#(i say life in general because its a very different thing to understand Why something is alive

[harmoonix]

🍄 Retro - Astro 🍄

(Astrology Observations)

ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯ྉ☯

🍄 - I love to stare in the eyes of the natives with Neptune - Asc aspects, most of my friends have such aspects and they truly have beautiful eyes

🍄 - Pluto in Sagittarius Generation is really meant to give and normalize things back to normal, and for example bringing things that were used in the past and to normalize them again

🍄 - Wanna know why so many Aquarius Suns may act so different and unique? Sun is ruled by Leo and Aquarius is its opposite sign so sun acts different in Aquarius

🍄 - Neptune and Mercury aspects can indicate love for music and most times for old music or old music style, you know liking those songs from the 90's

🍄 - One fast way to learn your sign houses in your birth chart is to know the order of the zodiac signs, this method worked with me for example you have Gemini Rising and Leo Sun > Your sun will be in the 3rd house because Leo is 1 sign (Cancer) apart from Gemini

🍄 - 8°, 20° degrees on the Midheaven attract jealousy really fast, envy too and sometimes can even get hate without a reason, on the other hand people can become obsessed with them

🍄 - Sagittarius in your 4th/12th house axis can come from more nationalities/ethnicity/race like having more than 1 background country ancestry (or your ancestors/family members)

🍄 - Lilith in your 9th/12th or 4th house can indicate ancestors or family members working with the occult/witchcraft/magic/tarot etc...

🍄 - Sun in the 12th house natives have an ongoing karma, basically they are working on their karma constantly

🍄 - Virgo Moon's beauty is underatted, they are so beautiful and they can actually look younger because of the Mercury's youth effect

🍄 - I remember once checking on google about Jupiter in Virgo husband (my sidereal Jupiter placement) and I got this:

I can't tell if this is real or not tbh 😭😭

🍄 - Neptune aspecting Chiron will literally empower your subconscious with a lot of intuition, spirituality like you really have the chance to heal your subconscious in case is hurt with those placements

🍄 - Everyone I know with Cancer Placements gets so DEPRESSED based on the weather, and omg I'm not joking or something if the weather outside is bad they're gonna be depressed or in a bad mood

🍄 - Every time I see someones chart with 10th house placements especially Sun and Venus there I know they got the cash bag 💰💰

🍄 - Not gonna lie knowing how organized Virgo placements are, I think natives with Virgo in the 4th house have the most most most most most most organized house-castle ever just like in Cinderella and everything looking perfect

🍄 - You can spot health problems in a chart by looking at their 6th house sign (both in tropcial and sidereal) looking at the ruler/lord of the 6th house and of course the planets (if there are) in the 6H house

🍄 - Stelliums play a very big role in a chart (A stellium is when you have 3 or more than 3 planets in a house) and indicates a big focus in that area

🍄 - Empty houses play a very big role as well, and an empty house is not a bad thing or something but spirituality talking it indicates an area you already completed in your past life

🍄 - Let me tell you how tricky Venus in Capricorn can be to make you fall in love with matured enough people and sometimes the karma comes and strikes and says "They're not the one for you"

🍄 - Moon in the 9th house is another tricky placement to have because in harsh aspects it can indicate a religious trauma and sometimes it can indicate love for religion/beliefs you understand what I mean...😭😭

🍄 - A lot of people who happens to get betrayed have Pluto/Saturn Lilith and sometimes Neptune in the 11th house, (I know all the people can get betrayed but these are just some indicators

🍄 - Sagittarius/Jupiter in the 11th house can be blessed with friends or in general having luck with their friendships and social networks, sometimes their friends can come from a different background than them

🍄 - Mercury at 10°, 22° degrees really can have a deeper voice than others (depends on aspects) but their voice is so damn attractive

🍄 - Uranus and Lilith in the 5th house can get confused if they will want or not to have kids like is difficult and in the same time draining for them (Lilith in general in that house natives don't want kids but is just my thoughts on it)

🍄 - Sagittarius Midheaven/Midheaven in the 9th house or in Sagittarius Degrees 9°, 21° really need to chose something the job/career they're passionate about because it grants them luck

🍄 - Midheaven at Aries Degrees 1°, 13°, 25° or MC in Aries have a big chance to get a leader position at their job or having the main character energy

🍄 - I tell you Gemini Moons and Moon in the 3rd house natives have the best tea ("Tea" as a gen z slang means gossip) like gossips stories i honestly wonder from where or who they know so many things im so invested y'all 😭😍

🍄 - 2nd house and the Moon Sign represent food in the birth chart, and I know water/earth ones love sweets so much

🍄 - If you want to know more about your true self check your Ascendant ruler persona chart, AND if you have 2 planets rulers check both persona charts for ex if you are Scorpio Risings check your Mars and Pluto persona charts, sadly for Leo Risings their natal chart is pretty much their true self (There is no Sun persona chart😭)

🍄 - Leo in the 7th house can have the same problem like your natal chart pretty much tells you about your future spouse because there is no Sun persona chart to look for in case you wanna look for your 7th house ruler persona chart 😭

🍄 - Cancer Risings in your D9 (vedic) chart can indicate a nurturing spouse or in general your partner has a very nurturing and kind energy

🍄 - I admire 6th house Placements for how much they want to keep themselves healthy like is a top priority and i respect that so much, because your health matters so much in life ♥️♥️♥️🙌🏼

🍄 - Aries Placements especially Aries Juno I love their energy. They just give that leader and confident/powerful vibe (boss vibe) in the chart also someone very bold and funny I love them

🍄 - Draconic Chart is the chart of your soul before reincarnation/coming to earth and the placements are indicating how your soul expected to be on earth (like their life), and im gonna cry I have Saturn in the 7th house in this chart as well. my soul knew I will have to wait for that specific person to come 😭 I'm done...

🍄 - Mercury in the 11th house makes socially open natives they get along so good with most people because of their social skills, they're also smart, creative and very open minded too

🍄 - Pluto in the 12th house has a chance to become very powerful in this life because this placement usually indicates an painful karma, you will certainly experience a lot of good and bad things in your current life

💝 This post was more like at a spiritual level 💝

Be blessed you all who read my observations 💝

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[astrobydalia]

Astro knowledge pt. 2

work by astrobydalia

Cancer rules hotels, motels, etc. Hotels are all about hospitality, making people feel welcomed, comfortable, provide for basic needs like a bed, food, etc. Of course this will differ based on quality and the kind of place but in general places designated to provide shelter and a place to stay are ruled by Cancer

When I learned this it made a lot of sense cause my mom has Groom in Cancer and 7th house ruler in the 4th house and she met her fs at a hotel. I know a couple who has Cancer ASC in their composite chart and they met at a hotel

Jupiter is a very unpredictable planet and a negative manifestation of it is that it can make things grow uncontrollably without reliable results. Jupiter can give blessings yes but it does not guarantee success. Those blessings are just opportunities but it's up to you what to do with them.

Astrologically, the key to success is Saturn. That's why success is so hard to obtain and it's a symbol of status or accomplishment. And yes this applies to whatever it is you consider success. Saturn is not about obtaining success in itself, it's about growth, the way we feel accomplished and successful as humans is when we feel like we've grown and flourished overtime. That's why it doesn't matter what your definition of success is, in order to get it you need to mature and go through sacrifices and lessons related to your Saturn placement.

MC/10th house = what success means to you Saturn = also related to what success means to you, but it can specifically tell you how to get it

Moon is related to wealth that's why it is exalted in Taurus!

Moon in a man's chart indicates his wife because Moon symbolizes the divine feminine. Venus is important too but ultimately a man will commit to a woman that satisfies his Moon energy. That's why it is often said that men marry someone like their moms or the way a man treats his mom is how he's gonna treat his wife

5th house rules your creative endeavors and the 11th house rules your public/clients/fanbase/etc. That's also why 11th house is related to money you make in your career (2nd from 10th). If you wanna have your own business you gotta look at both the 5th and 11th houses

Something I don't see people mention much (maybe because its obvious) is that Libra energy makes things to be balanced in itself because Libra is all about avoiding any extremes. Libra makes this to be on the "elevated" or positive side but always keeping it moderate. For example, if you have Libra ruling your money houses your income could be averagely decent, like you could make good money (cause, Venus) but you're not insanely rich either or it does not appear that you are (cause Libra also rule appearances).

Aquarius rules heavy cold winds (you know like those very heavy and erratic winds), that’s why it also rules over airports and planes. I've also seen astrologers say that back in the day, Aquarius used to rule over sailing of bigger boats which also needed heavier winds in order to move

We all know Leo rules inner child. One thing about children is that when you're a kid you kinda don't have a concept of others being their own person and having completely different lives (that's something Aquarius brings awareness to, that's why its the humanitarian), but rather kids tend to assume everyone lives the same way as they do. That's what happens with Leo astrologically, they tend to not understand or fathom or be interested in things that go beyond them or their experience. Their own perspective of life is their whole world and what they will project on everything much like the Sun project its own light into the world. In the case of very unhealthy Leo energy this can go as far as actively minimizing other's experiences and perspectives. When Leo does try to understand others, they have a tendency to circle it back to something they can relate to or is relevant to them or they can understand

There's also another side of Leo that rules teenage years since that’s the period of our lives where we are finding our identity/expression and also where we start to become more interested in romance and sex

In composite, the ASC is how the relationship started and how it generally comes across as but the 7th house is the dynamic the two people have between them, how they actually interact with each other

Both Aquarius and Pisces are the last two of the zodiac wheel and both relate to themes of evolving as human and elevating spiritually but because of this, these signs are the hardest to develop healthily and many people fail to do so. That's why you see many Aquarius and Pisces placements with a god complex or huge entitlement cause both share this sentiment of feeling 'different', more elevated or special than everyone else

Venus finds fall in Virgo bc Venus is a sex goddess, she rules abundance, sensuality, pleasure and indulgence. Virgo on the other hand is the virgin, she's minimalistic, cerebral and modest, she’s too much of a “prude” for Venus.

Since Pisces is the most empathetic sign, its opposite Virgo is one of the most unkind signs unfortunately. Pisces wants to find the beauty in all things and people (Venus exaltation) while Virgo wants to find the flaws and everything that is wrong and needs to be improved or fixed. Pisces is about accepting the "soul" of things while Virgo is attached to an idea of how things should be. That's also why Venus finds falls in Virgo because Venus is related to kindness (this does not mean Virgo Venus people are inherently unkind, this can manifest in any unhealthy virgo placement, it's just an astrological explanation)

Domicile/exaltation is not always positive. When a sign exalts a planet it means that it can enhance both its positive AND negative qualities. That's why exalted mars can manifest as toxic masculinity or why exalted Venus can manifest as textbook enabling behaviour. On the flip side, planets are its fall/debilitation are challenging placements because the positive qualities of the planet are weakened but at the same time its negative qualities can be neutralized. For example, Mercury debilitated can be less prone to pointless rambles and have a more focused intellectual approach, debilitated Venus can be less compliant, etc

The energy that rules horror astrologically is Pisces/12th house/Neptune, we usually associate it just with dreams and idolization but it actually has a creepy and twisted side to it. Neptune is all about blurring the boundaries of reality including what we judge to be good or bad (Virgo). It rules over dreams AND nightmares. Not only that but Neptune energy does not understand the difference between a dream and a nightmare. This characteristic can range from blindness to red flags all the way to having rather morbid fascinations.

Following the above, the association of 12th house with nightmares is also explained by Saturn finding its joy is this house (the so called 'bad spirit', the never-ending burdens that come to haunt you). However, as I explained earlier in the post, Saturn is the key to success so this means Saturn is the key to help you achieve your dreams (12th house)

Pisces/Neptune energy rules spirituality but at its lowest it can also be the most superficial and vain sign (again, the negative side of Venus exaltation) because Pisces also rules illusions and idolization. It can focus so much on portraying an ideal image that it does not dive deep within, wants to escape reality and live a fake ideal

In terms of performance, Leo is theoretically better at sex than Scorpio

How to read the chart of a Nation + some observations

Sun signifies the characteristic of the rulers and it also symbolizes what that country is all about if that makes sense. For example USA is Cancer Sun and they've always been known for they patriotism and how they're very attached to their past as a nation.

Moon represents the people (civilians, population, the society). The energy you will likely experience by actually spending enough time there and start integrating yourself with the people. For example New York has Aries Moon and a relative of mine who used to live there once told me jokingly "with all the hustle and normalized criminality sometimes it feels like a war zone here"

Ascendant is the general national identity they present, the first thing that comes to mind when you think about that place. I've also noticed the stereotypes of a nation a lot of times relate to its ASC. For example Canada (Toronto) is Libra ASC and they’re known for being polite and nice to everyone. Japan (Tokyo) has Virgo ASC and their known for being super diligent and clean (think Marie Kondo). USA (nation) is Sagittarius ASC and they’re known for being loud, entitled, optimistic, multicultural, a massive country, cowboys and country music, etc.

work by astrobydalia

[ancientgoddessofegypt]

The 12th Houses - The Divine Naturalist.

Knowledge is power, and what most 12th housers understand is that power is infinite, and the knowledge that we seek comes from within. The 12th house is filled with divine experiences, making the person with this placement see things from a higher perspective. Something that most can never find for themselves, its truly a mystery here.

Sun in the 12th house : Impractical knowledge, things that don't make sense on a psychical matter making sense more in the imagination. Artistic souls who's only purpose is to share what the divine has given them since birth. Angels of light who go into the darkness for some time to receive an answer. Could have issues with family and friends because they can be too floaty for them sometimes. Always floating with the wind, always going nowhere but somewhere. They may not know everything, but they know the importance of being in the moment.

Moon in the 12th house: Connecting to a higher purpose, these people could be the seers of our generation. Having mercy for every little thing, every person, every plant, animal... etc. They have the compassionate nature of a deity. Some may even believe they are quite delusional with the way that they put their all into others, even excusing the behavior of some becomes we all have been there. All in all, they have an expression to them that attracts any and anybody to them, their love is unmatched.

Mercury in the 12th house: Intricate minds, very solitary individuals. Like to live alone and be isolated at times. You may not understand them from time to time, but it does not matter to them. Their mind has more than a million channels, and they operate into all of them. I feel as though these placements need time alone due to their mind always being on constant overdrive. I guess it's safe to say they could be their own book that is more than 300 pages. They have the tendency to know more than what they let on, due to the source within them giving them an explicit amount of knowledge all of the time.

Venus in the 12th house : Beautiful souls with a tendency to love deeper than what most can define. No one can truly match the depths of these beautiful minds, who's love wishes to touch the stars to be closer to the divine. Their love life can be tempting with allure, but their bodies can feel the uproar of something being close to home. Their not for everyone, and the way their love life is set up.. it can have them questioning why the Universe put them in certain situations. Could it be that they must go against the grain? Love will make you do crazy things, and they learn a lot about this everyday

Mars in the 12th house : Their psychic senses are always tingling. The power they are looking for is deep into the subconscious. I feel as if they are always fighting for themselves to pick up their weight while society pushes them to the side often.. They know exactly what they want, and as it is capable they have to sure work for it. Because even if its not in the present, it is somewhere in the future. Because if you can see it in your mind, you can bring it into fruition. Mars in the 12th house makes a difference because as they transform the mind, they transform themselves. It's like seeing a totally new person, because they looked into the heart to find what they need to change to be the person they have always wanted to become. They always knew they could do it if they were to try.

Jupiter in the 12th house - They have a powerful connection to the ancestors, their spirit guides and the universe overall. They see things in a much more profound way than people let on. You might think their crazy, but baby let me tell you they are in 2050 while everyone is stuck in 2024! They have the tendency to know things by either looking it up or solving the clue on their own. Potentially they can lose their own minds because the world is farther behind, not being able to grasp the knowledge of everyday life even when its being practically handed to us. At some point, they tend to hide what they know and shares it with a familiar group, ones that knows the type of people they are and want to learn more of the fruits of nature that the Gods have given us. Ask your jupiter 12th house frined what is something out of this world that they know and watch your entire idea of life change in one sitting.

Saturn in the 12th house - Spiritual connections come in very interesting ways for this group. They naturally run with authority, they just don't see it yet. They have an understanding that things take time. And although they may not get it now, when they are much older they will see that everything was planned the way it was supose to be, and not the way they wanted it to be. They have the gift of seers from many moons ago, and they have the direction and path lined up for them by their ancestors and spirit team. They just need to know which lane to pick. Let go of control if you have this placement, you have no idea where things could lead.

Pluto in the 12th house - In a deep dark pool of webs, you will find the most intriguing persons here. They know so much about the darkness, it may shock you. Since they were a child, they have had a lot of psychic experiences. And as they grew, this could have surprised so many others to the point that the 12th houser has rejected their role in being all knowing. With this placement, they have to go against the grain. Looking within the psyche to accomplish what most never see coming, and it's to have full control cover their consciousness. They have integrity enough to keep going, even when things are bouncing out the wall. But they never give up on themselves, there is always room for self-transformation.

Neptune in the 12th house - Creators, Muses, Great thinkers. Very in control of their inner world, its just that others may give them a hard time. They are always on cloud nine. Very patient with themselves because the world tells them to speed up. Can be super creative when you lock them in a room by themselves. They will take you into a museum that connects to their soul, you'd want to know more about them the longer you stay with them. To have this placement is to know that there is something much bigger than ourselves out there. They live a life full of inspiration.

Uranus in the 12th house - Unique individuals who take the time to create inventions far past their peers level of thinking, and I mean that gracefully. They have the capacity to see beyond what the world sees at such a young age. The universe connects them to the akashic records of information so that they can be ahead of time. Can fulfill a leadership role if they find themselves in a predicament where others won't take the lead, they'll have you thinking about things in a totally different way. Can be seen as the crazy-heads of the world but they aren't so crazy once you get to know them. Have mercy on them, they have so many ideas, philosophies and knowledge tied into their tiny brains it will almost make anyone seem insane. Just enjoy the rollercoaster that their brains make us feel, its a ride of your life.

I hope you all enjoy !

[miraculouslbcnreactions]

Regarding the post about Marinette being punished for trusting people and the response to it, this is something I always have trouble explaining because it sounds callous? But fictional characters aren't people. It's not that their lives just so happen to get in the way leading to something bad happened the writers decided that should happen, and it's important that you stop and ask WHY this happens. If the camera is "on" per se, people assume it's relevant and will tie into something larger. So like if the camera is on and all we see is Alya revealing her identity and then the result is she's outed in the same way she was in Heroes Day, the audience naturally concludes it's connected and thus realizes the lesson is either "Alya learns she shouldn't share her identity" OR "Marinette learns she shouldn't trust people" or both.

Secret identities are a great example of this phenomenon. We're NOT shown every time a villain's plan is foiled because they didn't know the heroe's identity, we ARE shown every time a heroe's identity causes friction in their lives. As such, large parts of the audience think of secret identites as inconveniences because that's what's shown (not just in Miraculous Ladybug, in tons of other shows)

Like you are supposed to make connections in Television about what's being shown to you that no one would make in real life (or at the very least no one SHOULD make in real life) because there's a limited space to tell the story and the audience is assuming the writers aren't wasting our time.

If these were real people it would be unreasonable to say because people have their own lives Marinette can't trust them, but in a story where Marinette is the main character who is explicitly always supposed that's. An accurate way to read the story!

And I also understand that this is a very boring construction if you're making headcanons or thinking about these characters! But that's a different lens, it doesn't make the broader writing lens invalid. You're speaking different languages at that point.

Anyway I hope that helps someone, that's my two cents

You summed it up perfectly! There's a ton of valid criticism to be had of Miraculous, but you can tell from the narrative framing that almost all of it comes down to writing choices and not things that are supposed to be seen as in-universe issues even though a lot of fans treat them as such. It's really weird to see things like people complaining about everything revolving around Marinette as if it's a personal flaw of hers and not the result of her being the main character in a fictional world. "Main Character Syndrome" literally pulls its name from the fact that this is how main characters work in a lot of media. It's a flaw when a real person does it, but in terms of story telling, it's extremely normal - and often good story telling - to have everything revolve around your main character or a core cast.

The issue with Miraculous is that they chose a lot of poor conflicts if they wanted Marinette to be the one and only main character, but that's not her fault. She didn't decide to have the rules around identities make no sense. The writers did. She didn't decide to make the main villain Adrien's dad while also keeping Adrien from being involved in the story. The writers did. The list goes on and on and, because none of it reflects badly on Marinette in the writers' eyes, the show doesn't act like Marinette is in the wrong. Remember, these are the same writers who think that Derision was a great episode that added depth to Marinette instead of destroying her character and making her look unhinged. Their judgement is clearly a little skewed.

While the writers love to make bad plot choices, they are generally using proper story telling language to make those choices, which is why I can tell you how characters' actions are intended to be read. The Rena Furtive and Nino example is a great one because it allows me to show that the writers do understand how to set things up. In fact, once they've decided that they're going to do a thing, they pretty much always set it up at a basic level. It's rarely spectacular and often frustrating, but it's never shocking.

In Rocketear, Alya promises Marinette that Nino will never learn about Rena Furtive. The episode then ends with her breaking that promise via the following exchange:

Alya: (sighs) I'm still Rena Rouge. (Nino gasps.) But now I'm in hiding and that's why Ladybug asked me not to tell anyone. Nino: But why are you telling me if no one's supposed to know? Is Ladybug cool with this? Alya: I can't hide it from you, because I love you, Nino, and we share everything.

Look at how this confession is presented. Look at what the dialogue focuses on. When Marinette confessed her identity to Alya, it was all about the confession and supporting Marinette. There was no discussion of this being a problem for Chat Noir or anything like that because - in the writers' eyes - that wasn't a problem for some reason. This is why Chat Noir almost instantly absolves Ladybug of blame once he finds out about the identity reveal (see: Hack-San.) The writers didn't want it to be an issue so it wasn't:

Ladybug: I'm really sorry, Cat Noir. I should've told you. I mean, if I found out that you told someone about your secret identity, I'd... probably be upset, too. I'm really sorry I hurt your feelings. Cat Noir: You didn't hurt my feelings. You did everything right

But when Alya confesses her identity to Nino, the conversation is not just about her confession. It's about her confession and how she's not supposed to do this. That's why Nino's response is not loving support. Instead, he asks if this is a good idea and if Ladybug knows.

These things are getting focused on because the writers are telling you that this is a bad thing. It's supposed to feel ominous. When I first watched Rocketear, I assumed that the season was going to end with Gabriel getting the fox off of Alya due to Nino because that was an obvious way to raise the stakes and they'd just heavily implied that Nino knowing would be a bad thing. I was, unfortunately, right. The only on screen consequence of Nino knowing is that he outs Alya to everyone in an incredibly forced series of events (see: Strikeback):

(Ryuko successfully prevents the Roue de Paris from hitting them, yet, it flies to the direction where Rena Furtive is. This causes Carapace to panic.) Carapace: Rena! (takes out his shield) Shell-ter! (Carapace's superpower successfully prevents the Ferris wheel from hitting Rena Furtive on top of the Tour Montparnasse. But the information of Rena Furtive's active status shocks the heroes, as well as Shadow Moth.) The heroes: Rena?! Shadow Moth: (from the top of the Eiffel Tower) She's still active?

Of course the Ferris Wheel goes straight for Alya's hiding spot and of course Nino screams her name before casting his power and of course the villain overhears it. It's all so forced and unnatural, which should make it glaringly obvious how much the writers wanted this to happen. This wasn't something they were kind of forced to do because it made sense for the narrative and they wanted to tell a good story. Instead, they wrote an awkward series of events because they really, really, really wanted Nino knowing to be a bad thing that outs Alya so that Marinette loses all of the miraculous even though none of this makes much sense.

How the hell did Gabriel hear Nino's shout from so far away? Is he able to overhear everything the heroes are saying? How does Nino even know that Alya is hiding there? And since when was a Ferris Wheel a threat to these guys? Your girlfriend is a magical girl and she's in her magical girl form, dude. You could drop a building on her and she'd be fine, a thing you have to know because this scene literally goes on to have Chat Noir go flying into a building, hitting it so hard the cement literally cracks, and no one really cares. I guess it's fine if Adrien is a punching bag, but Alya must be protected at all costs...

Anyway, while the above series of events was annoying, none of it was surprising. In fact, it would have all be perfectly predictable even if Alya outing herself was that treated as a more neutral event. Her choice leading to bad things falls perfectly in line with a truly bizarre running theme in the show: outing your identity to the person you love romantically is a bad thing that leads to bad consequences. That's why Chat Blanc and Ephemeral ended the world and why Nino knowing cost Ladybug the fox and why the character they call Joan of Arc has to give up her miraculous to be with her love and why the Kwami's have this absolutely asinine dialogue in Kwamis' Choice:

Plagg: Sugarcube! Having to force them to choose between love and their mission is just awful! Maybe Master Fu was wrong to choose them. Tikki: No, they’re made for each other. Love is what gives them their strength. Plagg: But the impossible part of that love is destroying them, and I know a thing or two about destruction. Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

This is the voice of the author telling you that outing the identities is not and never will be a good choice for the love square. Never mind that Alya is allowed to know Marinette's identity or that Gabriel finding out is what actually ended the world in the alternate timelines or that Felix outted himself in public but is still wielding or that freaking Gabriel was allowed to know half of the temp heroes' identities while they were still actively wielding. For some reason, those things don't matter to the narrative, probably because romantic love wasn't involved. The "identity reveals are a bad thing" rule only seems to apply when romantic love is a key element to the point where it's a reoccurring theme in this supposed power of love show.

[pomefioredove]

okay after reading all the goth hc, I gotta ask. how do you think the guys would react (any of them but preferred Floyd and Idia ) to playing them goth music/show them a trad goth outfit/makeup look (suprise them maybe? For example: I hc Leona to just have the least slay music taste to mankind (beastmankind?) so you play him- idk let’s say Lebanon Hanover, and he’s like “wtf is this herbivore?” But then he kinda gets into it. no pressure to write for it btw!

-✨♥️✨

ANON I was literally thinking about making a post like this a few days before this ask... you have my heart. I'm doing a full post

summary: nrc boys and goth type of post: headcanons characters: nrc students additional info: platonic or romantic, reader is gender neutral, reader is not specified to be yuu, half-headcanons half-x reader author's note: I'm assuming that goth as a subculture and a music scene already exists in this world. this post is also mostly about the music scene

*ੈ✩‧₊˚

Riddle is essentially a baby bat

he's like, two bad life choices away from going full victorian goth at any given moment

he flat out refuses to listen to anything "vulgar" but secretly adores the dark, poetic side to goth

he's also morbidly obsessed with death, being a sad victorian boy and the child of two doctors. it works

as much as I hate to say it, Ace starts out as the kind of guy to say he wants a "goth gf" on multiple occasions

he proudly announces it to everyone at an unbirthday party once and Riddle almost kills him for being annoying for interrupting

thinks the music is too sad

...but he mellows out eventually (your influence)

both Deuce and Trey are not particularly interested

(Deuce leaned into punk music as a preteen but has since "given it up" because it's too unruly for an aspiring honors student, in his opinion)

Cater inexplicably already knows a lot about goth

won't talk about it unless you bring it up first but if you play him something semi-popular

he'll be like "oh yeah I know that one"

he has a few songs on his playlist he listens to when he's alone

is a goth magnet himself. pulls many hot goths. no one knows how

*ੈ✩‧₊˚

Jack is also not really into it. not his thing

however I can see him secretly being into emo

make of that what you will

and Ruggie will never pass you the aux again. he calls it "halloween music"

Leona acts thoroughly uninterested for a long time

like, he'll listen to the music you give him, but doesn't really say whether he likes it or not

says he doesn't care about the scene (thinks it's too pretentious)

and pretends to be annoyed when you give him more song recs

but he gets into it. he starts listening on his own

he has a definite preference for gothic rock

*ੈ✩‧₊˚

Jade is already goth (to me at least)

and very eager to talk about his favorite bands

loves giving recommendations

apparently the coral sea has its own goth subgenres and bands, which sound... much different from land ones

Floyd will listen (has listened, thanks to his brother) but he doesn't particularly care

he much prefers the aesthetic, it reminds him of home

...being that he's from the deep sea, where it's dark and cold

the flowy, dark, elegant looks are just enchanting to him. he can't keep his eyes off it

Azul couldn't be bothered

he's willing to learn, but isn't a huge fan of the general... strangeness

(he doesn't really understand why anyone would want to be perceived as strange in the first place)

and the music is so unmelodic to him

"that was just a man moaning and a gate creaking for seven minutes" and then he bans you from his office

*ੈ✩‧₊˚

Kalim literally listens to goth already

I don't know how to explain it but I know he does

it's so funny because he never ever dresses goth or acts stereotypically goth but every once in a while he'll be like "who wants to hear my new favorite song? :D" and it's like, alien sex fiend. and no one can say anything about it

Jamil is an appreciator

depending on what you show him, he could really get into the lyricism and general mood

...if only because he finds goth dancing absolutely mesmerizing

*ੈ✩‧₊˚

Rook is goth

he only dresses the part sometimes, but he's always been very passionate about the poetic elements of the music

...really into french coldwave

in terms of fashion he leans romantic goth

it just makes sense to me. he could find beauty in absolutely anything, and the dark and macabre are no exception

will talk your ear off about his favorite bands if you give him the chance

Vil is really more into the style than the music

he's dabbled in a little bit of everything; trad goth, romantic goth, medieval goth. he pulls all of it off

honestly, if anything, the gothic style compliments his features and tastes more than anything

he has such a respect for the subculture and the dedication that goes into the visual elements

Epel doesn't get it. sorry 😔

he will listen to the music you recommend because he cares about you, but he just doesn't like it

he's in the same boat as Azul. "was that a slide whistle?"

absolutely baffled, but he likes you and it's a small price to pay for your happiness

(and he thinks the fashion is too androgynous for his tastes)

*ੈ✩‧₊˚

I feel like Idia also used to think he wanted a goth until he saw the e-girl vs goth discourse, freaked out, then spent two weeks reading about different subcultures

...still wants a goth partner

but now he actually knows what that means

will listen to any music you give him out of respect (fear) and won't say anything about whatever weird taxidermy-related hobby you have

he's surrounded by death all the time anyway who cares

*ੈ✩‧₊˚

you could get Silver to listen to the cure's entire discography and he'd come out of it really enjoying just like heaven and nothing else

it's just... not for him

(plus the slower songs put him to sleep)

Malleus somehow hasn't even heard of goth as a genre when you approach him

he is. a little disappointed it's not music about the architecture style

but he still warms up to it, especially as someone who enjoys finding the beauty in the dark and misunderstood

you can fix him. you can goth him.

Sebek joins only after everyone in Diasomnia gets in on it with you (he doesn't like being left out)

he loves it because silver doesn't and malleus does

peepaw Lilia is an old goth

he was around when the music scene started, and he also remembers the literature movement it was named after, and the popular architecture style that was named after, and...

...you get it

still, he's always pleased to learn about new bands and subgenres and styles and the like

could and will talk about it for hours and hours with you

he dresses the part, too

we love him

[burst-of-iridescent]

well since i can already tell that we’re all going to be subjected to the same old tired mai & mai.ko discourse for the foreseeable future, let’s get it clear right now that the atla comics have never been, and will never be acceptable mediums of character development, and here’s why:

1. the comics are given the benefit of hindsight, which impairs organic character growth.

it’s become extremely clear over the last few years that many of the comics are made as, or include, direct responses to criticisms of the original show — especially when it comes to katara, mai, and the canon pairings. aang didn’t ask katara for consent? look, he’s checking if he can kiss her! mai doesn’t care about fire nation imperialism? here, she’s an anti fascist! iroh was a creep to june? don’t worry, here he is apologising!

many of the things the characters do or say in the comics feel unnatural because they are not written as characters, but as mouthpieces for the creators to address fandom complaints from the original show.

“but that’s good, right? they’re trying to make it better!” i mean… sure? it still doesn’t change the fact that it’s damage control, and that no matter what stories span the middle, the arcs of these characters still begin and end with avatar: the last airbender, and the legend of korra, both of which are fixed and immutable. the comics cannot retroactively fix the issues of either show, because they’ve already been defined as the goalposts of the characters’ lives, and there is no way to undo that.

it’s like if you eat a meal that isn’t to your satisfaction, and maybe the chief makes you another dish, which is all well and good — but it doesn’t fix the fact that the original meal still sucked! sometimes, accepting criticism means accepting that there’s no way to go back and fix it but to do better next time, with the next story you wish to tell.

if the legend of korra didn’t exist, and the arcs of the characters were left open after atla, then maybe there would be for the room for the comics to function as character development if not for the fact that…

2. the comics are intended for a very different audience than the show.

it’s obvious that the audience for the original show vastly outnumbers the audience for the comics, likely by thousands, if not millions. this isn’t the mcu, where the installation of any atla property is vital to understanding the next, and so on. you can skip the comics and miss nothing whatsoever (and honestly your life would be far improved by doing so).

those who read the comics are likely only the real diehard fans of the show — and the creators know this, which is why we have the whole issue of point one above. but this difference in audience matters, because it reflects the significance of the story being told, and how important it is for the audience to know it. this is why, if the characters’ development and storylines in the comics truly, genuinely mattered, it would have been in the show already.

i’m not saying that the gaang wouldn’t have continued to grow and change post-atla, but generally stories exist as closed circuits, self-contained within themselves. when you end atla, you’re meant to believe that those arcs are finished. that’s the whole reason the comics deal mostly with fun silly adventures, or with quick, temporary conflicts instead of grand, overarching narratives, because they are not truly meant to function as a continuation of the story of atla, or its characters.

(if you ask me frankly, they’re meant to be nostalgia cash grabs, but that’s neither here nor there.)

creator intention matters with the atla comics (or any atla property, in fact), because creator intention was the subject of criticism for the original show in the first place. why must we rely on the comics or the cookbook or avatar legends to tell us that katara did things with her life outside of aang? why do we need to turn to something released nearly two decades after atla to find any evidence that mai denounced the fire nation’s imperialist indoctrination, when she’s romantically involved with one of the show’s most important characters? why are these stories relegated to a medium with far less reach, far too late?

the answer is that the writers didn’t find those stories to be originally worth telling, and that is the real problem fans have been pointing out since 2008.

so, tldr:

[hahahafangirl]

gotta put my thoughts down before i forget it but the thing that did it in for me is how spy x family is ultimately and uniquely a “children-focused” work, where the major stakes require that we pay attention to the lives and dynamics of young children so that — specifically — we have to genuinely engage with and invested in their inner lives, motivations, desires, thoughts, emotions, etc.

i think this is a very unique focus in the shounen sphere, where the audience and creators are centered about adolescent boys (the shounen genre, in its name) and thus have a very wide scope of focus that nonetheless has “aged” past “childhood”. usually media about children and childhood are sequestered in its own genre (children’s shows like doraemon, magical girl anime like precure series, etc.) aimed at a different target audience who are in the same demographic as the main characters in the shows. this is, obviously, not a bad thing. but i appreciate the “genre-breaking” focus that spy x family have because it inspires a sort of empathy to children, who are often not the most favorite group of people for the typical demographic of shounen readers, that is specifically vital in today’s climate. (can’t say much about japan itself, who historically has been dealing with declining birth rates, but oh i can speak for the american individualism— ironically where sxf is also very popular in) another thing about this is it’s drive home how intertwined the family life is, and should be. agent twilight and thorn princess’s plot-lines are clearly shounen-esque (a spy fighting for world peace, an assassin weeding out traitors) but they are nonetheless inextricable from the family- and anya-focused story, because by choice or circumstances they are anya’s parents. they’re a part of a larger societal fabric that embedded them in relationships to others — children being one of them. i think that’s pretty neat.

another thing, specially about the depiction of children in sxf: they are fictitious yet realistic enough to portray real children and inspire sympathy for them. a lot of asian home media in general have the problems of portraying young children as “problems”: annoying, loud, privileged, dumb, ungrateful, etc etc. these are such complaints about children that are unfortunately way too common and way too ungenerous and mean-spirited; none of these tropes are present, even in a media full of scions and heiress. complaints about them being brats (red circus bus hijacking arc) was rightfully framed as unsympathetic and unreasonable (they’re children! they can’t help where they were born into— it goes both ways.) i think the crux of this beautiful balance sxf struck in portraying nuanced, dynamics children is sympathy. they can be loud, they can be whiny, cry at the drop of a hat, has too much energy, gross, have bad grades, clingy, inconsistent, academically unmotivated, ran off randomly— and that’s fine, because we know why they do it, we are given space into their inner thoughts, something so rarely afforded to real life children at times. but they can be motivated, they want world peace, they want to have genuine friends, they want their friends to be happy, they have crushes, and most of all they love their parents and they love the people around them.

i think regardless of everything sxf is a work that understands that children are full of love and the majority of the things they do are out of love. i think that alone makes it incredible in the current socio-econo-political climate where sympathy is spared so little and humanity spreads so thin children barely gets what they deserve. i suppose that’s the sort of war we are entrenched in.

[angelflms]

oh boy. guess i have something to say about CK after all. get ready. it's gonna be a fucking doozy because ima bout to piss off so many people.

yall cared wayyyy too much about robby (this is coming from a robby lover).

for a cheesy, straightforward show, some of y'all didn't understand its tropes at all. or at least what it was trying to tell you, especially when it comes to the roles miguel and robby are supposed to be in.

miguel has been and always will be the show's karate kid. he was supposed to be the daniel of the story, hell even GQ just said it in an article about the show recently. robby was always supposed to be a johnny-like foil to miguel. the thing is that the show tries to bamboozle you into thinking otherwise because of who's training them, how they're trained, and how they act because of the type of training they're initially recieved.

yes, miguel acts very similar to johnny in the show. yes most of the og TKK call backs they make with him are in relation to johnny, but he is the underdog character. you know how everyone expected johnny to win in TKK because he was a fucking champ and such. it's almost like how we as an audience for awhile assume that robby is gonna be the final end all champ of the series. but just like with johnny, we're proven wrong. it's just that the bullet was in a different gun this time. it's the one in the ck gi who won this time.

idk why people get so mad over miguel's victories when it was always supposed to be him that was gonna win. the show is called cobra kai for a reason, therefore, the final winner of the show is gonna be someone from that dojo. it only makes sense. and since the main karate kid that started off the show was a ck member originally, surprise! he's gonna be the final victor of the show.

---

now im seeing a lot of hatred towards johnny's character, again because of robby. now yes, johnny was a fucking horrible dad. and as a girl who's bio dad is a piece of shit like johnny was and has never been in my life (even started a business similar in the world as johnny's), i understand robby's dad pain a lot, even more so than miguel's.

but what you don't understand is that cobra kai is a show about generational pain. generational trauma. generational grief. generational hurt. the whole story revolves around pain that started 30 years prior (even further if you bring up kreese). the show also is about breaking the cycle once brought upon you to better the future for those who look up to you.

johnny is close to miguel because he was his second chance at being a better father figure to him. he didn't expect that he would get robby back in his life the way he did (robby literally told him to rightfully stay away) so he focused heavily on miguel and his family. now once he and robby reconciled, it was a huge breaking the circle moment because johnny lawrence is a victim of physical and verbal child abuse from both his step-dad, sid and his father figure, kreese. kreese was to johnny what he is to robby, but less abusive. and robby was to kenny what johnny was to him, but robby eventually broke the cycle, something that johnny was able to eventually do himself.

that emotional scene between johnny and kreese wasn't just emotional but kreese's final moment of realization that he was a horrible man and father figure to johnny. he hurt him so bad that he couldn't be a normal human being, which in turn caused him to be an absentee parent to robby. not saying that it's okay but it's understandable. not getting that johnny is a broken person just ruins the whole point of the show's point of generational pain, something the show is nearly spoon feeding the audience to.

yes johnny is horrible as a father, but damn it the man didn't have a father figure as a model. all of his figures were abusive, absentee drunks who never saw his potential. that was a norm for him.

---

ive said many times that y'all talk wayyyyy too much shit about miguel for no reason. and the way this season ended and how much y'all are upset, im starting to look at a lot of you in a side-eyed way. like his character arc is poorly written but that's not his fault. the writers hate him i feel. look i love robby and i hated the way he went out but at the end of the day, you need to understand that he wasn't gonna be the final guy. maybe i think too much in terms of the nuances of shows but i'd like to think this was the most straightforward show about fighting out there. like there wasn't much of a hidden message as they told you what they were. maybe yall are too lost in the fact that y'all care so much about robby that you don't care. maybe im missing something as i have only been in the fandom for over a year. or maybe y'all just subconsciously racist atp because the hatred miguel and xolo get for no reason is beyond me.

but i will give everyone this: the show's writing sucks.

they didn't know how to write certain characters and i feel like it was due to wanting to please everyone because i remember the death threats this fandom threw towards so many people during the lockdown days. but the show genuinely can go past surface level shit and it sucks. i wrote a whole thing dedicated to how miguel's storyline should've went post-coma because honestly they fucked his character up BIG time. but at the end of the day, i do think, even with good writing, he deserved that ending. i just wished everyone else agreed.

[lucy-the-demon]

The one thing i hate about the Stardew valley fandom is how a lot of people demonize mental health issues. Like, Being somebody with clinical depression, PTSD and autism it really upsets me when people are mean about Shane and Kent.

They treat Hailey like she's the perfect woman because she's mean then Treat Shane like the scum of the earth for being mean as well.

I have a caffine addiction, and while it's not as horrible as having an alcohol addiction it's still an addiction that im trying to overcome and i have depression as well. So seeing people treat Shane like that, plus calling him a liar when he's not 100% happy and sober all the time it really upsets me to see how he's treated, and i don't like him because I want to fix him, its just nice to see depression portrayed so realistically and to feel represented in media and i just want to be there for him. I can relate to him, and when people insult him and treat him like the bad guy for being mean and depressed and not 100% sober i feel like im doing something wrong and I'm a bad person for having depression and anxiety

And i have PTSD over very different things then kent, but I understand things that trigger memories to events, if I see the person who mistreated me in life or if somebody mentions middle school I get really upset and will go on a rant about it, when I get so upset I get angry im brought back to those horrible memories, and I understand why hes stressed over something that seems minimal to others And people are mean about him too, hes not a bad person he's just got PTSD and he doesn't know how to handle it. I feel bad for him when the community is mean to him over that cutscene.

and these are fictional characters it makes me scared how they would treat a real human being with similar issues, like me. I joke about if you hate these characters you should hate me too but like, it really pisses me off how this community treats mental illnesses And being somebody with these issues i really just want to spread awareness on how i personally feel when people say horrible things about these clearly mentally ill characters that have issues that real people have

Mental illness isn't black and white y'know, and if you think it is i think you might wanna get your eyes checked because you might just be completely colorblind, or blind in general. the actual mental toll it puts on real people to be represented by characters who's mental illnesses are portrayed very realistically only to be treated poorly by uneducated fans of the series/game/movie/ etc. It's very heartbreaking to me personally..

I just want fans of Stardew to be more mindful of characters like shane and Kent because there are real people like them that have the same issues as them. You don't have to like them just understand that real people have been through the same things they have and be respectful of that. i mean I don't like Harvey but I am respectful of people with anxiety, I have anxiety too. I think everyone does at this point.. but i would never undermine his anxiety or say he's a horrible person Because he's anxious that's a disgusting thing to imply and it should be the same way with characters like shane and Kent but it's not that way

The double standard with shane and hailey is an argument that may just involve sexism but that's an entirely different argument that i don't wanna get into rn, but just know, you don't necessarily have to be a nice person to be a good person, and vise versa.

Tldr: you guys need to stop saying Shane and kent are bad people for having mental illnesses, it's really gross and insulting to those with mental illnesses

[accio-victuuri]

xiao zhan elle september issue cover story Q&A

ELLE: During this rest period, do you think about things that happened on the set?

Xiao Zhan: Of course, I remember a few days after the filming was finished, I had a dream that we were still filming, and the director and I were still discussing how to say that word? How to handle that scene?

ELLE: Do you actually miss the atmosphere on the set?

Xiao Zhan: I like it very much, because I like the feeling of everyone creating together and working together to get something done.

ELLE: When you first entered the entertainment industry and your popularity grew rapidly, you said that it felt a bit unreal and magical, but now you seem to be quite relaxed. How did this change happen?

Xiao Zhan: Rather than saying it’s unreal or magical, after so many years I feel that I haven’t had time to adapt to the fast pace at that time, so when I wake up from sleep, where am I today? What am I doing? I think it’s a process, just like when you first enter the workplace, everyone is very excited, "I’m here to work, please take good care of me", "I’m here, everyone get out of the way", "I can do it, I can do it". (Laughs) But after experiencing a lot of things, I feel that everything needs to be planned for the long term.

ELLE: In several interviews you mentioned that you like to play roles that "can convey energy". Why do you have such a preference?

Xiao Zhan: Because I think it is the life of the character. The kind of energy I am talking about is not just a single positive energy in the general sense. I mean the nutrition that can be subtle and silent. I believe that every character has a complete story line in his heart. This is what I like very much. As long as you dig deep, you can move people. I don’t like to call the villain a "villain", as if it is defined as a bad character from the beginning, but it is not. He may have his own difficulties.

ELLE: It sounds like “transmitting energy” is just a general term. Is it actually about understanding different people through performance?

Xiao Zhan: Yes, if we break it down to each character, they all convey different things. But if we say they are “good guys” or “bad guys”, I think that’s meaningless.

ELLE: So do you think acting is a form of communication?

Xiao Zhan: Yes, you can say that. I think it’s great to say that (acting) is a bridge to communicate with the audience. Just like when a play is broadcast, I will read some of the audience’s comments and impressions, and feel that they have a rich feeling about the work. When I see some comments that are exactly the same as my thoughts when filming, I feel very magical, as if this bridge is really connected. We don’t know each other in life, and we haven’t communicated, but he suddenly got my thoughts at the time, and I felt that, oh, acting is a very beautiful and magical thing.

ELLE: Do you watch some science fiction movies, TV shows, and literary works?

Xiao Zhan: Yes, I used to like watching "The Three-Body Problem". I have watched some science fiction movies recently, the American TV series "The Stars", and recently I am watching "The Replica". They are all about infinite flow and parallel time and space. Because I think there may really be parallel time and space. Every choice you make will split into a different parallel time and space.

ELLE: Do you imagine Xiao Zhan in a parallel universe?

Xiao Zhan: I really wonder, for example, is he still an actor? Maybe, is he still filming now? Is he still singing now? Or is he still a designer? Is he working for others or is he his own boss? (Laughs) Really, I really wonder.

ELLE: What do you think the future will be like?

Xiao Zhan: Wow, I think the world might return to its original state at that time, and the world might become a better place, and people would return to the most basic communication with each other.

ELLE: This is very interesting. Why do you think so?

Xiao Zhan: Anyway, at least now I am a little disgusted with the ubiquitous Internet. When we were young, when there were no mobile phones, we would chat while eating, and we would call our friends downstairs to play hide-and-seek and various games. I think that time was very precious.

ELLE: Will the profession of actor still exist by then?

Xiao Zhan: I think there will be. I believe that as long as life goes on, drama will continue. Because everyone needs an output, needs emotional resonance and sustenance, whether it is images or sounds. So I think that even if the world is destroyed, as long as there are still people, drama will definitely exist.

-END.

source

[kerryshifts]

Kerry, if you feel comfortable in helping me out or giving me some tip. I would be a lot grateful. even with all my studies about shifting, I fear I still not grasped what it really is. I tried a lot of things as meditating, detaching, visualizing, but I’m not making any progress anymore. (Didn’t make past some mini-shifts or dreams about it). For me, it’s hard to adapt to the concept of detaching, or believing I can control my reality when I simply cannot control it. And on top of that, there’s always this fear inside my head, telling me that someday I will discover that shifting was just a huge inside joke, and I’m afraid of getting hurt because of this. (Victim behavior, borderline pathetic, i know, but… just happens) it’s there something more I can do or try, should I just let go? I’m really stuck right now

also is completely okay if you don’t want to answer this if it feels tmi or just uncomfortable 🫶🏻

anon, i totally understand where you come from, but hear me out now:

i. shifting as an inside joke: you may think this because you discovered shifting on tumblr or, worse, tiktok. a social media where you saw people of your age doing it just for fun. (and with a lot of misinformation). so, of course the first thing your mind (who was educated on not believing in things you can't prove) will think things such as “oh, they must be lying” especially because our generation always lies about something. like, going to hogwarts – here, a fictional place – must seem like pure psychosis for someone who doesn’t believe in “those things.”

but, here’s the thing: we, as humans, have to give names to things. and now shifting, since it has a name, seems somewhat less… normal, to us. but if i told you that shifting is not just about realities very different from ours? when you wake up in the morning, and you choose to get up of bed instead of staying in it. that’s a shift. in a parallel reality, you are still in bed. nothing crazy about it. even if you don’t believe in shifting, you still shift. everything you think, everything you say, every choice, is a change in your reality.

and i understand that the “why would i lie” is not enough. i really do understand. but… kerry is not even my irl name. on tumblr, you can’t even see followers. you can’t get paid. i have a job and barely not free time. me, and the people on tumblr who most likely are not showing our faces, why would we do this? why would we lie about something that is part of the human nature? if you discovered shifting with tiktok, this has been a thing (on tiktok) since 5 years now… jokes are not this long-lasting, and they don’t go on other platforms.. with big ass communities. its not pathetic, its okay to feel scared of people lying to you.

if you want a proof, the proof is you and your existence. do you know the phrase “your actions have consequences” ? yeah, exactly. anything you do has a consequence on your reality. this is shifting.

ii. what the fuck is shifting: if you feel like you didn’t grasp what shifting is, let me try to explain it for you.

look at the mirror. boom. that’s shifting. *mics drops*

basically, you are human. humans are aware. awareness is understanding what is going on around you. is you touching your hair, hearing your voice, smelling your favourite food, seeing your face in the mirror. so, reality. then you decide to switch the radio, and suddenly you have a different favourite food. reality changed. then you see at this beautiful hair box dye, and reality changes again. your awareness now is conscious of you having a different fav food and different hair colour. you understood this. something clicked in your brain, and decide to switch the radio again. but this time — you know, you are aware that you made this decision. and here you are, with the life you wanted. you are now aware of this reality.

you say “it’s hard to adapt the concept of believing i can control my reality where i simply cannot” and, anon… did you ever had a bad thought? like, maybe you knew that a day was going to be boring, and it was. did you knew that today was going to be a bad hair day, and then it was? because that’s what controlling your reality also means. if you think you cannot control your reality, your thoughts become what you think. your 3D (the reality) is your essence, and if your essence is negative, your experience will be too. even if you can’t adapt this concept, the concept is still here in reality. so, now that you know it, you can use it at your advantage.

i just made a shifting 1O1 here.

iii. meditating, detaching, visualising: nothing works, you say? well, what where you thinking they would be useful for? like, did you do them because some folk on tiktok said that they were the key for shifting, or you did them because you found them helpful? were they stressing you out, or you felt joy in it? now, think about this: were you thinking that they were making you shift, or you knew that they were just things helpful in any way to you, and that you are in your dr?

detaching. from this reality? its not something you have to do in order to be in your desired reality. can help? if you desire.

visualising. your dr? good, does this bring you happiness? or it’s just making you think if you are doing it correctly or not? can help? if you desire.

meditating. cute, did you enjoy doing that? or everyone was saying that it was perfect for shifting and you just did it without even knowing that you are already in your dr? can help? if you desire.

iv. your studies about shifting: i understand what you are saying, but you are making it feel as if some academic complicated things that you can only understand if your professor is explaining every word of the lesson. it’s not like this. it’s easy. if you hear someone say “shifting is so complicated!!” just roll your eyes and know that you are already living your desired life. your existence is not an academic research.

v. should you let go? let go of all the complicated thoughts. you thinking that shifting is complicated is also a shift. your thoughts are becoming your reality. shifting is not supposed to make you stress. shifting it’s easy. it’s you. and that’s it.

[zenkindoflove]

I have a new hypothesis about why the ACOTAR fandom is so weird.

And I think it's because there is a difference between the people who enter this fandom as shippers and the people who enter because they like the romance genre*.

I think many life long shippers enjoy romance. Maybe they don't always seek out the genre but they see romance in whatever media they are engaging with and they take those characters and put romance spins on them even if those characters aren't from a romance story. You ship because of a feeling. You see a dynamic or maybe you think about what a dynamic could be and then suddenly you're pulled in. Like falling in love. But you're falling in love with the idea of a couple. How that couple ends up becoming in canon is independent about how thinking about them together makes you feel.

I think romance readers aren't necessarily shippers*. They enjoy reading romance in a romance canon but they don't necessarily ship in the way shippers do with obsession and devotion regardless of what the canon says. They ship because they see that this couple is good together and it does make them feel squishy inside. Similar to a shipper. But they weren't necessarily going to see that until the canon actually played it out. To me that is responding to a romance plot as the author intended.

And maybe that is something different than shipping. I know for myself, I can read and watch romance and feel pulled in by the love I see but I don't "ship" them in the way I have shipped my OTPs with the level of obsession and devotion and need to construct my own head canons and fanon.

And I think that is a big issue when people from different backgrounds try to talk about shipping and the ship war in ACOTAR if they aren't coming from a similar experience. As I discuss a lot on this blog, there is history and culture behind shipping. And shippers have developed a common language to discuss shipping in a way that respects others shipping habits while also maintaining your devotion to your own ship.

It seems like those who are in this fandom because they enjoy canonical depictions of romance only are often confused by people who are taking characters into their own fanons and playing around with them or are devoted to them regardless of what the canon validates or not.

If you are used to shipping generally it seems very weird for people to say things like "I ship this because they're end game" or "I'll stop shipping if they don't end up together". Because shippers tend to not ship because of end game. They would LIKE end game because having canon validation is great. But it is not necessary (I also am tempted to make a whole post defining the differences between canon vs. fanon vs. end game ships because I frequently see the ACOTAR fandom using these terms incorrectly).

I think sometimes we are talking across each other and not to each other because we don't share a common cultural understanding of fandom or approach to shipping.

*obviously people can be both. Maybe the first couple you shipped is because you got into a romance series. But the point is that shipping at its heart comes from a feeling. How thinking about these characters together makes you feel squishy inside. And that can exist with or without canon. Shipping canon couples does come with many rewards, and canon can validate and be positive feedback on your shipping feelings, but you don't ship because they're end game. You would ship them regardless because you saw something special in their dynamic and whether the canon gets it or not isn't going to stop you. I like reading romance but I find romance in any genre because my shipping brain never stops.

[girl4music]

Lucy constantly says that she believes the lesbian subtext was embedded in Xena from the start. And sure enough, these days when you watch it, it does seem that way. But Liz has specifically attested she had no idea. That she never thought anyone would think that Xena and Gabrielle were lesbians or were queer. Rob has said the very same. Steven - having come from a background of creating a TV show about 3 men on a boat - had some idea it would happen but never initially thought that way himself. And the rest - again, not a clue. I don’t even think Renée has said anything about knowing about the lesbian subtext from the start of it.

It’s just Lucy. She 100% believes that it was all intended by the creators. It makes me think about what Xena would have been like if that was true. How would they have written Xena and Gabrielle’s relationship… how would it have been portrayed… if they intended lesbian subtext immediately? With these creators,… it’s hard to say because you know they’re genuinely supportive of it… but at the same time they wanted a continuation and due to the way gay/queer content was treated in the 90’s by the general public… I’m not so sure they would have been as sincere as they ended up being.

It’s a hard one. But bless Lucy’s heart that she believes that they were rallying for the community from day one.

It’s just not the truth and I’m not sure it should be. Things were a lot different back then. If you did side with the community completely, you were playing with fire with your career. Ellen found that out the hard way.

She’s wonderful and she’s entitled to believe whatever she wants but I don’t think it’s a good thing that she blatantly ignores the struggle it was to be accepted in the 90’s for being gay or queer in the TV industry in effort to be in solidarity with her fans as much as possible because it’s just not the truth of how it was.

The creators were still brave but they weren’t stupid. They wouldn’t sacrifice their reputation so quickly. Not when they were just bringing out a TV show that was already groundbreaking for its female representation.

They were clever and cautious and conscientious once they caught on to the lesbian subtext during episode 8.

They did not intend it to be that way from the start.

The TV show would have sank like a stone if they did.

We all know it would have. That’s the honest truth.

Lucy is a ballsy person so naturally she would believe others around her would have the level of balls she has.

But they don’t. I know she means well so I’m okay with her constantly saying it but I need people to know that it is just her belief. It is not in any way factual of what is.

Maybe if she was a writer or producer for the show back then… that’s what SHE absolutely would have intended.

I like that thought. But I would have been very scared for her because there was people who did it. And they paid the price for it. Now you never hear of them at all.

I think it’s easy for people today to just forget how hard it was to have sincere gay or queer representation in the 90’s and that’s why I refuse to let them insult my XENA.

Because I don’t forget.

I won’t ever forget.

They did everything they could and if that wasn’t enough for some people then fuck them.

They obviously don’t understand. Well now they’re going to learn the hard way themselves because for the next 4 years - possibly longer - this is how it will be.

TV creators will have to decide whether it’s worth taking the risk. As a queer person that values TV art/entertainment so much - I’d say really CONSIDER it.

I’ve lived with lesbian subtext all my life. It’s been enough for me. I won’t mind it if I have to go back to it.

But that’s just me. Some very important questions were asked at this last convention and Renee especially was quite reserved on answering them. Lucy however…

Like I said. She’s ballsy. She won’t back down. But she has just started a career as a director. Something I’ve wanted to see from her for a long fucking time.

I don’t want her to compromise on her career for us.

[randomfotos]

Hello everyone, today I'm going to move away from the topic of my blog, to talk about something serious!

I've been on Tumblr since its inception, I've had several accounts, with different content and styles. I currently have two active accounts, both of which are very popular.

I gave this brief context, so that you understand that I have a basis for what I am going to say next.

For years I have noticed a certain discrepancy in the number of notes in certain posts. Over time it became increasingly obvious to understand why… The fact is that posts starring men of color (black, Asian, Latino, indigenous, people from the Middle East, in general, non-white men) receive much less, but much less likes and shares than those carried out by white men.

And look, this isn't about blog popularity and making a post go viral here. It's something bigger and very serious: racism and xenophobia.

And that's a huge general outline. For example: if posts with older men don't receive as many likes, compared to those with young, sexy, muscular black men, they receive much less notification than posts with older white men.

Another example, posts by fat men, do not have much repercussion, but when compared to that of an Asian or indigenous person, the fat white man receives more visibility.

I mentioned these two specific aspects, because in a society developed according to an aesthetic standard, old gay men and fat gay men are routinely placed on the margins of the gay community, simply because they do not meet these aesthetic expectations, but even when a group meets these "aesthetic standards", are belittled, subdued, disrespected and discriminated against, solely because of their skin color and origin.

Racism and xenophobia around the world is something that is clearly present in everyday life. And many people think it is not prejudiced. But even though things are very open on a daily basis, racism and xenophobia act silently, in a very sneaky way.

So, if you stop liking a photo because you didn't find it beautiful or attractive in your eyes, it's ok! Now, if you want for a second, you think about "if it were a white man there, this photo would be more beautiful" or "if it were a white man, I would feel hot for this guy", I'm sorry to inform you that you have the racism and xenophobia rooted in you!

Once again, I repeat. It's not about popularity, number of likes or reblogs. It's something very serious!

It’s not enough to not be racist, you have to be anti-racist! This means that we must monitor ourselves so that we do not have veiled racist and xenophobic attitudes in our attitudes and speech!

P.S.: I'm Brazilian, and English is not my mother tongue. So I ask you to use interpretation to understand what was said in a mature and responsible way. If any word or phrase is wrong or out of context, please let me know!

[baltears]

"since we are finally talking about pervert posers, can we finally talk about trans posers please. nobody can deal with the people who look exactly the same as before "coming out" and just go by a nickname now. come on. its fine to be cis. it will not make you uncool. its morally neutral."

lets put aside the fact that this is a rephrase of the tried and true "transtrenders" argument that we've already been through a dozen times, because maybe this person hasn't heard of "transtrenders" or "truscum" and is just voicing a thought. i guess this person saw the post about kinks seeming to run on trend cycles and discussion of kink not always feeling earnest because there's so much showmanship involved and basically just projected that logic onto trans people. like, ok, if you're trans, show me the money. show me the surgeries. show me the hormones. show me that your life is materially different from that of a cis person.

lets also put aside that it's a very, very different scale of accusation to ask someone if they're really as into femdom as they say than to ask someone if they're really as attached to their gender identity as they say. i think that stands on its own. in general it's really not appropriate to bring up either one of these questions apropos of nothing in personal conversation, but we're talking about one, so lets talk about the other. you're talking to my mutual about it, which means you might as well be talking to me, so we'll talk about it.

i'm one of these people, a so-called "trans poser." (very funny wording by the way. i will be transposing all the way to my grave.) i look cis, i sound cis. some people (straight people, but still) can't even clock me as queer at all. i have not and probably will not ever medically transition. i "go by a nickname" now, aka i submitted all the relevant documents at the appropriate times, made all the phone calls, went to the courtroom and stood in front of a judge who agreed that i was allowed to change my name.

so if i didn't want to medically transition, why would i do all that? why would i still call myself trans? is there anything wrong with being cis? do i think it would make me uncool or morally lesser? and why don't i want to medically transition? don't i have dysphoria like "all" trans people do?

ill answer the last question first. yes i do have dysphoria, although i don't agree with the postulate that this is something all trans people must have. (imo that idea just comes from simple ignorance of the true depth and breadth of what the trans experience is and can be. if you think this way you need to be hearing from more trans people.) my dysphoria just doesn't look the way a lot of other trans people's dysphoria looks. i'm genderfluid nonbinary, which means that i sometimes feel body dysphoria and i sometimes don't. this means that rather than simply "solving" my dysphoria with medical transition, medically transitioning has to be understood as a series of roughly equal pros and cons – essentially, i can only solve one set of problems by creating a different set of problems.

does that make me less trans? you tell me.

i'll go ahead and say, even though i really shouldn't have to, that i don't think that being cis would make me uncool or morally lesser. actually, one of my favorite things about being trans and having a trans understanding of gender is that i find myself very drawn to and fascinated by all kinds of gender expression, including those of cis people. cis people have a huge variety of ways to express their gender, and just like trans people, no two cis individuals will want to express their gender in precisely the same way. don't you think i would have scoured all those expressions, looking for a way for me to fit in as cis? don't you think i'm aware that there are infinite ways to present yourself a cis woman or man while still being a cis woman or man? don't you think i puzzled as a child, once i unraveled my internalized misogyny, over the fact that i knew i loved girls and women in every way it was possible to love them, that there was nothing at all shameful about being one and that in fact girlhood and womanhood were wonderful ways of being, and yet somehow i still couldn't be one of them? if i don't hate women, if i love women, why wouldn't i want to be one? if i thought i must be cis for most of my life because i didn't know there was another way, why couldn't i just keep on doing that, but be gender-nonconforming or otherwise visibly queer? didn't i try? why don't you tell me if it sounds to you like i tried?

so why did i do all that? why bother telling anyone at all that i'm trans when strangers on the street wouldn't know and my body doesn't look androgynous? why do i now "go by a nickname" (god, a nickname, what a way to talk about the vital trans experience of deciding on a name), not just in the minds and hearts of all my loved ones but also in the records of the state? why have difficult and fraught conversations with my parents about the areas of my identity they aren't interested in understanding? why come out to everybody, not just once as bi but again as something that still barely has any visibility in the public eye, much less any understanding? why feel how i feel? why be what i am? why put up with people calling me a trender and a poser when i could just close my mouth and change my name back and be cis?

i don't know, why don't you tell me?

[transformersconfessions]

not to add to all the megastar confessions lately, but i would like to add my perspective as someone who is a big starscream fan and also has megastar as my current favorite ship.

first of all, i think its important to mention that obviously not every fan is going to be into it in the same way. some people may choose to play with them in more comedic, light hearted scenarios while others may be more interested in darker scenarios that dig into it as an abuse dynamic. for some people it really does boil down to finding it hot in some way, and for other people it may be a combination of all of this, or some other reason entirely. i personally am open to most intepretations of the dynamic, but i do gravitate to stories where they are framed as an abusive relationship, because thats what i find most compelling.

i think its entirely fair to feel uncomfortable by certain types of content, especially when it deals with triggering subjects. but those stories still serve a purpose for the people reading them. is the same reason some people read tragedies, because it's an evocative story, and a lot of people are interested in complicated characters and relationships purely because it makes for a good story, and not because they lack the ability to tell its wrong. people are generally capable of engaging with complicated themes in fiction without wishing to advocate for them in real life. i think the only reason ships like megastar end up being so controversial is because theres this idea that shipping involves viewing something as romantic, when shipping can also just be about finding something interesting. i dont see why liking terrible characters is deemed okay, but liking terrible relationships is not. why is one more dangerous than the other inherently? people have an aversion to dark subjects when it applies to romance and sex specifically. and this is fair on a personal level but cannot be used against others with different boundaries and limits.

when it comes to people finding it hot, i think people have a very reductive view on it. power dynamics are a common aspect of kink, and some people choose to explore said power dynamics through fiction. it doesnt mean you cant acknowledge that a dynamic like that would be horrible if replicated, but fantasy is rarely meant to be 1:1 with our real life desires. most sexual fantasies are not literal. and where does the line between finding something interesting and finding it erotic begin? where does it end? most people i know who find the relationship hot are very self aware of the nature of it, and simultaneously care a lot about it on a narrative level and are very dedicated to analyzing it and giving it thought. fiction can evoke multiple feelings on a person, and its not going to make you feel the exact same as if it was a real situation. stories are not meant to be treated exactly like real life, theyre meant to be treated like, well, stories.

this isnt to say abuse apologism cant be expressed through fiction, but it honestly doesnt look like what most people think it does. fanfiction with problematic relationships in a sexual light is often meant to be read within a fetishistic context where its already understood that these relationships are an exploration of certain fantasies and not supposed to be replicated, while there are certain stories that, for example, attempt to justify the abuse or act like its not happening because the author genuinely believes it is okay, and part of reading things critically means being able to understand what message the author wants you to come across. this absolutely applies to fan works as well. its a very nuanced discussion that has more to do with being able to understand the themes of fiction works and their purpose, but people boil it down to "dark fiction is inherently bad, and using fiction to explore dark sexual fantasies is also bad and means you believe abuse is okay."

i would also add that as someone who has been abused, the reality is that for a lot of victims it does leave us with complicated feelings for our abuser that are difficult to reconcile, and fiction is an avenue to explore that. my sexual fantasies were definitely impacted by my trauma, and thats a really ugly and uncomfortable truth, we dont like to think of victims as having complex feelings on our trauma or "gross" trauma responses, but it happens, and judgement like this certainly doesnt create safe spaces for those of us with unpalatable responses.

.