#(Yes AUs are so much fun)

[nessieartss]

Another sibling au featuring megumi (they finally met and sukuna already made yuuji cringed)

Also happy new year!

Part 1 | Part 3

[jackshiccup]

*yurifies your hijack* perks of having a gf who can motorcycle

[blackkatdraws2]

I have a lot of leftover drawings in my gallery. [Blank Scripts AU]

[Content Warning: Images below contain Gore, Death, and Disturbing/Uncomfortable Imagery]

I find it a bit cute knowing they start out as crazy and then slowly settle into something calmer and relatively healthier after learning to adapt to each other's lust-turned-love. [Stanley did it first but hey :3]

[spitinsideme]

soemetimes a girl has got to bite her lips and stare wotj bedroom eyes at the woman who wants her dead

(comedy horror au !!)

[amanitacurses]

Into the Depths Into your Arms

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[nattikay]

...hmm...just thinkin' about an Avatar "no angst" AU, y'know, like an AU where the characters who died in the first movie just...didn't? For example...

• Tsu'tey and Sylwanin are both alive and well. They officially tied the knot not long after the point when Sylwanin would've died in canon, and already have a child together by the time Jake arrives on Pandora.

• Eytukan also lives and therefore he and Mo'at are still leading the clan, though of course Tsu'tey and Sylwanin are next in line.

• Because the schoolhouse incident never happened in this AU, Grace was never kicked out of the village; her school is still running and she is on good terms with the Omatikaya.

• The RDA is overall less psychotic than they are in canon, and the Avatar Program has been largely successful in establishing diplomacy with the local clans. There is still some level of tension between the humans and the Na'vi of course, because the humans are ultimately still there to mine unobtainium and the Na'vi would prefer there was no mining at all, but in this AU the RDA is at least principled enough to not do things like bulldoze the Tree of Voices or bomb Hometree etc. (so, Hometree is still standing). Jake was never asked to spy on the Na'vi.

• Grace is actually the one to introduce Jake to Neytiri when she brings Jake and Norm along to the school one day. Neytiri is intrigued by the goofy non-scientist "warrior" dreamwalker and Jake finds himself equally intrigued by her; they begin spending more and more time together, and when Jake expresses curiosity about her way of life Neytiri just naturally kinda takes it upon herself to teach him the ways of the clan.

• Because Neytiri is neither tsakarem nor engaged to Tsu'tey in this AU, her romance with Jake is not quite as ~forbidden~ as it was in canon (and honestly they make zero effort to hide their feelings; the whole clan knows lol). The only remaining barrier is the fact that he's a dreamwalker and how that may affect things.

• Jake and Neytiri fall head over heels for each other about as fast as they do in canon; after three months Jake is already fully convinced that he wants remain with Neytiri and the clan for the rest of his life rather than ever go back to Earth, where there is nothing left for him. Even getting the spinal surgery to fix his legs no longer holds any interest for him, since of course his avatar body can walk just fine.

• By that point Neytiri begs Mo'at and Eytukan to let Jake do the coming-of-age ceremonies and become part of the clan so they can become mates. Mo'at and especially Eytukan are hesitant, but Mo'at consults Eywa and Eywa sends a sign of approval, so they allow it. Jake spends about an extra month preparing more specifically for Iknimaya and Uniltaron, and soon after completing those he and Neytiri actually get to have a proper mating ceremony. Jake does go through the permanent consciousness transfer at some point, though I haven't yet come up with the exact circumstances there...

• The Sully kids get to have more extended family! Grandpa Eytukan, Uncle Tsu'tey, and Aunt Sylwanin are all still around, along with a handful of cousins (Tsu'tey's and Sylwanin's kids).

• Quaritch never shot Grace in this AU, which means she never had to undergo the attempted consciousness transfer, which means Kiri wasn't conceived the way she was in canon. Buuuuuut I still want Kiri as part of the Sully family, so in this AU she is Jake and Neytiri's biological daughter and Neteyam's twin. She doesn't have the special Eywa powers that she has in canon, but does still have a spiritually-minded personality, and is a strong candidate for next tsakarem after Sylwanin. Grace still adores and dotes on her, especially when she shows interest in botany.

• Norm and Trudy are happy in a long-term relationship.

• There was no Battle at the Hallelujah Mountains, therefore Paz didn't die and was still around to raise Spider (undecided on how involved Quaritch was though).

• I like to imagine that in this AU Paz and Trudy are good friends, both being pilots and all. It's through Trudy that Paz and Spider become involved with folks from the Avatar program and Spider meets the Sully kids.

• Because she doesn't have the RDA-related traumas she has in canon, Neytiri is totally chill with Spider in this AU. She is mostly just curiously amused by the strange little human boy running around with his Na'vi friends.

• Spider is semi-trilingual English/Spanish/Na'vi. English is his go-to since everyone he knows can speak it, but he can also do some Spanish (Paz and maybe Trudy's influence) and quite a lot of Na'vi (Omatikaya influence, though Norm was thrilled to help when he caught wind that Spider was interested in learning). Sometimes he (subconsciously) mixes up a combination of any two or even all three and spews out mishmash sentences no one else understands immediately and has to stop and re-word.

• Because Quaritch is not the Big Bad Evil Guy the way he is in canon, Spider isn't really bothered by being called Miles. However, the nickname "Spider" somehow just stuck when he was very young so most people still call him that; it's mostly just Paz (and Quaritch) who call him Miles.

• Jake is not Toruk Makto in this AU, because with the RDA being more cooperative/less aggressive, he never needed to be. He and Neytiri are just normal (albeit well-liked/respected) hunters in the clan. Perhaps eventually a day will come when Toruk Makto is needed and Jake will have some reason to step up...but not yet. He's perfectly content being just a regular clan member.

• This has the side-effect of lessening Neteyam and Lo'ak's dramatic stunts as teenagers, because the legacy they're trying to live up to is simply "strong respectable hunter" rather than "legendary olo'eyktan Toruk Makto"

[stealingpotatoes]

I feel like sw as a whole puts a decent amount of effort into making sure charecters are out of the picture for major events (Ahsoka being presumed dead during tot, Ezra vanishing into wild space, all of rouge one, etc) it mostly happens with force users for obous reasons but...

Idk I feel like they don't nessacarally need to do that? Like there's an easy answer to "if x was alive why didn't they show up during y event" and it's "they were busy" they don't need to be dead or presumed dead to be otherwise preoccupied. We didn't even see all that much of the rebelion in tot (at least as far as named characters go) and there was other stuff to do even with the death star.

"Where were all thease people during tot why didn't they help?"

Maybe they were doing other stuff off screen, or running other mishions? I really don't get why this question is such a big deal?

this is a lowkey insane take i love it, like "why weren't you helping destroy the planet-killer?" "oh you know, my hamster needed a haircut"

[vinelark]

really excited to share this preview snippet from my fic in the upcoming @timdrakeflipzine!! along with a preview of the spot art by the one and only @mammutblog 💪⚔️✨🌋🦴

[basketobread]

my bg3 ocs but in pathfinder wotr lol say hi to lotus and warlock 2.0 (who is an oracle so now his name is oracle here sorry not sorry)

[spicyet]

Victorian Fantasy AU

Crown Prince of Wa, Nakamoto Toshiro; Still struggles to make allies, even after learning Western customs and changed his way of dress... But, his western teacher, Laios, doesn't give him much room, nor time to feel like a failure. So things aren't too bad.

[ohno-the-sun]

Oh sun you really shouldn’t pull your vines like that

I mean Moons vines whoops Freudian slip haha :)

[bandsandwristbands]

AU where everything is exactly the same but the sand sibs have a punk band together. Now accepting band name suggestions. My partner said Tanuki! (TNK!)

[lazycranberrydoodles]

woe mundane monopoly headcanons be upon ye

follow for more of modern au hua cheng’s outfits

[six-shifter]

Meet Star and her brother, Mason !

my interpretation of a Dipper and Mabel being swapped in my personal au :3

[starheavenly]

plz give us more arcee!! how does she feel about her twin? who is she sponsoring?

Zenith autobots don't have to sponsor cons and a lot of them do not want to lol. Also her and Blurr are obnoxious siblings who fight during important meeting but still ask each other if they want to go to lunch together (I have 3 siblings I would know)