#(i say with this blog title)

[yo-yo-yoshiko]

Real conversation I had recently. Its HIS DAY!!!

[lucky-draws]

alaska daves + ouppies

[javelinbk]

Sixty years ago today, the Beatles met Bob Dylan and his friend marijuana

Paul: It was a great honour to meet him… we had a crazy party the night we met. Erm… I went around… I thought I’d got the meaning to life, that night. I went around trying to find our roadie... 'Mal! Mal! Mal! Get a pencil! And a paper! I've got it, I've got it!'. And Mal, cause we were a bit out of it, he couldn't find a pencil and paper anywhere, but he eventually, at the end of the evening found it, and I wrote down my message for the universe, you know. And I said, 'Now, keep that! Keep that in your pocket!'. And Mal did - next morning, he said, 'Ere, Paul', he said, 'did you want to see that?', I said, 'what?', he said, 'that bit of paper', 'oh, yeah!'. And I'd written, 'There are seven levels'. [gulp] Ringo: And there was two men in the room, and err... Bob was the well-known one. Paul: Al Aronowitz was there as a journalist, who was like a mate Ringo: That was the first time for me that I'd really smoked marijuana... and I laughed, and I laughed, and I laughed. It was fabulous.

Paul McCartney and Ringo Starr describe meeting Bob Dylan on 28th August 1964, The Beatles Anthology (1995)

[has-the-goat-burned-yet]

december 18

no

[bubbytheliverstealingskeleton]

Archive Post 1

Okay so attempting to put these in kind of an order

Yooo its them

also hi hello waving at you

if you recognize some of these thats because this is stuff posted on my previous blog im just reposting them all over here cause I can also yeah some of these arent finished im actually going to redo some and actually finish some of them but not rn

[klingerfashionarchive]

season 1 episode 4

[dengswei]

@asiandramanet creator bingo — parallels

road to high&low (2016) koisenu futari (2022) episode 5 the blood of youth (2022) episode 14 eye love you (2024) episode 2

[eahtheramblings]

A deeper dive into how the destiny system would work in a rewrite

Alright, little housekeeping before I get into it, I have finally created a tag for the hypothetical rewrite fanfic that I keep procrastinating due to college - so people can use the tag to either find the posts related to it or block it depending on if they like/dislike my ideas. You can now find it under #RamblesRevamp. Felt after posting the time loop au idea that I should probably start creating tags for these or else it’ll get confusing very quickly.

Moving on, I have come across the problem that every eah fan and fanfic writer has to face after thinking about the story for a while; just how in the world does the destiny system actually work? 

The books and show give us some threads to make sense of it, we know it’s generational in most cases, and we know that signing the book ensures the story plays out again, but beyond that most things are speculation. It was definitely written as a looser magic system to ensure that no matter who was writing a special or a book for eah they would be able to bend the rules to fit the plot, but for something so central to the story it really feels like it should be fleshed out more. Luckly, this is the world of fanfic, and I am not beholden to make a story that can adopt different writers quickly, so I can world build as much as I want!

Below is a list of changes/rules/expansions upon the original destiny set up we were given that the Revamp AU follows. These rules are what the average character in the revamp AU would know:

Rule 1: Destiny is understood to be a set of two cycles, one for fairy tales that need to be retold every generation (snow white, goldilocks, etc.), and one for the greater myths that covers universal creation to universal destruction and would happen over billions of years (Greek myths like cupid would be here). Here's a very quickly made visual example: 

Behold! the Destiny Cycle, or Narrative Cycle as it’s sometimes called. When we start the story with Apple and Raven, they are on fairytale cycle number 1,017. No one knows how many myths cycle’s the universe has gone through since that encompasses the creation and destruction of the universe, but scholars enjoy debating about it and saying a person “thinks they know how many cycles the universe has gone through” is akin to saying a person thinks they know everything.

Rule 2:

Oftentimes in fairy tales the characters have set ages that are much younger or older than what someone who just graduated high school would be referred to as, such as little red riding hood and Hansel and Gretel being referred to as children, or other characters being referred to as old kings or hags. However, having everyone complete their stories at the age they would be in our version of the fairytales would negate the whole point of a high school to prepare students for redoing those stories. In the revamp au the storybook of legends gets around this by comparing the character’s ages not to each other or to a timeline but rather to itself. 

You see, the book is magic, it somehow holds signatures from every generation with an individual page for each character and yet looks to be the same size as a standard textbook. In essence, it is a non-Euclidian object, not tied to rational laws of time or space. If the book wants, a character can seem like a young child to it, it’s been around since the start of the cycle! And if it needs to write a character as old, then that character can seem old in comparison to it, it’s a magic object that for all anyone knows popped into existence with a new cycle last Thursday! It isn’t bound to time the same way the characters are, so it can get away with fudging the ages a bit when writing each generation's version of the stories down. 

Rule 3:

In ever after, there are 2 kinds of people, the common folk and the destined. 

All destined regardless of birth order have a destiny, but what type is dependent on various factors. For Example, there are two types of destinies in the land of ever after, blood bonded and soul bonded. Blood bonded destinies are the most common, they’re what happens when a character's first child takes on the same exact destiny for the next fairytale cycle. Apple, Raven, and many others fall into this category. Then there are Soul bonded destinies, which are either destinies that have a role in the fairytale cycle but aren’t exactly the same as your parents, or in extremely rare cases destinies bestowed upon a person from a non-destiny family.

 The Charming's are a good example of the former. The original blood bonded destiny of Siegfried passed down to Grandpa Auspicious's eldest son, but he had no other destiny to pass down to the younger children. Because they are a part of the destined, however, all the children needed destinies, so the book bestowed soul destinies of being prince charming's and damsels in distress onto them. Their children in turn also got soul destinies, which is why the Charming’s know what their general role in stories will be but not the exact character (with the exception of daring, which I will explain in a bit). 

The latter, the case of a soul bonded destiny going to someone not already part of a destined bloodline is extremely rare, but does occur occasionally, especially when an old charming line dies out. You see, to keep the destined bloodlines from getting too interconnected, those with familial soul destinies like Charming's will often have fewer children as generations go by because fertility issues set in. Eventually, the blood line will either no longer be able to produce children or will produce merely 1 every 1-2 generations or so. When this happens, a new charming family might rise from the common folk in the form of a rags to riches prince story like the penniless owner of puss in boots. Again, this is really rare, but is also why the Charming's push for Daring, Dexter, and Darling to have prominent destinies. The sooner they marry into blood bonded destined families the less likely their bloodline is to disappear or thin out. 

You can have a family with both blood bonded and soul bonded destinies. Holly as the presumed oldest got the blood bonded destiny of Rapunzel, but Poppy as the younger one has an unknown soul bonded destiny, assumed to be a damsel due to her royal blood but no one’s really sure.

 And furthermore, while we're on the topic of pairs of siblings, a story that includes a set of siblings will have those siblings born to the oldest child of the last generation, not the weird cousin thing that happened with Helga and Gus. This means that if you're a part of the twelve dancing princesses for example, only the oldest princess’s twelve children would have the blood bonded destiny of being a dancing princess. The daughters of the other eleven princesses would get random soul destinies like the charming's. 

Finally, the first line of this rule is a little false. While unofficially there are two types of people, the destined and the common folk, Headmaster Grimm, and those who truly believe in the destiny system from both camps of people, would say that everyone is destined, as it is the destiny of the common folk to continue on their family trades and support their kingdoms. They even have symbolic legacy signings in some villages where a single page is signed by every child of age and then sent to Grimm to bind into the storybook of legends, and the one held in Book End village each year is attended by nearly every child of age within reasonable travel distance as they get to see Grimm bind the page into the book at the end of the ceremony. 

Rule 4: this brings me to the next point, Grimm isn’t just the headmaster of the school in the revamp au, he is also the Oracle of the Storybook. Grimm is thought to be immortal, here since the beginning of the cycles themselves, and he interprets the Storybooks will through visions and the like. This is why Daring knows what his destiny would be, Grimm saw a vision of a blonde prince in armor that had the Charming crest on it leaning over a glass coffin and told his family. He doesn’t control when these visions come, but despite this his position as Oracle makes him almost the head of all the leaders in ever after.

Rule 5:

And finally, number five, the storybook will make little changes each cycle to continue its and the universe's ensured existence. When the original tales happened, they were quite violent, with villains always dying at the end and even some hero’s dying as well. This however started to become a problem for the cycle, as destined who died without having a child first didn’t pass on the story by blood and thus their destiny got spat out randomly to a soul bonded destined. To keep this from happening, two things started to emerge. 

One, for stories where the deaths happened right before the end, the book started to look the other way so long as the character was dead until the last words were written. This is how Ginger's mother and previous ancestors survived. Yes, she was pushed into the oven and died, but one, fire resistance potions exist, and two, her oven had a door on the other side that could be opened, so after the storybook wrote “the end” the second door was opened by Grimm/someone else he trusts, and she was given a powerful healing potion. This is the equivalent to your heart stopping for a minute and then being revived by a doctor. You were dead, but like, it was temporary. 

Two, for other characters whose deaths happen too early on to be reversible (or that kept the story from being retold entirely), they slowly morphed into other fates. Cinderella’s mother doesn’t so much as die now as she becomes a tree. Somewhere in the middle of the cycle Odette stopped dying and just became stuck as a swan. The little mermaid is an extreme example of this, as Meeshell's ancestors went from dying, to turning to seafoam, to living happily ever after through a very long line of generations. Some say these softer endings have to be repeated a number of times before the book considers them the new versions, but no one's sure what that number is. Some also believe that you can convince the book to give you a softer ending, but this has no proof and is vehemently denied by Grimm who insist the book decides of its own merit what to keep or change each generation when it comes to large plot points based on what's needed to ensure the safety and continuation of ever after. 

That’s it for now folks, tune back in whenever I get free time next for some light Snow White and Apple angst. 

[hunxi-guilai]

omg you're back!! so exciting, i hope you'll have a good time here again 💖

hah, to a certain extent I never stopped! I was absent for most of 2023 due to Things Continuing To Happen but I've been writing and nicheposting in various corners of the internet as well ☺️

[cringefaecompilation]

not to dunk on junior year again but i am noticing a pattern here with the treatment of certain storytelling elements here.

both bell’s hells and the ratgrinders were pcs that gained sapience. the difference is that the ratgrinders were villains and the hells are heroes.

one of the most love-it-or-hate-it aspects of campaign 3 is that it does not only focus on the main 7 or 8 characters and everybody else is tossed to the wayside unless they benefit them like usual. all npcs (with downfall, that's including the gods!) deserve a chance to have their story told and they are all written to be that. the generic runaway prince you have to help escape to a life of freedom! the cute little helper robot npc! generic spooky evil minions based on public domain monsters! the quirky quest-giving fae! the rough and tumble hired goon! the brave captain of the guard protecting a strong lady in charge!  yes, even imogen, who in any other story would be the sad little abandoned daughter of the bbeg who would mourn the hero killing her mother but understand that the hero had to do what needed to be done.

and again, you don’t have to like it!

but there is a weird sort of thing i noticed amongst all the critical role c3 criticism that reminded me of people defending fhjy. an undercurrent of insisting that all the ratgrinders (who were teenagers. who were groomed and then murdered.) were pure evil spoiled brats and just wanted to be handed everything on a platter because they didn’t deserve what the main cast earned their place as the main characters and made passive aggressive posts saying things to the tune of you know they’re evil right. very Watsonian with a staunch refusal to look at a Doylist explanation. it got so bad to the point where people were insisting that if you liked the ratgrinders and sympathized with them then you were a fascism apologist.

astoundingly enough c3 criticism has only scraped the surface of this sort of overdramatic accusation, but it goes in the opposite direction. if you like where the story is going and how it's being told, then you’re not a real critical role fan. the story should have just been about the characters fighting evil fae or just wiping out the ruby vanguard and everyone in it without all this stupid introspective discussion on power because it’s retconning the gods being bad guys! grey morality sucks, why can’t good guys just be good? they all feel like npcs except for imogen because she’s the only one with a chosen birthright!

(of course, if they say that last part out loud, that might not look so good for them)

 yes, we know the gods are imperfect. that’s what we’ve been saying this whole time. but all these passive aggressive gifsets of liam-as-orym saying that the gods aren’t pure evil and it’s stupid to think so or laura and matt ooc saying that the gods have a grey area don’t mean fucking jack if you turn around and insist the gods have zero flaws and everything they do is good, actually and Aeor Had It Coming.

important caveats:

the actors on d20 could not react to things they were doing in the moment. they were tired after filiming 3 episodes back to back and wrapped up their season faster than usual to join the sag-aftra strike. i am aware of this.

yes i know that d20 is a comedy improv series! that does not prevent it from having deep themes and character introspection! ayda aguefort and zelda donovan still very much exist and had their own arcs despite being npcs!

yes the ratgrinders were working with a man trying to kill and replace a goddess and yes he is a colonizing twat. however, doesn’t that also make it the fandom’s insistence that liking the kids is bad and fascistic but making ship art of him and the other teacher that killed all of them is totally okay? rules for he but not for thee? 

[mobius-m-mobius]

You know, there's this big, black cloud that's following you around that you're gonna have to come out from under before I'd even consider... That's just like you. A little rain follows me to town and you just fall to pieces.

JOHN CUSACK and MINNIE DRIVER in GROSSE POINTE BLANK (1997)

[buddiesdotcom]

Man why did I hate myself so much in middle school. I know the answer is mental illness but I was really out there wearing shorts over leggings and having cute charms/buttons and drawing warrior cats and trying to be kind and make people laugh. What was there even to hate about that. I didn’t hurt nobody or kill nobody. But there I was anyway feeling like I was truly the absolute worst humanity has to offer

…i went into typing this with the intention of going “why was i hating myself then when im so much worse now” as a conclusion. But then i realized in another 7 or so years i might just look back and wonder the exact same thing. Maybe im literally doing fine considering my circumstances maybe i’ll wonder why i wasn’t so nice to myself in college one day, just like im now wondering why i wasn’t so nice to myself in middle school

[freesidexjunkie]

"hottest thing a man can be is" but it changes every hour bc im always thinking abt the different ways men can be hot

[sigurdjarlson]

I always found that sweet how a lot of the time in TLG Med would jump to reassure Khadgar or even apologize after snapping at him

And yet in some ways the cruelest thing Medivh said to Khadgar in my opinion was correcting him when he called Karazhan “Our Tower.” And reminding him he was there at his whim and he could send him away at any time.

And he never did apologize for that one and honestly I don’t really blame Med for that per se? It is his tower and Khadgar can’t tell him who is allowed there. What I mean is going by JUST the power dynamic they have as mentor-apprentice, Khadgar is absolutely out of line there

In some ways could have come off quite spoiled and entitled but the thing is I don’t think that was the case at all.

He’s become so comfortable in Karazhan he’d started thinking of it as his home. Then Medivh has in one conversation reminded him it very much was not his home and he could send him away at anytime if he so wished it

He’d finally found someone who cared about him, respected him and treated him as a person. He found a place where he felt he belonged for once in his life and…

No wonder he was so jealous of Garona for a while after that. He’d been reminded that all of it could be taken from him at any moment and here was someone stealing his Master’s attention.

Just thinking about how that jealousy so obviously comes with feeling like he’s not enough and insecurity about his place in Med’s life.

Just very interesting how I think it could very well have went over Med’s head as not that big of a deal too? One of those things he’d be like huh oh yeah I said that? Meanwhile Khadgar is spiraling about it

He could of also been absolutely aware of how harsh it was because Medivh does lash out like that on occasion (especially towards the end of the book as Sargeras gets harder and harder to fight) he can be a little shit we know this

(Don’t really blame him for that given being possessed by the demon lord Sargeras is probably just a teensy bit tiring /s)

Also seen valid and honestly very possibly canon interpretations where he’s also trying to push Khadgar away cuz he knows what’s coming and what Khadgar is going to have to do.

The more attached to him he is the more difficult it will be for Khadgar to do what needs to be done.

What better way to push someone away then hit them right where it hurts?

And yet even then I think those words hurt Khadgar deeper than he’ll ever know :(

[c-kiddo]

happy pride month to tgirl caduceus (real) (canon)

[mermaidsirennikita]

choose your fighter: Immortals After Dark epigraphs edition