#(I have not even seen all the movies)

[poorly-drawn-mdzs]

The Odyssey would have been a lot shorter if Odysseus gave the Cyclops weed instead of wine.

[anyataylorjoys]

I know what it's like to feel like half of you is evil. It can turn you into something you don't recognize. I think there are others like you out there. What if you could find them? We don't have to be alone anymore.

THE WATCHERS (2024) dir. Ishana Night Shyamalan

[batcavescolony]

I see a lot of people upset about William Kaplan being dead and no one mourning him cus Billy stole his body and I just don't see it that way. The kid in Wanda Vision is Billy Maximoff, The teenager at the Bar Mitzvah is William Kaplan, the Teen that got taken to the hospital after the wreck is neither and both Billy Maximoff and William Kaplan. That Teen went home with the abilities of Billy Maximoff, to the home of William Kaplan, with memories of neither and lived there for three years. He cares about Rebecca and Jeff, he lied to the to protect them from pain, they are his parents. He wants to find Tommy, he has magical powers, he wants to know who he is. All of these things are true. I wouldn't say William Kaplan is dead he just doesn't remember, like Agatha wasn't dead when he was Agnes, she just didn't remember.

[c00kietin]

I wouldn't say I'm a proper fan of jason since I haven't watched the films but that's where fandom came in :D

[nebuladreamz]

The voices are loud and I am WEAK

[myokk]

Eloise and Lorra🥹🥹

@lorrainmorgan

[blimbo-buddy]

Sorry to put you all through my diseased ramblings of this listerine game but I also want to add that I think if you make Jimmy look all dirty and scary and greasy you gotta make the other crew member's designs follow in the same aesthetic pattern. To help Jimmy blend in more

[madkiska]

cant stop thinking about.. lego movies.....

[catherine-sketches]

Thinking about Charles Xavier, who is simultaneously aware of everyone but at the same time not because if he was himself to the fullest people find him upsetting and rude and nosy

Thinking about his unshakable sense of morality, right and wrong and justice that he formed at the age of 9 and has kept ever since, with modifications along the years but those core values remain

Thinking about how the overstimulation of a thousand voices in his head drove him to self medicate to the point of nearly addiction

Thinking about how he has difficulty reading people when his power is not in use, ending up saying the worst things without meaning to upset no one

Thinking about how everyone should be “mutant and proud” except Charles over there that is too passing to be a mutant but too weird to be a human and simultaneously his mutation, the way his brain is fucking wired, is too inconvenient for everyone around him mutant and human alike to accept

Charles Xavier they would never make me hate you. You and your autism telepathy

[sonknuxadow]

i genuinely dont get how so many people are uncritically excited for The Movie and have no issue with anything going on here i feel like im losing my mind a little bit . the trailers did not look good to me at all is everyone excited about it posting from an alternate dimension or something what are people seeing in this movie that im not .

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[endofbeginningarchive]

im thinking... im thinking.... saltburn seeming to believe it's an erotic witty sick and twisted film about class when really its a psychosexual neon-colored faggot tragedy rollercoaster of disordered and down bad behavior is kind of like oliver quick seeming to believe (or at least pretending that) hes possibly some kinda working class hero evil genius mastermind when really hes a deranged horny bisexual freak individual who wanted this one 6'5 guy and his bigass house so bad he ****** his entire family

[hopkei]

Kentaro-senpai, please take good care of Yusei~

[riddlerosehearts]

thinking about floyd and riddle spending their first halloween as a couple together... i think floyd absolutely loves how varied and lively all of the different halloween traditions he's learned about since coming to live on land are, and he wants to try out as many of them as he can each year. so when riddle tells him that his mother always made him stay in his room studying on halloween, and that the only halloween activities he's ever done were those that NRC students were required to participate in, floyd decides that the two of them are just going to have to spend the day doing everything they possibly can. riddle tries to say he's far too busy for such things, but floyd will not let it go and honestly riddle is only half-heartedly protesting anyway because he secretly did always dream of doing the things that other kids got to do on halloween, and maybe it wouldn't be such a big deal to take one day off and spend time with his boyfriend.

so, riddle never got to make jack-o-lanterns? floyd decides to "borrow" about half a dozen of the pumpkins jade and azul had bought for mostro lounge and takes them to riddle's dorm room. riddle is terrible at trying to carve them at first and floyd can't help but laugh at him a little, but since he knows it's not riddle's fault he's never gotten to do this before, he says he'll show him how to do it. unfortunately floyd isn't nearly as good as he thinks he is on account of having lived in the ocean for almost his whole life and now riddle gets to laugh right back at him. they probably both get the hang of it right as they're down to their last two pumpkins.

riddle never got to go trick-or-treating with his childhood friends? floyd texts trey and convinces him to get in touch with chenya as well so that they can all go together. when they approach the first house, in the costumes they had prepared for each of their school's halloween events, riddle starts to get nervous and asks if they aren't all a little too old to be doing this. floyd shoves several huge handfuls of candy from that person's bowl into his and riddle's pumpkin-shaped buckets and tells him it's not like there's any rule that says they can't, and besides, riddle is such a cute little goldfish that he practically looks like a kid in his costume anyway! chenya stifles a laugh while trey has to stop riddle from committing murder that night.

riddle's never gone to a haunted house before? floyd and chenya both think it would be hilarious to make him go to one, so they do. riddle absolutely hates it, but it honestly does make him happy to see everyone else enjoying it--even if floyd and chenya both keep trying to egg him and trey on and get them to go down creepy corridors and check around corners by themselves, and even if floyd keeps running off to different parts of the haunted house and then coming back and hugging or even lifting riddle from behind knowing full well that he'll get freaked out by it.

riddle never got to play the apple bobbing game that's traditional in the queendom of roses? turns out there's a place right by the haunted house where they can go to do it! predictably, floyd is great at it while riddle ends up drenched without getting any apples, but just giving it a try is more fun than riddle expected.

riddle's never gotten to make candy apples before? luckily, trey knows an amazing recipe as well as what combinations of toppings work the best, and he's willing to teach them both! riddle gets very confused at imprecise directions such as being told to use "a few" drops of food coloring on the syrup or to drizzle "a little" white chocolate over it, and keeps asking trey exactly how much he should use. floyd thinks this is adorable. he also thinks it's adorable when riddle tries to scold him for ignoring half of trey's directions and just doing whatever he thinks sounds good.

riddle's never done a horror movie marathon before, or even seen any halloween movies in general? floyd insists that they marathon at least 3 movies together. after the experiences he had at the haunted house, riddle doesn't think he'll enjoy horror movies, but he tries to keep his cool throughout the first one anyway... which does not work out, because he really can't handle jumpscares or excessive gore. during the first movie they watch, floyd (who loves slasher films so much that he laughs and cheers every time the monster gets a kill) is happy to let his goldfishie cuddle up to him and grip onto his arm to keep himself from knocking the popcorn bowl onto the floor, but you know that once it's over riddle is getting teased relentlessly about how scared he was. floyd decides to be nice and put on something tamer for their next two movies, and riddle actually ends up really enjoying coraline and especially beetlejuice.

by the end of the night riddle realizes that they've stayed up way too late at night and a small part of him wants to scold floyd for keeping him up so late, insisting on having him do all of these silly activities and eat all of these terribly unhealthy snacks. another part of him wishes he could scold his mother for keeping him from doing any of these things as a kid, with his friends and the other kids in his hometown, the way you're supposed to do it... and another part of him still is just incredibly happy and grateful to floyd for finally giving him the chance.

[howtodisappearcompletelyand]

20/10 stars little guy

[fireheartwraith]

I am now a changed man