#(I just really need help with this)

[nooling]

LOOK I JUST REALLY ENJOY THEIR FRIENDSHIP OK?? You can't tell me they wouldn't hang after their respective personal quests (spawn ending ofc)/emotional breakdowns over their own mortality

EDIT: I forgot to watermark these so now more than ever PLEASE don't repost

[egophiliac]

still rolling around on the ground over the contrast between Jack and Mal. it's so...🤌🤌🤌

[honeypleasejustkillme]

i thought i was at my lowest but holy shit it gets lower

[lucabyte]

there's a stranger who sleeps at the foot of your bed

[giantkillerjack]

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

[plain-text version of this post can be found under the cut]

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

Plain-text version:

Today my therapist introduced me to a concept surrounding disability that she called "hLep".

Which is when you - in this case, you are a disabled person - ask someone for help ("I can't drink almond milk so can you get me some whole milk?", or "Please call Donna and ask her to pick up the car for me."), and they say yes, and then they do something that is not what you asked for but is what they think you should have asked for ("I know you said you wanted whole, but I got you skim milk because it's better for you!", "I didn't want to ruin Donna's day by asking her that, so I spent your money on an expensive towing service!") And then if you get annoyed at them for ignoring what you actually asked for - and often it has already happened repeatedly - they get angry because they "were just helping you! You should be grateful!!"

And my therapist pointed out that this is not "help", it's "hLep".

Sure, it looks like help; it kind of sounds like help too; and if it was adjusted just a little bit, it could be help. But it's not help. It's hLep.

At its best, it is patronizing and makes a person feel unvalued and un-listened-to. Always, it reinforces the false idea that disabled people can't be trusted with our own care. And at its worst, it results in disabled people losing our freedom and control over our lives, and also being unable to actually access what we need to survive.

So please, when a disabled person asks you for help on something, don't be a hLeper, be a helper! In other words: they know better than you what they need, and the best way you can honor the trust they've put in you is to believe that!

P.S. Also, I want to be very clear that the "getting angry at a disabled person's attempts to point out harmful behavior" part of this makes the whole thing WAY worse. Like it'd be one thing if my roommate bought me some passive-aggressive skim milk, but then they heard what I had to say, and they apologized and did better in the future - our relationship could bounce back from that. But it is very much another thing to have a crying shouting match with someone who is furious at you for saying something they did was ableist. Like, Christ, Jessica, remind me to never ask for your support ever again! You make me feel like if I asked you to call 911, you'd order a pizza because you know I'll feel better once I eat something!!

Edit: crediting my therapist by name with her permission - this term was coined by Nahime Aguirre Mtanous!

Edit again: I made an optional follow-up to this post after seeing the responses. Might help somebody. CW for me frankly talking about how dangerous hLep really is.

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.

[sp0o0kylights]

Grass is green, water is wet, and Jonathan Byers does not like Steve Harrington.

These are known facts in the universe.

Computers were going to take over the world, a “mobile” phone was being invented, and Steve Harrington had lost most of his hearing.

These were unknown facts--rumors even, if you will. Eddie had never seen even a grain of truth to support any of them. 

(Well, maybe the computer thing, but only because Grant and Dustin both had made a couple of convincing arguments.) 

So he doesn’t think about it, when his freshman gang up on him. 

Doesn’t even factor the “can’t hear well” thing in, when he was tasked (demanded, whined, bitched and moaned at) with helping them explain to Steve why going to the release party of the new D&D box set, located at a hobby store only a mere 2 hour drive away, was important.

Eddie’s not even sure how the little shits got him to agree to do it until he’s standing in the parking lot in front of the former King himself. 

“The store’s leading up to the release with a handful of one-shots.” He’s explaining, unsure whether to pull out the bored act or play up his court jester persona, and thus mixing and matching on the fly. 

He does not care if Harrington doesn’t know what a one-shot is. 

“They’re releasing the set at midnight. You have to be there to get it though, you can’t have someone else pick it up for you because they only got a certain amount in.” 

Harrington’s frowning (no surprise) but it’s not until Eddie is well into his spiel about how his van is already full with the elder members of Hellfire, and thus has no room for the freshmen, that he realizes Steve isn’t quite looking at him. 

Is in fact, looking over his shoulder.

Eddie stops. Follows Harrington’s gaze.

Parked across from Steve’s Beemer, is Jonathan Byer’s barely working clunker car. 

A handful of steps in front of it, and thus nearly right behind Eddie, is the man himself.

His hands are still moving, mouth shaping words silent as he goes, his gaze locked not on Eddie or the kids--but on Steve. 

Who turns back around as Harrington’s eyes slide right back to him. 

“And this is taking place next Friday?” He says, in that sort of annoyed but resigned way parents aim at their children. “After school?” 

“I’d like to go during  school, but the freshmen insist you wouldn’t let them ditch out.” Eddie tells him. “They had two separate arguments about it.” 

Loud ones, that had interrupted the game and given Eddie a migraine. 

Once again Steve’s eyes slide away from him, to Jonathan. 

“They’re not skipping school.” He says suddenly, a glare forming and Jonathan makes an annoyed noise. 

“They argued about skipping, they’re not going to.” He says aloud, and finally steps up so that he’s next to Eddie instead of behind him. 

“Munson slow down, I can’t sign as fast as you’re talking.” He adds, in the hang-dog grumble he’s notorious for. 

Eddie stares at him. 

“Can he seriously not hear me?” 

“No.” Steve and Jonathan answer together. 

“I can kind of still hear,” Steve adds, gaze returning to Eddie’s face. “But its more loud music or noises. I can lip read, but you’re also talking too fast for that.” 

Without pausing, he turns back to Jonathan and says; “Why can’t you take them?”

“It’s Friday.” Byers deadpans. 

Eddie’s not an expert on sign language, but his hands somehow looked deadpan too. 

He’s not sure how Jonathan did that. 

“So?” Steve snarks back. 

What follows is an argument that Eddie is not, at all involved in, mostly because he’s too busy handling the fact that Jonathan Byers has learned sign language, for Steve Harrington, apparently, and given the tone the argument is taking they still don’t even like each other.  

Eventually the argument ends, Steve throwing his hands in the air and demanding that Jonathan owes him. 

(Eventually Eddie will corner the ever so quiet Will Byers and ask why the hell his brother learned sign language for someone he clearly fucking hates.

“Oh they don’t hate each other.” Baby Byers would say, in that shy, quiet way of his. “I think they’re actually friends now?” 

“You think?”

“Well--you’ve seen them.” Will shrugs. “I think being mean to each other is kinda their thing.” 

‘What the hell.’ Eddie would think, right up until he stumbled across one of the kids sign language books. 

Byers the Elder, he decides, isn’t the only person who should learn sign language to chew out Harrington properly.

The pay off is immediate. 

Or at least, the pay off of watching Steve’s shocked face the first time Eddie signs something vulgar at him is, anyway.)

[hinamie]

cursed kids v2 ⚠️👹

i've been a jjk first years stan since day one and have been wanting to redraw the first art i did featuring the three of them

[lizardkingeliot]

Sam Reid as Lestat de Lioncourt in Interview with the Vampire 2.08 And That's the End of It. There's Nothing Else.

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[trashmancer]

Evil Gale 🧠 I was drawing this one while finishing up the happy Gale, and it possessed me.

[uncanny-tranny]

Basically, my philosophy around disability fakers is: I would rather a thousand people fake a disability than have one disabled person suffer without care, aids, compassion, or any help.

[bluegiragi]

monster au intros - team 141 feat. Price, Ghost, Soap and Gaz!

[lmaonade]

well i’m in another shit situation because medical bills keep coming out and i’m still unable to return to work because of my health. anything helps i really need to get out of the hole before more fees build up. i’m sorry to ask again

paypal

venmo - @radioaky

[fifthnailinstevesbat]

thinking of a new steddie fic/au hmmm.

It’s just the classic, Steve buys weed from Eddie in season 1 era, he and Tommy meet him at the bench in the woods behind school. Steve and Eddie have some playful banter and clearly get along, but it’s dismissed as just a drug deal and they go on about their lives.

Next time they meet is when a frantic Steve comes and finds Eddie after he’s just fought off the demogorgon for the first time. He’s rattled, and skittish, wearing a nasty black bruise on his eye, and just overall not acting like himself. He snaps at Eddie multiple times to just ‘hurry up’ and ‘get him his stuff’, and sure he’s being an asshole, but more than anything Eddie is just concerned. He has never seen The King Steve Harrington lose his cool like this. So Eddie cautiously gives him the weed, making sure not to give too much, and lets him go about his day, but not before asking if he’s alright. Steve clearly wasn’t expecting this and brushes it off defensively, but that doesn’t mean he’s not thinking about it for the rest of his week. How the hell did Eddie Munson notice something was wrong, when his own parents didn’t? Nor his “friends”?

They cross paths again a year later, the beginning of season two. Steve is still with Nancy and has freshly dumped his old douchebag crew of superficial friends. He is still sitting quite comfortably on the higher ranks of popularity, but there is no denying his status is not what it used to be. He comes to buy weed from Eddie in the first week back at school, and it’s a casual interaction. He’s still as charmingly stuck up as he ever was, but now without Tommy there to judge his every move, he seems a little more at ease when making casual conversation with Eddie. Eddie doesn’t mention the year before and Steve is so glad for it, secretly very embarrassed that he went to Eddie for some refuge after arguably his most traumatic experience to date. He gets his stuff, giving Eddie a smirk when he notices he’s dropped the price significantly for Steve when it’s just him alone. Eddie gives him a challenging smile back, almost daring him to call it out, but he doesn’t. They both just laugh and part ways.

The next run in is tina’s halloween party. They notice eachother when Steve first arrives, making eye contact and giving a polite nod. Maybe Eddie lifts his drink up to Steve in a silly salute. They don’t speak at all or make any effort to hang around eachother. That is, until Steve storms down the stairs in a rage after he’d gone up there with Nancy Wheeler. But then are those- tears? Eddie was standing on the front porch smoking a cigarette, trying to discreetly hide from one Billy Hargrove to avoid having to sell him anything, but staying visible enough that he won’t lose all chances of making any money tonight. Steve storms right past him and hits his shoulder. Eddie whips around and is about to call him a dick before he sees who it is.

Steve tries to quickly wipe his face, he won’t make eye contact with Eddie, and he’s clearly trying to get out as fast as he can. Eddie doesn’t let him, though, since he’s obviously not thinking very clearly and is most likely about to do something emotional and stupid. He asks if Steve’s alright, and his answers are all short and rushed, so he’s definitely not. They’re not really friends, but Eddie’s not an asshole.

— “Did you drive?” Eddie asks

“Yeah”

“Well, you’re drunk, Steve. You can’t get behind a wheel right now. And if I knowingly let you, then that makes me an accomplice. I’ll take you home.”

Steve tries to protest, attempting to push past him, but Eddie interjects. “Yeah, yeah, alright! Don’t thank me yet, Steve’o. This is not for you, see, I’m not trying to get a criminal record, here. I cant go to prison, Steve. Do you know what they’d do to a pretty guy like me in prison? Nope, let’s go hot stuff.” —

Eddie takes Steve home. They don’t talk much. By the time they reach Steve’s drive way and Eddie has put his van in park, Steve is making no attempt to exit the vehicle just yet. Eddie doesn’t know what to do, he didn’t really plan this far, so he’s just tapping away awkwardly at his steering wheel while Harrington stares down the dashboard so clearly lost in thought Eddie fears his head might explode. Steve tells Eddie what happened, says it’s ‘relationship troubles’, and he’s not quite sure what compelled him into being so honest with Eddie Munson, but he’s blaming the alcohol. Eddie wasn’t expecting that. They chat for a bit, Eddie makes Steve laugh and considers the whole night a success after that. Then they start cracking jokes about their shared hatred for Hargrove, and Steve looks and sounds a bit more ok to go inside. He thanks Eddie, quite sincerely actually, and it throws him a bit. He stutters a ‘yeah, for sure. It’s no problem.’ And Steve goes home.

After that, it’s a little different. Steve, doesn’t actually really have anyone, anymore. When they go back to school he’s now greeting Eddie here and there in the hallways, making conversation when they find themselves alone together, in the lunch line or at the bathroom sink. He doesn’t approach Eddie when there’s too many people around, though. As much as he’s grown, Steve Harrington still carry’s some prejudice in him about how certain things may make him look. But it doesn’t bother Eddie too much. It’s not like they are really friends, they’re just like, strange acquaintances. And Steve would never deny that they get along, that really Eddie’s ‘not so bad’. So that’s a win.

Steve finds Eddie again not long after the party to buy some more weed, a plan that sparked purely out of boredom. Eddie says yes, of course, but tells him if he wants it today he will need to wait till after school and meet Eddie at his place, since he was busy. So Steve takes a trip to the Munson trailer to make his deal. Eddie invites him inside and they sit together on the couch as he gets Steve’s bag ready. They end up making quite pleasant conversation, joking around and ultimately finding they are really enjoying each other’s company. They enjoy it so much so, that Steve ends up smoking there, with Eddie. So now they are kind of like, hanging out? And it’s fun, so they do it again. Still they’re not, friends friends, they just get along. Eddie just sells Steve weed sometimes and they keep it civil.

He doesn’t hear from Steve for a while, and the next time he sees him it’s from a distance, in passing. The man has the most roughed up face Eddie has ever seen, bruised and swollen in multiple areas, stitches and bandages all over. It’s really, concerning? completely metal, but alarming. This is the second time Eddie has seen the guy all beaten up like that. He knew that boys fight, but surely not that bad? As worried as he was, Eddie doesn’t approach him to ask questions, because they don’t know eachother like that. So he goes on about his day, and he doesn’t see Steve again after that for quite some time.

Then it’s summer, Eddie isn’t graduating again, and he’s not really sure what to do with himself over the break. The new mall has just opened up, and there’s a cool music store up on the second floor that he likes to visit sometimes with his band friends. And wouldn’t you know, working at the Scoops Ahoy located directly across from his favourite store, is Steve Harrington. The guy hasn’t come to Eddie for any weed since last year, and then there was that sighting where he looked like he’d just fallen face first into a flying fist or two, so it’s been a minute since Eddie’s seen him. And he’d be lying if he said it wasn’t a nice surprise. He only goes into scoops once. He’s curious, okay? Sue him. And, he knows the girl who works with him, Robin. So he plays it off like he had no idea he’d see Steve there. And to his surprise, Steve actually acknowledges him. He doesn’t act like Eddie is a total stranger just because they’re not in school anymore. The interaction is quick, they make very casual conversation, Eddie says hi to Robin, grabs his milkshake and goes home. That’s all. He doesn’t go back, and he doesn’t really plan to. Steve’s nice, and he knows Eddie’s around if he needs to buy from him again, and that’s really as far as their relationship goes. That’s all it ever was. It’s been fun getting to know Steve Harrington a little bit better, even if it was just for a short time. Eddie liked having the chance to see in past the quaffed hair and pressed polo shirts to learn that Steve was really just a person under it all. He never thought he’d say it, but Harrington wasn’t so bad. It was a nice little eye opening experience for Eddie.

Eddie was ready to write off his little blips of interaction with Steve Harrington as a thing of the past, no hard feelings, and move on with his life. That is, until he gets a knock at his front door in the middle of the night afew days after the big mall fire. And it’s Steve on the other side. And he looks awful, his face is the worst Eddie’s ever seen it. And he wasn’t really knocking, more like pounding. He says he needs Eddie’s help.

What the fuck?

[dreamsicle262]

Dead Plate AU Information

This is a masterpost detailing my AUs for Dead Plate, which may soon become their own fanfics—if given enough time—since I plan on trying to write out a few. There's a lot of text so be warned: there's a long post underneath the cut. I tried to describe character designs when necessary because there's currently no images like character sheets/references yet. Hopefully I'll get there. This post might be edited if I have more AU ideas, or if I add pictures.

As a note beforehand, I do have a headcanon involving Vincent not having a sense of smell, since being able to taste goes hand in hand with being able to pick up on scents. If he can’t taste things, then he likely cannot smell anything either. This headcanon remains consistent with him in these universes, unless stated otherwise.

Vampire AU

Dead Plate, but Vincent is a vampire. That’s pretty much what this AU is.

At some point prior to the events of Dead Plate, Vincent got turned into a vampire. He has only been dealing with it for a short amount of time, and his fangs have been taking quite a while to grow in. He didn’t really think anything of it at first. He still couldn’t taste foods, his appetite generally remained low, and he usually didn’t experience hunger very strongly.

He does murder Manon still. It’s during this time that Vincent is suddenly aware that he’s able to smell blood. Naturally, he figures that if he can smell blood, then he might be able to taste it. However, he doesn’t drink any of Manon’s blood to test this; whatever she has to offer he’s not interested in. It’s at this point that his plans have changed, and figuring out if he can actually taste something aside from nothing at all becomes his main priority. The whole ‘cooking with love’ thing is put off to the side for the time being. This could be attributed to him being selfishly inclined.

It's only when Rody accidentally cuts open his finger the next day that things change, and he actually does take the opportunity he’s been given to taste test his blood. As expected, this is an awkward situation for the both of them afterwards.

I haven’t fully decided on where I’d like to go with this AU to make it any different from the main plot of Dead Plate, but maybe an incident happens during the dinner party or something. I’ll figure it out when I actually get to writing the potential fanfic for this one.

There are no design changes for this AU aside from me giving Vincent fangs. He looks normal otherwise, and his fangs aren’t visible when his mouth is closed. There’s general vampire lore that I use that’s different from what’s usually expected of vampires but that probably doesn’t need to be elaborated here. I’m always open to questions on my AUs for further clarification though.

Florist + butcher AU

Rody is a florist, and Vincent is a butcher.

Vincent wasn’t able to open up a restaurant in this AU, but was content with opening up a butcher shop instead, still providing quality service to his customers in the process. Despite his shop being popular, it isn’t as large as it could be. In order to not put as much pressure on himself, he does have a few employees managing the shop’s orders, which mostly consists of providing custom cuts of meat or preparing special deliveries since his business is still a fairly big deal. Vincent himself mostly deals with the actual butchering in the back, instead of serving customers directly. He’s very picky about where he sources his products from, only accepting offers from places with a track record of animals raised to be high quality. Sometimes, this makes his store’s selections limited, and because it takes time to get new shipments in occasionally due to the distance, the products rotate every two days. Vincent lives above his business.

Rody is a florist, having managed to open up a store by saving up enough money to rent out an available building right next to Vincent’s butcher shop. He did this in order to cope with his break up, and to hopefully impress Manon and get her back. Since he’s managed to start his own business, it’s working out for him, surprisingly. Even if his business is for her sake and not his, at least he’s making progress with some personal growth and success. Rody still has a few issues with sourcing his products if he can’t grow them himself, but is otherwise doing okay. It is due to this reason that he is unable to deliver flowers, and majority of his customers are walk-ins instead. The only exception is if they happen to live nearby and he can reach them that way with his bike. Some of the flowers he sells come from his rooftop garden, which is contained within a greenhouse so he doesn’t go out of business every winter. His new apartment is below this garden, but above his flower shop. It is still considerably messy, but he tries to make improvements where he can.

Manon never had a rebound with Vincent, and was only aware that Rody had opened up a flower shop when he happened to get an advertisement in the newspaper and she saw it. Since then, she has opted to stay in contact with him, and occasionally visits like she used to. She lives somewhat nearby both stores. Given how Rody is making personal progress instead of being too self-sacrificing for her, she’s been trying to encourage him to invest more into his business instead of worrying about her all the time. It’s worked a little bit so far. Sometimes, Rody gives her nice bouquets of flowers that have meanings behind them since he knows quite a lot about flower language now.

Plot-wise, Rody will be staying in his chosen location near Vincent's butcher shop until he has enough money to relocate, but during that time he will get to know Vincent more due to their close proximity to each other constantly. Vincent, while originally annoyed by Rody's presence, starts to become intrigued by him and wants him to stay just so he can observe him some more. Of course, this leads to problems when he catches wind that Rody will be leaving soon, and is later told by Rody himself that he'll soon be 'out of his hair' in another month or so.

In response to this, Vincent starts sabotaging Rody's business by messing with stuff regarding the building (electrical cables, etc etc) and killing off his most frequent customers in order to cook into meals for him as potential bribery to stay. All of this negatively impacts Rody's business, especially financially, so he has to remain where he is longer than expected. He doesn't even know that Vincent is killing his business (quite literally) right next to him.

Design-wise, Rody wears an outfit similar to his casual clothes, but with his shirt buttoned up. His undershirt is a faded mossy green. Over his shirt, he has a dark brown apron with small, white floral patterns embroidered at the bottom to make it more noticeable. He also has an upper left pocket in the apron that he uses to tuck one flower in every day. It is usually roses of varying colors, but can be other flowers that mean love as well. Sometimes, his hair is tied back in a small low ponytail.

Vincent's design remains relatively the same, save for a kind of yellowish apron that goes over his outfit as well, and a pair of black gloves. His apron used to be white, but, given the nature of his work, it ended up giving it a look similar to old and yellowed book pages. It definitely has a few stains on it, but that comes with the job.

Manon retains her usual design. Can't improve perfection.

Zombie apocalypse AU

I had the vague idea for this AU, and @dollsteaparty helped me out with some other bits.

This AU is after the Table for One ending.

The zombie apocalypse happens and Rody primarily remains in his apartment during the beginning of it. He doesn't dare leave, and he doesn't even bother to look outside. The prospect of it scares him shitless, and for good reason. However, at some point he starts running out of food, and he can really only think of one good place in order to stock up. This forces him to finally venture out of his safe haven of his apartment and go back to Vincent's restaurant.

Unfortunately, Vincent is undead by this time, and isn't in a very good shape. His mouth is all fucked up and generally looks kinda like that one doodle in the upper left corner of a page by one of the devs that looked like it was based on a game or something. To make matters worse, he regained his ability to taste when he got turned in the first place, but his jaw is weakened and he can't bite down as well as he'd like or move it as much as he wants to most of the time. He can taste just fine but can't eat well, which has the expected side effect of pissing him off greatly with how ironic it is. Other than that, he's pretty well put together as a zombie, aside from the obvious ravenous behavior and poor muscle control that comes with being one in general.

When Rody does find Vincent, he's in the freezer room, and while Rody is strong enough to hold him off, it quickly becomes annoying to have to do. Eventually he's able to come to a compromise with Vincent, since apparently he's able to be reasoned with even in his current condition. Rody stitches up the sides of Vincent's jaw to the best of his ability to make it look more normal, but his handiwork isn't the best since his hands were so shaky. He was just nervous about them being near Vincent's mouth and the possibility of being bitten that comes with that.

The two then enter a relationship of forced codependency due to Vincent wanting to reopen his bistro even though it's the apocalypse since he's dead set on continuing business as usual and he can finally taste food, and Rody needing a safer place to stay where there's a food supply available, not to mention weapons. In fact, Rody's return helps the restaurant reopen, since beforehand people were too scared to enter the place, and they didn't even know it was technically still functional. It's still clean and everything too, because there was no way in hell Vincent would let his bistro fall into ruin.

The place becomes tense neutral ground where no violence is permitted in the dining area, and people are advised to use their best manners. It's a fine dining establishment and they will act accordingly. Both alive and undead customers show up, but now there's a sign outside the bistro that has a set of rules that everyone has to abide by if they wish to live. Besides, Vincent is capable of either reasoning with or even outright threatening other undead people if they don't act nice to their living counterparts while inside or around his esteemed establishment.

No one can have their weapons out or in view, customers cannot fight amongst themselves, no one except for staff are allowed in the kitchen, don't ask about the screams coming from the freezer, no one is advised to make sudden movements like running (something about predator drive and sudden movements making even valued customers look like prey), no one is advised to send the meals back to the kitchen since they most likely don't want their scent on it (they'll be associated with the food and have to be killed anyways), and if anyone has a problem, they can take it up with Vincent personally in the freezer. True to his word, Vincent still doesn't serve human meat... to his human customers. Any undead customers will usually be consuming human meat in their dishes because they can actually appreciate it.

Rody is the only one allowed to serve the customers in the dining area because all of the cooks working for Vincent are also undead, with the exception of the one cook that was fired since they got rehired. They help to desensitize their undead coworkers to a human in their midst, and also are a familiar face, so they have a lower risk of getting attacked. The zombified cooks and their fear of Vincent overrides any instincts that they might have as zombies, so he's capable of keeping them in line and certainly isn't afraid to enforce his rules in the kitchen. Both Vincent and his employees are in a much better preserved condition than any zombies outside the establishment due to them having access to a functional freezer. Also, Vincent does still pay whoever works for him. Vincent's apartment just upstairs has largely not been used in awhile, so that is where Rody stays, along with people who are looking for a safe place to stay for only one night. Vincent gets oddly upset when there's guests and Rody has to stay with them, but he does know it's for the better. Rody is also responsible for going on resource runs for cleaning supplies or ingredients, and for also stitching up the cooks when necessary.

Speaking of the cooks, sometimes they are put in the freezer on meat hooks as a form of solitary confinement for messing up very badly. They look miserable through that window in the freezer room door and Rody can very clearly see them when this does occur. That one human cook isn't stabbed with the meat hook and is usually just tied to it instead. If Rody gets the same treatment, he is usually tied up and left to sit on the floor for awhile, but typically doesn't remain in there for long since he either has to serve customers or Vincent deems his expression too 'unpleasant to look at' and lets him go anyways.

Character designs aren't too different aside from Vincent looking a little messed up in regards to his jaw, and Rody looking a lot more unkempt.

I also don't know where I'm going with this AU and if I particularly want Rody to be zombified or not... but I did think about a scenario where that would happen, as a treat. He would be turned by Vincent personally if he was dying somehow, and he'd probably try to get to his heart to eat it first before Rody turns completely. Something about wanting to taste what love really tastes like since it's his heart... and for Rody, laying his heart bare (literally in this case) and being able to love in such a way that it practically seems like he's serving his heart on a platter. Very big fan of the character design and what it could mean or show about him. Also I think Rody should lose the ear he lost in the actual game too. Just because.

As for that one human cook, Vincent would probably just get another cook to make them into a zombie if they were on the verge of death. They're not worth his time.

Plushie platonic soulmate AU

(Disclaimer: I actually am not fond of soulmate AUs in the traditional sense (aka almost exclusively romantic in nature) so this is platonic. Vincent is aspec to me in some way to begin with, so there's that too.)

During his emotional turmoil following his break up, Rody receives a mysterious plushie at his doorstep that looks like someone he’s never met before. He doesn’t know who sent it. This plushie is Vincent, but Rody doesn’t really know that yet. He’s heard of him since he’s a world renowned chef, but he’s not very familiar with his appearance. Either way, he reluctantly decides to keep the plushie, before eventually discarding it after it keeps showing up in his kitchen despite him putting it on a shelf somewhere. Also, his utensils seem to move in different places every day, so it’s creeping him out. It’s during this time that he’s looking for a job, but doesn’t take up the opportunity to work for Vincent, and instead opts for a simple fast food job. The Vincent plushie keeps showing up despite Rody’s attempts to get rid of it, so he just gives up and lets it remain in his apartment. One day, he wakes up to a fresh lemon tart, but no evidence that it was baked using his kitchen, especially since he doesn’t even have the ingredients to make that dessert. Beside it is the plushie, sitting there innocently.

On the other side of things, Vincent also receives a plushie of Rody that appears in his apartment one day on his living room table. He simply discards it, uncaring of where it came from. However, it keeps appearing again and again and it’s frustrating him to no end. At some point, he mutilates it with one of his knives, then trashes it again. When it comes back just as new, he puts it in plastic packaging and tosses it out of his window into the alley. When it returns yet again, he finally gets so fed up that he shoves it into the oven and sets it on fire that way. The plushie ends up coming back again and Vincent just puts it on his desk in his room, unwilling to mess with it anymore. He has no idea who the plushie was supposed to be because he’s never seen anyone like that before in his bistro. On top of this being strange, he also feels the strange urge to hide this plushie from Manon, since he doesn’t want her knowing that he has this. It’s unnatural and out of character for him to have something like that when it doesn’t serve any real purpose.

At some point, Rody and Vincent get to find the other person with their plushie counterpart and are both left thoroughly confused as to what it could mean.

Character designs for this AU do not vary.

Vincent forced therapy AU

Funnily enough, this AU came to me in a dream with one vague scene, and then it just went from there after discussing it with @vinylbiohazard. It's also exactly what it sounds like.

This AU is set after the Best Served Hot ending.

Vincent somehow survives after his restaurant was set on fire, but does have severe burns and some blood loss. The only reason why he doesn’t have severe blood loss is because the wound on his neck was cauterized by the flames, so it ended up not bleeding as much anymore. There’s still the glass shards that needed to be dealt with, though, so he does still need medical attention. One of the luckiest factors in this is how his restaurant was running out of cooking oil anyways, which is one of the reasons why he was even able to get out in the first place before his exits were blocked off.

Whenever the information of his bistro burning down becomes public, the general assumption of what happened is that he had been drunk, suddenly ‘snapped,’ and then tried to commit suicide while also taking his business with him. Essentially, his life is ruined, because he doesn’t seem too stable to the general population, and the media is having a field day with headlines. He does end up in the hospital trying to recover, and he’s not permitted to speak much for a while so his neck can heal. He technically still can since his vocal cords weren’t damaged, but it’s best that he doesn’t talk for some time. His neck is still in bad shape, but it could have been worse; the wine bottle that he was stabbed with narrowly missed the major veins and arteries in that area. By the end of everything, he does heal enough to look relatively normal, aside from the burns and scar tissue.

During this time, Rody is laying low at his apartment. He never comes out with the truth regarding his missing ear, and everyone just assumes that he lost it in an unrelated accident for being clumsy. While he would ideally like to stay away from the food industry, he does end up finding another job at a fast food place. When he learns that Vincent is still alive, he’s initially still upset, but since he’s had some time to cool down following the incident, he mostly just feels horrible. After all, he had expressed some concern about Vincent losing everything if something were to happen to his business. While not ready to approach him about it in the direct aftermath, Rody decides that he will try to talk it out with him at a later date.

As it gets closer to the day where Vincent can be released from the hospital, Rody shows up to talk to him, or, more accurately, speak his mind. He can talk to him without being interrupted, so he’s taking his opportunity to explain why he was so upset and why he acted the way he did. Adrenaline and trying to make rational decisions don’t mix well. Vincent has to sit there and listen to Rody rant for a little bit, all while he’s still not supposed to speak. At some point a nurse asks if the two were friends or something, and Rody has to awkwardly go along with it and say yes. Vincent is probably grumbling to himself mentally as this occurs.

Unfortunately, since Vincent’s apartment was above his restaurant, he doesn’t have anywhere else to go but Rody’s apartment following being released from the hospital. Rody’s not too happy with it either, but he’ll manage. In fact, he’s the reason why Vincent even gets to go to therapy in the first place. He’s the one to suggest it.

Vincent keeps taking Rody’s knives in his apartment because he doesn’t use them, they’re sharp, and he’s been considering killing Rody off anyways from being forced to live with him for so long. He has to keep getting them confiscated by Rody due to this. Whenever he’s scheduled to have therapy, however, he brings at least three knives with him and keeps them hidden. He doesn’t actually get to take them into the room where he’s supposed to have a therapy session and he has to begrudgingly give them all back to Rody beforehand. He may have been fully intending on using them to murder the therapist. It doesn’t look good for him, but he essentially has a mentality similar to ‘I’ve lost everything so why does it matter what I do now?’, so he doesn’t care.

There are no design changes for Rody in this AU, but Vincent has a few. There’s scar tissue on the right side of his neck from being stabbed there, as well as burn scars. There’s additional burns on most of his upper torso and arms. Any other burns aren’t as major, and most of them on his body healed over. In the hospital, he had bandages on over these while they were still healing.