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quixotical-lymbo · 7 months ago

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Pairing: D-16/Megatron x gn!Reader Rating: SFW Summary: After witnessing your conjunx endura descend into madness, you're left alone with your thoughts as the city of Iacon slowly begins to rebuild anew. However, your lover visits you the night he was banished from the city. Warnings/Tags: Bittersweet, slight angst, cybertronian reader, pre-established relationship, possible corruption, ambiguous ending, and spoilers for the Transformers One movie. Word Count: 1200+ words

Something was wrong.

You knew something was wrong when you felt something burst within your spark chamber. Your digits brushed against the space where your T-cog would be and��

You winced as the pain shot through the bond again. You could describe it as the feeling of sharp pieces of Energon flowing through your circuits. Hot and angry, then as somber as ice.

Working in the Energon mines meant that danger could be lurking around the corner at any given moment.

You understood this fact well, especially when working in the same crew as your sparkmate and his best friend.

The rambunctious duo always had something going wrong for them as the cycles passed. Sometimes you ended up with the short end of the stick when you joined in on the 'fun.' On the other, you were watching from the sidelines as the two would get punished for their (mostly Orion's) schemes. The emotions shared through the bond were as warm as joy, slight pinches coming from D's annoyance, and the gentle touch of the love you two shared discreetly.

So, why were you only sensing pain?

What was happening to your lover? Was he safe? Did someone hurt him? Where was Pax while your conjunx endura's chaotic turmoil nearly made your optics teary?

Where was he?

Where was D-16?

—--

Orion was shorter….the last time you interacted with him.

Now? He easily towered over the crowd like a sore digit. You were beside yourself as your strained audials to listen to his words.

Betrayal, Sentinel, Change.

They were empowering, not quite heavy but it certainly stirred hope among the miners as they cheered.

But, what of D-16?

For a moment, Orion's optics met yours and confirmed your fears.

Something had happened to D-16.

Here in the open for all of the citizens of Iacon to see was the fall of Sentinel Prime. His end? An impostor sharing the face of your mate who claimed the title of 'Megatron.'

Who was this stranger with the face of your lover and why couldn't you feel him through the bond anymore?

You remembered trying to tug at the bond, pulling and twisting to get something to react in response to your desperation. Your optics never strayed from the figure who stood above all of you.

Yet, nothing came. Wait…

You could have sworn you saw 'Megatron's' optics scanning the crowd before they found their way to yours.

Time slowed for the first time and you tried to search for anything, something in that stranger's optic for any presence of D-16.

For a moment, the fiery glow of those optics dimmed.

Then….

He turned away and never looked back in the direction where you stood again.

Not even after Orion Pax, now Optimus Prime, banished him from Iacon.

Your spark broke that day.

Darkness covered the desolate area where most miners spend their nights in recharge. You stood before your conjunx endura berth, digits caressing the chipped stickers he had collected over time of his idol. The lights shining from your optics misted and you leaned closer to rest your forehelm on the space that once belonged to D-16.

"____." A voice spoke from behind you.

You spun around and threw a punch, but the massive servo enveloping your servo stunned you.

"D…?" You murmured in disbelief.

'D-16' narrowed his optics and didn't respond when you pulled your servo out of his.

"It's...Megatron now."

"Right, right, sorry…I'm a little late on the new…this," You threw your hand up to gesture to his shiny, new frame.

'Megatron' didn't appear amused at your sass and even drew closer to you. His steps felt daunting with each step he took as if the ground of the miners quarters would buckle beneath his weight.

Backing up against the berth put into perspective how smaller you were compared to the mech. Megatron stepped closer and closed the distance between the two of you. He raised a servo near your faceplate, a low growl left his intake as you turned defiantly.

"Did you not see why I had to do this? Why I had to become-"

"-Ha!" You snorted and snapped your helm to look at him. "You mean when I tried 'seeing' you earlier? I'm pretty sure I wasn't the one who cut off their sparkmate from the bond for no reason."

"And another thing." You pushed against the edges of the berth and stepped forward with your chassis bumping against his. The larger mech could easily shove you back, but retreated as you approached. The silver mech mesmerized by the way your optics flickered into a darker shade only to snap out of it when you questioned him with, "Why did you return to me? Why now? I was certain you'd abandon me-"

"-do you think so lowly of me as well?!" Megatron pushed back. His servo stretched to catch you when you stumbled, but dropped it when you flinched from his approaching touch.

His servo was clenched as he drew it back to his side. Digits rubbed together to replace the lack of heat that usually came from your frame held under his grasp.

With a tilt of your helm, you asked, "I don't know anymore…one moment I'm happy spending the rest of my days with my sparkmate, but he disappears, and then returns as a power-hungry tyrant…what else am I supposed to think of you, D…no…Megatron?"

Megatron did not speak, not that he knew how to.

Silence fell upon the lovers, neither willing to break the tension. Not until now.

"I came here…to see you," D-16 yielded. His soft voice easing the suspicion gnawing at you ever since he arrived, finally your frame went lax as his face became familiar. This was your conjunx endura, the one you bonded with and not whoever was there previously.

"To ask if you'll join me, my love."

"What?" You hissed.

"Come with me," Megatron urged. "I have risked everything coming back here for you and I will not ask again."

You brought a servo to your helm and felt a pit grow in your tanks.

"Join me because I promise you…" Megatron leaned down to hold your gaze, "...the next time we see each other will be the end of us."

"I…" You glanced at his servo that reached for you, most likely for the last time. Your optical ridges furrowed and Megatron's optics shimmered with delight as your servo fell over his. The larger servo enveloped the smaller one and pressed the palm of your servo against his spark chamber. Right over the area where Sentinel's previous cog was ripped out of him.

The memory struck a chord in you. Becoming the thing to make you sober from the high of what this relationship could have been. Should have been.

It could still happen, only if you said yes…but what fate would fall on Iacon if you joined the one bot desiring the destruction of the new era?

Megatron watched the conflict swimming on your face, his thumb caressing the back of your servo as the other came up to settle on your waist.

After a while, you gave him your answer.

😼 - I do not give permission for anyone to translate, copy, republish, or plagiarize any of my written works. I provide no permission for any of my literary works to be used in artificial intelligence. banner(s) by @kodaswrld !!

#d 16 #transformers one #Tranformers one spoilers #tranformers #megatron x reader #d-16 x reader #cybertronian reader #Spoilers #movie spoilers #slight angst #yes the title was inspired by a hozier song #kudos to you if you can guess which song

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jinnaizaemon · 2 months ago

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I've been thinking a lot about Doi and how the third movie, Dokutake Ninja Corps' Strongest Tactician, really is a brilliantly executed love letter to his character and what he represents for the narrative, the characters, and the audience too, so I wanted to write about it a little. I'm going to talk about Nintama as a franchise in the larger sense, and how common motifs are used to portray Doi across different media, but since I feel the third movie manages to crystalize it all in its story, I will focus on it a lot. So if you haven't watched Dokutake Ninja Corps' Strongest Tactician and don't want to be spoiled, please stop reading here! Also, this is just me having fun tying different motifs together. Consider it just food for thought or, the rambling of a nerd who's a little too passionate. Finally, I might edit this post later when the movie becomes available and I get my own copy so I can add screenshots to illustrate. Again, it's not available to watch at home yet, so everything about the movie I write about is from memory. That's another thing I might need to edit later in case of inaccuracies!

The manga and anime being aimed at children, it's rarely in your face, but the setting is central to Nintama, it justifies both the existence of the Academy and the characters' motivations. It's war out there for a land that doesn't call itself Japan yet, and it's important context to know it lasts for more than a century before the relative long peace of the Edo period. The franchise plays with history, of course, but by its rules ninja are either soldiers loyal to a specific castle or mercenaries, making Ninjutsu Academy a school made in response from a need to produce more trained soldiers for the ongoing wars.

I find it interesting that Doi runs away from his ninja duties and ends up teaching instead, because while it gives him a break from actively participating in battles, in the end he's still eventually sending kids to the Sengoku meatgrinder. My point is that Doi as a person is far from perfect, but is actively trying to better himself. I'd say he's in the process of finding ways to repent for his past life : showing gratitude to the Yamada family, teaching children, "adopting" Kirimaru... there's a lot of talk about tsudoi and Doi opening an orphanage in the future, and while it's not canon at all, he's an inherently nurturing character with no interest in the war, so this kind of epilogue makes a lot of sense for him, doesn't it?

Doi's backstory from volume 50.

Contrasting with his early characterization that is more like a sometimes immature older brother to Rankirishin, Doi got wise with time and is known as a caring teacher to the ha-class, and parent/caretaker to Kirimaru. His shift to a nurturing figure might have started when the author of the manga, Amako Soubee, started associating him with Hounen in her mind. Doi has had ties with Buddhism for a long time now, something that is made quite explicit in the third movie. I remember thinking Doi is kind of like of a boddhisattva (one delaying his own state of Buddhahood to help others reach enlightenment) to others, as a teacher to the nintama, but also as an inspirational figure to more characters. But as well-meaning as Doi can be, he's not quite there yet isn't he? He's young and prone to failure, something he acknowledges at the end of the movie, making a point to apologize to his students. Also obviously, despite all the goodness in his heart, he was a ninja before being a teacher, and worked for an aggressive castle according to Ninmyu 12. It's never made explicit, but the story takes place during wartime, so it's easy to imagine what Doi had to do for the sake of his job.

In his quest for betterment, Doi not only appears as an anchor for many characters, the ha-class, Kirimaru all especially, Rikichi too- but also ends up offering an interesting alternative to the cast : teaching instead of ninjutsu, nurturing instead of killing, peace instead of war. Ninjutsu is what Nintama is all about and the reason for being for most of the cast, and yet Doi goes against it... And he's probably right in that peace and happiness are to be found beyond ninjutsu. When children look at professional ninja like Rikichi for example, it's with stars in their eyes, but episodes that focus on the characters' adult worries show stories more grounded into reality. Rikichi has a troubled relationship with his family and ninjutsu, making him jaded about his job, Teruyo and Bouta struggle to find proper work, Demoshika wants the comfort of an office job above anything else, and then you've got Tasogaredoki and their mutual suicide ideation out of loyalty, etc etc. When you start thinking about what kind of future awaits the nintama it can get bleak pretty fast... which is probably why the franchise is stuck in a status quo. We do get peeks at what life could be like for nintamas after graduation, like for example with Ouji and Kouun in Ninmyu 14 being tasked with... going against Ninjutsu Academy and harming their juniors, or Seiemon and Kanbei getting violently beat up by Zatto in The Strongest Tactician.

In short, outside of the safe bubble that Ninjutsu Academy represents during wartime, things aren't so great right now. Which is why Doi is such an important figure, and key to a happy end for the cast.

From 30-35. "I think that young man would make a fine teacher. He might even become even better at it than you, dear."

30-35 is such an important episode because it shows a turning point for Doi that ends up being a huge butterfly effect on so many characters. Doi may have relied on Yamada then and still does, but Yamada's wife showed great insight here. It's thanks to her Doi ended up teaching after all... When Doi plays with Rikichi, it's the first time he offers a child "an alternative" to the warrior path. He doesn't do it consciously, it's something he has in him without his knowledge (and 32-64 shows us he still has a lot to learn), but his influence becomes a central part of Rikichi's character (more on that later).

My general point being made, let's get into some more specific aspects of Doi's character. Since the mangaka mentions shugendou's relationship with ninjutsu, let's take a look at Doi's alter ego in The Strongest Tactician, Tenki, and his design ;

Tenki, scanned from The Strongest Tactician's limited pamphlet.

After Doi loses his memory and becomes Tenki, it's important to know he doesn't become an "evil" version of Doi or a new person altogether ; he's who Doi would have been had he not met the Yamadas. When Doi regains his memories at the end of the movie, the very first thing that comes back to him is a vision of the Yamada family. If Doi's work outfit is all black, as Tenki he's dressed all in white. It signifies a complete tabula rasa for his character and the development he went through since meeting the Yamada, back to a warrior in a blank state. But the white color and this specific headscarf is also reminiscent of yamabushi, mountain ascetics and practictioners of shugendou. The manga takes a shortcut by calling shugendou "mountain buddhism", it actually takes beliefs and practices from multiple sources such as Buddhism, Shinto, Taoism, and local folklore. Practices involve magic and fortune-telling which historically influenced daimyo's decisions during war, so there's no doubt that as Dokutake's tactician, Tenki, dressed as yamabushi with his background of having a religious education in the mountains, used such practices too to establish military tactics! The headscarf he wears is called houkan, literally a jeweled crown, and seems to hold multiple symbolisms. Overall, the white color of the yamabushi outfit expresses a symbolic death to be born anew, and the knotted crown around the head symbolizes afterbirth, placenta... I've seen others sources relating it to shimenawa, the purifying rope in Shinto you've probably seen in shrines, or around significant trees or stones.

The Strongest Tactician continues to tie Doi/Tenki with religion with two specific statues appearing at two points during the movie: when the sixth years are investigating Doi's disappearance, there's a shot of a statue on the roadside of Hayagriva, or Batou Kannon, the wrathful form of the compassionate female boddhisattva Avalokiteśvara. Similarly, in the room Tenki occupies at Dokutake, there's a statue of Daikokuten, a deity of good fortune and abundance in Japan, originally Mahākāla, a wrathful deity destroyer of all things.

Not related to religion, but another obvious motif of duality is in the moon, of course : at the end of Sonnamon and Doi's duel, Doi jumps into the river and what he thinks is the reflection of the moon in it (...It ends up being Happousai's bald head.), and this is when he loses his memory. The typical motif of a rabbit on the moon pounding mochi is replaced with a much more ominous rabbit grinding skulls into its mortar.

...Of course, it turns back to normal at the end of the movie.

I keep talking about how Doi actively chose to dedicate his life to peace and nurturing, and with all these symbols of duality, the movie manages to show us what it would have been like had Doi decided to remain a warrior. Tenki still dreams of peace and justice, and it's how Dokutake manages to manipulate him, but ultimately nothing good comes from participating in war. Had Tenki not been stopped in time (not by force like Zatto attempts, but ~by the power of love~ from Rankirishin), he would have committed the irreparable by murdering children, then not being able to revert back to his old self, and perpetuating the cycle of war and violence.

This is quite a simple pacifist message in a children franchise I think, but I find it interesting how it's delivered through different visuals!

The moon brings me to another thing The Strongest Tactician does a brilliant job portraying, and it's the passage of seasons.

The movie starts with a flashback scene and red spider lilies symbolizing splatter of blood. In Japanese, these flowers are called 彼岸花 higanbana, the higan part refers to the equinox week in March and September when Buddhist services are held and people visit the graves of family. The red spider lily, growing in September, is associated with the dead due to being planted in and around cemeteries.

Soon after, when Sonnamon and Doi are having their duel, it's in a field of susuki grass, associated with tsukimi, the moon-viewing celebrations held in September (that can be related to the Chinese Mid-Autumn festival). Later in the movie, more red spider lilies are seen blooming on the roadside, and people are busy with the harvest. The story is definitely set at the beginning of autumn. Interestingly, the second movie takes place after summer break. In this story, the villagers are in a hurry to get a protection decree probably because harvesting season is coming soon, and the pressure that the lord of Tasogaredoki is exercing on them is a mean to tax more crops from them in the upcoming harvest... Anyways, it's interesting that the third movie takes place soon after. The franchise is over 30 years old, but everything happens during the same school year! there's never a boring day in Ninjutsu Academy lol.

On a practical level, the beginning of autumn means that most people are too busy with harvesting crops to be conscripted at war (back then, most foot soldiers were hired farmers, etc), which explains why Tenki chooses to bluff an attack against Suppontake with the fake branch castle and all, since he had little troops to use.

But I want to focus on the seasons on a more symbolical level this time.

Ninmyu 12 tackles Doi's backstory and the complicated relationship he has with Nue, the ninja who kidnapped and raised him as a child. The canonicity of Ninmyu is discutable, so if one chooses to not take into account Doi's history with Nue and Kaentake ninja it's understandable, but I want to talk about Doi's solo song since Amako Soubee wrote it. It's called 半助春秋 Hansuke shunjuu, literally "Hansuke's Spring and Autumn", but expresses the idea of "the years of Hansuke", "Hansuke's life and times", something like this. I absolutely love this song, but it's a difficult one. I tried translating it and now that I look back at it I already see mistakes haha.. ha. Anyways, the lyrics are divided into two parts ; Doi first describes an dream-like spring scene which seemingly never happened, making it his own picture of peace itself. The figure of a young girl picks up flowers in a field, but that idyllic scene is cut short : "Had that warm spring day been longer," flowers would bloom, and all of nature would bear witness to Doi "returning home with you." The second part mirrors the first, but this time is more grounded into reality. On an autumn night, "remnants of a battle are buried in the overgrown ruins of a castle" ; it makes Doi reminisces the past. This time, the stars and the moon comfort Doi that "he will return home someday". There's that idea of high and low here, where everything dies in autumn and nights become longer with the upcoming winter. And of course, that recurring hopeful idea of "returning home" that is so so so dear to Nintama.

I want to relate this to The Strongest Tactician first, with Doi's symbolic death and rebirth in autumn, the spider-lilies, etc. During the climax of the movie, in an effort to make Doi-sensei remember, Rankirishin try to get a reaction out of him with lines such as "We haven't learned it yet!" "I value money over my life!" and such. But what finally makes Tenki go back to being Doi again is Kirimaru telling him through tears, "Let's go home together." That idea of home is dear to Kirimaru obviously, but it's something Doi has always longed for too. Doi and Kirimaru's back and forth of "let's go home / i'm home / welcome home" comes up repeatedly in the anime, and Ninmyu 12 as well. Did he not stay with the Yamada because he didn't want to impose, or does he wish to have a family of his own? I genuinely think that meeting Kirimaru made Doi more certain of what he wants to do with his life. After autumn comes winter, which is depicted in the movie through a visual of a young Kirimaru trying to keep warm wrapped in straw and taking shelter from the snow. A snowflake falls on his eye, and when you think that all hope is lost, Yuuki 100% starts playing and it cuts to him together with everyone at Ninjutsu Academy. If Doi didn't get to have springs, he'll give some to Kirimaru! The idea of Doi trying to preserve the little childhood Kirimaru has left and that he himself never got to have is so so so important to me lol. Happousai says "If I have Tenki cut these threes[Rankirishin], even if he were to remember who he is, he wouldn't be able to ever go back to Ninjutsu Academy." It goes back to my initial point that Doi is so central to everyone in Nintama ; with him gone, so is the alternative to war for a good chunk of the cast. It's something I talked about before, but another character who has a strong independent mindset regarding peace and ninjutsu is Isaku. The movie does a great job showing how important Doi is to Isaku as well, but his "health committee" philosophy seems to come from elsewhere...? I talked a little about it in my post about the second movie.

I'm not done with Hansuke's Spring and Autumn yet, I also want to relate it to another song Amako Soubee wrote, 利吉のテーマ Rikichi's theme. The two songs have very similar motifs, depicting nature and the idea of going home. But while in Hansuke's Spring and Autumn, nature is depicted as friendly and comforting, in Rikichi's theme it's a lot colder and distant. For Rikichi, he "has no need for stars" / "the moon is an enemy." For Doi, "the stars whisper / the moon reveals / that someday, I will come back home here" The wind "smiles" for Doi, while it just "makes sound" to Rikichi. In the end, Rikichi only finds comfort hiding in the darkness and turning his back to the dawn... But both songs end with hope among ruins, and both express the same wish to go home.

I talked about Doi being in a personal process of betterment, his relationship to Kirimaru and the influence they have on each other, but I believe it's important to address his relationship with Rikichi too. Little Rikichi showed Doi that he had it in him to teach and care for children, having innate pedagogy even Yamada lacks / lacked at the time?. Rikichi was taught ninjutsu and martial arts in his secluded home with high expectations from his parents that are ninja themselves. He barely got any childhood, the marriage situation of the Yamada is so messy it deserves its own post, so much that a picnic together and away from ninjutsu meant everything to little Rikichi... If there's one thing that characterizes Rikichi in my opinion it's loneliness that follows him into adulthood, and the tragedy of his character is that Doi showed him an alternative to the life he had always led thus far, only to leave soon after. Of course, Rikichi is younger, but I think he's mentally much more fragile than Doi is - again, The Strongest Tactician did an amazing job showing how much of an anchor Doi is to Rikichi, portraying both his anxiety and his relief brilliantly, I love how expressive he is in this. The most telling scene, that shocked a lot of people too lol, is of course when Tenki draws his sword at Rankirishin, Zatto is about to throw him a poisoned shuriken, and a desperate Rikichi grabs his wrist to stop him. First, poison is dripping from that shuriken, so Zatto is wearing a leather glove to protect himself, but Rikichi grabs him without hesitation. Second, and most of all, in the spur of the moment, Rikichi clearly made his choice between Doi-sensei and the children..... It's tragic how Doi has no responsibility to Rikichi in the end, beyond showing gratitude to his parents for saving him. Realistically, had he stayed at the Yamada household, it might have done Rikichi a lot of good growing up, but it would have put Doi in a very uncomfortable position, stuck in the middle of a very shaky and bizarre marriage. Back then, Doi probably didn't picture himself as a teacher, or caring for kids at all, so it makes me wonder how he would tackle little Rikichi's situation had it happened in present time. Would he feel more involved? Could he have "saved" little Rikichi? I have no doubt Doi sympathized with Rikichi's loneliness back then, but did he grasp the extent of it?... What is sure is that while it's certain Doi has a strong influence on Rikichi, Rikichi is also extremely important to Doi. I said it before, but the very first thing Doi remembers when he regains his memories is little Rikichi, after all. I don't want to diminish the bond between Doi and the Yamada at all ; the third movie makes a point of showing Denzou's concern and affection for Hansuke, that he named himself, making him a son of sort. The Yamadas are home to Doi, and even if he wishes for independence and maybe even a family of his own, time spent with the Yamadas and Kirimaru might be far from what he envisions in Hansuke's Spring and Autumn, but it works perfectly as a picture of peace, doesn't it?

Anyways, all that to say that despite the bleak implications of its setting, Nintama manages to remain so cheerful and hopeful in great part thanks to Doi. He grew both as a character and as a person throughout the story, pays for past mistakes and actively tries to do good in the present, symbolizing peace in time of war. Isn't it interesting that what causes his "defeat" against Sonnamon is him trying to protect a bird and its nest? Again, it's quite the simple message, but I'm so charmed by how it's delivered through his influence on the rest of the cast, and how he's portrayed especially in The Strongest Tactician. Doi is also a great bridge between the children and adult audience of Nintama, families watching together of course but in general, him being a reminder of the responsibility we have as adults towards children moves me a lot personally...

That was quite the long rambling.. ahhh.. I love Doi-sensei.

#op #meta #long long lonnnnngggg rambling i love doi.#nintama #nintama rantarou #this almost ended up a Peek Into Rikichis Brain Post also #but i refrained.#movie spoilers

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