#(here in spirit) I know

[artkaninchenbau]

Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)

It seems like I have become possessed. By some sort of demon.

Bonus:

[amusingghost]

just some feral (mer)kids

unapologetically inspired from @swordsmans's fic the sea makes bones of bodies because i read it (again) and my GOD man it makes me feel so many things

[proxythe]

they are GOOFY not STUPID 🙅

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[sicklydiseased]

not my usual hlvrai posting but, yeahr. marble hornets baby i love jay. anyway i'll be hlvrai posting in like a few days dont worry

[possession1981-moving]

THE FIRST OMEN dir. Arkasha Stevenson, 2024

[demaparbat-hp]

The Painted Lady stared at Zuko, eyes wild in deep focus, and sank into her knees next to him. Her pale, scarred hand reached out to meet him, but stopped short before making contact. Her voice was soothing and gentle as she asked, “Is that what you truly believe?”

Sometimes, it feels as if Izumi knows Zuko better than anyone else.

For our confidants and spirits (and those who are one and the same) is For the Spirits Chapter VI: Dream of You.

[fangrurin]

Fashion of the Great Houses of Westeros: House Tully of Riverrun

[umblrspectrum]

hi im back

[hinamie]

please any atla gojo lore. anything please im begging on my knees hands pressed together like im praying to god

I really wish I could anon :'> we tried to think of non-spoiler-y lore we could share but turns out every aspect of his character is either a. major spoilers or b. a near-direct echo of canon but make it atla flavoured (ie. his relationships w/ geto/shoko/nanami/haibara; him being The Strongest(tm) in-universe, etc). I guess there's technically the satosugu betrothal but that's already Public Knowledge given that there's art, plus the details are (surprise!) more spoilers

so ...yeah.... unfortunately you'll just have to wait to learn more about him in the fic :"> please accept this compensatory art as apology even though i am Not sorry in fact the pleas of the commonfolk make me cackle

jjk atla!au with @philosophiums

[corseque]

I honestly just wanted one single plot step that I could not predict given the 10 year wait. More behind the cut, I talk about Emet too, and I'm comparing his writing favorably to Solas' writing and why it worked better for me personally, but I am just talking about the writing skill that went into the games and not the dudes themselves, I love them both dearly of course. idk this is a mess and I am not going to edit it for clarity

For me, the game was a series of me saying

"ok I knew that. cool."

"oh yeah, I knew that. I guess it's good that the larger fandom knows about that now."

"nice, but yeah I already knew that too"

"that was something we've been talking about a lot for years"

"this thing they are acting like is a huge enormous reveal that the characters could not possibly have deduced through simply thinking about it in depth over the 10 years... the fans easily figured out by thinking about it in depth 10 years ago. So you would think his girlfriend would be able to figure it out more easily than we did. Like, why couldn't the game have been like 'oh lavellan already figured that out a while ago' it would have cost them nothing"

"this is something I've been thinking about for years, and now that it's being revealed, the companions' reactions to it are very irritating and jarring and unnecessary and I really dislike the experience I'm having right now, in this, the hour of my greatest triumph"

"this thing that is happening on my screen right now is something that I wrote an essay about 2 years ago describing how it would be a letdown if it happened without the correct setup"

"this way that they're characterizing Solas makes him less likable and less interesting than I have been finding him for all these years, and I have had people tell me 'no, he's simpler than you think' for years but I guess I was wrong, he really is simpler than I thought, so that fucking sucks. I wish I could take that information out of my brain."

"this thing is a retcon of information I have been thinking about for 10 years, and so I don't know how to follow along with this new direction, and I'm not sure if I even want to because it's not particularly interesting anyway"

"aw that was sweet"

"why is it like, so very impossible to have an honest back-and-forth with my favorite character about the dilemma that was most interesting to me about the previous game"

and then, as soon as, like, the other fans had caught up to the Solas lore that was really obvious from the other games, the game was.... over without anything surprising happening, or introducing a new element or plot point or perspective, or a real true twist (or two, or three) for those of us who have thought about it too hard for too long. It was very simple and easy, much, much, much, much easier than I was imagining. It all felt sort of like that Nicholson quote:

The thing was, the whole story was so interesting to think about because in 10 years, I couldn't figure out a good solution to it!!!!! It's why I was never able to write post-game fanfic about it. So I was stoked to find out some reveal we never knew about, some new information, in maybe a SERIES of steps of new information, that made the situation more complicated but also something that could be navigated by everyone involved. I know it was asking for a lot, but they had TEN YEARS, and they seemingly had set up the things they did in DAI on purpose, so surely they had some idea of a complex and satisfying narrative that would reconcile everyone.

The reason why I was expecting this is because FFXIV did a very similar story arc, which was started AND concluded WITHIN those 10 years (so it took the FFXIV team far less time to deliver as well). And the conclusion to the story in FFXIV did what I was expecting Dragon Age to do. So I thought, "holy shit, if this is the FFXIV version of this plot, how much more complicated is DA4 going to be!?!?" The DA devs also PLAYED FFXIV so they were completely aware, several years ago, of a satisfying story ending that was pretty darn similar.

People are probably going to think "oh, well Chelsea was disappointed because she spent too much time building it up in her head" but that's exactly it - I actually speculated and thought about FFXIV's story IN DEPTH NONSTOP for a year+ before its ending came out, and the ending absolutely blew me away. FFXIV Endwalker managed to introduce information and new story elements that I was not able to figure out in the YEAR I spent speculating on the ending of FFXIV's story. It took a complicated situation and revealed several several more facets to it that I was not able to predict, but were very interesting and thematically compelling, and took us all to surprising and climactic places that we could not have predicted.

Endwalker ("end" is in the title on purpose) too, was written to be THE ULTIMATE SATISFYING ENDING for a very long-running story in the exactly way that Veilguard SHOULD HAVE for Dragon Age, so while this complexity is being explored, FFXIV also gave catharsis to many different plot threads that have been built up through the previous expansions, until finally it ends with a bang. The story is desperately good to me, I loved it, it gave me closure for Dragon Age long before Veilguard was even revealed, and going back and looking at its story has made this whole thing far less painful for me.

So, I actually did not have a picture in my mind for how things SHOULD go. I just had the thought "I hope it's complicated and there are points of view or facts that we haven't before been exposed to, and the situation is resolved respectfully for Solas, not making him look like a fucking idiot (lol, the only thing I asked for). I don't even care what happens to Solas and Lavellan, I just need the story to be complicated and interesting to think about. Please, god, don't let it be "solas is wrong and he just needs to be convinced" because that's like the simplest story you could tell with this setup"

(btw they managed to tell Emet-Selch's story without making him seem like he's being an idiot on purpose or can never get anything right, and in fact the more the story goes on, the more you think of him as smart and capable and cool, so it is possible to write.... I wasn't asking for the entire moon)

And I played it and... yeah. Most of the story beats were more simple than I wanted them to be, a lot of them didn't make sense in my heart given the writing from Inquisition. (This is another essay, but if Solas' thematic story arc was always about him needing to let go of regrets, why was his personal quest the way it was? After that quest, doesn't he end up regretting not doing more....? Why did he never really talk about regret during Inquisition? If he was so trapped by regret, why was he able to do so many actions? It doesn't mesh well to me. The whole regret thing was very quarter-baked to me, I don't even like thinking about it.) His story never seemed like one that was as simple as being about one man's regrets, but then, I guess, it was always just about one man's regrets.

Emet-Selch's personal storyline (and the way it interacts with and affects the larger story) is very similar but much more cohesive and satisfying to me. It would be difficult to explain why without the aforementioned 5-hour essay. Emet-Selch's story IS about grief and anguish on a world-shaping scale in a similar way that Solas' was apparently always about letting go of regret, but Emet's story was also very pointedly and beautifully about that one theme for the entirety of his story from every tiny detail, from beginning to end - meanwhile, it seemed to me that they tried to introduce 'regret' as the main thrust of Solas' story only in the short story with the Regret demon onward.

From Inquisition just by itself, the closest I personally could get to a story theme for Solas was his inability to trust others hurting him and the world, but his trusting others in DA4 wasn't really addressed to my satisfaction. He is never required to trust anyone before the ending, he never opens up or makes himself vulnerable at all. People find out information about him, he never really dynamically opens himself. So the personal story I thought he had was never addressed at all, while a new one about regret was introduced that never made a ton of sense to me. And I don't think this is just because of my expectations - my reaction to FFXIV proves that I am able to meet good writing where it goes in surprising directions, as long as it's interesting and thoughtful and clear.

And I think this might be part of what people felt was off about the ending - Solas is sort of uninvolved in the revelations that are about him, and doesn't do much to be part of his own ending. Part of what I loved about Solas in Inquisition is that he is not controlled by you in any way, and so he feels like his own person with a very strong sense of character.

Anyway, Emet-Selch, in a very comparable and arguably more extreme plot position, is very involved in the revelations about himself, he always feels like a very strong character who cannot be affected by the player, and the whole situation is handled with deft emotion and care and delicacy. The story is comparatively very uninterested in litigating Emet-Selch or putting him on trial - the story allows you to simply feel the way that you feel in an organic way, and Emet's story spends that energy instead actually exploring his thematic material about grief and legacy, and the larger story theme of existentialism instead, in a way that is very refreshing and interesting. I've seen a lot of western stories tie themselves in knots over "redemption" and frankly it's almost never been interesting at all. Who cares about any of that. lol

(Now, I guess this is a matter of preference, because some people really like being able to shape a character's story, but idk I rewatched the ending of FFXIV and even though there wasn't a choice with Emet, because it isn't a branching story, his story felt more satisfying to me, maybe because there isn't a patronizing choice to be made for him. He is who he is, and he fulfills a very beautiful narrative role and purpose that no other character could in the story.)

I don't know how this could have been improved to me and still allowed players to choose Solas' ending for him, but I can actually think of a few different methods, none of which involve Rook condescendingly and patronizingly lecturing Solas as if Solas had never thought about a single aspect of this horrible situation he's in before that very moment that Rook lectures him lmfao.

All this to say... idk I'm writing this and I am not going back to edit it so it's stream-of-consciousness. But yeah

I just wanted the story to be complicated on a few more levels than I could have predicted. I genuinely don't care what happened, but I thought of a few twists like the Veil coming down and yeah, I was expecting A Single Twist or reveal to happen. In a Dragon Age game.

I wanted Solas to seem cool and capable and noble and smart, and actually feel like he was as old and experienced as he is.

I wanted a clear theme I could sink my teeth into

Like notice I didn't even say anything about Solavellan. Like I never in 100 years thought they were getting a happy ending where they were both alive in bodies, and I like that we got that, but I would honestly trade it for a more complicated story. To me, if a story is sad you can always write fanfic, but if a story isn't COMPLICATED, that's a much more urgent issue.

These 3 things DA4 didn't give me in a way that satisfied me but FFXIV did. anyway idk the way my hyperfixations work, I completely switch to a new subject so talking about Dragon Age is actually hard for me right now.

[bananapeeeeellssss]

I was reading a bunch of DPXDC stuff on here and AO3 with Ghost King Danny, and thinking about how people wrote when he spoke if it wasn’t hear-able to human ears or a different languages and that got me thinking - what would that sound like? Then my brain did some braining and thought - wouldn’t it be cool if it was just all languages overlapping? Like “Who goes there” in English, but at the same time every known and unknown language (or just the dead ones, since he *is* the Ghost King) at the exact same time with the translation. That would support the whole ‘super hard/impossible to translate’ because it could change every time depending on what languages or sounds are enunciated more.

Add in the fact that logically, the vast majority of gods would not just speak the language you know or maybe even the most commonly used, this kinda makes sense? Well, not really, but who cares. As a wise author once stated, “canon is a sandbox and I am the lightning which will shape it to glass” or smth like that. Also, anyone who dies instinctively knows how to understand the language(s) so they can understand their king (as Ghosts). So now I’m just imagining a situation like this (forgive me, I don’t know how to bold or italics or anything on tumblr I’m new-edit, some gracious soul taught me in the comments, may their pillow be the perfect temperature):

Constantine, furiously flipping through translations book after translation book of paranormal languages and not finding anything on God speak: “Bloody hell, where is it!”

Danny, who just got summoned by some cult/to save the world/for some other reason and has crazy social anxiety but needs some kind of ‘sacrifice’ to make the summoning legal or else do a bunch of paperwork, thinking: Can I just ask for a sacrifice? Would that be rude?

Danny, Awkwardly: “I need a sacrifice before I can leave. Just like a rock will do. I don’t like paperwork.”

Constantine, attempting to translate, gesturing vaguely and panicked as he continue to flip through book after book: “It’s saying that it needs a sacrifice in Kevlar**, something about a crystal, and Korea?*** I think it wants Black Bat as a sacrifice?

Jason, cackling: “How did you translate that so badly?”

**Sacrifice in Hmong is Kev txi

***Paperwork in Acoli is “Karatac”, also I know Cass is Chinese not Korean but for the sake of this Constantine does not and/or assumes that the Ghost King can’t tell

Or, Jason randomly discovering that he can understand any language now. Just not speak it.

In conclusion, I have now decided that whenever a god speaks it is representative of all those who have ever entered their domain or presence, and because mortals are not capable of understanding the complexities and beauties of language, they will never understand.

…crap, now I want to write a tragedy or essay or poem or something about the symbolism

TLDR: God language is just all languages overlapping at once, scenario, and author having a mental breakdown over ELA and this being much longer than expected

[velvet-games]

mel goes hoverboarding

[avalencias]

I don’t know what to do—I have to trust someone—I don’t know who to trust

massive, massive props to aabria for this episode (here at this point and after!!)…to all of them really, but it was about here that I was driving yesterday morning and had to frantically try to hold the image in my head for the rest of my commute. I only kind of succeeded but it is what is. wow. what an episode

[automatonwithautonomy]

you can make any romantic pairing better by having them be a fucked-up codependent queerplatonic situationship. by the way.

[satsuha]

i don't know man 6-2 makes me feel a bit crazy because on the surface it's funny that nahyuta is being an asshole to apollo for no reason while also pretending not to recognise him and apollo just accepts it without much of a fuss BUT LIKE

nahyuta's in a situation where he cannot risk getting anyone involved with him lest they become even more leverage that ga'ran can use against him so imagine how he feels when he sees yet another member of his family again but can't even afford to feel happy or relieved at apollo's safety... i think nahyuta correctly concluded that if he showed apollo even the slightest bit of evidence that he was in trouble then apollo would just not be able to leave him alone. he also must have known... that he wouldn't be safe even if he went abroad. like i'd bet anything that the reason he became an international prosecutor at all was to escape khura'in's justice system in any way he could but he quickly finds out that he isn't able to break free of ga'ran's clutches that easily...

and apollo's already years past given up on dhurke coming to see him so seeing nahyuta is like. a slap in the face that he never expected. he can't even blame nahyuta for all the resentment and loneliness he felt throughout the years so he's just stuck in this awkward stalemate where he feels like he should be happy but there's too much there that was unsaid and unresolved and on top of that nahyuta's making no effort to help him on that front so... lmao

and despite that apollo still helps dhurke and everything that entails and before we even start seeing more of the truth of nahyuta's situation in 6-5 we get THIS line:

it kills me. it kills me!!! at this point in time apollo hasn't even seen nahyuta at all since 6-2 and he's still saying something like this. after nahyuta has done nothing but be rude and dismissive to him ~14 years since the last time they met. this is like apollo's equivalent of the "I cannot lose you to the Twilight Realm, too..." line TO ME... god they're so bad at showing that they care about each other that it literally does not show until they get to the verge of death but my god do they care!!