#(and honestly..... so refreshing i love this i love fantasy worldbuilding that is not just the same dnd stuff over and over)
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so silly 2 me when ppl are like 'falin's a cleric' just bcos she fits the healer archetype bcos like.
if we follow sorta classic dnd-ish 'cleric': she does not seem to follow a god, or at least her magic doesn't come from a god or w/e; in fact she went to the exact same wizard school as marcille and simply follows a slightly different style of magic (gnomish vs elvish, but not it's not like gnomes are all clerics. clearly.)
also she is a. necromancer. like literally her whole start was ghosts and she specialized in ghost magic.
#i mean listen CLEARLY the dunmeshi magic system is VERY different from dnd magic system#i don't think we ever encounter a 'cleric' on those terms#(and honestly..... so refreshing i love this i love fantasy worldbuilding that is not just the same dnd stuff over and over)#but like she literally is trained in and doing the same spells as marcille and we see their magical choices & styles directly compared#u got two wizards in ur group and they both heal and shit. one is just also a quantum physicist and the other is a ghost girlie.
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year of the dragon round up
you may or may not have heard that i spent this blessed lunar year of the dragon reading many dragon books. here i am rating them based on how cool and relevant the dragons are and nothing else. they are listed in the order i read them here.
NOTE: year of the dragon ends on jan. 25, 2025. so if you have any other recommendations...let me know 👀
the earthsea cycle by ursula le guin — these dragons have left an indelible mark on my soul. i adore that they are super intelligent and have their own customs, but they still act like animals with animal instincts. orm embar you will always be famous to me. ∞/10
seraphina by rachel hartman — love em. lots of good discussion of what it means to be human and what it means to be draconic. the sequel gets WEIRD about their lore but i liked the rest of the worldbuilding enough to politely ignore that. 8/10
fourth wing by rebecca yarros — the dragons are regrettably cool but the logic around them is not particularly sound. they don't act like dragons; they don't have the wants or needs that supposedly wild animals would. their classification is awful and bad. but i like that they give their riders powers. 4/10 but really they get a 0/10 for compelling me to finish this book and a -2/10 for starting a wave of romantasy books with poorly considered dragons.
eragon by christopher paolini — i adore saphira. i don't remember what the rest of the books teach us about dragons and i won't be rereading them anytime soon, but i love saphira sm, and i love that despite dragons being a recognized part of life, they still have some magical mystique to them. 7/10
temeraire by naomi novik — you all don't need to hear me talk about this series more. gold standard for lite fantasy dragons. tied intimately to the themes of the story. lots of variation and biological consideration. as a dragonet temeraire hisses like a cat when he gets caught in a hammock and bats at swinging lanterns. what more can you ask for? 10/10
dragonfall by RL lam — i loved the lore and religion. dragon parts as relics is such a cool idea. that said we didn't have a lot of time with the dragons in True Dragon Form but i will look forward to that in the sequel. 9/10
the aurelian cycle by rosaria munda — these books are like if fourth wing was good. LOVE the idea of these dragons, i wish they were explored more in depth, both from a biological view and an emotional, thematic view. they could've been replaced by horses and it wouldn't have changed much. but i like them and they're cute. 6/10
the farseer trilogy by robin hobb — look. when i first read these books i didn't know they even had magic, let alone dragons, and they function so differently from dragons in all fantasy that i don't even know how to rate them. it's such a surprise i don't want to give more than that away. i haven't read the sequel series that actually deal with dragons more in-depth, so i'll give them a go read these books/10
(and yes i know the rest of the realm of the elderlings books have more dragons, i just haven't read them yet. the rating is a command for you all as much as for me)
a natural history of dragons by marie brennan — love the biologist-centrist view of this books. they are animals and they are treated like animals and that's very refreshing and fun in its own way. i wish i liked the book more so i felt compelled read the sequels to see the other variations. solid 7/10 for the dragons tho
tooth and claw by jo walton — this entire book is a heavy-handed metaphor, and while i had trouble visualizing the dragons, their biology is inherent to the heavy-handed metaphor and pretty fuckin cool. there's gross eyeball stuff. they wear hats. 8/10 for that alone
harper hall trilogy by anne maccaffrey — i haven't read the rest of pern but a friend told me how the dragons in the series came about and honestly...love it. wish i could make myself read more of these books. 7/10
to shape a dragon's breath by moniquill blackgoose — love to see feathers and spikes. there was a surprising amount of chemistry (legitimate science not metaphorical) involved with their magic and i like that they're not just for warfare. but it had the same issues as the aurelian cycle, where they are not characters and contribute very little to the emotional journeys of the humans. but their breath is very cool! 8/10
the bone ships by rj barker — not only are the ships made of dragon bone cool, but the dragons are also cool. and importantly they are as gross as they are mysterious. the sopping wet sailors get a 9/10 and the arakeesians also get a 9/10
DNF LIST
heartstone by elle katharine white — genuinely really enjoyed the dragons and their variations as presented here. this book is regrettably determined to get in the way of its own interesting ideas for the sake of being a pride and prejudice retelling. however i will give the dragons a 6/10 for being present and cool despite this
when the moon hatched by sarah a. parker — i did not even get to the part of the story where the dragons appeared. regrettable. NO SHOW/10
SPECIAL CIRCUMSTANCES
a song of ice and fire by george r. r. martin — i read these books 10 years ago before i was dragonpilled. i remember liking the themes and drama of dany's dragons, and what it takes to feed/train them. HOWEVER: i can't bring myself to watch house of the dragon. while i am supremely jealous that this series gets a high-budget dragon show and not temeraire (peter jackson PLEASE buy the rights again there's an audience for this shit!!!!) glad that there is a dragon show that has gotten so popular, it bothers me that they're wyverns, not dragons. this is the dumbest thing to be pedantic about in this series and i know that. nonetheless: 5/10 very thematic but not particularly cool. sorry.
the book of dragons, an anthology by johnathan strahan — lots of variety here (obviously) and the graphic design fucks. i'm still working my way through it, but it's impossible to rank these all anyway, so i'll give it a GRAPHIC DESIGN IS MY PASSION/10. in particular i love the brooke bolander piece and think about it all the time <3
#bolt reads things#boy i hope this doesn't show up in each series' tumblr search lol#again. based on the dragons and not the books#i love aurelian cycle i think everyone should read it and talk to me about it#still finishing the bone ships trilogy but really enjoying it so far. very fun once you get used to the ship language
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Please Read This Series
This is completely unrelated to anything I post and I know I haven't really posted here in a hot minute (I'm gonna try again I promise). But I am two books into this trilogy and the community feels tragically tiny for it on any site I'm on. I want this book series to be incredibly popular it is so beautiful. The few posts I've seen here so far, keep it up please!
Do you like fantasy? Epic fantasy with magic? Do you like queer/LGBTQ+ characters treated naturally within a fantasy world? Do you like awesome stories about gods and wars? Please read this series.
Between Earth and Sky is a series by Rebecca Roanhorse and currently all three books are available to purchase. I will say now I am not indigenous and can't comment on the accuracy of portrayal but I find her use of indigenous north and south American and Polynesian cultural influence in her worldbuilding to be soooooo refreshing in a sea of medieval/renaissance high fantasy. Not there is anything wrong with those, but it is so nice to see someone do something new and the way she describes everything I feel like I'm there, like I'm seeing these people. Rebecca's description, characterization, and overall writing is incredible in my opinion. This was the first book I haven't been able to put down since I was devouring books in high school. I struggle to remember characters in most content I consume but I do not struggle at all with this book. Every name sticks in my head and I can always remember the details of their motivations and goals.
Mild spoilers ahead!!!!!!!
The story follows Serapio and his destiny to become a god reborn, Naranpa trying to fix the corruption of Tova's leaders, however fruitlessly, and a disgraced sailing captain named Xiala, a teek woman who ferries Serapio and falls in love with him. Despite these three being the main characters, the books pull back the curtains on others such as scheming merchant lords and a matron's son trying to do his best for his clan.
There are gods fighting for power and a political power struggle between so many groups it feels dizzying in a good way. Everyone's striving for power over the city in some way or another. There is magic and a balance of elements and it honestly reminds me of the series Avaryan Rising, specifically the first book The Hall of the Mountain King by Judith Tarr in the struggle between light and dark and the push for political power. Except it doesn't have a weird pseudo-incest subplot in the second book and has actually queer characters. (Mirain and Vadin should have gotten together and I fucking stand by this)
Regarding queer/LGBTQ+ characters: Xiala is canonically bisexual, multiple characters have very fluid sexuality and it's mentioned frequently, and there are 'non-binary' characters, specifically Iktan's gender is referred to as bayeki and xe uses xe/xir pronouns. It feels so natural and accepted within the various cultures depicted.
If this interests you, then start with Black Sun. The other two books in the trilogy, Fevered Star and Mirrored Heavens are also available both in print, ebook, and audiobook formats. I admittedly have not begun the third book yet as I just purchased it, but the first two are so good that I have faith Rebecca can round off this trilogy near-perfectly.
#between earth and sky#booklr#bookblr#books and reading#black sun#fevered star#mirrored heavens#rebecca roanhorse#reading#book review#epic fantasy#i love this#books#audiobooks#book reviews#book recommendation#epic fantasy books#lgbtq#lgbtqia#queer#queer books#lgbt books#adult fiction
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i have a quastion. what is dungeon meshi like i’ve considered watching the anime since it looks amusing…. i trust you as an authority on this hence why i’m in your asks :3c
Dungeon Meshi is so good!!!
So Ryoko Kui (the author of the manga) is a super super great artist and writer in general, and her knowledge of intimate and expansive worldbuilding, including the cultures of different fantasy races is VERY apparent in dunmesh without being super in your face. It strikes a perfect balance between showing and implying and telling; giving you information when you need it but not holding your hand throughout the process. Ecology and biology of creatures and the places (mostly dungeons but yk) is SUPER important and expanded upon in the story. It scratches my Creature autism SOOO well. And all of the characters are VERY distinct and fun AND THE DESIGNS FUCK SOOO HARD. Dungeon Meshi has become one of my favorite series of all time, because it's so. so fucking profound. There are a LOT of funny moments and gags but there's an equal amount of genuinely serious and emotional moments. The character dynamics. GOD. Cannot recommend it enough.
Also. Dungeon Meshi is super fucking horny. LMAO. Not in a "fanservice-y" way (in fact, there is only ONE character that ever gets upskirt/panty shots and it is Senshi, the bearded dwarf man. He's my fave btw <3). But dunmeshi uses consumption (and to a lesser/technical extent cannibalism as well) as a... metaphor for love and obsession, and frequently eroticizes it. I hesitate to say metaphor because it's honestly VERY obvious lmao. Especially with how genuinely autistic Laios is about monsters and eating them. Then there's also transformation and change that's also VERY eroticized. A lot of the focus of Dungeon Meshi is desire. How people experience it, and just how far people will go for it. Which, again, is super eroticized a LOT. All done in a tasteful(? not sure if this is the right word but yk) way and not in a surface level "LOOK, SEX!!!!!!!!!" way. Not that there's anything inherently WRONG with being horny and not being like profound about it but I'm just trying to make a point lol
Now to specifically talk about the anime since that's what you mentioned wanting to watch (though I REALLY reccommend the manga, it is fucking GORGEOUS and there are so many hilarious panels that haven't been brought over to the anime, despite how well it's been doing with that so far. It just happens with turning a manga into an anime yk?)! It's doing a really good job so far!! The only issues I have are relatively nitpicky (I've gone into detail abt it if you wanna see here) and more of an issue with modern anime overall so! They're doing a really great job of translating over from the page to the screen and the voice acting work (both the original japanese and english dub) is really fucking good. And I don't typically like modern english dubs. The layout of the episodes is really nice so far too, centering around the "dish/es of the day" without feeling too constrictively like your typical "monster of the week" type episodes. It helps that Dungeon Meshi as a media itself strikes a really good balance between that and its storytelling. Though again. Laios is genuinely SO fucking autistic about monsters and eating them lmao and the series focuses on him/his party so! There's so much good in depth discussion about monsters, both their biology (especially in relation to their taste hehe) as well as their natures, and ecology!
I'm also really a fan of netflix releasing the episodes weekly instead of dropping them all at once. It's refreshing coming from netflix specifically considering their... track record.
But anyway yeah! TYSM Marty for coming to me about this and letting me go on an autistic talk about it!! I only apologize for not being more specific, but a lot of my dunmesh posting (reblogs anyway since I'm pretty sure the posts I've MADE about it have been relatively vague??) is already pretty spoilery and I'm a firm believer in a first watch/read being as spoiler free as possible!! It makes subsequent rewatches/rereads all the more fun to me personally <3 Though that's obviously up to you lol
#mud rambles#warewolfish#ask#answered#also I will apologize for not being super........ articulate...? I guess?#I'm bad at explaining my thoughts lol#I tried to at least break it up to make it easier to read#BUT THIS IS TO SAY. YOU SHOULD TOTALLY FUCKING WATCH IT AND READ THE MANGA IF THATS UR THING I THINK YOU WOULD LIKE IT UWU#long post
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Recently I inhaled all translated volumes of the Ascendance of a Bookworm light novels, and I realized that the full beauty of this light novel cannot be appreciated until one has consumed a truckload of shitty otome isekai manhwas.
First off, there's actual worldbuilding. Praise be to the gods!
The following is... technically spoilers but I think it'll spark your interest and enhance one's appreciation for the author's brilliant execution.
The protagonist isekai's into a fantasy world, but doesn't really realize it's a full-on high fantasy world until she gets involved with the nobility because she was reborn into a peasant girl and peasants don't have much to do with magic and mana and all that jazz.
The protagonist, a peasant girl, gets adopted into nobility by her home duchy's highest-ranking nobleman (the archduke or “aub” as they're called, but don't let the name fool you— all rulers of duchies are called archdukes and her home duchy's actually somewhat on the lower end) but the process isn't all sunshines and rainbows, she loses her peasant family, they're alive but they're bound by a magic contract to never treat each other as family ever again— and it's heartwrenching because they truly, truly love each other and her family committed treason to save her (and she in turn was forced into the adoption to save her family from an execution). It's traumatizing.
The world is a fucked up place and the protagonist acknowledges it, and the dissonance between her own modern morality and the world's accepted customs make it hard for her to adjust, and she frequently comes across as an oddball or a threat/wildcard because of it instead of... I dunno, the modern protagonist taking over a reviled character's body and makes everyone love her by “girlboss”? (*side-eyeing Cha Siyeon* but ehhh it's not like she's the only one)
There's politics! Actual politics! And the protagonist starts off as a merchant apprentice and unlike so many otome isekai's that attempt to do merchant work this is actually... it's a world I can sink my teeth in and actually feel satisfied.
The first two arcs (or “parts” as they're called, the story's volumes are usually marked as “Part [#] Volume [#]”) are a bit more on the slice-of-life side with the world's darkness and politicking mostly in the background because the protagonist simply wasn't aware of the shit that was going on behind the scenes or outside her field of influence as she spent those two parts in the lower city as a peasant girl. And then she's forced into an adoption and shit ramps up.
The story doesn't allow itself to lull, there's always one thing or another constantly shaking up the status quo and honestly, I fucking adore it.
I can't quite vouch for the anime's quality as I haven't watched it (apparently a lot of stuff got condensed or cut out?) but I can wholeheartedly vouch for the light novels.
(it started out as a webnovel so I can see how it was written to be a deliberate subversion of the otome isekai genre as many korean manhwas of the same genre also generally start out as webnovels)
I remember Ascendance of the Bookwork! I must have watched the first few episodes when the anime first came out. Although I found the idea of a bookworm commoner protagonist refreshing I don't know why I didn't continue watching the series. It could be just like you said because they cut things and as a result of that the atmosphere seemed more lighthearted than in reality or it might have been that I didn't watch far enough and kind of forgot about the series as I often do with media where you have to wait for the next episode/season once you've caught up.
I had a totally different impression of the anime back then. I thought that the heroine would invent the letter press and start a book binding business. My interest dwindled when I saw a spoiler that she'd got adopted by a noble after her powers were revealed and mistakenly assumed that it would go the cliche route. I'm pleased to see that for once the adoption created a conflict and the real family actually cares about their child. (I think they discovered that she wasn't the real Myne but came to love her anyway? Which is great but must have come as a great shock to the family.) I might start watching the anime again. I don't know if I'll try the webnovel, because honestly I've never managed to fully enjoy a webnovel so far. Much to my regret, I want to feel what y'all are feeling. 😭 Why is classic lit a breeze for me but I struggle with webnovels?
Though can it be really a subversion of the Otome Isekai genre when the world is not a dating sim/romance novel? Is there something like an og hero/heroine protagonist who she runs into much later? When I think of subversion of Otome Isekai I think about stories like Surviving Romance and The Concubine Walkthrough.
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okay the new anime season is already in full swing, so I gotta get my thoughts out on the last season. because I have once again watched Way Too Much Anime.
same as before, we chose what to watch mostly based on which PV trailers looked interesting before the season aired. now I'm gonna yap about all 17 shows for way too long.
✨obligatory disclaimer that this is Just My Opinion, Man. if I say something mean about your favorite show, please don't take it personally!
everything we watched, in alphabetical order: Alya Sometimes Hides Her Feelings in Russian, Bye Bye Earth, Dahlia in Bloom, The Elusive Samurai, Isekai Suicide Squad, Magical Girl and Evil Lieutenant Used to be Enemies, Mayonaka Punch, Oshi no Ko S2, Quality Assurance in Another World, Senpai is an Otokonoko, Shikanoko, Shoushimin, Tasuuketsu, Too Many Losing Heroines, Tower of God S2, VTuber Legend, Wistoria: Wand and Sword
Alya Sometimes Hides Her Feelings in Russian - 1 episode, dropped funny that this one is first alphabetically, cuz I only watched one ep with a group of friends, mostly just to clown on it. I swear there's at least six anime exactly like this one every season: hot girl randomly takes an interest in the most boring man on the planet. Boring Guy is Boring. there's probably a weird little sister involved. but the girl is Russian in this one, because that's easier to write than actually giving anyone a personality. fucking snore dude
Bye Bye, Earth - 8 episodes, dropped this show is… weird. the worldbuilding feels incredibly dense, but also not very well explained. it felt like they were introducing new concepts and Proper Nouns every other sentence. I fully believe that this all makes sense to the original creator -- like I'm sure they have a 400 page Lore Bible with all the deep rules of their world, because it all feels very intricate. unfortunately I don't have that lore bible, so I found it really hard to follow.
that said, I think I like it? kinda? the animation style is kinda ugly, but for the most part I like the character designs. I think it's great to see a female lead in a show like this, and I really like what I've seen of the MC and her motivations. there's some really interesting fantasy ideas -- like the way people "grow" their weapons as an extension of themselves, MC's curse that her sword can't cut living things, this society that revolves so heavily around music -- but all of it together just becomes a confusing jumble.
it's not bad, but not good enough for me to finish this season :/
Dahlia in Bloom - 6 episodes, on hold this is honestly one of the more refreshing romance anime I've seen in a long time. It's a little slow moving and not very action-packed, but I love how well Dahlia is established as Her Own Person before the main love interest is even introduced. My girl has a career! hobbies! a friend group that stands by her while she goes through a messy break-up! it's so easy to root for her, and early episodes of this anime truly had me screaming "GIRLLLLL DUMP HIM YOU CAN DO BETTERRRRR" at my TV (in a good way)
and her main romantic interest is really good too! he has a personality beyond just being a perfect hot romance boy! the two of them have great chemistry! they act like adults and have a believable slow-burn starting as friends! idk it's kind of wild how realistic the romance in this show feels, despite being set in a fantasy world.
unfortunately this show did get put on the back-burner while we were watching a bunch of other things, but I'd really like to return to it sometime. I wanna see Dahlia thrive in her career and personal life!
The Elusive Samurai - 7 episodes, dropped okay, guys. you guys. listen. I really wanted to like this show, okay. I watched the previews and was like holy shit, CloverWorks has done it again. if this is as good as Wind Breaker, maybe I can finally forgive them for what happened to Promised Neverland. I saw the clips on twitter from episode 1 and thought this could be the big standout of the season.
but, uh. it's not. at least, not for me.
the tone of this show is extremely inconsistent. it flips wildly between wacky gag-manga comedy, and dead fucking serious horrors-of-war. sometimes multiple times in the same episode! add that to the break-neck pacing (in the first few episodes especially) and it left me with emotional whiplash. like, okay -- the more dramatic, gritty grimdark stuff I rather enjoy. the scene where the villain obliterates a whole battalion single-handedly, and then gets swarmed by adoring fans while the one survivor tries in vain to tell them what a monster he is -- that shit gave me chills. it's some incredible visual storytelling. but then the show inevitably cuts back to the weirdo priest doing some weirdo shit with the kids and I'm annoyed again. eventually I just got tired of it.
absolutely banger OP and ED though. probably my favorite ED of the season, and second-favorite OP.
Isekai Suicide Squad - 5 episodes, dropped boy, this one sure does do what it says on the tin. this sure is an anime about Suicide Squad -- yes, the DC comic book characters -- getting transported to another world.
honestly I was really enjoying it, at first. it's not doing anything particularly new, but these versions of the characters are fun and the animation was good enough to carry the story. and like, I'll say it -- anime Harley Quinn is pretty hot. I'm a lesbian with eyeballs, I can admit that.
unfortunately the animation takes a nosedive suddenly right around the point where I dropped off. the fight with the dragon is REALLY rough, like almost unwatchably bad. and when the animation is that bad, I stop to wonder what we're even doing here. they're taking a huge detour from the main plot to randomly fight a dragon, and it doesn't even look good. I don't know if the animation gets better again after that, but I decided there were better things to watch this season /shrug
pretty good OP and ED, though. I like the really stylized animation in the OP, and the ED is a decent bop.
The Magical Girl and the Evil Lieutenant Used to Be Archenemies - 2 episodes, dropped this one looked cute, but mostly I wanted to take a look because it's made by Bones. and it is pretty cute, but for such a prestigious animation studio, it didn't exactly blow my tits off. after two episodes, I really felt like I'd seen most of what this anime would have to offer. the guy is "evil" but has a soft spot for one girl, the magical girl is cute, he gets flustered when she does cute stuff. it's fine, but nothing to write home about.
the episodes are real short though -- about half as long as an average anime episode -- so it's not a huge time sink. who knows, I might pick it up again sometime if I want something fluffy.
Mayonaka Punch - 12 episodes, completed alright, now THIS show is the absolute underrated gem of this season. it's fun, it's funny, and it's even a little bit gay! the cast are the best kind of likeable assholes, and they had me laughing out loud multiple times an episode. the more emotional/dramatic parts are pretty well done in my opinion too. particularly the way the show depicts Masaki being haunted by nasty comments online feels very "real", without being too much of a huge bummer.
genuinely, Mayonaka Punch is just a great time. I never felt bored watching this, and I'd gladly watch another season if PA Works decide to continue the story! but even if they don't, I think this has a pretty satisfying conclusion. it's nice to enjoy a good 12 episodes that wraps itself up neatly at the end.
also my absolute FAVORITE OP of the season. I'm a sucker for OPs that are sung by the cast, it's super catchy, and the animation is great. all the references to actual viral videos and trends are funny without feeling forced or cringe -- jumping on viral video trends is what the whole show is about, after all!
Quality Assurance in Another World - 3 episodes, dropped man, I honestly don't have much to say about this show. the broad concept is kinda interesting (QA testers working on a full-dive VR game get trapped in the world of the game SAO-style) and the art style is kinda unique. it just didn't really hold my attention, unfortunately. my wife watched a few episodes past the point where I stopped and she said it kinda popped off a little later but ehhh. someone might really enjoy this one, but it's just not for me.
Senpai is an Otokonoko - 7 episodes, on hold so this anime was made for my wife specifically. she's read the whole comic (I think it's a webtoon?) and adores it, so she was beyond hyped for the anime adaptation. and it's honestly really well done! I think the way it uses chibi characters for comedy (and to save on animation lol) is really cute. the characters and drama are pretty well written, and I really like that the two "rivals" in the love triangle are actually friends with each other.
the only thing is that parts of the story/drama are kiiiind of heavy. my wife is a trans woman and relates very strongly to the main character, so it's a hard watch for her sometimes. even though she's read the comic and knows what happens, she's said she really needs to be in the right headspace to watch this one. there's nothing egregiously bad though, omg -- the worst I've seen so far is the MC's mom being really transphobic and them trying to go back into the closet because of it 😬 so definitely a trigger warning for that
but yeah, really like this one, we're just watching it pretty slowly so I haven't finished it yet.
Shikanoko Nokonoko Koshitantan (My Deer Friend Nokotan) - 2 episodes, dropped hoooo boy. the big meme show of the season. I feel like anyone who follows seasonal anime has probably heard of this one, at least. I saw the OP going around a lot, and I'll admit, it's an earworm.
maybe this is a controversial opinion, but ya'll, I did not care for the actual show at all. I went into it with pretty high hopes, granted, since people were hyping up how funny the manga is. In two episodes I think I actually laughed maaaaybe once? I dunno, the hyper-realistic CGI deer are pretty good the first few times you see them, but boy does the gag get old fast. even the scene where deer-girl busts through the wall of the classroom only got a little snort out of me. and then that joke completely overstays its welcome by going on for like two full minutes of gratuitous slow-mo.
really all I can say is: not funny, didn't laugh! Mayonaka Punch is way more fun, watch that instead.
Shoushimin - 6 episodes, on hold first of all, this anime is fucking gorgeous. truly every frame a painting. I've seen people talk about "cinematic" anime this season, and Shoushimin really embodies that. the characters, the environments, the framing, the lighting, ugh. I wish I could eat all of the lovingly-rendered pastries in this show.
animation aside, this is a veeeeery slow-paced kind of slice-of-life. it's all about small, mundane mysteries, so I can definitely see people finding it boring. my wife decided after about 4 episodes that she just doesn't have the attention span for this. I mostly like it though; it makes me think of a more chill version of the fake manga the MCs write in Bakuman. that said, I need to be in the right mood for something this slow, so I've been watching it on and off.
also shoutout to the OP because I am an Eve fan first and a person second
Tasuuketsu: Fate of the Majority - 2 episodes, dropped I would have completely forgotten about this show, if crunchyroll didn't keep trying to get us to watch the next episode. it's an extremely generic death-game show with pretty stupid rules imo. frankly I would have dropped it after one ep, but there's a cliffhanger at the end of ep 1 that was intriguing enough to convince me to watch a second. they completely undo that cliffhanger in episode 2 though. boooo 👎
best thing I can say about this show is that there's a plot-relevant kick to the balls. no I will not elaborate on that.
Too Many Losing Heroines - 12 episodes, completed man, okay. so from the PVs before the season started, I thought this one was an easy skip. I don't care for harem shows, and this looked like just another boring light-novel romance. no amount of pretty "cinematic" animation was going to get me interested in flat, annoying characters that I've seen a hundred times. we were literally late to start watching it, and only picked it up toward the end of the season because people would not stop talking about it.
so take into account that I am very biased against this entire genre when I look you dead in the eye and tell you: this show is kind of incredible? like don't get me wrong, it's not exactly re-inventing the wheel here, and there's some fanservice moments that made me roll my eyes. but overall, this has some of the best character writing and drama out of everything we watched this season. the girls are genuinely a lot of fun, and their friendships are very believable. even the stuttering shy girl, which is usually an archetype I find super annoying, managed to win me over in the end.
the male MC is probably the weakest part of the show to me, but he still has more going for him than most guys in this genre. I like that his story is more concerned with him learning to be platonic friends with people, rather than just trying to push him into romance with all the girls. even if he ends up with one of the girls in the end (probably the blue-haired one), I appreciate him building a real friendship first.
and I gotta mention the EDs, because each of the main girls gets their own dedicated ED song and they're all beautifully animated. the OP is pretty fun too.
Tower of God Season 2 (part 1?) - 13 episodes, completed I'm honestly pretty torn on this one. once again my wife has read this whole webtoon, so she would have more thoughts about this in terms of adaptation, but I'm anime only. I really liked season 1, even though I found some of the worldbuilding hard to follow, so I was looking forward to this.
and man… I'm so disappointed in the animation for this season. The art style in S1 was one of my favorite things about it, so seeing them drop that in favor of a much more generic modern anime style was a huge bummer. If it was done so they could go all-out on the action more easily that would be one thing, but all of that is pretty lack-luster too, and I know I'm not the only one who feels this way.
as for the story, maybe I just don't remember S1 well enough, but I was pretty fucking lost sometimes. this is another story with mountains of worldbuilding, and I'm sure some fans of the webtoon could go on for hours about the lore. unfortunately that's not me! maybe I'd have a better time if I re-watched S1. even so, I did like most of the new characters, and seeing the returning ones when they showed up.
I dunno. 6/10 overall, not enough Khun. excited to see Khun more in the next cour.
VTuber Legend: (extremely long LN title) - 12 episodes, completed I cannot believe my wife made me watch this whole thing. I can't believe I actually sat through every episode. this show is some peak brainrot, but that's not always a bad thing?
don't get me wrong, I like vtubers just fine! I follow a couple of english-language ones that I like, though I'm not deep into the ~fandom~, as it were. I have no idea how accurate this show is for Japanese vtubers, but boy are these characters weird and horny. sometimes they're funny, sometimes they're unbearably cringe. though that probably doesn't come as much of a surprise, given the premise. who knows, if you like vtubers and bizarre fetish content, you might like this one.
Wistoria: Wand and Sword - 12 episodes, completed this show wound up being a kind of sleeper hit this season. I remember basically no one talking about it before it started airing. it must have had some crazy word-of-mouth recommendations though, because it shot up into the top five seasonal shows on MAL at some point. I started watching from episode one just because the PV trailers looked dope, and I was not disappointed!
in terms of story, again, there isn't anything we haven't seen before. magic high school, kid who can't use magic and gets bullied, but he's really good at sword fighting so he kills lots of scary monsters. but here's the thing, guys -- he looks fucking incredible while he's doing it. this show is completely carried by its slick animation and art style. it's just an absolute treat to watch, and I wish I could eat the colors and intense shadows at work here.
it's already confirmed for a second season, too. my wife liked S1 enough to read ahead in the manga, and she said it only gets better, so I'm definitely looking forward to that.
Honorable mention:
Oshi no Ko: Season 2 - 1 episode, on hold okay this is embarrassing but IN MY DEFENSE! I'm caught up on the manga! 😭 so I already know what this season is about!!! we just decided to wait until the whole season aired so we could binge it, and haven't gotten around to it yet. also it's annoying to watch, since I don't want to pay for fucking HIDIVE, so we have to watch it……. elsewhere.
but like I'm sure it's good. this is easily my favorite arc in the manga, so if the anime kept up the quality from season 1, I'm gonna have a great time. when we get around to it 🙃
#once again not tagging every anime bcuz I'll go insane#for fall 2024 I have TWENTY-TWO anime added to my list 😭#several of those I'm probs gonna watch when they're finished with another friend#but also jesus christ lmao#long post#ramblings#peo watches too much anime
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Love your writing! I’ve played a few IFs and very few of them stand out in terms of quality: A compelling plot, three dimensional characters, an enjoyable MC, and relevant player choices. Yours is one of them!
Do you have any favorite IFs?
thank you so much!!
since i've started writing, i haven't really been reading IFs like i used to, and there are a lot of newer games that i haven't had the chance to play, and others that i've not had the time to catch up on. but here are some of my favorites, in no particular order:
god of the red mountain by @friendlybowlofsoup - i love this game so much. there is a lot of replayability here and i love the setting & the huge cast of characters. i could go on and on but honestly just go play it if you haven't!
diaspora by @diasporatheblog - another game with a lot of replayability and a lot of really interesting characters. the opening of this game has always stuck with me. also the game design itself is something i aspire to with tnp.
virtue's end (18+) by @crimsiswrites - my fellow monster hunter... another game where i really love the setting, and the worldbuilding with helvlings and their keepers. currently undergoing a rewrite, & i recommend checking out all the info on the blog before playing through the old demo.
project hadea (18+) by @nyehilismwriting - every time i read this game i get an uncontrollable urge to write sci-fi and watch alien. writing is very compelling and i love the alien designs, refreshing to actually see something... alien!!
scout: an apocalypse story by @anya-dev - i am behind on updates (sorry fake fan) but i love scout so much, one of the few games where i really love all of the companions, also we all know i am weak for friends to lovers.... i also really love apocalypse stories that feel... hopeful? and that are about community, rather than individual survival.
crosshollow foundations by @townofcrosshollow - i love the character creation in this one, and i love being an "observer" and guiding the characters in their choices. i've linked crosshollow's itch.io page here because jasper has a few other games that revolve around the universe of crosshollow.
snakeroot & walk with me by @cerberus-writes - cer has such a beautiful way with words... he knows this i scream about his writing all the time & i can't recommend them enough. snakeroot is a modern horror fantasy, another fellow monster hunter! walk with me is a bit different, with bitsy gameplay, where you take a walk and have a conversation with a god.
a tale of crowns (16+) by @ataleofcrowns - another game i am unfortunately not up to date on (i’m so sorry) but i did stay up super late reading the first three or four chapters all at once! a really great fantasy game with a refreshing setting and a really great cast of characters. also love the attention to detail and the small touches that go into personalizing the crown.
body count (18+) by @bodycountgame - oh this game is so fun, fun writing, fun characters, a fun premise! this is actually my favorite kind of modern horror, where a group of fun young adults are off to have a cute adventure or something but then... something terrible happens! murder! maybe an unexpected twist or two! also i love bad reality television so like... truly it’s perfect.
a limber love by @copperspines - ohh i love this game, i’ve played through for all seven endings and i just love speculative horror fiction like this. good atmosphere and i love the illustrations.
the spirited: origins by @yuveim - my other favorite kind of modern horror: ghost hunting!!! really good horror writing in this, and i’m excited to see how the relationships between all the characters unfold going forward, and how exactly we’re going to deal with the whole demon thing...
the exile (18+) by @exilethegame - another game where i really like the character customization and the worldbuilding, and no one should be surprised i like playing characters like the commander. this game has a lot of replayability and lots of secrets to uncover.
blood moon (18+) by @barbwritesstuff - werewolves, ghosts, and vampires, oh my! updates when the moon is full (yes i am behind on this one barb writes so fast it’s insane). a great cast, lots of choices and branching and replayability. werewolves are the superior supernatural love interest and i will die on this hill.
the goodfellows & creature’s cradle by @thecuriouseye - the goodfellows is so interesting, again the worldbuilding and lore in this one is just chef’s kiss!! dark fantasy with giant monsters and heavy consequences. creature’s cradle is a supernatural post-apocalyptic story with zombies, vampires, werewolves, and more. the current demo is short and sweet but i’m excited for more.
boundary pass by @boundarypass-if - as someone who has worked as both a park ranger and a forest ranger, this game really gets me. i love the kind of horror you can only experience when you’re alone out in the wilderness....
when it hungers (16+) by @roast-ifs - i love the setting of this one: fantasy 1910s. really cool species available for character customization, and some good horror writing. i love the team dynamic of the main cast, and how the main character struggles to find their place in it without their memories.
greenwarden by @fiddles-ifs - yet another fantasy horror game! modern setting this time. really interesting main character, with a past that seems to be haunting them... but right now there’s a mystery to be solved and a monster to track.
contrition by @nihilnovisubsole - i’ve recommended this one before but i really love it, the atmosphere, the writing, everything about it... it’s stuck with me and it’s a great read.
this is by no means a complete list of IFs i enjoy but hopefully there is something new for you in here that you like. i’m sure i’m forgetting some that i will curse myself for later... there’s a lot of talent in the IF community and there are a lot of new stories just getting started that i just haven’t had the time to read, but you can always browse my other games tag for newer intro posts as well.
#whew#you sent this a few days ago i think but it got buried like immediately (lol)#thank you again for the kind words too!!!#other games#ask#dabenport
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I've been rereading some book series that I LOVED when I was in middle school/high school, and so far I've found not one, but TWO series that feature a male main character who has a female best friend, who's the other main character in at least one case
And that's it. They're just best friends. And there are some side romances that are honestly DELIGHTFUL. And yes, I am gonna expand on these two series beneath the cut, why do you ask?
(in case you don't want to read a jillionty paragraphs on the power of family and friendship being treated as equally important as romance also did I mention the worldbuilding is amazing, the series in question are "The Map to Everywhere" by Carrie Ryan and John Davis Parke, and "The Vengekeep Prophecies", by Brian Farrey
1.The Map To Everywhere, by Carrie Ryan and John Davis Parke.
Okay this one is great for many, many reasons-- the world building. The word play that's involved. The characters. The humor. The fact that the duo writing this are a married couple and frankly that's goals right there. But I'm here to talk about the relationships. The main two characters are a boy and a girl, and they're just friends. No romance involved
In fact, their friendship is an incredibly important plot device throughout the entire series, and it's given just as much weight and page time as the two side romances, if not more!
The side romances, meanwhile, are absolutely iconic.
Side romance one: Two wizards who took forever to actually do anything about their feelings for each other, then the one wizard (her name is Annalessa and she's awesome) goes missing, and her love interest (Ardent, he's hilarious) proceeds to dedicate his life to finding her and saving her, at ANY cost
Side romance two: This is a portal fantasy, and in book two the main female character returns to the Pirate Stream (where the series is set) with her babysitter. Said baby sitter procedes to fall for the ship's captain who has this curse that means he can never stay in one place for too long, and stays on the Stream with him in the end
But I digress. Over all in this series, friendship is treated as something that's so priceless and important, and I love that SO VERY MUCH
2. The Vengekeep Prophecies, by Brian Farrey
One of the things that first caught my eye about this series is that the illustrator is the same guy who did art for "A Series Of Unfortunate Events"
The second thing was that it was about a family of thieves. And of course they don't steal from the poor, they steal from the rich! But yeah it's pretty much for their own gain. That doesn't mean they're selfish, however-- they just have better self preservation than 80 percent of protagonists out there
This series is so funny, full of snarky humor and banter. The characters are amazing, and the plot is WILD. All this is so amazing that it takes a little while for you to stop and go "WOW this is some awesome world building! Such amazing fantasy races and characters. What an original and refreshing take from the norm!"
This one is less about the power of friendship (although that's important, and the main male character and his female best friend still don't get together), and more about family, and how you can depend on them through everything. It's also about choices, and how you can choose to be whoever and whatever you want to be!
Also did I mention it's hilarious?
There's only one side romance that comes to mind in this series: this incredibly grumpy thief kid falls for this nomadic girl who kidnaps him in book two, is very snarky and good with a blowgun, and hates magic. Also her brother is a warrior bard, which is kinda hilarious
Anyways, pretty sure this post has gotten long enough, but long story short those book series are both AWESOME!! I highly recommend them, particularly if you like word play, thieves, incredible world building, and platonic relationships
#the map to everywhere#the vengekeep prophecies#i know these are both pretty niche but they're amazing fantasy series!#and yes they're kids books#but that makes them a quick and light read while not being total fluff at the same time#because it talks about finding your place in your family if you don't belong#and feeling forgotten#and the power of platonic love#and also accidentally making krakens out of pepper shakers#all the important things#fantasy book recs#rereading my childhood faves
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I’ve been rather inactive for the past while, so on my attempt to return to writeblr, let’s refresh my dash!
I’m a lover of all things fantasy and sci-fi, particularly original works that are YA or younger, but I’m always open to new things! Of course, there are a few things that often equal an immediate follow:
Diverse and LGBTQ+ cast
Not necessarily horror, but eerie/ominous vibes
Merfolk or pirates or honestly just ocean themes
Plants! Gemstones! Astronomy! Honestly just cool themes like that.
Complex worldbuilding (especially with magic/special abilities!)
Begrudging team-mates to found family
And any combination thereof!
Honestly though, I’m not picky at all. I would love if you could A) reblog this post if you’re a writeblr that posts/reblogs original content so I can follow you (if I’m not already) and/or B) reblog this post and link me to a few favourite original content posts of your own or of other writeblrs and I’ll check them out!
Thank you so much! I hope you have a wonderful day~ 💖
#writeblr search#writeblr hunt#search for writeblrs#writeblr#writeblr community#honestly please just reblog if you're a writeblr!!
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Six of Crows Review
Alright, first book review on this blog...here we go: *spoiler warning, duh*
Book: Six of Crows Author: Leigh Bardugo
My Rating: 5/5
First off, this is the first YA fantasy I've ever read so I have no idea what I was expecting...and I fuckin loved it.
Second, I binge read this book in three days and it usually takes me a month to read anything ever so that's definitely saying something. I came for Kaz Brekker after watching Shadow & Bone on Netflix and stayed for the amazing plot, diverse and intricate characters, the incredible action and twists, and of course Kaz Brekker. The one thing that I loved was how fast paced this book went, and I genuinely could not stray far from the book because of how addicting it was. There was something in every chapter and you never got bored. The last part had taken the most time for me to complete because of how much action Leigh crammed in the last 60 pages, which made it a bit hard to follow along but it was still epic.
The Characters:
Kaz, Inej, Jesper, Wylan, Nina, Matthias
"“What’s the easiest way to steal a man’s wallet?” “Knife to the throat?” asked Inej. “Gun to the back?” said Jesper. “Poison in his cup?” suggested Nina. “You’re all horrible,” said Matthias."
The most diverse set of characters I have ever met. There were 6 characters, and the POV's were constantly changing and at some point, while I read someone else's chapter I was worried about the other characters and anticipating the next chapters. This was honestly an amazing decision to tell this story and I never got sick of the characters (except maybe Matthias, sorry).
Not only does Leigh do an excellent job portraying trauma in her characters (especially Kaz), she also keeps the character's as diverse as possible, from Nina being a plus sized character with badass confidence to Wylan overcoming his dyslexia and even Inej being a brown character. Every character had their own stories and the flashbacks/backstories were always a pleasure to read through.
Kaz Brekker is a stone cold, morally grey, manipulative, and terrible criminal which of course...makes him an even better protagonist. He definitely rocks the Hot Boy Who Is Mean To Everyone Except That One Chick Because Of His Tragic Backstory trope.
"There was no part of him that was not broken, that had not healed wrong, and there was no part of him that was not stronger for having been broken."
He is an anti-hero with his own plans and goals, while also caring so much about his crew that he would do anything for them. I'm very excited to see his character develop with Inej in Crooked Kingdom as well as his relationship with her because I am too obsessed with the two of them. I also enjoyed how Leigh allowed Kaz to fuck up and make mistakes, showing that he wasn't just some perfect character that knew everything about everything, and reading his inner dialogue when he realized his fuck-ups felt refreshing. His backstory was very well written and very tragic (we get it he's emo). It felt so personal knowing why he was they way he was when he sealed himself off from the world. He's also drippy as fuck.
Inej Ghafa just radiates bad bitch energy and when Kaz called her "dangerous" I screamed "DAMN RIGHT". Her mental drive was beautifully written during her chapters, especially while she climbed the incinerator.
"The heat of the incinerator wrapped around Inej like a living thing, a desert dragon in his den, hiding from the ice, waiting for her. She knew her body's limits and knew she had no more to give. She'd made a bad wager. It was as simple as that. The autumn leaf might cling to its branch, but it was already dead. The only question was when it would fall...
Should she jump now or simply wait for her body to give?
Inej felt wetness on her cheeks. Was she crying? Now? After everything she'd done and had done to her?"
Most importantly, she was a raw character who pushed herself throughout the book not just for herself but for the rest of the crew. She was selfless but she was also incredibly strong, driven by her future. Inej is the most inspiring character in the book and I have fallen in love with her more times than I could count. (lowkey carried the team imma be honest)
JESPER FAHEY Y'ALL. My queer sharpshooter king. I think I related to him the most and I loved every chapter with him. Though, I felt like Jesper was treated more as a side character than a main one, especially since he was stuck with Wylan for the entirety of the heist but BOY WHEN I FOUND OUT HE WAS A FABRIKATOR...I might have also screamed. He was definitely the comedic relief and he always kept me laughing at his little comments. Excited to see him and Wylan get together and also hoping for more of Jesper's character.
"Well, we’ve managed to get ourselves locked into the most secure prison in the world. We’re either geniuses or the dumbest sons of bitches to ever breathe air."
“If any of you survive, make sure I have an open casket. The world deserves a few more moments with this face.”
Nina Zenik...bro. She is so powerful. The moment she took parem was *chefs kiss* and it was the most badass scene I had ever experienced. When I began reading her chapters I didn't really enjoy them but when the heist actually began her inner dialogue won me over completely. When she was with Jarl Brum I could not stop laughing at the things she was saying in her head, and even when things were intense she always had something to say which made her character come to life. Her personality is hilarious, and sarcastic and she's also so HOT like my gay ass was swooning. She is who I aspire to be, that is all.
Matthias Helvar. Personally, I didn't really like his character so much because of how stubborn and he was (and how many times I wanted to punch his stupid ass), however he was still a pretty cool character with some good moments in there. He demonstrated religious corruption well, and he definitely faced a lot of inner conflict due to the pressure of what he was taught when he was younger. His POVs were a little boring but I loved it when he called Kaz a demjin.
Wylan Van Eck was a super fun character to have around. I definitely enjoyed watching his character grow as he spent more time with the Dregs. I didn't love him as much as the big three (Kaz, Jesper, Inej) and don't have much to say on him except that I admired his strength throughout the last part, especially when confronting his father after hearing all the horrible things he said about his own son. Jesper defending him made me melt big time.
"He's smarter than most of us put together, and he deserves a better father than you."
I literally could not have asked for such a creative group of characters and to see them work together makes me feel like I'm part of a big, criminal family.
The Ships
The ships were a fun addition to the story and the best part was that they never overstepped the actual objective of the plot but rather worked with it to enhance the connections between each character.
Kaz and Inej: Let me just cry for a second.
"She'd laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him."
"I will have you without armor, Kaz Brekker. Or I will not have you at all."
"I'm going to get my money, Kaz vowed. And I'm going to get my girl."
This one hurt me. I am in love with these two and their relationship with each other makes it so much better. They are not meant to be together yet they are connected in so many ways. I did not think I would fall in love so easy, but here I am.
Matthias and Nina: I was not convinced by these two, especially with how weird their relationship was. They constantly seemed like they hated each other (valid) and some of their romantic scenes felt forced. In the end, I enjoyed seeing Nina grow on Matthias to wake his stubborn ass up. I swear that man refused to have feelings. Anyway, I still have mixed feelings on these two.
Wylan and Jesper: They are so cute. Like insanely cute. Like even I was blushing during their cute scenes. Their relationship isn't as developed yet so I am excited to see them in Crooked Kingdom.
Final Thoughts:
Representation? Check
Map? Check
Two maps?!? Fuck yeah
Amazing plot and worldbuilding? Check
Hilarious banter? Mhm
Great writing? Check
Well- written characters? 100%
Overall, this story will forever be my comfort book and I was impressed by the YA fantasy side of literature. It's hard to believe yet comforting that these characters are my age, makes me feel powerful. I loved every bit of this book and now I kinda wanna grab some friends and pull a heist.
#six of crows#grishaverse#the grisha series#crow club#shadow and bone#kaz brekker#inej ghafa#nina zenik#jesper fahey#wylan van eck#no mourners no funerals#the dregs#soc#sabspoilers#the crows#book review#booklr#ya fantasy#kanej
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MONTHLY MEDIA: December 2020
And so concludes another year! Maybe not the most ideal 12 months on record, but certainly memorable. I dunno. Anyway here’s how I wrapped up the year.
……….FILM……….
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Gremlins (1984) Every time I watch this I just marvel at the fact that it was made. The practical effects are fantastic, the characters are so over-the-top that I think the Gremlin-sized mallet is the most believable part of the whole film. It just has that energy of a live-action cartoon and for that, I love it.
Gremlins (1990) This and Aliens fall under the category of sequels I didn’t like at first (for the hard turn in tone) but have come to really appreciate and enjoy. The opening with Bugs and Daffy really sets the tone for the whole thing and in hindsight, I appreciate how it manages to do all the same stuff that was loved about the original while making it feel bigger and different. Not necessarily better or worst, but definitely different.
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Happiest Season (2020) It really felt like Harper was written to be the villain, right? Anyway it was a solid Christmas movie for a modern era, Kristen Stewart was a solid lead, and Dan Levy’s comedic timing is unreal. All-around fun watch.
The Family Stone (2005) Claire Danes and Luke Wilson are the only redeemable characters in this movie and while I don’t think they’d work out as a couple, it’s a shame they never get a chance to chat and just say “hey all of our family members are awful, right?!?” Actually Thad and Patrick are decent people, but I suppose they’re overshadowed by everyone else. Oof what a movie.
……….TELEVISION……….
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Ted Lasso (Episode 1.01 to 1.10) Never have I more sincerely connected with a character’s outlook than Ted Lasso. It doesn’t matter if you know anything about Premier League soccer, what you get is an optimistic, heartfelt comedy that doesn’t punch up, punch down, or really punch at all. It’s gentle and kind and the sort of tv we need more of right now.
The Queen’s Gambit (Episode 1.01 to 1.07) Dang I thought I knew a little bit about chess but like...none of that helps here. It felt like a Rocky miniseries only chess instead of boxing (and I mean this all as a compliment). Given that the show doesn’t expect a knowledge of the grame, credit to the actors for communicating what’s happening in a game just through facial expressions. Worth checking out.
The Bachelorette (Episode 16.08 to 6.13) You know what, this was a pretty good season! It’s a shame we didn’t get any follow up after the proposal, but it was refreshing to see a group of guys who all got along and were just generally mature!
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Mad Men (Episode 7.12 to 1.14) And so ends a pandemic-long viewing of Mad Men. First time watching it and I knew a little of how the series ended and honestly, I think it was fine! We got to check in with most of the cast and while I wish we could’ve kept going with these characters, it really did feel like they were all headed off in different directions anyway. Great series would highly recommend.
Neon Genesis Evangelion (1.07 to 1.11) It wasn’t until Asuka showed up that I realized this show is a metaphor for puberty and thus, is super horny all the time. Viewing through that lense, it’s an interesting allegory and the robot fights are cool.
The Mandalorian (Episode 2.01 to 2.08) For me, this show works best when it’s doing its own thing and just kinda existing in the world. The frog lady stuff, the random tasks, even the first ep did a good job of walking the line between fan service and the confidence to tell a new story. But dang if that last ep didn’t throw it all out the window. I’m just not a big enough Star Wars fan that I need to see all the old stuff again. It’s lazy writing and that’s what bums me out the most.
……….READING……….
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Ring Shout by P. Djèlí Clark (Complete) Really great! I don’t read much modern(ish) day fantasy but the ideas and worldbuilding in this are so economic that it felt immediately familiar. Plus who doesn’t love the idea of a sword-wielding heroine cutting down monstrous klansmen?
Illuminatus Part III: Leviathan by Robert Shea and Robert Anton Wilson (Complete) After reading all three parts I can say, with confidence, that I have no idea who 90% of the characters are. Maybe it’s the similar names (John, George, Joe, etc.) or that every character talks like a philosophy student, but I just couldn’t separate them from each other. The plot and illuminati stuff was fun, but I’d seen so many great reviews and high praise that I was expecting it to be more fun.
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Richard Stark's Parker: The Hunter by Darwyn Cooke (Complete) Darwyn Cooke’s effortlessly cool style elevates Stark’s pulp story to something that walks the line between classy and cruel. A murderous criminal is a tricky lead to follow but somehow you still want to see how it all shakes out. If you dig this first book then I recommend getting all 4 of Cooke’s interpretations of Stark’s work.
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Scott Pilgrim Vol. 6: Scott Pilgrim’s Finest Hour by Bryan Lee O’Malley and Nathan Fairbairn (Complete) Still love this series after all these years and rereading them in color has been great. I still think the “glow”, as a twist/reveal, doesn’t really work and is somewhat convoluted, but it’s one misstep in what’s a consistently great run. The color version only adds to the quality of the book.
Dragon Ball 3-in-1 Vol. 2 by Akira Toriyama (Complete) This is the sort of light-hearted, good-natured comic I like to read around the holidays. There’s just something about a world where a criminal organization can be a mix of humans, bears, and a monster made of jelly that feels right, you know?
……….AUDIO……….
Song Exploder (Podcast) I’ve only listened to a handful of episodes so far but it’s really giving me a new perspective on music and the craft that goes into composing! I recommend starting with songs you like and then expanding from there.
……….GAMING……….
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Neverland: A Fantasy Role-Playing Setting (Andrews McMeel Publishing) A small seasonal interlude! I’ve posted a longer recap on Reddit but the group has temporarily resolved the issue of the island flood and have moved on to an escaped Fairy causing wintery havok and significantly dropping the overall island temperature.
D&D Homebrew Adventure (Menace of Merlin) And so concludes the adventure! I think I could’ve made the final showdown against Merlin a little more climactic, but live and learn. Now we’re taking a break as the group makes up new characters to play in this world!
And that’s it! We did it! Goodbye 2020 and here’s to a bigger and brighter 2021!
Happy Thursday!
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Books I read this fall (Reviews/Recs)
October :
- The Brilliant Death, Amy Rose Capetta, YA fantasy - fun worldbuilding (inspired by Renaissance Italy, warring families, forbidden magic), interesting MC + love interest are both genderfluid, cool villain and magic system, both plot and romance feel underdeveloped, still a fun time. Recommend ? Yes
- These Witches Don’t Burn, Isabel Sterling, YA Paranormal - wlw witches, small town shenanigans. Popular on sapphic bookstagram but I really don’t get the hype. Bland worldbuilding, no sense of magic or wonder. The MC has no character arc to speak of, begins and ends in roughly the same place except she’s slightly more over her toxic ex (who is somehow the most compelling character in the book). Recommend ? No
- The Devouring Gray, Christine Lynn Herman, YA Paranormal - creepy small town shenanigans, found family, complex family relationships. Great creepy villain and sense of suspense. Badass female characters. Slightly derivative of the Raven Cycle vibes. Recommend ? Yes
- The Deck of Omens, Christine Lynn Herman, YA Paranormal - less thrilling than the first one but still fun, focus on powerful friendships and recovery from trauma. Recommend ? Yes, if you liked the first one
- Mexican Gothic, Silvia Moreno-Garcia, Gothic Horror/Romance - One of my favorite books ever, seriously. Already wrote a review about it but wow. ‘Heroine has to stay in a mysterious manor inhabited by a creepy old family’ trope but set in 1950s Mexico. Amazing MC, one of the creepiest villains I’ve ever seen. Criticism of colonialism/racism/imperialism + very strong feminist vibes. Super poised, elegant writing. Recommend ? Absolutely, if you have a stomach for graphic horror
- Cemetery Boys, Aiden Thomas, YA Paranormal - Trans Latino MC + ghost gay love interest (who strongly pinged me as ADHD and was honestly the best part of the book). Interesting, compelling worldbuilding, very sweet romance, identity affirming ending. Importance of cultural transmission/family vibes. Set around Day of the Dead. Sadly, badly edited, with infodumping, useless dialogue, awkward sentences (and a grammar mistake in one of the most important sentences of the book ffs). Recommend ? Yes, if you can look past the bad editing
- The Year of the Witching, Alexis Henderson, Horror (YA-ish?) - Set in fantasy version of extreme Puritanism, very lovable mixed race MC, plot about overcoming religious fundamentalism, very dark themes (systemic abuse, bigotry, violence, mind control, sexism and racism, biblical plagues, famine) but not gratuitous, well written, very atmospheric, compelling plot structure if a bit slow to get started, romance that adds to the themes. Evil witches (would have been more interesting if they were more grey characters tbh). Ends up feeling quite empowering, if harrowing to read. Recommend ? Yes, if you are ok with horror and very dark themes
November :
- A Closed and Common Orbit, Becky Chambers, sci-fi. Slice of life on an alien planet, no strong central plot, more driven on character development. Focused on a sentient AI trying to fit her new, illegal synthetic human body ; and her friend, who used to be a child slave in a factory and escaped to find freedom. Big neurodiverse vibes, exploration of personhood and consciousness, lots of focus on alien cultures, alternative gender structures, characters trying to understand each other’s quirks and needs. Super cosy, feels like a great big hug, even tho the themes can be dark. The end made me cry. Another fave. Recommend ? Yes!
- The Priory of the Orange Tree, Samantha Shannon, epic fantasy. Sprawling cast and extensive worldbuilding, dragons, apocalyptic threat, religious struggles, several kingdoms in conflict with each other...the real deal. The main romance is an interracial f/f couple, between a sheltered but headstrong queen and her badass lady in waiting/bodyguard/secret assassin from a sacred order, and I LOVED them. The other main characters are an asexual dragon rider, an older (slightly annoying but complex) gay scholar, and a badass Black courtier and it is just SO refreshing to have a fantasy world where some dark shit is happening but none of it is sexism/racism/homophobia (the diversity is normalized). Also the plot is just very cool, it’s one of those books you just can’t put down, I see why it’s so popular. Can be read as a standalone, resolves its main plot. (will definitely pick the sequel tho). Beautiful bittersweet ending. Weighs a ton when read on the bus. Recommend ? Yes !!!!
#honestly i have had a great streak of late#most of these are just a lot of fun#bookblr#book reviews#ellie reads things
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TerraMythos' 2020 Reading Challenge - Book 34 of 26
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Title: The Harbors of the Sun (2017) (The Books of the Raksura #5)
Author: Martha Wells
Genre/Tags: Fantasy, Epic Fantasy, Adventure, LGBT Protagonist, Female Protagonist (Kind Of), Third-Person
Rating: 9/10
Date Began: 12/11/2020
Date Finished: 12/25/2020
Moon and his friends are reeling from the betrayal of a former ally. With several members of their party kidnapped, and a mysterious weapon stolen by their new enemy, the chase is on. He and the others must infiltrate unknown territory to rescue their missing family and avert a deadly calamity. At the same time, a massive army of Fell are gathering to attack the Reaches. The Raksuran colonies of Indigo Cloud and Opal Night must join forces to defend their home before they are overrun and destroyed.
“But you don’t want to be near Fell,” Moon guessed. Considering what had happened to Shade when they had been captured by the Fell flight northwest of the Reaches, it was only rational.
“No, I don’t.” He looked at Moon hopelessly. “Is that weak?”
Consorts were supposed to be weak and delicate and need everything done for them, but Moon and Shade were different, and nothing was going to change that. And “weak” wasn’t really the right word for what Shade meant. What he was trying to say was harder to express. It was giving into feelings other people thought you were supposed to have about things that shouldn’t have happened to you in the first place, but were not like the actual feelings you did have. There wasn’t a word for that in Raksuran or Altanic or Kedaic or any other language Moon knew. Moon said, “It’s not weak.”
Full review, some spoilers, and content warning(s) under the cut.
Content warnings for the book: Graphic violence and action. Implied past r*pe (it’s the same plot point as previous books). Genocide is a big plot point of this one.
The Harbors of the Sun is the fifth, and presumably final, book in the Raksura series. And boy what a ride it's been. I've enjoyed settling in with a longer fantasy series. While I'm excited to read something new, I'll miss these characters and the captivating world they inhabit. Since this is probably the last installment, I'll look into book-specific details, but also provide some series retrospective commentary. I won't touch on everything, just things that stick out to me.
From what I can tell, The Harbors of the Sun is a little controversial with long time fans. I can see why, and it's the same reason I added "Epic Fantasy" to the tag list. Most of the series has focused on small-scale conflicts centering on the Raksuran characters. There's hints of large-scale stuff in The Siren Depths, but that crisis is averted, so thus not fully realized. However, these last two books contain a much longer storyline, and the stakes in The Harbors of the Sun are potentially catastrophic not just for the Raksura, but thousands if not millions of people. Think The Lord of the Rings trilogy vs The Hobbit in terms of ramp up.
Due to the larger scale, this book also embraces a rotating point of view. The original trilogy is entirely from Moon's perspective, and The Edge of Worlds only dips its toes into alternate POVs. The Harbors of the Sun features multiple character groups all doing important things to the story, so there's lots of perspective shifts. While I still consider Moon the main character, he shares the stage with many others.
Personally, I like the scaled up conflict. It seems like a natural progression of the series. While not every point of view wows me, finally seeing some stuff from Jade and Chime's perspective (for example) is really cool. While Moon is an enjoyable protagonist, he often interprets characters and motivations wrong. Getting someone else’s take on a given situation or character is refreshing.
One of my favorite alt-perspectives is Frost. She's a young child and minor character, but serves as the perspective for a tense political discussion between Raksuran queens about impending war with the Fell. This whole section serves to convey important information, but also as great worldbuilding to see how Raksura interact with, indulge, and care for their young. While we have seen adult perspectives such as Moon happily playing with his children, it's interesting to see a child's view of life in the colony. This is emblematic of Wells' approach to the series and her technique when crafting this world. It would be easy to pick a major character like Malachite and tell this section from her perspective, but we would miss many interesting details. Using Frost isn't something I would necessarily consider, and is just a cool writing choice.
By the end, The Harbors of the Sun feels like it's been a long, epic journey-- more so than the shorter adventures of previous books. A LOT of stuff happens in this book, and there's so many different interesting places the characters visit. Even events at the beginning feel distant compared to where everything ends. There is a unique appeal in this kind of story. Maybe it's not for everyone, but I personally like the change of pace and tone, especially as a finale.
For a series retrospective, the Fell are an interesting subject to discuss. I'm impressed with what Wells pulls off with them. One of my criticisms of The Cloud Roads is the Fell aren't especially compelling villains. They're an evil race of shapeshifters, distantly related to Raksura, who infiltrate cities and eat the population. The Fell are parasites-- they have no real culture or ability to survive except through the destruction of others. They’ve recently taken to destroying Raksuran colonies, kidnapping survivors, and forcing them to produce crossbreeds. Obviously, this introduces two narrative problems. One, "evil races" in fantasy are boring and already done ad nauseam. Two, how can one make the Fell interesting when they're literally irredeemable monsters?
The answer, it turns out, is a nature vs nurture debate, and it's mostly approached through the Fell/Raksura crossbreed characters. While these ideas have been explored throughout the series, The Harbors of the Sun brings it full circle. The Cloud Roads' main antagonist is Ranea, a crossbreed queen raised by the Fell. She sees the crossbreeds as a natural way to strengthen the Fell and make them an even deadlier force than they are by default, since Raksura have their own set of powers and traits. She’s soundly defeated, supposedly concluding the subplot. Until, of course, it comes back.
In The Siren Depths, we meet several crossbreed characters who are, for all intents and purposes, Raksura. Malachite rescued them as children and chose to raise them as Raksura of Opal Night. The result is that, while Shade and Lithe are aware of their heritage, they've experienced love and acceptance throughout their lives. Sure, they may have some physical traits and abilities that differ from the others, but often these have practical uses in the story. Their families don’t treat them differently because of this. As characters, they're just as Raksuran as everyone else.
In The Edge of Worlds, we're introduced to another crossbreed queen, a foil to Ranea. While she makes some early mistakes, unlike Ranea she seems capable of reason and compassion. We learn her name and backstory in The Harbors of the Sun. Consolation was born in a Fell flight, but most of her childcare came from her father, a captive Raksuran consort. Hence her name, which is painful with context and distinctly Raksuran. Apparently, the consort's influence didn't just extend to Consolation, but to other outcasts in the flight. After his death, Consolation and her allies slaughtered the leadership and took over the flight, and seek a place to live in peace independent of traditional Fell corruption and influence.
One of the interesting things about this are the kethel and dakti in Consolation's flight. Throughout the series, these two Fell castes are basically treated as cannon fodder. If you need a big intimidating enemy, throw in a kethel. For annoying imp swarms, dakti. The Raksura tend to think of these creatures as intelligent animals, not people. They only talk when a Fell ruler takes over their mind. They're treated badly among the Fell; cannibalized them when food stores get low, thrown into suicidal situations, etc.
In The Harbors of the Sun, the kethel and dakti can speak, much to the surprise of the main cast. Consolation's main advisor is a crossbreed dakti named First. There's also a kethel (presumably pureblooded Fell) that follows and assists Moon and Stone throughout the book and engages them in conversation. They clearly distrust it, but over the course of the story go from calling it "the kethel" to "Kethel", like an actual name. It has ulterior motives-- to convince the Raksura to help Consolation-- but is certainly not "inherently evil", nor just an intelligent animal. This is counter to everything we've been led to believe through the series, and it shocks multiple characters and challenges their way of thinking.
The argument at the end is that the Fell are evil because of a poisonous ideology and the total control of the progenitors (female rulers). Raised with compassion and better treatment, they're very similar to the Raksura. I'm honestly impressed with where the Fell end up vs where they start in The Cloud Roads. I don't know if Wells planned this arc for them from the beginning, but I like the amount of nuance she introduced without it feeling gross or trite. Does it work 100 percent? I'm not sure; I'd have to reread the series in more depth. But based on my current thoughts, it’s a good development; it doesn’t “redeem” or justify the Fell, but demonstrates the ways in which future generations can change and break the cycle. It’s not all sunshine and rainbows, and many characters clearly distrust these “new” Fell (understandable considering the sheer trauma most of the cast has), but it’s an interesting take nevertheless.
On another subject, we never really learn what was up with the forerunners! Except they really liked flower motifs, I guess. I kind of like this; there's an impression that the long forgotten civilizations of the past were technologically advanced, but no one knows what happened to them. It's just an enduring mystery of the series. Ultimately it doesn't matter to the characters, and that's fine.
Also, we now have confirmation that The Serpent Sea is basically filler. It felt like a side story when I read it, but part of me hoped it would have some relevance to these last two books. Nope. I’m a little disappointed in this, but it’s not the end of the world, just something to keep in mind when reading the series. I think the book is entertaining on its own merits, but there’s little to connect it to the main story besides the characters.
Overall I recommend these books to people looking for a non-traditional fantasy series. There's no humans or typical Tolkein-esque fantasy races. Instead there are dozens of sapient humanoid species invented whole cloth, with some obvious real world inspirations. The shapeshifting Raksura are lovingly crafted, with lots of interesting detail about their culture, customs, and daily life. I love how they feel like believable people but are distinctly nonhuman. As a setting, The Three Worlds is deadly and fascinating, with lots of interesting places and people. There's always a sense of a big, vibrant world, even when the books choose not to explore it in depth. While The Harbors of the Sun feels like a finale to the current Raksuran story, I wouldn't be surprised if Wells visits this setting in the future.
There are some short story collections in this series which I do plan to read sometime in 2021. However, I'm going to take a break from the Raksura series and dive into something else for now. Thanks for reading!
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Thanks for recommending Gideon the Ninth! It was so good! Do you have a book rec tag I could check out? :)
honestly i should, huh? i’ve read more books than probably ever before this year and i’ve talked about ‘em intermittently, but not with a consistent tag. i’ll recommend some right now, though, with a healthy dose of recency bias!
sf/f
the priory of the orange tree by samantha shannon - a truly epic fantasy novel with one of the most beautiful, satisfying f/f romances i’ve ever read. the novel takes account nearly everything i hate about fantasy as a genre (overwhelmingly straight, white, and male centric, bland medieval European settings, tired tropes) and subverts them. incredible world-building, diverse fantasy cultures, really cool arthrurian legend influence. one of my favorite books i’ve ever read tbh.
gideon the ninth by tamsyn muir - which you’ve read, obviously, but for posterity’s sake i’m keeping it here! sci-fi + murder mystery + gothic horror. genuinely funny while still having a super strong emotional core and more than enough gnarly necromantic to satisfy the horror nerd in me. makes use of some of my favorite tropes in fiction, namely the slowburn childhood enemies to reluctant allies to friends to ??? progression between gideon and harrow. absolutely frothing at the mouth for a sequel.
the broken earth trilogy by nk jemisin - really the first book that helped me realize i don’t hate fantasy, i just hate the mainstream ‘medieval europe but with magic’ version of fantasy that dominates the genre. EXTREMELY cool worldbuilding. i’ve definitely described it as like, a GOOD version of what the mage-vs-templar conflict in dragon age could have been, with a storyline particularly reminiscent of “what if someone got Anders right?”
this is how you lose the time war by amal el-mohtar and max gladstone - i’m not usually big on epistolary novels, but this one really worked for me. spy vs spy but it’s gay and takes place between time traveling agents of two opposing sides of a war. the letter writing format really plays to el-mohtar’s strengths as a poet, the unfolding love story is weird and beautiful. it’s a really quick read, too, if you’re short on time or attention.
empress of forever by max gladstone - i just finished this one this week! if you’re in the mood for a space opera, look no further. imagine if steve jobs was an asian lesbian and also like not a shitty person. this is where you start with vivian liao. you get the classic putting-the-band-together arc with beings from all across the universe, your romances and enemies-turned-friends and uneasy alliances all over the place. really satisfying character development and some extremely cool twists along the way. it’s just a fun good time.
the luminous dead by caitlin starling - this one rides the line of horror so it’s closest to that part of the list. it reminds me of the most inventive low budget horror/sci-fi films i’ve loved in the best way possible because it makes use of the barest narrative resources. it’s a book that takes place in one primary setting, featuring interactions between two characters that only meet each other face-to-face for the briefest period. the tension between the two characters is the most compelling part of the story, with competing and increasingly unreliable narratives and an eerie backdrop to ratchet things up even higher. the author described it as “queer trust kink” at one point which is, uh, super apt actually and totally my jam. the relationship at the center of the book is complicated to say the least, outright combative at points, but super compelling. plus there’s lost of gnarly sci-fi spelunking if you like stories about people wandering around in caves.
horror
the ballad of black tom by victor lavalle - we all agree that while lovecraft introduced/popularized some cool elements into horror and kind of defined what cosmic horror would come to mean, he was a racist sack of shit. which is why my favorite type of ‘lovecraftian horror’ is the type that openly challenges his abhorrent views. the ballad of black tom is a retelling of the horror at redhook that flips the narrative by centering the action around a black protagonist.
lovecraft country by matt ruff - more of what i just described. again, lovecraftian themes centered around black protagonists. this one’s especially cool because it’s a series of interconnected short stories following related characters. it’s getting a tv adaptation i believe, but the book is definitely not to be missed
rolling in the deep / into the drowning deep by mira grant - mermaids are real and they’re the ultimate deep sea predators! that’s really the whole premise. if for some reason that’s not enough for you, let me add this: diverse cast, a romance between a bi woman who’s not afraid to use the word and an autistic lesbian, really cool speculative science tangents about mermaid biology and myth.
the haunting of hill house by shirley jackson - it’s halloween month so i’m thinking about hill house again. one of the greatest american ghost stories ever written. especially worth the read if you follow it up w the 1964 film adaptation (the haunting) and then the 2018 netflix series.
the hunger by alma katsu - i’ve always been fascinated by the donner party even though we now know the popular narrative is largely falsehoods. still, this highly fictionalized version of events scratched an itch for me and ended up surprising me with its resistance from the most expected and toxic racist tropes associated with donner party myth.
wounds / north american lake monsters by nathan ballingrud - nathan ballingrud is my favorite horror writer of all time. one of my favorite writers period regardless of genre. in ballingrud’s work the horror is right in front of you. you can look directly at it, it’s right there. but what permeates it, what draws your attention instead, what makes it hurt is the brutally honest emotional core of everything surrounding the horror. the human tragedy that’s’ reflected by the more fantastic horror elements is the heart of his work. it’s always deeply, profoundly moving for me. both of these collections are technically short stories, but they’re in the horror section of the recs because delineations are totally arbitrary and made solely at my discretion.
short stories
her body and other parties by carmen maria machado - tbh i almost put this in w horror but there’s enough weird fiction here for me to be willing to straddle the line. it was really refreshing to read horror that centered queer women’s perspectives. the stories in this collection are really diverse and super powerful. there’s an incredible weird fiction piece that’s like prompt-based law and order svu micro fiction (go with me here) that ends up going to some incredible places. there’s the husband stitch, a story that devastated me in ways i’m still unraveling. the final story reminded me of a more contemporary haunting of hill house in the best way possible. machado is a writer i’m really excited about.
vampires in the lemon grove by karen russell - my friend zach recommended this to me when we were swapping book recs earlier this year and i went wild for it! mostly weird fiction, but i’m not really interested in getting hung up on genres. i don’t know what to say about this really other than i really loved it and it got me excited about reading in a way i haven’t been in a while.
the tenth of december by george saunders - i really like saunders’ work and i feel like the tenth of december is a great place to start reading him. quirky without being cloying, weird without being unrelatable.
misc
the seven husbands of evelyn hugo by taylor jenkins reid - there’s something really compelling to me about the glamour of old hollywood. this story is framed as a young journalist interviewing a famously reclusive former starlet at the end of her life. the story of how evelyn hugo goes from being the dirt-poor daughter of cuban immigrants to one of the biggest names in hollywood to an old woman facing the end of her life alone is by turns beautiful, inspiring, infuriating and desperately sad. by far the heart of the book is in evelyn finally coming out as bisexual, detailing her decades-long on/off relationship with celia st. james, another actress. evelyn’s life was turbulent, fraught with abuse and the kind of exploitation you can expect from the hollywood machine, but the story is compelling and engaging and i loved reading it.
smoke gets in your eyes by caitlin doughty - a memoir by caitlin doughty, the woman behind the popular ‘ask a mortician’ youtube series. it was a super insightful look into the american death industry and its many flaws as well as an interesting, often moving look at the human relationship with death through the eyes of someone touched by it early and deeply.
love and rockets by los bros hernandez (jaime and gilbert and mario) - this was a big alt comic in the 80s with some series within running on and off through the present. i’m not current, but this book was so important for me as a kid. in particular the locas series, which centered around two queer latina girls coming up in the punk scene in a fictional california town. the beginning starts of a little sci-fi-ish but over time becomes more concerned with slice-of-life personal dramas.
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A Curse So Dark And Lonely
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Synopsis:
Fall in love, break the curse. It once seemed so easy to Prince Rhen, the heir to Emberfall. Cursed by a powerful enchantress to repeat the autumn of his eighteenth year over and over, he knew he could be saved if a girl fell for him. But that was before he learned that at the end of each autumn, he would turn into a vicious beast hell-bent on destruction. That was before he destroyed his castle, his family, and every last shred of hope. Nothing has ever been easy for Harper. With her father long gone, her mother dying, and her brother barely holding their family together while constantly underestimating her because of her cerebral palsy, she learned to be tough enough to survive. But when she tries to save someone else on the streets of Washington, DC, she's instead somehow sucked into Rhen's cursed world. Break the curse, save the kingdom. A prince? A monster? A curse? Harper doesn't know where she is or what to believe. But as she spends time with Rhen in this enchanted land, she begins to understand what's at stake. And as Rhen realizes Harper is not just another girl to charm, his hope comes flooding back. But powerful forces are standing against Emberfall . . . and it will take more than a broken curse to save Harper, Rhen, and his people from utter ruin.
Title: A Curse So Dark And Lonely Series: Cursebreakers Author: Brigid Kemmerer ISBN: 1681195100 (ISBN13: 9781681195100) Pages: 496 pages (Paperback) Published: January 28th 2019 by Bloomsbury YA Setting: Emberfall Washington, D.C. (United States) Genre: Fantasy, Young Adult, Romance, Retellings, Fairy Tales
Every now and then, you hear about a book being hyped before release and it totally matches those high expectations. For me, A Curse So Dark and Lonely was one of those books. I’ve had it on my TBR pile for absolutely ages, but I figured it was time to sit down and actually read it. And honestly, I’m a little lost for words. It is everything I wanted in a YA fantasy novel. There’s a good dose of slow-burn romance in there, some brilliant Beauty and the Beast retelling moments in there (let’s be honest, it’s the best Disney movie), and the characters are well-developed. Plus, and I feel like a bit of an asshole for even having to mention this, we get actual diversity in this book.
I’ll admit, at first I wasn’t entirely sold. The story starts out in DC which for me was a bit of a detraction. I get that Harper is a ‘real world’ character who gets thrust into a fantasy world she has to navigate, but for me I wasn’t a big fan of the brief bit of urban fantasy we get. Don’t get me wrong, it can be done well, but I just fell out of love with it a while back. I wasn’t the biggest fan of City of Bones being set in NY. Thankfully, it’s a pretty brief glimpse of DC before we are thrown into the world of Emberfall.
The descriptions here are gorgeous and I fell in love instantly. I liked that the world was revealed in little pieces, and that so much of it remained a mystery. I guess because the characters are isolated in one area due to the curse, there’s a lot of worldbuilding stuff that can be forgiven. Also, we’re getting a book two, so I’m hoping some things will be addressed later.
As for the characters, this is where I truly lost my mind. I was curious to see how another retelling of Beauty and the Beast would hold up, considering the phenomenal success of SJM’s A Court of Thorns and Roses series, but boy was I wrong to worry. I loved Harper so much. She was so strong and resilient and her kindness totally shone through on every page. I liked seeing her challenge Rhen’s prejudices and general distrust and temper them with bravery and trust. On the flip side, at no point did the character come across as ridiculously naïve either, which was quite refreshing. Instead, Harper is incredibly complex and nuanced. She also has cerebral palsy, which is something I have never actually seen well-written in YA before. It’s very well handled and I can’t commend the author enough for doing all the research before going and publishing this. I liked how some characters responded to Harper’s disability by seeing it as a weakness and tried to compensate by protecting her as though she were a delicate flower, and how Harper never really accepts that. In fact, she’s as damn badass as they come. She climbs out of windows, learns how to throw knives, tries multiple times to escape on horseback and is generally just too awesome for words. But just as her disability isn’t a defining part of her character. It is also something she doesn’t just brush under the carpet. There are moments when she accepts that she sometimes struggles to walk, or gets fatigued quicker than others. And though she doesn’t rely too much on other characters to help her deal with that, neither does she just pretend it isn’t a thing. Like I said, I thought it was really well handled. This is my opinion here though. I do not have cerebral palsy so I’m not sure if I’ve just naively skipped over some stuff others might have picked out (I did read a review the other day that complained about a lot of ablest language from the villains).
The other characters are also pretty cool. Rhen is revealed in stages, and he’s a bit like a Shrek onion because there’s so many layers to him. He’s an easy character to dislike earlier on but he really comes into his own later in the book and the transformation was very sweet. Likewise, Grey was well developed and seemed realistic. He was kind and loyal and made some tough decisions, But I also liked that both he and Rhen were sometimes incredibly selfish and made decisions that would harm others for the good of the kingdom. Not that that’s a good thing at all, but as flaws go, I think that’s a pretty interesting one for a prince and his guard to have. I wasn’t quite so keen on the brother later on in the book, but I think that’s because we didn’t see enough of his character to actually understand his swinging mood changes. Again, I hope this is something that is explored in later books.
There were also several plot twists at the end of the novel. Although I figured out how the plot of this book would end about halfway through, I did find the twist that paves the way for the sequel to be surprising. I’d be curious to know what others thought of that one (though please keep comments spoiler free at least until the book is released).
I will say that this retelling is incredibly dark, and there are several trigger warnings I want to mention for anyone who might be interested in picking up a copy of the book. Obviously, as a Beauty and the Beast retelling there are trigger warnings for abduction and false imprisonment, but also talks about cancer, attempted sexual assault, sexual assault, mentions of suicidal thoughts and torture. That’s a pretty long list, and the content may not be suitable for everyone.
Overall, I’m going to give A Curse So Dark and Lonely a 10/10 stars. I truly loved it, and I practically flew through the book.
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⭐the most recent chapter of taol with shadow!shikamaru⭐
ohhhhh thank you for asking about this chapter! this is definitely my favorite non-gaalee chapter! it was also the chapter that I was probably the most nervous about because of the direction I took Shikamaru in!
it’s been a while since i published that chapter, so i had to skim before i could really touch on the elements of it that I really wanted to talk about, so sorry this took so long to get to. again, not something i could really reply to in the midst of having my tits tattooed. and i was too tired last night after my appointment to reply to this cause i knew it was gonna be long.
anyways, director’s cut for chapter 11 of The Art of Love is below the cut:
so a quick breakdown of what happened in this chapter to refresh anyone’s memory:
This chapter was a Shikamaru PoV chapter, (and aside from Gaara and Lee, he’s actually one of my fave characters to write. It’s hard to rank who I love writing the most, tbh, but I really do love Shikamaru as a character and enjoying writing from his POV.)
With this chapter, things are really starting to progress in a very material way--we’ve got Shikamaru’s fake arrest, Chouji taking his place in Iron, Shikamaru’s team for a secret mission is formed, and his escape from Konoha takes place. He rendezvous with Team Eight and Sai, and they begin a long journey, posing as civilian travelers who’ve been impact by the outbreaks of violence throughout the last five years.
First they go to a town I made up for this fic, Kōten Outpost, where they uncover a small bit of information. Here, things take a drastic turn: Shikamaru makes a pact with Shadow Kami--a pact that hasn’t been made in hundreds of years, and the records of which are unclear and incomplete. This reveals something about the Nara clan otherwise unknown. They’re abilities to manipulate shadow comes not from chakra specifically, but from ancient pacts, magic that has since been forgotten by shinobi.
This pact poses a danger to Shikamaru, to his teammates, to the world, but he takes it on because he is more than determined to rescue Temari. He cannot possibly predict the consequences of the pact, but he knows it will give him unimaginable power. Power he definitely cannot control.
After this, they move northward, making their way out of Fire Country and into, first Steam Country (originally Hot Water Country), and then Crystal Country (originally Frost Country). Their goal is to make their way to Kumogakure in Lightning, but posing as civilians means traveling slowly. And Shikamaru is no longer in the best condition as he struggles against an unimaginable force that now lives within him.
The journey from town to town, and village to village takes months. They disguise themselves in numerous ways, and eventually they do make it into Lighting, a harrowing feat made possible by Shikamaru’s growing strength and understanding of the Shadow Kami.
The chapter ends here, after they’ve crossed the boarder into Lightning.
So, brief(ish) recap.
I think the main things I’d really love to talk about are Shikamaru’s pact with the Shadow Kami, the team he put together, Hinata’s role, some of the minor worldbuilding that went into this chapter, and his relationship to Temari. Which is obviously a lot to talk about lol but i really love this chapter.
So, to start with, I wanna talk about the less in depth stuff, which would be the team he put together and Hinata specifically.
I think it’s obvious that Team Eight and Sai were the best choices for this incredibly covert operation. Sai with his experience in ROOT and Team Eight as a team of trackers were the best candidates, even though Team Eight doesn’t necessarily specialize in undercover work. My thinking is that every shinobi has to have at least a basic grasp (cough except Lee) of undercover work and disguise. We obviously don’t get a lot of that in the series proper, but the series sort of takes the fact that these characters are ninja as more of a loose concept. ANBU and ROOT are really the closest to actual ninja, I’d say. Whereas Genin, Chuunin, and Jounin are more like your standard military personnel, I guess.
But that all being said, I don’t think you could really have someone be a successful Chuunin or Jounin without some experience and skill in these areas. I mean, as we saw in the first Chuunin exams, one of their tests was literally intelligence gathering without getting caught.
The team itself is large, but I didn’t want to skip out on using any of these characters, because each of them offered something vital to the team, and I don’t think Shikamaru would want to risk not using all the skills available to him that Team Eight and Sai offer. Sai’s obviously the best and most likely to fit into this role, and I think Shino is also well suited to this kind of work, but Kiba and Hinata are a little harder to place here. Kiba because he’s rather brash, and Hinata because she’s so... meek and bland. But Kiba is honestly easier to justify than Hinata from the off.
Hinata is always the character I struggle with the most because she doesn’t really offer us much in the canon. I’m sure someone will tell me I’m wrong or whatever, but Hinata exists specifically as a vehicle for male fantasy fulfillment. She’s fan service. Big tits, sweet, meek, totally devoted to the hero. Her arc revolves around Naruto, she exits to prop him up.
And that was a big reason why I wasn’t going to avoid writing her into TAoL. I couldn’t. I needed to address the issue of her relationship to Naruto, for starters, and I wanted to give her the chance to grow. I like her more when I separate her from Naruto--whether that’s presenting their obviously imbalanced relationship as detrimental to her and thus something she needs to finally let go of, or just not having her interact with him at all (like in Kado).
Shikamaru wondered if Naruto would even care that Hinata's acceptance of this mission was her way of breaking up with him.
I wanted to make it absolutely clear that this was the end of her relationship with Naruto and the start of her becoming her own person. We don’t get her PoV in this story because she’s not a central character in the grand scheme of things, but she has her own journey, and that revolves largely around her being a more competent shinobi and defining herself separate from Naruto. She’s faked an illness without telling him and he never went to see her--their relationship is over, and Hinata can finally move on.
And she starts to come into her own within this journey. She’s not in Konoha anymore. She doesn’t have her father to contend with or her sister or Neji’s death. And she doesn’t have constant reminders of Naruto (except when Kiba’s being an ass). Writing her as a more confident shinobi is... difficult to say the least. I personally don’t think she’s actually suited to shinobi work (politics, sure, but not actual combat), so even though I’m writing her as a more competent shinobi, it was very hard for me to suspend my belief for that. But that’s always been my problem with Hinata, and I kinda had to push myself past that hurdle of “is this recognizably Hinata?” because 1) she isn’t the central figure and 2) I need her to not be too much like Hinata because otherwise their cover is blown. So I can accept that she might come across as a lil OC. She’s undercover anyways, so she’s not gonna act like herself. And again, I want her to be more interesting and more dynamic than she is canonically.
But it definitely was a struggle.
Setting aside the issue of Hinata, I think the most fun I have when writing Naruto fics is really the worldbuilding aspects. For TAoL, I have like countless reference books and my kanji dictionary is always on hand. You can bet that any original towns and characters, I spent a lot of time scouring my kanji dictionary for a good name. Even if the name is fairly innocuous in meaning, I didn’t just pick it at random.
So for instance, Kōten Outpost uses kanji 995 in my kanji dictionary which mens ‘take a turn for the better’. Kōten is at a four way crossroad, and it’s specifically a place for travelers, merchants, etc.
Kōten Outpost was a quaint, sprawling town at a four-way cross-roads and the oldest settlement in Fire.
Long before Konoha or the rule of shinobi, before the daimyo, before the Warring States era, Kōten Outpost had sat like a picturesque painting. In the midst of wars and battles, in the midst of political upheaval and petty squabbles over boarders, Kōten Outpost had withstood the test of time for long centuries and would most likely continue on well after the age of shinobi.
Obviously, if you’re reading TAoL or just about any canon setting fic I write, you know I like worldbuilding. Kōten is a small piece of worldbuilding, whereas Gyokukakushin is a much larger piece, but Kōten still has it’s place within setting the stage and developing the world of Naruto. I really liked coming up with all the different towns in Fire that were affected by the skirmishes, and I really enjoyed imagining what the towns not run by shinobi would be like. What the people are like, what their culture is like, how they feel about shinobi. I think Kōten is a good example of a snapshot of worldbuilding--not a lot of depth per say, but enough that you get the sense of what it’s like.
With this chapter, however, the focus isn’t on the places and the culture of those places, so it really is just snapshots of places. Yugakure, Shimogakure, Kōten Outpost... This chapter is about the desperate hunt for information and doing whatever it takes.
That being said, the worldbuilding element comes into play again in a big way with Shikamaru and the Shadow Kami.
Admittedly, this was not in my original outline of this fic at all. It was something I came up with in the midst of writing this chapter, and it did make me kinda nervous to take this mystical route with Shikamaru given that nothing in the canon supports it. But then again, nothing in the canon supported aliens, and yet we have canonical aliens. \
Anyways, I felt that, despite my anxiety over the reception, Shikamaru was at least suited to this because I think it’s much easier to pull off mysticism with something like shadows. Plus, we don’t have a lot of canonical backstory for most of the clans, and I enjoyed bringing something new into the canon history, something wholly different.
Precautions had been noted in the scroll for this ritual, warnings from the first ones to perform it of the dangers it posed; his ancestors reaching from beyond the past to guide him through a long forgotten practice: Never look upon the Summoned, for they are more than mere shadow. Never show weakness to the Summoned, for they do not borrow hearts and souls, and will not show you any compassion. Never appear before the Summoned without an offering, for they are bottomless voids and will take you if you have nothing to give.
I really wanted to emphasize that the Shadow Kami do not follow human laws and are entities outside of human conception. There’s a lot more planned for Shikamaru and the consequences of what he does here are far reaching. I don’t want to spoil anything, but I can promise that what Shikamaru’s done doesn’t end at the end of this fic. This isn’t a one time deal, like “oh you can use our power for a little while and then we’ll slip away and you can be a normal shinobi again.”
Shikamaru has unleashed something that will live within him forever. And it will pass on to future generations (assuming he has children at any point.) He, of course, knew the risks, but Temari is everything to him, so what’s being a vessel for Shadow Kami if it means having the power to save the woman he loves?
I wasn’t entirely sure how successful I was in conveying these consequences and I really worried over how OP Shikamaru would be, but the questions I always ask myself are:
1. Is this errand? 2. Are there consequences?
And the answer to both of those questions are yes, in this case.
Shikamaru is a genius, and he’s in line to be the head of the Nara clan. He has access to the scrolls that contain these guarded secrets, and he absolutely doesn’t care about the consequences even though he knows there will be heavy ones.
While yes, at this point, Shikamaru has essentially achieved god-like powers, he cannot control them, and he is always going to run the risk of losing himself completely to the shadows. Shadows aren’t human. They don’t have human rules. They don’t have human wants. And the Shadow Kami, like I said, are bottomless voids. They take and take. Shikamaru has to rely on his own willpower to not be lost.
I imagine that the next Shikamaru chapter will explore more of the Shadow Kami history and the Nara clan history, but I think overall, the introduction to the Shadow Kami was good. It’s a hard balance though for sure because on the one hand, the Shadow Kami are a HUGE plot element that needs to be explored and talked about, but I also don’t want to take away from the immediacy of what’s happening in the overall story--the danger that Temari is in, which is always at the forefront of Shikamaru’s mind.
Which brings us to his relationship with Temari.
She’s his motivating factor in all of this. He does care deeply for Kankurou and Gaara as well, but Temari is the love of his life. That’s his everything. I personally am not a fan of maintaining Shikamaru as this like misogynistic person. He was twelve at the start of the series, and I think it’s safe to say he outgrows that, and also his desire not to get married. I think he genuinely values Temari--as a person and as a shinobi. She’s his equal and his partner.
And I think she’s sort of the great equalizer between him and the Shadow Kami:
Shikamaru's resolve hardened. He wasn't shadow, he wasn't just an empty void for them to fill. He might have given up his body and his humanity to them, but he would never give up his love. He sat back down, and forced the shadows to recede from his veins.
I personally feel like Shikamaru as this sort of embodiment of the lazy genius, this very blase and carefree “i wanna look at the clouds” character has a lot of potential to fail and become uninteresting. I think Temari makes him more interesting because she challenges him, and I think that the focus on their relationship really helps to highlight the pull of the shadows. Now he’s in this constant dance between giving himself over completely, and not forgetting Temari.
The antler that comes up repeatedly throughout this chapter is a symbolic link to Temari.
The antler ring tethered him; it was a blinding light to chase away the darkness; a necessary reminder of who he was and what mattered to him.
I think by the end of the chapter it’s fairly obvious what this is meant to be: an engagement ring.
I decided that it was a Nara tradition to make a ring out of antler, and Shikamaru carries this with him, making the ring when he has downtime on the mission. It’s not just a symbolic link to Temari to help him stay grounded, it’s also his assurance that he won’t let her die.
The repetition of the ring as an item on his person is inspired by a creative writing assignment I had back in college. There’s a story called The Things They Carried, and it kinda reminds me of being in theatre and having object work for a character you play. But the idea is that the things a character carries tells you a lot about them. It’s a window into someone’s soul, a way of communicating something about them without outright telling you about them.
So Shikamaru carries this piece of antler, that starts out as nothing more than a piece of antler and slowly turns into a ring, because he’s lost any and all reservations about marriage in the face of losing Temari. His love for her drives him onward, and his love for her is why he can’t fail. The ring is his refusal to fail.
I think that the ring is one of my favorite elements in this chapter. It’s obviously very subtle and small compared to like the Shadow Kami, but it’s such a desperate and beautiful element of romance. The image of Shikamaru awake late into the night, whittling down the antler until it becomes a ring, his promise to Temari whispered into the night. I think that’s powerful, and I think the ring really does highlight that in a way that not even the pact he made does.
And.... that’s I think the main stuff I wanted to talk about!
This particular chapter was actually supposed to cover their time in Kumo, but the chapter itself had gotten so long at that point that it didn’t make sense to keep going. Plus, the way this fic is planned out, it made sense to move everything that will happen in Kumo to a later Shikamaru chapter.
Thank you so much for this ask! It was fun to talk about this chapter! <3
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