#(Well not relatable but I can see where he's coming from does that make sense? Like- doesn't excuse the BS but he made up for it)

[giggly-squiggily]

I know requests are closed, but if you don’t mind me asking, would you ever be willing for more lee!kuon when they’re open again??? He’s my fave and I love how you write him!!! 🙂���↕️🥰

Kinger is the only appropriate response right now- he represents my utter joy reading this

First of all: Thank you so much! That's so freaking sweet of you to say! To answer your question: Hell to the YES! I love me some Lee!Kuon- the cornflake loving bastard (affectionate) deserves to get his socks rocked! When requests are open again (or sentence Starters/headcanons to dabbles, etc), I'd be more than happy to write something with him for you! <3

Thank you for asking!

[savanir]

DP x DC prompt [3]

during one of the final psych evals at Arkham right before he gets to be released, the whole thing wrapped up so tidy, just a little relapse which involved a robbery. Getting sent back to Arkham, but he got to stay at the asylum so long that he no longer has to serve a prison sentence, score!

But during that eval his overseeing psychiatrist recommended him to have a change of scenery, some fresh non polluted air.

Riddler was rather convinced the guy was making this recommendation to everyone in Arkham in their own weird way to convince them to just leave Gotham and become someone else's problem. should he notify Batman about it somehow? nah, it’ll be more interesting to see how this is gonna turn out in the long run.

But can he leave the state? Can he even leave the city? he never really bothered to look into it, at least not legally, up until now if he felt he needed to leave for one of his plans he just did it.

Turns out he can, it’s a whole hassle and a half though, first a judge and then a probation officer and he’s pretty sure both were like “what the hell is this psychiatrist guy thinking!?” but at the same time, shrink probably knows what he’s doing (WRONG) so he’s allowed to go visit out of state family or whatever.

he had to wear this nice ankle monitor though, Wayne Enterprises™ tech, not overly bulky but still very present. real fancy, and a fun extra challenge heh.

now as for a good reason to leave New Jersey he’s going to need distant relatives, and he finds some, great grandpa walker also has a son, who had a son who had a daughter Madeline, who married some guy Jack Fenton, and she lives somewhere out in the boonies Illinois. great he’ll visit her.

far enough away in all sense of the word that there is no way she knows anything about him. it would be best to call her first though, be polite about it.

“hello, you have reached Fenton works, this is Maddie speaking” 

“Riddle me this-” ah whoops, habit, oh whatever, “we don’t share parents, but certainly a part of your life, from laughter to strife. Who am I?”

there is a pause …  he’s going to be a bit disappointed if she hangs up if he’s honest.

“cousins~” comes the cheery reply.

“correct! the name is Edward Nygma, we are distantly related you and I and well-”

“oh you simply must come visit!” 

well this was rather easy, perhaps a little too easy, but she lives in the midwest so maybe just going with whatever some guy says over the phone is normal there? stranger danger not really a thing in a small town where everyone knows everyone?

things start to make a little more sense once he gets there and he’s starting to think some things might run in the family. like a preference for the colour green and weird hyperfixations and genius bordering on insanity. Though that remains to be seen, Jack does not seem like a very bright light after his very enthusiastic welcome.

their kids however are observant and sharp. young Jasmine is wasting no time trying to psychoanalyze him. and the boy, Danny, he had not really meant to and he swears he’s sticking with calling the kid Danny so he wouldn’t seem overly familiar, but he might have called him little bird a couple times now.

but that’s all whatever, he’s playing nice here. and he doesn’t even have to worry about his eccentricities tripping him up because this place is insane.

There actually is a local teen vigilante active but he seems about as loved as he’s disliked. and the ghost boy’s enemies are basically all his own kind, which another crazy thing to now know about. ghost. they are real actually, how is Gotham not completely overrun? and how do they even work? and where do they keep coming from?

Edward might be getting a little sidetracked here. He had fully intended to sneakily get his next big game plan underway all the way out here, ankle monitor be damned. but he hasn’t made any progress at all.

Instead he’s been listening to Madeline and Jack to maybe figure out what the deal is with these ectoplasmic entities, he has to know, at this point he might go crazier if he doesn’t. 

He’s making Jasmine promise him not to get her doctorate in Gotham, he’s going back and forth with space riddles with Danny.

so yeah the whole thing kinda just became a vacation, maybe the psychiatrist had the right idea after all? hmm nah, probably not. but this is fun. He’s thinking about recommending this place to some of the others.

It's different enough to get the vacation feel, but enough crazy shit happens to make it all feel like home.

it is not until Maddie wants to talk with him about potentially switching the position of godfather of Danny to him rather than some weird rich friend of theirs that Edward realizes he might have lost the plot somewhere

Apparently the little bird basically begged them with a powerpoint presentation on how he likes Edward so much more than that Vladimir guy. 

And honestly, the fellow sounds like a Dracula Lutho so even if it’s kinda sad Edward can understand why he’d be considered a better option. Even if the guy has more money and a huge company that makes him said money. And it’s not like the Fentons know about his Riddler activities.

Thinking it over, Edward does think that Danny would like Gotham and Wayne has that space program thing right? The kid is definitely smart enough for that (Nygma certified), and yeah Edward does quite like their space themed back and forth. So, fuck it, why not, what is the worst that could happen?

He doubts Maddie and Jack are gonna kick it any time soon anyway out here in the boonies, it’s just a title thing, a stamp of approval or something.

he should have known he was going to eat those words later… he had this whole beautifully elaborate trap set up for the whole Batclan, and he was just getting to the good part when his phone went off.

Had to put the whole thing on pause cause that particular contact wasn’t gonna get ignored. He did promise to be available.

If the whole thing he had planned now went tits up he could at the very least laugh later at the reactions of the bats as he told them to “hold up one second, I have to take this.” while they were all in various perilous positions. 

Sadly he did have to go, he had a very distressed godson to pick up.

[ecoterrorist-katara]

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either

[tarysande]

There are a couple more Garrus-Vakarian-related hills I'm willing to die on.

Maybe this particular bit of fanon has faded over the years, but there used to be a lot of insistence that Garrus is young and somehow inexperienced when he meets Shepard. Canon doesn't really support this. Turians start their mandatory service at 15. Garrus has at least a decade of experience. Even if he's 2-4 of years younger than Shepard (according to Patrick Weekes), he's got at least as much field experience as she does by dint of the difference in turian and human "enlistment" ages.

Garrus is really damn good at his job at C-Sec. You don't give the Case of Investigating the Rogue Spectre to a greenhorn. You give it to your best, most tenacious agent. Pallin may not always approve of Garrus's actions, but that doesn't actually stop him from putting Garrus on the tough case. Also, we don't know much about how C-Sec works but we do know a bit about how the turian hierarchy works, and we know C-Sec was essentially a turian initiative. That means it's a meritocracy where failure reflects on the superior, not the one who failed. So, in roughly a decade (Shepard's 29 in ME1; I always think of Garrus as about 27), Garrus has not only done shipboard military service, but he's also risen to be one of C-Sec's top investigators; Pallin wouldn't risk having Garrus's "failure" reflect poorly on HIM otherwise. I'd say that actually makes Garrus as remarkable in civilian law enforcement terms as Shepard is considered to be within the ranks of the Alliance military.

Of course Garrus was scouted by the Spectre program. And honestly, if his dad hadn't stepped in, I think Garrus would have become a Spectre, no problem. Especially for a turian, he's cut from precisely the cloth the Spectres would be looking for: extremely skilled, extremely capable, and--most importantly--he's a turian not just able but willing to work outside the chains of command that turians are taught from birth to revere and be loyal to above all else. This is the reason Pallin is leery about Spectres: he's a good turian. Good turians follow straight lines; they don't carve out their own paths.

Garrus's dad's not dumb, and he's not cruel, and he, too, rose to the top of the C-Sec hierarchy. He took one look at his kid, I think, and said, "I love my child, but I'd say it's a 50-50 chance he ends up a shooting-first-asking-questions-later Spectre like Saren Arterius, and I don't want to see that happen." Yeah, he uses his parental influence to try and jam square-peg-Garrus into round-hole-C-Sec and Garrus resents him for it, but there's no way he did it just to stop his son from getting his way or because he doesn't like Spectres. I expect Vakarian Sr. had to clean up more post-Spectre-interference messes than we can possibly imagine. But we also know he and Alec Ryder were pals later.

So the importance of what Garrus learns from a Paragon Spectre Shepard is this: You can't just do what you want and claim the ends always justify the means. That's what Saren does. Over and over again. Garrus's code and his idealism and his sense of justice and his ability to work alone should make him a great Spectre, actually, but he needs Paragon Spectre Shepard's actions to show him the lesson he tells her he's learned during ME1: "If the people I'm sworn to protect can't trust me... well, then I don't deserve to be the one protecting them." (And the seed of Archangel was planted.) I think for the first time he realizes that even though he believes his sense of justice to be correct, it doesn't matter for shit if he can't show others why that's so. And that's where the trust comes in. (Also, ow, the extra level of importance this gives their exchange where she tells him she trusts him and he tells her she's about the only friend he has left is... a lot. Cool, cool. I'm totally fine. Nothing to see here.)

When Shepard asks him what happened on Omega, he replies, "My feelings got in the way of my better judgement." Something tells me that this never happens to "good" turians, which just makes the line so much more devastating. And although the lesson some might take away from this is "feelings bad; no feelings ever," the "grey" that Garrus has to learn to deal with is precisely the grey of recognizing feelings, validating them even, but not acting on them until they've been examined. (Which is why my Shepard stands between him and Sidonis; she doesn't give a shit about Sidonis. But Garrus has refused to process his own feelings of failure and self-loathing, so they have to take the therapy session to the Citadel and deal with it there.)

Ahh yes. The mountain range of character analysis.

[aibafiles]

Esperanto in Metaphor: ReFantazio

Not long ago I saw this this tweet pointing out that the in-game language in Metaphor is Esperanto (written in another script) and I decided to investigate for myself! The vocal tracks are in Esperanto as well, but I want to focus on the text here since I don't have a great ear for it. (The quoted tweet also points out that you can rearrange the title to get an Esperanto phrase - I think it would be more accurately spelled "Metafore Fantazio," or "metaphorically fantasy"!)

For the unfamiliar, Esperanto is the world's most widely spoken constructed language, developed in the late 19th century with the aim of being an easy to learn secondary language that could act as a bridge between speakers of other languages. While its vocabulary and grammar are largely derived from various European language families, it has speakers worldwide, including a sizeable number in Japan. Given the relationship between Metaphor's world and our own, I think it's a cool choice to take a constructed secondary language and make it the in-universe primary language—not to mention the game's themes of uniting different people with a language intended to do just that.

I studied Esperanto myself for some time 9 years ago, though I've forgotten most of it, so I'm very rusty. That said, I was able to sit down and parse one particular block of text that the game provides a translation for, and use that to read the rest! I'm slowly combing through the demo and translating any legible text, and I wanted to share some of the interesting details I found. If any Esperantists see this and want to weigh in, please do! There's plenty I may not remember or be aware of.

Continued under the cut, including content from the demo:

Let's start with the text the game translates for us! Here's what the VO/subtitles say:

O Great Seeker, bearer of fantasy empowered... Hear my wish, and come forth from thy epoch of glory to grant me thy guidance.

Here's the "deciphered" Esperanto:

Ho, granda serĉanto, kiu vivas en epoko de gloro, kiu enkarnigas la povon de fantazio. Bonvolu disdoni al li vian gvidadon.

And here's a more "direct" translation:

O Great Seeker, who lives in an epoch of glory, who embodies the power of fantasy. Please grant him thy guidance.

Not too much different of note here other than the pronoun usage—in Esperanto, the speaker explicitly uses "he," likely referring to the protagonist. I suspect that the English is actually translated from the Japanese line, which is ambiguous, so they made an educated guess here. But, since this is the same speaker who narrates awakening cutscenes and new bonds, it makes sense that they're calling to the Seeker on his behalf!

This is a point I'm unsure about, but from my understanding, "granda" (here translated as "great") typically refers to size, so it seems like an odd word choice to me—but it's possible there are connotations I'm not aware of.

After some poking around I stumbled across some text on the background of the name entry screen that reads "signaro" (character set), followed by the whole Latin alphabet on the next line.

"But Batts!" you may say. "Esperanto doesn't use QWXY! What about the diacritics!"

Well. There aren't any! There are 6 characters with diacritic marks used in Esperanto (ĉ, ĝ, ĥ, ĵ, ŝ, and ŭ), and since our character set doesn't use any of them, we have to make some educated guesses about which one it is at any given time. This is mostly a non-issue since they're real, existing words, but it does make it a bit trickier at points, and relates to another problem I'll get to in a bit. (There are a select few instances where I've seen diacritic marks on handwritten text or shop names, but there are still far fewer than there should be.)

That said, there is also some plain English text using this script as well, so the game does make use of those extra letters, such as the Memorandum UI - scrolling books have titles like "Marine," "Royal Capital," "100 Mystery of Ningen (humans)," and "Melancholia Gen" (?), plus cute notes in the background like "I want to read slowly" and "already read very good."

Anyway, this diacritic ambiguity bugged me for a bit when I started translating some text with "Euchronia" in it, like the above "Regno de Eŭcronio - Dezerto de Tradia." The Esperanto "C" and "Ĉ" are always pronounced "ts" and "ch" respectively, so the pronunciation here is a bit awkward either way, as both characters are meant to precede a vowel. A more natural pronunciation in line with both the Japanese and English would be "Eŭkronio," a spelling I found once in the body of the contract our protagonist signs to join the army, and never again. Alas.

I noticed a few interesting details while translating place names - the "Trad" in "Grand Trad" (Granda Tradicio) means "tradition" - and many locations are labeled on the map that I don't think are mentioned in the demo's runtime - Oceana to the west is named, but also of note are Kalendulo ("marigold," maybe "Calendula" in English) to the east, the Hulkenmont mountains surrounding that region, and the "Malnova Insularo" (old archipelago) to the south.

(Screenshot grabbed from justonegamr on Youtube.)

Lots of fun stuff going on with these posters - the big propaganda poster says "Mi volas vin por homoj" - "I want you for humans!" The poster immediately to its right and the one with the light-haired paripus are both wanted posters with rewards of 50,000 and 7,000 respectively, and the former has a somewhat legible name - Mikelan something (?). There's also quite a bit of illegible text that I'll need to boot up the game to stare at, textures willing.

Here is where I noticed an occasional problem with the text in this game: some of these posters include words that should have diacritic marks, but instead the characters are gone entirely or replaced with a space. For instance, the poster with the face that appears twice on the bottom row reads "Ser a peto - i tiu viro" where it should say "Serĉa peto - ĉi tiu viro" (Search request - this man). I spent so long wondering what "Dan ero" meant on the poster with the red "no" sign before I realized it was meant to be "Danĝero" (Danger).

This extends to some other parts of the game, such as the world map title ("Unuiĝinta Reĝlando de Eŭcronio" written as "unui inta re lando de e cronio," which is how I knew it was a plain C oops), and the giant statue in More's study covered in archetype names, some of which are missing characters.

I suspect that at some point in the process, these characters couldn't be properly encoded and got lost before making it into the game. Most of the UI text seems to be intact, and this only affects graphic text as far as I've seen. Luckily, we can usually use context to guess at what they should be.

There's a ton more that I'm still hunting down and translating, so if you'd like to see it, you can check out my spreadsheet here! I'm hoping to keep updating it as I play through the full game, and I may make some more posts if I encounter any particularly interesting details. A few more tidbits before I go:

This appears to be an annual calendar - number 1 is at the top and it circles around to 12, and then the inner circle runs from 1-30, likely representing the weeks.

Various graffiti found around Sunshade Row that reads:

Ĉi tio estis infero (this was hell)

Malbela elda (nasty/ugly elda)

Merdo (shit)

And in the words of our favorite tooth...

Elbe venontfoje! (Maybe next time!)

[yuri-is-online]

Was looking back at your blurb where Yuu is staying at Ace's for the summer (and he promises whatever future they have, he'll be a part of it) and was thinking about how Ace's dad isn't a mage and Yuu bonding with Mr.Trappola over being a non-mage surrounded by mages (Trappola Family vs NRC) and not even realising why he's so giddy over his family being so taken with Yuu. The only fly in the ointment being his mum giving him knowingly smug looks and making comments "like mother like son" about dating non-mages. Just Yuu really hitting it off with the Trappola Family that even without Ace's say, their getting invited round every holiday.

Furbatsu you always have the cutest aceyuu ideas TᴖT

I can see reasons for Yuu to be popular with both Trappola parents. Ace and his brother seem to take after their dad, he's the one who taught them how to do magic tricks, he seems to have gotten Mrs. Trappola through his sense of humor, and I don't know why but I just feel like he's the silly jokester sort of guy. Now that his kids are older though and it's less socially acceptable to be close to your parents and to be a non mage... well maybe he feels a bit isolated from his kids. Mrs. Trappola is less like her kids personality wise, but she is a mage so I can see her liking the extra connection she has with them but stressing over their waning connection with their father.

So when Ace brings Yuu home both of his parents are absolutely ecstatic. Yuu's everything they would have wanted in a partner for their son anyway, them being a non mage is just a happy coincidence. Ace's mom so gives him a wink and a nod while Ace's dad is busy showing Yuu around their house. He's probably got all sorts of stories that Yuu can relate to. He makes sure to keep the magic tricks to himself though, maybe he'll show Ace the ones he did for his mom on their first date? Seven knows the kid will need some help...

The Trappola family is so not subtle about their favoritism. They just straight up add Yuu to a family group chat and make plans to have them over the Holidays there without even asking Ace. He complains about it to them but plays it off to Yuu as him just looking out for them. He does like how everyone joins in on pouting/teasing them if Yuu says they'll be spending a break with someone else though (all in good fun, they'd never force Yuu to come visit.)

[yandere-kokeshi]

May I request Ghost, Nikolai, König, and Alejandro react if their female darling is so touch starved, but she’s been so abused by her family for being ‘too emotional’ or ‘too clingy’? She wants to hug him, but she then shy’s away trembling! Please and thank you!

— Yandere Ghost, Nikolai, König, and Alejandro with an extremely touch-starved female reader

Warnings: yandere behavior, talks about past abuse, and slight mention of murder.

A/N: Definitely my type of troupe, enjoy darling!

Simon “Ghost” Riley:

It breaks his heart, because he can relate. He’s just as touch-starved, his thick scarred-skin and high walls built, was because of his ungodly horrible past. And he wants you to realize that it’s okay to be vulnerable, or even be shy about asking, because he’s the same way with you.

In a sense, Simon is persistent but in a slower way. He starts off easy, watching your reactions to see if you like how he touches you. And then proceeds with more ‘intimate’ touching.  

If he sees you a bit down, or worrying that you’re ‘too much’, Simon will undoubtedly pull you into his lap and tell you that you’re nothing like what your parents said. He begs that with his entire life. 

Starting off with slow shoulder touching, hands-in-hands, then thigh touching in the car or when you two are sitting down. Before it turns into hands on your hips when you’re both in the shower, his nose being stuck between the area around your neck and shoulder with warm kisses.

He doesn’t mind taking it slow — knowing you well enough to know where your boundaries are, and knowing not to overstep them, even without you explicitly stating them. But Simon does get a bit cocky when he sees you lean deeper into a hug, or shy away when he pecks you on the lips. He smirks, his calloused thumb rubbing over your chin as he guides you back into a deep kiss; mumbling if you want more.

—

Nikolai:

He’s upset — not at you, but at your awful parents. He shakes his head, mumbling in his mother tongue. He looks at you, obviously furious with your so-called ‘parents’. But now, he’s working with his time and energy pointing at you, and making sure to work for your lovely affection. 

Nikolai is very forward with his touching, and won’t let you walk away from him. He loves caressing your cheek, and if you turn away from his touch, he caresses the other. And if he sees you shy away, he tenfold his touches. He’s persistent in affecting you, grasping your lower back whilst talking to you, bringing you closer as his fingers pull your hair behind your ear, or give you a deep nose kiss.

Holding your fingers and playfully biting them when he sees you zone out. Or, kissing your forehead, all the way down to your neck before playfully biting, possibly leaving a small mark. 

Passionate nips on your neck as you get more heated during a make-out session. Which, he’s vocalized that he adores very much. 

Nikolai keeps pushing with his affection. Until you realize, without him actively telling you, that it’s okay to ask or even randomly touch him; as he accepts it with a large pride. It sends tingles down his back thinking of you taking control, and really wants you to be straight with him. 

And when you do? Either bringing him into a hug or a touch that’s a start, he doesn’t comment on it. But his heart certainly does; feeling it skip a beat. 

—

König:

Immediate anxiety, and wants to solve it fast. He’s visibly upset, fingers fidgeting as he grunts when you mention them — your parents — were the cause of it. He’s serious about protecting you, don’t you know that?

In all, König is upset. He understands what it’s like being touch-starved, stripped from previous experiences and being made fun of. Which, he’ll never ever do that. Instead, encourage you to step out of your rock state and come to him with small touches; even if he views them as ‘embarrassing’.  

He focuses all of his time and energy to make you feel comfortable and slowly get out of your shell. He’s done it, or at least trying it, so what’s going to hurt if the two of you work at it together? He does a lot of pinky-holding, squeezing your own pinky when he wants too or simply because he’s sending you a silent ‘I love you’. 

Loves laying his head on your lap. And if you feel confident enough to play with his hair, nails digging into his scalp, he’s in heaven. You can hear small breaths that sound like purrs, and he nudges himself closer to your stomach. 

He covers you when in the grocery store, small PDA touches with his mask and him leaning over you. He smiles when you smile and nudges you with his cheek. 

—

Alejandro “Colonel” Vargas:

Touching you is a big part of how Alejandro communicates, so he will have a bit of a hard time finding alternative ways to be with you. He tries to go soft with you, hands sliding over your curves and pulling you close to him as he nudges his nose into your neck. Easily showing you that he’s not backing off because you’re shy. 

Despite his need for affection, Alejandro is persistent in believing that boundaries are more important than anyone, so if you confide in him that you’re not used to receiving this sort of affections, he fully understands; being smug but yet a sweetheart about it when you reveal you’re not used to it. 

Much like the others — he’s extremely persistent with you. Hand around your waist, body flushed against his, kisses on the side of the head, and constant squishing with his hands. And being the huge romantic, he loves pulling you into a small kitchen-dance with your shyful state. 

He enjoys holding you in the mornings, especially if he has a short break from work. So he takes advantage of that, and if he sees you enjoying it, he smirks. Giving you warm but gentle kisses, hands grasping at your skin and letting you lay directly on top of him. 

Alejandro reassures you constantly that you’re not emotional or too clingy, in fact, he’ll openly say that he loves how affectionate you are when you can. That your parents are idiots for saying that, and if he needs to, something will happen to them.

—

Masterlist || Please consider reblogging and commenting instead of liking. It helps me as a creator!! Stay well!!

© yandere-kokeshi 2024 — Do not copy, modify, edit, repost, or use my works for ASMR readings, tiktoks, or other content.

[peachesofteal]

Dead Disco / Chapter 10

Dead Disco masterlist

Ghost/Soap/female reader 3.1k words - AO3 Warnings-tags: 18+ no smut but this fic contains mature themes. Relationship issues, anxiety, self loathing, crying. Angst. Brief mention of asshole ex. Eating related issues. Mention of prescription medication, mental illness and depressive/manic episodes. Pre established throuple. Darling is her/your own tag/warning. Excessive internal monologue. You held onto the hot pan too long, and now you’ve been burnt.

"Look at me." 

"I can't." You keep your eyes clenched tight, so tight it hurts, lungs burning inside your chest. 

"Yes you can, darling. Just open your eyes." Simon's voice is soft, an entreating melody, grit and gravel smoothed out with the gentleness of his words. You get lost in it, the soft murmuring, the easy request, and when you open your eyes, he's still right in front of you, thick palm on the back of your neck, Johnny by his side. "Good girl." 

"I'm sorry." You whisper, and Johnny's brows crease, his fingers brushing along your cheek. 

"Ye dinnae have anything to be sorry for, darling. Ye never do." 

"I didn't-" you gasp for a breath, and Johnny shifts, moving so that you're in front of him, sat between his legs, back against his chest. His hand holds yours, nestling above your breastbone. 

"Breathe with me. Ye can do it." 

"I didn't- I wanted to be better. Be different. I didn't want you to see." You try to explain, try to make sense of it for them. Simon's fingers intertwine with Johnny's, his other hand still firm on the back of your neck, your body cradled between them, in the space that once never existed, a space that now feels like it's been carved out just for you. Johnny pushes closer, holding you tight, and Simon leans forward, forehead touching yours, voice barely a murmur. 

"We've always seen you, darling." 

The floor is a fairly comfortable spot to lay.

It’s comfortable enough, you suppose, as you lay on your back with your eyes fixed on a spot along the ten-foot-high ceiling. Maybe you could paint the ceiling. With clouds. Or a night sky. That might be cool. 

Voices vibrate through the flat, locked door the only thing separating you from them, Johnny’s tone pitching with increasing anxiety, Simon’s cadence soothing, and calm.

He’s calling your name. Calling you darling. Calling you anything to try to get you to come to the door.

You’re overreacting. 

You’re a fool. 

You close your eyes. A night sky might be cool. You could do a lot with the stars, or maybe even the milky way. Get some greens and greys and cobalt in there. Make it look like a long exposure photo. And the moon, you could certainly paint the moon. You’d have to find a ladder tall enough though. And you’d probably need help. You haven’t painted from a ladder in years, not since you did that one mural for- 

“Darling.” It’s Simon. Again. And again, and again, again. Darling, darling, darling. “It’s getting late. Will you open the door?" You keep your eyes closed, but for a minute, your mind fractures, splitting in two, confusing emotions and thoughts bubbling up to the surface.

Don’t think about it. Don’t. 

“No.” You croak out in a whisper. It’s quiet, but he hears it. You know he does.

“Please. I need to know you’re alright, at least.”

You held onto the hot pan too long, and now you’ve been burnt. 

It’s late. The streets are probably mostly empty. You could run down them, if you wanted. You could take a train anywhere. You could take a plane, even, go on a vacation. Go somewhere nice. Go somewhere tropical, maybe get a cute rental, spend some time in the sun or by the oc- 

The thoughts are rapid fire. They spill over, trying to patch up the expanding wound in your heart. They grow and twist, convincing you it’s a good idea, the best idea, to just slip away for a little bit. To go somewhere you don't have feel this, where you don't have to know this as well as you do. 

Don’t think about it. Pack it up. Put it away. 

Johnny’s eyes haven’t left your face. His fingers stroke from the crown of your head and hairline to your temple, your cheek. He’s staring at you like you’re something precious, like you’re a piece of gold, something marvelous he’s never seen before.

“What is it?” You ask, half asleep, drowsy in the bed. You’re still wrapped in a post orgasm haze, cocooned in the soft and sweet of their attention, affection, and Johnny only smiles, leaning forward to press his lips to your forehead. 

“Ye’re so special to us. Ah love ye. Did ye know that?” You shrug, ducking your face away, pressing it into his shoulder to avoid his eyes. 

A wave of longing crashes over you. It swells in your heart until tears prick in your eyes, and you take a deep breath to steady yourself. 

It’s so much. So much more than you ever imagined. So much more than you ever thought you could have. 

“She doesn’t.” Simon says over your shoulder. His hand sits on your waist, the touch firm. Grounding. Like a tether to their world. Their love. You turn, nose pointing up towards the ceiling, looking at him through your peripheral, your fingers intertwined with Johnny’s, holding onto them both. Seeing them both. 

“Tell me again.” 

The TV in the living room is on.

You can hear it’s faint murmur, some movie playing on low volume, the guys undoubtedly sitting stiff on the couch, waiting for you to appear.

You stare at the dark, nearly blackened trees that you’ve painted onto canvas, long, broad brushstrokes taking up too much space, bark texturized to appear burnt, nearly dead, forest scourged by a disease or fire, you’re unsure.

“It starts to chafe us.” Us. Us, he said. Us. Him and Johnny. Right?

“It doesn’t seem fair.”

You’re unsure of everything right now. Unsure about how you should feel. Unsure about what’s happening inside your head.

“-sometimes I worry… about it being the right thing…” The more you think about it, the more you start to lose your grasp. Were those his exact words? Did he mean something else?

For the first time in a long time, you think about one of your ex's. You think about a person who made you feel so small, so much like a burden, a horrible, unwanted responsibility, all the time. You'll never have what regular people have, he said. No one will ever be able to put up with this fucking circus. No one will want this. 

Was he right? 

You should have gotten out. The sentiment replays over and over in between your ears, the awful, miserable doubt and fear and sadness picking away at you until you can feel yourself starting to compartmentalize it all, trying to sort it into neat little bins, trying to keep the weight that is sinking to the bottom of your soul from drowning you, trying to build a wall around your heart.

It’s not conscious. It’s like you’re not even in the driver’s seat anymore, not feeling the full effect of your emotions, not letting it in.

It’s how you felt, when you packed your bags the last time. How you felt when you checked into the hotel, like you were on autopilot. Buried beneath a mountain of feelings but enclosed in a glass cage, segregated from it all.

You should have gotten out. 

“I said I was listening.” 

“But I don’t want ye to listen. I want ye to talk, darling. I want ye to tell us how ye’re feeling. We can’t do this if ye’re not able to communicate.” Johnny’s voice is steady, but there’s a hint of anger behind it, a small flare just starting to light. It makes you angry, that he’s getting angry, and it churns in your stomach until you’re biting out a retort. 

“I communicate just fine!” 

“Do ye?” He snaps, exasperated, your head jolting backwards with wide eyes. “Because from where I’m standin’ it feels like ye’re trying to be stubborn on purpose. Like a child.” 

“A child? You’re calling ME a child?” The air in their apartment is suddenly paper thin, and you hold your breath as Johnny watches you with that same, unchanged, irritated expression. 

“Alright. This is over. We’re taking a break from this conversation.” Simon tells you both, fingers sliding over your shoulder, the touch meant to comfort, reassure, but you jerk away. 

You eye your purse, your keys on the counter. 

“I’m just gonna go home.” 

“No.” He rebukes, and Johnny pales. 

“No, darling. Ye just got here, and we missed ye so, so much. I’m sorry, I dinnae mean-” Johnny pleads, crestfallen, and it makes you feel worse. Like you’re failing him. Like you’re failing at this. Like you’re not good enough for it, for them. “Please?” He adds, and you wilt, silence falling over the three of you again, awkward and wrong. 

“It’s alright.” Simon says. “If you want to go. I’ll take you home.” 

“I can get home on my own.” You try not look at him, finding mundane details in the floor, the sink to stare at instead of their faces, resisting eye contact until Simon steps directly back into your line of sight. 

“I’ll take you.” He steps closer, and like there is a magnet pulling you into his orbit, you respond, tilting your face backwards, letting him see everything. The tears. The anger and sadness. The confusion. He’s intentional with his movements, letting you anticipate everything, the movement of his hand, the bend of his body as his lips come down to press against your forehead. “Tomorrow, alright?” He asks and tells with the words, seeking permission, giving command. Tomorrow, you’ll talk. Tomorrow, you’ll get it sorted. Tomorrow, you and Johnny will apologize. And you’ll try again. Like you always do. 

You nod, because the promise of tomorrow, the assurance that this hasn’t all come crashing down, is the only way any of you will be able to sleep tonight. 

“Tomorrow.”

They both straighten on the couch when the door clicks open.

“Hey.” Johnny says softly, hopefully, and Simon says nothing, just watches you like you’re a wounded animal that might try to flee at any moment. On edge. Vigilant.

Your mind turns, but nothing comes out of your mouth. No response. No acknowledgement. Just empty silence that feels like a thousand pounds, all laying on top of the three of you. Suffocating you. Killing you.

You beeline for the bedroom.

Running away. You’re running away. Are you really going to run away? 

The memory of the hotel haunts you, the awful, empty pit in your stomach that could have swallowed you whole, the dark curtains and dark room enveloping you in a never-ending spiral.

All you wanted was to be found. All you wanted was to be home, with them.

All you wanted was your home, the one you built, made, suffered for, with them. The one that you carved out inside your own bones to hold space for two others, not just one. The home that you completely changed your life for, the love that you believed would see you through it all. 

The love that was always them first. The love that you barged in on, knocked walls down, forced yourself inside of. The love that they held for one another, before they ever held it for you. 

Your head feels like it's underwater. 

Did you make a mistake? Should you have sent them away that time? Should you have fought yourself harder?

The bed calls to you. It begs you to lay down in it, to burrow yourself beneath it's soft sheets, curl up on top of it's ridiculous mattress. Get lost in it. Be found in it. Let your boys curl themselves around you in it, let them kiss you softly and make you promises about how much they love you, or how they understand the way you feel.

If you close your eyes, you can almost see the future. Minutes would pass before Johnny crept inside the door, scoping it out. Doing the recon. Looking for you. His heart would soar when he saw you in the bed, his fears allayed, and he'd hold you so tight you'd think you were suffocating. 

If you were lucky, Simon would come and turn your brain off. Johnny would pass you to him and he'd bring your deepest insecurities, your worries to light, dragging them out to be exorcised and vanquished, by the only men capable of doing so. 

Is that what you want? 

Should you have gotten out? 

“There she is.” Johnny coos above you, warm palm cradling your cheek. You blink, fog encasing your mind struggling to clear, and you push yourself up onto your elbows. 

“What-“

“Happened?” Simon finishes from where he kneels next to the couch, concerned eyes trained on yours, not missing a beat. 

You blink. What did happen? Did- 

“When was the last time ye ate something, darling?” Johnny asks, not unkindly, palm at your back to relieve the pressure from your elbows, moving you into a sitting position so he can take the spot on the couch behind you, effectively wrapping you up in his arms as Simon settles on the other side. 

Shame curdles your stomach, hot embarrassment flaring in your veins. You avoid peering over Simon’s shoulder at the disarray of your kitchen, wincing when you realize he’s sitting on a pile of your dirty clothes. 

“I had breakfast.” You whisper, but Simon shakes his head. 

“When?”

“Yesterday.” You try to adjust, to sit more upright, but the sudden movement has your head spinning, and your palm covers your eyes, little groan in your throat. 

“Easy.” Johnny soothes. Your water bottle is in his hand, and he unscrews the lid for you, lifting it to your lips. “Slow sips, darling. Not too much.” 

It’s easier this way, you realize. Easier to do what’s being asked of you, easier to listen than to think. After a few sips, Johnny pulls the bottle away, and wide fingers stroke your cheek. 

“This is what you were talking about. A few weeks ago.” Simon murmurs, concentrating all his focus, all his attention, on you, fingers still caressing your skin gently. Lovingly. 

“I didn’t mean for it to get so bad this time. I… usually have a better handle on myself.” You try to lie, but Simon cocks his head. 

“Do you?” His fingers hold up the scrap of paper, the one with your note to yourself scrawled across it. 

‘You HAVE to, or you’ll regret it.’ 

You bite your lip, but Simon’s thumb presses into it, rolling it out from beneath your teeth, as Johnny rubs your arm, lips soft against your temple. 

“I’m going to take you home. To ours.” Simon tells you slowly, each word deliberate “Johnny is going to clean up your apartment and pack you a few things for the rest of the week.” When you don’t answer, brain slow to catch up, Johnny murmurs in your hair. 

“You have to agree, darling.” Simon watches, silent for a moment before he answers the unspoken question, still cradling your face with one hand. 

“You can trust us.” 

“Where are ye going?” Johnny asks when you appear from the bedroom, hesitant steps keeping him far enough from your body, desperation written all over his face.

“Out.” Your answer is short, sufficient. It feels like it’s coming from another person. You still think you might be underwater.

“Out? No… we need to talk and-“

“I don’t want to talk. To either of you.”

“Darling. Stop.” Simon tries to cut you off, but you turn sharply, away from them both, backpack swinging on your back.

“Ye canae run away from this, from us.” Johnny pleads. “We need to talk about it. Communicate. Like we promised.”

“Like we promised?” You hiss, sizzle of anger breaking through the ice that’s frozen in your veins. “The promise that we made to always tell each other how we’re feeling, the one that he can’t honor?” You jerk your thumb towards Simon, who tries to take a step towards you, only for you to retreat. “Don’t corner me!” you snap, and against your attempt at control, your voice breaks, sob welling in your chest.

Don’t think about it. 

Don’t think about it. 

“It’s alright.” His hands are palms out, cautious. It’s supposed to make him look like he’s not a threat, make him seem harmless. But he’s not harmless. This gaping hole in your heart says so. “We don’t want you to leave.” He implores. “Please. I- let me explain.”

“There’s no need. Everything is pretty clear.”

“No, it’s not.” Johnny argues. “Just, let Simon at least tell-“

“Tell me what? Tell me how it’s not fair? Does it chafe you too, Johnny? You also thinking what’s the right thing? Because it’s an us thing, right? You and him. It’s an us and me. It’s the us that I suffer for.” Your voice crests, and Johnny flinches.

“I made a mistake.” Simon whispers. “Don’t let my stupidity make you question your place in this relationship. We love you, darling. I love you.” Tears burn at the back of your eyes, and you feel the horror of the truth, the confusion about your love for them, their love for you, searing together into a snarled mess.

“If I left you, the both of you, at the end of the day, you’d still have each other. You’d still be together, and I would have nothing!”

“That’s not true. We canae exist without ye.” Johnny sounds broken, hopeless, but you blow by it, dancing around Simon to pull your prescription bottles from the kitchen cabinet by the sink.

“If I died tomorrow-“

“Do not say that.” Simon cuts you off. “Don’t ever say that.” His knuckles are white at the edge of the countertop, expression stricken, and Johnny looks horrified. They both watch you like they’re afraid of what you might say next, what you might do, and nausea pools saliva on the back of your tongue.

Don’t think about it. 

You close your eyes, and search for that underwater feeling. That untouchable feeling, the boxes being packed away in your mind, and try to cling to it, try to shut up the incessant stream of doubt and loathing and everything going wrong inside your head.

They don’t need you. They have each other. 

You chafe them.

Don’t think about it.

“I need…” You trail off, trying to take a deep breath. Trying to organize your thoughts. Trying to hear yourself through the noise of everything else, through the searing pain that’s ripping through your heart.

“It’s alright, darling.” Simon murmurs, encouraging you. “Tell us what you need. Whatever it is.” Johnny’s face has shifted from despondent to hopeful, eyes wide and locked onto yours, while Simon waits, his normal steadfast and patient demeanor nowhere to be found, instead he’s more anxious, more nervous than you’ve ever seen.

You close your eyes again. Your voice shakes when you finally speak.

“I need a break.”

[gguk-n]

Hii i think your requests are open

Can I request a Logan Sargeant fic (cus he needs more like fr 😭)

An angst fluff where the reader is Alex's sister that just graduated with a engineering (related to cars for f1) and since the reader just graduated she's been following Alex for all the GPs and she sees how williams doesnt really focus much on Logan and she realised they didnt look at something crucial so she just took over one day and it made him get a points and they end up together?? Idk if that makes sense but i hope it does

Thank youu 🫶

I had this in my inbox for ages and didn't know how to write it; then I decide I'll write it, Williams kicks Logan out. So, now finally, I've recovered, here's the fic.

I made a few changes to the request if you don't mind🫣

Engineering Love

Alex Albon, driver for Williams Racing had a younger sister; everyone knew about. She was attached to Alex like his shadow. She was a golden retriever in human form. She would always make it to all of his races and was his biggest supporter except when she was away at college getting her bachelors and then masters in Automobile engineering.

In the fast paced world of Formula One, finding a job opening in a position you wanted and with the pay that you liked was a little difficult unless you had connections. Y/N had the connections, she was sure her brother would help her land a nice starting gig in Formula One but she was adamant on doing everything herself. She was fierce and strong and fought people when she was only 21 and Alex had lost his seat at Red Bull. So, Alex knew better than to mess with her.

Y/N was the same age as Alex's team mate, Logan Sargeant who had made his Formula One debut this season. Alex saw Logan as his younger brother the same way he would treat his sister. His sister had taken a liking to Logan and he could see that. He saw how annoyed she got when some one was rude to Logan or people talked badly about him after a crash or particularly bad race. She was currently Logan's defender more than Alex's. He didn't mind it since Logan was a nice guy and would probably bend over backwards for his sister.

After a particularly bad race and every one was bashing Logan, she had a fight with James Vowels on why he wouldn't defend his driver and why did he have to bare the brunt of Williams short comings. She wasn't willing to listen to anyone until she felt a hand on her shoulder, "Y/N, it's ok. Stuff happens" Logan said. "No" she replied and turned back to Vowels but before she could say anything, Logan sweeped her off her feet and carried her away. Y/N's heart was beating really fast while Logan carried her bridal style away from the chaos she had created. She looked at Logan and studied his features for the hundredth time since she had met him. There was a slight stubble on his face, his blond hair shined under the building's yellow light, blue eyes looked like a deep ocean she didn't mind drowning in. Logan looked down but she quickly looked away, "Can you put me down now?" she whispered. Logan put her on her feet. "Why'd you stop me?" she asked while fixing her clothes. "Can you stop it?" Logan said slightly annoyed. "What" she asked. "Stop interfering in my business. I'll handle it" he said sternly. "I just wanted to help plus they weren't being very nice" she said while biting her lower lip. "Y/N, this is my team. I'll deal with it. Stop trying to be some saviour" he said now running a hand through his hair. "I just wanted to help" she mumbled, her voice barely above a whisper. "Well, you didn't do anything but make stuff more difficult for me" he snapped and walked away.

Y/N headed back to her hotel room, where she couldn't stop crying until she heard a knock on the door. "Y/N, I got us pho" Alex said in a sing-songy tone. "I don't want it" she hiccuped out a reply. "I'm not leaving until you open the door or I'm calling mum" he said sternly. She shuffled towards the door and let Alex in. He placed the food on the table and sat with his sister on the bed; "What's up?" he asked. She just shook her head as tears started to fall. "hey, hey" Alex cooed while wiping away her tears and giving her a hug. "The Y/N I know made others cry. It feels weird to see you cry" he stated patting her back. She hit Alex's back while he continued to hug her. "Logan got angry, I mean annoyed at me for taking his side and fighting James." she cried. "Don't take what he says to heart, he's just stressed." Alex reasoned. "I know but I've never felt this way about anyone and when he got annoyed with me, it hurt" she mumbled. "Does little old Y/N have a crush?" Alex teased. "Yeah" she said now pulling away to look at her brother. "I think I love him Alex and that's what's freaking me out" she finally admitted. Alex just smiled at her.

He had had a similar conversation with his team mate a few days back, albeit with a few less tears. "Your heart eyes are so obvious" Alex chuckled while he saw his teammate stare at his sister. "What? No" he stammered. "It's ok. I know my sister's sweetheart. But I still don't get what you see in that devil reincarnated." he said while a shudder ran down his spine. "No, no.....I....was I that obvious?" Logan asked. "Kind of, I think even Gunther knows that you like her at this point" Alex stated solemnly. "What?" Logan asked shocked. "Mate you need more words in your vocabulary if you want to woo that woman, she loves all these fictional men, who talk eloquently" Alex laughed. "Really" Logan asked. "Dear God, the both of you are hopeless" Alex said as he walked away.

It was during the United States GP, Y/N was watching Logan race; he was doing so well, 3 of the 20 drivers had retired, if he over took a few more drivers he would finish in points. Logan was starting to lose focus and got flustered; Y/N saw that. She took the microphone in her hand started talking to Logan just to keep him going. Even though he finished in P12 after the stewards disqualified Lewis and Charles; Logan was the first American in 30 years to finish in points. He was over the moon; he wanted to see Y/N, the only person he wanted to see right now.

After everything, Y/N was sat in the Williams hospitality. Logan almost ran towards her and gave her a hug. "I'm sorry for the other day and thank you for calming me down" he whispered into her ear. "It's ok, Congratulations Logan" she said. "No it's not ok, I should not be able to treat you so poorly, no one should" he stated. "You were annoyed, you didn't mean it" she reasoned. "I was annoyed that the woman I loved only saw me in all my downs and that I couldn't share my ups with her. Now that I've scored my first point in F1, I wanna keep going up and share all my ups with you." he rambled. Y/N's eyes were wide, "You like me?" she asked. "Uhh" Logan's mouth was open. "I like you too" she smiled widely. Logan breathed a sigh of relief. "Can I kiss you?" he asked. She nodded. Logan leaned in as his nose brushed against her cheek, he pressed his lips on her while she wrapped her arms around her neck; "I'm gonna make you a race winner one day" she mumbled in between the kiss. "Can't wait to win races with you as my engineer" he laughed now kissing her again

[yuzurins]

# circles

in which: sae’s tired of running around in circles with an undefined relationship, so he decides to take his chance when he can to make you his.

warnings: kind of unorganized, mentions of alcohol, intoxicated reader, insecure reader, mutual pining, just a bunch of comfort and fluff, honestly strayed from the original prompt t-t

reblogs and interactions are appreciated!

itoshi sae is a busy man.

being the most sought for japanese football player and as well as a regular on the real matrid team meant he was always doing something football related. practices, games, events, you name it.

his schedule is packed with plans set months before they happen. companies and teams always request to see him sooner, but he makes no exceptions for anyone, not even his own family.

well, that goes for anyone but you.

itoshi sae has found himself breaking his own ideals without any hesitation. he‘s standing in front of your apartment, 5 hours, 27 minutes and 54 seconds before his flight back to spain, after an obviously drunk text you sent him 10 minutes ago.

1:22AM

y/n: saweewea

y/n: did u knwo a broken heart hurts REAL bad😍

sae: what

y/n: i think i’m goign to crush my cat with my body weight

y/n: u fg hhh hj jgjjgjhhhrkdoforjfof

sae: where are you rn

y/n: ogm r ru gonna come visit me 😎😜🥺

y/n: i’m soooerirjf lonely

sae: .

sae: be there in 5

sae doesn’t know whether to ring the doorbell or call you to let you know he’s here. heck, he’s not even sure whether you’re at home or not, but he does know that it’s not often you go out to drink. as he’s hesitating, you hastily open the door, almost like you could sense him there.

“sae!” you slur, just barely avoiding stumbling over yourself as you straighten up. “i didn’t expect you to actually come visit me.”

“neither did i.” he scoffs as he takes in your current state: graphic anime tee (which he gave you last christmas), sweatpants, messy tangled bun and your face is entirely red. you reek of soju and he knows better than anyone you’re a lightweight, so sae mentally prepares once more for what he’s about to get himself into.

the response from the magenta haired in front of you causes a pout to form on your face. he’s not quite sure if it’s just his imagination or not, but it looks like you’re more down, more tired than usual.

“are you okay?” he asks, and this prompts you to stretch your arms out, almost habitually, and wrap them around the taller male’s torso.

sae flinches ever so slightly at your touch. he gently pushes you back into the apartment as he closes the door, all while having one arm wrapped around your waist.

it’s obvious you’re not in the right mind space, but as everyone says, drunk words are sober thoughts, though sae doesn’t know whether that’s good or bad. you getting blackout drunk as a result of academic stress has become a monthly occurrence now, and it always ends up with sae coming over to babysit you. he’s more than aware of the fact that you’re taking his presence for granted, yet despite that, he’s still always there for you.

you’re obviously more than just friends, so why does sae feel like the line separating friendship and relationship just keeps getting thicker?

you latch onto him like a koala as he shuffles over to your couch. he doesn’t force anything out of you, doesn’t show any impatience, and just waits for you to talk.

the two of you quietly bask in the comfort of each other’s arms for a long time. just as sae begins to loosen his hold on you believing you’ve drifted off, you cling onto him even tighter, refusing to let go of his warmth.

“don’t go.” you mumble into his hoodie, voice quivering, and sae wonders if it really is school stress that’s made you this way.

humming in response, he pats your back lightly as if he’s caring for a baby, trailing his hand up to your head to play with your hair.

sae doesn’t want to pry, but there’s something he really needs to confirm before it eats his thoughts up even more.

“i won’t leave,” he reassures. “did anything happen?”

a sound comes out of your mouth in response, barely louder than a whisper. sae turns his head to look at you and you take it as a request for you to repeat your words. you try again, and this time, you’re still mumbling, but it’s enough for him to make out what you want to convey.

“i’m sorry.” and a tear falls from your eyes, “i’m sorry, sae.”

now sae’s been in this position for countless times, always coming to be your personal therapist at unearthly hours in the night, but this is the first time he’s ever seen you act so vulnerable. he can feel your body trembling against him and his heart aches just seeing you so dejected.

but he’s not dense enough to not realize what you’re apologizing for, because it’s the same reason as to why he decided to ask in the first place. he gently removes his arms off your waist, turns you to face him and moves his hand up to wipe the tears streaming down your cheek.

this tender, silent exchange between the two of you is more than any amount of words that express. sae’s usually indifferent eyes are laced with affection, and you just can’t help but feel so guilty because of that.

“i know you’re really busy,” you avert your eyes, biting on your bottom lip to stop yourself from breaking again. “you’re always doing so much for me, and i feel so terrible because i don’t deserve any of it.”

sae doesn’t say anything, letting you finish your thoughts before stating his.

“i was watching one of your games earlier, and i was reminded of the fact that your world and mine are so far apart.” you’re still looking away, but a soft nudge from sae’s hand pushes you back to look at him. “i just—i feel like i’m not enough for you, sae.”

through watered eyes, you can catch the expression of the male in front of you waver, and with years of knowing him, you’ve mastered the ability to be able to tell what emotions are going off in his mind.

“i know it sounds silly—“

“it’s not silly.” he interrupts, despite being patient all this time, but struggles to find the right words to continue. “is this what you’ve been feeling since back then?”

you shake your head, and lean forward to rest it on his shoulder. “the internet is scary.”

sae lets out a soft chuckle at your unintentional joke, and moves his head to rest it on the side of yours. “but what only matters is that i’m here in front of you right now, yeah?”

“it’s true that i’m busy, but i’ll always be your anchor of support whenever you need it, seriously.” his fingers find their way to intertwine with yours, and your heart flutters at how romantic he’s being. “so don’t cry sweetheart, because you’re breaking my heart as well.”

the use of the pet name makes you giggle, it being so out of character for sae, yet that’s how you know he really means it, from the bottom of his heart. hearing the sound of your laughter allows sae to relax his shoulder from all the tension he unknowingly had been feeling, and he cups your cheek with his palm, bringing you face-to-face with the taller male.

his eyes study your features, taking in your beauty, before going back to make eye contact with you. though you notice how they flicker down to your lips and hover there for a split second longer than anything else, your heart thumping loudly at the realization of what he’s asking of you.

you flash him a small smile in response as approval, and sae wastes no time closing the distance between you two. his touch is soft, almost like he’s afraid of breaking you, and easily washes away all the worries clouding your mind.

sae droops his arms over your shoulders and rests his forehead against yours. “you were always and will be more than enough for me, y/n.”

his sweet words bring a red flush to your face (not from alcohol this time) and you purse your lips in embarrassment as sae’s grin only gets bigger.

“so just hurry up and be mine already.”

BONUS: the morning after

you wake up with a pounding headache, and immediately try to get up to get a drink of water, but your body doesn’t budge at all.

as your eyes begin to adjust, you look down to find sae and his arms locked around you, causing a scoff to come out of your mouth.

of course you couldn’t move when a whole professional football player (incredibly fit btw😍) has a death grip on you.

“sae, wake up.” you nudge him and he only whines in response. “didn’t you have a flight to catch this morning?”

“mm, shush.” he takes one of his arms and lightly pushes you back down into his embrace. “who cares about that, been waiting for this for far too long.”

you laugh and decide to give in, slowly drifting back to sleep.

meanwhile, sae’s nonstop vibrating phone on your nightstand is totally unnoticed, the cause being hundreds of messages and calls from his manager wondering where he is.

[iliveforyouilongforyouvesuvia]

The Arcana HCs: What M6 get from their parents

~ for the Vesuvia Weekly prompt, "I see where you got it from"! ~

Julian

For someone who's never claimed to be a sailor, he sure spends a lot of time at sea and dreaming about future boats

It's much less surprising when he starts talking about the few hazy memories he has of being the oldest son of merchant parents. His early childhood was spent playing above and below decks

Which explains his specific brand of wanderlust pretty well. Instead of it being a boredom with the mundane or a fear of commitment, it's this deep sense of himself as a global citizen

He's happiest in marketplaces and finding his family among odd groups of people from all over the world, what can he say??

Not to mention his "if I can't find what I need here, maybe I just need to try somewhere else" mentality when it comes to problem solving. Need more education? Time to visit a new country!

It would make sense for his natural aptitude with learning new languages, forming quick connections, and creating collaborations to have come from fairly successful merchant parents as well

Whether that's also where he got his godawful cooking skills from, or whether that's just a "him" thing, remains up for debate

Asra

You learned it pretty quickly after meeting them - you know exactly where that constant, almost insatiable curiosity comes from

That, and the tendency to have a new thought, forget the current conversation, and trail off into disjointed mumbles as said thought gets rapidly unpacked and explored from several angles

If Salim is who Asra gets his brain from, Aisha is where he got his spirit. That stubborn hope and determined dedication to care for who he loves? He got that from the women who looked the Devil dead in the eye and told him to leave her child alone or else

You can also see a lot of the way Asra relates to you in the way their parents relate to each other. It's that easy, intuitive comfort of shedding pretenses from the get go and embracing uniqueness

Why bother trying to show off what you're good at, when you could try something new together instead? Sure they could give you a tour of their gate - or Salim could give his experimental magic a test run now that you're around to help out!

Not to mention how all three of them seem to know healing magic

And they all love a good cup of tea

Nadia

She could spend hours telling you exactly how unlike her sisters and parents she is, but let's be real. Satrinava genes are strong and you could pick one out of a crowd any day

The intelligence levels she couldn't hide if she tried? Check

The absolute perfection of her fashion choices? Check

The habit she can't turn off of looking not just at you but through you with a kind of perceptive, piercing gaze that has no intention of telling you what she's figuring out about you? Also check

(Seriously, every member of her family does it nonstop and at this point you're wondering if you should just give up all your secrets)

The tendency to approach any problem or conflict by openly stating her own opinion/perspective first? Check

The down-to-earth openmindedness that you have to actually talk to her to discover? Check. Nazali seems to be the one exception, but you're pretty sure that's after years of traveling around

The immediate need to take responsibility for whatever's going on, or more accurately, going wrong? Check

Somehow always smells nice? Check

Muriel

There was a lot about Muriel that you thought was "just Muriel" until you made that trip South together and saw all the subtle ways he became more grounded in himself

Nobody's concerned about taking up too much space in vast tundra. No wonder he always seemed to feel cramped

It also seemed a bit counterintuitive for such a minimalist furnace of a man to own a veritable pile of furs until you walked into Khamgalai's hut. He might not remember it, but he probably spent his first few years wrapped and dressed in them

Not to mention his tendency to fill his space with earthy, herbal smells to the point of carrying pouches of it with him. There were dried foraged plants all over the rafters there

What eventually came to be one of his strongest ties, though, was his craftsmanship. How someone who disliked frivolous things did so much detail was beyond you, until you saw those tapestries

And, of course, the remnants of years of nomadic movement in his need to spend hours at a time outside every day, keeping a steady pace through the forest to assure himself that all is well

Portia

This didn't spring out at you from her the way it did from her brother, but Portia has a capacity for dramatics that she does a deviously excellent job of downplaying

Sure, she seems considerably better adjusted and grounded than he does, and sure, her tendency to compensate for the unique needs of her loved ones shows up in being hypercompetent

But you're certain at this point that at least one of her parents was a hell of an actor/dramatist. You've watched how easily she can put on whatever face she needs to accomplish what she wants

Not to mention the love of stories and art of storytelling. You know you're at a Devorak gathering when both you and half the other people in the area are totally drawn in to a fond memory retelling

You can also see the makings of traveling merchants in her job as Vesuvia's ambassador. It's almost scary how easily she makes herself at home spending months at sea, going place to place

And both scary and awe-inspiring when she finds herself locked in negotiations. Whether with a marketplace stall owner, or a stubborn noble with an import she wants, she's indomitable

Lucio

Honestly, beyond their physical similarities, it's pretty hard at first to see all the ways in which Lucio takes after his mother

They're both such strong products of their environment. Morga is stern, stonefaced, and (to put it bluntly) stingy, but she takes accountability beyond her means and always faces hard choices

Lucio is the opposite. Loud, expressive, flamboyant, unconcerned with discipline or rules, terrified of hard choices or accountability, and (when he's not under duress) generous to a fault

The first place you saw it? Their dismissiveness, unfortunately

As soon as it's not something they understand or relate to, they both lose interest in talking about it and tend to be quick to brush it aside, often without pausing to consider other's feelings first

Not to mention how quickly both of them jump to using aggression to express themselves. You can tell it's got a whole lot more to do with how intensely they feel things than any bad intentions

But the trait you learn they share most is what you take the longest to notice: quiet, unassuming protection as a subconscious love language. They'll always keep watch when you're vulnerable

[chosetherose]

"The Alchemy" = Karlie's POV of how she's going to take Taylor from Travis?

"I haven't come around in so long

But I'm making a comeback to where I belong"

Karlie showing up at the Eras Tour! Taylor didn't spend long enough with either of the beards for "so long" to make any sense as being about them. How do you make a comeback when you're barely a thing to begin with? Karlie's comeback was headline news though.

"So when I touch down

Call the amateurs and cut 'em from the team

Ditch the clowns, get the crown"

Her football fan baby ("fly like a jet stream") is touching down and coming to sweep away the understudies, users, narcissists and clowns. King of my Heart coming to reclaim her crown! We can only hope 🙏

"Cause the sign on your heart says it's still reserved for me"

Taylor can rewrite history all she wants, but Tratty was never a thing and no-one with a brain can buy the idea that he was the love of her life ten years ago, while Kissgate was happening right in front of him. Peak Kaylor era. When we all saw with our own eyes how she looked at Karlie! But, no, it was Matty all along! Sure, Jan.

Meanwhile, even the "anyone but Karlie" Gaylors who hate her can't deny Taylor has been writing songs about Karlie for a decade now. Even they think she's not over her. So who "still" has Taylor's heart and could make a comeback? Mmhmm.

"I circled you on a map"

Flashback to Taylor highlighting Kaylor-related towns on the weather map in the Lavender Haze music video. Uh-huh.

"Who are we to fight the alchemy?"

Alchemy is the process of turning things into gold. Are we really going to sit here and pretend this isn't Ms Gold Rush, Ms "it's like your eyes are liquor, it's like your body is gold"? Are we really going to pretend Karlie hasn't been gold coded since the beginning? But no! This is about Travis! Totally! Does your blindfold fit snugly enough, babe, or do you want me to tighten it some more for you? 🙄

"Hey, what if I told you we're cool

That child's play back in school

Is forgiven under my rule?"

The child's play is the bearding. Play stupid games, win stupid prizes. It's getting so old to never grow up. Karlie is saying it all means nothing.

"These blokes warm the benches

We've been on a winning streak"

Her British beards have just been keeping Karlie's seat warm. While she and Taylor have privately been on a winning streak.

(Seriously, the construction of this song makes no sense if you believe it's about Travis. How could she have been "on a winning streak" with him, while "these blokes" were present-tense warming the benches? Or are we supposed to believe they're just waiting on the sidelines for Taylor to get back with one of them? Even though things are so great with 🚜 and she's said multiple times she doesn't want that? So . . . how is any of this working, exactly? What benches are they warming? Are we SURE the "we" is Travis? Hmm?)

"He jokes it's heroin but this time with an e"

People are so distracted by this "dig at Matty" they can't see what's right in front of their faces. Heroin with an e = heroine. As in, the female hero of a story. The joke is that the one to "save" Taylor won't be any of these jokers dressing up as kings. It's a woman. A HEROINE. Not a hero.

And then we get a football metaphor everyone will assume is about Travis, even though Karlie's love of football is well-documented. Do we really think Travis cares more about the beard he's made his meal ticket than he does about winning a trophy? Yeah, right. The days of wasted celebration with no Taylor in sight really give that impression. The thirst traps he was liking on Instagram while "dating" Taylor really show he only has eyes for her. Totally.

Meanwhile we have a million songs where Taylor tells us all her obviously-Karlie lover ever wanted was her.

I can't see The Alchemy any other way than as a Karlie comeback song. Bring it home, Karlie! We're all rooting for you! Go! Fight! Win! 🏆

Wow, Anon! I love this take! Lots of food for thought.

[novelconcepts]

There’s a line from American Gods I keep coming back to in relation to Yellowjackets, an observation made early on by Shadow in prison: “The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment.” I keep rotating it in my head in thinking about the six survivors, the roles they occupy in the wilderness, and the way the show depicts them as adults in society.

Because in the wilderness, as in prison, they’re trapped—they’re suffering, they’re traumatized, they’re terrified—but they’re also able to construct very specific boxes to live in. And, in a way, that might make it easier. Cut away the fat, narrow the story down to its base arc. You are no longer the complex young woman who weighs a moral compass before acting. You no longer have the luxury of asking questions. You are a survivor. You have only to get to the next day.

Shauna: the scribe. Lottie: the prophet. Van: the acolyte. Taissa: the skeptic. Misty: the knight. Natalie: the queen. Neat, orderly, the bricks of a new kind of society. And it works in the woods; we know this because these six survive. (Add Travis: the hunter, while you’re at it, because he does make it to adulthood).

But then they’re rescued. And it’s not just lost purpose and PTSD they’re dealing with now, but a loss of that intrinsic identity each built in the woods. How do you go home again? How do you rejoin a so-called civilized world, where all the violence is restricted to a soccer field, to an argument, to your own nightmares?

How does the scribe, the one who wrote it all out in black and white to make sense of the horrors, cope with a world that would actively reject her story? She locks that story away. But she can’t stop turning it over in her head. She can’t forget the details. They’re waiting around every corner. In the husband beside her in bed. In the child she can’t connect with across the table. In the best friend whose parents draw her in, make her the object of their grief, the friend who lives on in every corner of their hometown. She can’t forget, so she tries so hard to write a different kind of story instead, to fool everyone into seeing the soft maternal mask and not the butcher beneath, and she winds up with blood on her hands just the same.

How does the prophet come back from the religion a desperate group made of her, a group that took her tortured visions, her slipping mental health, and built a hungry need around the very things whittling her down? She builds over the bones. She creates a place out of all that well-intended damage, and she tells herself she’s helping, she’s saving them, she has to save them, because the world is greedy and needs a leader, needs a martyr, needs someone to stand up tall and reassure everyone at the end of the day that they know what’s best. The world, any world, needs someone who will take those blows so the innocent don’t have to. She’s haunted by everyone she didn’t save, by the godhood assigned to her out of misplaced damage, and when the darkness comes knocking again, there is nothing else to do but repeat old rhymes until there is blood on her hands just the same.

How does the acolyte return to a world that cares nothing for the faith of the desperate, the faith that did nothing to save most of her friends, that indeed pushed her to destroy? She runs from it. She dives into things that are safe to believe in, things that rescue lonely girls from rough home lives, things that show a young queer kid there’s still sunshine out there somewhere. She delves into fiction, makes a home inside old stories to which she already knows the endings, coaxes herself away from the belief that damned her and into a cinemascope safety net where the real stuff never has to get in. She teaches herself surface-level interests, she avoids anything she might believe in too deeply, and still she’s dragged back to the place where blood winds up on her hands just the same.

How does the skeptic make peace with the things she knows happened, the things that she did even without meaning to, without realizing? She buries them. She leans hard into a refusal to believe those skeletons could ever crawl back out of the graves she stuffed them into, because belief is in some ways the opposite of control. She doesn’t talk to her wife. She doesn’t talk to anyone. It’s not about what’s underneath the surface, because that’s just a mess, so instead she actively discounts the girl she became in the woods. She makes something new, something rational and orderly, someone who can’t fail. She polishes the picture to a shine, and she stands up straight, the model achievement. She goes about her original plan like it was always going to be that way, and she winds up with blood on her hands just the same.

How does the knight exist in a world with no one to serve, no one to protect, no reason propelling the devastating choices she had grown comfortable making? She rechannels it. She convinces herself she’s the smartest person in the room, the most capable, the most observant. She convinces herself other people’s mysteries are hers to solve, that she is helping in every single action she takes. She makes a career out of assisting the most fragile, the most helpless souls she can find, and she makes a hobby out of patrolling for crimes to solve, and when a chance comes to strap her armor back on and ride into battle, she rejoices in the return to normalcy. She craves that station as someone needed, someone to rely upon in the darkest of hours, and she winds up with blood on her hands because, in a way, she never left the wilderness at all.

How does the queen keep going without a queendom, without a pack, without people to lead past the horrors of tomorrow? She doesn’t. She simply does not know how. She scrounges for something, anything, that will make her feel connected to the world the way that team did. She moves in and out of a world that rejects trauma, punishes the traumatized, heckles the grieving as a spectacle. She finds comfort in the cohesive ritual of rehabilitation, this place where she gets so close to finding herself again, only to stumble when she opens her eyes and sees she’s alone. All those months feeding and guiding and gripping fast to the fight of making it to another day, and she no longer knows how to rest. How to let go without falling. She no longer wears a crown, and she never wanted it in the first place, so how on earth does she survive a world that doesn’t understand the guilt and shame of being made the centerpiece of a specialized environment you can never explain to anyone else? How, how, how do you survive without winding up with blood on your hands just the same?

All six of these girls found, for better or worse, a place in the woods. All six of them found, for better or worse, a reason to get up the next day. For each other. And then they go home, and even if they all stayed close, stayed friends, it’d still be like stepping out of chains for the first time in years. Where do you go? How do you make small choices when every decision for months was life or death? How do you keep the part of yourself stitched so innately into your survival in a world that would scream to see it? How do you do away with the survivor and still keep going?

They brought it back with them. Of course they did. It was the only way.

[azulsluver]

haunted house au??!! Is that a new event coming up? Will it relate to the last chapter 👀👀

Originally, bunch of ghouls who haunted this old house/apartment or whatever. I wasn't paying a lot of attention to that au but realizing the Halloween event was perfect for starters. For those who read the event then it would make sense of how the characters came to be in the world MC lives in.

Here are the basics of how they accustomed to their new life.

tw: yandere, ghost!twst, mentions of attempted suicide, obsessive/possessive behavior, mentions of gore-ish fantasies and acts, nudity (non-sexual), they watch you sleep every night.

Your apartment is small. With them all inside as ghosts they can physically interact with each other so it gets pretty cramped. They’re attached to you, literally, they aren’t able to leave the place they’re in unless you track down Crowley or COUGH COUGH the man who owned the store. Also moving places since it is “haunted house”, will lead to them following along.

-What did he do to deserve this? To be transferred into a world with no magic, and to be a ghost again! He can't physically touch you or use any sort of magic to collar you, it's a nightmare for Riddle when you break some of the (unknown) rules.

-To keep it short, Riddle is a noxious ghost to have around. He practically breaths down your neck for everything you do. You'll mostly see Riddle inside your bedroom, along with many others who are trying to get comfortable. Besides the bedroom, Riddle is one of the many ghosts who will volunteer to go along with you for your errands. That is if people like Ace or Floyd who always wanna tag with you.

-The second person to be leaning over your shoulder is Trey, he’s more than curious of your everyday life. What type of shampoo you wear, lotion or perfume that reminds him of you. He’s not a nauseous but you’d wish he’d leave you alone as well. The veil covering his face burns into your mind of the people he tore so easily, no matter how much he smiles sweetly at you.

-Like clingy dogs, Deuce is nearly always on you. Be it a hug, hand holding, or trapping you in his arms, he can’t stand the thought of separation now that you’re here and alive. Second clingy dog; Cater. He’s so fascinated by everything and you, often times teasing Deuce to not hoard you all for himself. Cater does bother you as much as Deuce does, his odd fixation on you is unknown and sometimes freaks even Ace out. But Cater thinks it’s adorable, funny even.

-Nobody really eats anything. They don’t have the stomach in your world to actually enjoy cuisines like you.

-Ruggie and Ace are always pulling pranks on you, inside your safe haven has been stripped from you completely. Where privacy privileges are nonexistent as the ghosts free roaming in your home. You’re always on edge with these psychopaths who have no problem using your fear to their advantage.

-None aren’t as kind as Silver however, but he doesn’t bring you much comfort. When everyone feels no guilt of killing the innocent, Silver is nothing but human to you as he shared a deep meaningful conversation with you during the late night. Times where you couldn’t sleep and he just so happens to be awake there for you.

-Speaking of clingy, Leona, Rook, Jack, Kalim, Floyd, AND Malleus are there to make your mental sanity DROP. With their weird confessions and obsession of wanting to cut you open and eat you is bad enough. Their touches burn like hell. Oh will somebody solve the problem of these big mean demons….

-The shop is your solution. With the shop owner spewing nonsense into your ear, hope drains when you catch upon the fact ghosts like them will stay until your time has been served.

-Like death themselves, until you can no longer breath will you be free, not unless one of them manages to snag your soul into their realm.

-However, there is a part-time solution if you wish to have peace and quiet. A sacred scroll that mostly works like a phone seeing how it needs to recharge energy to work; as it is unbreakable, it’s used to ward off evil spirits for a whole week before falling into a deep recharge for a month.

-Was it a scam, maybe, but desperate times call for desperate measures.

-Now there are some who aren’t as obnoxious as the rest, that being Vil, Jamil, Trey, Azul, Jade, Lilia, and Silver. With your space being respected if asked, they’re more curious about your world. Not being obnoxious doesn’t mean they aren’t playful, often making comments on how you’re gonna die. What position, what days, places, all the scenarios that feeds into your brain like scratching chalkboards.

-What should be dreaded most is sleeping hours. The touches are faint and almost weak, something that had to do with your current situation and mood. As your drowsy figure stumbles into bed, somehow they too become more docile and quiet. That sounds good but it’s the fact they don’t sleep. Instead now that you’re state is dreaming off they can’t really interact with anything else. Other than watching you in a single room. Their touch is haunting.

-No one can see them, other than you and Grim. With you and your fat little feline friend have to deal with losers like these. Sadly, Grim can’t do much as no physical contact works, much to Idia’s pleasure.

-Absolutely no one likes any of your friends coming over. Surprisingly even Sebek is possessive over you. They’d glare so hard it makes you pass out from fear they might cause actual harm. As they can’t be seen doesn’t mean the force of their wrath will.

-Having friends over is not a good idea. But leaving home doesn’t get rid of their pissy attitudes. As spirits have strong emotions and auras; leaving you feeling sick and lightheaded by their constant bickering.

-Settling for agreements are tough, people like Azul and Vil have no problem with that. In fact they were one of the many to ask before doing things. You recognize Azul as the one who attempted to drown you, as Floyd dose nothing but babble about how much he cried and how he whines it hurts. Azul and Vil someone….respect you in a way? You certainly aren’t seen as equal but from everything that’s happened to you? A pat on the back is all you’re given.

-Get use to nudity. They sure are but they’ll still be dicks about it: Ace, Sebek, Jamil, Leona, Lilia, Floyd.

-More about their physical touches. It can cause a lot of harm to your body. Leaving marks and evidence of their abuse. Depending on your circumstances it can hurt as bad as getting your nails ripped out, they aren’t able to dig their fingers into your flesh to the point of slicing limb to limb.

-That has something to do with life and deaths they aren’t allowed to kill you ad your are bounded to the book. Serving the years of unknown disasters (murder, accidents, etc…but any attempt of self harm brings agony until you are waking up with their faces hovering above you.) or old age

-Rook makes most of your situations worse somehow. He’s always teasing the others for stupid reason. He wants to sit with you when Leona has a arm slumped over your shoulder on the couch. Invading your personal space in from of Malleus when engaging (not so willingly) conversations. Asking stupid questions like; do you prefer waking up to me or blah blah when you awake from your slumber.

-“Neither.”

-They don’t seem very useful other than bothering you whenever you come back home. The problem is how small room there is, and they complain about it a lot as well.

-Luckily for you they aren’t completely useless nor do their powers; it’s still pretty weak and does little. Malleus is ancient, his power weakens him if used, but he’ll use it for your advantage. Good luck.

-That’s the power, yep. Only key holders contain powerful magic as they did back in their world.

-Technically Malleus has the power to bring good and bad luck. Depends on how silly he’s feeling. Cue the blackish grey skies with green thunder causing crashes outside.

-Riddle’s power does more harm to others however, like his usual unique magic, and the reason why you don’t bring anyone over/ victims are forced to experience a choking hazard, one that’s not visible to touch or see.

-Leona can bring you golds and jewels, those are rare times if he ever thinks you deserve it. As I say when you have a whole drawer of them.

-Azul’s power allows him to create illusions, they are weak yet powerful on your still traumatized soul. When angered he’s petty enough to bring the faces or place of the events that happened in the book.

-Kalim is like a drug, his power is anything including smoke. Smoke that can make you sleep, intoxicate you, feel hunger or smell something like childhood.

-Vil is draining and giving. Having the ability to give or take your fatigues, when used more it can cause you to bleed from the nose and lead to hallucinations. It’s best to be on his good side if you ever feel the need for more enthusiasm energy.

-Idia can create skeletons to the living world. They don’t last long but are able to sedate and hold you. He doesn’t use them much as it quickly drains him. (Skeletons won’t be seen by others btw)

[kinkandkreep]

Celebratory Blue Lock Boi Yandere Interpretations: Ryusei Shidou, Yoichi Isagi, Meguru Bachira, Reo Mikage, Rin Itoshi

A/N:...Hey hey y'all...🙂 Ok, so I fuckin' lied I am so sorry. 😭 These was sposed to be for my birthday yestaday but the day got so busy and I was tied den a mug, so posting these did not happen. 🙃 But! Alas, I am here now, and I have for you all my introductory yandere interpretations for 5 of the Blue Lock boyos!

Keep in mind, I am still getting caught up on the anime so if anything reads off, I apologize. I'll very likely either come back and adjust these as I become more familiar with their personalities or just post a whole new set for each boy.

Anyway, enjoy!

Ryusei Shidou: 

Let me just say right off the bat that I get the strong notion that Ryusei is gonna swiftly become my favorite character the more exposed I am to him (like I already love his design and that weird sexual edge his character possesses 😏)

That aside, as a Yandere, I envision that he maintains that same intense energy he has about football, it just manifests a little differently

You make his heart “explode,” in a similar fashion to his precious football- either that, or you possess an “explosive” quality within yourself that draws him in

I saw someone say that outside of a few specific circumstances, Ryu is a pretty chill dude, which I think is 100% true

And I believe this can even apply to you, in the Yandere sense as well

Ryusei can be intense, and a little monopolizing 

He's also somewhat possessive 

But for the most part, as long as he knows you're his and you continue to make him “explode,” Ryusei isn't the worst Yan to have

Now, in my research, I have seen some interpretations of him where he’s much more sadistic than I personally envision him to be, which of course is fine, but just know that my Ryusei can’t really be bothered to act sadistically unless you try to fight him

Exactly why you’d try to do that is beyond me, but if you did happen to want to start a physical altercation with Ryu, he may be inclined to be a little rough with you, just to show a bit of what he’s capable of and also keep you in check

Yoichi Isagi:

I just look at Yoichi and a single phrase comes to mind- “he’s a sweetheart unless provoked”

You, provoke him

You make this nagging little voice in the back of his head make the Spongebob “wee-woo” sound at like max volume every time you’re in each other’s vicinity

Yandere Yoichi adores you

He’s like a little pup around you, always wanting attention and affirmation and reassurance that he’s the best, and the he’s going to be the best, and that throughout it all you’ll never leave him

But! He can also be kind of intense and maybe a bit of an asshole

Like just look at him and tell me you don’t get that vibe

I’m new to the game as it relates to Blue Lock but from what I’ve gleaned, Yoichi has a sort of metaphorical switch that turns on and off depending on the circumstance

Things get heavy when he’s on the field, and that’s when his “Ego” comes out

It makes him more cocky and confident, from what I understand, and I’d say the same thing applies where it concerns you

For the most part, Yandere Yoichi is just your average puppy with a thigh fetish

But let the “Ego” come out, and now he’s more domineering, controlling and patronizing

Try not to trigger that part of him though, and Yoichi is actually a pretty ok Yandere to have

Meguru Bachira:

Meg’s a weirdo but one of the lovable variety

He’s a very eccentric character, as I’m sure anyone who’s familiar with Blue Lock will know

He talks about the “monster” that inhabits his psyche and manifests itself when he plays soccer

I don’t particularly subscribe to the idea that this “monster” influences his actions on a normal, day to day basis (though that could be the case and I just missed it in my research) but I can definitely see how one would think it does

I will say that years of simple…cohabitation (?) with the monster has definitely left an indelible mark on Meguru’s mind

Yandere Meguru especially 

To Yandere Meguru Bachira, you are perhaps the most important thing in his life

Being bullied for so long and so relentlessly probably wasn’t the best for his mental and emotional wellbeing, as you can imagine, so Meguru has been in desperate need of someone to come along and show him genuine love and support

He’s found that in you, and that’s part of the reason his Yandere personality/tendencies make an appearance when he’s with you

He’s definitely clingy and wants all your attention all the time, and he’s also not very knowledgeable on what it means to give someone their personal space

He doesn’t give you much autonomy either, really preferring to do things for you when given the chance

He can get a little intense, but he’d never hurt you 

Physically, at least

And if by some off chance he were to hurt you otherwise, it would never be on purpose

All that said, I do kind of think that Bachira would be one of the slightly more uncomfortable Yans to have, simply on account of his neediness 

Reo Mikage: 

FIrst off, let me just say, eat the rich 😤

Chile when I was doin’ my research and saw dis dude’s frankly ridiculous net worth I was appalled 

But if he smart enough to know what to do with the money and assets then I guess it’s whateva 🤷🏾‍♀️

Anyway, that aside, let’s focus back up 😂

I could potentially see Reo being one of the more strict Yan’s to have 

He just has so much to protect, and that includes you

He’s also probably very used to getting the things he wants and having things go his way that he can’t imagine you not reciprocating his feelings, or at the very least seeing the benefit in choosing him over everyone else

And as we’ve seen (me only partially really, I’m still makin’ my way through the show 🙃) he already has some form of an attachment issue as it relates to Nagi, or alternatively, the things he’s invested time and energy in and on

Which, as you can imagine, would include you, should he decide to pursue you

As a Yandere, Reo is admittedly controlling and a bit smothering

But he’s just like that ‘cus he wants to ensure that nothing will separate you two!

It’s innocent really, honest!

And given Reo’s reputation, it would be rather difficult to convince others that he’s, well, kinda crazy if you were so inclined

But other than that, as long as you remain loyal, Reo’s a pretty fair Yandere

Rin Itoshi:

Whoo boy, this one’s a tough nut to crack

I honestly think Rin is more tsun than yan but I could definitely see where the Yandere aspect of him could potentially rear its head

I’m not 100% up on my knowledge of what the hell his deal is with his brother, but from what I’ve gathered, there’s this mostly one-sided rivalry (on Rin’s part) towards Sae (his brother, for the uninformed) because he (Sae) refuses to acknowledge Rin in soccer and he abandoned their shared soccer dream from when they were little

That all being the case, I really like the concept that Rin is a Yandere for you because A.) something about you warms something cold and dead inside him and B.) you recognize him as talented and capable outside of his brother’s influence, and he (Rin) desperately clings to that affirmation 

Rin is undoubtedly possessive, wanting nothing more than to hide you away where only he can access you or, alternatively, make it known to everyone, in whatever way, that you belong to him

Rin is also somewhat domineering and controlling, as he still doesn’t want anything to tarnish his reputation

I think as a Yandere he’s a little more open to PDA (not by much at all, but just a little) 

I also think that, as a Yandere, Rin can be fairly intense without realizing it

Like during games and whatnot, he ups the ante ‘cus he knows you’re watching and he wants to impress you, keep your attention, and have earned your praise when he’s done

That could also apply to him normally sorta, but I think the behavior is more prominent in Yandere mode

All-in-all, Yandere Rin isn’t the most terrible, he’s mostly just…needy, in his own special way

[i-heart-hxh]

does ikalgo have deeper significance to killua's character? i get that hes like a new friend for killua but why does it feel like he was portrayed so importantly to killua's character during caa? its like theres a deeper meaning, why did killua go out his way just to save ikalgo from those two chimera ants when they entered the building? and why did he look so hesitant? he had thoughts that said "what am i doing..? why the hell am i going the opposite direction?" or something like that. idk it just feels like togashi was implying something abt killua there but i cant figure out what that is. do u have an idea?

Hello! This is a great question!

Ikalgo's friendship with Killua is vital both to Killua's development and also to Chimera Ant arc as a whole! I can explain that significance.

Throughout much of the series, Killua tags along with Gon and primarily focuses on him. He befriends other people, certainly, but he generally does this through Gon--it's not like he's going out of his way to make these friends on his own.

In Chimera Ant Arc, the connection between Gon and Killua gets somewhat disrupted by the events that happen, and Gon's focus shifts primarily to saving Kite and his revenge on Pitou, leaving Killua to worry and feel somewhat left behind and helpless (partly as a result of the the Palm situation as well).

When Killua splits off from Gon to try and save civilians, he meets and a battles an enemy at the time, Ikalgo.

During their fight, Killua gives Ikalgo a choice: Either sell out his friends by revealing their nen powers, or die. Ikalgo chooses to die rather than betraying his friends, and Killua is able to relate to this loyalty. He spare's Ikalgo's life and tells Ikalgo that if they'd met another way, maybe they could have been friends.

Killua's kindness in empathizing with Ikalgo and sparing him is the only thing that saves his life later when he's bleeding out from the needlefish darts. Had Killua not extended that mercy and said those kind words to Ikalgo, Ikalgo would not have saved him, and he would have died.

It's interesting/neat how the scene right after Ikalgo saving Killua from the needlefish involves Gon having his own encounter with another friendly Chimera Ant, and the tone of their conversation is quite a bit different:

Contrast is so important in Chimera Ant Arc!

Anyway, when Killua shows Ikalgo mercy, makes it clear that they're friends now, and invites him to come along and be part of the human side of the war, he essentially becomes to Ikalgo what Gon has been to him: Someone who represents light, and who represents a path forward to a better life. In this arc, Killua worries that he doesn't deserve a place at Gon's side, but at the same time here he extends the same kind of light and hope that Gon gave him to someone else.

As for the scene where Killua breaks off away from Gon in the Palace Invasion in order to protect Ikalgo, this continues to show Killua's world expanding outside of Gon. Notice how in this page, it clearly shows Killua leaving Gon behind--they have their backs to each other, which is a frequent image in this arc. His mission was to protect Gon and make sure Gon could complete his revenge against Pitou, so deviating from that mission is both shocking to him, and potentially dangerous, but it shows that he's starting to protect and care for others as well as Gon.

Now, I want to be clear that I see this as a positive step for Killua. At this point in the series, Killua had made Gon his entire reason for living, essentially, and him going outside of that and making other friends and protecting and caring about them is a vital step for his character. It's showing that he's becoming a more expansive, mature person who can care for multiple people (or ants) at once rather than centering his entire existence and sense of self around one person. He made this action as quickly and efficiently as possible so he could get back to Gon's side, but he did go out of his way and leave Gon behind momentarily, and even he is surprised by this.

And while obviously I adore his nearly single-minded love and devotion for Gon, with what happens between them in this arc he needs to have others in his life besides Gon, and it's part of his transition into also being the light for Alluka and Nanika. It's a result of Killua's own innate kindness and empathy and the choice he made to leave his previous life behind, but also, he was able to reach this point partly because Gon showed him the love and encouragement he needed to become the person he is.

Now, as for Ikalgo's role in the arc as a whole: He's part of a chain of kindness and mercy that ends up changing the entire outcome of the Chimera Ant arc. This post puts it incredibly well. The chain of kindness started at the beginning of the series, with Gon befriending and rescuing Killua in spite of his background, which then eventually leads to Killua sparing Ikalgo (who then saves Killua right back), and then Ikalgo sparing Welfin, and then Welfin giving Meruem Komugi's name so that they got to be together in the end. Ikalgo shows the consequences of Killua's kindness, which are also the consequences of Gon's kindness, in part.

A major theme of the series and of Chimera Ant arc is that love and kindness are transformative, and Ikalgo has such an important role in demonstrating that theme.