#(i am being a little hyperbolic)

[thelonelynindroid]

He's so caffeine dependent. I need him

[crabussy]

god I forgot how much staring at a screen for all my waking hours fucks me up and makes me miserable

[notaplaceofhonour]

i dont care what you say 9% audience score 41% critic score on rotten tomatoes, Saw 3D is the best one actually

[queenerdloser]

once again asserting that the simple air conditioner remains humanity's best invention and i am including literally all technology when i say that

[transxfiles]

the end of senior year of high school is crazy bc people i have never spoken to in my life come up to me drunk at parties crying about how they're going to miss me forever and like all my classmates are making plans to visit each other in college and everyone's losing their minds over growing up or whatever meanwhile i have spent my entire high school career waiting to no longer be in high school and i'm going to make it my business to never see any of these kids again..

[a-god-in-ruins-rises]

some “writers” should starve actually

[slime-crafters]

I like getting into the role-playing aspect of skyrim, so as a single father to one child, the kid obviously needs reading material to fill the lonely void... which is why I decided to leave them a spell tome of strangulation, which is Very Normal for a Nord Child to Read, very Wholesome :)

[syrupwit]

"Everyone else's take on this character/ship is wrong though--"

Write it yourself then!!!!

[sidabro]

im the last person to say this but trully the future of children is in danger if the state of the internet will stay this.. to put the blame on parents who gave their children tablets for easy distraction is extremelly dismissive of what is at hand..

[nomouthtospeakof]

no longer gonna hide in the tags bc yes exactly!! i was actually gonna say something about this, elaborate on what i meant by "reasons it makes sense" before deciding to keep it short and not ramble in the tags, but no, i will ramble, i LOVE the subversion of the trope of a tragic but extremely skilled character who learned everything they knew from that time of survival.

astarion learned enough to survive, which wasn't that much because survival mostly meant persevering. and most of the few skills he picked up don't translate to the real world (because in what world would you NEED to know how to lure lonely strangers to bed??) and/or are weakened because of his emotional/mental instability and how he's constantly in survival mode and can't plan ahead.

yeah, there are times that going through horrific things does give you experiences you can turn into positive character development. karlach uses her understanding of abuse and trauma to connect with others who have been hurt. gale is forced to open up and ask us for help, and now for the first time he has friends. lae'zel's betrayal and anger fuels her and makes her all the more devoted to freeing her people. while you can totally (maybe easily) argue what they went through wasn't necessary for that growth and there are other ways they could have achieved it, you at least see a silver lining. they hurt, they struggled, they overcame, they grew.

and then there are times where there was no positive to the horror. nothing earned, no glory found.

astarion gained nothing of substance. he became a worse person and now has nearly no point of reference for how the world really works, let alone how it should be.

and for all that he can't even cover up the scars on his neck when trying to convince us he's just a magistrate.

A thing about Astarion I don't see talked about very often is that my good time boy cannot executive function. If you ask him to elaborate on any plan he goes, uh i dont knoooooow stop asking. He has been winging it since before you were born and he doesn't intend change now. Wouldn't know a step 2 if he met one. Any plan he has is just to show up and see what happens.

[starlit-mansion]

the endless battle of 'it's good to have a few things that you encounter regularly that aren't fully in your comfort zone' and 'actually this is just making me uncomfortable in a crawly way every time i encounter it so i need to remember i'm allowed to just quietly cut it away even though i don't have a "good" or "real" reason'

[bogleech]

All the science fiction I grew up on told me some day there would be adorable quirky robots in every home and business that could hold at least a passably realistic conversation with you and help you out with little tasks and kid-me daydreamed endlessly about what that whimsical utopian life might be like. I even had an ongoing little kid daydream about being in the robot biz designing them my own way, maybe having a weird house full of my wacky machine creature family.

Now we have chatbots convincing enough that people get as hooked on interacting with them as they can any real person, we have near perfect voice synthesis and visual recognition software, we have actual robots that can jump around and dance with better balance than a human, we are RIGHT on the edge of little robot buddy world.

But absolutely none of that fiction framed robots as a heartless corporate product that would really just take opportunities from poor people and gather your data for advertising algorithms. Anyone who did not like the robots was supposed to just be mean and quite often a stand in for a *racist.*

Now that it's likely going to happen in the next 20 years I'm just ready to be one of those villains. If you send me a real functioning C-3p0 or Johnny 5 or Data and I see a Tesla or Google logo I am going to gouge out his eyes with a claw hammer and drink his microplastic blood.

This is probably a lie and at best I'd be crying the entire time but I hope you understand the sentiment behind the hyperbole

[beanytuesday]

Hey, I love your art -- I was wondering if you ever posted your illustration for Kafka's "A Hunger Artist" on here? It's really evocative and gorgeously framed, and I find myself thinking of it frequently!!

Thank you for the kind words. A Hunger Artist by Franz Kafka is one of my favorite short stories of all time, and it’s a very quick read. You can read it right here:

https://www.kafka-online.info/a-hunger-artist.html

Go ahead, I’ll wait here.

I’d like to take us opportunity to talk a little bit about the story, if I may.

Although there are a couple different interpretations of the story's meaning, it unambiguously read to me as an allegory for the plight of the creative, likely drawing from Kafka’s own experience. The ‘starving artist’ comparison is obvious, but there’s much more to it than that. In a departure from most other depictions in media, the plight of the artist is not depicted as something noble or redemptive, but as a sort of self-destructive madness. The hunger artist dies alone and in obscurity, his impact on the world ultimately being completely marginal and insubstantial. When questioned about why he chose a life like this, he reveals that he doesn’t even enjoy fasting, he simply couldn’t find any food he liked. That is to say, a true creative does not select this kind of self destructive lifestyle because they enjoy it; rather, it is because they cannot possibly bear to do anything else. Kafka himself, It should be mentioned, supposedly despised pretty much every job he ever had.

As some of you may know, I developed severe tendinitis a couple months ago. Mentally, September was probably the worst months of my entire life. I reflected on this story a lot –I had wrought my own self destruction, and for what? A couple of bucks? A few comics that i’ll become embarrassed of in a year’s time anyway? Unsure about my prospects for recovery, I became incredibly depressed.

But having been starved of the ability to write or draw, I had a genuine epiphany. Standing at the corner of Boston liquors in Allston, I resolved that I would muster the strength to endure this, regardless of how long it took, because what awaited me at the end was nothing short of the greatest prize a person could ask for: That very thing derided by Kafka –the life of an artist.

There is no greater pleasure than making art. I mean that genuinely, I mean that literally. No, it isn’t noble, no, it isn’t redemptive, but in a totally hedonistic and self-serving way it is simply the greatest thing that life can offer, ambrosia in the mouth, better than sex, better than drugs, better than anything that money can buy, and I feel pity for anyone unable to experience it. I am not being hyperbolic, I am not being metaphorical. I am stating this in the plainest of terms, having lived a life without it for the last couple of months.

So although my personal relationship to the story has changed in the past couple months, Kafka was right about one thing; nothing else tastes good, at least not by comparison. We must imagine the hunger artist happy.

[bedazzlecunt]

i get sooo many asks and DMs asking for tips on how to get better at edging so i wanted to make an actual post about how i turned myself into a total edgeslut — and how you can, too! there's really only one main 'rule' to follow while you're learning how to edge, so i promise you can do it! this info should still be applicable regardless of your particular genitalia, but i mostly reference cunts because that's what i've got.

the one rule!

my ultimate suggestion for people who are new to edging and finding it almost impossible is to STOP TRYING TO EDGE. some of you are going like that's crazy edging is all i want to do! but listen to me. listen to me. we are going to get you there.

if horniness is a scale of one to ten, with one being 'not horny at all' and ten being 'orgasming' the ideal edging situation is that you get to a nine and then stop. that's really hard to do, though! but you could probably get to a four and stop, right? pretty easily, even.

that's what you want to do. figure out that highest number on that scale you can go and still stop, and go to that number. do this a lot. i love, love, LOVE touching like this, even now that i am a pro at edging, because there's zero risk of going over and it's still a great tool to keep you horny / submissive / feeling hot as hell / whatever it is you want to get out of edging.

start at bringing yourself to a four and then stop. once you've mastered that, once that feels almost too easy, move up to a five. then a six. seven. i encourage you not to cum at all while you're doing this, but also, i'm not your dom! do what you want! the point is you're touching-without-cumming a lot (which is great practice all on it's own) and you're acclimating your body to getting horny, sometimes even REALLY horny, without actually cumming every time it happens.

doing this regularly also has the pleasant side-effect keeping you aroused more often than not. if you're constantly bringing yourself to level seven horniness and then stopping, you are almost never going to drop below level three. you are going to be turned on a LOT, which feels sooooo good. which leads to...

getting addicted*!

the thing about being always horny, about touching yourself all the time, about never cumming, is that it feels really, really good. people wouldn't do denial if it didn't! and once you've had a month or so of touching-but-not-edging and your body's adjusted to the sense of being constantly turned on and how good it feels, it gets to a point where cumming is a lot less appealing. you know it's going to take away the good, horny, happy feeling that you're getting addicted to! once you've come to really, really enjoy being constantly horny, and come to associate the idea of cumming with losing that good feeling, that makes it a lot easier to keep from going over as you creep up to higher levels like eight and nine. and even when you do go over, the fact that you'll lose the sensation that you've come to enjoy so much will just reinforce for you that it's better not to cum!

*i'm using addicted as a fun little hyperbole word here, but i do want to add the disclaimer that if your edging / horniness / etc. starts to interfere with your life like a real addiction then you gotta stop that before you hurt yourself. do not actually jeopardize your job/relationships/etc. for kink.

edging!

by this point, you'll have lots of practice at masturbating without going over and you'll be addicted to the feeling of being constantly turned on — and you'll dread the thought of losing that feeling. those things combined are the peak edging scenario. this is the point when you can start trying to edge seriously; bringing yourself to a nine on our horny scale and stopping.

you will probably still go over occasionally as you figure out your actual limits — don't be angry at yourself for this, but do refrain from trying to edge again on days you go over. the last thing you want is to reacclimate your body to coming regularly. if you try to edge in the morning but go over by mistake, just bring yourself to a level eight for the rest of the times you masturbate and try again tomorrow. eventually, you'll know your limits, be addicted to the feeling of being edged, and be really practiced at doing it!

if you're still having trouble or just want to play in new ways, then find out what turns you on but you can't orgasm from. your nipples are sensitive enough to break your brain but you can't orgasm just from that? well then get to playing with them, dummy! love penetration but can't come from it without clit stimulation? tape off your clit and get fucking! i can never cum just from humping a pillow or grinding on something, so grinding is a great way for me to edge! try to find stuff that makes you really, really horny but that you can't orgasm from and really lean into those things!

[bamsywrites]

And Comes Dawn pt iii

Pairing: Sauron/Halbrand x Reader, more ships/love triangles to come, though, so stay tuned.

Summary: the deciver has decided he must get rid of you until a stranger reignites his curiosity in an unexpected way.

Word count: 2k

Notes: let me know if you wanna be tagged. I was not expecting this many people to like this fic. Thank you so much for the feed back, I read every comment and reblog multiple times. Keep any and all feedback coming. I'm super invested in this series and have so many plans that I'm so excited to write.

Tags/warning: male masturbation, nothing super explicit but sauron has some pretty unhealthy kinks, slow burn, saurons post nut clarity is murder plotting, sauron being sauron. galadriel finally shows up, cliffhanger

Series Masterlist

“She does nothing but sit there, day in and day out. Our rations are wasted on her!” 

“All of us sit and do nothing because there is fucking nothing to do.”

Halbrand and the older man were fighting again. Halbrand had become annoyed that the other had declared himself the de facto leader of the raft, and his anger exploded when it was proclaimed you had not 'earned' your rations. He had obviously found it absolutely insane and when you made no sound or protest, he took it upon himself to make it known how insane it was. 

“I am the leader here. I have organized the rations, I have kept order, and I have directed where we go.” The other man seemed offended. He had proven himself to be rather arrogant, and you held no surprise that he would suggest such a thing or believe that he was the leader of the raft.

“Oh great Lord of the Raft. How difficult your job must be. Deciding if we die a little to the west or a little to the east.” Halbrand rolled his eyes as he spoke. 

“Be sarcastic all you want. She's lucky we don't throw her in.” 

The air stilled and a dark shadow passed over Halbrands face, his jaw clenched and in a moment he had grabbed the other by their shirt, “The moment you do that is the moment I feed you and every single person on this raft to the wyrm.” Their faces merely inches apart,  Halbrands voice was cold, full of hatred, and it sent a chill over everyone on the raft. The older man stared up at him with fear, a fear so palpable and intense that it was as if he was looking into the eyes of the great foe himself. 

“Halbrand,” you spoke softly, fingers gently wrapping around his wrist and moving him away. “This is not what I wish.”

He turned to look at you and his gaze softened,tongue peaking out to wet his lips. The air flowed again, and the darkness lifted, “You wish to starve? Because that's his wish, that's his plan. He wants to make our supply of food last longer by taking the very little portion you have. He knows you would never say anything to him, and you can not ask me to sit back and watch you starve, sweet one.” His eyes searched your face as he spoke with such earnest conviction. 

“I do not wish for you to murder in my name,” you replied in a passionate whisper. 

Halbrand nodded, sighing softly, “Then I will not,” he leaned closer to you, so his lips were next to your ear, and you could feel his hot breath on your skin. Your breath caught in your voice as he whispered softly, “Know that I would, though. If you only asked, I would burn this raft and everyone on it to keep you safe.” 

He pulled away and pressed a soft kiss to the crown of your head as you stood speechless. The butterflies in your stomach exploded. This was new. Your interactions had been purely platonic until this point. He never presented himself as someone more than a friend, and you had been content with that. Yet you enjoyed the feeling of his lips on your forehead and greatly missed them when they were gone. 

The talk of murdering everyone else was one you didn't wish to dwell on. Perhaps it was hyperbolic. Perhaps said in anger. Either way, those were thoughts for another time. Now, you would embrace the shivers and butterflies. 

“Well, your highness, she will be eating today and I will ensure it,” Halbrand gave the man a pointed look and the other simply nodded, his eyes still swimming as if he'd seen some great horror but you were too fixated on the ghost of Halbrands kiss that lingered on your forehead to pay it much mind. 

~

He'd taken the deception too far when he placed that kiss upon your head. He regretted it the moment he did it. The taste of your skin stained his lips, and it was all he could think of. Your skin felt unbelievably soft and he could just imagine what your lips would taste like, your tongue, your cunt. 

Your cunt. The thought of it had been all consuming. Warm and wet. Soft and velvety. He ached to feel it, to taste it, to take it. The thoughts had led to his current position, standing at the edge of the raft with his cock in his fist. This act felt below him but the thoughts wouldn't leave his mind and he needed some relief from them. From the thoughts of you. 

Thoughts of your cunt. 

Warm and wet. Soft and velvet. 

His eyes fluttered, and his breath caught in his throat. He hated every second of this. He had no control. Ever since you looked up at him with those eyes of yours, eyes he wanted to make weep as you choked on his cock. He breathed a soft curse as he imagined your sweet, innocent eyes looking up at him with your lips wrapped around his cock. His thumb collected the precum from his tip and worked it around his shaft, the soft wet sounds filling the night. 

Would you be inexperienced?  Had someone claimed you before? You were his and his alone, his precious sweet one. The thought of someone else having you first filled him with such rage. He would drench his hands in their blood and paint your body with it as he fucked you. His hands around your neck, squeezing enough to feel your life thrumming underneath his fingers. 

You were his and his alone. No one else could touch you, no other lips taste you, no other cock take you. He'd burn all of Middle Earth to ensure it, torture any man who dared look at you. He'd carve his name into your flesh, lick the blood off your skin. A growl escaped his lips, the thought of his name scared into your soft skin. His hand tightened around his cock and his movements increased in speed. 

His breathing got more ragged as he got closer to his peak,  your name tumbling past his lips in a choked whisper. He could almost imagine you whining and whimpering his name, his real name.  That was what sent him over, the visual of you impaled on his cock and desperately calling his name. He groaned loudly, his seed shooting into the water. 

Breathing heavily, his eyes closed. Almost immediately, the cacophony of thoughts entered his mind. That had been a brief reprieve, but now his existential crisis continued. What was his purpose? Who was he now that his master was dead? Power and control, how could he have both without sacrificing the other?  

And then your smiling face flashed through his mind, the sound of your laugh...-

This couldn't continue. No amount of curiosity was worth this loss of control. He was a god, but his mind as of late had been reminiscent of a teenage boy. Thoughts may plague him, but he would forget you within the age. He needed you gone, dead. The longer you stayed alive, the longer these damn lustful thoughts would plague him and be his undoing. He was slowly losing his sanity because of you. 

The problem was he couldn't do it. He tried mere minutes before giving into these urges, but as he looked at your sleeping face, he couldn't bring himself to push you in and under the waves. In thousands of years, no one had been able to still his blade or stay his hand with such ease. He couldn't look at you and take your life. He could not be the one to do it, that thought alone proving to be more a reason for your death. Weakness was not something he would tolerate. 

His mind called out to wyrm, calling it to their location. If he couldn't do it, he'd give the task to something else. By nightfall tomorrow, you'd be gone. You'd be at the bottom of the sea or in the belly of the beast. By nightfall, he'd have his mind back. 

Why did the thought of your death fill him with such dread?

~

He wouldn't even look at you. You'd greeted him in the morning, and he ignored you. You sat next to him, and he moved to the other side of the raft. You watched as his eyes bore into planks of the raft. You wet your lips and pulled it between your teeth. He was your first friend in a very long time, and now you had lost him for reasons that escaped you.  You were utterly alone, lost at sea, and you struggled to find hope here. All you could do is close your eyes and remind yourself that falling into despair would do nothing more than make the situation worse and more hopeless.

You watched the clouds pass in the sky, counting them, and your fingers tapped away at the wood. Every few moments, you had to blink away the tears that had started welling in your eyes as you thought of losing another person you cared for. Suddenly, you sat up as you heard what you thought was a voice in the air. You squinted as your eyes examined the fog.

“There's a voice on the water.” You spoke quietly. 

Almost instantly, bickering broke amongst the others. To save her or not. You shook your head, “We're not leaving her to starve and die!” 

One of the others pulled her up and gave her water as you grabbed her a chunk of bread and looked for a piece of cloth or something that could bring the stranger some warmth. The bickering continued as you searched and returned with a piece of bread.

“Suppose you'll be sharing your rations?” the old man asked. 

You couldn't help the roll of your eyes, “Damn the rations,” you kneeled and handed the stranger the bread. “It's not much, but it's something. Are you hurt?” 

Before she could answer, one of the others asked, “What are you doing out here?”  

The stranger took the bread, “I was separated from my ship.” 

You looked at her with empathy. Of course, you could understand. She looked over at you as if to answer your question next, but she stopped, her eyes examining your face as if she knew you but was unable to place how. It made you uncomfortable, made your heart still. Has your past caught up with you all the way out here? 

“She doesn't look dangerous,” the other woman spoke.

“Looks can be deceiving,” Halbrand spoke, and you were about to protest when you saw the point to her ears. Your blood ran cold, and you moved back from her. 

“Remove your hand from me, sir,” the stranger spoke, her attention returning to you. “I know your face.”

You quickly stood up and stepped back. This could not be happening. Not here. Not now. Perhaps the elf could save you, or perhaps she would convince the others to throw you into the sea. The sins of your father would never stop chasing you, it seemed. 

~

“I know your face."

His head snapped your direction at this revelation. What did that mean? How would an elf know you? He watched your reaction, the fear and shame passing over your face confirming that there was a story there. He cursed silently.

All day, he avoided looking at you. All day, he had convinced himself that you were nothing more than a naive human, that the warmth he felt had to be in relation to this new form getting used to the world around him. There was nothing special about you. Nothing at all. He repeated it over and over, though he never really believed it. He could sense the darkness and calamity swimming through the ocean towards them, the beast he had called, and he had convinced himself that your death would solve his internal struggle. 

But now, this damn elf had reignited the curiosity with vigor. It felt as if an inferno burnt through him. He had to know more. He knew when the wyrm came, he would be unable to leave you to death. You were the most curious thing, and it was infuriating. 

Who were you? 

previous next

[flawseer]

Ok, these time rate me the Jade WInglets

I've been sitting on this work-in-progress picture for so many months now. Maybe if I post it here, I'll finally sit down and finish it.

Very long post incoming.

Discussing the Jade Winglet

Okay. So, you want me to rate the Jade Winglet group. That’s going to be very easy: I love all of them.

It’s also going to be extraordinarily hard because... well... I love all of them. How am I supposed to put them into an ordered list? It can’t be done. So I guess what I’m going to do is: First I will put them into a tier list, and then I’m going to just talk about each of them individually for a bit.

But on account of aforementioned adoration I have for all of these guys, said tier list is going to be very lopsided. The tiers are going to be “I adore them with the intensity of seven suns”, “I really like them”, and “I very much like them, but...”. You’re going to have to imagine that there are five or so more unused tiers below that.

Let’s unceremoniously get that ranking out of the way first. From top to bottom, the tiers are:

I adore Turtle, Qibli, and Winter.

I really like Moonwatcher, Kinkajou, and Peril.

I very much like Umber and Carnelian.

As for more in-depth commentary, here is a disclaimer: When I think about these guys I mostly consider books 6 (Moon Rising) to 9 (Talons of Power) and the first half of 10 (Darkness of Dragons). The second half of 10... if I’m being honest, I didn’t really enjoy it. I don’t want to go into it too much here, if you really want me to talk about my misgivings with the second arc finale, put a message about it in my inbox (it’s not just the obvious thing; it actually mostly pertains to Winter and the absolute nightmare ending he got saddled with, and some very unfortunate character implications).

Some of my musings are also going to be a bit critical. I just want it to be clear that I make these observations as a fan of the series. It’s a good practice to think critically even about media that you like. It helps you better understand why you like it in the first place. Also, I make no demands to be agreed with. This is just how I see it.

Anyway, enough stalling, let’s get into it. Not in order:

Turtle

CW: Parental abuse

Turtle is the most wonderful thing to ever happen in the history of the universe. I wake up every morning and the first thought in my head is “Ugh, another day in this backwards reality where Turtle is not real! No thanks!!” Then I go right back to sleep disappointed until the next day. Okay, maybe that’s a bit hyperbolic. But I do think that everyone’s lives would be greatly improved if Turtle was real.

Turtle is a very vibrant and insightful character who, much like Winter, is unfortunately cursed with a pair of malicious and incompetent "parents". Some of his scenes really hurt to get through if you’re a parent yourself or have ever had parental feelings. The first scene he is in, when Moon observes him arriving at the academy, his mother makes a passing comment about how Turtle has no value because he cannot inherit the throne. Turtle is within earshot when she does this. And he has no overt reaction to it, which to me hints that Coral asserts this about her male children so frequently that he has accepted her line of thinking and internalized it. He just accepts it as the truth. That is heartbreaking.

And then there is his father, mild-mannered and ostensibly gentle Gill, who killed Turtle’s budding interest in writing as well as the entirety of his self-confidence back when he was a kid, by assigning a little boy a task that was well beyond him (and only to him, even though there were more people present who could have helped), and then made him believe he killed his unborn sister when Turtle inevitably couldn’t do what he was asked. The narrative really tries to make Gill sympathetic in that moment by insisting he’s speaking in anger and doesn’t really mean it, but um, no. I don’t buy it, dude. You just gave a little kid a lifelong guilt complex because you couldn’t think of asking more people for help. Or taking the egg with you while you left the hatchery. Or telling Turtle to take a message to the palace guard so someone who didn’t still have their milk teeth could mount a proper, organized search while interim guards were posted in the hatchery. Or literally any of the thousands of other options that didn’t require traumatizing your own son.

As a result, Turtle became emotionally reclusive. He registers to others as dull, placid, unpassionate, and boring, like he cares about nothing and is content to never strive for or achieve anything in his life. He himself explains that writing used to be something he was into at some point, but then lost interest in. But I don’t think he has. He still loves literature and thinking about stories, he's still doing it in his internal monologue. He just denies it because he subconsciously feels the need to punish himself. I imagine he still gets that drive sometimes, to sit down and start writing again. But every time he thinks about it, or catches himself wanting anything, his father’s voice resurfaces in his mind, telling him that he killed his sister and doesn’t deserve it. And then he self-punishes by depriving himself of everything he loves doing and every positive emotion associated with it. Because he is convinced he is guilty for failing his father, when in actuality, the opposite is true.

The tragedy is that, if Gill had known how much damage he caused and wasn’t in a situation where he needed a flowchart to keep his 30+ sons apart, he probably would have apologized. He doesn’t strike me as malicious, just horribly, horribly incompetent as a parent. But as things played out, Gill is no longer able to fix his mistake. The only person who can now grant Turtle the forgiveness he needs is himself. I hope he will be able to do it.

Turtle truly is an endearing character and a wonderful son undeserved by his parents. If I could adopt him right now I would. In fact, I’m gonna do it. Hold on while I get the papers. Wait, I have to finish? Uh... okay.

Moonwatcher

In a sense, Moonwatcher may be the most interesting character in the entire cast. She certainly had the potential to be my favorite character period. But there are a few points holding her back.

The thing about Moonwatcher is that, more than any other character, she requires meticulous care and attention to detail to be written well. The reason for this is that, when you’re writing for Moon, you also technically write for every character she interacts with. She is written brilliantly in her own book, since the narrative is allowed to focus on her; Moon Rising may thus actually be my favorite book of the second arc. It’s very enrapturing, seeing her navigate the academy’s social dynamics after growing up as, essentially, a feral jungle child, and battling with her own feelings of loneliness and inadequacy.

The thing is though... Wings of Fire has a bit of an odd quirk. Something I’ve noticed with regards to its writing is that, whenever a character is not particularly in focus during a scene, they often get reduced to their most basic traits and will rigidly act according to them regardless of prior context or external factors. I call this phenomenon “Auto-pilot”. If you’ve read my Mail Call #3, this is what I think happened to Tsunami during the second arc—Tsunami’s basic traits are that she is bossy, emotional, and blunt, so she spends the entirety of her page time as a deep-sea-themed wrecking ball who yells at everyone and dismisses everything as “ugh, nightwing powers” and “Peril was bad in book 1 once, I hate her forever”, despite having other, more pressing matters to prioritize.

Whenever Moonwatcher gets set to auto-pilot, it is very depressing. She needs careful, attentive writing to shine, and whenever she doesn’t get it she turns from the most interesting character into a dull brick that recites exposition and occasionally exists to be fawned after by boys. Tragically, the auto-pilot hits her bad after Winter’s book is done, and she never manages to escape it afterwards, save for maybe one or two scenes. There is a particularly egregious example in book 10 that, in my opinion, does permanent, irreversible damage to her character. It’s all a bit soul-crushing if dwelt on.

So yeah, I like Moonwatcher. I really do. I just wish the strong way she was written could have carried through the entire arc.

Winter

CW: Parental abuse

I initially didn’t really know what to make of Winter when I read Moon’s book. He seemed kind of like a buttface who was needlessly hostile and unapproachable. But he really comes into his own in his book, and looking back at his earlier scenes with that new context makes it all make sense. He became one of my stand-out favorites after that.

Winter really has a lot in common with Turtle, so much so that I wish those two actually had some deeper interactions with each other. Like, at one point Turtle saves his life, you’d think they would want to talk about that some time. Where Turtle’s parents are one half malicious, one half incompetent, Winter’s are pure malice AND incompetence. Blessed with three children, they managed to completely ruin one of them, almost ruin the other, and then the third one is kind of out of focus so I don’t know how he is faring, but I doubt there is a lot of love there either.

In a way, you can draw a lot of parallels between Winter and Icicle, and Zuko and Azula from Avatar: The Last Airbender—The unfavorite who tries to do right but constantly fails to live up to his father’s/parents' warped standards, and the prodigy who seemingly has her father’s/parents' approval but secretly suffers from the abusive parenting just as much, but in different ways. Hailstorm then tries to take on the role of Iroh, an older figure that acts as a source of positivity and genuine love, and offers a reprieve from the abuse. But where Iroh is an adult drawing from a lifetime of wisdom, Hailstorm is just the slightly older sibling who comes from the same abusive household battling the same demons, so his effectiveness in countering the toxicity is limited.

Where Zuko pursues honor, Winter strives to be strong. Both his parents and his sister perceive him as weak and label him irrelevant. While this hurts him deeply, I don’t think Winter fully surrendered to his inferiority complex until he heard his brother mirror the same sentiment at him. Winter is repressed and struggles with processing his emotions—Thus he heard the words Hailstorm only said to save his life and took them at face value. Even the person he loves the most, the only source of affection and affirmation in his life, thinks he is weak. This is what drives Winter to feverishly desire strength and thus adopt a persona of the strongest thing he knows: a stoic Icewing warrior.

This is why he acts the way he does in book 6: aloof, threatening, unapproachable, invincible. But all of these traits are diametrically opposed to his actual personality, which is warm, compassionate, and just wanting to be loved for who he is. So whenever Moon reads his mind, he comes across as a confused mess of conflicting emotions. Because he is pretending to be something he isn’t.

The interesting thing here is that Winter actually is genuinely strong. He is just unable to recognize his own worth, due to the toxic way royal Icewings are raised, warping his perception of what strength means. When he meets Foeslayer, who is said to be an ancient enemy of his people, his mind cuts through the veneer of tradition and old bullshit justifications and sees her imprisonment for the cruel injustice that it is. He then undoes that injustice and frees her. It takes an incomprehensible amount of personal integrity and willpower to just casually defy the will of your entire country like that. This is equivalent to treason; by aiding her, Winter risks becoming an enemy of his people on par with Foeslayer herself. And he does it anyway, because it is the right thing to do.

This dissonance in his perception of strength with regards to his Icewing upbringing, and the actual strength he embodies and has embodied all this time, is something I would have liked to see explored more in the finale or something. As it stands now, he got pressured into putting his life on the line in the battle for Jade Mountain, has sworn loyalty to a people that mistreated him and tried to ruin him from a young age, and then got saddled with an existential nightmare of an ending that leaves me baffled to this day.

In terms of personal misfortune, he certainly is the Starflight of his group.

Qibli

CW: Parental abuse

Qibli is a very charming and versatile character. It is easy to imagine him in a variety of different situations and the scenes almost write themselves, especially when there’s another person with him whom he can bounce off of (figuratively, though I wouldn’t put it past him to try to literally bounce off of someone too). The 10th book posits him as some kind of parallel to Darkstalker; the latter even overtly states this and tries to recruit him as a manner of apprentice. It’s interesting because I think they are actually pretty different.

Qibli excels in situations where his options are limited. He is great at thinking on his feet and coming up with solutions to problems within a restricted framework. He'd be great in an escape room. This ability of his is shown throughout the arc, but it is especially visible in Moon Rising, where his presence in a scene often makes Moon stronger, or more adept at solving problems, because his mind is breaking down the situation for her in a way she would be unable to see on her own.

The twist then comes in when you take Qibli out of that limited framework, by giving him power. His pronounced intellect is very peculiar; it needs limitation to be brilliant. When he has unhindered access to all-powerful magic (i.e. doesn’t have to clear his ideas with another person), he turns into a colossal idiot who buries cities in sand and almost blows up inhabited mountains.

It only follows that, if you were to give Qibli what he wants and make him an animus, it would absolutely ruin him. The great intellect he cultivated would wither and, unshackled from the limitations that forced him to think critically and be his most excellent self, he would end up destroying himself, and likely others too.

Another interesting facet of Qibli is how he works as a parallel to Winter and Turtle (and Peril to an extent). All of these characters come from broken homes and have suffered under abusive parental figures. Qibli’s case in particular is interesting because it showcases how your circumstances can make a difference in how well you handle that issue. Qibli suffered under a tyrannical mother and a pair of cruel siblings, but in contrast to his peers, someone from the outside noticed his suffering was able to intervene—Thorn saved him from his hell and became his rescue parent, restoring his confidence and sense of self-worth.

Because of this, when his turn comes to confront his demons, while it is still difficult and painful (because trauma always is), he is able to navigate the confrontation with comparatively more grace and control than the others. The contrast really shows how difficult it is to escape a toxic relationship if you are still mired deeply within it, and how you need to put some distance between yourself and it before you can see where you are and what needs to be done with improved clarity. That is the path to healing.

I could probably keep talking about Qibli for 15 more paragraphs, but I’ll spare you.

Kinkajou

Every protagonist (and a good deal of side characters) in Wings of Fire is broken, usually has some kind of gut-wrenching past (often due to terrible parents), and struggles to find their place in the world. Luckily here is a pink-and-yellow Rainwing who is just happy and everything is fantastic and wholesome, right?

CW: Forced starvation

Nah, Kinkajou had it pretty rough too. The story plays it like it’s a humorous quip when she finds out Moonwatcher is her roommate and bemoans that nobody is taking her “trauma” seriously, but... yeah, it actually is legitimate trauma. She was captured, bound, and trapped on a hell island without sunlight for several weeks. While there, she was not fed, and she helplessly watched people whom she knew from early childhood starve and die. Death by starvation is not pretty, she likely had to witness her friends slowly being driven mad by hunger until they withered away, and couldn’t do anything about it. Then she was rescued and returned to a home that didn’t believe her pain was real, that claimed she made it up for attention, and that some people who she thought of as friends didn’t even notice she was gone. The only one who believed her was a stranger whom she had met maybe a few hours ago.

Personally, if that happened to me and I came home to that, I’d likely have pulled a Chameleon and said “Screw the Rainwings, I’m moving to the desert.”

That Kinkajou is still able to be positive and full of energy after that is a testament to her immense mental fortitude. She might actually be one of the most stable and resilient characters in the story. Some things shake her up for a bit, but nothing can crush her.

Still, I imagine there are some times, after a really bad day maybe, where she wakes up in the middle of the night. And there, for just a moment, she is scared to open her eyes... because she might be back on the Nightwing island and has to watch someone else die.

Peril

Peril is a bit of an odd case in arc 2. She gets grouped with the protagonists of that arc and the ending implies she is integrated into the Jade Winglet as their new Skywing. I have no real problem with that, in fact it’s good on her that she’s made a little less isolated. But to me, Peril always felt like an awkward appendix to that group. Her only real friend in there is Turtle; for the rest of them they feel more like vague acquaintances, like she's tolerated for being Turtle's friend.

To be fair though, that friendship with Turtle is really strong; it’s an exciting and deep character dynamic. But if I was forced to tie Peril to a group of protagonists, my first instinct would be to associate her with the first arc protagonists instead.

This poor girl has been through it. Everyone seems to hate her and wants her to leave, sometimes for understandable reasons and sometimes it just seems bizarre. I already went into Tsunami’s disdain for her in an earlier post, but I also vaguely remember a point in Escaping Peril where she meets Qibli and he gives her a withering glare for some reason. That confused me, to be honest. I thought “What’s YOUR problem with her? Have you ever even met??” Like, I guess the Outclaws were in direct conflict with Burn since they lived in the same country, and Peril was an infamous elite combatant under the command of one of Burn’s allies, so maybe Peril killed people he knew? But then he gets over his disdain really quickly and with no comment, so whatever happened can’t have been a big deal after all.

My favorite part in her book is when everyone--after having learned about Turtle’s powers--chews him out for not having helped his country during the war, and Peril cuts through the tripe by saying something along the lines of “So if he uses the power he was born with to serve his Queen it is honorable, but when I do the same for my Queen I’m a murderer and deserve to have things thrown at me?” I love all of these guys, but they really deserved to be called out for their double standard and feel stupid for a bit.

But yeah, I really enjoy her friendship with Turtle in the end. And since he accidentally made himself virtually indestructible, it means Peril can now get all the friendly hugs she craves.

Umber

Umber is cool. He has a potentially interesting relationship with Turtle, which is implied in the latter’s book when it is mentioned that they sleep with their backs touching to comfort each other about their respective siblings not being there.

Unfortunately he gets written out of the story arc very quickly. I wish I knew more about him.

Carnelian

I like Carnelian. I feel like she had a lot of potential that gets wasted by her death, for not much gain. It is used to give Queen Ruby a reason to come to Jade Mountain and kickstart the events of Peril’s book, but the same could have been accomplished by having her learn that the Academy is housing Peril and going there to demand the extradition of a (in her eyes) dangerous and murderous fugitive.

Same as with Umber, really, I wish I knew more about her. I already said this during my Smaugust drawing session, but I like to pretend that she and Bigtail didn’t die, and instead had a mini arc about recovering from their injuries. It also has the side effect of averting some very unfortunate implications that come with Bigtail’s death.

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I think that’s all of them. Good lord I talk too much. Please don’t throw crocodiles at my face for it. Tumblr is my queen, and--much like the Queen's former champion--I was made to do it.