#(along with the story obviously)

[church-of-lilith]

hey do you guys think after rio tells agatha that teen isn’t her son she reverts back into her own grief wondering why rio listened to her pleas this time when a random kid’s life was on the line but not when nicholas, her actual flesh and blood, was dying in her arms? yeah me too.

[summerhighlandfalls]

Uzushio Iruka in an AU where the village never fell

[constarlations]

Pokémon Timeskip Series: Champion Dawn 🌸❄️

Known as Sinnoh’s Ice Queen, Dawn is best known for her intimidating yet caring nature. She’s fierce and calculating, never leaving any room for error especially when it comes to battling. On her off days you can find her in the contest hall, a hobby she picked up from her mother, or in the Battle Frontier/Pokémon Lab to catch up with her best friends. It is said she was recently engaged to a certain johto boy (Ethan. It’s Ethan.) however they will not publicly revealed their plans for the wedding as of yet

Made a timeskip adult champion Dawn design a while back! It’s still my favorite of my timeskip series hehehe I hope you enjoy!

Twitter link

[messiahzzz]

assorted morena dekarios headcanons:

she possesses a sharp wit and is very perceptive, but is also incredibly kind and gentle

strong presence & really eclectic taste. she loves bright colors, extravagant patterns, collecting paintings, and all kinds of knick-knacks. her house is a reflection of her personality: warm, welcoming, and cluttered with ✨precision✨

has a penchant for big jewelry (especially necklaces)

gale deems her “unavoidable” because she has a way of seeing right through him, sometimes even going beyond motherly intuition (and because you’d spot her everywhere)

she always strongly supported gale’s individuality and wanted to give him every opportunity to grow into the person he wants to be

this often clashes cause she does worry about his safety constantly

on that note: would do absolutely everything for her son

her ex-husband had little interest in raising gale and deemed him too exhausting/high maintenance. morena eventually encouraged his decision to split, knowing his presence would do more harm than good

loves books but doesn’t bother to keep them in good condition (much to gale’s horror)

as he got older their dynamic grew to resemble a friendship, which is also why he refers to her by her first name

they banter a lot and it is very entertaining to watch/makes their similarities even more obvious

surprisingly strict whenever the situation calls for it. it’s a sudden 180. don’t mess with morena dekarios

claims she’s not interested in gossip, but is very curious nonetheless

possesses extensive mixology knowledge, but hates being drunk. life needs to be experienced to the fullest with all senses at all times

she’s a natural dancer despite not having a whole lot of practice

very welcoming to a romanced!tav and the rest of gale’s new friends. she has already been filled in by tara and withers. naturally, as long as her prince is happy she is as well

almost rivals gale in the duration of his crying during his own wedding. once he begins to read his vows she’s immediately brought to tears

actively tries to get to know a romanced!tav and makes sure they feel included in their family whenever possible, but will also respect if there’s no interest/some apprehension

she is very respectful of gale’s privacy and knows when to step back, albeit no less worried

she has dark, long, curly and thick hair that is hard to tame. (the envy of all her neighbors her age) she usually puts it up in a claw

tara has her own corner in morena’s sitting room, including her very own cozy armchair. no one else is allowed to use it.

[vaguely-concerned]

every so often, varric will write a black fox story. not anything fancy or for publication or anything, just for fun and because he knows hawke has a soft spot for them. ("an intrepid hero getting into and out of all kinds of trouble and the merry band of misfits following inseparably in his wake? can't imagine why".) some of them are experimental, some of them are straightforward retellings; they're generally pretty short and quick to do, so he allows himself to play around with form and genre and language more than he does in his professional work. stretching over the span of almost twenty years as they do, they contain some of his favourite pieces of his own writing, and some of the most '...was I huffing lyrium fumes or drunk or both for this one, hawke? what the actual hell is this' pieces. hawke keeps every single one of them. varric speculates that this is either because they're just that sentimental, or possibly that it's for future blackmailing purposes. he usually has one ready for their birthday. they have so much blackmail material on him anyway by this point, he figures, what's one more piece of ammunition going to do one way or the other.

varric finishes one of these black fox tales a couple of nights before he brings rook with him to minrathous — the last one. it's about the very last black fox story, the one where the black fox and his friends all disappear together into the depths of arlathan forest, where those in the know say you can find them to this very day, if you know where to look, or if you ever find yourself in trouble and in need of a helping hand. they'll turn up to aid a traveller in need, and disappear back between the shaded trees again once the day is saved, squabbling all the way, seeking treasures and unlikely quests yet unfound and unimagined.

they say on some days, you can hear them as laughter and friendly bickering on the wind from a couple of clearings over. it's not the end, it's just other adventures, some other place. that's the thing about stories. they're funny that way.

(once he wrote a book for his mother on her deathbed and read it to her through the comfortless and drawn-out hours of the troubled nights, and he burned the book the day she died and never spoke of it again.)

after he finishes the manuscript, he sits with it for a long time in the quiet and the candlelight before he wraps it up properly and sends it off back home to kirkwall. he attaches a note -- a story, to the best of all my stories, the one I'd tell forever if I could. take care of each other while I'm gone. first one to arrive saves seats at the bar, right? happy birthday, and send all my lack of love to the merchant's guild, as always. —Varric

he sends that to hawke. just in case. and then he gets up and he goes to find rook — it's time to get going.

[oh-no-bummer]

I'm gonna be fixated on this for a while and I hate to be the voice of negativity but I'm just really disappointed with how Agatha's story was handled. The thing is at the beginning of the series when it was clear they had made the choice to give Agatha a son I suspended my disbelief, because there are many ways in which that could've fit and it wouldn't have had to be a damning choice for her to also be a mother. But it was. I'm tired of cinema but marvel in particular using motherhood as a way to categorise women and compromise their stories. I hated it when it happened with Wanda and I hate it now. Why are women not allowed to be ? I get it that is also all a thing in the comics, but that doesn't mean it's right. Agatha was a villain and she in many ways remained one but the focus on her personhood as one centered on being a mother took so much away from her. I'm just so disappointed because there are a thousand ways to make that coexist! It could have been a beautiful story about loss and grief and empowerment and repression and love. But I believe marvel really has a problem with tying things up, they always mess up everything at the end and apparently women's stories are just not meant to be. Even if Agatha had to die, there are many other ways in which that death could've been more rewarding and peaceful. But what gets me the most is that the fears we exposed did come true, the show was not ultimately about Agatha and her grief or her love but about how she's a tool for Billy who disappointingly but predictably become the focus of the show. Rio was villainized, because she is death, which is such a flat interpretation of her character. The fact that the love Agatha and Rio clearly had for each other was so cruelly undermined by the writing. The fact that we have no closure for them, for Agatha's son or Agatha's story. The fact she now is just narrowed down to be Billy's mentor, a literal ghost of who she was, used to perpetuate the more central role of a man's story. And with this I don't mean to say that I hate Billy or his storyline nor that I hate Agatha being a mother, what I absolutely abhor is how those things became so central they obscured her story and deprived us, the audience of seeing it complete. Fine, I get it Billy needed to be introduced, but did that introduction have to destroy Agatha's story? Was there no other resolution? Obviously not. Agatha could've still become his mentor while alive, could have remained with Jennifer and decided to actually try, or Agatha could've died, and finally confronted her grief and Rio. There's so many ways in which her role as a mother and mentor didn't have to impede her character's arc. There's so many ways this show could've been good. I'm sorry if my anger comes true but I truly am disappointed in the way the media and marvel especially continue to treat women and their story. Let's not even talk about Alice, or Jen , because neither of those stories were complete, the way they had Jen's binding sloppily be caused by Agatha felt like such a rushed decision with absolutely no explanation. Where did Jennifer's story go? Her role as high priestess? I get it that it might be picked up again in the future but this is what the fucking show was supposed to be about, witches walking the road and growing and facing themselves. I have even more to say about Agatha and Rio specifically, but for now I'm just gonna conclude by saying that it didn't have to be this way, it's just proof of how little they care about women's stories that they think they can be used to further the narrative without any consequences. It feels cheap, it feels illogical and rushed. It seems like horrible writing. It saddens me greatly and I hate it.

[jellyfisharesatan]

Thinking about Annalise Wilshire, the only girl in the family. Mathilda's "least disappointing child". The only one allowed live away from home. Who survived an awful car crash with her brother. Who watched that car crash lead to a pain killers addiction. Who watched that addiction be passed onto her favourite brother who invited her to all his games. Who then watched as that addiction played a part in her younger brother's death. Who watched her youngest brother go hard and cold with grief. Who watched it all go to shit and was rewarded by being allowed to leave. The only girl watching her brothers tear themselves apart. Jeremy says she didn't know about Noah's troubles because she was dealing with too much of her own pain. Does she still suffer from damage from that car crash? Did she realise her family was falling apart around her, or did it all hit at once with a single tragic death? Annalise, the only one to escape the house, who still has her college fund to dig into, who's beautiful. Does any of that matter to her, or does she just want her family back?

[fantastic-nonsense]

maybe DC really did just need 4 or 5 years of wheel-spinning after Didio got fired to pull themselves together. like apart from all the Tom King announcements, most everything else they've been announcing over the past couple of months has actually been good???

[worstloki]

something very horrifying about the concept of Thor but not Loki being told that Loki is Jotun when the brothers are old enough to understand the importance of the secret

[velvetjune]

occasionally get hit by how much I love saga and casey’s relationship. casey being a part of the family, saga investigating on her own to find casey, them supporting each other even in the questionable reality around them, telling each other jokes the entire time, being in sync with their little coffee drinks. love them

[atopvisenyashill]

Okay if you're in hater mode I get to ask the question I've been dying to ask for a while: top five dumbest criticisms of hotd.

And on the flip side, top five dumbest moments in got.

EXCELLENT.

“they’re excusing the targaryens practices bc of the prophecy.” no, they are not. just because someone has a magical reason for doing something does not make them inherently justified. cersei has magical reasons to suspect both sansa & tyrion of treachery does that mean the way she treats them is justified? of course not. aegon having a dream, and rhaenyra being motivated by that dream, is not “excusing” anyone and i need everyone to get a fucking grip.

“alicent has overstayed her welcome in the narrative” the story is called the princess and the queen. their sides are named after them, not after rhaenyra and aegon. aegon means nothing in this conflict. it’s alicent who helps kick it off, it’s alicent who is the titular queen, it’s alicent who gives them the name the greens, it’s alicent who rhaenyra has an issue with. not fucking aegon.

“they took away rhaenyra’s femininity” no they didn’t but even if they did you can eat my ass about it

“alyn is anachronistic bc he yells at his deadbeat noble father” idek what to say to this one it’s so goofy.

how do i choose only five. the baela stuff (“rhaenyra is usurping her!!!”) irked the shit out of me, but i think a lot of the “it’s transphobic to do butch rhaenyra/trans rhaenyra” stuff made me lose my mind but that’s kinda related to the other point, when people would be like “you can’t compare aegon to alicent, he’s a rapist and she’s a rape victim” you guys….maybe the “you’re porn brained if you call alicent & her relationships w her kids emotional incest” bc like, if you’re going to bitch at least be aware of what you’re bitching about!! emotional incest is a term commonly used to describe parent-child dysfunctional dynamics like!!!!!!

top 5 dumbest got moments

“bran can’t feel anymore” and we just don’t engage with that ever again in any sort of substantial way

jaime just fucking off to dorne? to get myrcella because ?????

arya getting mad over sansa’s hostage letter enough to try to kill her. they couldn’t even go for the fucking ship plot that everyone is always bitching about bc they cut that from the show, so arya just gets nonsensically mad bc sansa wrote a letter saying “please bend the knee” while her father was in the dungeons and she was alone and 13. okay.

the shae knife scene. maybe this isn’t the worst offender but it still hands out to me like i remember watching it and going “no….surely not???”

can’t even say “they forgot about the iron fleet” bc the entire way the iron fleet is written is dumb. i said this before but someone just announces they have the fleet and then at the end of the season they get shit kicked and someone else announces they have it. this happens like 5 times in a row. genuinely might as well have just cut all the greyjous but theon at that point like 😭

[hellofastudysession]

the thing about stanley is that he knows he can never be hurt by the narrator in a way that matters and that is exactly why he gets hurt in the end. the thing about stanley that no one gets is that he always has the upper hand over the narrator. there is a reason he stays and its not because hes trapped. until he is. because he wants to be. the thing about stanley is that making him either a completely full-fledged literal office worker or a nothing-at-all blank slate player character ruins the best part about him, which is that, if you reach the end, he chose to be here

[tanis-drawings-2point0]

a very small jesse & zane interaction loosely inspired by @lostinthewoodsomewhere's post about them!! (go read it its fascinating!!)

what if your favorite poet-turned-filmmaker-? came back wrong and wanted you to star in a movie? in a dark dimension? but also hes a weirdo and a bit of a creep and you dont trust him :/ (originally the last panel had dialogue, but I couldn't decide on it and eventually thought it was funnier like that, lmfao)

[the-rat-eatery]

Rereading carry on and I forgot how much good fanfic there is for this book

[astralleywright]

funny to see responses to the "many people's problems with c3 are with the premise not the structure," and especially "a lot of people wanted and would better understand a story more simple and straightforward than c3," postings, because like. i get it. but for me those were not intended as persuasive arguments but my way of saying i do not take a lot of people on here seriously lol

[frozenartscapes]

What crossover do you think would be the coolest/funniest/saddest for FE3H? ATLA? Sailor Moon? Etc.?

So... This may not be what you're thinking, but I recently had an AU idea (that I probably won't write but I just want to share). Having recently watched the Wild Robot, I had a thought:

Hegemon Edelgard as Roz

Ok, so the story would have to change a fair bit, but essentially, following the events of Azure Moon, it is revealed that Edelgard survived and escaped into the forests of Adrestia. She's not completely transformed - think her more human form in Heroes - and she has to come to terms with this. This transformation has not only altered her body, but she now has new abilities she needs to learn. On top of trying to survive in the wilderness, she also has to process the fact that everyone she knows and ever cared for is dead.

She's alone, in the wild.

Being half beast allows her to understand the other animals, however none of them are especially welcoming to her at first (and she isn't either). On top of that, she has new instincts she needs to fight and is completely lost on what her new motivation should be. (Which is a problem in itself because Edelgard's primary coping mechanism for all of the trauma she's faced in the past is to double down on a big goal - something to keep her mind occupied so she doesn't run the risk of thinking too hard about just how much her heart actually hurts. The old "if I stop and think about this for more than two seconds I'll go insane" trope.)

Then, through a series of events involving having to defend herself from an angry demonic wolf and haphazardly thrown fireballs, she hits an eagle nest. To her horror, she discovers the family has all died - except for a single egg. To stop herself from becoming completely consumed by guilt, she decides to take care of the egg. It hatches soon after, and taking care of an egg turns into taking care of the chick inside.

She meets other animals and forms bonds with them along the way. A solitary raven she saves from a trap, who decides he is in eternal debt to her. A songbird who offers the most advice in how to raise a baby bird. A stag who is always trying to challenge her at first, until he realizes she makes a better friend than competition. A wolf who teaches her how to properly hunt and fend for herself in the wild. A mouse whose kindness outweighs her terror to show comfort to Edelgard when she was obviously on the verge of a breakdown. A badger who takes it upon himself to fight off any predators who may try to harm them, no matter the size difference. A possum who, despite seeming rather lazy, offers a lot of advice about foraging techniques and building comfortable habitats.

It is revealed that the eagle would have been the runt and likely would have died had nature been allowed to take its course. There is still tension when she learns just how her family died, but she realizes that Edelgard did everything possible to make up for it.

Along the way, Edelgard becomes more and more in tune with her wild side, and starts to learn more about what the Hegemon can really do. She can give herself wings, and she and the eagle learn to fly at the same time. Her claws she once thought monstrous now protect the things she cares about. She incorporates her tail into fighting. She uses magic now - magic that is wilder than anything she learned in school and allows her to feel more in touch with the forest. It isn't long before she feels more at home in the woods than she ever did in civilization, and she is happy to let this life be her new one forever.

Until the Agarthans learn she's still alive.

Dimitri and Byleth might have killed Thales, but a new leader took his place and succeeded in evading the King's attempts to snuff them out. Once the Agarthans learned that one of their most powerful weapons was still alive, they tracked her down and captured her (not without a fight, mind you). It then falls on her animal companions to stage a rescue mission, led by the eagle Edelgard saved, who rallies not just the main animals but many of the forest inhabitants as well.

The Agarthans tried to force Edelgard to obey them, going so far as to push her transformation to what Thales had originally envisioned for the Hegemon Husk (I always thought the Hegie we get in the game was still a transition stage, and that the true form of the Hegemon Husk would be like a twisted version of the Immaculate One - or an approximation of what Sothis' dragon form would look like). The eagle finds her while the others are stalling, and thanks to the Power of Love, snaps Edelgard out of her rage state. She then turns on the Agarthans, and succeeds in wiping them out. However, as she kills the leader, he wheezes out that there will always be more, and they won't stop until they have their weapon.

The animals celebrate their victory, but Edelgard can't get the Agarthan's words out of her head. Their forest home sustained heavy damage in the attack, and a number of animals died. Even amongst her main group, the stag had suffered a close call while charging an enemy mage, the badger broke his leg, and the wolf has a permanent scar across her eye. She makes a decision, then.

King Dimitri is in his castle in Faerghus, busy trying to work out a peace deal between Fódlan and Almyra. Suddenly a guard bursts into his study, stating hurriedly that there's some strange forest witch demanding to see the king. Dimitri, exhausted by paperwork, decides to humour this and heads for the audience chamber.

That's when he comes face to face with a ghost - or maybe demon. She wears an old, torn cloak covered in moss and a dress that looks to have come from the forest floor itself. The tips of golden horns peak through the hood of her cloak. A black eagle sits on her shoulder. She offers a cordial bow, revealing hands armed with obsidian claws. "Dimitri," she says in a voice he has heard countless times in his nightmares, "It has been a long time."

"...Edelgard?" he breathes. Goddess... What has become of her?

Edelgard smiled, revealing a glimpse of her fangs. "I come to you today with a proposition," she stated, "How do you feel about finally ridding the shadows of Fódlan of the wretched snakes that dwell there?"