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sunsburns · 25 days ago

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wanna be yours — vi (league of legends) !

⟢ synopsis. in the gritty underbelly of zaun, you find yourself entangled in the life of a new pit fighter: vi, a hardened fighter who wears her pain like armour. as a medic working in the fighting pit, you are tasked with patching up her wounds after matches, and you realize that while you can heal vi’s injuries, you can’t mend the broken pieces of her heart that belong to someone else.

⟢ contains. afab!reader, arcane!vi, feminine characteristics, angst, lesbians, lots and lots of longing, kinda enemies to lovers (but worse), nsfw, fingering, 17+ kinda explicit.

⟢ word count. 15.2k+

⟢ authors note. i spent the last few weeks working on this fic and i am really happy with how it turned out!! eek!! happy reading!! <3 :)

You’ve grown used to the sight of blood.

It streaks across the tiled floor in dark smears, trails on the edge of your workbench, and stains the tattered cloths shoved into the waste bin. The scent of copper lingers in the air, mingling with the faint tang of disinfectant.

You’ve made it work, though. You have to.

Your bench is lined with the tools: sutures, gauze, tape, and a half-empty bottle of antiseptic you’ve been meaning to replace. You keep it organized, and meticulous because chaos out there demands control in here. The pit fighters appreciate it, and you, in their own way. There’s always a pep in their step when they leave your little corner, heading to the bar with fresh bandages and a story to tell.

Some linger longer than they need to, chatting while you clean up. The regulars know your rhythm—when to crack a joke to ease the tension or when to stay quiet and let you focus. The brawlers come to trust you, and trust is hard to come by lately.

Maybe it was because you weren’t trying to punch the lights out of their eyes.

The room itself is far from perfect. Cramped, poorly lit, and barely adequate, it feels more like a storage closet someone forgot to clear out than a proper medical station. You’ve done what you can to make it your own. A few paintings hang crookedly on the walls—cheap prints, but bright enough to cut through the gloom. Candles flicker in the corners of your desk, casting a soft glow that doesn’t do much for the lighting but makes the space feel warmer, more welcoming.

The pit fighters notice. They never say much about it, but you catch the way they relax when they sit down, their shoulders loosening just slightly as the room wraps them in its quiet. It’s your small rebellion against the harshness of Zaun, a reminder that even here, there’s room for gentleness.

Sometimes they repay that gentleness in their own way—a drink after a fight, a nod of thanks, or a protective presence when the streets get dangerous, walking you home. You’ve been here long enough to know that loyalty is rare in Zaun, but somehow, you’ve earned it.

The fighting arena roars with life, the crowd’s cheers rumbling through the walls like distant thunder. Tonight’s fights have been loud—louder than usual. People running around with their coloured tickets based on who they were betting on. You glance at the clock.

There’s been a buzz all week about a newcomer, someone fresh and untested.

Vi, they call her.

Scrappy and wild, with a chip on her shoulder and fists to match. The kind of fighter who comes in all swagger and leaves in pieces.

You haven’t met her yet, but the bookies’ chatter alone has you bracing yourself. First fights are always the worst—too much pride, not enough sense.

The door rattles, hard enough to make the jars on your shelf tremble and you can hear muffled shouting from the other side.

It slams open, rattling on its hinges, but you don’t look up right away. Your focus is on threading a needle carefully through the gash along the side of Ryker’s jaw—a nasty wound from an earlier fight. Ryker’s been coming here for years, but never with complaints. He’s one of the good ones, fighting not just for himself but for his daughter, scraping by on the cash these matches earn him. He sits hunched over, still radiating the heat of adrenaline.

“Don’t fucking shove me,” a voice grumbles from the doorway. “Fuck off, Loris!”

Your attention shifts to the two figures stumbling into the room. One of them—a broad-shouldered man with a face like he’s eaten rocks for breakfast—could easily pass for one of the fighters. But it’s the girl he’s dragging by the arm that catches your eye.

She’s all jagged lines and sharp edges, her messy, dark pink hair sticking up in uneven tufts. Blood drips lazily from her nose, smudging against the back of her hand when she wipes at it, and her scowl is carved so deep it feels like her only expression.

“I don’t need a medic,” the girl—Vi, you hear the man mutter—snaps, yanking her arm free. “I need a drink.”

“Protocol,” He replies flatly, giving her a shove that nearly sends her sprawling.

Vi catches herself with a stumble, shooting him a glare before surveying the room with obvious disdain. Her gaze lands on you, and her lip curls faintly. “This it? Cozy,” she mutters, her voice dripping with sarcasm.

You ignore her, focusing on the final stitch on Ryker’s jaw. “You can take a seat,” you say evenly, nodding toward the empty couch by the far wall.

“No thanks,” Vi shoots back, shoving her hands into her jacket pockets. She leans against the wall instead, glaring at nothing in particular.

“Too proud to sit down, blue belly?” Ryker mutters, casting a sharp glance from his seat. His voice is low, edged with a warning. “Or has the guilt of hunting your own finally caught up with you?”

“Ryker,” you say softly, your tone a quiet scold. The last thing you need is a fight breaking out here.

But his words make you look at Vi more closely. Her features are familiar, in a vague, nagging way. It clicks as you take in the hard set of her shoulders, the stubborn way she holds herself, and the bruises already blooming across her cheekbone. A new batch of enforcers had swept through Zaun a few weeks back, leaving havoc and clouds of Grey in their wake. They’d brought their brutality, painted their violence into the walls of the city, and then disappeared like ghosts, leaving Zaun more broken than before.

That’s how it usually went with them.

However, you had never heard of someone from the undercity becoming an Enforcer before.

Vi scoffs, slurring her words just slightly. “I don’t know—d’you wanna find out?”

You pause, needle halfway through a stitch, tension coiling tight in the air. “Don’t,” you warn softly, already sensing where this is headed.

Ryker shifts forward on the bench, his battered knuckles flexing. “You wanna go another round?”

Vi pushes off the wall, stepping closer. “You wanna lose again?” she challenges, her voice low and sharp.

“That’s enough,” you snap, moving quickly to step between them. Loris mirrors your movement, his larger frame serving as an immovable barrier.

“Sit. Down,” Loris growls at Vi, his glare enough to make her hesitate. With a huff, she leans back against the wall again, though her fists remain clenched in her jacket pockets.

You shake your head and turn back to Ryker, finishing the last stitch with practiced ease. “You’re done,” you tell him, rummaging through your cabinet and handing him a small bottle of pain meds. “Keep it clean, change the bandage twice a day, and stay out of trouble—for your sake and your daughter’s.”

Ryker stands slowly, still throwing a glare Vi’s way. But his expression softens when he looks at you. “Thanks,” when he says your name, his voice is warmer than before. “You’re too good for this place.”

You offer him a faint smile. “Take care, Ryker.”

He leaves, brushing past Vi with a grunt, and the room feels quieter—tense but quieter. You turn your attention to the newcomer, who’s leaning against the wall, her posture relaxed but her eyes sharp, tracking your every movement.

“Alright,” you say, already washing your hands and gathering fresh supplies. “Your turn.”

Vi doesn’t move from the wall. “I’m fine,” she insists, “patch up the ones who actually need it.”

Your gaze flicks over her—the bloody nose that’s started to run again, the gash seeping through her sleeve, and the raw swelling on her knuckles. “Sit,” you say, your voice firm.

She doesn’t budge.

You meet her gaze, letting the silence stretch uncomfortably long, a quiet standoff neither of you seems willing to break. Your fingers tap once against the counter, but your glare doesn’t waver. You won’t repeat yourself.

Loris, the man who dragged her in, steps forward with a roll of his eyes, giving her a nudge with his elbow. “Sit down, Vi.”

She winces at the pressure on her back, her bravado faltering for just a split second. With a low grumble, she finally drops onto the bench, slouching with exaggerated indifference, her arms crossing tight over her chest.

You grab a clipboard and step closer. She watches you like you’re some kind of nuisance.

“Name?” you ask, clicking your pen.

“Vi,” she mutters, her eyes fixed on the far wall.

“Vi what?”

“Just Vi.”

You suppress a sigh. “What’s your full name?”

“I said, just Vi.”

There’s an edge to her tone, enough to make you glance up. Her jaw is set, her expression daring you to press the issue. You don’t. Instead, you scrawl it down and move on. “Fine. Age?”

“Old enough to fight.”

Your pen stills mid-note, the corners of your mouth tightening as you resist the urge to roll your eyes. “Of course, you are,” you say dryly, setting the clipboard aside with a little more force than necessary. “Alright, let’s start with the obvious,” you say, gesturing at her face. “Your nose is bleeding. Tilt your head back.”

Vi’s brow arches like you’ve just said something funny. “I said, I’m fine.”

“And I said, tilt your head back,” you reply, your voice steady but no less firm.

Her gaze sharpens, a flicker of defiance lighting in her eyes, but she tilts her head back with a dramatic huff. “Happy?”

You ignore her tone, stepping closer to inspect the injury. The faint scent of sweat and iron lingers between you, and for a moment, you notice the heat of her skin where your gloved fingers gently tilt her chin.

“Doesn’t feel broken,” you mutter, reaching for a clean cloth to dab away the blood. She flinches as the fabric touches her skin, her muscles twitching under your fingers. “Relax,” you say softly. “I’m not going to hurt you.”

“Could’ve fooled me,” she mutters.

Your hand falters, just briefly. There’s a weight to her words, a sharpness you weren’t expecting, but you push past it. “Well, I mean it,” you reply quietly.

Her silence stretches as you work, less hostile but no less charged. The closer you look, the more details you notice: the faint scars lining her skin, the inked letters etched into her cheekbone, the edge of a tattoo just barely visible beneath her collar, and the faint shine of her silver nose ring.

“Jacket off,” you say, gesturing to the gash on her arm.

Her gaze snaps to yours, wary and sharp. “Why?”

You give her a flat look. “Because I can’t stitch it through fabric.”

For a second, she doesn’t move, her body tensing as if bracing for something. Then, with a muttered curse, she shrugs out of her jacket, tossing it onto the bench beside her.

Her arms are a mess—old fighting hand wraps soaked with blood and dirt wrapped tightly around her forearms. You offer to replace them, but she cuts you off. “I’ll do it myself.”

You let it go, focusing instead on cleaning the fresh wound. Her muscles tense every time you touch her, but she doesn’t flinch again. “You can relax, you know,” you say, trying to sound light. “I’m just trying to help.”

Vi lets out a bitter snort. “You’re not the first to say that.”

You pause, but you don’t press. She’s lashing out on you. That’s the most you can make of it.

The silence stretches again as you stitch the wound, her eyes watching you closely, unreadable. When you finally glance up, your movements stilling, she shrugs.

“What?” you ask, unable to help yourself.

“Nothing,” she says, leaning back.

You hold her gaze for a beat longer before shaking your head and returning to your work, wrapping the freshly stitched wound with clean bandages. She stays quiet, watching until the silence becomes heavy again.

Then, without warning, she speaks, her voice quieter but cutting. “You know, you’re wasting your time on these people. Half of them wouldn’t piss on you if you were on fire.”

The words hit like a punch, sharper than anything she’s said before. You freeze mid-motion, your fingers hovering over the bandage as you process her bluntness. Slowly, deliberately, you resume wrapping her arm, tucking the end of the bandage into place with more care than you think she deserves at that moment.

“Good thing I don’t do this for their gratitude,” you reply evenly, though the edge in your voice betrays a flicker of irritation. You’re trying not to let it get to you.

She’s new. Clearly, she’s fighting off some kind of pent-up frustration. She must have anger issues or something. You wonder how many hits Ryker got on her before she knocked him out.

Her chuckle is low and humourless, more of a scoff than anything else. “Right.”

You hope he got a solid six or seven punches in.

You step back, peeling off your gloves with a deliberate snap. There’s a moment where you consider saying something more, but you swallow the impulse. Professionalism, you remind yourself.

“You’re all set,” you say curtly, gathering up the soiled supplies. “I’d suggest taking tomorrow off. You know, to let the wound heal before you go back out there.”

Vi grabs her jacket, standing in a single fluid motion. She doesn’t look at you when she replies, her tone casual but dismissive. “I’ll live.”

You wish Ryker had broken her nose.

You shake your head, already turning back to tidy your workstation, unwilling to watch her saunter out.

Loris, standing by the door, offers you a small, almost apologetic smile. “Thanks,” he says, his voice warmer than hers ever was.

You manage a smile back, but it’s shallow, worn. The door swings shut behind them, leaving you alone in the cramped room. The exasperation settles in like a weight, not heavy but persistent.

For a moment, you stand there in silence, staring at the supplies on your counter. You shake your head again, this time at yourself.

What the fuck is her problem?

You know you shouldn’t be surprised when Vi stumbles into the medic room again the very next day. The fights at Antis’s brawling ring are infamous for their relentless schedule, especially on weekends when the bets come pouring in before sundown. It’s barely dusk now, but the underground buzz is already unmistakable—the muffled cheers and jeers vibrating through the walls.

Vi comes alone this time—or at least she leaves Loris waiting outside the door. You catch a brief glimpse of him through the crack in the door, leaning against the wall with a drink at his lips, shaking his head like this is just another day for him.

The door slams shut as Vi shoulders her way in, her boots heavy against the floor. She’s holding one hand against her face, blood dripping sluggishly through her fingers and trailing down her arm.

You have to bite back a smile at the sight.

She’s ditched her jacket, and the sleeveless collared top she’s wearing looks like it’s seen more fights than she has—worn thin, patched up in places, and stained with a lifetime of blood and sweat. Her hand wraps are shredded and still filthy, hanging loosely around her forearms. The gash on her arm has reopened, the stitches torn apart as if they were never there to begin with.

You take all of this in within seconds, and something tightens in your chest—a mix of frustration and satisfaction. “You can’t fight back-to-back nights,” you say, your voice sharper than intended as you grab your gloves and a fresh set of supplies.

Vi grunts, brushing past you to sit on the bench. “I can do what I want,” she snaps, her words muffled by her hand still pressed to her face. Her defiance is unshaken, but the tremble in her shoulders gives her away. She’s hurting.

Now you start to feel bad. But just a little bit.

You’ve seen this before—new fighters crashing into the medic room with the same mix of bruised pride and bloodied skin. They fight like there’s no tomorrow, each punch is thrown carrying something more than just adrenaline. Some fight for money, some for escape, and others just because they don’t know how to stop. There’s always a reason. You can’t help but wonder what—or who—Vi is fighting for.

With a quiet exhale, you turn to the counter and grab your supplies. The clatter of tools fills the silence as you steel yourself for the inevitable pushback. “Let me guess,” you say, glancing over your shoulder at her. “Antis needed someone to keep the bets high, and you couldn’t say no.”

Vi drops her hand from her face, and for the first time, you see the full extent of the damage. A deep bruise blooms across the bridge of her nose, nearly swollen shut in one eye, while blood smears across her mouth and drips down her jaw.

She glares at you through the mess, her voice sharp. “It’s none of your business.”

“No,” you admit, stepping closer and gesturing for her to tilt her head back. “But I’m the one who has to patch you up. So humour me.”

She scoffs but tilts her head back, letting you inspect the damage. Up close, the bruise looks worse—angry and dark, already spreading across her pale skin. Her nose isn’t broken (unfortunately), but it’s close, and the blood smeared across her upper lip makes her look like it’s been bitten off. You grab a clean cloth and start wiping the blood away. Your movements are brisk but careful, and she winces slightly as you press the cloth to her skin. Still, she doesn’t pull away, just sits there stiff and unyielding.

“You’re going to tear open the stitches every time you fight like this,” you mutter, reaching for the antiseptic. “You’ve gotta take it easy. I know how these guys fight out there—”

“I don’t need your pity,” she cuts in, her voice sharp enough to cut glass.

“Not pity,” you reply, keeping your tone even. “Just words of advice.”

“I don’t need that either,” she snaps, her jaw tightening as you dab antiseptic on the wound. “Just patch me up so I can go. I’m only here because Antis won’t clear me for my pay otherwise.”

“Yeah, it’s protocol,” you say, capping the bottle and setting it down beside you.

“It’s stupid.”

“It was my idea.”

Her head jerks slightly, her eyes flicking toward you for a beat. There’s something almost vulnerable in her expression before she quickly looks away. She doesn’t answer right away, her gaze fixed firmly on the far wall. When she finally speaks, her voice is quieter, almost bitter. “...Still stupid.”

You smile faintly as you reach for fresh bandages. “Yeah, well, stupid or not, it’s keeping people alive. Even stubborn ones like you.”

Stubborn is definitely a nicer word than what you really want to say.

She doesn’t respond, and the silence stretches between you as you unwrap the old bandage around her arm. Her fingers twitch against her thigh, like she’s itching to leave, but she stays seated, her posture rigid. You can’t tell if it’s pride or exhaustion keeping her there—or maybe both.

For the rest of the session, Vi is quieter than usual. Her sharp retorts are replaced by a heavy silence that seems to weigh down the air in the room. Outside, the muffled roars of the crowd echo through the thin walls.

As you work to clean and re-stitch her arm, you glance at her every so often, noting the way her jaw tightens and her fingers tap restlessly against her thigh. It’s like she’s bracing for a blow that might never come, her body constantly coiled, ready to spring.

You take a step back, pulling off your gloves with a snap. “You’re good to go,” you say, your voice softer now. “But you need rest.”

She snorts, grabbing her jacket off the bench without looking at you. “Can’t rest. I’m on a winning streak.”

You arch a brow. “You’ve only been here two days. I wouldn’t count that as a streak.”

“Don’t really care what you think.”

“You should. You’re sleep-deprived, by the way. Your eyes barely focus. Get more sleep. And you need to drink more water.”

Vi huffs a dry, sarcastic laugh, “Sure, doc. Whatever you say.”

You want to argue, but she’s already out the door, leaving behind only the faint scent of iron and the lingering weight of words left unsaid. Loris nods at you through the open door as she stalks past him, his gaze flicking back to you briefly.

The door swings shut behind them, leaving you alone with the distant hum of the crowd and the bloodstained bench. For a long moment, you just stand there, staring at the scraps of torn bandages scattered on the floor, the mess she left behind.

It’s not long after that you learn her name is Violet.

The knowledge of it nearly makes you laugh.

Violets. You’ve never actually seen them, but a friend of yours, a painter, once gifted you a piece featuring soft, delicate purple blooms. It hangs over your bedside table, a rare touch of beauty in an otherwise bleak city. You like to imagine those flowers are violets, though you’re not entirely sure. Flowers aren’t exactly a common sight in Zaun.

The irony of her name strikes you every time you think about it. Violet. There’s nothing soft or delicate about her—not the way she fights, nor the way she speaks to you.

She didn’t tell you her name herself, of course. That would require her to speak more than three sentences in your direction, which feels like an impossible feat. No, funnily enough, it was Loris who let it slip, though you suspect he knew exactly what he was doing. It wasn’t much of a ‘slip’ rather than straight-up telling you her name.

It happened a night at a bar near your work. You’d gone with some friends, seeking a much-needed reprieve. The bartender, a friend of yours, had slipped you a couple of free drinks, and in a haze of warmth and exhaustion, you noticed Loris at the bar. He looked out of place, all gruffness and silence amid the lively chatter, so you invited him to join your table.

Several drinks in, your curiosity got the better of you. You leaned closer to him, your voice barely cutting through the music and chatter as you asked him about his pink-haired friend.

Loris wasn’t much of a talker, you realized. He’d spur out a few words or two, maybe a grunt or nod.

Loris made a face, his usual stoic front slipping just enough to reveal a flicker of amusement. He leaned in, his breath heavy with the scent of cheap beer, and gave a rare grin. “Sleeping,” he said simply, before adding, almost as an afterthought, “Her name’s Violet, by the way.”

Violet. You didn’t expect that, and it must’ve shown on your face because Loris chuckled softly.

It doesn’t take long for her name to start climbing the ranks at Antis’s. Fighters and spectators alike talk about her with equal parts fear and admiration. “Antis’s money-maker,” they call her, and it’s not hard to see why. When word spread about the unbeatable pink-haired girl, business began booming. Crowds flooded in, the promise of blood and spectacle drawing them like moths to a flame.

At first, she was just another new fighter, opening matches against scrappy, overconfident rookies. But that changed quickly. Within weeks, she was headlining brawls, her name alone enough to pack the stands. She didn’t just win—she dominated, often taking on two, three, even four opponents in a single night. And you? You kept count. You had to.

She tore through supplies faster than you could restock them. Bandages, antiseptics, meds—all of it consumed at an alarming rate. You’ve patched her up more times than you can count. But what stands out most isn’t just the state of her after a fight—it’s what she leaves behind.

Her opponents don’t come to you for minor injuries. No, they stumble in half-broken, their faces smashed and unrecognizable. Each night growing worse for wear. She fights with a ruthlessness you’ve rarely seen, a fury that feels almost personal. You can’t help but wonder what drives her. Is she trying to make a point?

She’s changing, turning into something the crowd craves. Her old, worn clothes have been replaced—black jeans, already ripped at the knees, and a sleeveless black tank that clings to her frame. She’s losing pieces of herself, or maybe just hiding them.

You still can't believe that there's a girl named Violet out there beating the shit out of people for money.

One day, you accidentally walk into her in Antis’s office. You’re here to drop off some invoices for medical supplies, your mind preoccupied with balancing the clinic’s dwindling stock against the rising demand. But when you open the door, you find Vi and Antis inside, deep in conversation.

Antis looks up first, his sharp eyes narrowing at your intrusion. “You’re early,” he grunts, though there’s no real annoyance in his tone. If anything, he seems amused. “Perfect timing. We were just talking about her look. What do you think?”

Vi shifts uncomfortably, her arms crossed over her chest. She doesn’t meet your gaze, her expression unreadable. You glance between them, caught off guard. “Her… look?”

Antis gestures to Vi with a sweep of his hand, his grin wolfish. “Yeah. Gotta sell the whole package, y’know? The crowd loves her, but they’ll eat up a good aesthetic, too. We’re thinking something that screams ‘unbeatable.’ Right, Vi?”

Vi’s jaw tightens, and for a brief moment, you think she might snap at Antis. But she doesn’t. Instead, her gaze flicks to you, like she’s waiting for something—your reaction, maybe, though you can’t figure out why it matters.

You clear your throat, hoping your voice doesn’t betray you. “She doesn’t need to change anything. She’s already pretty... unforgettable.”

Antis’s booming laugh fills the room, but you barely hear it. Your focus is locked on her. Something flickers in her eyes—a fleeting softness, vulnerability, gratitude, maybe?—before she schools her expression and looks away. You tell yourself it’s nothing, just a trick of the dim light.

A few days later, she shows up in the medic room again. But this time, it's different—she’s not limping in, not dripping with sweat or covered in bruises. She’s just there, standing in the doorway, leaning against the frame with a casual air that catches you off guard. Her knuckles brush the doorframe absentmindedly as if she’s unsure whether to knock or let herself in.

“Do you need something?” you ask, glancing up from where you’re restocking the shelves. “Are you hurt?”

She shrugs, pushing off the door and stepping inside. “No, just… it’s quiet in here.”

Your brows knit together. Quiet?

She didn’t seem like the kind of person to seek out quiet, especially not in a place like this. “You came all the way here because it’s quiet?”

“Yeah,” she says simply, her tone flat, like it’s the most obvious thing in the world. She grabs the chair from your desk, spins it around, and sits backward on it, resting her arms over the backrest. “Problem?”

“No... it’s just…” You trail off, unsure how to articulate the strangeness of it. Instead, you turn back to organizing supplies, aware of her eyes on you. “Never mind.”

These visits became more frequent whenever she didn’t fight. And she even stays back for a bit after you patch her up. Sometimes she speaks, but more often than not, she doesn’t—simply sitting in that chair, letting the distant noise of the arena, the cheers and shouts, fade into the background. She’ll stare at the walls or absentmindedly tap her fingers against the chair’s edge, lost in thought, but there’s a serenity about her, an unfamiliar stillness that you start to recognize.

She never tells you what brings her in—if something is weighing on her mind or if it’s just a need to escape the chaos. And you don’t ask. Instead, you begin to anticipate her visits, a strange comfort taking root in the space between you.

The conversations are sparse, but you begin to notice the small things: the way her body relaxes when she settles into the old couch, the weight lifting from her shoulders as she stretches out, the way she’ll let herself drift off into a light sleep. It’s almost like you’re giving her a moment of rest she didn’t know she needed.

Vi strides in, her steps heavier than usual, and tosses a small, overstuffed bag of coins onto your desk. You recognize it immediately—one of the payout sacks Antis gives to the fighters, filled with their share of the betting pool. This one looks heavier than most, jingling with an unmistakable weight as it lands right on top of your paperwork. You pause, your pen hovering midair, and stare at it.

Her grin spreads as she catches the look on your face—wide-eyed and mildly incredulous. “Don’t worry, it’s not for you,” she teases, her tone light and mocking.

You roll your eyes, setting the pen down with an exaggerated sigh. “This from your fight last night?”

Vi nods, her grin twisting into something sharper, a little more wicked. “Some of my best work,” she replies, her voice carrying the faintest edge of pride.

You tilt your head, raising an eyebrow as your gaze sharpens on her face. “I don’t know,” you counter dryly. “He broke your nose, and the whole side of your face is swollen. Doesn’t sound like your best to me.”

Standing up, you step closer, brows knitting together in concern as you get a better look at the mess of bruises she’s sporting. Without thinking, your hands lift, reaching toward her face to assess the damage.

Vi flinches. It’s quick, almost imperceptible, but enough to make you hesitate. Your hands hover in the air, faltering. “Sorry,” you murmur, your voice soft.

She coughs awkwardly, shifting her weight. “No, uh—no. It’s fine,” she says, a little too fast.

This time, when you move again, she doesn’t flinch. She lets you gently brush your fingers over the swollen, splotchy skin along her cheekbone and jaw, and you feel the heat radiating off the inflamed area. Your touch is careful, clinical, but you can’t help wincing at the sight. “You’re kidding yourself if you call this your best work, Vi” you mutter. “Did you even ice this like I told you?”

Her eyes roll so hard you’re almost worried she’ll sprain something. She grabs your wrist—not roughly, but enough to lower your hand—and shrugs. “You should’ve seen the other guy.”

You give her a deadpan look. “I did.”

Her smirk returns, a little more genuine now, though she doesn’t say anything. Instead, she sits on the edge of your desk and starts digging absently through the bag of coins, her fingers brushing over the shiny hexes and cogs. She doesn’t pull anything out, just lets her hand linger there.

“I brought you food,” she says suddenly, her voice casual.

You blink, momentarily thrown. “Food?”

She lifts a greasy paper bag into your line of sight, and you realize you hadn’t even noticed it when she walked in. “Yeah, you know. The stuff you eat when you’re hungry.”

“Okay, asshole,” you mutter, but the corner of your mouth quirks up despite yourself.

She shrugs, feigning nonchalance. “Got it for Loris and I, but he’s, uh… busy. Doing... someone else.” Her tone is flat, like she couldn’t care less, but there’s a flicker of something there—an edge of amusement, maybe. “So, more for us.”

You watch her for a second. You like to think that you can see right through her sometimes, that you can read her, but as usual, she’s an enigma. There’s something in the way she said us that makes your chest feel a little lighter, but you don’t let it show. “Thanks,” you say simply.

“Well, don’t get used to it,” she shoots back. There is kindness she tries to hide, though it’s written all over her expression.

She settles onto the old medical bench, pulling out boxes of food from the bag. You wince internally at the sight, thinking about the number of people who’ve bled, puked, and worse on that very bench. Just hours ago, Vi had been sitting there herself, nose snapped out of place, grinning through bloody teeth and swollen lips and teary eyes. Now, she’s perched there like it’s nothing, tearing into her meal with that same reckless ease she carries into every fight.

“Is this where I’m supposed to remind you how unsanitary this is?”

She shrugs mid-bite, unbothered.

You don’t bother arguing. Instead, you take the box she pushes toward you and settle in. The two of you eat in silence.

The days begin to blur into one another as Vi’s visits grow more casual. At first, you barely tolerated her—a pit fighter like so many others, bruised and bloody and reckless, shuffling into your medic room with the same bravado they all wore like armour. But somewhere along the way, you start to realize you actually don’t hate her company.

And as Vi continues her rise with pit fighting, you realize you also like to take care of her afterwards, even if it is your job or not. Each fight ends quicker than the last, her victories coming faster and fiercer. With every knockout, her confidence blooms—bold, intoxicating.

You’ve always been able to tell why people fight. Some thrive on the violence, seeking it out like a drug, their eyes lit with a manic fire that never seems to dim. Others do it out of desperation: to keep a roof overhead, food on the table, some semblance of stability in their lives.

At first, you were certain Vi belonged in the first category. The way she took punches, how she barely flinched when you patched her up—she didn’t just endure the pain. She absorbed it. Relished it. She wore her scars like trophies, and it almost seemed like she was chasing something more with every bruise and break.

But then you started noticing other things. How her clothes, once old and frayed, began to look newer. The leather jacket she bought just last week, the new earrings glinting against her skin, the sturdy boots she’s traded her worn ones for. Loris mentioned she moved out of his apartment recently and got her own place, though most of her money seemed to go toward booze.

You realize that fighting for Vi isn’t just about survival or enjoyment. It’s an outlet—a way to lose herself in the chaos and the violence, to drown out whatever it is she doesn’t want to face.

One night, you do something you’ve never done before: you buy a ticket to one of her fights. You’ve seen enough carnage in the medic’s room to last a lifetime, but something about Vi pulls you in, like gravity. The crowd is as raucous as ever—cheers, boos, the metallic clang of Antis’s bell marking the start and end of each match. You don’t join in the noise. You just watch, feeling out of place among the spectators who are here for the bloodlust.

And then Vi steps into the ring.

It’s the first time you’ve seen her fight, and it’s nothing like you imagined. You’d seen the aftermath—the blood, the bruises, the broken bones—but witnessing her in action is something else entirely. She’s skilled, fast, brutally efficient, her punches calculated yet devastating.

The man she’s up against is nearly twice her size, but it doesn’t matter. She ducks under his swing with ease, her fist connecting with his jaw in a single, bone-crunching motion that sends him sprawling. The fight is over in less than a minute, and the crowd roars its approval.

Your eyes linger on her, unable to look away. Her back is to you, sweat gleaming on her exposed skin, highlighting the intricate tattoo that snakes across her shoulders. When she turns, she seems to know exactly where you are, her gaze locking onto yours even in the chaos of the crowd.

Your breath catches. The rise and fall of her chest, the bead of sweat tracing down her neck, the raw, undeniable power in her every movement—it’s overwhelming.

Something stirs deep inside you, hot and wanting.

You leave before her second fight starts, slipping through the crowd and into the tunnels. The line waiting for you in the medic room feels endless, yet the blur of bruised faces and bloody wounds can’t distract you. Vi’s image lingers—sweat on her skin, her breath heavy after the fight, and the way her eyes found yours in the crowd.

You never bring it up, and Vi doesn’t either.

But something changes.

That night, as you treat her wounds again, it feels different. She’s quieter than usual, her usual cocky smile missing. You notice how her eyes linger on your hands as you work, following the glide of your fingers over her skin.

Your gloves feel thinner tonight, or maybe it’s just your imagination. You’re hyperaware of every small movement—how her skin feels warm under your touch, the sharp contrast of the calluses on her knuckles against your palm when you steady her hand to examine it.

She doesn’t flinch when you press a damp cloth to the gash on her temple. Normally, she’d tease you, mutter something about your bedside manner, or complain about the sting even though the both of you know she can take it. Instead, she just watches you, her gaze unwavering.

It’s almost unbearable.

Sweat, blood, and alcohol. That is what she smells like. Thick and hanging on your tongue like smog.

“You’re awfully quiet tonight,” you finally say, your voice softer than you intended.

Vi’s lips quirk, but it’s a faint ghost of her usual grin. “Just tired, I guess.”

It’s a lie, and you both know it.

You focus on cleaning the cut, trying to steady your hand. But her closeness throws you off. She’s sitting on the edge of the cot, her knees brushing against your thighs whenever she shifts. The room feels smaller.

“Almost done,” you murmur, though it feels like you’re saying it more to yourself than her.

Vi tilts her head slightly, giving you better access, and the movement draws your attention to the curve of her jaw. There’s a bead of sweat lingering there, catching the dim light, and you have to force yourself to look away.

“Take your time,” she says.

Your fingers pause for just a second before you continue cleaning the wound. Her words hang in the air, charged and heavy, and you wonder if she knows how they’ve started to affect you. You reach for the bandages, your hands brushing against her skin again. Her breath hitches—just barely—but it’s enough for you to notice.

“There,” you say, pulling back slightly. “Done.”

But your hands linger for a moment too long, your fingers still ghosting over her cheek. You’re not sure if it’s you or her that doesn’t pull away first.

Vi’s eyes are on you again, darker now, and the air between you crackles with something unspoken. You don’t know if it’s the proximity, the adrenaline still lingering from her fight, or the way her lips part slightly like she’s about to say something—but you can’t take it anymore.

“I should clean up,” you say abruptly, turning away to gather the used bandages and cloths.

For a moment, she doesn’t move, and you think she might say something to stop you. But then you hear the rustle of her leather jacket as she stands, the creak of the cot as her weight leaves it.

“Thanks,” she says.

You glance over your shoulder, just in time to see her slip through the door. She doesn’t look back.

Her visits dwindle after that night. Fewer and fewer until she stops coming altogether. She starts fighting nights back to back, ignoring protocol and refusing to see you after each one.

You try to shake it off.

To ignore it until you can't.

And then you visit her one day.

It’s not in the medic room or the fighting ring. It’s at her door, and it’s jarring, her address scribbled on a small piece of paper that Loris gave you.

You can’t tell if Antis is pushing Vi to fight more or if Vi willingly puts herself through it every day. She is always in rotation, more so than any other fighter. It’s gotten to the point where people are betting on how long Vi could remain undefeated.

You hate how you immediately perk up when her door opens.

“What are you doing here?” she asks, her voice low and guarded.

Her hair is black, dripping wet and staining her pale shoulders with inky streaks. The change startles you, but what’s more disarming is the sight of her like this—stripped-down, raw. Bandages are wrapped haphazardly around her chest, serving as an impromptu shirt. Her arms, usually hidden beneath gauze and gloves, are bare, revealing the countless scars that crisscross her skin. You can kind of see where her tattoos start and end. You think they’re beautiful.

You open your mouth, but the words don’t come. Why are you here? For some reason, you hadn’t thought much about it before knocking. Now, standing here in her doorway, it feels like a mistake.

You’re not really friends.

“Uh,” you stammer, fumbling for an answer. Your gaze keeps straying to her hair, the stark black making it look longer, heavier. The pigment stains her hairline, dripping in uneven streaks along her temple. You notice how the damp strands cling to her neck, how the water pools in the hollow of her collarbone. It feels intrusive to look, but you can’t help it.

She’s staring at you, her shock quickly shifting to irritation. “You gonna stand there all day, or what?”

“I—your hair,” you blurt out. “It’s… different.”

She scoffs, brushing past you as if you’re not worth the effort of a proper reply. The door swings open wider, an unspoken invitation—or maybe just a lack of concern if you follow. You hesitate, then step inside.

Her apartment is small and dim, almost claustrophobic. The air is stale and thick with a faint tang of alcohol. The small bed in the corner is unmade, the sheets rumpled and half-pushed onto the floor. A punching bag hangs in the center of the room, its surface worn and cracked from overuse. There’s a stack of clothes shoved into the corner, and a few empty bottles litter the floor near the bed.

But it’s the quiet that hits you the hardest. It’s so different from the loud, chaotic energy she carries at the ring or the silence in the medic room. Here, everything feels muted, almost sad.

“You dye it yourself?” you ask, trying to fill the awkward silence as she settles onto the edge of the bed.

She glances at you, the bottle in her hand tipping slightly. “Yeah.”

“Antis didn’t make you do it?”

Vi snorts a small, humourless sound. “No. He suggested green.”

You try to picture her with green hair and fail. “Why black?”

“Needed a change,” she says simply, taking a swig from the bottle. The way she winces as she swallows tells you it’s not her first drink tonight. “Why are you here?”

The bluntness of the question knocks you off balance. For a moment, you forget. Then the weight of the box in your hands reminds you. “Oh, uh, I brought you some new hand wrappings. I saw them at the store and thought you could use them since yours are... shit. Yours are shit.”

Her eyes snap up to yours, something unreadable flickering in them before she looks away. “Thanks.”

“It’s no problem,” you reply, though your voice feels stiff and awkward. You shift your weight, unsure whether to stay or leave. Her gaze returns to you, steady but unreadable, and you feel the strange urge to say something—something meaningful.

“You... you okay, Vi?” you ask softly, not even sure why the words come out. You immediately want to take it back.

“Why wouldn’t I be?”

You look at her, really look at her. Not in the way you do at work, but right now, as a friend(?), guest(?) in her space. The dark circles under her eyes, the tension in her shoulders, the way she grips the bottle of cheap beer as if it’s the only thing keeping her upright. She looks… tired. Beaten down, in a way you’ve never seen before.

“I don’t know,” you admit, your voice quieter now, careful. “I guess you just… you haven’t come by in a while. It looks like you need a good patch up again, no? Don’t worry, I won’t charge.”

The words sound too casual, too light like you’re trying to make a joke—and you are, but you can see the way her face stiffens after you say it. The faint bruises on her face, the bandages on her arms and hands, they’re a clear sign of how badly she’s been pushing herself—she’s been taking supplies from you without checking in, and you’ve noticed. You know she hasn’t gotten her pay yet. You haven’t had the chance to clear her for it since she stopped coming by after fights. It’s a faint sore spot between you both, an unspoken thing she won’t acknowledge, but you know she’s not getting the care she needs.

For a moment, her face hardens, and you wonder if you’ve crossed a line, if she’s going to snap at you. Instead, she just stares at you, her jaw tight, her eyes narrowing like she’s trying to figure out what your angle is.

You feel her gaze like a weight pressing down on you, making your skin itch.

Then, she exhales slowly, the tension in her posture easing just a fraction.

“I’m fine,” she says finally, though the words lack conviction. She shifts, setting the bottle down on the floor. “You done?”

You’re about to say something else—maybe ask again, maybe push for more—but then you realize it’s not your place. You step back, suddenly feeling like an intruder. “Yeah.”

You place the box of hand wraps on the counter, but your hands feel clumsy as you do. You want to say something more, something comforting, but the words stick in your throat. “Good luck tonight, Vi.”

She doesn’t respond right away. You turn to leave, your feet dragging slightly, unsure if you should even be leaving at all. It feels like there’s something more to say.

Just as you reach the door, her voice stops you. It’s softer than you expect, quieter, almost hesitant.

“Thanks.”

As you walk down the hallway, the ache in your chest lingers, a nebulous knot of worry, pity, and something else you can’t quite pin down. It tightens with each step, and you wonder, not for the first time, what weight Vi carries with her—and why it feels like it’s starting to settle on you too.

You shake it off, reminding yourself that you're not working this weekend. A rare luxury. Vi doesn’t need to know, and honestly, you doubt she’d even care. If anything, she’d probably be glad to be rid of you for a few more days.

That’s what you tell yourself.

The next time you’re sitting in your cramped little medical room, fussing over how some of the things on your desk are now out of place, the door creaks open just a sliver. You pause, mid-motion, and glance at the shadow shifting on the other side. When whoever it is spots you, the door swings wide with an almost violent energy, smacking against the wall behind it.

“Hey,” Vi stumbles inside, the loud thud of her boots and the echoing cheers from the fighting pit outside spilling into the room with her.

You stand abruptly, the chair scraping back against the floor as you take her in. “Vi?”

It takes you a second to recognize her. The black hair throws you off again, though the pink is already creeping back into the ends, the dye washing out like it’s given up trying to keep up with her. Paint smears her face—thick streaks running from her eyes down to her chin like some warped battle mask. She’s gripping a large bottle in one hand, cradling it as if it’s precious, her knuckles stained red.

Her smirk is crooked, her words slurred. “Won’t believe it,” she drawls, letting herself fall unceremoniously onto the old, battered couch in the corner. The springs squeak loudly in protest, and she almost knocks over one of your carefully hung paintings. “Hey.”

You frown, stepping closer. “Are you drunk?”

Her smirk widens, playful and defiant. “No.”

“No?”

“I just won,” she says, like that explains everything. “Again. Beat that big guy—metal jaw. You know the one. Knocked it clean off.”

She’s grinning like she just told a funny joke, but you don’t laugh. Fighters don’t go into the pit drunk, at least not that you’ve ever seen. They also don’t win, which is why Antis is strict about that; drunk fighters are bad fighters, and bad don’t bring in any money—he’ll kick anyone out who even smells like shimmer, let alone someone stumbling around with a bottle of booze.

You move closer cautiously, studying her.

She sits up straighter as you approach, her hair falling messily across her face. You catch a glint of her blue eyes through the strands—sharp, even with the haze of alcohol dulling the rest of her. Her gaze flickers down to her bloodied knuckles, and so does yours—red seeps through the white of her hand wraps, staining them in uneven patches.

She murmurs something, but it’s too soft to catch.

“What?”

“You weren’t here.”

Her words surprise you.

“Yeah,” you say, unsure how else to respond.

“Four days.”

“I know.”

“Why not?”

You hesitate, caught between wanting to downplay your absence and knowing she’ll see through it. “I’ve been busy. I have a life outside this place, you know that, right?”

“Right,” she mutters, though there’s something bitter in the way she says it.

She leans forward, resting her elbows on her knees, her fingers gripping the bottle loosely. She stares ahead, her face unreadable, and for a moment, the room feels impossibly quiet despite the muffled roar of the crowd outside. You’re counting the seconds until someone from the pit shows up looking worse for wear, but she just sits there, unmoving.

Finally, she speaks. “Loris and I are going out for drinks at the bar next door.”

“More of them?”

She scoffs, but there’s a faint smile playing on her lips. “Fuck off. I was gonna invite you.”

“You want me there?”

“Sure,” she shrugs, leaning back against the couch. “Since you and Loris are so close.”

You roll your eyes, grabbing a plastic bag and filling it with ice. “Oh, yeah. Best friends. I thought you knew.”

She grins at that, her expression lazy but amused as you press the makeshift ice pack to her cheek. She winces, hissing under her breath, but doesn’t pull away. The familiarity of the moment settles between you, a rhythm you hadn’t realized you missed. You didn’t know how much you liked being around her, with all her flaws and quirks, until it was gone.

When she stands to leave, there’s a lightness to her movements. She pauses at the door, glancing back over her shoulder.

“But you’re coming, right?” she asks, her voice softer, less guarded.

You nod, tugging absently at the rings on your fingers. “Yeah. I’ll stop by after I finish up here.”

Her smile catches you off guard. It’s not the smirk or grin you’re used to—it’s warmer, something you’ve never seen before. “Good.”

And then she’s gone, leaving you alone in the stillness of the room. The ache in your chest hasn’t gone away, but it feels different now, lighter somehow, settling into the pit of your stomach like a flutter of butterflies.

You can’t wipe the smile off your face even if you tried.

Your night stretches on, each task blending into the next. Stitches to pull, bruises to ice, concussions to monitor. This is your rhythm—calm, focused, efficient. You don’t dwell on the blood staining your gloves or the bruised faces looking back at you. Usually, there’s a detachment, a quiet understanding between you and the fighters. You help them, and they leave.

But tonight feels different. The weight of the work presses a little heavier, the hours crawling by as the thought of Vi’s smile keeps replaying in your head. You remind yourself to focus, to get through the line of battered fighters who rely on you, but every second drags, making your usual rhythm feel offbeat.

It’s not just Vi’s smile—it’s the invitation, her softer tone, the way she paused at the door like your answer mattered more than usual. You don’t let yourself overthink it, but you do catch yourself checking the time more often than you’d like.

When the last fighter leaves, mumbling a tired thank-you, you exhale in relief. The medic room is quiet now, the faint smell of antiseptic lingering in the air. You pack your supplies, stuffing gloves, gauze, and a few stray pins into your cabinets. The bathroom across the hall catches your eye as you pass, and for once, you pause.

The bathroom is dimly lit, the bulb above buzzing faintly as it flickers. The mirror is cracked in one corner, the surface smudged and grimy, but it still reflects more of you than you’re ready to see. Your sleeves are stained, and your hands are scrubbed raw but not clean enough. The uneven greenish light only makes you look worse, casting harsh shadows on your face.

You roll your sleeves up and run water into the sink, trying to scrub the splotches from your clothes. The water’s cold and your hands ache from the effort, but it feels worth it—like a small chance to put your best self forward. You straighten your shirt, brush off your jacket, and fix your hair as best as you can.

It’s not enough.

It’ll never be enough for a bar full of fighters, let alone for her. You think about going home to change, but it’s already late, and the idea of missing her is ridiculously unbearable.

Clutching your jacket tightly, you step into the downpour outside. The rain pelts against your skin, soaking through your boots as you jog the few steps to the bar. The hum of voices reaches you before the neon glow of the sign above the door does.

Inside, the place is alive.

Most of the crowd from the arena spills into the corners of the bar, still riding the high of the night’s fights. Tables are crammed with victorious fighters and their friends and sponsors, their voices rising above the heavy bassline of a song playing in the background. The air is thick with the smell of sweat, beer, and the faint tang of spilled liquor.

The dim lighting casts a warm, golden hue over the room, softening the rough edges of the crowd. People laugh, shout, and toast to victories. Some are already slumped over the bar, lost in exhaustion or celebration.

Your eyes scan the room, searching for her. Instead, you spot Loris first—his brick-like frame standing out even among the chaos. He’s leaning casually against the bar, arms crossed, but his face lights up when he sees you.

He waves you over, and you weave through the crowd, dodging dancing bodies and familiar faces who call out greetings as you pass. Your heart beats faster, a mix of nerves and anticipation, as you approach.

“You made it,” Loris says, his grin wide and genuine.

You huff, brushing a damp strand of hair out of your face, but you can’t fight the smile tugging at your lips. “Hi.”

Loris gives you a nod, his usual gruffness softened just a bit for you. He calls the bartender over, jerking his chin toward you to signal it’s your turn to order.

You glance at the menu briefly, though you already know what you want. After placing your order, the two of you settle into a quiet rhythm. Loris doesn’t seem like the type to fill silence for the sake of it, and you don’t mind. There’s a strange comfort in his presence.

You find yourself scanning the crowd without thinking, your eyes searching for pink hair at first, a flash of brightness that would stand out even in a place like this. Then you remember her hair is black now. Your eyes adjust, searching instead for the sleek leather of her jacket or the familiar glint of its spikes catching the dim, shifting light.

The bartender sets your drink down in front of you with a solid thud, breaking your focus. Your heart skips a beat, and you reach for the glass more out of reflex than thirst. The cool edge of it presses against your palm, grounding you.

“Happy you’re here.”

Loris’s voice cuts through the noise, low but steady. You look up at him, caught off guard. His eyes remain fixed on his drink, but there’s a weight to his words that makes your chest tighten.

“Maybe it’ll keep Vi from doing something stupid,” he adds after a beat, his tone rough but not unkind.

Your eyebrows knit together as you bring your glass to your lips. The liquor burns on the way down, but it’s nothing compared to the unease settling in your stomach. “What do you mean?”

Loris hesitates, his fingers drumming against the counter as he considers his words. When he finally speaks, his voice is quieter, almost reluctant. “She gets into fights sometimes.”

Your stomach sinks further. “Here?”

“Only happened twice,” he says quickly like it’s supposed to make you feel better.

“Oh.” You set your drink down, your fingers lingering on the glass. “Why?”

Loris exhales through his nose, his shoulders shifting as if the question itself is a burden. “Dunno. She won’t talk about it.”

You blink, caught off guard. “She doesn’t seem…” You trail off, unsure how to finish that sentence.

“Like a drunk?” he finishes for you. “She’s good at hiding it, most of the time. But she’s been drinking more. Gets worse when she’s stressed.”

You bite your lip, your fingers tightening around your glass. “Stressed about what? Fighting?”

He shakes his head, never answering. “She’s stubborn as shit, you know that. But something’s been eating at her, and I don’t think she knows how to deal with it.”

The words hang between you as the clamour of the bar continues around you. You glance down at your drink, the amber liquid catching the dim light, and take another sip. It doesn’t burn as much this time, but it doesn’t settle the knot in your stomach, either.

“I can keep an eye on her,” you say quietly, more to yourself than Loris. “She’s not supposed to be in the pit intoxicated anyway.”

He nods, a faint hint of gratitude flickering in his eyes. “She’s lucky to have you.”

The comment catches you off guard, and you look at him sharply, but he’s already turning back to his drink. You swallow, your cheeks warming for reasons that have nothing to do with the alcohol.

You look away.

And then you spot her.

Vi pushes her way through the crowd, a storm parting the sea of bodies on the dance floor. Her scowl deepens as she brushes off someone’s outstretched hand, her movements sharp, purposeful. The smudged paint on her cheeks—likely streaked from the rain—gives her the appearance of someone worn down by more than just the weather. Faint lines trace across her face like tears.

Your eyes trail to her arms, bare and flexing slightly as she adjusts the leather jacket slung over her shoulder. The spikes catch the dim, flashing lights of the bar, their edges softened by the haze of the room. In her other hand, she grips a glass of something amber and strong.

Your heart jumps, and you realize you’ve been staring when her gaze lifts to you. For a moment, she pauses in her tracks and just looks at you, her eyes scanning your face as if confirming you’re really here. Then, she grins—a slow, crooked thing that tugs at her lips and sends your pulse hammering in your chest.

The smile is lazy but unmistakably pleased.

She changes course, heading straight for you.

She doesn’t look drunk—not like before—but the memory of her swaying slightly in your medic room comes rushing back. You don’t miss the way her drink is already nearly empty, or how smoothly she downs the last of it before setting the glass on the bar with a clink.

When she reaches you, the faint scent of rain and leather clings to her, mingling with the sharper tang of alcohol.

“Hey,” Vi says, your name rolling off her tongue in that low, slightly rough voice of hers, and she leans against the counter next to you.

“Hey,” you grin, trying to keep your voice light even as your pulse races and Loris laughs at you. “You seem surprised to see me.”

“Not surprised,” she replies quickly, her eyes flicking to yours and then away, her smirk faltering for just a second. “Just… glad.”

The simplicity of her words sends your thoughts scattering, but before you can respond, she tilts her head toward your glass. “What’re you drinking?”

You lift it slightly, letting the dim light catch the remaining liquid. Vi eyes it for a moment, nodding in approval. “Good choice. Finish it.”

You blink, “What?”

She nudges your elbow lightly, a teasing smile tugging at the corner of her lips. “Come on. You’re here to have fun, right? Finish your drink, and I’ll show you what that looks like.”

Her tone is playful, almost teasing, but there’s an edge of sincerity beneath it. You hesitate, then take a longer sip, her expectant gaze making it impossible not to comply. The drink burns a little less this time, and when you place the empty glass down, she’s already holding out her hand.

“Come with me,” she says, and it’s not really a question.

Her fingers are warm when they curl around yours, her grip firm and steady as she leads you toward the heart of the bar. The crowd thickens as you move closer to the dance floor, the music pounding louder with every step. The bass thrums through the floor, climbing up your legs and settling in your chest, and the swirl of bodies around you becomes a blur of movement and heat.

Vi doesn’t let go of your hand, even as she turns back to glance at you, a faint smile pulling at her lips. For the first time in a while, there’s a lightness in her expression, a spark of something you’ve missed seeing.

Her usual confidence is there, but it’s softened, almost shy. You follow her lead, feeling awkward at first, but her laugh—low and husky—eases some of your nerves.

The two of you move together amidst the shifting pulse of the dance floor, the heat of the crowd wrapping around you like a living thing. You’re acutely aware of every brush of her fingers against yours, the subtle way her body angles toward you as if she’s drawn to your orbit.

You’re staring at her, looking at the few freckles on her cheeks you can still see under the smudged paint, at the pink ends of her dark hair, at the way her leather jacket has found itself back on her shoulders, muscular arms hiding inside the sleeves.

You think you’re a little obsessed with her.

The question forms on your lips before you can stop it. “Why did you stop coming by?”

Your voice is soft, barely carrying over the music, but it’s enough. Her gaze sharpens as she hears you, a flicker of something unreadable crossing her face.

“I like taking care of you, Vi.”

For a moment, she freezes. Then, almost imperceptibly, she steps closer. Her hand slides to your waist, the calluses on her fingers warm against the thin fabric of your clothes. She doesn’t answer—not with words. Instead, she tilts her head slightly, her thumb brushing against your jaw, coaxing you to look at her.

Her eyes search yours, hesitating just long enough for you to realize what’s about to happen. Her breath, warm and faintly tinged with alcohol, fans across your lips, and a shiver runs down your spine.

And then she kisses you.

It’s quick at first, almost testing the waters—a soft brush of her lips against yours that leaves your breath caught somewhere between your heart and throat.

You pull away from her, face burning, when you notice her eyes are still closed, only to flutter open questioningly. Bright, piercing blue meets yours, and for a moment, you see panic flare in her expression.

“Fuck,” she mutters, running a hand through her rain-damp hair. “Fuck, I’m sorry—I shouldn’t have—”

“No.” The word comes out instinctively, you cannot get rid of that stupid smile on your face. “No, don’t apologize.”

Your fingers find their way to the lapels of her jacket. Her face scrunches up, caught somewhere between hope and disbelief, but you’re not looking at her eyes anymore. You’re focused on her lips, on the faint scar cutting across the corner of her mouth.

You tug her closer.

You kiss her back.

She exhales sharply against your lips, the sound half a gasp, half a groan, as her hands come up to cradle your face and the nape of your neck. It’s as if something inside her has snapped, all her restraint slipping away as she pours herself into you.

The world around you dissolves—the music, the crowd, the cacophony of Zaun’s nightlife fading into a muted hum. It’s just her, her warmth and her touch, her breath mingling with yours as she holds you like you’re the only thing anchoring her to the moment.

Her lips move against yours with a fervour that borders on desperation, her hands mapping out the curve of your waist, the small of your back, your hips, and your ass with her eyes closed. She’s eager to have you close, to feel you.

You respond in kind, your hands sliding up her abs, your fingers tangling in her hair, tugging slightly as her groan vibrates against your mouth.

The sound she emits makes your head spin. Vi’s warmth is all-consuming. A tangle of heat and want that leaves you both breathless by the time she finally pulls back, her forehead resting against yours.

“I need to—” she starts, her voice hoarse and trembling. She glances around, as if suddenly aware of where you are. “Let’s go somewhere. Outside.”

She doesn’t wait for a response, her hand finding yours again as she guides you through the crowd. You barely register the shift in the air until you’re stepping into the rain-soaked streets of Zaun.

The alley she leads you into is dimly lit, the flicker of a neon sign casting faint, wavering light against the wet pavement. The rain is light but steady, cool droplets clinging to your skin as she turns to you, her chest rising and falling like she’s been running.

Her gaze is intense, unwavering, as she steps closer, crowding you against the brick wall. “You’re making me crazy,” she murmurs, her voice low and rough. Her hand cups your jaw, her thumb tracing a slow, deliberate path along your cheekbone.

“I could say the same,” you admit.

And then she’s kissing you again, this time with a fervour that leaves no room for hesitation.

It’s embarrassing how fast you tangle together after this, melding together into a pathetic heap out on the sidewalk for god and everyone in this podunk city to see. This time, you note with a ticklish glee settling in your stomach, your lips moving in tandem. They slit against each other with ease.

The rain seeps into your clothes, cold against your skin, but Vi’s touch is fire. Her hands are everywhere, rough and sure as they explore your body, pulling you closer, as if afraid you’ll slip away.

You thread your fingers through her hair, pulling her to you, matching her passion with your own softness. She groans into your mouth, the sound vibrating through you, and you take the opportunity to deepen the kiss, your tongue brushing against hers in a slow, deliberate caress.

Her grip tightens on your hips, fingers digging into damp fabric as she presses you harder against the wall. The rain patters around you, mingling with the sound of your ragged breaths, the occasional distant noise of the bar fading into irrelevance. She parts your thighs with one of her own and places a steadying hand right next to your face. She takes you in, wholly and completely and you let her.

The rain beats down relentlessly, plastering your clothes to your skin, but you barely notice it. Not when Vi is kissing you like this—like she’s trying to consume you like she’s been starving for this. Her body is warm, her lips are hot, insistent, and messy against yours, her teeth occasionally graze your lower lip in a way that sends shocks through your entire body.

Breathy moans expel from your mouth in tandem with curses as her leg creates delicious friction against the lace of your underwear.

“Vi,” you manage, though it comes out as more of a broken whine, breathless and desperate.

Her name on your lips pulls a moan from her, low and guttural, and the sound is enough to make your knees weaken. You think you might collapse if she weren’t holding you so tightly.

Your head spins. You feel like you’re dissolving, every nerve alight as you lose yourself in her touch. Your lungs burn, screaming for air, but you can’t pull away. You don’t want to. Instead, you cling to her, fingers tugging in her hair.

It’s overwhelming—her heat, her strength, her desperation. She’s chaos and want, all Violet and nothing else, and you’re caught in her pull, like a leaf tossed about in a gale. It terrifies you, the way she consumes your thoughts, your senses. It feels like being set aflame, every kiss, every touch fanning the fire until you’re sure you’ll burn to ashes.

Her hands slide lower, shoving into the back pockets of your pants, and she grips you firmly, guiding your hips to rock against her. The movement is deliberate, slow at first, but the friction makes you whimper, a sound that seems to drive her further. Vi pulls you closer, dragging your body against hers in a way that makes you shudder.

Your breaths come in sharp, uneven gasps, each one punctuated by her low moans. You don’t think you’ve ever felt like this—untethered, your body moving on instinct as you grind down against her leg. Her hold on you tightens, fingers digging into you, her strength reminds you of all the noses she’s broken, all the wounds you had to tend to because of her. The thought makes you dizzy, makes you crave her more.

Vi’s hips roll up into you, meeting your movements with a messy rhythm that leaves you trembling. The heat pooling in your stomach builds steadily, like a fire that refuses to be sated, even under the torrent of rain.

You let your hands wander, sliding up the hard planes of her stomach, your fingers tracing the ridges of muscle through her soaked bandages. You’re struck by how solid she feels, how strong, and it makes your chest tighten with something you can’t quite name. When your palm presses lower, cupping her over her pants, she keens—a quiet, needy sound that has you aching to hear it again.

Oh, you want her to do that again, you’re going to make her do that again.

Her grip on your hips becomes almost bruising, her breath coming faster as she sighs into your mouth. “Fuck,” she mutters, the word a rough exhale that sends a shiver down your spine. And then, barely audible, she mumbles, “Cait.”

You falter, the word barely registering over the storm and your own pounding heartbeat. It’s unfamiliar and foreign, and it sticks in your mind like a splinter.

Her lips are on yours again, insistent and wild, her teeth catching your bottom lip as her hands slide up under your shirt. Her fingertips are warm despite the rain, leaving trails of fire along your skin as she pushes the wet fabric higher. You shudder under her touch, goosebumps rising in her wake, your body arching instinctively toward her.

Your mind is a tangle of emotions and half-formed thoughts. You’re hyper-aware of everything—of the rain soaking through your clothes, the way her breath mingles with yours, the quiet groans she can’t seem to hold back.

She moves with purpose, her lips finding the sensitive skin along your jaw, then lower, trailing hot, open-mouthed kisses down your neck. Each touch sends a fresh wave of heat through you, making it harder to think, to breathe.

Your fingers are clumsily slipping into her underwear and then you’re there, fingers brushing right against her clit—she’s so wet that your fingers brush right through her folds, gliding like silk.

“Vi,” you whisper again.

Her answering hum vibrates against your skin, and she pulls back just enough to meet your gaze. Her eyes are half-lidded, the blue of them dark and turbulent, like the sea during a storm.

You lean in, pressing your lips to the sensitive spot just below her jaw. It’s a place you know well, one you’ve touched countless times in the dim light of your medic’s room, dabbing at bruises and wiping away blood. Each time, she’d jerk away ever so slightly. Now, you press your lips there with the same precision, but the sense is wholly different.

She shifts beneath your touch, her breath hitching as your mouth moves deliberately along her neck. The breathy moans she leaves by your ear fuel you, spurring you on as you focus on the rhythm of her breathing, the way her body responds to you.

“Good,” she mutters, her voice rough and uneven. “Fuck, feels so good.”

Her hand moves beneath your shirt, her palm rough and calloused against the softness of your skin, digging under your bra. She cups your breast, her thumb brushing over your nipple, and the sensation sends a jolt through you, sharp and electric. Her other hand tangles in your hair, tugging just hard enough to make your scalp tingle.

It aches, but you’re smiling, even as the rain continues to pour, soaking through your clothes and plastering your hair to your face. You sneak a glance at her, and the sight nearly undoes you. Her eyes are squeezed shut, her dark lashes clumped together with rain and dark, smudged makeup against pale, bruised skin. Her lips are parted, searching for something—your lips, your skin, something to kiss.

You don’t make her wait. She bites at your neck, teeth grazing your skin, and you gasp, your hand instinctively moving to her hair. You tug, and the sound she makes—a guttural, desperate moan—sends heat pooling low in your stomach.

She mutters your name, her voice soft yet filled with a hunger that shakes you to your core. There’s a plea disguised in her tone, a silent plea to give her everything, to let her take all you have to offer.

And you will. You’ll give her everything. Your time, your care, your thoughts and prayers, every piece of yourself. Your leg, an arm, the air you breathe, and the food you make. You’d give her your heart, too, if only she’d take it.

Her body trembles against yours, her chest heaving as her breath comes in sharp, shallow bursts. You can’t tell if it’s from the cold rain seeping into your bones or from the way your fingers move against her. You trace light circles over her clit, teasing, testing, and the way she reacts—hips jerking, her hands clutching at you desperately—you think she wants your warmth, and you hope that is what she chases after.

When you slip a finger inside, she gasps, her voice breaking into soft, fractured sounds that make your chest ache. It takes a few tries, careful adjustments to find the spot that makes her fall apart, but when you do, it’s like a floodgate opens. Her moans grow louder, more desperate, her body tensing beneath your touch as she winds tighter, tighter—

“Cait…” The same name from before slips from her lips like a whisper at first, so faint you almost miss it.

Then she says it again, her voice catching on the syllable, and your world tilts.

“Cait… Cait…” she chants, the name tumbling from her lips in fervent prayer, each utterance cutting through the haze that had clouded your mind.

It tastes bitter. Bitter like the alcohol still lingering on her breath. Bitter like the realization sinking into your chest.

You freeze, suddenly sober.

Your hands falter, and Vi doesn’t seem to notice at first, still panting, still trembling, her forehead pressed against yours. The furrow in her brow deepens when you pull back, untangling yourself from her arms.

“What—? Why’d you stop?” Her voice is hoarse and confused, the desperation still thick in her tone.

“Who’s Cait?” The words leave your mouth before you can stop them.

“What?”

Vi blinks, her face a mask of confusion before her expression shifts. Guilt flashes in her eyes—raw and unguarded. It’s a look you’ve seen before, maybe once or twice.

“You keep calling me ‘Cait.’” You can’t meet her gaze as you say it. Your chest tightens, your throat burns, and suddenly, the space between the two of you feels suffocating.

You reach for her hand still under your shirt, running your thumb over her split knuckles. It’s a gesture that feels too tender now, and you pull her hand away from you, stepping aside to put distance between your bodies.

“I don’t know…” Your voice cracks as you say it, your mind grasping for anything to make sense of this moment.

“Shit. Shit.” Vi curses under her breath, running a hand through her wet hair. “I’m sorry. I didn’t mean to—I didn’t—Cait’s just… someone I used to know, alright?”

The rain pours harder, the chill sinking into your bones as you cross your arms tightly against your chest. You glance down the alley, to where the streetlights cast faint glows on the wet pavement. Anywhere but her face.

“Um… I think I need to go,” you mumble.

“You just got here.” Her voice is low and unsure, and it makes you stutter for a moment. She takes a step toward you, one hand lifting as though to touch you, but she freezes mid-motion, her fingers curling into a fist.

“I know.” You force the words out. “But it’s been a long day.” You take a step back, and then another.

“Please.” Her voice cracks on the word. “Don’t leave.”

You pause, your breath hitching at the desperation in her tone. It tugs at something in your chest, something that still wants to turn around, to reach for her and say everything is fine. But it’s not fine. Not anymore.

“Vi…” Her name feels raw on your tongue. “You’re drunk. I shouldn’t have… I’m sorry.”

“No.” She cuts you off, the panic in her voice sharp enough to pierce through the rain. “No, don’t say that. I’m not drunk—”

“You are.”

Her words are rushed, and frantic, like she’s trying to convince herself as much as you. You shake your head, stepping back again, the cold of the brick wall scraping against your palm as you steady yourself.

“You’re clearly not in the right state of mind right now,” you say, your tone firmer this time. It feels like a lie, like a mask you’re slipping on to hide the crack forming in your resolve. “I’ll see you tomorrow, alright? Just… rest easy. You fight early tomorrow.”

She exhales sharply, a sound halfway between a sob and a growl, her hands clenching at her sides. “Fuck. Fuck!” The frustration explodes out of her as her fist slams into the brick wall beside her, the dull thud reverberating in the air.

The sound makes you flinch, your shoulders stiffening as you start walking away. Her voice chases after you, raw and broken, but you can’t bring yourself to turn back.

Your lips burn where her mouth had been, a phantom heat that refuses to fade despite the freezing rain. You wipe your hands against the damp fabric of your pants, but the scent of her lingers—smoke, leather, and something wholly hers. It clings to you like a ghost.

The sunlight catches you off guard the next morning. It filters in through the grimy window of the medic room, cutting golden beams through the usual haze of smog. The light feels almost intrusive, prying into the shadows you’ve grown accustomed to.

You glance at the old clock on the wall, your eyes heavy from lack of sleep. Last night replays in your mind like a broken record—Vi’s voice, raw and regretful, the taste of her still lingering on your lips, and that name, Cait, slipping like a shard of glass between your ribs.

Outside, the faint hum of Zaun waking up filters through the walls. Fighters pass by the door, their voices carrying muffled excitement or hushed murmurs about Vi’s loss.

“She’s never been this off her game,” someone says as they pass. “Wonder what’s eating her.”

You tighten your grip on the bandage roll in your hand, trying to ignore the way your stomach clenches.

The sunlight persists, illuminating every imperfection in the room—the cracks in the walls, the scuff marks on the floor, the faint stains on the counter. It’s the first time you’ve seen this much light down here, and yet it only seems to highlight everything you want to forget.

You try to focus on your work, lining up supplies that don’t need organizing, folding bandages that don’t need folding. You think about how Vi’s presence, chaotic as it was, had somehow made this job bearable. Her grins, her dry wit, the way she sat in that chair like it was her throne—it had all made this dim room feel a little less oppressive.

But today, the chair stays empty.

Word of her loss had swept through the Pit hours ago. Even the ones who bet against her—out of spite or fear—seemed shocked. You’d caught snippets of conversations, whispers about how Vi had gone down hard, how her opponent’s hit had landed with a sickening crack that echoed through the arena.

Ryker confirmed the details when he came in, his voice low as he described the sound her body made hitting the floor. The image had stuck with you, sharp and unrelenting, as you waited.

You expected her to show up the way she always did—bleeding but defiant, swaggering in with that cocky grin, already downplaying her injuries. But as the hours stretched into evening, the worry settled deeper.

Maybe she’d gone straight to the bar again, skipping protocol out of spite. You wanted to believe it, even if it wasn’t fair. If anyone had the right to be upset, it should be you.

You paced the cramped room, the sound of your boots scraping against the floor the only thing keeping you grounded. You told yourself you didn’t care—it wasn’t your job to chase after fighters who wouldn’t take care of themselves. But deep down, it stung.

The thought of her turning back to old habits—of her brushing you aside like you never mattered—settled in your chest like a bruise you couldn’t rub out.

And then the door creaks open.

Vi steps inside, her silhouette framed by the soft, golden light spilling through the window behind her. She hesitates in the doorway, a shadow of her usual self. Her confident swagger is gone, replaced by a tired, battered figure. The black paint streaked across her shoulders has smeared into her skin, blending with dried blood and sweat. Her leather jacket hangs heavily from her hands, and her makeshift top is damp, torn in places, and caked with dirt.

Her face tells the rest of the story. A swollen eye, a nose bent at an angle that makes you wince just looking at it, and a constellation of bruises across her cheekbone and jaw. Blood has dried in crusty patches along her hairline and temples, merging with the remnants of the black paint she hadn’t bothered to wash off.

She lingers there, gripping the edges of the doorframe like she’s bracing herself for rejection. You’re about to speak when her gaze finds yours, cutting through the silence like a knife.

“Hey,” she says, her voice scratchy and low.

You exhale a breath you didn’t realize you were holding, willing your tone to stay steady. “Took you long enough,” you say lightly, turning toward the counter to grab the salve and bandages.

When you glance back, the ghost of a smirk flickers on her lips, but it vanishes just as quickly. She steps further inside, lowering herself into the chair with a muted groan. There’s no quip this time, no offhand joke. She just sits there, shoulders sagging, staring at her bloodied hands like they belong to someone else.

You pull on your gloves, the snap of latex breaking the silence. “What happened?”

Her shrug is stiff, “Guess I wasn’t fast enough.”

There’s an edge to her voice, sharp and bitter. It’s self-directed, steeped in frustration, and it takes you by surprise. You soak a cloth in antiseptic and step closer, gently dabbing at a jagged cut above her eyebrow. She flinches but doesn’t pull away.

“Why didn’t you come sooner?” you ask, your tone soft but firm.

Her jaw tightens, and her hands curl into fists on her lap. “Didn’t think you’d want to see me.”

You pause mid-motion, your hand hovering just above her skin. Her words feel like a slap, and you’re not sure if the sting comes from the accusation. “I still like to take care of you,” you say quietly.

Vi scoffs, the sound is humourless and tired. “That’s your job.”

“Yeah, but,” you counter, meeting her gaze head-on. “I like doing it.”

The confession hangs in the air, heavy and unspoken between you. Her shoulders tense as she processes your words, her eyes darting away like she can’t bear to look at you.

You try to focus on cleaning her wounds, “You should’ve come earlier. You shouldn’t do this to yourself.”

“Why not? Seems to be what I’m good at.”

Her words strike a chord, a pang of hurt and anger swirling in your chest. You step back, giving her space as you set the cloth down. The sunlight streaming through the window catches on her hair, painting her in a halo of gold. She looks almost ethereal, and it breaks your heart, because you know she doesn’t see it.

“Vi…” You hesitate, unsure of what to say.

She looks up then, her eye searching your face. Her voice cracks when she speaks. “I don’t get it. I’m a jerk, right? Always have been to fucking everyone, even Loris and my sister and I... I mean, I’ve been a dick to you since day one. Why don’t you just… let me fuck myself up?”

“I’ve thought about it,” you admit, a hint of teasing laced in your voice. “But then I’d be a pretty shitty medic, wouldn’t I?”

Her lips twitch upward again, but it doesn’t quite stick. “I’m sorry,” she says, her voice so quiet you almost miss it. “For everything.”

You nod, not trusting yourself to speak.

“I didn’t mean to…” She trails off, her gaze dropping to the floor. “I didn’t mean to hurt you.”

The sincerity in her voice twists the knife deeper, but it doesn’t change the truth. “It’s okay,” you manage.

“No, it’s not.” She finally looks at you, her blue eyes clouded with something you couldn’t quite place. Regret? Shame? “I… You deserve better than that. Better than me.”

Her words hit like a punch to the gut. You swallowed hard, forcing a small smile. “You’re being dramatic. I’m fine, really.”

Vi shook her head, leaning back against the chair. “You’re not. You’re just too good to say it.”

Her eyes flick up to meet yours, and for a moment, it feels like the world has stopped spinning. You can see the pain in her expression, the regret and the sorrow, but there’s something else, too—a longing that mirrors your own.

But it’s not enough.

You step back, and the distance between you feels like miles. “You should rest. I gotta fix your nose.”

Vi nods, leaning back in the chair. The sunlight catches on her bruises, highlighting every mark, every scar. She looks like a warrior, battle-worn and beautiful, and you know you’ll never forget this image of her.

As you work in silence, you can’t help but wonder what it would’ve been like if things were different—if whoever Cait was didn’t haunt her, if she could see you the way you see her.

But deep down, you know the answer.

She’ll never be yours.

But you’ll always be hers.

When you finish, Vi hesitates for a moment longer than you expect, her movements slow and deliberate, as though she doesn’t know where to go next or what to do. She stands, and the way her shoulders rise, like she’s summoning what’s left of her strength, makes your heart ache.

“Thanks,” she says.

“Of course. It’s what I’m here for.”

As the words leave you, they feel hollow. You want to reach for more, to say something else, to make her understand. You want to scream, to tell her that you could be enough for her if she’d just let you. You could make her believe that she’s worth more than the pain she’s carrying. But instead, all you do is smile. It’s soft, strained, and bittersweet.

She doesn’t meet your eye as she turns toward the door. You watch her move, each step deliberate, like she’s carrying an invisible weight. For a fleeting moment, it’s as if she’s pulling the room with her, dragging everything back into the shadows.

And then, she’s gone.

The door clicks softly behind her, leaving the room eerily silent. You sit back in your chair, the quiet pressing in around you like a heavy fog. The warmth from the light seems to linger, but it doesn’t reach you anymore.

You sit back in your chair, staring at the empty space. The room feels colder and quieter, and you realize that, no matter how much you wish otherwise, she’ll always carry pieces of someone else with her.

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sonrium · 4 months ago

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DP X DC: A Minor Drinking Problem

Phantom is a relatively new member of the JLA, but it's been a few months, and things are settling in well. He's shy and polite but is a master of the snark with villains.

Before a big mission, the all hands on deck kind, everyone is talking about scars and the crazy stories behind them to distract from the coming fight. Danny, finally feeling like he can join in the conversation with all these adult heroes, pulls off his right glove to show a pretty gnarly scar on the back of his wrist. “I got this one when I fought a guy from the Revolutionary War a few weeks ago! Didn't think he'd charge me with a bayonet.” He shares a couple more stories and scars, but only the ones that he can easily show off.

Because of stories like that and some historical depictions of Phantom from different time periods, they think he's this ancient and powerful immortal that just looks like a teenager, it wouldnt be the first time. He's powerful enough to go toe to toe with Superman, so there's no way he's actually a kid. He even sometimes has the haunted, world weary eyes that their most hardened members only get after experiencing too much. Danny, being our lovable, obliviously dense idiot, has not realized that they think he's an ancient being.

After the mission concludes -it was a rough one-, the JLA celebrate their victory with a couple drinks back at the watch tower. Danny is understandably uncomfortable with this whole situation and keeps asking, “Are you sure I should be here?” They reassure him it's fine as they pass around beers, which Danny politely declines several times. Danny eventually sees this as the perfect chance to pad his blackmail folders on his inebriated coworkers.

Anyway, as the night goes on, they have a good time, but Phantom still hasn't gotten a drink like the rest of them, and Green Lantern (or hero of your choice) really wants their shy friend to come out of his shell. So, he slams an open beer bottle on the coffee table in front of Phantom. “Come on Phantom! Let loose a little. Celebrate!”

“Dude! What the hell?! I'm 16! That's illegal!” Phantom squeaks in shock.

“We don't care how old you were when you died. It's how long you've been a ghost that counts.” Flash slings an arm around Danny's shoulders from where he’s sat next to him on the couch. Flash can't get drunk, but he also thinks it would be fun to see their uptight new member drunk.

“That's even worse! You'd be giving alcohol to a two year old!” Phantom is horrified that his coworkers are so casually breaking the law.

“But you said you fought in the Revolutionary War this morning!” Green Lantern said with his eyebrows knit in confusion.

“No, I said I fought someone from the Revolutionary War. As in, the ghost of someone from the revolutionary war!”

“You can't pull that on us. There's murals and stuff of you from thousands of years ago.” The Flash waves off with a laugh.

Phantom’s finger presses painfully hard into Flash’s chest. “I do not need to explain time travel to you of all people. My mentor hates you, and I'm STILL sent on missions constantly to clean up your messes.” Phantom's clear and low. Flash liked it better when he was shouting and not staring him down like a predator with narrowed eyes.

(This random idea popped into my head. It made me laugh, so I thought you might, too. Here you go!)

#dpxdc #dp x dc #dcxdp #dc x dp #dp x dc crossover #dc x dp crossover #danny phantom #dp x dc prompt #plot bunny #the flash #green lantern #time travel

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foldingfittedsheets · 4 months ago

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I grew up lucky for a queer person. My area wasn’t actively hostile to me. My parents accepted the news that I had a crush on my best friend with no major upset.

There was homophobic comments made in my household in line with the era, but without hatred behind the words. I got called “lesbian” by bullies but honestly it just rolled off of hurtful and hit funny.

That’s why I was so ill prepared for my move to Arizona. I was moving to live with my at-the-time girlfriend, Taylor. She was native to the state and I’d met her while living there for one miserable year in high school. I’d had a crush on her for ten years before we started dating.

In the process of moving my parents were helping by driving a uhaul with my stuff while Taylor and I drove down in my car. It was a two day drive and we rolled into my new city one warm desert evening. We stopped to get some water and wait for my parents to catch up in the uhaul.

We got out of the car, stretching our achy limbs and heading toward a little fast food place in the strip mall. Across the parking lot a group of men started hooting and whistling at us. Words like “beautiful,” and “come here” drifting along the still evening air. We didn’t react and they grew louder until I casually flipped them off.

The tenor of their calls changed instantly. Now we heard “dykes” and “bitches” and “teach you a lesson”. For the first time, I felt afraid to be walking along in a lit parking lot. I looked at Taylor and to my horror she had started to turn in their direction.

I grabbed her arm and she shook me off. The men were moving away but I didn’t want to see a fight or worse break out if she caught up. But Taylor wasn’t heading to follow them. She was arrowing toward the truck they’d been lounging across.

“What are you doing?” I asked her anxiously.

For answer she reached for guys front tire and started letting the air out. A nervous giggle escaped me and I stood to keep lookout. She had the front two tires done before the trucks owner came storming across the parking lot.

“You should have just slashed them!” he snarled, “Woulda been faster.”

Taylor rose and coolly said, “That’s destruction of property, I was just checkin’ your tires, bro.”

Emotions flitted across his face from surprise to rage but after a moment he mastered his anger and said, “Okay. I get it. We were out of line before.”

He held out his hand as if to shake hers and I tensed. His eyes told a very different story than his mouth. Taylor casually flicked his air cap at him and it bounced off his chest. We turned and walked away without another word.

It was my first night in my new town. The scene would set the stage for later interactions. People who would ask me if I couldn’t empathize with parents who kicked their gay kids out for spreading sin. I’d go on to be followed and harassed on more than one occasion. That night showed me how privileged I’d been and how vulnerable I was at the time. But I at least had the satisfaction of thinking back to that man filling his tires back up with air.

#ramblies #story #homophobia #writing #truck #tires

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hoshigray · 11 months ago

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𝐇𝐚𝐭𝐞 𝐭𝐨 𝐋𝐢𝐤𝐞, 𝐋𝐨𝐯𝐞 𝐭𝐨 𝐇𝐨𝐥𝐝 | satoru gojō

𝐒𝐲𝐧𝐨𝐩𝐬𝐢𝐬: Is it possible to wish to be in the embrace of someone who makes you want to throw them off a cliff? You seem to think so, and the same goes for Gojo. But alas, good things always come to an end, even when not meant to be...

𝐂𝐨𝐧𝐭𝐞𝐧𝐭𝐬: Gojo x fem/afab! reader - explicit content; minors DNI - modern + college AU - frenemies to lovers + mutual pining - Gojo and reader are at least age 20 - implied fwb relationship - catching/awakening feelings - oral (m! receiving) - ball massaging + sucking - sex in a shared room; college dorms (alone) - cowgirl position on a chair - breast fondling + sucking + nipple play - protected sex (psa: wrap it up, or get tf up) - pet names (baby, cutie, pretty, princess) - heavy depiction of a blowjob - cameos: Haibara and Ijichi - fluff + angst; misunderstandings - humor bc i'm [not] funny.

𝐖𝐨𝐫𝐝 𝐂𝐨𝐮𝐧𝐭: 7.6k

𝐀𝐮𝐭𝐡𝐨𝐫'𝐬 𝐍𝐨𝐭𝐞: second part, let's goooo!! i loved ur support and comments from the first story, so hope y'all are excited for this part :DDD and ty so so so MUCH for 5.5k like??? i kiss you on cheek, every single on of you, hehehe~

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“If you’re not gonna help, then leave my dorm!”

“Ehhhh, hell no! It’s cold as fuck outside; you want me to freeze to death?”

“They’re…still going at it.”

“Yeah…give it a minute, and we’ll just go to the library without them?”

It’s coming down to the last week of January; university students are finally settling in with their new schedules and getting used to the groove of the spring semester. Or some run around trying to keep up with the new semesters and the change of weather already getting on people’s nerves, wanting nothing more than spring to come quickly.

Three weeks in, and you already have stuff to do, one of them being an argumentative presentation assigned by Professor Yaga in your Contemporary Issues class. You and three other people are tasked to find sources for a topic issue you find interesting and then present a discussion-based presentation on two sides of the topic (two people in favor and two people against).

Unfortunately, the groups were to be randomly assigned. Luckily, two friends you knew in the class, Haibara and Ijichi, were picked to work alongside you! However, the bad part was that another person you knew was assigned to work with you, and he happens to be the guy getting on your last nerves right now, sitting on your couch while clicking through the television channels with the remote.

Your roommates weren’t home today. The club fair was occurring at the quad, so Mei Mei and Utahime had to go out and represent their clubs for the afternoon. Shoko is having an intense study session with Geto for an exam on the first of February, so they’re at the library now.

That leaves you alone at your dorm, using this as a perfect opportunity to invite your group over to work on the project.

“You can freeze your nuts off and become the next Jack Frost for all I care; if you’re not going to do your part of the work, get out!”

Well, minus you yelling at your partner, who clicks his teeth before turning to you. His round sunglasses shone from the light reflected from the living room windows.

Satoru Gojo was your number one nemesis within these campus grounds; this was a known fact to everyone, especially the other group members who nervously examined you two bicker. Being in the same space as him is enough to make you wish you could pull your hair out or put him in the nastiest headlock you could do. Worse, being assigned to the same group as him for your project almost made you want to rip your ears off.

But you had to suck it up; at least you were the first group to start a presentation. Better now than worry about it later, right?

“Pssh, fine, I’ll get up and—Oh! Wait, you guys have Digimon on Hulu? Ahhh, sick!”

Nevertheless, you can’t say that when your supposed partner acts like a child glued to your TV screen instead of doing the work he promised to do. You grit your teeth with a twitching brow, “Why you…”

Across from the common area was the kitchen, where Haibara and Ijichi sat at the dining table. The two sophomores could do nothing but feel the tension between you and Gojo grow with every passing second, suffocating the younger duo. Haibara eyes Ijichi from across the table and whispers, “Wanna make a run for it now?”

The black-haired second-year didn’t reply, only a hurried nod before the two grabbed their coats and stuffed their laptops back into their backpacks. The sound of their zippers alerts your ears, turning to them to question, “Huh? Where are you two going?”

Haibara takes it upon himself to deliver a half-lie as he zips up his jacket. “On second thought, Ijichi and I are thinking of taking the shuttle to the library to work instead.”

Huh? The library? Were they leaving because of the belligerence between you and Gojo? God, you hoped not. “Wait, you guys don’t have to do that. I already made you guys walk all this way here; it’d be rough to have you leave for somewhere else…”

Ijichi comes with the assist after putting the sling of his messenger bag around his shoulder. “It’s okay, Y/n. We found material from the library we could use as sources, so we’re heading up there to take some notes while they’re there.”

“Yup!” Haibara exclaims in agreement, and the two walk past you to put on their shoes by the front door. “Maybe you guys can find sources of your own while we’re gone, and then we can converse and share what we found when we come back. Sounds good?”

“I suppose so…” you couldn’t shake the feeling that they were leaving to avoid being in the same room as you and Gojo. The guilt is hard to endure since you didn’t mean to make the younger boys uncomfortable. “See you guys, then.”

“Cya!” And with that, the door closes on their way out, leaving you and Gojo alone in your apartment.

Well, this is just great; you’ve driven your group members and friends away and are now stuck with the nuisance of a partner who still keeps his attention on the television. It takes everything in your power not to pop a vein. But with one calm breath, you steady yourself and stand tall.

You walk in front of the TV, blocking it from Gojo’s view. The white-haired boy throws his hands up in exasperation, but you couldn’t care less. “What’s the big idea?” He questions you as if he has a right to at this moment.

You cross your arms across your chest with narrow eyes. “Haibara and Ijichi just left.”

“Uhh, yeah, I heard the door,” he maneuvers his body to try and see the children’s show blocked by your figure. “Doesn’t have to do with me—“

“It does have to do with you.” You interrupt him, taking two steps and bending to stare him down. Your face is a foot away from his. “You’re supposed to be here to work with Haibara on the ’no’ part of the argument while me and Ijichi do our part. You’ve only been here for thirty minutes, and the only thing you’ve done successfully is take off your shoes at the door and read your manga books on the couch.

Gojo chuckles – oh, how you hated his laugh – as he puts his hands behind his head, spreading his long legs from their crossed form. “You heard them, no? They’re going to research on their own and then come back. Besides, you know I’m not one to start stuff right away. I’m a procrastinator, remember?”

“You’re annoying; that’s what you are.” You straighten up with a heavy sigh. God, I wish Utahime and Shoko were here. They’d help me out with this white garbage…

“Ahhh, lighten up, Y/n. It’s not like the presentation is on Monday; we got until Friday to come up with everything.”

“Yeah, I’m aware of that, smartass. And you’re right: I do know you. And I know you tend to do things at the last fucking minute. But not this time!” You watch him try to put his feet up on the coffee table, and you quickly intervene by kicking them off.

“Tch. Look, you knew what you were getting into being partnered with me. And relax; those two said they’ll be back to discuss the material later. They already left – nothing I can do about it.”

Your hands rest at your hips, tapping your foot with visible frustration. “Oh? And I wonder why they left in the first place, Gojo. Mind telling me how?”

He quirks up a brow with a smug grin — a telling sign that you’d get ticked off with whatever he’s about to say. “I don’t know, Y/n. Why not ask the nagging control freak talking to me right now, huh? Maybe their short height and angry temper are affecting the mood of those around them to be miserable like them.”

You almost did it — your hands nearly gave into your intrusive thoughts and were about to lunge at the snow-haired guy’s neck to wring around like a rag doll. But you played it off with a clap, rubbing the palms together to distract your temporary violent thoughts.

You sucked your teeth and turned on your heel. “Forget it. I’m gonna go take a nap.”

He scoffs, “Good, maybe your tiny brain needs it to calm down.”

“Choke and die, Gojo!” You say down the hall, already at the door of your shared bedroom. Before slamming the door shut, Gojo’s patronizing laughter can be heard to your dismay. With gritted teeth, you march to your bed to throw yourself on the mattress.

“Ughhh. That Satoru Gojo,” you curse his name under your breath as if he’d hear you through the walls. “So unserious…”

─── ⋆⋅☆⋅⋆ ───

To be quite honest with himself, Gojo doesn’t necessarily hate you.

The white-haired boy lies on his side on Utahime’s bed, watching you nap. He did knock on the door – believe him, he did. He even gave you the good old ten-second rule, waiting for your response. But then you didn’t, which gave him the initiative to waltz in and see you in your slumber.

You slept so peacefully; your face at peace, and your faint snores were the only things his ears picked up on. It was as if your little nagging show from earlier was hard to comprehend when seeing your tranquil state in front of him. It used to be rare to see you like this. Keywords: used to be.

For the past two to three weeks, your relationship with Gojo has become more…intimate. Ever since he took your first kiss and drew your virgin curtains, the two of you have gotten a little closer than before — both platonically and physically. Something that Gojo never thought he’d experience with you, his tiny, cute frenemy.

Gojo has known you since freshman year; you were two in the same enrichment group to prepare you to transition into college life. Personally, he wasn’t much for the program; he found it a waste of time, a mandatory prerequisite that he felt he didn’t need. He’s all about experience, wanting nothing more than to get on with his day, go to classes, hang with friends, and repeat.

“Hello, my name is Y/n. It’s nice to meet you all!”

And then came you, the person sitting across from him at the round table your group would always meet at. He’d be lying if he said he wasn’t enamored by you the second he saw you. Gojo rarely finds someone who could easily pull his eyes to them — not saying the girls who’d usually crowd and admire him weren’t pretty. There was something about you that kept him wanting to know more – to engage more – about you.

One thing he knew from you was that you carried your character with pride. Your achievements, your personality, your kindness, and your mannerisms — all of which were displayed elegantly and were a breath of fresh air to look at. You stood out to him more than all the other kids in the group, his eyes always finding a way to steer from the professor’s advice to your alluring, listening face.

Another thing Gojo liked about you was that you weren’t afraid to stand your ground, especially when discussing with your peers or him. Sure, you were always respectful and would respect other people’s arguments. But, God, the way you said things so constructed and nuanced, it had the tall other glued to you whenever you spoke.

He’s not going to lie; he’ll admit that he’d try to tick you off and get you to get a little angry with him when it came to arguing. He couldn’t help it. He just liked the thought of you layering out of your poised appearance to the point you’d glare at him whenever you saw him in the halls. And it had him giddy knowing he’s the one that made you angry because you looked cute.

And that was the other thing he really liked about you. The more you two interacted, argued, hung out with his friends, or attended classes together, the more Gojo’s fascination for you turned into that of a school-boy crush. He wouldn’t admit to anyone of this (minus Geto and Shoko if his life depended on it) because it certainly wasn’t something to be known. He was okay with what you two had right now, being the friend who loves to push your buttons to see you nag at him.

That was until you two started sleeping together. Because holy fuck, the past weeks you two have been sneaking time to have each other’s bodies close made Gojo’s mind go crazy. So fucking crazy like the feeling of you on him is borderline addicting. Your whiny cries calling out to him when he scrapes your sweet spots, your nails scrape on his chest, your half-lidded eyes when you look at him, or how you whisper his name only for him to hear.

This was the kind of relationship you two brewed, a secret thing only between you two. And Gojo was satisfied keeping it like this because it was what you wanted. No need to flaunt it around; it was no one’s business. Besides, he likes having you to himself, seeing a side of you that only he could imagine and experience.

The sensations of your body under his touch, the various tunes of your voice, and the beauty exhibited in your gaze. It was all addicting. You were addicting.

“Who told you to lie on my roommate’s bed? You know she’ll kill you if she ever saw you.”

It was so addicting that he didn’t even notice you awake until you spoke to him, the erotic memories of you clouding his brain dissipating at the indication of your voice. He smirks, “Oh, I’ll be fine; not like she can hurt me with her tiny self.”

You’re too groggy to roll your eyes, sighing as you turn to your side to face him from across the room. “How long was I out for?”

“Almost an hour,” he replies, switching to sit criss-cross on Utahime’s bed. “I got bored watching TV and knocked.”

“How long have you been in here?”

“Maybe twenty minutes?”

“Just watching me sleep?”

“Yeah.”

You let out a scoff, shaking your head. “Weirdo.”

He snickers at you for recognizing his silliness. “Whaaat? There’s not much to do aside from looking at you. I got bored of the TV.”

“What about your manga?”

“Got bored of that, too.”

“Anyone on your socials that you’d wanna talk to? Girls? Friends? Your teammates?”

“Mmm, nah, none I’d wanna talk to right now.”

Your brows furrowed. “What do you mean?”

“Hmm?”

“What do you mean ‘right now’? You make it seem like I’m keeping you from interacting with your outside life. If you’re bored, talk with whoever you want. Maybe bother Geto…No, nevermind, he’d probably be annoyed since he’s studying.”

Gojo examines you, silently removing himself from your roommate’s bed and treading towards yours. He takes off his sunglasses and places them on top of your dresser before sitting on his knees on the floor. He rests his hands and chin on the edge of your bed, his sky-blue eyes locked in with yours. God, you were so beautiful to look at.

“I meant that I don’t want to talk to anybody.” Now that he’s closer to you, his voice dials to a whisper. “Not when I got you here to myself.”

He notices your brows drawing upward at the sentence. “To yourself?”

“Mhmm,” he hums, bringing a forefinger to trace your brow. A sensual touch not to startle you. “Just you and me.”

You give him a look as if you think he’s trying to pull something. “Don’t tell me you were making me mad at you earlier just so Haibara and Ijichi could leave, and I’d be stuck with you.”

His smile broadens with every word, his dimples out to see. “No, although I hate that I didn’t think of that myself.” His hand goes to your cheek for his thumb to stroke gently. “Would it have been a bad thing if I did?”

You don’t reply, only placing your hand on his. Your eyes are still on his blue orbs, and – you don’t know this because Gojo has the perfect view of you – the light from the window made them shine charmingly as it highlighted your face.

“No…I don’t think so,” you murmur, gaze gradually venturing down to his lips. “I like being around you…Satoru.”

He heard his name leave your lips, an invitation to what he wants to do, his eyes fixated on your lips before closing them and drawing in closer. “Me too…”

The kiss was soft and gentle like he always starts with, waiting for you to give him the okay to kiss you again. And when you meekly lick his bottom lip, he gives in to your request and claims your lips again.

Your moans were so sweet to his ears — his favorite thing to hear — especially when he becomes a little devilish and sucks on your tongue to make you whimper a little louder, turning him on even more. It serves as the perfect distraction for him to snake a hand into your shirt, his hand already making itself home and cupping your breast in your bra.

You break the kiss with a gasp, and massages to your mound make your breath shaky. “Mmmah…you sneaky pervert,” you name-call him sweetly.

“Can’t blame me; I just know that you like to have your tits played with.” Gojo sneers, tweaking your nipple to hear you gasp again. “Hey, remember you said you’d suck me off next time?”

“Huh?” The question threw you off before you could fall deeper into a euphoric haze.

“Don’t ‘huh’ me, you promised!” He whines to you like a hurt puppy. “After I ate you out for twenty minutes straight last time, can I just have your mouth on my dick once?”

“I never told you to eat me out for twenty minutes!”

“You crying and telling me not to stop said otherwise!” He stands his argument, even if you warn him with a glare. “Just suck it, please. I haven’t felt your mouth in a while.”

Oh, for fuck’s sake. You didn’t expect to deal with his childish tendencies, but it is Gojo we’re talking about. You sigh, “…Fine, Satoru.” And then the white-headed boy beamed at the confirmation, immediately standing up and heading to your desk. It was an abrupt change of pace for a second until he brought your desk chair out.

With glee, Gojo flings his jeans and boxers with ease, his half-hard cock out for you to see. He sits on your chair with spread legs, “I’m ready~.”

You roll your eyes, yet the smile on your face sneaks without you knowing while leaving your bed and crouching between his legs. “You’re such a big baby sometimes…”

Your hand finds its way to the body of his dick, gliding it up and down to feel the veins under your palm and fingertips. Gojo hums to your cold fingers, hitching his breath when you tease him with a blow of air.

Your free hand comes to his balls, massaging his testicles in a way that has his leg jerk. He tries to fight it, but the squirm on his legs says otherwise. “Hahhh, fuck…quit it…”

“Hmm? What, you don’t like it when I tease you?” You peer up at him with a smug grin before using your tongue to lick on the glans slowly, and he covers his mouth before a gasp comes out after lapping on his frenulum. “But when you do it to me, it’s not a problem, huh?”

“Mmmph, shiit, Y/n—Ohhh…!” Another jolt of the hips after you lick and kiss one of his balls, teasing the skin with a kiss and tiny chews that would have him choke on his breath. “Jesus, fuck! Y/n, baby, you’re driving me crazy….Aishhh!!

“Oh, really?” God, you were such a fucking tease. But he fucking loved that so much. “What should I do?” You ask him before sucking on his balls again, and a hand comes to your shoulder to grip.

“Mmmm…Blow me off, princess,” shivers crawl up his spine as you place kisses from the base of his cock towards the tip. “Please, I wanna feel you…”

You giggle at his reply, finally taking in his cockhead to your pretty lips and sighing through your nose as you hollow your cheeks to take in more of him.

Gojo sighs at your licks and sucks on his girth, his erection becoming accommodated to your oral cavity wonderfully. You unhurriedly prompt yourself to take in more of him until your lips reach his pubes, your throat now full of him, and the warmness of your gummy walls makes him squirm more.

Bobbing your head at a moderate pace, you suck him off to that of a pleasurable cadence. You still use your hands to stroke him, Gojo melting to your touch even more. He throws his head back when you attack his tip again with the onslaught of licks and laps, the hand on his balls roughly kneading them jerks him to moan aloud.

Fuck, it feels so fucking good having you suck him off like this. How your tongue moved up and down on him was so dangerous, prompting him to place a hand on your head for support. As if that would help, you don’t show him mercy when you suck him harder and faster. The noises coming from your mouth sounded so erotic and pornographic, the heat on his face brewing out more.

“—Khhmm, fuck, man, I can’t…Ahhh! Y/n, I’m gonna cum if you keep licking it like that. Stop, st—Ahhaaa!!”

But like he said before – you’re a tease (if not worse than him). You remove Gojo’s dick from your mouth and throat at once, the groan he exerts fueling the fire in your body. You stand to withdraw your shirt, bra, and panties to the ground, knowing Gojo’s watching every move. “Don’t get mad at me; I know how much you wanna cum inside.”

You pull out the condom from the pocket of your skirt, placing the rubber on his cock after removing it from the wrapper. He couldn’t help but laugh, “Seems like you’re more of a pervert than me if you had that ready while those two were here earlier.”

“Shut up,” you playfully kiss him with a sneaky bite to his bottom lip. Then, you mount and align your cunt on his dick, the glans kissing your wet labia. “Hmmm, fuck…”

“Relax, cutie,” he kisses you on the cheek while his hands fondle your breasts.

You slowly descend your slit onto him, the tip of his cock pushing into the entrance of your vagina. A couple of exhales and inhales keep you steady when inserting him into you, not letting the pain distract you from the task at hand. And the both of you moan in unison when it makes it in, your hips leisurely coming down on him until your ass rests on his thighs.

You grind on him with the roll of your hips, evoking choked intakes of air from him as a hand goes to your ass with vigor. His face to your chest while the other hand plays with one mound. His lips found a nipple to pop into his mouth to suck on.

With a slow pace, you rock your hips onto him. Your legs bent for your feet to be on his knees, the chair solid enough to withstand you bouncing on Gojo’s dick with repetition.

“Hoohhh, ohhhh, mmmm,” your hums are expressed in tunes. The curve of his cock is so fucking good, scraping your insides with precision. You couldn’t help but increase the speed just a little bit.

Gojo keeps sucking on your nipple; the grazes of his teeth and pushing the bud up to the roof of his mouth only fuels more quivers to travel down your bouncing figure. Both of his hands now under your skirt to feel the flesh of your ass under his hungry grasp. He kneads your asscheeks with every thrust to your chasm, and your shrieks get louder by the second.

“—Mmmph! Shit, shit, you feel so good, pretty,” he finally lets go of your hardened nipple, burying his face to your chest. “So fucking good for me…fuhuuuucck!

You could feel your cunt contract around him; every graze to your sensitive spots prompted your walls to grip around him. He hisses, looking up to see your expression as you ride him out. Fuck, you looked so good on top of him like this. He’ll add this position to the list of things to do again with you.

You peer down to see that Gojo is staring at you, and you quickly bring a hand to cover his eyes. “—Ahhahhn, d-don’t look at me like that! Yer soo embarrassing…!”

He only chuckles at your shy demeanor, especially during this. But he humors you, not fighting your makeshift blind for him to see you wholly. He’s seen it all already — felt it all, too. And he could never get enough.

“Ooooh, Satoruuu—Nnaaahh!” He loves how you say his name, your hand traveling to his hair to grab in tuffs. “Oh, fuck, ‘toruuu, I’m gonna cummm…!”

“—Hnngh! Yeah, baby?” Oh, he knows. The way you’re grinding to and fro on his pelvis tells him so. “Go ahead, princess. Clench on me and ride it out.”

And with that, your hips go to an erratic pace that has the both of you holding for dear life. The squeeze of your inner walls clenching on him almost makes him choke on his spit, the nails of his fingertips forming crescents on your skin. And you scream at it, slamming your ass onto him as you both climb up to orgasm.

Within seconds, it hits the both of you like a train. This had to be Gojo’s favorite part of the entire thing, experiencing having your folds clamp and flutter around him as you cry for him. It took everything in his power not to come with you because he wants to have you on him a little longer. You just felt too good to let go — too addicted to your body to be done with one round.

When the contractions subside while your slurred howls get quieter, Gojo gives you a few minutes to let your body be free from the aftershocks. He knows your body is extra sensitive now, rubbing circles on your back and placing chaste kisses on your clavicle. You hum under his lips, letting the wave of your crescendo exude out from you quietly.

However, since you wanted to be such a tease, why not be a tease back? At least, that’s what Gojo thought before he threw your cunt another snap of the hips, his cock jabbing into your delicate walls that haven’t recovered yet. A sharp cry comes from your puffy lips, the hand covering Gojo’s eyes finally freeing him to see you.

He grins with hooded azure eyes, “Sorry, cutie, but I didn’t get to finish. Wouldn’t be fair if I didn’t get to have fun of my own, right?”

You chew on your lip with trenched brows before bringing your face to his. “Don’t you get carried away like last time, Satoru.”

“No promises, princess~” he sings to your ear before humming into your lips.

As mentioned before, Gojo doesn’t hate you — he just hates that he can’t fully express liking you.

But having you on top of him like this, in his embrace, is a nice change of pace he’ll happily get used to.

─── ⋆⋅☆⋅⋆ ───

“Okay, everyone, class dismissed! Thank you for your time, and see you all on Friday.”

Professor Naga closes up the last class for today, and the students all get up from the seats of their elevated rows to pack up and leave. The clock is ten minutes before seven o’clock, the winter darkness already claiming the sky with a sheet of night. Students are either famished and heading to the dining hall for food, going straight to their dorms or homes, or staying behind for last-minute conversations.

Gojo was one of the latter, deciding to stay behind to chat with the group for a bit. After packing his backpack and putting on his coat, he slings from the table to jump to the row below him, where you were talking with Haibara and Ijichi.

You watch his stunt, ready to lecture, “Jesus, Gojo, what’s all that for? You could’ve just walked around.”

“Ehhhh, why would I do that? That’s so lame.” He comes and bends close to you enough to slang his arm around your shoulders.

But you click your teeth and try to maneuver away from his tall figure. “You’re lame,” you mutter under your breath.

However, Gojo’s ears perked with furrowed brows. “What did you say?”

“You heard me, you lame white furby!” You repeat yourself with a huff and the snow-haired student gawks at your brazenness.

The two of you argue again; students passing by silently exit the class, others stand and watch, and Professor Yaga can only sigh at yet another altercation between you two.

However, it quickly dissipates when Haibara laughs from his seat. “You two, there’s never a dull moment.”

You and Gojo blink at the dark brunette before removing Gojo’s hand from your shoulders. “Hmph, it’s not like it’s my fault; he’s the one who starts it.”

“Oh, what could I possibly do to make Y/n so upset with me this time?” He pushes up his sunglasses, snickering at the scowl you send him.

Ichiji, being the passive second-year he is, meekly changes the topic from the row below you three. “On some brighter news, at least we did well on the presentation.”

“That’s right!” Haibara happily agrees with the statement, leaning against the chair with his hands behind his head. “Professor Yaga seemed really pleased with our arguments; I don’t think he intervened even once. Plus, he said many good things about how we handled the topic. Nice one, team!”

The raven-haired one hums at the other’s exclamation. “I think most of it goes to how Y/n and Gojo bounced off each other’s arguments. How you two pulled up examples from the articles yet remained dignified with your viewpoints was cool to witness. I even saw some students be engaged with the conversation, many amazed with how Y/n refuted Gojo’s arguments elegantly and respectfully.”

But most of all, what the two sophomores wanted to mention was that there was no yelling. To them, the professor, and all the students of this class, you and Gojo presented your presentation without a single tone of malice, no pointless teasing, no name-calling, nothing! It was a civil conversation between two opposing sides. To everyone’s surprise — and thankful stars — today was a success.

You chuckle nervously at the praise. “Oh, come on, you two, don’t let me and Gojo take all the credit. You guys did your part. Especially you, Ichiji; you were an exceptional help for my side and finding sources I could build off from.”

Gojo, on the other hand, rolls his eyes. “Psssh, don’t butter them up like that; without us, they would’ve failed this presentation big time. No offense.” He was forced to say that when you called him by his last name and hit him with your elbow.

None taken, the two younger friends say to themselves unbeknownst to each other.

The tall one continues, “Besides, you were the one who did most of the work. I slacked off until the last minute when you whipped me into shape.” Gojo brings his hand on top of your head for a pat. The action surprised you enough to flinch a bit. “Nice work like always, Y/n.”

Were the stars aligned differently, or did Gojo just compliment you? It certainly took you aback, especially the two others who silently kept their observation to themselves.

You could only look at his complacent look for a few seconds before you realized the warmth of your cheeks became stronger. Averting your eyes, you remove his hand from your head. “Thanks, Gojo…” you express gratitude. “You weren’t so bad yourself.”

A cheeky smile, his dimples prominent to blind you. “Awww, would you two look at that? They’re complimenting me, too~” Another bump to the chest has him cackling like a child, and you shake your head with rolled eyes.

The two younger students observe the scene before Haibara forcibly stretches and yawns to catch the two’s attention. “Man, I’m so hungry; I skipped lunch to prepare for this presentation. Me and Ijichi are gonna meet up with Nanami at the dining hall. You guys wanna come?”

You instantly beam at the proposal; who are you to refuse a dinner with your friends? “Sure! I’d love to…Oh! Wait, let me use the restroom and fill my water bottle.”

You rummage through your backpack for your water bottle before exiting the classroom. The boys watch you descend from row after row, and Gojo says, “Don’t take too long; I’ll convince them to leave without you.”

“Hmph, go ahead and try! They invited me; I don’t know who told you to invite yourself.” You stick your tongue out at him before opening and closing the door behind you.

Gojo watches you with a smile still plastered on his face for a few seconds before Ijichi makes a tiny cough to catch his attention, the sunglasses-wearing junior turning to look back down to the other two. He notes the albeit cheesy-smiling faces they harbor, and he lifts a brow. “The hell are you two smiling for?”

The raven-haired sophomore squeaks at the sudden firm tone, “N–Nothing!”

“Pfft, oh come on, Kiyo; let’s not act like we didn’t see what we just saw.”

Gojo catches the nuance of Haibara’s comment. “Saw what?”

“You’re over here talking about our faces, but you’re the one who’s smiling at Y/n as they leave the door?” The brunette sophomore sends a wink to his junior, whose face doesn’t change at the comment.

“And your point is?”

“Well, it seems — to me, at least — there might be something going on with you and Y/n?”

Gojo was prepared for that, opening his mouth to interject quickly. However, the dark-haired other beat him to the punch. “Now that you mention it, Gojo and Y/n have been kind of…stable? There's still the usual arguments, but those haven't happened as much since last week…”

“Right!?” Haibara points at Ijichi with exclamation, making the other second-year flinch. “For some reason, things seem to be a little quieter with the two of them now, not to mention them hanging out way more often. Everyone’s been talking about it; even Geto and Shoko asked if Gojo had done anything that made Y/n passive?”

“I asked Nanami about it on Monday; he thinks maybe Y/n finally knocked some sense into Gojo’s childish brain to have him be so civil to engage without yelling their head off.”

“Pffthaha, I wouldn’t go that far. Y/n did just kick him in the shin yesterday for scaring them from behind.”

“Ahh, yes, well, that was deserved.”

“You two realize I’m still standing right the fuck here, right?” No, they hadn’t because the two discerned the twitch of Gojo’s brow after conversing about the tall, white-haired boy.

“But it’s true!”

Another voice enters the set, making Gojo raise his head, and the other two turn to their left. It was some girl and her friend. Gojo knew of her; she sat next to him during class. Again, he knew of her, meaning she had no significance to his knowledge.

And yet, she speaks to the three boys. “You and Y/n have gotten a lot more close these past weeks compared to previous semesters—“

“Real close, too!” Their friend adds on from behind. “It’s as if you two are like a couple.”

“So…Are you two….a thing?”

Gojo could tell from a mile away what this was. Obviously, the first girl has a thing for him — he can see the anxiousness from the twiddle of her thumbs and avoidant eye contact. Although he wasn’t interested, he couldn’t even answer the question the way he wanted. What the hell could he say: that you two are in a secret relationship? He knows you’d have his grave ready before he could finish that confession.

And he can’t say the two of you are in any relationship either; it’s not what you would’ve told them. To everyone else, you and Gojo are friends who would preferably be caught dead rather than lying in bed together. So, might as well keep that facade up.

“Not that it’s any of your business,” he starts with the push of his sunglasses. “Y/n is a pretty good friend, and I’d like to keep it at that.”

Haibara and Ijichi turn from Gojo to look at each other and shrug. Before turning back, something caught their eye that caused the two sophomores’ skin to turn white.

Ijichi tries to prevent Gojo from speaking further. “G-Gojo—“

However, the tall one doesn’t listen. “I mean, sure, they got a nice personality and are independent…Kinda pretty, too, not gonna lie. But they’re not really my type. I mean, have you seen them? Just a little person who likes to find trivial stuff to yell at me over. Angry at the world around them, I’d say.“

“Go. Jo.” Haibara says the junior’s name through gritted teeth, bringing his hand up by his neck and drawing an imaginary horizontal line back and forth — a gesture for Gojo to not say anymore. But unfortunately, the sign wasn’t seen, and the words kept pouring out.

“And to be honest, can you imagine? Me and Y/n, a couple? Jesus Christ, that would be fucking exhausting to deal with, especially with someone so boring and too uncute like them. I’ve seen prettier, been with better. I feel sorry for the poor bastard who does end up with them—“

“SATORU GOJO!”

Now — that sudden burst of yell from a loud, masculine voice — that was what got Gojo’s attention. It’s what got the attention of everyone else in the room. The snow-haired student jerks to look at the professor standing at the front, the older man with a deep frown. “What?

The professor doesn’t answer him. Instead, he points to the left of him with his chin with a huff. With common sense, Gojo turns behind him to see where the older man points. And at that moment, he felt his very being drop to the soles of his feet. Haibara and Ijichi took a slow breath in unison at the immediate tension.

Behind him stood you, a lone figure holding their water bottle within three arm’s length away from the group. But that was sufficient enough for you to have heard everything said.

Breathing suddenly felt impossible for Gojo; his entire body was stiff under your gaze. His shades could hide his eyes, but he wasn’t sure it could shield the instant shame that slapped him across the face from you.

And that was another thing: the look you harbored was indecipherable — the true definition of disengagement. There were no widened eyes, quivering lips, or shaky hands. You stood plainly and looked as though you were detached from the entire situation. And that was what scared him the most.

This was strike one.

He dared not move when you began walking up, and your eyes then shifted to ignore his presence. “Hey, Yu,” the brunette straightened his posture at the use of the first name. “I think I’ll have to decline on that dinner offer. I’m a little tired and have a paper I need to work on…Maybe next time?”

“Uhh, yeah, sure, no problem.” He answers with a sweat.

Wait a second. Gojo tries to call for you, “Y/n—“

“Ijichi,” but you immediately shut him down and directed your attention to the other sophomore friend as you put on your coat and stuffed your water bottle back into your bag. “Be sure to submit the presentation template and sources to the course site before the end of the day, please.”

“U–Uhh, already done, Y/n.” He squeaks while reassuring.

Wait, please. The tall one tries again, “Wait, Y/n—“

“Good.” You sling your backpack on, refusing to look at the person trying to talk to you. “Well, I’ll be seeing you, then.” And with that, you turn on your heel and head down the row to leave.

No, wait, stop— “Y/n, wait!” This was strike two.

Gojo doesn’t hesitate to call out to you. At that moment, he follows you to the class steps where you were a row down left from the door. He grabs your hand without thinking, the size of your palm captured by his slender fingers. He knew it was a risky move, but he had to — he had to get you to talk with him right now, if not ever. Because the latter is something he isn’t ready for, something he didn’t think would be a possibility.

And yet, he will learn this lesson of being prepared for the impossible when you rapidly turn to him. Strike three.

SLAP!

Have you ever seen someone get smacked in the face so hard that their sunglasses come off? The remaining two girls who witnessed it know for sure now. Haibara and Ijichi won’t admit to it as they immediately turn to the other side of the room when they saw your hand move. But please believe they winced at the sound of the impact. The same goes for Professor Yaga, who was too stunned to speak, yet it was a valid outcome.

Gojo didn’t move a single limb, allowing the stinging feeling on his cheek to course through his facial muscles. His eyes were glued to the carpeted ground; he knew that’s where they were supposed to be. And you snatched your hand away from his grasp, leaving his fingers to suffer in forced loneliness.

“You…you think it’s all fun and games to say stuff like that when I turn my back for a few minutes, huh?” He can see your hand palpitate from his peripheral; the anger depicted alone was enough to interpret. And the tremble in your voice? It felt like an arrow to his being. “…Look at me.”

He’d be a fool to have you repeat yourself; he has lost that right to toy with you now. With a slow inhale, Gojo rotates his head at you, azure eyes tracking up your figure to your face. And when it lands at that destination, his heart is shot down.

Tears stream down vexed, watery eyes. Your brows furrowed, and your bottom lip chewed in a terrible attempt to stop it from quivering. The rise and fall of your shoulders as you moderate your breathing, trying so hard not to let your temper dwell into a deeper phase of ugly. It was bad enough you’re crying in public, in front of your peers, your teacher — and it was because of him.

“From this day forward,” you fight your sniffles to say your statement as clearly as possible. “Don’t you ever talk to me, Satoru Gojo. Enjoy your life without something as boring as me.”

And with that, you dismiss yourself from him and the class altogether, the room silent even after the slam of the door closed. No one says anything, too shocked from the event to utter a letter.

The silence aids the ringing in Gojo’s ears, his breathing still having trouble maintaining a balanced front. The cheek you slapped burned with pain; he’s sure the skin is as red as a cherry.

Oh, fuck.

He brings a hand to his face, his body fighting the trembling. The ringing in his ears worsens, along with the pounding in his head that beats like a drum. His eyes stuck to the ground below him, choosing to focus on something inanimate and not living.

Fuck, fuck, fuck—

All he could think of in this time and place was you. Memories flashing right before him, of you and only you. He can hear the way you say his name, both in vexation and in sweet tunes. Your smiles, your frowns, your huffs, your whispers. When your eyebrows scrunch whenever you express worry for him, how you’re never afraid to stand up against him when making a point, the smile that’s been blinding him for many days and nights — the smile he wouldn’t mind seeing for eternity.

All those memories were one stab to his heart after another. And every time a recollection ended, a flash of your crying face would return to haunt him. Tears that weren’t meant to be there but were, and warm feelings you expressed with him were gone the moment he saw your eyes void of feelings for him. At least, that’s what he saw.

He hurt you. That was the only revelation that haunted him where he stood, making his voice falter from confidence. It was a revelation he never meant to bring about. And now that it exists and he sees the damage, nothing would be better for him now than the ground beneath him swallowing him whole.

“What…the fuck…”

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staryuee · 4 months ago

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WHAT THEY DO WHEN THEY’RE IN LOVE!

꒰warnings꒱ not proofread, dainsleif/pantalone may be ooc (´°̥̥̥̥̥̥̥̥ω°̥̥̥̥̥̥̥̥｀)

⠀꒲ ` synopsis . . . just cute habits, actions etc that they do, whether intentionally or not, after being struck with cupid’s arrow.

⠀꒲ ` characters . . . jean, diluc, zhongli, xiao, nilou, xianyun, dehya, wanderer, arlecchino, pantalone, dainsleif

⠀꒲ ` notes . . . scrolling through the genshin tag makes me wanna die sometimes…i’m trying to do investigative work and i have to quickly scroll past the same smutty language like it’s booktok torture + also i’ve been playing baldurs gate 3 for the past several days and i think i’ve developed a problem…

G. JEAN — 琴

ʚ jean is very subtle in the way she loves someone, she doesn’t want to keep it secret per se, but her love is always almost adjacent to a puppy crush; something that seems fleeting but in the long run returns harder and hits oh so much worse.

ʚ she can’t necessarily abuse her powers, and she wouldn’t dare dream of messing up the order she so carefully has managed to maintain, so the way she tries to convey her feelings across isn’t too brash or loud.

ʚ simple things like letting her hands brush against yours when she passes you documents, allowing you to visit her office whenever you please even if it’s to just sprawl down at a nearby couch and read a book you found in the library while meandering, and even letting you join her on her daily walks across the courtyard.

ʚ during windblume festivals she won’t hesitate to strike up a seemingly harmless and friendly conversation, all the while sneaking a flower into your hair that resembles the feelings you stir up inside her fuzzy heart.

ʚ jean is overall quite an awkward person when it comes to anything related to romantic or plantoic ties, she’s a bit of a people pleaser in that way where she prefers to assume everyone’s a friend before an enemy… or in this case, “interested”.

ʚ with backup and sought guidance from her good friends lisa and kaeya, she’ll try a myriad of tactics to get you to notice her; a little shoulder massage there, a heartfelt sticky note placed on your workstation there, inviting you to classic candlelit dinners etc.

ʚ yes, believe me, she even tried the cartoonish “rose bit between teeth and uncomfortably arched side lean on a wall” approach before deciding it’s much better to listen to herself than the flamboyant duo.

R. DILUC — 迪卢克

ʚ diluc is the actual epitome of a gentleman. his love is so pure and genuine you can’t help but flower press every petal from the various bouquet he personally delivers to you on special occasions (anything from you completing a particularly hard or draining mission to doing something you thought you’d suck at).

ʚ his coat is also yours now. it’s like a six sense at this point to notice when you’re shivering out in the cold winds, and it’s become even more of a routine for him to simply shed that fluffy coat of his and drape it appropriately over your shoulders, trying to maintain a comfortable distance between you two as he adjusts it both to ease your tension and assure the pounding of his heart goes unheard.

ʚ diluc doesn’t enjoy using his riches to woo someone, it’s uncouth and just shows a desperation unbecoming of someone who dates to marry. if he wants to know you’re in it for the long haul, he’ll be much more sensitive and thoughtful when picking out gifts for you, each them have to hold some level of significance in your life.

ʚ the whole fiasco with his poor maids and some sneaky, perverse stalkers and diluc’s flaming great sword certainly applies to you as well; he’ll quietly ensure your safety in the night, helping you walk home with his arm hooked under yours, and in broad daylight he won’t hesitate to swing that polished wolf’s gravestone of his against any onlookers.

ʚ diluc is extremely closed off but deeply sentimental, he can so easily find himself rambling about his childhood stories to you; anything from how he used to collect seashells with kaeya to bring back to their dad, or how him and jean used to let baby barbara braid their hair together while babysitting…to things that are slightly more troublesome and heart wrenching to even mutter.

ʚ he may be less vocal than most in terms of feelings, but that doesn’t mean he won’t commit to it if he’s in love with someone. diluc isn’t the slightest bit dumb, he understand in order to get his feelings across he needs to do more than take random days off to spend time with you, he needs to at least hint it in a way that clearly gets his intentions across.

ʚ believe me, whenever you come by to dawn winery per notice, everyone raises a brow at you with curious smirks and gazes as diluc nearly stumbles on his words to get the phrase: “you look lovely tonight” out.

ZHONGLI — 钟离

ʚ he has up to thousands years of romantic customs under his belt, he understands the vague signs and ways to further communicate how much he adores you.

ʚ … that would be the case in its full if not for the fact for the first thousand couple years of his life he wasn’t busy maiming other gods and shedding blood. safe to say, his memories of mortal “courting” is slightly, if not absolutely, a massive, weaving and overlapping trail of various centuries and cultures he’s been accustomed to; anything ranging from the days when khaenri’ah was still in its prime to nowadays with newfound slang.

ʚ he’ll recite the most beautifully heartfelt and awfully sincere poem all the while you’re fighting your life in a haunted house (he’s heard this activity is helpful to get couples closer to one another, and given the fact you’re clinging on for dear life at the edge of his coat, he assumes he’s on the right track!)

ʚ he wants to impress you while also maintaining an air of genuineness to his actions, and while that does sometimes end in awkward situations where he ends up wearing regal attire to what’s supposed to be a casual dinner at wangmin, his heart remains completely pure in its endeavours.

ʚ oh, let’s not forget this man is quite literally a dragon too!

ʚ sometimes he can forget you don’t have the same complexion as him and will proudly present you some sort of glimmering relic from his hoard, forgetting that certain materials that existed back in the day were deadly and or toxic for mortals to touch let alone possess.

ʚ with a little nudge in the right direction, he’ll quickly learn everything there is to know for how to properly handle your precious heart. whatever you’d like, you may have — if it’s within his reach, that is. but it doesn’t mean he’ll stop at what’s available, no, just how much he’s willing to risk for you.

XIAO — 魈

ʚ he’s already embarrassed and awkward enough with accepting the fact he likes you, so accepting the fact that he loves you had left him with a lengthy exorcism spree down in some forgotten areas in liyue (it didn’t help).

ʚ in all honestly, not much changes; both because he’s rather emotionally constipated but also because he’s more than sure he’s loved you for longer than he seems to currently acknowledge.

ʚ letters that came only on special occasions like your birthday or his became much more frequent and a lot less poetic, it felt more like he was writing about his thoughts at the time, a little akin to how you’ve made him feel less constricted and much more free; he can finally have the courage to step out of his comfort zone.

ʚ all those small acts of love he used to subtly express (i.e gifting you two crystaflies, personally inviting you to come hang out, etc) he manages to double, he can’t have you thinking his intentions are the same as before. no, they’re much stronger now.

ʚ his guard softens around you regardless, but when you randomly fall asleep on his shoulder on your weekly visits at wangshu inn, instead of taking you to one of the rooms, he’ll sit there and allow you to rest, and if he’s assured you’re not awake to ridicule him, maybe, just maybe…he’ll sneakily loop his arm around your waist.

ʚ even just the thought of you makes him spiral into daydreaming, sitting atop a tree and swinging his leg back and forth carelessly as he stares up at the night to await for a new light, knowing full well the only sun he wants to see is you…just imagining his hands holding your waist like they did so long ago makes him shiver (hopefully this time he’ll get to do it when you’re not falling, and instead are falling for him)

NILOU — 妮露

ʚ nilou is basically a disney princess, if you see her singing to random birds that come watch her performances, everyone in the grand bazaar already knows it’s because you’ll be in the crowd that night.

ʚ each step within her routines are done with the little more passion, if that even is possible given her character, all because she imagines that pride and hopeful heart eyes in your eyes as all the attention is on her.

ʚ sometimes this fixation can lead to dumb mistakes on stage which bring her to sulking away with a hand on her forehead dabbing away at the sweat, but even the mention of your name as you pass by several sumeru streets is enough for her to brighten, do a quick wardrobe switch and run off to tackle you within her embrace.

ʚ nilou is not loud, but definitely not subtle. the exact representation of how she feels when you come to encourage her at her lowest (though those days are few). you’re there for her in ways you don’t imagine, and that alone is enough for her to daze away into the night as she cuddles her pillow, legs wrapped around it and all, and begins thinking about the what ifs of your relationship.

ʚ sometimes it’s a little comedic the way she speaks about you, it almost sounds like she’s reminiscing about a fictional book character with how much she takes pride in whatever little thing you do. no one tires of seeing her footsteps lightly tap against the ground in circles as she gushes about how when you complimented her the other day, you touched her cheek seemingly subconsciously ∩^ω^∩

XIANYUN — 闲云

ʚ she’s a little embarrassed at just how obvious she can be sometimes, it doesn’t help the fact her own children keep using this love of hers to their advantage.

ʚ she keeps nagging them about not taking care of themselves (she’s all too keen about their health and whereabouts now that she dwells alongside liyuean people) and yet just the mention of your name has her slightly stuttering in a ditzy trance as she hooks her glasses back up her nose bridge.

ʚ without hesitance, she’ll show you a photo album she has of all those close to her; would you like to see the drawing little ganyu made when she just barely had her horns? or perhaps the polearm young shenhe broke when she miscalculated her own strength in training?

ʚ her family is her pride and joy, it’s only natural for her to want you to be part of it even if it’s something as silly as raking through photos of a chubby ganyu eating the stem of a flower or teeny shenhe napping on a tree.

ʚ a peaceful life mingling with mortals has left her with ample time to enjoy the trivialities of life, and yet she finds her mind all too quickly wandering to you; had you been taking care of yourself? were you feeling lonely? did you need her to make something for you?

ʚ a secretive worry wart that quickly becomes that ancient adetpus she used to pride herself as soon as your delicate hands accidentally brush against hers; suddenly she’s perked up, chest heaven up high with a confident hand on her shoulder: you wouldn’t even think that flurry of pink hues gushing across her cheeks was real if not for the light providing evidence.

DEHYA — 迪希雅

ʚ oh she’s absolutely ecstatic!!

ʚ there’s genuinely nothing better than love in her eyes, especially just having the ability to love and trust someone fully when you haven’t been able to do so for a plethora of years.

ʚ doesn’t try to hide it, like at all, if anything she makes it rather obvious with the way she constantly pulls you closer as if you were already an item, arms constantly clinging onto you and your sides or her hands messing up your hair as you greet her.

ʚ she’ll take you anywhere you ask, free of charge of course (just promise to smile…and maybe if you’re up for it give her a kiss on the cheek, that’s sure to be enough reimbursement).

ʚ she’s already quite a confident and outwardly friendly person (if the price is right that is) but when in your presence? what’s wrong with just a little bit of showing off…

ʚ dehya needs you to see the best side of her!! maybe then you’ll finally give in and realise that her constantly asking for you to come join her on her travels and commissions isn’t brought out of mere timed coincidence

WANDERER — 流浪者

ʚ i saw that a few people were upset and confused by wanderer’s sudden switch up into being more kind/friendly, but i think we all forget what kind of person he was before his betrayals.

ʚ he loves wholeheartedly, if he adores something it consumes him in a warm pit of mushy domesticity — he doesn’t hate love or being kind, he hates the way it makes him vulnerable and the way it reminds him of the way he used to be.

ʚ that also means he’ll completely ignore you, or, try his best to rather.

ʚ wanderer knows within his heart that he completely years for you, just the accidental slip of his gaze meeting yours makes his brain go haywire, sending volts of electricity down his spine — you make him feel so alive.

ʚ it’s terrifying to return to a person you once were especially now with the knowledge of how being the way you were lead to some sort of tragedy, he’s managed to build up these walls so high and here you were, sneaking in through cracks he didn’t even know he had.

ʚ and he both loves it and hates it; loves the fact he can still feel, but hates how he’s so easily susceptible.

ʚ loving you turns into self-loathing and brooding, his feet pacing up and down every street at night to clear his muddled head. small distractions like taking strolls in meadows or sleeping up in the vines of trees lead to just thoughts of you and you alone.

ʚ wanderer refuses to be overly friendly and buddy-buddy with you even if he’s aware that if you decided to just one day hold him sincerely he’d burst into tears, but he can compromise with being less cutthroat.

ʚ “shut the fuck up” turns into him just rolling his eyes at you as you ramble (he soaks up any piece of information he can and locks it away), items you gift him now are more apparent in their value as he yells at those who dare question the dumb aranara pin you bought him and placed sneakily on his hat…oh and he gives you hat privileges.

ʚ it’s raining? …get close to him so you don’t begin complaining about the way the rain feels on your skin.

ARLECCHINO — 阿蕾奇诺

ʚ she starts treating you less like an asset in her “contact if in need of assistance” roster and more like a friend — of course, she maintains that distance between you two, but she lets you wriggle around in her heart to see if you manage to fit.

ʚ chances are, you will — unknowingly she’d grown to love you in ways that may have even gone unnoticed by her given how natural they were; inviting you to random gatherings when the whim arises, pulling your chair out for you when out for brunch, or even tucking away strands of hair and twirling it around playfully.

ʚ arlecchino’s love isn’t something immediate or expected, she’s a woman who keeps every card close to her chest and her children even closer, you have to prove to her that you’re worth it, in a way that doesn’t necessarily mean spilling blood but more so answers the question: do you care, and are you willing to accept her blinding love?

ʚ it’s like a shepherd dog with a lost lamb, but that little sheep is just you, and she’s a wolf in need of a muse.

ʚ cute tea parties aren’t uncommon with the two of you, she’ll happily let you indulge yourself in treats as she leans back with scorching tea in her hands while memorising every curve of your lips as you chew and swallow, she loves watching the way your eyes crinkle when you smile and the little sway from side to side you occasionally do as an expression of joy.

ʚ once arlecchino notices that she’s began treating you as another authority figure in the house of hearth, she’ll reach and collar you gently, intertwining her dark, cursed hand into your flowery one.

PANTALONE — 潘塔罗涅

ʚ one of the most attractive qualities a man can have is knowing when to shut the fuck up and to slide his card over during a dinner — both such things pantalone can do effortlessly, especially when it comes to you.

ʚ arlecchino claims that: “he allows his actions to be governed by the vengeance and hatred locked in the depths of his heart.” something that definitely translates into his love affairs in more than obsessive manners.

ʚ don’t be afraid of the massive hauls of clothing and sparkling jewellery galore that are being trudged in by multiple men, darling, it’s just a menial souvenir from his latest travels and newfound connections that he thought you might enjoy ^^

ʚ while his grandeur usually stems from his deep hearted desire to overthrow the imbalance between immortals and mortals, rest assured the luxury he provides you purely stems from his desire to make you his.

ʚ whether that entails you being his pet for him to seek comfort from on the occasion or a genuine connection where he can comfortably hold you at night purely depends on you.

ʚ oh, you’ll let him chew your ear off about his recent expedition and extravagant plan? consider your rent payed for the next few months and a few kisses on your cheek that certainly aren’t actually part of the snezhnayan custom (let him indulge in those little cravings or else he’ll undoubtedly be petty).

DAINSLEIF — 戴因斯雷布

ʚ has a breakdown.

ʚ a little dramatic, but honestly if his entire life wasn’t a disgusting mess already, you’ve come to make it worse. fate is deliberately mean to brooding blondes it seems, given the fact he’s now stuck pacing around back and forth on a trail of dead abyss mages as he rereads a letter you’ve sent him weeks ago.

ʚ everything you give to him, everything you say, do, write, whatever, he remembers implicitly. each word you say is engraved into him as if they were important artefacts regardless of how pointless and mundane.

ʚ it can honestly get a little…scary at times? you’ll mention liking something once and all of a sudden you find it within your possession at least a few weeks later.

ʚ dainsleif doesn’t have enough time to wallow in the glory of mushy, all consuming love despite desperately wanting to imagine how your hand would feel caressing down past each of his scars, but what he can do is protect you, and to him that’s a greater blessing than intimacy he knows will end eventually.

ʚ a big tough man who would honestly fold the moment you call him any variation of a pet name, specifically with the word “mine/my” at the beginning — hey, it’s nice knowing you mean something to someone the point they view you as inseparable.

ʚ the timings at which he comes to aid you are all too convenient and believe me he’ll try his best to downplay it as coincidence, all the while he’s breathing heavily both from the face your eyes are scanning his so closely and the fact he used up so much energy to merely make a portal to sneak into your space.

#genshin x reader #soon as i finish bg3 i’ll be reborn anew. IM STUCK ON ACT 2 BC OF THAT DUMB MYKRUL #genshin x gnreader #genshin x you #genshin x gn!reader #jean x reader #diluc x reader #zhongli x reader #xiao x reader #nilou x reader #xianyun x reader #dehya x reader #wanderer x reader #scaramouche x reader #scara x reader #arlecchino x reader #dainsleif x reader #pantalone x reader

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ratatattouille · 29 days ago

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Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and manipulates Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. If anything, she’s more concerned that Jayce has a close relationship with him, wondering how much it may affect Jayce, hence her plans. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success, and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to show her peers overseas. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t Ambessa’s fault, but Mel’s and Jayce’s. Again, Mel is the one who started the manipulation and Jayce is the one who betrayed his and Viktor’s vision.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her manipulation, charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she knowingly used Viktor (and Jayce) as a means and ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was PURELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to manipulate Jayce into creating hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

Mel was the wolf long before she killed her mother because she had always been someone who used her strength in order to pursue her own goals ruthlessly, even at the expense of Zaunites. But S2 insists she became the wolf only when she was willing to kill her mother. That her wolfness had something to do with her magic rather than her judgement.

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Mel being a mage is a cool reveal, but it side-lines and devalues what she was, could do, had done and how she’d developed in S1

-Despite what the show would have you believe, Mel was not the victim. She was very much complicit in ignoring Zaun’s needs in priority of the rich and wealthy in order to make herself look good. She wasn’t as cruel as her mother, but she wasn’t progressive until she saw the damage already done (and Jayce helped her re-connect with her own conscience).

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.

#arcane #arcane season 2 #arcane critical #mel medarda #jayce talis #jayce arcane #viktor arcane #mel arcane

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byoldervine · 18 days ago

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Writing Tips - Character Strengths And Weaknesses

So characters need to have strong and weak points to keep them interesting and prevent them from seeming too stagnant; a character without strengths feels flat and boring, while a character without weaknesses feels overpowered and stagnant. So when it comes to character creation, how do we come up with good strengths and weaknesses?

1. Archetype. What role does your character fill in the story? Would any of the typical strengths and weaknesses for characters in that role apply to them? Could they be modified or altered to better fit?

2. Backstory. What was their childhood like? Do they have good relationships with their family? Have they worked in certain jobs or participated in activities that would lend themself to a certain skillset, or lack of? What struggles have they faced in the past that might have shaped who they are, for better or for worse?

3. Personality. What is this character like? How much of it comes naturally to them? Is any of it a learned behaviour or coping mechanism? Is any of it an act? How aware are they of this? Is it intentional or just a force of habit? Are the strengths and weaknesses you’re considering compatible with the person they truly are, even if they’re not compatible with the act they might put on?

4. Speaking of compatibility. Does it make sense that your character would have certain strengths or weaknesses depending on these other factors of their life? Are the strengths and weaknesses even compatible with each other? A patient character isn’t likely to be reckless or have a short temper, for example, though of course any combo has the possibility to work when approached with care and consideration

5. Double-edged sword. An easier and, in my personal opinion more interesting, way to approach it is to make the strength and weaknesses stem from the same character trait. A selfless character could struggle to prioritise themself. A loyal character could compromise themself or their objectivity in favour of supporting the people they care about. An overconfident character could get in over their head and underestimate the danger they’re in while taking unnecessary risks, but it would also lead them to taking on opportunities and challenges not many other people would, allowing them unique rewards for putting in the effort and courage. What character trait could you take to an extreme? Would it be good or bad for your character?

6. Character development. What about your character should be different from where they started? Think about the kind of person you want them to be at the end of the story, then inverse that to get them at the start of the story. What journey do they need to go through to develop into the new version of themself? If you want them to end as a responsible, patient and selfless person, they need to start off irresponsible, reckless and selfish. And don’t forget that you can build up negative character traits, and that even heroic characters who are objectively good can keep their less heroic qualities

7. Contextual strengths. Remember in ATLA when Katara couldn’t do much of anything in the desert and Toph was unable to effectively sandbend to the extent she needed to compensate for her blindness? Their strengths were turned into weaknesses, which they later worked to compensate for and improve on. What situation would put your character into the same sort of situation? Are their strengths actually useful in most contexts, or just the context of their environment or situation? Are their weaknesses actually useful, and they’re just not in a position to see this? When taken out of their current situation, would they fumble or thrive?

8. Types of strengths and weaknesses. Characters might have physical strengths and weaknesses, such as physical disabilities, additional features, powers or curses, literal physical strength, etc, but they also might have mental strengths and weaknesses such as intelligence, dexterity, balance, problem solving, a wide range of skills or obscure knowledge, memory, quick-thinking, resourcefulness, social skills, gullibility, etc. Beyond this, there are also separate emotional strengths and weaknesses, such as compassion, emotional intelligence, compartmentalisation, emotional range, self-awareness, insecurities, etc. There’s so much that could become a strength or weakness, and characters can have as many as you like from all three areas

9. Nature vs nurture. What your character has been taught or trained to think and feel and behave like does not inherently mean that this is who they actually are. Depending on their environment and the people around them, two people with the same strengths and weaknesses could end up diverging at critical points to become entirely different people, or two people who couldn’t be any more different could land in a position where they both become more and more alike as time goes on. Our environment and the people in it can shape us, both in our past and in our futures, so don’t leave the present as something stagnant; if a certain trait makes sense for them to have but you don’t want them to have it, have them unlearn it

10. External conflict. What literal journey will your character go on for the story? What strength might be useful for it? What weakness could hinder their efforts? Would these work for their character? If all else fails, make it practical or impractical as desired

#writing #writers #writeblr #bookblr #book #writers on tumblr #writers of tumblr #writerscommunity #writer #creative writing #writing advice #writing tricks #writing tips #writing tips and tricks

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neon-sunsets · 1 month ago

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it’s actually insane to me in retrospect that viktor got the arc he did. I need to go back and count his screen time minutes, but it’s clear that he’s up there numerically, and his story has so much weight within the narrative outside of just numbers as well.

beyond that, though, is the fact that viktor's narrative is fundamentally one about internalized ableism and the systemic structures that encourage it.

(obligatory disclaimer #1 that I have a significant mobility disability and a progressive chronic illness, but I am only one disabled person.)

imagine this: you are a child. you are disabled. the world you live in is one where you cannot afford healthcare; no one is there to teach you how to even use your cane correctly. your world is inaccessible and, worse, even the people who would normally show class solidarity with you don't, because you are not even able to do what they expect from you. characters like vi, powder, claggor, ekko, and mylo are all shown care and solidarity that viktor isn't — because they are able-bodied and therefore able to "pull their own weight."

this, at least, is an environment that can probably be overcome or mitigated by age and meeting people in your community who do care about you. this is an environment comparable to that of many, many, many disabled people who manage to thrive in a deeply unfair and ableist world.

but then you encounter a man who sees that you have talent and tells you as much. he does not ask much of you and he does not care that you are disabled. all he asks is for some help, which you give, and in return he teaches you the things he knows. what comes of this, after all is said and done and your understanding of the world has been fundamentally changed, is that you do have something you can give to your community, to the world. you have a talent which you can use to make yourself useful. you're not strong or sturdy but you can make machines, and that is always in need.

but you can't skate by on being useful like a normal child. the onus is always on you to prove that you're worth the air you breathe and the space you take up, that it's worthwhile to keep you alive. and the place to go to make yourself the most useful, where the most change can be made, is not a place you have any traditional way of accessing. you, through tenacity and grit, manage to get there anyways. (the show doesn't depict this, but any way viktor would have managed to get to the academy would have involved significant difficulty and possibly deception).

and when you get there, to that towering city of bronze, you find that nothing you do actually matters all that much.

everyone looks at you and sees your disability. everyone looks at you and sees where you're from. no matter how smart or accomplished or helpful you are, your behavior will always be, in their eyes, representative of your people. you could handle the stares, the rejection. but their judgement is dangerous to you and your people.

so, in order to survive, you must be perfect. you must project confidence or at least indifference to their cruelty. you must do as you're told and accept meager promotions and toil away as an assistant. you might be the only disabled zaunite they'll ever meet, so you have to make it count. if you fail, if they decide everyone from the undercity is lazy and useless, it's your fault.

you tell yourself you won't let them get to you. you tell yourself that you believe in your abilities.

it's a convenient narrative, and it's wholly untrue.

you, after all, are only a human being. a lifetime of the chips stacked against you is nearly impossible to overcome.

and so the image you build of yourself is that of a man far more self-confident than you, one who is quiet and reserved but proud of his accomplishments. the man you actually are, though, is one desperate for acceptance. desperate to assimilate. you chase your dreams, yes, but you can't bear to take credit, can't bear to be the face of them. you don't let yourself get close to anyone except the man you've built all of this with, who you love more than anyone else. you don't let anyone touch you (except him) and you don't touch anyone. you convince yourself you don't deserve his love or anyone's, that you're not whole enough for that.

you take it so far that, when you finally have the technology you think can cure your terminal illness, the first thing you try to fix is your leg. not the thing eating at your lungs and cutting short the time you thought you had, but the leg which has marked you as Other your entire life. and even though it doesn't quite work, even though it still causes you pain with every step, you force yourself to run on it — faster and faster until you're outrunning the ships and screaming because you may have visibly "fixed" your leg but it still hurts the same.

and when the system is not only oppressive in the material sense but also set up to make you hate yourself, there is almost no escaping this cycle of self-hatred. throw in the fact that in season 2 viktor keeps getting tossed from resurrection to resurrection against his will and it's no wonder the man did the things he did. it doesn't excuse them by any means, but arcane is not interested in excuses — it's interested in what makes people do the things they do. everything that he did to the people in the commune was a reflection of his own self-hatred, both because he still possessed it after death but also because, since he was programming the hexcore to try and save his life but started with "fixing" his leg, it is designed to make people as physically "normal" as possible. the faceless, identical machine people are a metaphorical representation of the ideology viktor has bought into in his pursuit of self-hatred and internalized ableism. his whole arc across both seasons is a demonstration and condemnation of the ways that systems of oppression reinforce self-hatred in the people they are oppressing.

obligatory disclaimer #2 that I don't think arcane did everything right. I'm frustrated with the direction of season 2 away from the piltover/zaun class conflict and towards the broader league of legends universe. but I do think, as a disabled person with a very similar experience of my disability to viktor, that this arc is well-done and very compelling. in the end, what saves the world is viktor accepting that he is deserving of being loved. I'm going to be thinking about this one for a good long while.

#arcane #arcane season 2 #arcane spoilers #viktor arcane #jayce talis #jayvik #internalized ableism is something that has seriously impacted my perception of myself throughout my life and my ability to thrive #so it's wild to see an arc in a massive media property actually explore it well

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whimsiwitchy · 4 months ago

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Controversially Young Girlfriend (part four)

series masterlist & main masterlist

Hugh Jackman x popstar!reader

summary: y/n is a globally beloved pop star. She is known for her talent and dedication towards her craft. Recently, she has also been known for her preference for older men. After a breakup with her former older boyfriend, she had a run in with the hottest dilf right now, Hugh Jackman. Y/n tried to warn him, but what can she say, she has an effect on hot, older men.

warnings: age gap (23/55), cursing, y/n used, implied shorter reader, afab reader, she/her pronouns, sexual themes, fighting (verbal).

warnings will change as the story progresses! all descriptions of real people in this story are FAKE. I do not know these people and this is purely fiction. Please let me know if I missed anything!! <3

authors note: I don’t have much to say other than enjoy! Please leave your thoughts and opinions in the comments or message me! I’d love to hear what you have to say <3

part four: friends for now?

Hugh let you drag him through the club by your intertwined hands. The crowd seemed to be never ending as you walked through, trying to make it to the bar. A few people stopped you along the way to congratulate you and give their praises, but the night no longer felt special. It didn’t even feel like these people were here for you. They were just strangers attending a random party. Most of them already way past tipsy and probably wouldn’t remember anything in the morning. When the bar was in sight, you did a quick scan of the area. In the right corner, you saw a small, tall table that had two tall stools, perfect.

“Heyyy y/n! I’ve been looking for you!” Ashley yells over the music with a big smile on her face. You don’t miss the way she glances back at Hugh. “Where have you been?” She asks and you can hear the accusation that’s hidden behind her words. Hugh squeezes your hand and it makes you realize just how close he is to you, the front of his body a whisper away from touching the back of yours. “I’ve been making the rounds. I was looking for you but kept getting stopped along the way.” You’re yelling back at her, trying to sound alive and bubbly by letting a laugh out at the end. You weren’t sure if she bought it. Ashley gives you a look that tells you she doesn’t. “We were gonna grab a drink, you wanna come?” You offer her but she shakes her head. “No, I have one over there.” She points to a group of girls sitting at a larger table that sits on the left side of the bar. “I’ll see you later okay?” She leans to give you a quick hug and she notices the point of contact between Hugh and yourself. “Don’t be stupid y/n.” She whispers in your ear and leans back from the hug with a smile. “Love you!” She’s yelling this time as she walks away. Her comment made your chest burn. You could tell that she thought something more was happening between Hugh and yourself but he saved you. He helped you get away from Pedro and she had no right to be accusatory.

This night kept getting worse, the only thing keeping you from going home and leaving your own party was the warmth of Hugh’s hand. The warmth suddenly vanished, Hugh letting go of your hand for the first time since he helped you off of the couch in the backroom. He pulled back one of the stools for you and offered his arm to hold as you climbed up to sit. Your foot faltered slightly, causing your leg to buckle, but Hugh was quick to grab your waist to stabilize you. “Thank you.” You say again.

“Do you want a drink?” He asks julting his thumb towards the bar behind him.

“Oh! I'll take a pop my cherry margarita please.” You smile, voice full of excitement. Hugh lets out that rich man laugh that you haven't heard since the day you met him.

“A WHAT?” He’s still laughing, it’s so contagious that your own laughter slips past your lips unexpectedly.

“Pop my cherry margarita. It’s a real thing!” You explained to him that you wanted to create a drink menu that matched the album song titles. It was the one detail you really had a say in. “I thought they were handing out pamphlets at the door that explained that. Did you not get one?” Hugh’s eyebrows furrowed but they relax just as fast as he pulled a folded up pamphlet from his back pocket. You gasp dramatically.

“You didn’t read it?” Your voice held a joking tone but you couldn’t help but feel a ping of hurt within your chest at the thought of him not taking the time to at least skim over the silly little paper.

“I was looking for you when I first got here.” He admits shyly, an emotion you didn’t know Hugh was capable of having. He was always so confident and loud, never shy. It was cute.

“Well in that case, you are forgiven.” His words made your heart swell.

“I’ll be right back.” He gives your shoulder a light squeeze and walks over to the bar.

Taking a look around the room, you’re glad that people are enjoying themselves. Your album only has three more songs to play before you’d have to go back on stage to give your thanks again. The club was booked all night, meaning that everyone was welcome to stay until it closes at two am. You didn’t plan to stay that late and after the events of the night, you weren’t sure if you’d stay any longer than your second ‘speech’. You glance back over to Hugh. He’s leaning on the counter, making conversation with the bartender. He was so charismatic, easily falling into conversation with anyone he met. You were certain that there wasn’t a person in the world that disliked him, he was the definition of likable. The reality of the situation was starting to settle more clearly now that your mind wasn’t clouded by the brief altercation with Pedro. Hugh hadn’t left your side since the moment he found you, he helped you collect yourself, and now he was ordering you a drink. You weren’t sure what this meant for him- you knew exactly what it meant for you. All of his acts of kindness were starting to overfill the file in your head labeled ‘big fat crush on Hugh Jackman’.

“Here you are, one pop my cherry margarita.” He slides the glass in front of you and sits in the stool across from you. The drink is a bright red with a silver shimmer throughout. Two cherries sat on the top of the ice with a lime hugging the sugar lined rim. You took a sip, the tequila a little too strong for your liking, but the sweetness of the cherry and the slight hint of lime was refreshing. “Mhmm that’s good. What'd you get?” You ask while squinting at his drink. “Slut me out martini?” He says unsure. You laugh. “Hm. Slut me out is probably my favorite song off the album, a good ‘ol dirty martini fits the vibe of the song.” He takes a sip and nods. “Hey.” You say to catch his attention again. “I’m sorry you didn’t get to actually listen to the album. You’re probably disappointed, given you’re such a big fan and all.” You’re mostly joking, the only sincerity being behind the fact he didn’t get to do what he came here to do. What you invited him here for. “Stop apologizing sweetheart.” He grunts out giving you a pointed look.

“I did hear the first few songs, they were really good.” He says, taking a sip of his martini.

“Just good?” You question. It looks like he thinks for a moment before speaking.

“They’re surprising.” He says slowly. “How so?” You’re quick to respond.

“Just… didn’t expect it. It’s different from your other stuff, it’s seductive.”

“Hm..are you seduced?” His eyes lock onto yours. Your tongue darts out to pull the straw that sits in your glass to your lips. You can see his eyes move down towards your lips as you suck on the straw. When his eyes match yours again, he’s repositioning himself on the stool and lets out a low chuckle. “You’re something else y/n.” He shakes his head and you hum in satisfaction.

You glance over to the dancing crowd, eyes moving over the groups of people. You meet Stacy’s eyes and you can hear the buzz of the last song fill your ears. She started making her way towards you, disappearing every few seconds as she weaved through people. “Shit.” You mumble as you try to think of ways to get out of getting on stage and thanking everyone again. “What’s wrong?” Hugh’s voice was filled with concern, the same tone he had used earlier in the night. “Stacy..my uh.. my assistant, I guess, is making her way over here right now and I like really, really don’t wanna go up on that stage again.” You frown. You were being stubborn, you knew that. The smart side of your brain tried to tell you that it wasn’t professional to just leave your own event.

“C’mon.” Hugh is standing up quickly, offering his hand once again. “Huh?” You asked him, confusion written all over your face. “I’m getting you out of here. Let’s go.” You look around the room one last time. Stacy is about ten feet away, stress present on her face. “Okay.” You grab his hand and he helps you down, his other hand instinctively meeting your waist. “Y/n! I needed you on the stage like three minutes ago!” Stacy yells across the lowering distance. Hugh tugs your hand and you follow. You’re trying your best to keep up with his long legs as he walks swiftly through everyone. He pushes open the door and flashing lights blind the both of you. Covering your face, you tried to block the paparazzi’s cameras, completely trusting Hugh to guide you through this all. Once you reach the small parking lot that sits on the left side of the building, Hugh is opening the passenger door for you and helps you in. He hurries over to the drivers side and drives off as fast as he can, escaping the leeches that are trying to take as many pictures as possible. “Oh my god, you’re literally a life saver.” You say, adrenaline rushing through your veins. Pulling out your phone from the small purse that’s been draped on your shoulder most of the night, you sent a quick text to Stacy, responding to the endless texts and calls you’ve received from her in the past five minutes.

You: I’m sorry Stacypoo. I’ll explain later. Love you <33

You knew work Stacy would be mad at you for some time but once you explained everything, friend Stacy would understand. “Do you want me to take you home?” Hugh asks. “Yes please. I’m pooped.” You huff out and he chuckles. You connect your phone to the car bluetooth and set your address on the GPS. The silence in the car calmed your body down at a rapid rate. Exhaustion took over your body and you could feel the ache in your feet from the heels. You were only at the party for an hour, yet it felt like you had been there all night. Looking at the time, the clock read 11:30pm. Hugh was quiet and you were afraid you might have caused too much trouble for him. That he wouldn’t want to be around you again after this. “Thank you Hugh. Really, you totally made this night so much better.” Your head is leaning against the headrest and you roll it slightly to look over at him. The faint light coming from the street lights shined on his face dimly. He was so handsome. You wanted to tell him. “You don’t have to thank me. I enjoy your company.” He glances in your direction with a smile. The silence fills the space again.

“Did you purposely wear a gray shirt to match my outfit?” You asked curiously. You meant to ask earlier but it slipped your mind. “What?” He’s smiling. “You heard me. Did you?” Your tone was teasing. “Maybe.”

“Yes or no Hugh Jackman.” His name rolled off your tongue in a joking matter. You could've sworn you could see a slight blush but it was too dark in the car to tell. “Is this it?” He asks, pointing to your house. “Yea that’s me.”

He pulls into the driveway and puts the car in park, cutting the engine. Hugh opens his car door to get out. “Oh! You don’t have to get out, it’s okay.” He ignores you, walking over to your side of the car anyways, closing the door once you’re out. You awkwardly walk up to your front door and search your purse for your keys. When you find them, you turn around to face Hugh. “Thank you for driving me home Hugh.” “No problem sweetheart.” He smiles warmly and you take a moment to take it in. Your eyes rake across every wrinkle in his face, showing the life he’s lived. His smile lines set deep into his cheeks and you can’t help but think how perfectly they suit him. His facial hair was just past a stubble but not quite filled out into his full beard yet. “I should get inside, don’t wanna keep you out any later.” Your voice is soft and you want to invite him in but you couldn’t. “Okay darling.”

This crush on Hugh was something that felt deeper after tonight. If anything were to happen with him, you wanted it to be right. No rushing. The feeling was mature. Hugh was someone you didn’t want to lose, no matter how he fit into your life. It was a little scary to think about- how much you wanted him in your life.

“Goodnight Hugh.”

“Goodnight y/n.”

You turn to unlock your door and just as you're twisting the handle, Hugh wraps his large hand around your arm. He gives you a small tug, urging you to turn around. “Y/n…” He speaks softly. “Yes?” He doesn’t say anything. “Hugh, are you okay?” His hand releases your arm, both hands coming up to cup your cheeks. His hands are rough. You can feel a few calluses along his hand, undoubtedly from the gym. He’s searching your eyes but you're unsure what he’s trying to find. “Can I kiss you?”

Oh.

“Yes.” It’s barely audible, the only confirmation that he had heard you came from his lips meeting yours. The kiss was slow, soft, like he was afraid to move too much. Hugh’s lips melted into yours perfectly, dancing together in a rhythm that felt natural. He was bent down slightly to match your height, your heels aiding him. He was the one to break the kiss, you weren’t sure if you would have ever stopped kissing him if he didn’t pull away. You wanted to ask him so many questions, get into his head. You always had this impeding urge to know everything but you wanted to live in the sweetness of the moment. Hugh’s hands dropped from your cheeks and a small smile rested on his face. “Goodnight gorgeous.” He kisses the top of your head for the second time that night. “Goodnight..” You walked inside, standing half way out of the door, waving at Hugh as he drove away.

You: text me when you get home so I know you got home safe! p.s. ur a good kisser.

Walking around your house, you slowly stripped from your outfit, gathering your things to start your nightly routine as you waited for Hugh’s text. You hopped into the shower and thought about the crazy events that had happened in just a few hours. The kiss was something you hadn’t expected and it was killing you to not know what it meant for your relationship with Hugh. When you were brushing your teeth, your phone lit up on the bathroom counter.

Hugh <3: Just got home. You’re not half bad yourself lol.

You: really though, did you try to match my outfit?

Hugh <3: Goodnight y/n…

You: fine. I’ll get the truth out of you one day!!

You: goodnight hugh! <3

When your head hits the pillow, all you can do is think about the feeling of Hugh’s lips on yours, his hands on your face. You fell asleep with a smile on your face.

—

The constant buzzing of your phone woke you up. It’s been going off for close to an hour and you tried your best to ignore it but the vibration under your pillow was starting to give you a headache. You winced at the brightness of the screen as your eyes adjusted to the light that invaded your eyeballs too suddenly. Squinting at the name, you let out a sigh. “Oh fuck me..”

“Hi Stacy…” You say it sweetly, hoping it would ease whatever was coming your way. “Y/n, I need you to explain why the fuck you decided to run away from me last night.” Her voice is eerily calm, you’d prefer if she was yelling at you. “Oh yea…” You clear your throat. “So you know how when we started to plan the event, Pedro and I were still very much together?” You ask and she gives a short ‘yes’. “Well, when we had the last meeting, I completely forgot about him being invited already and forgot to take him off the list.” “Y/n, can you get to the point please, the label is on my ass right now trying to clear things up.” “Sorry…he uh.. Pedro showed up last night and he was mean Stacy. He kept saying how he wanted me back and he kept trying to grab me.” Your voice falters slightly. You couldn’t understand how Pedro, who was once so sweet and loving, had turned so cruel. “I’m so sorry y/n… I didn’t know, nobody knew.” You can hear the sympathy in her voice. “It’s fine, it’s over. I tried to stay, but I really wanted to leave. I’m sorry Stacy.” “It’s fine.” She sighs.

“Have you been on your socials yet?”

“No…why?”

“Look at what I sent you.”

You put her on speaker and open the text thread between Stacy and yourself. There were at least a hundred texts from her between last night and this morning. You click on a link she had sent and when you opened it, there was a picture from last night of Hugh and yourself leaving the party hand in hand. There were articles upon articles questioning if Hugh was your ‘new older fix’. There were also pictures of Pedro leaving the party with rumors of you cheating. It was all one big mess, but every single article seemed to agree on one thing:

Y/n L/n was a slut who liked older men.

They weren’t completely wrong, you loved being with an older man, but you weren’t a slut, or a cheater, or a gold digger, or any other names they had called you. The rumors and name calling never bothered you but it always had a negative effect on the men in your life, even if they never got the shit end of the stick. It was why Pedro broke up with you and why everyone before him never wanted to make anything official, or even be seen with you. You felt so stupid for not telling Hugh that you needed to go out the back way, that he shouldn’t be seen leaving with you. Your dating life brought nothing but a bad reputation and you didn't want Hugh’s name involved in it. You're thankful that this article was centered on dragging you down and not Hugh.

“Shit..” You whisper. “How mad are they?” You ask, referring to your management team.

“They’re pretty pissed off. They keep nagging about how they warned you with Pedro. They’re worried about your image.”

“God, I wish they would get over that already. It’s literally not that big of a deal.” Your irritation grew. It had always been something you hated about the industry, that they cared so much about minor personal details. As long as you were making music, making fans happy, and making them money- why does it matter who you’re seen with. You hated how much everyone ‘cared’ about what you did.

“I know y/n, it sucks. I’ll try to get them calmed down and prevent any unnecessary meetings. I want you to focus on whatever you need to. Don’t stress yourself out about this.” “Thank you Stacy. I really am sorry if I got you into trouble last night.”

“It’s okay. I understand why you did it and I’m glad you did something for yourself for once.”

The rest of the conversation is short and ends with Stacy complaining about Mark, the guy from the meeting, was blowing up her phone.

You needed to talk to Hugh as soon as possible. There were so many things that needed to be discussed: the paparazzi pictures, the kiss, what we are, can he handle being your controversially old boyfriend- if that’s even what he wanted. You couldn’t help but wonder if he had already seen the headlines, if his team was just as mad as yours.

You: hi hugh! could we meet up and talk sometime today?

Hugh <3: Of course darling. Just tell me a time and place and I'll be there.

You: 3pm at my house?

Hugh <3: See you then. 😀

The emoji he attached made you laugh, Hugh texted like your parents and it should make you cringe but it does the exact opposite. You sent him your address, not expecting him to remember where you live, and started to prepare for his visit. You had a few hours before the agreed upon time, allowing you to clean up around your house and get presentable. Not wanting to go overboard, you decided on a pair of black flared leggings and a dark green crew neck that had ‘New York’ across the chest. You could feel your nerves working up as the time ticked away, each minute that went by increasing your heart rate. You were sitting on the couch, when there was a knock on your door. Taking a peek through the peephole, you could see Hugh standing there. You opened the door wide and gave him a tender smile. “Hi sweetheart.” He greets you with his own warm smile. “Hi Hugh. Come in.” You open the door wider and he slips past you, waiting for you to close the door. “You can take your shoes off here if you want, but you don't have to.” He slides them off and you lead him into the living room. You take a seat on the couch, smacking the cushion next to you with your hand, urging him to take a seat as well- he does. You don’t speak right away, trying to find the right words to say, what to talk about first. “You okay y/n?” His expression is full of worry.

“Have you seen the pictures or anything about last night?”

“No…?” You can tell he’s confused and you don’t say anything. Instead, you open your phone to the link Stacy sent and hand it to him. His eyes are moving back and forth slowly as he reads and scrolls through it. When he's done, he hands the phone back to you and sighs. “This is what you wanted to talk about?” He asks. “Yea…and other things.”

He sighs. “Y/n, I already told you I don’t care what other people say. I don’t think what these people are saying about us should matter.”

“I don’t want to drag you into this mess though, Hugh. It’s not fair to you, especially when everything they’re saying are lies.”

“That’s just the way those people make a living. It won’t matter in a week, everyone will forget and move on, so don’t worry about me baby, worry about yourself. They said some nasty things in there, don’t let that get to your head kid?” His hand rests on your thigh and scrunch up your face at the nickname.

“Hugh, for moral reasons, you can’t call me kid when you kissed me just last night. It's weird.” Your voice switching from the previous unsure and scared to serious. He lets out a laugh and a quick sorry. His hand still rests on your thigh and you reach out to place your hand on his, fingers slightly intertwining at the awkward angle. “Why did you kiss me last night?” Your doe like eyes look up at him. “I wanted to.” His answer is too brief for your liking and you can tell he’s teasing. “Why did you want to?” You ask further. “You looked really pretty in your sparkly little outfit last night sweetheart. You always look really pretty, truthfully. There’s just something about you that draws me to you.” He confesses. “Yea?” “Yea…It’s a little scary if i’m being honest, how drawn to you I am.” “I’m scared too, Hugh.” You admit. “I’m terrified that whatever this is or whatever it leads to is going to get taken away from me.” Your willingness to be this open shocks you, but this needs to be done right. You would put your fears behind you for him. He squeezes your hand. “What do you mean?”

“I just feel like every time I get something good that makes me happy, it’s gone faster than I can enjoy it. I mean..with uh…with Pedro, everything was going great, I was so happy…and he just.. left. All because things got hard, because he cared too much about everything else. I was getting attacked consistently, but he couldn’t handle it. My happiness got shattered. I don’t want that to happen again, especially not with someone like you. It sounds insane, we only just met, but Hugh, I really like you.”

“I really like you too y/n.” He smiles and leans forward. His lips are getting closer to yours and as much as you want to kiss him, you can’t, not yet. “Wait..” You put the hand that isn’t holding his hand on his chest, stopping him from moving forward. “What’s wrong baby. You don't wanna kiss me?” there's a cocky smirk on his face and it was the sexiest thing you’ve ever seen. His voice was smooth and seductive. “As much as I want to shove my tongue down your throat right now, I really wanna do this right.” His eyes widen slightly at your words. “Right?” He questions. “I wanna get to know you more and take it slow. I like you too much for this to be rushed and ruined.” “Hmm. I can work with that, but just to be completely sure, you don’t want to kiss me?” The smirk is back. “God..you’re too hot for your own good.” You grab his neck and pull him into you. You kiss him with as much passion as possible, it would be the last one for a while, until time passes and these feelings are certain. His tongue slithers across your bottom lip and you pull back from the kiss. “You’re really testing your luck Jackman.” You laugh and he shrugs.

“Is waiting okay with you? I don’t want you to feel pressured or tied to me in some way.” You’re playing with his long fingers. “That’s fine by me baby, I'll wait for you as long as I need to.” He leans back into the couch.

“Friends for now?” You ask.

“Friends for now.” He nods.

Thank you for reading <33

part five

series taglist: @chronicallybubbly @spideybv28 @pear-1206 @robertthehoover @reidsworld @bloody-bunni666 @quillycrow @kythefangirl25 @bluetimeombre @cskidjgsjaoaknayan52782 @thewiselionessss @annagraceevanss @peterparkernotfound @rogueinmymind @samsamsantos @wolviesgirl @white-wolf-buckaroo @weskerussy @marvelgirlie-4 @honey-ros3ss @nonamevenus @nizem8 @chaimshelii @rockerchick05 @starryeddie @saylak @haytchee @godlypresley @mega-kittyglitter-1 @acescutejeans-1247 @bethexo07

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#hugh jackman #hugh jackman fanfiction #hugh jackman x reader #hugh jackman fic #hugh jackman x popstar!reader #hugh jackman x female reader #hugh jackman x y/n #hugh jackman x you #hugh jackman fluff #hugh jackman fanfic #f!reader #popstar!reader #female reader #cyg #controversially young girlfriend

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