lightning pace, you ensured that everything in the bakery was safely unplugged and shut off. Grabbing your purse, you gave yourself a quick once-over in the mirror, adjusting your face and hair. Stepping outside, you meticulously locked the door and gates.

Without a word, Nanami entwined his fingers with yours, causing you to smile like an idiot at him. He maintained a straight, vigilant gaze, seemingly unresponsive as you wrapped yourself around his arm. A subtle smirk tugged at your lips when you felt his muscles flex.

You walked for hours, café-hopping and trying pastries, baked goods, and sweet drinks. Every time Nanami attempted to cover the expenses with his cash, you scolded him, insisting that since you had suggested the place, you should be the one to pay. It was a rule you had read about online, and all your friends stuck to it religiously. The thought of Nanami spending his hard-earned money on your interests made you feel incredibly guilty.

As a matter of fact, you were feeling guilty about tons of things. He told you he worked at an investment firm, which meant it was a nine-to-five, likely sporting a migraine he kept hidden, and now he was being dragged around the shopping district by you, forced to listen to you because he was a man who didn’t complain, wouldn’t complain, and long, story short, you wanted to die. 

“Kento,” you muttered, removing your hand from his, goosebumps rippling on your skin. 

“Yes, darling?” 

Your chest felt like it was being clenched in a fist. “I'm . . . I’m sorry.” 

“For what?” 

“For making you do all this. For making you pay for everything. For dragging you around when you're probably on the verge of exhaustion." Avoiding his gaze, you fixed your eyes on the concrete beneath you. “I know I can be too much sometimes—well, all the time.” A self-deprecating chuckle escaped your lips. "Exes in my past relationships have made it clear. I get overly excited easily, crave attention like one needs oxygen, trust people too easily to the point of getting scammed, and, well, I don't bring anything particularly special to the table. I'm sorry, Kento. Maybe it's best if we just stay friends?”

Nanami’s soft fingers lifted your chin up. Your words absolutely shattered his face, leaving you to feel worse than before. His lips were parted into a frown, his brows were scrunched up, brown irises flickering like he couldn’t believe you said that. This was the most reaction he had given you in the year that you’ve known him. 

“No,” he said. 

You blinked the tears gathered at your waterline. “No?” 

“No.” Nanami took a calming breath, closing his eyes. His forehead gently pressed against yours. “Please, let me be selfish for this once. For you. I can’t let you go—I won’t let you go."

"Kento—"

"I want to do this, Y/N. I want to pay for everything. I want you to drag me around because I’ll never be too tired for you.” Nanami drew back and cradled your sobbing face in his large hands. “I know I fail to show it, darling, but I love your excitement. I love paying attention to every detail of you because you’ve become my oxygen source. You’re a good, kindhearted woman, and anyone would be lucky to be seen by you. And you don’t have to bring anything to the table because there isn’t one dividing us, keeping us lengths apart.” His lips brushed your forehead, imprinting his words into your mind. "I want us to be more than just friends. I want us to be best friends. Lovers. In this life and the ones that follow."

You could explode. 

Your arms instinctively wrapped around his neck, seeking support as if the ground beneath you was about to crumble. Yet, you knew he would catch you, just as before. He was so real, embracing you wholly, both of you breathing in each other's scents to confirm a human like this could exist. How grateful you were he stumbled into your bakery that one rainy night, and how grateful he was that you offered him free coffee and a casse-croûte while he was freezing and trembling. His presence brought life to your bakery, gave you something to look forward to when you were at your lowest, and you gave him . . . everything. You were his everything since the first day. 

As the shared silence lingered, Nanami's phone shattered the moment, its noisy ring cutting through the haze. You instinctively stepped back, but he clung to your hand as if afraid you might slip away.

Never, Nanami Kento. You’re stuck with me. 

When he took out his phone, you caught a glimpse of the contact name: Satoru (assistant). 

Before you could process the fact Nanami had an assistant, he swiped right. “Yeah?” 

The voice on the other end resonated with loud cheerfulness in the quiet alleyway. Nanami half-rolled his eyes, letting out an exasperated sigh. “Very well. Leave it there. I’ll be there when I want to.” 

The assistant chuckled and sang his goodbye, the cheerful tone abruptly cutting off as Nanami ended the call and slid his phone back into his pocket.

“Do all stockbrokers have assistants?” 

He tilted his head. “I’m not a stockbroker.” 

“Oh? I’m sorry. I assumed because you worked at an investment firm.” 

“Yes, I was a stockbroker.” He nodded, warming your hand in his, then casually added, “But I own a firm now.” 

Your brows hit your hairline. “That’s amazing!” 

“Thank you. We have several locations around the country. Kento Investments. Have you heard of it?” 

Heard of it? You were a client some time ago when you were starting your bakery. All you encountered were glowing reviews about their ethical practices, a refreshing leave from the scheming ways of most investment firms that had previously taken advantage of you. It stood out as the industry leader in your research, and the team was lovely in guiding you through the process, so much so that you even invited them to your grand opening.

"Ah, you have." Nanami grinned, gently tilting your chin upward and closing your gaping mouth. "Therefore, my darling, don't feel guilty about me covering the expenses. I'm quite secure in my position to support both of us for centuries."

All you could manage was a disbelieving chuckle as you rested your forehead against his chest. Taking it as an invitation, he embraced you, crowning you with kisses. 

Lifting your head, you said, "There's something I want to get for you."

"What is it?"

Hand-in-hand, you pulled him back toward the bustling district, the sound of his deep laughter echoing in the air. Your own laughter naturally joined in.

As you strolled past a vendor selling accessories, your attention was drawn to an item you had briefly noticed earlier in your walk. Although you planned to purchase it the following day and surprise him in the afternoon, tonight felt like the perfect moment.

Politely approaching the elderly vendor, you asked, "Could I please try those on?" He handed you a pair of round sunglasses with a green tint to the lenses. Standing on your toes, you carefully placed the glasses on Nanami's nose, adjusting them to sit perfectly on the bridge. The sides of the spectacles featured a stylish steampunk design that complemented his narrow, sharp features. "Handsome.”

"I'll take it.” Nanami reached for his wallet. However, you were one step ahead, swiftly bringing out the spare change you had set aside in your coat pocket. You had already calculated the price, ready to outsmart him in this little game of charity.

“Y/N.” 

“Thank you,” you said to the shop vendor, ignoring Nanami’s stare. 

“Y/N.” 

“Yes, darling?" You looped around his arm and began your stroll down the sidewalk. “Oh, come on. Let me be selfish and treat you once in a while.” You cut off his protests with a kiss. 

He surrendered instantly. 

Over the next four weeks, you didn’t realize how quickly you’d become comfortable with Nanami. Like clockwork, he would arrive at your bakery, patiently occupying a table until your duties with customers or decorating displays finished. Now resembling a vibrant florist shop, the bakery owed its transformation to Nanami's thoughtful gestures—bouquets of flowers in every shade of yellow, orange, and white became an amusing routine. As you arranged them in vases, you would burst into fits of giggles like a maniac. 

You and him were like a Venn diagram, overlapping in unexpected places. He enjoyed non-fiction, classics, and history books; you immersed yourself in the world of romance and mystery novels. TV nights were a compromise between his love for documentaries and your penchant for anything sappy on Netflix, occasionally spicing things up with a true-crime documentary. His fascination with astronomy met your fixation with astrology, and surprisingly, he didn't scoff when you read the lines on his palms. Instead, he appreciated it just as much as you cherished his nightly photos of the moon and his ability to name the stars above.

At least, you were both Team Cats.

Nanami introduced you to his friends, including his quirky assistant Gojo, who had a habit of shamelessly flirting with you, seemingly just to get under Nanami's skin. However, your boyfriend was secure enough not to let it bother him. Yet, a trace of possessiveness would emerge during sex—when the two of you were entwined in bed, bodies bared and bathed in the aftermath of shared sweat.

Exiting the restaurant after a delightful dinner date, Nanami turned to you and suggested, "I'd like to invite you to my home tonight."

Finally, you thought, resisting the urge to dip your toes into the topic of visiting his home, especially considering he had been a frequent guest at yours.

The fact that he lived nearby had always puzzled you; he mentioned it casually yet never extended an invitation for a simple coffee or a chat on his welcome mat. Weekends saw him working from your living room, staying overnight, but on weekdays, he'd only spend a brief hour or two with you before heading home, a practice that seemed counterintuitive given his closeness. Despite the confusion, you hesitated to jeopardize your relationship by fishing too deeply.

So far, Nanami hadn't given you any reason to doubt him.

"Are you sure?" you asked cautiously.

"Absolutely, darling.” Nanami took your hand and planted a small kiss on the back of it. "I apologize for the delay. I've been having it . . ." He casually flicked up his sunglasses that had slipped. ". . . renovated."

“Oh, I see. Well, in that case, I’d love to!” 

Nanami nodded and leaned down to kiss your cheek. “Thank you for being so patient. I know it was eating you alive. You're not exactly the master of hiding your emotions.” He gave you a small smile and kissed your cheek again. 

You responded with a smile that crinkled your nose. "Just a bit anxious, that's all."

"Understandable.” He guided you toward his neighbourhood, exchanging a warm smile as you nestled against his arm. Observing the goosebumps on your skin and the faint shivers, he realized you had forgotten your cardigan. Without hesitation, he removed his blazer and draped it around your shoulders, helping you slip your arms through the sleeves and buttoning it up.

You took a deep breath, inhaling the pleasant scent from the collars. "You always smell so good."

Nanami bent down, kissing the side of your neck right above your racing pulse. "As do you," he murmured against your skin. "Always."

“Gosh, you're so flirty,” you whispered, wrapping your arms around his midsection and burying your face in his chest.

“Come on now.” 

You walked for another ten minutes, taking a five-minute pit stop to pet a stray cat before stopping in front of a towering residence building. It was one of those extravagant ones boasting a fountain in the lobby and a vigilant security guard who greeted Nanami with a two-finger salute.

Hand on your back, Nanami guided you toward the elevator with mirrors on all sides.

He exuded an air of sophistication in his neatly rolled-up black dress shirt, complemented by beige pants. His pale, blond hair was slicked back, a Rolex clasped his wrist, and veins corded his well-defined forearms. The sunglasses you had given him rested atop his head. 

As Nanami caught your eyes on the reflective surfaces, a sudden blush warmed your cheeks. “What is it?” 

“Nothing,” you whispered, fingers idly playing with the golden butterfly bracelet he had given you on the night he asked you to be his girlfriend. “I was just . . . God, you’re so beautiful. Sometimes, I think I’m dreaming of you. And I don’t want to wake up from it.” 

Nanami released his grip on your hand, wrapping his arm around your waist. He tilted your chin upward and planted a lecherous kiss on your lips. As you stumbled backward, your back met the cool surface of a mirror, and you clung to his biceps. He continued kissing your jaw and nibbling at your neck.

“Ken—Wait, there’s a camera!” 

“I own the building.” 

Without allowing you to react, he kissed you fervently, his hands framing your face and his knee pressing between your legs. Your hips ground against the muscled surface, creating a heated friction that drew a moan from him.

The elevator dinged, signaling its arrival, but Nanami was undeterred. He refused to break the kiss. Lifting you effortlessly, he cradled you with a single forearm beneath your backside and your arms encircling his neck. Laughter echoed as you entered directly into the main corridor of his penthouse.

“Your front door is an elevator?” You marveled with an open jaw. 

“Yes, it seems so.”

Oh, how you loved his monotonous replies. 

Nanami gently placed you onto the expansive white surface of his couch, smoothly moving over your body to continue. 

“I knew you were a clean freak,” you said between his kisses, “but your penthouse looks like it was bought this morning.” 

“Two weeks ago.” He kisses down your neck, sideways toward your left shoulder. “That’s why I waited to invite you. Gojo was having the place decorated. I've installed a library for you, too. We can go book-shopping this weekend.” 

"Wait, what?" You pushed him back by his chest, incredulous. "Hold on, hold on, hold on. You mean to tell me you moved in just two weeks ago?"

"Yes," he answered, tilting his head slightly perplexedly. "When you asked about my residence, I panicked and couldn't come up with a proper answer, fearing you might decline my invitation for a walk. So, I bought this building from the previous owner on the spot. There are also commercial benefits. Quite a strategic move, if you ask me." With that, Nanami resumed his attention, focusing on kissing your collarbones and skillfully lowering your dress, exposing your chest to him.

But you were still stuck on the subject like a pesky fruit fly. “But you don’t live here?” 

“I don’t.” His mouth brushed over the mound of your left breast. “I live in Shibuya.” 

“Shibuya? Kento, that’s an hour and a half away!"

"Hmm." He glanced up, mouth sucking at your nipple.

"You've been faithfully coming to my city every single day, all the way from Shibuya, for a whole year? You've been burning all that gas just to be with me?"

He broke away to say, "Gojo drives me occasionally," and switched to your right breast.

"Nanami Kento, are you out of your mind?"

Finally, he released you and sighed. "I fail to see the issue here." He appeared so innocent, with his moist lips, tousled hair, and a crumpled dress shirt. 

You hurriedly sat up, readjusting your dress, which seemed to displease him. "I'm at a loss for words." Your gaze caught the weariness etched on his face, the bags under his eyes, the slow, heavy blinks signaling his desperate need for sleep. "You haven't actually been living here, have you?"

Upon hearing that, Nanami let out a weary sigh. "I do it when I'm too drained to make the drive back on weekdays."

As the details of his schedule fell into place, you flinched inwardly. He would rise at the crack of dawn, dedicate endless hours to handling clients at the office, and then endure a lengthy drive to your city, only to spend his evenings with you before leaving around midnight to return to Shibuya. The only time he would stay overnight at your place was on Saturdays, and he would depart early on Sundays for work. And all this time, you had believed he had an office in your city.

Oh, God. 

You loved him. 

You loved him so much.

Tears welled up in your eyes at the realization of just how much he loved you. The man had gone so far as to purchase an entire building in your city just to be closer to you. He showered you with affection at every opportunity, devoted his alone time to you with undivided attention and mind-blowing orgasms, and his bank transactions were probably dedicated to you. 

“I don’t deserve your kindness,” you whispered. 

“Neither did I the night when we met.” Nanami’s words always had a comforting effect on you. He gently pulled you onto his lap, and you curled up like a fetus, planting a kiss on his cheekbone. “I’ve loved you for a very long time, Y/N. I love . . . God, I love you so much. I didn't realize I was capable of feeling this much love for another human until I met you. It was all locked up inside me, and you held the key all along, darling." Leaning forward, he smoothly swept his blazer and delved into the pocket, revealing a small yellow box. With trembling hands, you accepted it and opened it to find a petite, golden key inside. “Our front door is an elevator.” 

Your breath hitched. “What?” 

“Move in with me.” 

“Kento—”

“I know. I know it's quite early to discuss this, and I want to give you the space and time to consider it. As you mentioned, your lease ends next month, and I'll officially be transitioning to remote work with a few business trips every other week. It would mean a lot to me if you decided to join me on those trips." He gently placed the key in your hand, kissing your fist. "I'm scheduled to travel to Malaysia next month."

Overpowered with emotion, you choked out a sob and immediately lunged at him with a hug, causing both of you to stumble backward as he wrapped his arms around your waist. He loved you. He wanted you to move in with him. He wanted to travel with you, starting with Malaysia. Suddenly, the tips he left in your jar took on a deeper significance, backing the idea that you weren't meant to journey alone, why you weren’t meant to go with that swindling bastard. As Nanami's gestures of kindness and service became increasingly evident, your tears welled up, choking him in a tight embrace that eventually had him laughing.

Last November, Nanami Kento had stepped into your small bakery, raindrops clinging to him, unknowingly marking his permanent presence in your life.

[cuckoo-on-a-string]

"Appropriate" responses to the Gaiman issue

TLDR: This isn't a Rowling situation, be wary of internalized purity culture.

He's a predator. I'm glad a proper journalist followed up where police have failed (and possibly given victims a better footing for future charges).

But I have a problem with the knee-jerk responses targeting the fandom.

Just to clarify, I'm not talking about insulting The Predator. This is about how you treat people who have/do/will enjoy the stories that unfortunately came into the world through his keyboard.

Fans aren't intrinsically evil/uncaring for continuing to participate in associated fandoms.

This is not another Rowling situation. Why? Let me clarify. The consequences of consumption are very different. Rowling is ACTIVELY using her popularity and income as a creative to target one of the most vulnerable minorities in the world. Buying official merch/books/movie tickets prove to the powers that be that she remains a good investment, so they'll give her even more money. This perpetuates the cycle - new movie/book deals, more income, more hate, rinse and repeat.

The push to avoid Rowling's work in full is driven by the fact that she has FACED NO CONSEQUENCES and is still powered by her creative properties. It's fandom/consumers trying to bring justice.

Gaiman, on the other hand, knew he was doing bad shit on some level because he kept his abuse hidden. His status and reputation let him get close to vulnerable fans and essentially intimidate authorities from going after a celebrity. He is FACING CONSEQUENCES. I would personally like to see criminal charges brought against him, but that's out of the fandom's hands. Things we could've influenced (his Disney deal appears to have gone to shit, he's been booted from the truncated final season of GO, and there's no news on Sandman 3) are already in motion. If his publisher doesn't drop him, I'd say avoiding his future works is beyond valid (I certainly wouldn't buy them). But I'm going to watch the new season of Sandman. And once I've taken time away, I'll probably finish my active fics.

"Judging" people who still enjoy his work stems from good intentions that grew out of the fetid ground of purity culture rhetoric.

Writing fanfic and enjoying shows that are already made do not make people soulless accomplices. The idea that unproblematic stories by saintly creators are the only things you're allowed to enjoy is not only flirting with censorship, but it's also impossible.

If you think people should have nothing to do with Gaiman's works, you better throw out anything Weinstein touched. That includes Jackson's LOTR trilogy, FYI. Also, anything his company officially produced (which still gives him money in some cases) should never, ever grace your screen. That includes some of the better Stephen King adaptations, The Orphanage (which was a breakthrough Spanish-language film in Western markets), The King's Speech, The Imitation Game, Woman in Gold, Paddington, and It Follows.

If you aren't willing to publicly announce your "disappointment" in anyone who continues to enjoy any of those films, then kicking up a fuss over how other people process and interact with problematic content from a fallen celebrity who is in the process of getting his dues is pure hypocrisy.

Personally, I'm maliciously complying with Gaiman's famous quote about how once a story is out there, it doesn't belong to the author anymore. Well said, Predator, these are mine now, and I shall fuck about with them as I see fit.

Attacking or snobbishly looking down your nose at the fandom also erases YEARS of beautiful critique and thoughtful exploration of existing, acknowledged problems in works like The Sandman.

People in these parts already know how to handle complex issues in complex pieces of media. Gaiman isn't our god. His canon is not our bible. He didn't teach us morality, as is apparently the case for a lot of people who grew up reading Rowling's works as a child.

If you have a problem with the censorship comment I made, I'd like to point out at least one writer friend is LEANING INTO the fandom as a way to process their own trauma. Suffice it to say they survived a very similar situation. They see it as empowering to take the stories away from the abuser and use the characters/settings to make something new.

I get the ick. I have it right now. But I'm not burning every copy of his work I own (full disclosure I have... *checks shelves* a copy of Neverwhere and The Sandman series). Doing so is totally valid, and if that helps you process and feel better - go for it!

But this is not the same as Rowling and the only ones you hurt by declaring your "judgement" is a complex group of individuals who are able to enjoy fiction, remain aware of potential social consequences, and found a place that doesn't align with your black/white morality.

With that said, judge away! I better not see any stories from Charles Dickens, anything in anyway associated with the Weinsteins, Nickelodeon shows, Charlie Chaplin references, or Francis Ford Coppola films touch your feed. If you scratch the surface, you'll find more things to judge others for enjoying, and they will inevitably find something to judge you for, too.

[queen-of-fanfics]

Stay Away From Him

Pairing: Miguel O'Hara x Reader

Prompt: Miguel is jealous of your closeness with Hobie and tells you to stay from him.

A/N: Well I have had too much free time at work and all I've been doing is writing. Kinda love it. Also, how did y'all like Across the Spider-Verse? I saw it four times in theaters, it's like a drug in my veins. Anywho I figured I wanted to do a fanfic in a world that I haven't done yet so here it is!

Part 2

“Hey, Y/N.”

“Hey, Peter!”

“Hey, Y/N”

“Oh hey, Peters.”

“Oi! Y/N!” Recognizing the accent, you look up in the air and see Hobie swinging his way over to you.

“Hobie! What are you doing here?!”

This was your second week working inside the Spider-Verse headquarters. You were the only person there who wasn’t some version of Spiderman. One day, Miguel O’Hara was in your universe for a job, bing bang boom, next thing you knew, he offered you a job. Your job here at headquarters was to act as his assistant of sorts. Help him with errands, help him on missions, and fetch him lunch because the poor man will work until he starves. That was exactly what you are doing now. You had finished locating the latest anomaly and went down to the cafeteria to grab him some empanadas.

Working at headquarters was like a living dream. So far, everyone seems to like you and you’ve already made friends. Hobie and Gwen welcomed you with open arms and the three of you became inseparable. During your time working with Miguel, you may have developed a little crush on your boss. You never told anyone about how your heart starts beating faster or how your breath gets shaky when he stands a little too close. Though, you never had to say because everyone could see it. And everyone warned you away from the infamous Miguel O’Hara.

“He’s not for you. He’s obsessed with his work and barely knows what having fun or being nice is. I doubt he even knows there’s a life outside of this place.” Gwen said one day during lunch.

“Who’s not for me? What are you talking about? I’m just here to work.” You shovel food into your mouth in an attempt to hide your face.

“Mmhmm, sure. You can deny it all you want but if you keep staring at him all weird like that, even he’s going to start to notice. Just trust me, you should just try to stay away from him. Which I guess isn’t possible since he’s your boss but you know what I mean.” 

“Though it does raise the question as to why he recruited her, don’t it?” Hobie chimes in. 

Hobie jumps on your back and it pulls you back to the present.

“I’m here for it! Whatchu think? I would willingly come here? Nah.”

“Actually! We just finished a mission so we just came to check in with Miguel.” Gwen swings down and lands right next to you. The three of you continue walking side by side down the hall to Miguel. Hobie throws his arm casually around your shoulder, keeping you close to his side.

You walk into the main room and see that Miguel is standing on his platform up in the air. There are a few people milling around the room, minding their business. People tend to hover around Miguel in case any missions come up or if he needs help.

“Miguel! I got you some empanadas!” You yell up at him.

He turns and barely glances over his shoulder at the three of you. He grunts and rolls his eyes in annoyance but his platform starts its slow descent. Gwen runs over to Jessica and they start talking. Hobie walks with you over to your little desk that sits on the ground floor …. like a regular person.

“So we still on for tonight?” Hobie asks.

“What’s tonight?” You turn and ask Hobie. You lean your butt against the desk to look up at him. He gets in close, places his hands against the desk on both sides of you, and cages you in with his arms.

“Whatchu mean what’s tonight? Did you forget already? Thought you and Gwen were staying in my place tonight!” Hobie teases you.

“Oh, Hobie! I forgot about that, I can’t come over.” Gwen yells over before she turns back to her conversation.

“Guess it’s just us then.” He mumbles and gives you a wink.

Before you could respond, Miguel’s voice booms through the large chamber.

“Y/N isn’t going anywhere tonight.” Looking over, you see that Miguel has lowered his platform as far as it could go and he is staring directly at the two of you with a deadly look on his face. All the conversations in the room died down and you could tell that everyone's eyes were looking between you and Miguel. Everyone treads carefully around Miguel … everyone except Hobie. 

“What? You keeping her hostage now?”

All of a sudden feeling nervous, unsure as to what put Miguel in a foul mood and not wanting to make it worse, you try to straighten up and stand in attention but Hobie isn’t moving. 

“We’ve got work to do here, Hobie. Unlike you, some of us have things we have to do.” Miguel crosses his arms and stares down at Hobie. 

“What work? We caught all the known anomalies already. Plus I was going to work on my bike, give it some more bells and whistles.” Jessica pipes up.

“There’s more work to do than just waiting around for things to happen.” 

“Then what do I gotta do, hmm?” Jessica sasses back to him.

“Nothing. I, uh, just want to do some surveillance. Never know ”

“And what Y/N got to do with it, then?” Hobie asks, giving Miguel a weird look.

“Y/N is my assistant. Y/N must assist me. And get off of her Hobie.”

“Right, but it don’t sound like there is any real work to do. I don’t see why Y/N gotta sit here and suffer being around you. And, uh, I’m actually quite comfortable where I am.”

“No no, I don’t mind. It’s my job. I can stay” You rush to say as you start pushing at Hobie’s shoulders. 

Hobie turned slowly to look at you without budging and you just stared up at him. “Move.” you mouth to Hobie with beseechment in your eyes. But all he does is smile at you and barely visibly shakes his head ‘No’. Eyes wide, you think to yourself, I’m not going to have a job after this. The room is still silent and no one speaks as the tension rises. 

“Everyone out!” Miguel booms, “Looks like no one wants to work anyways. It’s not as if we’re trying to save the entire universe or anything.” 

“Oh! Miguel, we wanted to check in about the-” Gwen is cut off when Miguel turns back around to his monitors and yells, “OUT!”

Everyone exchanges nervous looks around the room while they pick up their things. The whole time though, Hobie is looking down at you with a knowing smirk on his face. “What are you smiling about?” You hiss at him as you push him up so you can grab your bag and head out. 

“Oh just something I think you should find out for yourself. And you might soon.”

“Ugh, I’m going to kill you.” 

Hobie throws his arm around you and leads you out, “Yeah sure, but hey, looks like you can come over after all, aye?”

“Everyone except for Y/N!” You whirl around at the sudden sound but Miguel is still just looking at his monitors.

“Damn, looks like you’re going to find out real soon. See ya sweet cheeks.” Hobie gives you a wink and walks out with everyone else. 

You stood in the doorway waiting for Miguel’s instructions but after a few beats, you realized that he wasn’t going to turn around and talk to you. Slowly walking back to your desk, you couldn’t help but notice how the tension in the room did not leave along with everyone else. It still lay thick and heavy in the air. Taking off your bag and placing it on your desk, you turn around to face Miguel. You open your mouth to say something to break the silence but he cuts you off. 

“Come up here and help me look at this.” 

Your eyes grew wide and you hurried over to the dais. Your heartbeat started quickening with excitement, you have never been invited onto the platform before. Miguel looks down his nose at you with a disgusted look on his face as you struggle to even get your leg on the platform.

“Sorry, don’t got webs like y’all. Give me a second.”

You finally heave yourself up and flop over on your back, gulping down deep breaths of air. “You know, I’m starting to think I’m out of shape.” Figuring that it was time to actually get to work, you jump up to your feet and face the monitors.

“Alrighty, so what am I looking at?” All of the monitors were showing different videos of different universes. Some other monitors had new articles and alerts of potential disturbances. 

“Just, uh, keep an eye on some of the security cameras we have posted around. See if you catch any suspicious activity.”

“Were you expecting something to happen tonight? Did you get a tip?”

“No, just doing our due diligence to keep everything in line.” 

Your brows furrowed in confusion and you gave Miguel a side-eye look. This is what he’s keeping me here to do? To watch some cameras? 

The whole time he was talking to you and giving you instructions, he did not glance at you, just busily pressing buttons and typing something.

About 10 minutes went by in absolute silence with Miguel working and you … “working”. Getting bored and tired on your feet, you start leaning around the table and let out a sigh. Miguel looks at you over his shoulder but turns back to his work. Another 10 minutes go by before he asks, “So you and Hobie are friends?”

Surprised by the question and surprised he even spoke, you responded, “Yeah, I would like to think so. He’s nice, I like hanging out with him.”

“You two have gotten close?”

Getting confused by his line of questioning, you give him a weird look that he doesn’t see. “I mean, I don’t know about close. We hang out with Gwen too. It’s usually the three of us.”

A few silent beats fall between the two of you before he responds, “I didn’t know you were visiting different universes.”

“Hmm, I’m not really. Besides my own home universe, I’ve only just been to Hobie’s. I haven’t seen Gwen’s though not even she goes back there.” 

Again he doesn’t reply immediately and the comfortable silence continues. 

“I would advise you to stay away from Hobie. He could be a bad influence on you or something.” He mumbles so quietly that you almost didn’t catch it. 

“I’m sorry?” You asked, turning your body full to look at him now. 

“I said ‘you should stay’-”

“No, I know what you said. But I don’t understand why. What’s going on with you? Are you stressed about something? Do you not like Hobie? Because Hobie has been nothing but nice to me and he’s a friend. He keeps me safe even when I visit his universe.”

“And exactly how many times have you visited his universe, hmm? You two seem pretty comfortable flying across universes together.” It was his turn to turn and face you. Standing at his full height, the tops of your head barely came up to his collar bones. 

“I-I- … I don’t know. A few times I guess? 4? Maybe 5 times? But-”

“5 times?! You met him not even two weeks ago and you’ve already been hanging around him that much?” You were trying to explain to ease whatever caused his temper to rise. However, with every response you give, it only seems to anger him more. With every response, he is taking a step closer to you and walking you backward.

“I guess? But he���s my friend! And I’ve always been safe if that’s the issue. He keeps me safe. I know I’m not a Spider-Man like you but-” Miguel ignores your argument and cuts you off again.

“Right right and he keeps you safe which I am sure he is more than happy to do seeing as how he’s always getting up in your space. And what exactly do you do in his universe? You run around town like some hooligans and go back to your home universe when it’s late enough to be considered morning?”

“Ah- No, we hang out at his place and have dinner and stuff, I don’t know! And when it gets late I just stay over at his place!” 

“Stay over?! What? Like overnight? He’s got guest rooms now? He’s hosting house parties?” There’s sarcasm dripping in his words but your brain was running too fast to notice.

“N-No he doesn’t. He’s not. He just lets me use his bed when I’m too tired to go home and I’d just wake up the next morning to come here.” 

All of a sudden, he takes one last step forward and you take one step back but your backside hits the table. He drops his hands on either side of you, exactly like how Hobie had you pinned against your desk earlier but this is different. This feels different. The tension is palpable. With Hobie, it was friendly and playful. With Miguel … it feels like you’re getting hunted and just got caught.

“He what?” Miguel’s voice isn’t loud and angry anymore. No. It’s low and deadly. His question comes out always like a whisper as he leads in so close that your noses are practically touching.

“I don’t understand what’s happening. Hobie is just my friend. Why does this feel like it’s a problem?” You whisper. Miguel doesn’t reply. He simply stares at you with such intensity in his eyes, you’re surprised you didn’t evaporate. Suddenly, he’s looking at your lips. Acting almost instinctively, your tongue shoots out to wet your lips and his eyes immediately shoot back up to yours. There’s the intensity in his eyes again, only this time, it’s different. Definitely not anger.

Suddenly, an alarm from Miguel’s monitor goes off and the sound is thunderous in the silent chamber. 

After a few beats, Miguel drops his forehead on yours, closes his eyes, and takes a deep breath. The whole time, you never take your eyes off of him. Your heart is beating so fast and the blood is rushing in your ears. Very abruptly, he pushes off of the table and whirls around to the monitor. He turns off the alarm and starts typing away, completely ignoring you. Slowly pushing up from the table, you turn back to your own monitor and stare blankly at the empty alleyways and random buildings. 

Where there was comfortable silence before, now, the silence is deafening. 

“You should go home Y/N. I can finish this up on my own.”

Not sure of how to act or how to respond, you slowly climb down from the platform without saying a word and fetch your things.

“And I mean home, Y/N. To your home universe. To your own house. To your own bed.”

Looking back up the dais, Miguel is still facing his monitors, not even looking at you when he talks. Hitching your bag higher up on your shoulder, you respond, “Of course. Goodnight, Miguel. And … for what it’s worth … he always slept on the couch.” 

And with that, you take off running down the hall and teleport back home. 

[slimyalienfreak]

Heya! I was wondering if you could make a lil fanfic of shadow the hedgehog and mobian!reader

where the reader has a fascination with death and everything morbid due to seeing and being in lots of tragedies and shadow is mostly unaware of this but finally starts noticing the reader’s obsessive like fascination with death and wants to confront them about it

Shadow With A Mobian!Reader Who Has A Fascination With Death

Hey there! Thanks for the ask!

Sorry it took kinda long to do this. Honestly kind of lost motivation to write stuff lately but I think it’s coming back. I don’t know. Regardless, I hope you like it.

Pronouns: Not Mentioned

Warning: ⚠️Mentions Of Death + Suicide (Not Actually Committing But Talks About Wanting To) + Spoilers For Shadow’s Backstory⚠️

Requested: Yes/No

Characters: Shadow + Mention Of Maria

Proofread: ❌

Credits: Art by CoffeeBearSama on Twitter/X + Banner by salintvll (Edited by me) on Pinterest

———————————

- Honestly at first Shadow never noticed or asked about your obsession when it comes to death. He’s quite the loner so he doesn’t really indulge in anyone or their personal interests. That’s just what he’s like. Not that he’s completely dismissive of any of your interests, it's just his response to you telling him or him hearing about it is just ‘okay’. Maybe you could persuade him to join in but it may take a while but he does partake in it.

- Though eventually he does notice your interest in death. He might have heard it from someone else, maybe from you or he just so happened to discover it himself. At first admittedly he was a bit put off by it not outright it’s just he’s never really seen someone even remotely interested in death unless they’re willingly want to experience it. And to be honest even before he discovers how obsessed you were with it he’s still a little concerned that you want to end yourself so he decides to keep a close eye on you in case you actually do want to end yourself.

- However, his worry does become way worse when he slowly discovers how obsessed you actually were with it. He started to notice how you talked about it. The fact you were talking about it so casually, talking in depth about it makes him more concerned than when he discovered it. In his own way he’s genuinely worried about you. I feel like this kind of evolved from what happened to Maria that he feels compelled to make sure it doesn’t happen to anyone else especially if he’s somewhat close with you.

- When he does confront you about it you may have to spend most of your time convincing him that you're okay. Honestly with the way you're talking about it he’s thinking you genuinely want to end yourself and he doesn’t want that. To him you’ve still got a lot to live for and you shouldn’t cut it short. It probably took a while for him to be convinced that you were alright. You’d probably have to explain how you gained interest in it, more specifically the shit you had to go through which made you like this.

- When you do tell him about the horrible tragedies that’s when it hits him about your obsessive fascination with death. Now he understands why you're like this. He does feel bad for you for experiencing the things you did and thinks that it must be a coping mechanism for you in a way. Even with you convincing him that it's genuinely an interest nothing more he’d still be concerned for you and tell you that if you ever need to talk he’d be there for you and listen to what you need to say.

- I do kind of feel like Shadow would be kind of interested in a way. Not like how you are, I have a feeling it’s mostly for confirmation or reassurance. It’s not that big of a surprise that he’s greatly affected by the death of Maria, someone who he’s undoubtedly the closest with. Even if a lot of time has gone by since it deep down even if he doesn’t want to admit it he still wishes that she was still alive and misses her greatly. With your interest in death he may go up to you and ask about it. He really would like your opinion about it though at first not going in that great detail about it. Even though he claims he is not interested in it he kind of wants confirmation that she’d be alright and is proud of him.

- Oddly enough, having these talks with you is very comforting for him. He finds himself being more calm about his feelings when it comes to death himself. I think the fact that he doesn’t have to bottle them up like he usually does and is free to just let it out. As soon as he’s done ranting he can feel himself just relax as he thanks you for letting him talk about it. He likes having these moments with you and he really appreciates you listening to him and the other way round.

———————————

[spencerswh0re]

𝐭𝐡𝐞 𝐨𝐧𝐥𝐲 𝐞𝐱𝐜𝐞𝐩𝐭𝐢𝐨𝐧 - 𝐬𝐩𝐞𝐧𝐜𝐞𝐫 𝐫𝐞𝐢𝐝 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫

A/N - HI!! i love love love spencer reid and i spend most of my time reading fanfics of him, so i thought i would give writing some of my own a shot! this is my first fic (recently, i used to write wattpad fics when i was like 12) so bear with me :))

word count - 1,482

𝐬𝐮𝐦𝐦𝐚𝐫𝐲 - 𝐚𝐟𝐭𝐞𝐫 𝐚𝐥𝐥 𝐨𝐟 𝐭𝐡𝐞 𝐭𝐫𝐚𝐮𝐦𝐚 𝐢𝐧 𝐬𝐩𝐞𝐧𝐜𝐞𝐫𝐬 𝐥𝐢𝐟𝐞, 𝐡𝐞 𝐝𝐨𝐞𝐬𝐧𝐭 𝐰𝐚𝐧𝐭 𝐭𝐨 𝐜𝐨𝐦𝐦𝐢𝐭 𝐭𝐨 𝐚 𝐫𝐞𝐚𝐥 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩, 𝐭𝐡𝐚𝐭 𝐢𝐬, 𝐮𝐧𝐭𝐢𝐥 𝐲𝐨𝐮 𝐣𝐨𝐢𝐧 𝐭𝐡𝐞 𝐁𝐀𝐔, 𝐚 𝐲𝐨𝐮𝐧𝐠 𝐧𝐞𝐰 𝐚𝐠𝐞𝐧𝐭 𝐰𝐡𝐨 𝐫𝐞𝐦𝐢𝐧𝐝𝐬 𝐡𝐢𝐦 𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐛𝐢𝐭 𝐭𝐨𝐨 𝐦𝐮𝐜𝐡 𝐨𝐟 𝐡𝐢𝐬 𝐩𝐚𝐬𝐭 𝐬𝐞𝐥𝐟.

spencers life had been hard. there was no point in sugar coating it, he’d been through a lot. being kidnapped, developing a drug addiction, his girlfriend being killed directly in front of him and being to prison were only a handful of the things that had gone wrong in his life. and even after all of this trauma, he still managed to stay the same person. or atleast, mostly the same person.

one big thing had changed after prison and his encounters with cat adams. spencer had always been a hopeless romantic, he dreamed of the day he would meet a nice woman, settle down with her, and live out the life he had always wanted. but after dealing with some confusing feelings for a hitman, he had started to lose hope in ever finding love.

spencer was a 39 year old man, and he had still not found his perfect woman, he was starting to think she didn’t exist.

this was why he gave up. he stopped dating, stopped blushing and stammering whenever he met an attractive woman, and instead, he became charming. it became a common occurrence for spencer reid to spend his evenings in the bar, wooing a woman back to bed with him. he would bid them farewell the next morning, and that would be that. and it worked, it kept him satisfied, for a while.

until it didn’t.

the day you walked into the bullpen of the BAU, things changed for spencer reid.

you were beautiful, easily the prettiest girl he had ever seen, you were young, and had this innocence about you, he knew, from the very beginning, that he wanted you.

it was barely a week after you started on the team when spencer realised why he was so attracted to you.

the team was on the jet home from your first case, it had been a relatively easy one, they had caught the unsub in 2 days, and saved his final victim.

“we shouldn’t even be flying in these conditions” rossi had complained, referring to the heavy rain and strong winds “what if we get struck by lightning?”

just as spencer was about to spit out a random fact about flying during lightning, you beat him to it.

“actually, aircraft’s are designed to deal with lightning strikes, modern planes are designed to spread electric currents through the fuselage and funnel them out through the tail, bypassing the plane interior entirely. the last major accident occurred in 1967, when a stray strike caused a poorly-designed plane’s fuel tank to explode, so even if we were to be struck, which is highly unlikely, we’d be perfectly fine” you had rushed it out quickly, and spencer could tell from your blushing cheeks and shy smile that you were embarrassed over your rambling.

“sorry” you said, quietly, looking down at your hands in your lap.

“hey, reid, it seems y/l/n is a mini version of you, maybe we’ll have to replace you” emily had said, laughing lightheartedly. spencer, however, was stuck in place, eyes locked on you. he couldn’t believe it, he had found out earlier in the week that you were 24, just out of the academy, but you had been put straight into a specialised unit based off of your impressive qualifications. he realised, in that moment, that he didn’t just want you in the way he wants other women, he wanted you for real, he was falling for you.

the plane ride went painfully slowly after that.

a few months later, nothing had changed, except for the fact you had made it more and more difficult for him to keep away from you. ever morning, you would walk straight over to his desk, wishing him a cheery "good morning!" before perching yourself down next to his files and asking him about his night.

he had never been one to talk to his co workers about his sex life, but sometimes he would make an exception, because at least he had stories to be telling, but recently, there hadn't been anything to tell.

the night that they got back from your very first case, the team had gone to the bar to celebrate, after everybody had left, he made his was to the bar for one final drink, and to choose his target for the night, however, his plans had been ruined, when he'd seen you, across the bar, talking to some guy. spencer held back a scoff, he was obviously an asshole, he was tall (yet, not quite as tall as him) and buff. you were clearly feeling uncomfortable, and he knew that you had had one too many, and you weren't in the right state of mind. he walked over, told you it was time to go home, and got you in his car.

you were asleep before he could ask for your address.

after fighting with himself a little, he eventually decided to take you back to his place, you took the bed, he took the couch.

after that night, he hadn't been able to be with anybody else, he hadn't wanted to be with anybody else.

"oh, you know, same old, what about you?" he responded.

"nothing much really, um.. I actually wanted to talk to you about something.." you told him

shit. now he was scared, had he done something to make you upset? had he made his feelings for you too clear and made you uncomfortable? had he-

"I uh- I noticed your spock pop figure on your desk, i've got the entire Star Trek box set at home... I was wondering if you might wanna come over? we can get something to eat, maybe get to know each other better?"

he didn't know what to say, this was y/n y/l/n, the girl he had been pining over for months, and she was asking him out? of course he wanted to say yes, that much was obvious, but he hadn't been in a real relationship since maeve, and even that didn't really count.

you were young, and so innocent, he was tainted, his hands were dirty, his mind haunted by the things he had done in prison, he didn't want to corrupt you.

you obviously took his silence as a no, and quickly jumped back in.

"if not that's totally fine too! I just thought it might be fun"

and just as he was about to politely reject you, he looked into your eyes.

innocent, yes. but there was something else, something that reminded him an awful lot of a feeling he had never truly felt. love. he knew then what he had to do.

"that sounds like fun, y/n, ill come over tonight at 6:00?" he responded with a smile.

"yes! yes! my address is 16 cornelia street, apartment 17."

"excellent, ill be there" he said

and he was.

at 5:57, he was waiting outside of your door, holding a bunch of flowers, and wearing an outfit he had spent far to long picking out. he knew it was a casual thing, and he knew you would just be staying home, so he decided to wear something he had never worn before. sweatpants. he had gone to the store to buy them immediately after work. along with a baggy Star Trek t shirt.

when he finally gathered up the courage to knock, you answered almost immediately, and he was speechless.

you looked beautiful, you were wearing a pair of white sweatpants along with a tight grey vest top, your hair was down, and you were wearing an adorable pair of bunny slippers.

when he finally snapped out of his trance, he stuck the flowers out in your direction with a quiet "these are for you"

your response came quickly, and with a smile "they're beautiful, spencer, thank you. I ordered chinese food, i hope that's alright" you said as you walked into the kitchen to find a vase.

not as beautiful as you. he wanted to say, but he settled for a shy nod and a smile instead.

after dinner, the two of you took a seat of your couch and began watching the first movie.

he wasn't satisfied.

he moved a little bit closer.

still wasnt enough.

he considered pulling out the cringey yawning trick, but decided against it, instead, deciding to touch your pinky with his own.

still, not quite enough.

towards the end of the first movie, you mored close enough so that you could put your had on his chest.

"is this okay?" you whispered, so quiet he could hardly hear you over the TV.

"more than okay" he whispered back, putting his arm around your shoulders to keep to close.

he realised, right there in that moment, that he was done with the girls, and the bars, this, right here, with you in his arms, was exactly where he was supposed to be.

A/N - OKAY!! the ending was slightly rushed, I'm sorry, but I'm very very tired and I have class tomorrow, but I wanted to get this done. if you liked it, let me know, send me requests if you want <3

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[eveninglakehomeworld]

hi friends and lovers, I've gathered a small collection of dialogues from Zevran in DA:O regarding Antiva & the Crows.

I got this together mostly for myself, but thought I'd share in case anyone who is maybe looking to flesh out their new Crow OC, write fanfic involving Crow characters, or is looking for a refresher on early Crow lore would like something to reference. I trimmed down dialogues a bit, so mostly just information relevant to the Crows, Antiva in general, and Zevran's own attitudes about being an assassin are present.

this post has dialogues from Zev's recruitment event and a couple of early game camp conversations. because it's only a handful of dialogues, this is, ostensibly, part 1 of several. I plan to post more as I progress through my replay of origins. enjoy! <3

Recruitment

Warden: "What are the Antivan Crows?"

Leliana: I can tell you that. They are an order of assassins out of Antiva. Very powerful, and renowned for always getting the job done... so to speak. Someone went to great expense to hire this man.

Zevran: Quite right. I'm surprised you haven't heard much of the Crows out here. Back where I come from, we're rather infamous.

Warden: "You came all the way from Antiva?"

Zevran: Not precisely. I was in the neighborhood when the offer came. The Crows get around, you see.

[After being asked if he's loyal to Loghain]

Zevran: Beyond that, no, I'm not loyal to him. I was contracted to perform a service.

Warden: "And now that you've failed that service?"

Zevran: Well, that's between Loghain and the Crows. And between the Crows and myself.

Warden: "When were you to see him next?"

Zevran: I wasn't. If I had succeeded, I would have returned home and the Crows would have informed your Loghain of the results... if he didn't already know. If I had failed, I would be dead. Or I should be, at least, as far as the Crows are concerned. No need to see Loghain then.

Warden: "How much were you paid?"

Zevran: I wasn't paid anything. The Crows, however, were paid quite handsomely. Or so I understand. Which does make me about as poor as a chantry mouse, come to think of it. Being an Antivan Crow isn't for the ambitious, to be perfectly honest.

Warden: "Then why are you one?"

Zevran: Well, aside from a distinct lack of ambition, I suppose it's because I wasn't give much of a choice. The Crows bought me young. I was a bargain, too, or so I'm led to believe. But don't let my sad story influence you. The Crows aren't so bad. They keep one well supplied: Wine, women, men. Whatever you happen to fancy. Though, the whole severance package is garbage, let me tell you. If you were considering joining, I'd really think twice about it.

Warden: "Aren't you at least loyal to your employers?"

Zevran: Loyalty is an interesting concept. If you wish, and you're done interrogating me, we can discuss it further.

Warden: "I'm listening. Make it quick."

Zevran: Well, here's the thing. I failed to kill you, so my life is forfeit. That's how it works. If you don't kill me, the Crows will. Thing is, I like living. And you obviously are the sort to give the Crows pause. So let me serve you, instead.

Warden: "And what's to stop you from finishing the job later?"

Zevran: To be completely honest, I was never given much of a choice regarding joining the Crows. They bought me on the slave market when I was a child. I think I've paid my worth back to them, plus tenfold. The only way out, however, is to sign up with someone they can't touch. Even if I did kill you now, they might kill me just on the principle of failing the first time. Honestly, I'd rather take my chances with you.

Warden: "Won't they come after you?"

Zevran: Possibly. I happen to know their wily ways, however. I can protect myself, as well as you. Not that you seem to need much help. And if not, well, it's not as if I had many alternatives to start with, is it?

Warden: "Why would I want your service?"

Zevran: Why? Because I am skilled at many things, from fighting to stealth and picking locks. I could also warn you should the Antivan Crows attempt something more... sophisticated... now that my attempts have failed.

A few early game camp conversations

Conversation 1 Warden: "What does it take to become an assassin?"

Zevran: Well, the Crows would have you believe that it is an involved process that takes years of training, the sort that tests both your resolve and your endurance. Survive that process and maybe, just maybe, you're good enough to start being considered one of them. But quite frankly the truth is that all it requires is a desire to kill people for a living. It's surprising how well one can do in such a field.

Warden: "It doesn't take any special skill?"

Zevran: I don't know about that. It's simply a slightly different skill set from your average killer, as I see it. An assassin simply specializes in striking from stealth... and in maximizing that first attack to be as lethal as possible. Debilitating your foe, either by poison or by crippling their limbs, makes any follow-up combat you need to engage in that much simpler.

Warden: "That sounds like it could be useful."

Zevran: See? Getting paid for the act is beside the point. An assassin is more a tactical choice than a lifestyle. Of course, the Crows like to pretend that their abilities are trade secrets, shrouded in shadows and wrapped in a blanket of mystery. So let's just keep this between you and me, shall we, hmm?

Conversation 2 Warden: "Why did you want to leave the Crows, exactly?"

Zevran: Well, now, I imagine that's a very fair question. Being an assassin, after all, is a living, at least as far as such things go. I was simply never given the opportunity to choose another way. So if that choice presents itself, why should I not seize upon it?

Warden: "You didn't choose the Crows?"

Zevran: Mm? To be truthful, I didn't even know the Crows existed when I joined them. I was but a boy of seven when I was purchased. For three sovereigns, I'm told. Which is a good price, considering I was all ribs and bone and didn't know the pommel of a dagger from the pointy end. The Crows buy all their assassins that way. Buy them young, raise them to know nothing else but murder. And if you do poorly in your training, you die.

Warden: "That sounds awful."

Zevran: "Oh, I don't know about that. The Crows who are actually good enough to survive come to enjoy some of the benefits. In Antiva, being a Crow gets you respect. It gets you wealth. It gets you women... and men, or whatever it is you might fancy. But that does mean doing what is expected of you, always. And it means being expendable. It's a cage, if a gilded cage. Pretty, but confining. [note: I transcribed the first line of the last section as it was written in the subtitles because it seemed to make more sense in context, but when Zevran speaks it aloud he actually says "That does not mean doing what is expected of you." presumably an editing error, but can't be 100% positive which is the intended message.]

[After being asked what he thinks his future might hold]

Zevran: As for what I'll do in the future... presuming that there is one... I truly can't imagine. It might be interesting to go into business for myself, for a change. Far away from Antiva, of course. For now, naturally, I go where you go.

Warden: "Won't the Crows eventually find you?"

Zevran: [laughs] Eventually can be a very, very long time if one plays one's cards right. Come, now. Enough chit-chat. Talking about the Crows summons them, you know. Any Antivan fishwife could tell you so.

Conversation 3 Warden: "Do you actually enjoy being an assassin?"

Zevran: And why not? There are many things to enjoy about being a Crow in Antiva. You are respected. You are feared. The authorities go out of their way to overlook your trespasses. Even the rewards are nothing to turn your nose up at. As for the killing part, well... some people simply need assassinating. Or do you disagree?

Warden: "You've never killed an innocent?"

Zevran: Now there's an interesting word, "innocent." How many men do you know who can claim to truly be innocent? But if you're talking generalities, such as children and relatives and bystanders and such... never on purpose, but it happens. It's unfortunate, but death comes to us all. If not me, then some wasting disease. Or a fall down the stairs. Or at the hands of a darkspawn. It's all relative in the end.

Warden: "I suppose that's true."

Zevran: "Death happens," as we like to say. And when I get paid for it, death happens more often. As far as enjoying the act of killing itself, why not? There is a certain artistry to the deed, the pleasure of sinking your blade into their flesh and knowing that their life is in your hands.

Warden: "I know what you mean."

Zevran: There are many things I did not enjoy about being a Crow, of course. Having no choice, being treated as an expendable commodity, the rules... oh, so many rules! But, simply being an assassin? I like it just fine. I will continue to do it, if I can, even if I am not a Crow. Honestly, could you picture me doing something else?

Conversation 4 [note: I trimmed this one down a lot bc it's just one of the ones where he tells you about a job and there's not a lot to be gleaned about Antiva, how the Crows operate, etc] [In response to being asked, "The Crows were willing to anger the Circle of Magi?"]

Zevran: In Antiva, nobody is too important to escape the reach of the Crows. They have killed kings and queens. That's simply how it is.

[After elaborating on how he fumbled an assassination attempt and the mark died accidentally, instead of by his hand]

Zevran: Then I found out she had told the driver to take her to Genellan instead. She has planned to lose me in the provinces. I would have looked very foolish to the Crows. As it was, my master was very impressed that I had done such a fine job of making it look like an accident. The Circle of Magi was unaware of foul play, and everyone was happier all around.

Conversation 5 Warden: "Tell me a little about Antiva."

Zevran: Oh? You wish to know about Antiva, do you? The only way to truly appreciate it would be to go there. It is a warm place, not cold and harsh like this Ferelden. In Antiva it rains often, but the flowers are always in bloom... or so the saying goes.

Warden: "Don't you want to go back?"

Zevran: [sighs] It is not really a matter of wanting to go back. I cannot go. At least not yet. I hail from the glorious Antiva City, home to the royal palace. It is a glittering gem amidst the sand, my Antiva City. Do you come from someplace comparable?

Warden: "I'm not from any glittering gem, no."

Zevran: No? That is too bad. If you were, then surely you would spend as much time boasting about it as I do! Hmm. You know what is most odd? We speak of my homeland, and for all its wine and its dark-haired beauties and the lillo flutes of the minstrels... I miss the leather the most.

Warden: "Is that some kind of euphemism?"

Zevran: [laughs] It may as well be! But not this once, no. I mean the smell. For years I lived in a tiny apartment near Antiva City's leather-making district, in a building where the Crows stored their youngest recruits. Packed in like crates. I grew accustomed to the stench, even though the humans complained of it constantly. To this day the smell of fresh leather is what reminds me most of home more than anything else.

Warden: "That's a little bizarre. There's leather everywhere."

Zevran: Ah, but it's not Antivan leather, is it? I do not know what the Antivan tanners do that is different, but ther is no leather more supple nor more fragrant.

Warden: "You sound like you've been away from home forever."

Zevran: Oh, not so long, I know. It is my first time away from Antiva, however, and the thought of never returning makes me think of it constantly. Before I left, I was tempted to spend what little coin I possessed on leather boots I spotted in a store window. Finest Antivan leather, perfect craftsmanship—ah, but I was a fool to leave them. I thought, "Ah, Zevran, you can buy them when you return as a reward from a job well done." More the fool I, no?

Warden: "Your home is still there, Zevran."

Zevran: True, and it's a comforting thought. One simply never knows what is to come next.

Now, if it is all the same to you, I would prefer not to speak more of Antiva. It makes me wistful and hungry for a proper meal.

Bonus banter snippet because I found it amusing:

Morrigan: You assassin types have a death wish, I see.

Zevran: [laughs] Only the really good ones.

[livencorazon]

I wrote to as an anon on this blog once, I already forgot the name of the blog but I do remember what I wrote since I have them on my drafts. Anyways...

It's a DC x DP fanfic, of the GIW being good guys and actually training the residents in the Amity Park once abilities started appearing because of the ecto-contamination of the town. Of course everyone in the town are Ecto-Contaminated, but Danny's Class are more than Liminal, and they're not exactly normal people (outside of their liminality, that is). I managed to at least write 1,900 something words of the idea.

Contaminated

Danny stared blankly. Tucker choked on what he was eating with Star quickly patting his back. Sam sighs alongside Paulina. Wes whimpered, hiding his face. Dash hit his head on his desk. The rest just stared. Lancer groaned at the side.

It was not a reaction the people in front of the class expected. James Howard was the head of the Martha Wayne Foundation, he oversee the foundation and made it part of his work to deliver the news in person. It was the reason why he and his group came to Amity Park. It was odd when he received the paper, it was filled with nonsense at the same time it made sense. Besides, they're better than the rest so they got the Free Trip.

"I take it it's not a good news?" James sighs which snapped everyone out of their spiral.

"NO!" He jumped at their shout and stared bemusedly.

"Mister Howard, this class was not supposed to win... It would cause problems..." He stared at the teacher blankly before breathing in and stared at the Class.

"Raise your hand if you have any relation with the Rogues of Gotham or any enemy of the Batclan, or anyone at Gotham, at all," He toned and didn't blink seeing hands raised. Gesturing at one of them, he waited patiently.

"Not Batman but Superman... My father is his... Archenemies," The girl hesitantly says and he could feel their eyes judging his reaction heavily. There's no doubt that if he reacted negatively, he'll find himself thrown outside.

"I see, what's your name miss?" He asks, taking out his Waynetech Tablet.

"Paulina Alexandria Luthor, sir," He nods before gesturing to another one.

"Wes Weston, sir. The Riddler is my maternal uncle," He nods and typed that down.

"Tucker Foley, sir. Commissioner Gordon is my maternal uncle," He hums and nods.

"Sam Manson, sir, Poison Ivy is my older half-sister," He made an acknowledging sound.

"Dale Thomas, sir, Duke Thomas is my second cousin,"

"Star Al Ghul, sir. Yes...those Al Ghuls... I'm related to them through Grandfather Ra's eldest son,"

"Theodore Drake, sir, Timothy Drake-Wayne is my older twin brother," That earned gasps from the rest of the class and even James looked up, only to withheld a sigh as Theo proceeded to remove his mask. Of course, the younger twin would have the Drake thinking and hid his appearance well.

"Garrett Crowne, sir. Richard Grayson-Wayne is my... Clone?" James stared blankly as he typed that down.

"Jackson Todd. I'm his twin brother," Jackson said and James nodded, immediately knowing which brother he was talking about.

"Kwan Napier... My father is Joker,"

James Howard nodded as he typed that down and close his tablet. He pinch the bridge of his nose before looking up to.

"Was that the reason why you deliberately made a mess of the paper?" He asks and one of the girls raised his hand.

"We're also not sure if we are allowed in the city, sir. We're all more than Liminals here, we have superpowers. We know how the Bats dislike those with superpowers in his city," She explained earning nods.

"Right. But that's only because they refuse to fight mind controlled, overpowered children," He explains.

"Besides, I did my own research, you children could handle yourself than the other schools who wanted to go to Gotham for shits and giggles," He dryly says.

He handed out slips of paper before reminding them of the itinerary. He gave a few more warnings before leaving, but not after leaving his number to be used just in case of emergency. He nodded at the men in White suits guarding the school and left for the gates.

Seems like Amity Park is another Gotham, but not that bad. James has a lot for things to report to the CEO.

Back to the classroom, there was chaos at the sudden reveal. It suddenly made sense for everyone involved, they only quietened down when Danny whistled sharply.

"Alright, since secrets are out, let's all plan what are we going to do in Gotham,"

"Let's just go with the flow. Knowing our luck, the itinerary won't be followed," Paulina huffs earning laughs from the rest.

"Like that trip in Nanda Parbat," Star dryly says earning groans from the rest, recalling that particular field trip. It was a mess in epic proportions but they got a weird grandfather out of it. A very rich grandfather who still sent them allowance every week.

"What hotel did you choose?" Lancer curiously asks and Danny smiles.

"Grandfather hijacked my selection and decided that Raal Hotel would be better," He said in amusement making the rest snort.

"That's his hotel, isn't it?"

They broke out into laughter before they decided to simply mingle around.

THE NEXT DAY

James Howard raised an eyebrow when the Class turned up. They're not wearing bright colors nor dark, but neutral colors it seems, and they wore hair clips in their heads, even the males, it looked like it was customized and cared for.

He nodded in greeting and they chirped back their own replies. He tilted his head at how unhuman sound it was, then remembered the pamphlet he received from those guys in white when he arrived in the town of the people no longer being human due to exposure and then shrugged.

"Mister James, you should wear this, so we're the same!" Star chirped and he accepted the hair clip. He eyed it for a moment before clipping it on his hair earning cheers from the rest. He chuckled and ushered them towards the private plane.

"Mister Wyane agreed to my request of borrowing his private plane for this. While I know you have control of your superpowers, I also know you like it if you're not hiding them," He said with a soft smile. He laughed when the moment they entered the plane, they started floating around. It says a lot of the training the crew had that they didn't flinch.

He blinked when they decided to fuse some glowing green goop all around the plane and looked at Lancer for explanation.

"Since they're more than Liminal, bordering Ghost, there's a high possibility that the plane would glitch. This way, everyone is safe. Let Mr. Wayne know though, he might react negatively that his plane is... Haunted," He explains and James nodded, already typing away on his Amity Phone. Negative energy and all that causes glitches so he has to buy a new phone from the town itself. And he had to send another piece for the CEO when the man practically begged to have one.

Receiving an affirmative, he gave the man a small smile and a thumbs up before settling down on his own seat. When the plane is in the air, he simply sat as the students started wandering around.

Or in case of Garrett and Theo, cartwheeling on the aisle.

He chuckled and activated the Wayne Kids code. The plane was designed to keep passengers entertained, designed by one Richard Grayson-Wayne, putting his siblings in mind. He watched as students stilled before some went straight to the shelves filled with books, some went to the area filled with board games then some went to the game station. He eyed their teacher who was fast asleep, wearing noise canceling earphones and his eyes covered.

He decided to quietly watched over them in the mean time.

Arriving at the airport, James sighed when he saw a few Rogues milling around. And despite wearing a disguise, people could still identify them. He hid his laugh seeing how the Class eyed them dubiously, some even facepalmed and groaning in their hands. Still, they did not approach the Class even if he ushered them to the mini bus. James raised an eyebrow to the driver who grinned and winked.

"Alright kiddos, for the duration of your field trip, I'll be your only driver. No substitutes and all, and even there is, I'll let your teacher and Sir Howard know. The names Jay," He said with a grin.

"Now what's the name of your hotel?" He asks.

"Raal Hotel!" Jackson chirped, not knowing the other class was eyeing Jay and Jackson discreetly. He gave kudos to the man who didn't outwardly react other than nodding and starting the bus.

"Everyone, control them for the duration of the drive," Lancer reminded making everyone nod and took out things. James realized it was to keep them calm and distracted. He looked at Lancer curiously who sighs.

"As long anything works on electricity, it affects them," He said making him hum and nod in understanding. Arriving at the hotel, he chuckled when the children practically ran out, some exited through the window before they started jumping on their toes.

Lancer sighed and nodded at them. In no time, they disappeared. James, Jay, and the discreet guards looked towards Lancer who smiles and gestured for them to head inside. They were then led to one of the rooms by a receptionist when Lancer asked for the visual room, a room with multiple screens that soon lit up the moment Lancer pressed a button.

"What are they doing?" He couldn't help but ask as he look at the Children that split off.

"Burning off the excess energy," Lancer says pointing at one Samantha Manson, who was growing a lot of green on another side of Gotham. Tucker Foley was by the beach making huge sand castles. Dale was in the sky, shooting light making it look like lightning.

He'll have to tell the Bats to ease their paranoia. He mused eyeing the rest of the children.

A few minutes later, they all disappeared from the cameras, Lancer then ushered them to the lobby and waited. The first to enter were Paulina and Star. Both wore different clothes than they wore a while ago and had handful of shopping bags.

"Don't worry, Mister Lancer, we did pay for them," Star says with a huff earning a fond eye roll from him.

The next to arrive were Dash, Kwan, Wes, and Dale. Dash was carrying two closed boxes while Dale was carrying three. Wes was only holding one and Kwan has two.

"They keep appearing in my direction!" Wes was quick to say when Lancer pointed the box filled with grappling hooks and shurikens.

"I hope you don't hand them out to your classmates, hm? They're destructive as it is, no need to add weapons in their arsenal," Wes nodded with a blush, his face turning green. James didn't blink at that he already saw them back in Amity, how even their blood has a tigne of green.

Valerie, Garrett, and Theodore stomped inside and Lancer readily opened his arms to which the trio went and slumped, switching to their small forms and curling up around the man.

Tucker arrived smiling sheepishly as sand followed his steps. Sam arrived cradling a plant and smiling innocently at Lancer who merely shook his head.

When Danny and Jackson arrived, everyone in the class stared and Lancer sighs.

"Danny, JJ, why do you have a child?" Lancer asks and Danny giggles hugging the child close with Jackson doing the same.

"Mine," They hissed and Lancer sighs.

~

Somehow, the child multiplied overnight and Lancer was used to it that he ushered the group to a mall to buy new things. Danny and Jackson with the help of Garrett and Theodore, the four children made sure to hold the hands of the kids who were swimming in the clothes they wear. Star and Paulina alongside Sam was gleeful in picking out clothes. Kwan, Dale, and Dash was behind them pushing the carts. Valerie, Wes, and Tucker was busy with shopping grocery.

The Gothamites gleefully scanned their purchases, if those kids were Gothamites and some assassins, well, good for them. It's pretty clear the kids are loaded, with how willing they are to spend a lot just for clothes. Good for them.

[olderthannetfic]

In 21 years of writing fanfic, I had never had a comment genuinely make me feel frustrated and exasperated enough to rant. That ended yesterday, with someone getting annoyed by my use of the word 'minor' in a story. Bruh. A character who is a lawyer is going to differentiate between minors and adults because the law treats them very differently. I don't know how it works abroad, but in the United States, the law does factor age into things. A 4 or 14 or 24 year old have different levels of responsibility for their actions/capacity to understand their actions and therefore culpability in a court of law.

"Minors is insulting! Say kids!" This dude is a lawyer. He canonically says "minors" and "adults" in the source material. The character is referring to is a teen, not a child, also. Teens are, depending on the situation, usually not legally treated as adults in a court of law. They are, in criminal cases, treated differently from a child who is a preteen. Again, 4 and 14 are massively different ages cognitively and developmentally.

"I hate when people call kids teens or minors. It's degrading language." Teen means 13 to 19. Minor means under the age of majority, which in the country canon is set in is 18 years of age. 5/7ths of teens are under the age of majority. All of them are teens.

"Making him say minors feels predatory like he's not even acknowledging that's an actual whole-ass child!" He is not calling the 14 year old an adult. He is not preying on them. Legal documents from papers to the law to statements make this difference noted not because all these people wanna bang the 14 year old but because 14 is not an adult.

"Why can't he just say kid like a normal person?" Because kid is not a legal term. Child, defined as under 13 or under 18 depending on the law, does sometimes pop up, but you'll see the word minors a lot all over US law. Everywhere. All the time.

And before someone says, "ugh, the commenter must be an annoying teen/kid/minor", while you'd like to hope so, I saw their fandom tumblr (same name) pop up in a reblog of a post and clicked on the bio.

They're 35, soon to be 36. This isn't a 19 year old arguing teens are kids because seeing how teens act at his college has convinced him these aren't adults (which would be a fair argument; I have seen some silly, silly freshman, living three blocks from the university). This is someone old enough to have a teenager arguing that "minor" and "teen" are somehow morally wrong words to use.

I genuinely do try not to use offensive language unless it's in-character. I don't write everyone as a snarky MCU style everything-is-a-joke you-suck-lmao jackass. But this is in-character. And more than that, this is how people talk every single day in the real world and have for centuries.

This is the only truly can't-get-it-out-of-my-head baffling comment I've ever gotten. My comment luck has always been great, but I guess it had to run out sometime. (Not that I haven't had rude comments. It's just that the rudeness made sense in what the person hated.)

--

[loganwritesprobably]

Even Strong Men Have Weaknesses

Content/Warnings: Mihawk/GN!Reader, Crocodile & GN!Reader, Mihawk has chronic fatigue, cross guild era, established relationship, fluff, reader and Croc have chronic pain

Dracule Mihawk, the World's Greatest swordsman.

Dracule Mihawk, your boyfriend.

Dracule Mihawk, the world's sleepiest swordsman.

You and Mihawk had been dating for a few years now, and it'd been pretty blissful for the most part. Now, on Karai Bari, life had never been better. Your shared tent did leave some things to be desired (like privacy) but there was very little to complain about. You were happy, healthy and comfortable. At least, as healthy and comfortable as two chronically ill people could be.

That was why your relationship worked so well, you suspected. The two of you understood each other in a way that an abled person couldn't understand, no matter how hard they tried.

Your boyfriend was known for his love of naps, but only yourself and Crocodile (his closest friend) were aware that it was a medical requirement. His chronic fatigue left him exhausted even from the smallest of tasks, and the fact that he'd mastered swordsmanship despite it made you admire him deeply. He'd succeeded despite his illness, and you were incredibly proud of him.

On the other hand, you had chronic pain. Often, you'd join Mihawk's midday naps if only to sleep away some of your aches and pains, though they'd always return when you woke. Resting was rarely a bad thing in your case. You both understood that sometimes you just had to say no, even to the smallest of things, for the sake of your health and that a relationship may not always be able to be 50/50, it really depended on how much you had to give on any day.

You'd grown closer with Crocodile since the beginning of the Cross Guild too, which was a nice bonus considering he and Mihawk had been friends for so long. He had his own issues with pain when it came to his missing hand, and you'd bonded over it. He was far less forgiving with himself despite your attempts to convince him to take it a little easy sometimes for his own sake. It was a work in progress.

"Love?" Mihawk called out as he walked into your shared tent, a yawn quickly following. "I'm already in bed, I was waiting up for you." You replied. Mihawk parted the curtains that separated your bedroom from the rest of the living space and then silently admired him as he stripped down to his underwear to sleep. "You're very good to me." He said softly, neither of you minding the long silence between your words and his response. He slipped into the bed and opened his arms for you to cuddle in closer, resting your head beneath his chin. "I try." You said with a yawn of your own, and it didn't take long for the both of you to be asleep. Crocodile had attempted to organise an afternoon meeting but you suspected the both of you would be missing it.

Requests are open! See below links for my other works, and how to leave requests. I write both canon/canon and canon/reader requests for your enjoyment

AO3 | Fanfic Masterlist | Request Rules | Fic Trades Guide | WIPs

Tags: @claryeverlarkf @uselessboots

[damelancelot-darling]

Gotham Inception Fic

Aka: a Gothamite writes fanfiction about the Batfam and the Wayne family like step-families.

All inspired by @jasontoddiefor's post here:

Obviously fans are going to wildly mischaracterize everyone, especially the BatFam so I'm seperating each person's character traits into their civilain ID and their persona. Some of these are grossly incorrect in any kind of canon or fanon but this is from the perspective of a Gothamite.

Dick (Richy):

Everyone gave up on using Dick as his name because it kept getting flagged everytime so they decided on Richy. He confirmed in an interview that he prefers Dick because English wasn't his parent's first language and when they gave him a white name, they didn't know what dick meant until they had already been using it too long.

Way stereotyped. Both as Romani and as a former circus performer.

Goofy, smiley, more of a puppy than anything.

Doting on his family.

Nightwing ():

Human thristtrap.

Oversexualized and flirty af.

Gets very angry easily (stemming from his early Robin days)

Overprotective (of family, of his partner, of Y/N, etc.)

Cool in a way that teenagers think is cool.

Richi taught him acrobatics.

Jason:

Dead lol

Still legally dead and out of the view of the public.

Everyone writes angst about his death.

Made out to be this sweet little uwu baby.

They do guess correctly that if he was brought back, he'd be pissed he was "replaced".

Red Hood (Liam):

Woobified

His "real" name came from him quoting Shakespeare in public and so got called William which turned into Liam because Will was not a cool enough name for him.

Daddy issues af

A lot less violent that in reality.

Brucie has guilty resentment about him coming back but not Jason.

Only shows up to work with Batman on cases that involve his terf.

Hates Brucie with a burning passion and doesn't explain why.

Tim:

More uptight. Kinda like Damian's fanon calling everyone "peasants" thing but less outspoken.

Secretly thinks he should be the only son of Wayne but when Wayne Enterprises was given to him, it quelled most of the jealously.

Kind of the "bad guy" and/or the pessimist in most fanfics.

Basically a semi-spoiled rich kid who inherited his daddy's company.

It's debated whether he's actually a compitant boss or if he's more like Brucie was and everyone else does his work for him.

A small group of fans insist that he's stereotped into being the bad guy and he isn't actually that bad in real life. (Most of these are the Batfam trying to raise Tim's spirits.)

Red Robin (Rhett Robbie):

Yes his name is a reference to his vigilantie name.

Nerd

I can't really think of more for him rn

Damian:

More shy than snobby.

Overwhelmed with suddenly having a large family.

Covers up his negative feelings with either anger or coldness.

Doesn't speak much.

More affectionate than irl.

Snow White (ie: someone found out about the zoo he keeps at the manor and everyone thinks it's cute.

Robin (Taj):

I will murder you with a smile.

Has to be kept on a BatLeash (patent pending) at all times so he doesn't kill all of the criminals.

Complete Middle Eastern/ninja stereotype

They do get his desire to be the only BatKid because he's "actually" Batman's son.

According to the internet (which is exactly where a fan writer would go for name inspiration) Malik means crown in Arabic.

Bruce (Brucie):

Still very much a himbo.

Mischaracterized as "the wife" when shipped with Batman

Some people insist that Damian got his animal adoption problem from Brucie's child adoption problem.

All of his one night stands after parties are fake b/c he'd never cheat on Batman.

A little too dependant on hard liqour when left alone because Jason is dead/he's worried about Batman dying on patrol/etc.

Secretly depressed.

Would 100% kill a villain if they were after his kids (batkids included) and he had an opportunity.

Was taught in-depth selfdefense before Batman even considered a first date.

Batman (???):

I can't think of a good name for Batman. If you can think of something better, please add it.

His Batman persona sticks around even when the cowl is off.

Usually a redhead with green eyes because they suspect he's BatGirl's bio dad.

"Do the butts match?"

Loves his kids and Brucie's kids but is emotionally consipated and doesn't show it well.

Has a tragic backstory.

Childhood friends with Brucie.

He doesn't use guns because they're a huge trigger for Brucie.

I am absolutely not the authority of this kind of AU. If anyone has Corrections or additions they want to add please do. If there's enough additions and Corrections on this post, I will eventually I will make another post with everything added and corrected. 

Yes I know I need to add Duke, Cass, Stephanie, Barbara, Alfred, maybe Clark Kent, etc. I will make a sequel post with them in it or I will just include them when I make the masterpost.

[avelera]

It makes me sad when I see posts by people who are enjoying the Interview with the Vampire show but say they've decided not to even try to read the books.

To be clear, it's fine to just not want to read the books, there's plenty of reasons the books might not be everyone's bag, and one reason is that people might just want to enjoy the show without spoilers or the source material muddling the experience.

But I just want to clarify a few points that people might be hung up on with regards to reading the books in case they've decided not to on false premises:

Anne Rice was not homophobic or otherwise anti-sex or against queer relationships for her characters - those are lies, lies, and damned lies. Anne Rice was a queer writer before being queer-- much less writing about it--was cool (to say the least). She more or less defined herself as nonbinary before there was terminology for it, her son is gay, and she left the Catholic Church the second time because they wouldn't accept him (even though the Catholic Church had basically become her life at that point after her husband died, which is a long complicated story). She also wrote tons of erotica, specifically bdsm erotica, which was also very queer. She would not be horrified by the queerness of the show.

Anne Rice was anti-fanfic - Yes, she was. Yes, she was one of the most aggressive authors against fanfic (though she softened later). But just to be clear, she had a legal reason for it. I was one of the people most heartbroken in the early '00s by her aggressive take down of fanfic over the years but even then, I always understood why she did it, she reasonably believed she had to be aggressive in order to defend her copyright. You can dislike her for it but she wasn't just hating on fanfic for the sake of it, the early internet was extremely muddy when it came to the legality around fanfic and copyright and as an early adopter of the internet, she was very concerned on that front specifically.

The books are not poorly written/not fun to read - Look, your mileage may obviously vary, and many have found flaws in her writing (IWTV in particular is probably the slowest read of the bunch) but Anne Rice wasn't a NYT Bestseller on basically every single one of her books for no reason. Her style is easy to read, fun, engaging, and often darkly beautiful and deeply empathetic. She basically defined the modern vampire genre and modern supernatural gothic romance for the last 50 years, I mean she dominated the genre. Don't take an out of context excerpt of the opening of The Vampire Lestat sounding like "My Immortal" as an indication of anything. (The whole point of that intro is that Lestat is supposed to sound like a self-obsessed drama queen in the opening pages, that's the conceit of the book and introduces him as a self-centered unreliable narrator, which she then plays with to great effect. It's actually rather deftly handled how she introduced Lestat as a POV character with that introduction. As a writer, I will defend that introduction as actually genius.)

Anne Rice wasn't perfect, to say the least. And the books might not be everyone's cup of tea, she was often dealing with transgressive topics and probably held many ideas or presented many concepts decades ago that would be side-eyed today.

But they're bestsellers for a reason and she's an era-defining author for a reason. The show is doing some interesting stuff with modernizing and deconstructing the books but the rich material they have to do it with comes from the books.

At the very least, I suggest trying out "The Vampire Lestat" and then "Queen of the Damned" which I think are two of her best and will go a long way to informing how audiences view the show and what's coming next.

[nyxshadowhawk]

A Retrospective on Harry Potter

Why did I like it in the first place? What about it worked? Where do I go from here?

I have decided to give up Harry Potter.

J.K. Rowling’s reputation now stinks to high heaven. At this point, she is quite indefensible. And even if that weren’t the case, she is not someone that I would want to associate with anyway. Meanwhile, the internet has not only turned against her, but against Harry Potter itself. An innocent question on Reddit, about which Hogwarts Houses the ATLA characters would be in, got downvoted to oblivion. Innumerable Tumblr threads insist that fantasy fans should get into literally anything else (suggestions include Discworld, Earthsea, The Wheel of Time, and Percy Jackson). And now that Harry Potter is no longer a sacred cow, there has been a recent slew of video essays that rip it to shreds, attacking it for its poor worldbuilding, unoriginality, and the problematic ideas baked into the original books (like the whole SPEW thing), etc. Those criticisms always existed, but now they’re getting thrown into the limelight.

It pains me to see such an ignoble downfall of Harry Potter’s reputation. If Rowling had just kept her damn mouth shut, Harry Potter would have aged gracefully, becoming a beloved children’s classic. I'd still plan to introduce it to my own kids one day (after Rowling dies and the dust settles). It’s not surprising that not all aspects of it have aged well, since it’s been more than twenty years since its original publishing date, and everything starts to show its age after that long. I acknowledge that most of the criticisms of the series that I’ve seen lately are valid, and I’ve read plenty of better books. And yet, when I return to the books themselves, even with the knowledge of who JKR really is inside my head, I still really enjoy reading them! There’s still a lot about them that I think works!

None of the other things I’ve read have had as collossal of an impact upon my identity, my values, and my own writing as Harry Potter. It’s hard to move on from it, not just because it’s something I enjoy, but because I have to literally extract my identity from it. I don’t know who I’d be without Harry Potter. I don’t know what my work would look like without Harry Potter. I don’t know how to carry it with me as just another piece of media that I like, as opposed to a filter for who I am as a person. So, with all that in mind, I have to ask myself why I liked Harry Potter so much in the first place. If I’m going to move on from it, then I have to be able to define and isolate the things about it that I want to keep with me. Something about it obviously worked, on a massive scale. So what was it?

It’s not the worldbuilding. The worldbuilding is objectively quite terrible, especially in comparison to that of other fantasy writers who knew what they were doing. At best, it’s inconsistent and poorly thought-out, and at worst it’s insensitive or even racist. Is it the characters? The characters are, in my opinion, one of the stronger parts of the story. But I felt very called-out by one of the many online commentators, who said that anyone who identifies with Harry is too cowardly to write self-insert fic. (I do not remember who said it or even which site it was on, but I distinctly remember the phrase, “Reject Harry Potter, embrace Y/N.”) The reason why people get so invested in Harry Potter’s characters is because they’re easy to project upon, and it’s possible that my love of Harry comes more from over a decade’s worth of projection than anything else. The incessant arguments over characters like Snape, Dumbledore, and James Potter ultimately stem from the fact that these characters do not always come across the way Rowling wanted them to. As for the writing itself, it’s decent, but not spectacular. Harry Potter is something of a sandbox world, with less substance than it appears to have and a crapton of missed opportunities, making it ripe for fanfic. For more than ten years, I’ve been doing precisely that — using Harry Potter as a jumping-off point to fill in the gaps and develop my own ideas, some of which became my original projects.

So what does Harry Potter actually have that sets it apart? Why are people so desperate to be part of Harry Potter’s world if the worldbuilding is bad? What, specifically, is so compelling about it? I think that there’s one answer, one thing that is at the center of Potter-mania, and that has been the underlying drive of my love of it for the past decade and a half: the vibe.

Harry Potter’s vibe is immaculate.

You know what I mean, right? It’s not actually a product of any specific trope, but rather a series of aesthetic elements: The wizarding school in a grand castle, with its pointed windows and torches and suits of armor, ghosts and talking portraits and moving staircases, its Great Hall with floating candles and a ceiling that looks like the night sky, its hundreds of magically-concealed secret doorways. Dumbledore’s Office, behind the gryphon statue, with armillary spheres in every single shot. Deliberate archaisms that evoke the Middle Ages without going as far as a Ren Faire: characters wearing heavy robes, writing with quills and ink on parchment instead of paper, drinking from goblets, decorating with tapestries. Owls, cats, toads. Cauldrons simmering in a dungeon laboratory. Shelves piled with dusty tomes, scrolls, glass vials, crystal balls, hourglasses. Magical candy shaped like insects and amphibians. A library with a restricted section. A forbidden forest full of unicorns and werewolves. That is the Vibe.

There are five armillary spheres just in this shot. They are unequivocally the most Wizard of tabletop decor.

There’s more to it than just the aesthetic, though. The vibe is present in something that writers call soft worldbuilding.

There’s a phrase that writers use to describe magic systems, coined by Brandon Sanderson: hard magic and soft magic. Sanderson’s first law of magic is, “An author’s ability to solve problems with magic is directly proportional to how well the reader understands said magic.” A hard magic system has clearly-defined rules — you know where magic comes from, how it works and under which conditions, how the characters can use it, and what its limitations are. Examples of really good hard magic systems include Avatar: The Last Airbender and Fullmetal Alchemist. If the audience doesn’t understand the conditions under which magic can work, then using magic to get out of any kind of scrape risks feeling like the writer pulled something out of their ass. It begs the question, “Well, if they could do that, then why didn’t they do that before?”

You may come away from that thinking that having clearly-defined rules is always better worldbuilding than not having them, but this isn’t the case. Soft magic isn’t fully explained to the audience, but that doesn’t matter, because it isn’t trying to solve problems — its purpose is to be evocative. Soft magic enhances the atmosphere of a world by creating a sense of wonder. If your everyman protagonist is constantly running into cool magical shit that they don’t understand, then the world feels like it teems with magic, magic that is greater and more powerful than they know, leaving lots of secrets to uncover. Harry Potter, at least in the early books, excels at this. The soft magic in Harry Potter is what got me hooked, and I think it’s what a lot of other people liked about it, too.

The essence of soft magic is best summed up by this scene in the fourth film, in which Harry enters the Weasleys’ tiny tent at the Quidditch World Cup, only to find that it’s much bigger on the inside. His reaction is to smile and say, “I love magic.”

That’s it. That’s the essence of it. You don’t need to know the exact spell that makes the tent bigger on the inside. You don’t need to know how Dumbledore can make the food appear on the table with a flick of a wand, or how he can make a bunch of poofy sleeping bags appear with another flick. You don’t need to know how and why the portraits or wizard cards move. You don’t need to know how wizards can appear and disappear on a whim, or what the Deluminator is, or where the Sword of Gryffindor came from. You don’t need to know how the Room of Requirement works. Knowing these things defeats the purpose. It kills the vibe, that vibe being that there is a large and wondrous magical world around you that will always have more to discover.

One of the best “soft magic” moments in the books comes early in Philosopher’s Stone, when Harry is trying to navigate Hogwarts for the first time:

There were a hundred and forty-two staircases at Hogwarts: wide, sweeping ones; narrow, rickety ones; some that led somewhere different on a Friday; some with a vanishing step halfway up that you had to remember to jump. Then there were doors that wouldn't open unless you asked politely, or tickled them in exactly the right place, and doors that weren't really doors at all, but solid walls just pretending. It was also very hard to remember where anything was, because it all seemed to move around a lot. The people in the portraits kept going to visit each other, and Harry was sure the coats of armor could walk. —Philosopher’s Stone, Chapter 8

Many of these details don’t come back later in the series, which is a shame, because this one paragraph is super evocative! It establishes Hogwarts as an inherently magical place, in which the very architecture doesn’t conform to normal rules. Hogwarts seems like it would be exciting to explore (assuming you weren’t late for class), and it gets even better when you learn about all the secret rooms and passages. The games capitalized on this by building all the secret rooms behind bookcases, mirrors, illusory walls, etc. into the game world, and rewarding you for finding them. The utter fascination that produces is hard to overstate.

Another one of the most evocative moments in the first book is when Harry sees Diagon Alley for the first time, after passing through the magically sealed brick wall (the mechanics of which, again, are never explained). This is your first proper glimpse at the wizarding world and what it has to offer:

Harry wished he had about eight more eyes. He turned his head in every direction as they walked up the street, trying to look at everything at once: the shops, the things outside them, the people doing their shopping. A plump woman outside an Apothecary was shaking her head as they passed, saying, “Dragon liver, seventeen Sickles an ounce, they're mad....” A low, soft hooting came from a dark shop with a sign saying Eeylops Owl Emporium — Tawny, Screech, Barn, Brown, and Snowy. Several boys of about Harry's age had their noses pressed against a window with broomsticks in it. "Look," Harry heard one of them say, "the new Nimbus Two Thousand — fastest ever —" There were shops selling robes, shops selling telescopes and strange silver instruments Harry had never seen before, windows stacked with barrels of bat spleens and eels' eyes, tottering piles of spell books, quills, and rolls of parchment, potion bottles, globes of the moon.... —Philosopher’s Stone, Chapter 5

What works so well here is the magical weirdness of wizardishness juxtaposed against normalcy. Eeylops Owl Emporium is just a pet shop to wizards. A woman makes a very mundane complaint about the price of goods, but the goods happen to be dragon liver. Broomsticks are treated like cars. All of these small moments contribute to the feeling of the wizarding world being alive, inhabited, and also magical. It gets you to ask the question of what your life would be like if you were a wizard. What do wizards wear? What do they eat? What do they haggle over and complain about? What do they do for fun?

In Book 3, Harry enjoys Diagon Alley for a few weeks when he suddenly has free time, and we get to experience the wizarding world in a state of “normalcy,” when he isn’t trying to save the world. He gets free ice creams from Florean Fortescue, gazes longingly at the Firebolt, and engages with delightfully weird people. He’s a wizard, living a (briefly) normal wizard life among other wizards in wizard-land. And that is fun. It’s so fun, that people want that experience for themselves, enough for there to be several theme parks and other immersive experiences dedicated to recreating the world of Harry Potter.

One of the greatest things about Universal was its phenomenal attention to detail. You can hear Moaning Myrtle’s voice in the women’s bathroom, and only the women’s bathroom. The walls of the Three Broomsticks have shadows of a broom sweeping by itself and an owl flying projected against the wall, so convincingly that you’ll do a double take when you see it. Knockturn Alley is down a little secret tunnel off of the main street, and that’s where you have to go to buy Dark Arts-themed stuff. It’s really well done.

Another thing that contributes to the vibe, in my opinion, is that the wizarding world is slightly macabre. They eat candy shaped like frogs, flies, mice, and so forth, and they have gross-tasting jellybeans. In the film’s version of the Diagon Alley sequence above, there’s a random shot of a pet bat available for purchase. In the third film, when Harry is practicing the Patronus Charm with Lupin, the candles are shaped like human spines. In the first book, this is Petunia’s description of Lily’s behavior after she became a witch:

Oh, she got a letter just like that and disappeared off to that-that school, and came home every holiday with her pockets full of frog spawn, turning teacups into rats. I was the only one who saw her for what she was — a freak! —Philosopher’s Stone, Chapter 4

I remember reading this for the first time, and it just kind of made intuitive sense to me. I suppose it fits into the “eye of newt and toe of frog” association between magical people and gross things, but somehow it works. Unfortunately, this is retconned later with the knowledge that wizards can’t use magic outside school, but before that limitation gets imposed, the idea of Lily amusing herself by turning teacups into rats seems like an inherently witchy thing to do.

That association between magic and the macabre shows up elsewhere, as well. In The Owl House, Luz’s interest in gross things is one of the things that marks her as a “weirdo” in the real world. When she goes to the magical world of the Boiling Isles, weird and gross stuff is absolutely everywhere. That world’s vibe leans more towards the macabre than the whimsical, but it works because you sort of expect the gross stuff to exist alongside the concept of witches, and that they would be an intrinsic part of the world they inhabit. You don’t question it, because it’s part of the vibe.

(The Owl House is one of the few things I’ve encountered that has a similar vibe to Harry Potter, but it’s still not the same vibe. In fact, The Owl House outright mocks the expectation that magical worlds be whimsical, and directly mocks Harry Potter more than once. The overall vibe is much closer to Gravity Falls.)

The Harry Potter films utilize a lot of similar soft worldbuilding with the background details, especially in the early films that were still brightly-colored and whimsical. For example, the scene in Flourish and Blotts in the second film has impossibly-stacked piles of books and old-timey looking signs describing their subjects, which include things like “Celestial Studies” and “Unicorns.” When Harry arrives in the Burrow in the same film, one of the first things he sees is dishes washing themselves and knitting needles working by themselves, taking completely mundane things and instantly establishing them as magical. In that Patronus scene with Harry and Lupin, the spine-candles and a bunch of random orbs (and the obligatory giant armillary sphere) float around in the background. One small detail that I personally appreciate is the designs on the walls above the teacher’s table in the Great Hall, which are from an alchemical manuscript called the Ripley Scroll:

It’s all these little things that add up to produce The Vibe.

Obviously, much of the vibe is expressed very well in John Williams’ score for the first three Harry Potter films. The mystical minor key of the main theme, the tinkly glockenspiel, the strings, the rising and falling notes that mimic the fluttering of an owl, the flight of a broomstick, or the waving of a wand. That initial shot of the castle across the lake as the orchestra swells, as the children arrive at their wizarding school:

If you grew up with Harry Potter, just looking at this image gives you The Vibe. The nostalgia hit is definitely part of it, but The Vibe was already there, back when you were a child and you didn’t have nostalgia yet.

In my opinion, only Williams’ score captures this vibe — the later films, though their scores are very good, do not. But the soundtrack of the first two video games, by Jeremy Soule (the same person who did Skyrim) absolutely nails it. This, right here, is Harry Potter’s vibe, condensed and distilled:

This is why I feel invalidated by the common advice “just read another book.” I have read other books. I’ve read plenty of other books, many of which are wonderfully written and have left an impact on me. But there’s still only one Harry Potter. To date, there’s only other book that has filled me with a similarly intense longing for a fictional place, and that is The Night Circus by Erin Morgenstern. That book deliberately prioritized atmosphere over everything else in the story, and actually lampshades this in-universe. The Night Circus has a plot and it has characters, but it’s not about its plot or characters. It’s about the setting and its atmosphere. It swallows you up and transports you to a fictional place that is so evocative and so magical that you just have to be part of it or you’ll die. And even then, The Night Circus has a different kind of vibe from Harry Potter. In this particular capacity, there’s nothing else like Harry Potter.

The thing is, I don’t think Rowling was being as deliberate as Erin Morgenstern. (In fact, given many of Rowling’s recent statements, I question how many of her creative choices were deliberated at all.) She was throwing random magical stuff into the background without thinking too hard about it, which works when you’re writing a kids’ story, but stops working when you try to age it up. Actually, scratch that — soft worldbuilding is definitely not just for kids! The Lord of the Rings has a soft magic system, for crying out loud, and Tolkien is the original archmage of worldbuilding. Don’t listen to anyone who tells you that prioritizing atmosphere over meticulousness is bad worldbuilding. That is a valid way to worldbuild! Not everything needs to be clearly explained, not everything needs to make sense. The problem is that Harry Potter doesn’t balance it well. Certain things do have to be explained in order for the magic to play an active role in the story (and the setting of a magic school lends itself to that kind of explanation), but no rules are ever established for the kinds of magic that need rules. When you begin thinking about the rules, you’re no longer just enjoying the magic for what it is. At worst, you begin running up against the Willing Suspension of Disbelief.

It wasn’t actually the “aging up” of the story that did it in, per se, but rather, the introduction of realism. The early books were heavily stylized, and the later books were less so. A heavily stylized story can more easily maintain the Willing Suspension of Disbelief. That’s why, for example, you don’t ask why the characters are singing in a musical — you just sort of accept the story’s outlandish internal logic, and the inherent melodrama of it doesn’t take you out of the story. Stylized stories are more concerned with being emotionally consistent over being logically consistent. The later Harry Potter books changed their emotional tone, but without changing the worldbuilding style to compensate.

In addition to the more mature themes and darker tone, Harry Potter introduced more realism as it went, but Rowling did not have the worldbuilding chops to pull this off. There’s the basic magic system stuff: When you begin thinking about it too hard, something like a Time-Turner stops being a fun magical device, and starts threatening to break the entire story. Then there’s the characters: Dumbledore leaving Harry on the Dursleys’ doorstep in the first book is an age-old fairy tale trope that goes unquestioned, but with the introduction of realism in the later books, it suddenly becomes abandonment of a child to an abusive family. The exaggerated stereotypes of characters like the Dursleys become tone-deaf. The fun school rivalry of the House system is suddenly lacking in nuance. And then there’s the shift in tone: The wizarding world that we were introduced to as a marvellous place is revealed to be dystopian. You start thinking about how impractical things like owl messengers are, you start wondering if Slytherin is being unjustly punished, the bad history appears glaringly obvious, the quaint archaisms become dangerously regressive. Oh, and the grand feasts are made through slave labor! The wizarding world suddenly feels small and backward instead of grand and marvellous. J.K. Rowling’s bigotry throws it all into an even harsher light.

This is why I’ve always preferred the early books and films to the later ones. There’s a lot of things I like about the later ones, but they’re not as stylized — they don’t have The Vibe. Thinking about things too hard is just a necessary condition of adulthood, but it’s still possible to tell a dark, mature story that is highly stylized. I really think JKR could have better pulled off that shift if she was a more competent worldbuilder. But it is painfully obvious that she did not think things through, and probably didn’t understand why she had to. In her defense, she did not know that her story would end up being one of the most scrutinized of all time. As it stands, her strength in worldbuilding was in the softer, smaller, deliberately unexplained moments of magic that were there just to provide atmosphere. And there were less and less of those as the books went along.

Pretty much all the Harry Potter-related content released since the last film — including Cursed Child, Fantastic Beasts, Hogwarts Mystery, Hogwarts Legacy, Magic Awakened, and that short-lived Pokemon Go thing — have been unsuccessful attempts at recreating The Vibe. In fact, the only piece of supplemental Potter content that I think had that Vibe down pat was the original Pottermore, back when it was more of an interactive game. And of course that got axed. That was right around the time things started going downhill.

Some of the art from Pottermore’s original Sorting quiz.

So what now? Well, that’s the question.

I think I can safely say that The Vibe was the reason I liked Harry Potter. It’s the thing I still like the most about it. I’ve spent years chasing it, like an elusive Patronus through a dark wood. If I can capture and distill that Vibe, and use drops of it in my own work, then perhaps I won’t need Harry Potter anymore.

I'm gonna write the story that I wish Harry Potter was, and when I'm a famous author, I won't become a bigot. I'll see you on the other side.

[bumblebeehug]

A Way Into Your Heart

Summary: After a friendly night out, Natsu and Lucy connect under the street lights. Notes: I just wanted to write about them kissing. I have no other excuse for not writing on my last nalu week fanfic - I just wanted them to smooch for ten pages, so that's what I did! Ao3

***

Lucy was feeling hot. She was currently mushed between a fire dragon slayer and a very sweaty Ichya at the bar. The Fairy Tail guild had been invited to yet another event that they didn't deserve to go to. Even if they helped save Christina from getting destroyed by enemies, the town beneath the flying ship hadn't been as lucky. Still, Blue Pegasus were persistent that they had to thank Fairy Tail, so here they all were, crammed into a semi big pub in the outskirts of Magnolia, drinking and celebrating yet another victory.

"You okay?" Natsu leaned towards Lucy and whispered in her ear. The blast of hot air made Lucy sweat.

"It's weird that he doesn't smell bad," Lucy complained, adding a slight nod towards Ichya. As she glanced towards him she noticed that he was flaring his nostrils and bending towards her. She could only cringe. "He's smelling me…"

Natsu poked his head forward and gave Ichya a menacing stare. Sadly, Ichya was far too drunk to care. When Natsu's tactic to scare him away didn't work, he slid off the bar stool and pulled Lucy away.

"That creep," he muttered, placing a protective arm over Lucy's shoulders. "How hasn't he gotten locked up yet?"

Lucy let out a small giggle.

"It's not against the law to be weird. Plus, he's dating my great grandmother, he can't be that crazy."

Natsu huffed in response.

"Don't brag 'bout having a weirdo family tree."

Lucy stuck out her tongue. No matter how close they got, or how long their friendship lasted, Natsu would never stop calling her that. She wouldn't be surprised if he wrote R.I.P. Weirdo on her headstone one day.

On another note, Lucy was craving a new drink. She had only gotten halfway on her previous one since Natsu pulled her away, so after some coercion she got him to pay for her new one.

"I'll get us some seats," she said, pushing him back towards the bar, along with a small prayer that he wouldn't get carried away and confront Ichya. That could only lead to the fire alarm going off, best case, or worst, the bar turning into ashes, which would definitely ruin the festive mood. After scanning the tables she noticed a table for two where one guy had fallen asleep. The many empty beer glasses in front of him indicated that his night out was coming to an end. Lucy threaded over to him, careful not to bump into anyone with a drink in their hand. A sticky dress wasn't pleasant.

"Excuse me, sir?" Lucy spoke loudly in hope that he hadn't fallen asleep just yet. After a couple of pokes he finally looked at her. "Sir, could my friend and I use this table?"

The man looked like he was going through the worst kind of drunk — the kind where he'll wake up the next morning in a bush with his pants halfway down, wondering why his lip is hurting and soon learning that some other drunk guy tried to pierce it with a safety pin. He had left a puddle of drool on the table in front of him, and it was obvious that Lucy's words didn't connect. They had gone in through one ear and out the other. Still, she tried again, being sure to keep her distance, just in case.

"Could we have this table?" She shouted this time, finally hearing her own voice over the myriad of others. That seemed to go through to the man as well.

"Y-yearh…" he slurred, slowly standing up from the chair, knocking down multiple glasses in the process. Good thing they were plastic and not glass. "Hu… here ya' go sweetie…"

Lucy smiled politely as thanks. She wasn't exactly scared of drunk people — most of them were quite kind, and she knew that if anything were to happen, she'd have two guilds and all her spirits to back her up. Still, she preferred to not start a commotion. Natsu didn't have a reputation for staying calm and collected when people bothered her.

Luckily the guy left before Natsu came with the drinks. The table itself was disgusting, but it was nice not having to sit all crammed in between people in the bar. Besides, a waitress was quick to spot them, wiping down the table and bringing the used glasses with her.

"One pornstar martini for you," Natsu said, placing a pretty reddish orange drink in front of her, "and a whiskey on the rocks for me." Lucy smiled brightly.

"Thanks!" She picked up the rounded martini glass and held it up. "Here's a toast then, for a free drink!"

"And for finding a table," Natsu added, picking up his glass as well.

"And for Christina!"

"And toast to another victory for Fairy Tail!"

"Hear hear," Lucy said, giving Natsu's glass a small clink before finally tasting her drink. It was a delicious blend of sweet passion fruit, mixed with vanilla vodka and a splash of lime. She let out a squeak in delight — few things made her happier than an alcoholic drink where she couldn't taste the alcohol. They may be dangerous, but she saw no joy in consuming drinks with that bitter spiciness. "This is delicious! What's it called, did you say?"

"Pornstar martini!" Natsu leaned slightly over the table to ensure that he was heard.

"What a vulgar name…" Lucy muttered under her breath, confirming to Natsu that she had heard him. It sure was convenient that he had that excellent hearing — way less shouting. "How was yours?"

"Pretty good," Natsu said, "wanna taste?"

Lucy couldn't resist the offer. She knew she wouldn't enjoy it herself, but after drinking with Natsu for a few years, she learned that different whiskeys had different tastes. Some were quite sweet and fruity, others had nutty notes. With a tiny sip from this glass, she learned that he had gotten his favourite kind — the one with spicy and smoky notes. She made a face.

"Bleh! It's your type of drink, alright," she confirmed, sticking out her tongue to lessen the strong taste. The most she could enjoy whiskey was if it was as a highball or a whiskey sour — she avoided straight on the rocks as the plague. Luckily, she always had Natsu to drink them for her if she was served any.

"What an ugly face!" Natsu laughed, snickering at her scrunched facial expression.

"It's unnatural to be calm after drinking something like that," she countered with a sour face, trying to hide the smile in the corner of her mouth. "At least my drink resembles something edible instead of sharing more similarities with gasoline than a drink." This time Natsu was the one to poke out his tongue.

"Let me taste yours then," he dared her.

"Fine." She slid her drink over, watching him take a sip.

"Too sweet," Natsu said, contorting his face to further prove his point. "It's just sugar! Makes my teeth feel icky."

"It's not just sugar! It's fruity and sour and has that perfect amount of vanilla flavour to it. Don't pride yourself in having uncultured taste buds."

They always ended up bantering like this when they shared drinks, but Lucy found it to be pleasant banter. The kind she remembered when she woke up the next morning, earning a giggle, thinking of all the fun retorts that had been said. She knew that Natsu shared her sentiment, not letting his soft facial expressions go past her. Even when he tried to rile her up by blowing raspberries and feigning annoyed sighs, she could see how his eyes were squinted together into a constant smile. She never felt like she had to second guess their friendship.

Four drinks and three shots later, they decided it was time to head back to Lucy's apartment. Natsu wasn't as much of a lightweight as Lucy, but even he felt the effects from having one too many vanilla vodka shots. Plus, the constant blush on Lucy's face and her jokes that were gradually getting flirtier were enough for Natsu to close the tab for the night.

He stood up from his chair and swiftly helped Lucy up as well. She was still giggling at a joke she had said ten minutes earlier and was swaying like crazy once she stood up. As the pub was still crowded, Natsu held a tight and steady arm around her as they made their way to Makarov and Bob's table. Even though he'd never let anything bad happen on the way home, he felt like it was good to inform them that they were leaving.

"Natsu," Lucy called out, squirming around in his grip around her, trying to face his ear. "Doesn't Master Bob's head look like a chestnut?" She whispered silently, making sure not to be heard by anyone other than him. When her lips accidentally brushed against Natsu's earlobe he felt a violent shiver – a pleasant, but violent shiver throughout his body.

"I wouldn't tell him that though," Natsu answered, leading to a new fit of giggles from Lucy. After all, he agreed with her statement.

After giving the supposed responsible adults a heads up, Natsu could finally lead Lucy out of the premises. The cool night breeze was heavenly after having breathed the same air as at least a hundred other drunkards for hours. Some fresh air was precisely what Lucy seemed to need as well, since she sobered up quite a bit from just stepping outside. She was still clearly loopy, but at least she wasn't laughing like a crazy person anymore.

"Finally, some air!" Lucy exclaimed, stretching the one arm that wasn't glued to Natsu's upper body. He still hadn't let go of her – for all he knew, she could have been too drunk to walk straight. Though as soon as he noticed that that wasn't the case, he lightened his grip around her, settling for resting his arm over her shoulder. That way she wouldn't be out of reach if she stumbled and fell.

"Our friends really know how to party," Natsu said with a big grin. He really loved having fun with everyone – it was an unparalleled bonding experience in his eyes.

"Yeah they do," Lucy giggled, resting her head against Natsu's shoulder. "By the way, who won the shot contest before?"

"Cana 'fcourse."

"But she wasn't in the contest," she puzzled, furrowing her eyebrows in an attempt to piece it all together.

"You think she cared 'bout that?"

"Ah, of course not."

They continued walking in silence for a while. The pub they had been to was on the opposite side of Magnolia, though luckily Lucy's place was pretty much right in the middle. They hadn't walked on this side of Strawberry Street in a long time – last time must have been back when Lucy, Natsu and Happy had just formed a team and Natsu and Happy had taken her sightseeing in the city. Most stores and pubs were between Fairy Tail and Lucy's apartment though, so on this side there were mostly residents. Still, the river was as thrilling as always to a drunk Lucy. She managed to slither her way out of his grip four times, attempting to balance the ledge. Natsu, however, absolutely couldn't let her do that. He wasn't sober enough to tend to her like he usually could, so the risks were too high.

"Come on," she whined after being caught again, giving the o an emphasis. "I've never fallen in, you know that!"

"Yeah well that's 'cus I always catch ya'!"

Before Lucy could slip out of his half embrace for the fifth time, Natsu took a firm grip of her hand. Rough in his motion, he brought their hands up in front of her face, making sure she saw him holding on tightly.

"I'm not letting ya' go this time." His eyebrows weighed heavily on his eyelids as he tried to emphasise his annoyance with her. Of course, he wasn't actually annoyed, but if he looked like he was joking, Lucy would just giggle and continue struggling. He'd gone through this before.

Lucy wasn't blind. She saw the smirk in the corner of his mouth, but she decided to follow his lead this time.

"Fiiine." She quickly stuck out her tongue at him before she looked forward again. They had already gotten quite far, they'd be home in just under ten minutes.

It only took a couple of steps before Natsu softened his grip around Lucy's hand. With the new motion range she'd received, she swiftly changed the position, braiding her fingers into his. Another couple of steps and she felt a soft caress against the back of her hand. Natsu's rough, warm thumb, rhythmically moving. His hand was warm, she noticed. Well, of course it would be. It was Natsu after all. She rarely held colder hands, other than Levy's now and then when they were sharing excitement over a new book arriving in their library. Levy's hands however were small and soft, nothing like Natsu's. She was once again made aware of the fact that he wasn't just another girlfriend she hung out with – he was a man. Broad shoulders, big square hands, feet several sizes bigger than hers. Most days she wore heels, but when they were in her apartment, only socks on their feet, she noticed that she had to bend her neck a little bit further back when talking to him. He wasn't the tallest man, but he was over half a head taller than her.

Even with the cool breeze outside she felt her cheeks getting warm. She'd blame it on the booze if he asked her, but she knew very well that she was getting flustered. Natsu was a really cool guy after all, chiselled features and fierce, fiery eyes.

To distract herself she started swinging their hands. It started out mild, but soon enough she noticed Natsu was in on it and the swinging motion rapidly became comically big. Since Natsu didn't hold back on his strength he almost lifted Lucy up in the air on the upswing.

"Eeeek!" Lucy's high pitched shriek left Natsu in a fit of snickers, though he stopped swinging his arm.

Lucy had to find her balance again. Even if she wasn't wearing her highest heels, the ones she wore were thin and extremely wobbly on the cobblestoned path.

"To think that you'd be the one who would try to throw me in the river, out of all people," she teased, leaning her weight on him.

"Thought ya' wanted the lesson," he countered, leaning back. He couldn't help but love Drunk Lucy's cravings to be physically close. She never declined holding his hand or hugging him when she was tipsy, hell, she usually begged for cuddles. Though, to be fair, he hadn't exactly tried to hold her hand very often while sober, either, so she wasn't the one to blame for that.

Just then Lucy saw a familiar brick wall in the distance, dimly lit up by the sparsely placed street lights surrounding the area.

"Hey, we're home!" She started picking up the pace, eager to wash up and surround herself with her warm blankets. Soon they were in front of the building, and Lucy started digging for her keys in her purse. She just managed to get the key into the door before she turned around to say something to Natsu.

As soon as she spun her head around though, she got stopped in her tracks. Whatever she just wanted to say flew straight out of her head. He looked gorgeous. His hair was a bit messy from the long night, and his usual styled bang was hanging down over his forehead. The light from the street lamp behind him, made his hair lit up like a halo around him. And his face, she couldn't recall a time he had looked at her this softly. His lips were curved into a gentle, mild smile, and his eyes were practically sparkling. For a second it looked like he was going to say something, but it seemed like he had stopped himself mid thought. Instead his head tilted the slightest to its left, gaining an observing gaze. He was thinking of something, and she couldn't quite tell what.

Lucy looked like a puppy, Natsu realised. Her eyes resembled gemstones, glimmering between a deep chestnut colour and a lighter amber tone. He could stare at them all night, though, sooner or later she would probably want to go to sleep. For now though she had this questioning look to her. She was smiling, but her eyebrows were slightly raised, as if she was inviting him to ask her anything – tell her anything. He almost felt dizzy looking at her, her hair was giving this golden sheen, her skin looked airbrushed with that pinkish blush on the apples of her cheeks. She was angelic. Before he had noticed, he was hovering slightly over her. Had he gone a centimetre closer their noses would have bumped together.

Suddenly he got this urge. A question he had to ask her, something he'd never let pass his lips if he had taken one less whiskey tonight.

"Can I kiss you?"

The air between them stood still. In fact, they could swear the time stood still as well. Lucy was processing his words, and Natsu was waiting for an answer. A yes, a smile, even half a nod would suffice. And there it was. Lucy had wetted her lips.

She barely had time to take a breath before Natsu crashed his mouth against hers. For some reason she was surprised – she thought the moment had called for a soft, fluttery kiss, but soon her surprise was drowned in awe. After all, this was her very first kiss. She wanted to be in the moment. The initial crash had been the most forceful part. Natsu quickly adapted, moulding his lips against hers with a soft motion to it. One of his hands had been cupping her cheek when he first brought his face to hers, and now his other hand was on her waist, pulling her entire body closer to his.

Lucy, who felt like she was melting under his hot touch, was quick to wrap her arms around his neck in an attempt to hoist herself up, getting tangled up in his scarf. His mouth was burning hot, but just cool enough for her not to want to pull away, and at the edge of his lips she could feel his stubble scratching her. How could they have waited so long to do this?

She hadn't yet gotten the hang of breathing while kissing yet though, so soon she had to pat out. While panting for air, she noticed that Natsu was still bent over, giving light pecks on her cheek, continuing down, kissing a trail along her jaw. As he neared her ear he gave her a nibble, earning a giggle that could easily have been confused with a gasp to someone with an untrained ear. She could feel her entire body tingling, every fluttery graze from Natsu's lips leaving her with goosebumps. Did he know the effect this had on her? That she couldn't help but to get confused about what their relationship was currently. What were they doing?

When Natsu noticed that Lucy had catched her breath, he picked his head up from being buried in her neck. The eyes he earlier had compared to a puppy's glimpse, were now darkened in a seductive gaze. Her rosy, now plump, lips were slightly parted as an aftereffect of her panting, and he suddenly had to know what they tasted. They looked so soft, no – they were evidently soft, so certainly they had to be sweet as well. Her lip gloss, though smudged from him having mushed it around, made her look appetising.

Once again Natsu closed their distance, though this time he left his mouth slightly open. He just wanted to see if those lips really were as sweet as they looked. Lucy, who still was in a daze, having closed her eyes to invite him to further action, suddenly became aware of what he was doing. Natsu's tongue brushed over Lucy's bottom lip. She could feel her heartbeat pick up – she had never felt another person's tongue on her mouth. That didn't mean she didn't like it: if anything she wanted to do the same to him. Lick him, see what sensations he could give her, what she could give him.

On accident, Lucy's tongue met Natsu's. She was about to retreat it back into her mouth when she felt Natsu's tongue enter her mouth completely. The bodily reactions she had to his action was like nothing she had ever felt before – hadn't she known better, she would think she was about to get eaten. Devoured by the lust that had taken over their brains. Natsu tasted like smoke and whiskey, and she wondered if he could feel the aftertaste of the drinks she had had as well. Lucy quickly decided that she couldn't just be on the receiving side. She brought her hands to his head, did a combing motion through his hair that almost stopped Natsu in his tracks, and when he no longer dominated their combined mouthspace, Lucy pushed forward her own tongue. She started exploring his mouth, examining every single part of that grin that she found in all her happiest dreams. This was Natsu, no frowns, no barriers, nothing that kept space between them. They were melting together into one.

Natsu had been caught off guard when Lucy's slender fingers started combing through his hair. A motion he had always connected to being soothed while motion sick, was now edging him on, giving him the extra courage to go all in. As Lucy's tongue searched around in his mouth, feeling the sharp canines with its tip, Natsu started sucking hers in retaliation. Kissing reminded him of sparring, in a way – a balance between fighting for the upper hand and learning to give up when the other clearly was winning.

Their arms had been flailing around for the past five minutes, tugging and pulling at their partner. Lucy was busy holding on to Natsu's shoulders, sometimes trailing down to rest on his chiselled chest, but mostly finding themselves back around Natsu's face – cupping his cheeks, getting her fingers tangled up in his soft hair, drawing small circles on the back of his neck, all things that made Natsu feel like he was going insane. How could her soft touches have such huge impacts? But he absolutely wasn't complaining, he was soaking everything up, wanting to remember every detail. He was totally wrapped around her finger.

Lucy shared his sentiment, as Natsu's hands had been trailing down her waist, sometimes staying there in a massaging motion, sometimes going down further to grip her hips. Then she found him going back up again, cupping her face, bringing her so close that not an atom could pass by. She was obsessed. He was pressing his entire body against her, even putting a leg between hers, resulting in a very embarrassing moan from Lucy.

This entire time that they had been kissing, Lucy hadn't heard a single thing, being so wrapped up in their actions and in her own headspace. When she suddenly let her voice out, it was as if the bubble that had been around them burst. She could only take another few seconds of their smacking and panting, before she had to pull away.

"Oh my god, Natsu," she breathed, taking in the scene of the man in front of her. He, too, was panting, but had the air of being able to continue for eternity. His eyes looked even darker than usual, like they were in this limbo of determination and lust. He seemed to be waiting for her to continue talking. "We're still outside."

She almost smiled when she heard how stupid she sounded. Being outside wasn't the problem – kissing her best friend in a drunk haze was. Natsu seemed like he hadn't even considered the consequences of what they were doing. He just smirked as he answered.

"Then we'll go in." His voice was huskier than it had been earlier this night. Like a switch had flipped and some instincts were speaking, deep from his soul. Those words were all it took for Lucy to swing the port open from behind, falling back into the dim hallway that led up to her apartment's front door. Natsu immediately kissed her again, while simultaneously struggling to get the keys out of the keyhole. When he did manage, however, he didn't hesitate a second to hoist Lucy up so she was straddling his lower stomach. Lucy was quick on the notes, wrapping her legs around him so she wouldn't slide down when he carried them up the stairs.

As soon as they went through the door and threw off their shoes, Lucy jumped down from him. The kiss, that had been deep on their way up – lots of tongue and saliva, was interrupted as she took his hand and headed straight for the bed. Natsu was walking slightly behind, worshipping the sway of her hips and her sculpted back underneath that flowy red dress. He would have kneeled, hadn't he been following her footsteps towards his version of heaven – Lucy's bed, with Lucy in it.

The apartment wasn't big, so it took ten steps to stand in front of the bed. Lucy turned around, and Natsu's breath was once again taken away. He wanted to treasure her like gold, yet at the same time he wanted every piece of her. He wanted the privilege to touch her, feel her, know her. And as Lucy's lips turned upwards into a smile, he knew that she was allowing him. So he brought her face close again, accidentally bumping their foreheads together, like they had done many times before, and then he closed his eyes and gave her the softest peck on her lips he could manage. Their first kiss, outside of the apartment, had been rough and clumsy, experimental even. Now he just revelled in being allowed to feel those soft, warm lips that had been plumped up by his own doing.

And after that first peck, he gave her one again. Then a third time. Then he slowly brought them down on the bed, and then Lucy took the lead again. She figured that they could do a mixed style of kissing – no major tongue events, no extra saliva, but also no pecking. She held her mouth half open, sort of closing off any attempted entrance Natsu might want to do with his tongue, and instead softening her lips and tongue, making the make out style deep, but gentle. Natsu was of course quick on the notes and followed her lead, liking the mood it set between them. No crazy panting, no feelings of rushing, just them, there, kissing.

Now, even if Lucy could have done this all night, she realised something important. More important than the half-way relationship they had created this last half hour. Yes, she realised she was lying in bed with outdoor clothes. The realisation made her still, prompting Natsu to pause the kissing. He was still hovering over her, though their legs had tangled together, and now that he wasn't kissing her he realised Lucy's skirt had ridden up quite high. He swooped her sweaty bangs to the side.

"What's the matter?" He asked.

"We have to strip," Lucy said, crawling out of his grip and up, walking to her dresser.

"What?"

"Oh, Natsu, come on. Think! We've been to the pub in these clothes, it's disgusting!" Before Natsu could even register the fact that she first of all hadn't implied what he thought she implied, and then register that he had to change out of his clothes, Lucy had switched her dress to a night gown and taken off her jewellery.

"Right," he mumbled, surprised that Lucy was so composed, despite their situation. He certainly didn't feel composed. "Are my sweatpants in the drawer?"

"Yeah," she said, picking them up and throwing them on the bed. She wanted to brush through her hair before going to sleep – it helped it stay tangle free during the night.

Natsu took off his scarf and unbuttoned the shirt he was wearing. He didn't mind undressing in front of Lucy, but after tonight he felt like it was odd. His life had just changed for the better, yet they still had to eat, sleep, brush their teeth, go to the toilet – change clothes. It would be much better if he could just kiss Lucy non-stop, for eternity.

As he changed out of his dress pants and into his sweatpants, Lucy took a glance at him. He looked like a God with his physique, the perfect muscle definition and the tan he had left from the summer – she wanted to feel every crevice. Normally, she would have shaken off the thought and made some tea to cool her head off, but with alcohol in her blood and with the current situation, she allowed herself to be bold. She snuck up behind him, though she knew he could probably hear her footsteps. With a soft touch, she felt the dip where his spine was buried with muscle – starting at his neck and slowly following it down to his lower back, stopping once she felt the curve change from convex to concave.

She had never seen him this turned on. The entire room felt electric, and when she looked up from his back, she saw that he was watching her in his peripherals. It only took him a second to turn around and lock himself to her lips, and this time she was practically thrown onto the bed. He was eating her, lightly pulling at her bottom lip until he once again dove down in her mouth. If the previous kissing had been gentle and kind, this was the heavy stuff. A string of saliva connected their mouths when they pulled apart for a second, like it was telling them to get back in again. And they obeyed.

Natsu's hands were roaming Lucy's body, no longer stopping at the friendly zones. Her nightgown showed so much skin that he would have thought she wore it to seduce him, hadn't he known better. Luckily, that meant easy access to grab a handful of her ass, earning an airy moan from Lucy.

She, too, was busy feeling Natsu up. She consistently held him close to feel as every muscle on his back was working. When she felt company at his groin being rubbed up against her, she once again felt her voice slip out, though this time she stifled it by clawing at his back. That only seemed to edge him on more though, since the accidental rubbing started feeling more intentional.

Natsu started kissing Lucy's neck again, though this time he didn't leave dry, fluttery kisses, but rather a wet trail of saliva as his tongue travelled down towards her collar bones. Lucy felt like she was floating – he was warm, made her sweaty, yet he gave her goosebumps like he was paid for each shiver, searching everywhere on her body to earn a new one. As he settled on a spot right below her collarbone, just where the flesh of her breast started, she felt a sucking sensation. He was grabbing the skin in the area with his teeth, and Lucy wasn't sure if it was painful or the best feeling ever – perhaps a mix of both.

"God, Natsu," she breathed, feeling her voice waver as one of his hands held her waist tight.

Natsu, who must have decided that his hickey was finished, hoisted himself up. Lucy suspected he was having a hard time holding himself back, the sheen on his temples and his puzzled eyes giving it away. Without a word they seemed to have agreed to take a breather, Natsu leaning himself against the window while trying to compose himself, Lucy throwing her legs over the edge of the bed to gather her thoughts as well.

Though the silence was loud now that the room wasn't filled with their smacking and panting, it wasn't uncomfortable. It was ambiguous worst case, which Lucy didn't associate with bad.

"Look, I…" Lucy started, turning her head to face Natsu's. "I don't have any condoms."

Her face immediately turned red once she said it, and she regretted having turned to look at Natsu's reaction. His eyes widened and his mouth fell agape – had her implication been that horrible?

"Now that'cha mention it, me neither."

He laughed. Slowly at first, but when Lucy joined in they fell into giggles. It wasn't the end of the world, so there were no hard feelings. Though Natsu had a hard feeling that he had to deal with… He'd have to do it quietly in the bathroom before they went to bed.

Lucy turned around properly to look at Natsu again.

"I think we should… talk. About this." She looked serious again, but not in a stern or menacing way. "It's not that I don't want to do it. I do." Her face was blushing, but she continued speaking. "I just don't think it's a terrible idea to wait. At least until we're sober?"

Natsu nodded. Of course he could wait, he wasn't exactly fond of the idea of going all the way when they were this drunk and naive. He wanted her to feel into it, for her to be able to call their first night special.

"Yeah, let's do that. Should we go brush our teeth?"

Lucy let out a tired giggle.

"Yeah, I need some water as well."

As soon as they went back to bed, they realised that they didn't want to stop kissing just yet. After all, once you got the hang of it, it turned out to be easy to replicate.

[youareatragedy]

Do you think there will come a time when everyone realizes what a piece of shit Rhys and the IC are like how we now see Andrea’s friends and boyfriend in The Devil Wears Prada as the real villains?

Since you brought up Devil Wears Prada, a book that got a movie adaptation, let me bring up a point about other book-to-movie adaptations.

I made a post a few weeks ago explaining that the reason I know 50 Shades of Grey is an incorrect representation of the BDSM community is because many people spoke up about it, and others took their critiques seriously. I think it’s the same case with the entire Twilight saga. Now, it feels more like a guilty pleasure for people, whereas back then, some thought Twilight could be the new Pride and Prejudice or something.

That’s why I don’t think the ACOTAR live-action adaptation will work (I’ve been planning to make a post about this it’s in my drafts, but I haven’t had the time to finish it yet😅). I think ACOTAR won’t survive the scrutiny of a larger audience, and dare I say, the chances of it flopping are high. ACOTAR will not be the next Game of Thrones, Hunger Games, or Harry Potter. Instead, ACOTAR will be the next Mortal Instruments or Eragon.

If those two flopped because they didn’t follow the source material, ACOTAR will flop because one, the fandom won’t be pleased with the casting, two, the plot is already being mocked by so many people as "fae porn" as of now. And three, many viewers who aren’t tied to the “it helped me get back into reading” sentiment will watch it and see its flaws for what they are.

There’s no chance in hell (unless they ensure from the very beginning that Tamlin is portrayed as the bad guy—which would in turn, make Feyre even less sympathetic early on) that they can convince viewers that Rhysand and the IC aren’t bad people. If they include an intro similar to GoT with a map, the Prythian map alone would cause an uproar. And do you think Rhysand hiding Feyre’s pregnancy issues from her wouldn’t have actual feminists everywhere cancelling the show and writing scathing articles in every major publication?

Why am I rambling about this live adaptation thing? Because I feel somewhat hopeless about this fandom’s ability to accept that Rhysand is a bad person. We’re in a giant bubble. However, if something as big as a series or movie adaptation happens, the audience will expand, and this bubble will burst. At that point, these “cult-like” fans will have to confront widespread criticism of Rhysand, Feyre, and the IC.

It’s one thing to argue with “antis” but imagine trying to defend these characters against millions of people who aren’t attached to blurry headcanons-fanfic-influenced perceptions or self-conjured justifications. Watching even more people mock Rhysand, Feyre and the IC on very public platforms—not just among the readers—will be a whole different experience for their mafiastancult because they cant keep saying "but if you read the book!" to defend it. Good luck with that.

I have a headache I hope my answer make sense 😅.