#(Like I hope no one important sees this-)

[technically-human]

First meeting

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[edwinisms]

george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that

[ivysos2001]

Anyone who knows anything about Steve Rogers knows he’s the most stubborn person in the world (especially when it comes to people he cares about) so tbh I really can’t see a reality where he gets to vormir to return the soul stone and calmly accepts that his partner and closest friend of the last eleven years is dead and gone and moves on rather than getting there and doing something reckless and insane to try to get her back

[fatedroses]

More than just the Demon.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[feroluce]

I've been yapping at a new friend a lot lately about Boothill & Rappa; she described them as "sidekicks in chaos" and! Yes! Finally!Someone else gets it! They're SO cute and so sweet, I adore them. They speak so highly about each other and they have a lot of respect between them! I love them being friends!

With the way Rappa calls him Lord (vs Ninja for everyone else) and how much she openly admires and mimics him, I'd like to think Boothill was the one that showed her the ropes when she was first brought into the Galaxy Rangers. Mentor/mentee and teacher/student are too strong of labels for how I see them, though.

Rappa and Boothill are like a college senior taking the new little freshman under their wing. Or the much older and more experienced coworker trying to look out for the fresh-faced little newbie who's just entering the workforce.

As for how they met and became friends in the first place, I like to imagine it was a case of Boothill's soft heart and being unable to turn a blind eye to things. ☆

Like Boothill wasn't on the mission where the Galaxy Rangers found Rappa, he was off on his own Hunt at the time. But given that the Galaxy Rangers have a leader (La Mancha) and they do seem to have some kind of organized efforts, I wonder if there's any kind of secret hq, or at least certain places where they tend to congregate, like how the Masked Fools have their taverns. Anyway.

Boothill maybe sees Rappa for the first time at one of these hqs (he came back when he heard there'd been a major breakthrough with Dr. Primitive). Or he maybe just happens to run into that Galaxy Ranger from 2.6 that initially found her, who then just. Wasn't really sure what to do with her after the raid. Boothill walks in all these Rangers sitting around like "well now what" because none of them actually expected Rappa to survive the memetic virus. Honestly, her brain should have fried.

Either way, Boothill comes across her by total coincidence. But I think he'd have a lot of sympathy for her because like. Aeragan-Epharshel had been an uncontacted planet before the IPC came around. And since they were there to fuck the place up, they definitely didn't expose the natives to the rest of the cosmos. To say that Boothill "left" the planet is a massive underestimation- he didn't just leave, he escaped. And when he got out, he was completely alone, with very little idea how the rest of the world worked or how to get by.

And right now, Rappa is much the same.

She doesn't know anything beyond the lab she was held captive in all her life. There's no way they would have allowed her to learn that kind of stuff, and I'm sure Kucha wouldn't have told her out of kindness. It would be cruel to taunt her with things she couldn't have.

So someone needs to teach her The Ways of the World! It's just a matter of deciding who.

Boothill: ...What're you morons doing.

The Rangers, in the middle of a very intense rock-paper-scissors tournament:

And Boothill likes these people. He really does! ...Ok, except that one guy. He's kind of a prick. But the rest of them are at least mostly decent! But he wouldn't trust them to keep a pool, let alone a whole human being. If he lets this girl go with any of these dumbasses, there's no way she'll make it. So Boothill smacks them around a bit and announces fine, he'll show the new girl how to be a Galaxy Ranger! If any of them have a problem with this, feel free to make complaints to his revolver ☆

Rappa watches all this go down with stars in her eyes, because Boothill is just like the heroes in her manga! Wow! So cool!

(When it came time to actually leave though, Rappa made some sad eyes at the Ranger from 2.6 that actually found her- for better or worse, she got a little attached. The Ranger told her to go on! Go! Just get out of here!

It's very important to imagine this like a movie where the kid frees the wild animal they bonded with skhzksksjk)

Afterwards, Boothill does actually take Rappa aside and ask if she even wants to be a Ranger. If she doesn't, it's fine. The Galaxy Rangers do a lot of charity work, and everyone knows someone who knows someone who knows someone. They'll find somebody that can help her figure things out and get settled. She can have an actual life now.

Rappa gives a passionate speech (that Boothill catches about 50% of sdlkfjasdl) about how she wants nothing more. She'd wanted it before she even knew the name for it. This was what she'd dreamed of, laying across the bed in Kucha's room, reading through his manga collection for the nth time.

Kucha isn't with her anymore. He'd died just to get her out of there. But she can take the opportunity he gave her and make the most of it. She can still keep her dream alive.

So yes, Rappa wants to be a Ninja Hero. Please teach her!

(Boothill: Bein' a Galaxy Ranger ain't easy shirt. Ya gotta be able to hold yer own in a fight. Can ya even do that?

And then Rappa fucking suplexed him and Boothill was like ok so the first parta bein' a Galaxy Ranger is- JSJJSJDKSK)

They're mentioned together so much outside of the main game, too. So I'd like to think even after Boothill passed on to Rappa all the street smarts he could, they still remained pretty friendly, and make the time and effort to meet up whenever they pass nearby. They just ended up getting along so well!

Like no, they don't see each other very often. They're each on their own separate Hunt. Galaxy Rangers still largely work alone. But they're the kind of buddies that can still happily greet each other the same even after months of not speaking. ♡

(Clutching my heart imagining Boothill telling Rappa she is now a full-fledged Ninja Hero, and she is now strong enough to make her solo journey! But he does give her his phone number. And he tells her that if she's in trouble- like real, real bad trouble- call him. Call him and he'll come runnin', to any corner of the galaxy, ok?)

[northern-passage]

a little update.. what i'm working on/prologue changes so far:

no prologue! it’s chapter 1 now

removed the option to leave clementine behind. you have to take them with you :3c

removed height options (sorry!)

in general, edited the cc to flow better

combat preferences have been adjusted-- all still the same but i've made it more obvious how each specialty works mechanically which will hopefully make fights more intuitive to win (or lose, if you want)

genderlocked the sibling. officially a Sister

edited a LOT of dialogue; hopefully it's an improvement and feels more natural

restructured the wraith fight so that it's consistent with the fight in blackwater. with the changes made to the combat preferences this should make the combat system overall cohesive now <- i'm still working on this currently but i am HOPING to finish it by the end of this month.

i have pretty much rewritten the entire prologue. wasn't my plan at the start but here we are... so things are quite different. but also the same. i also streamlined a lot of the choices & branches and cut/combined ones that i felt were just excessive.

i plan to update once i've finished making & importing these changes, and i will probably limit the demo to chapter 1 (previously the prologue) until i get through and edit chapter 2 (previously chapter 1) because i really don't want to have the demo be inconsistent for however long it takes me to get through the next edits. hopefully this will not take that long, and then i'll put chapter 2 & and part 1/what's already been published of chapter 3 back up. and then!!! i will move on to finishing chapter 3.

i know this probably isn't the update you all were hoping for but i'm excited for the next steps with tnp :-)

[cent-scratchnsniff]

something bad did indeed happen to that man. spent abt 25 minutes trying to find a better picture of that one (1) offical piece with his eyes open that wasnt compressed or tiny

[lokh]

what do you think toshiro's version of laios would've been like if he was still with the group during the shapeshifter shenanigans

there have been a few speculations in the tag and among the fans and they are all very good SO i am going to take this opportunity to insert a bit of my shipping bias as i like in my interpretation LMAO agdsfgdfgv

i noted that in actuality shuro seems to have a very good grasp on laios' character??? this is most obvious in the manga later on but even seeing how he criticises laios in their fight... iirc nothing he says is actually untrue or wildly exaggerated, and while he does express frustration over something he feels like laios Should have control over (noticing his cues), he is also aware that laios isnt being malicious and that hes Just Like That. what i mean to say is that while i think his version of laios may seem more pushy and in-your-face, i dont think it will be overwhelmingly so. if its post-fight, i think the idea of laios (and marcille) being willing to do anything to get falin back made a big impression on him, as well as the idea that they need to eat and rest in order to succeed in their goals, so those aspects would be prominent in his version. he seems pretty observant, so i think for the most part the physical traits would line up, but i think there would be specific things that stand out to him that would appear strangely striking on his version of laios (like. idk something about his eye colour or the subtle contrast of his armour and chainmail. he seems to have a weird sense of aesthetics if extras are anything to go by lmao). if hed actually been paying attention all those times laios had gone on about what the hell ever, then it might be even MORE hard to tell apart his version since he would also have a good grasp on what laios should know. so either his version of laios is pretty difficult to pick out, OR despite the character being accurate his appearance is too. stylised lmao (exaggerated features or something) OR!! they just get him to pull out his monster gourmet guide thing and are able to tell from there. iirc everyone was surprised at its appearance so its possible toshiro had also never seen it before

IN MY IMAGINARY SHIPPING SCENARIO............ lets say that his laios isnt able to be picked out immediately and that the monster guide thing also doesnt immediately occur to anyone. what the real laios Specifically notices is how close this other laios keeps getting to shuro. and hes like. ??? why is he getting so close to him, theres no way i get that close to him??? but no one else seems to be picking up on it as weird, so hes having a small crisis like do i REALLY get that close to him???? and now that hes on the outside he notices shuro subtly leaning away and he feels both a wave of shame and..... protectiveness??? (JEALOUSY??????) and he immediately steps in and grabs him like Hey!!! cant you see hes uncomfortable???? weve been through this already!!! and like. ok i cant believe im doing this again but i need to separate this into different endings

a) the whump route: i dont think shuro ever envisioned Actually Telling laios about his frustrations outside of being basically cornered into it. has he ever spoken up against what was expected of him?? has he ever been confrontational???? i think part of what held him back from expressing his frustrations, along with the cultural norms, could be fear of what the reaction would be. if he had done the same in any other aspect of his life (his family, his inheritance), i think he would expect disappointment, disapproval, more proof that he doesnt add up to expectation. to be honest i dont think he Truly believes that laios is the type of person to react like this. but it was strong enough to prevent him from acting and i think would be projected onto his image of laios. maybe fake!laios says something dismissive like Well if it really bothered him hed say something right? what, he cant even stand up for himself? cmon, shuro, prove that you cant handle it just like everything else. and thats pretty much the fastest giveaway that it isnt really laios. of course this would be a HUGE tonal departure from what the actual episode/chapter was, so:

b) the dumbass route: both laioses break into fisticuffs, and, yes.... barking. and so they speedrun the entire encounter as the shapeshifters true form appears and, after laios points out that thinking too hard about others versions of you can tear apart groups and peace of mind, they pointedly do not speak of it again. they think about it though. a LOT

c) the normal route: both laioses argue normal like and the group ends up being able to tell them apart because the fake laios goes on a little too long about how theyre all here for falin and everyones like ok its not like he DOESNT love his sister but.......... the rest of the scenario probably goes like canon, though then i would want to see what everyone Else thought of shuro

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[muchmossymess]

uh oh guys, hot take alert:

i think revali may have invented hand held aerial archery HEAR ME OUT- (this is a long one boys)

okay. evidence one: why the fuck would a rito shoot like that. like, it makes nearly zero sense, it would be such a hindrance to their flight and their main stake is that they can be higher than you can shoot whilst still pinging you... which revali has overcome with his gale

evidence two: tulin and the concept arts. obviously rito style archery would be held in their talons. before totk came out idk if anyone had really thought about it too much, but the developers had, as you can see in concept art (from the creating a champion book). and like, its logical, powerful, and allows for peak maneuverability. also, when in flight revali (and teba) holds his bow in his talons before switching to his wings. surely its easier to keep it in your wing (obvi ignoring the effects to flight but hes doing that anyway firing the damn thing) rather than switch back and forth- unless you were taught that way, because why would you hold it elsewhere, you need it in your talons to shoot.

evidence three: we dont see any other rito do it (...kind of). throughout botw and totk, we never see another rito flying with a bow in their hands. in totk, its mostly tulin, who holds it in his talons, but in botw the big one is teba. during the medoh quest, he actually gives *link* his bow, and therefore does no shooting in the sky. teba and harth had both tried to take on medoh before, but we never see this, and while they holds their bows in their hands *on the ground,* we dont see it.

...except for aoc (uh, spoilers?). there are two times we see a rito other than revali hold their bow in their hand for aerial archery. but it is not with any rito soldiers, either during cutscenes (the bows are only on their backs) or gameplay (they swoop down, and then hand hold bows on ground. they arent seen flying at all but thats prolly for the same reasons as botw: its very hard to code that (and so they write the lore around that fact)). the first time we actually see another rito do this, we dont see it. Its teba, as he comes thru the portal, but all we see is the arrow shot, and then him freeze frame with the bow in one wing. we dont see the bow in his hand for the rest of the fight. the second time we actually see him fighting like this, it *is* in the air, but its noticeably different to revali.

hes a lot slower, it clearly takes a LOT more effort to shoot the bow, and he only pulls off one arrow at a time. its canon that revalis bow is heavier/harder to draw, and he manages to effortlessly stream arrows whilst fucking floating midair. i think teba, forever a revali fanboy, heard of how the champion mastered his own style of archery and sought to teach himself, but lacked one key thing: revalis mastery of wind.

evidence three point five: revali could easily use his powers to hold him in the air longer/slow his descent long enough for him to fire his shots. it makes sense, really. if he can use his gale to propel him, he can sit on the updraft for a hot sec, or even curve the path to carry him along while he lines up the shot. this would mean he wouldnt need to flap as much as other rito, who would obviously need to keep flying

evidence four: revalis fighting style and his needs. revali works with non rito, obviously. he needs to be able to communicate with them on the battlefield, and they wont understand the muffled chirps if he holds his string in his beak, so he needs his mouth free to speak hylian. also, revalis main tactic is fly up with gale, shoot, fall, either shoot more or use velocity and weight to knock around opponents, and then fly back up. he often needs both feet planted firmly on the ground to get a good hold of his gale, something that is harder to do if you have a bow in the way.

also, take for example the kick he delivers link in their fight (aoc). that would possibly damage the bow, or give the opponent a chance to grab his weapon, if he held it in his talons. and to switch from feet to back is a risky maneuver during freefall, and could lose precious seconds, and then when you get back in the air you need to get it off your back again. its much easier to keep the bow loosely in your wing the whole time, meaning your free to attack melee, land and rise all while not wasting a single moment getting your next shot lined up.

so yeah, i think the rito used the talon grip for aerial archery, and would often use the hand held method on the ground for a variety of reasons (more powerful shots?, easier in some situations like hunting), but revali was perhaps the first to use hand held aerial, another reason he was one of the greatest archers ever.

[kiyomitakada]

impromptu meta at 2 — oh wait 1 in the morning thank you daylight saving time

the thing about light yagami is that we all know he is repression incarnate. and we also know that kira was born out of his desperate need to justify sort-of-accidentally killing two people. and so therefore kira isn't what light's repressing, not at the outset; kira is an extension of his repression.

and the death note and his need to hide it very quickly takes over light's life. so it's easy to say that light is light yagami on the outside and kira on the inside, and maybe light feels that way. but. kira is just as much a persona as light yagami. a more hidden persona, but still not the real him, whoever that is.

and the thing is that no one sees past that. ever. most people obviously fall for the charming boy act, but even the detectives — L, near, mello — god, even ryuk stops at part two. i think a lot about how L set up the mock execution because he thought that kira would have killed his own father if necessary. can you see light doing that? eighteen-year-old light yagami who said "if anything happens to you, dad — i'll see that kira gets the death penalty. i swear it."? remember when ryuk laughs at how good an actor he is afterwards and light doesn't look at him?

light never thinks kira is evil. even in yotsuba arc he acknowledges that they think very similarly, just that kira has gone too far. (ha, ha.) for all of death note light yagami is light yagami, who says if kira wins then kira is good, who has convinced himself he is doing the right thing. he gets frustrated when other people don't perceive him the same way — lind l tailor, misa killing police chiefs while pretending to be kira — but the anger has nowhere to go other than murdering more people.

light yagami is kira is light yagami. but L, ryuk, everyone doesn't manage to see through kira in the end.

and after L dies, well. no one will ever measure up to L, in light's eyes. he almost idolizes him in the weirdest way possible. so maybe, he thinks, if the only person in the world who could ever possibly see all of him (this isn't true, it's just what light believes) thought he was just a murderer, then maybe —

i think he hollows himself out in the second arc. in the anime he seriously considers killing sayu; in the manga he never does that but justifies his unwillingness to himself by saying that this way soichiro and light won't come under suspicion (they weren't going to in the first place). light doesn't really have a sense of self. L said he was evil and of course L is wrong — was wrong — will always be wrong — but isn't it easy to play into that stereotypically evil image of himself? especially after soichiro, his last moral compass, dies: isn't it easy to nullify misa's memories, to say she's not intelligent enough to be my partner, to kill kiyomi in the most painful way possible?

("light would have done the same things in the first arc!" sure. but not with that much callousness.)

it's just. it's tragic, you know? light has always pretended to be nicer than he is but he isn't the cold any-means-necessary person they thought kira was either. he is constantly playing someone he thinks he is but he can never escape being light, in the end.

does this make any sense do i sound insane

[stormofdefiance]

I wanted to share some wee thoughts about Ratio’s E6 art & why I believe it is a symbolic parallel to Michelangelo’s David. This speaks to both Ratio’s humanist beliefs and possible future plot points.

Ratio’s E6 is Vincit Omnia Veritas or Truth Conquers All. I’ve heard it claimed (although I have no idea if it’s explicitly stated anywhere?) that the character’s E6 art represents them at their innermost core, an honest and deeply vulnerable shard of themselves. Evoking David here is an interesting choice; the biblical figure who, using nothing but a stone and sling, took down the tyrannical Goliath. The parallel is perhaps as simple as this: Ratio views himself - and by extension the truth - as the underdog, someone never accepted into the Genius society, forever to be kept from Nous and THEIR gaze, but nonetheless will, in the end, prove himself the final victor. Truth will topple the seemingly unconquerable, whatever that might be.

But I also think Michelangelo’s David is a specifically interesting parallel to draw on from a historical perspective. Ratio is pretty much the textbook definition of a renaissance man - he is a philosopher, a scholar, interested in medicine and science and the vast array of human achievement. He speaks in Latin (the language of education during the renaissance in Europe that allowed the transmission of information without having to rely on translation) while heavily styling himself on Ancient Greek symbols and drawing from Greek philosophy (often seen at the time as more ‘sophisticated’ and interested in ‘wisdom’ than the contemporary ‘militaristic’ Romans).

Michelangelo’s David was the first colossal marble statue to be carved since antiquity, and it came to be a symbol of the renaissance itself. This is interesting to me for Ratio and what I believe are his humanist beliefs. Humanism was an ideal that propagated during the renaissance that championed the belief that man had beauty, dignity and worth that deserved as much respect and adoration as any deity. Keep in mind this philosophy was emerging following the Middle Ages and at a time where religious institutions across Europe held exorbitant and sometimes absolute power. David as a statue is an ode to the sublime beauty of the human body, completely unashamed and uninhibited in his gigantic nakedness (Doctor! You’re huge!) retaliating against the idea that prominent idea at the time that man’s body is inherently sinful. The humanists sought to recenter humanity, and David became a symbol of man’s independence against the seemingly unconquerable might of the Church.

Consider how Ratio centres humanity in his Simulated Universe project, how he values every life, how interested he is in constant self-improvement. How this symbol - of not just the renaissance but of the re-centring of humanity itself - becomes an echo of an effigy fixed in the centre of his soul.

Ratio has never - as far as I’m aware? - stated or hinted at any desire to overthrow the Aeons or even disparage or rubbish them, but it is clear to me that he believes in the strength man can draw on despite them, through sheer force of intelligence and clever planning and fiercely independent thought, the weak can ultimately overcome, or at least stand shoulder to shoulder with, the strong. Perhaps this will become a more pertinent plot point in the future - who knows? - but this was fun to chew through nonetheless 🫶

[skrunksthatwunk]

landing

[ealyblu]

Imeka's less rook and more, at least, three(3) magpies stacked on top of eachother