#(I guess?? That’s where the design comes from)

[therealbeachfox]

"Why do we make laser grids like these?" came the chirp from across the table.

"What do you mean?" Otto responded without looking up.

"I mean, instead of a messy random arrangement of lasers that a nimble intruder might be able to jump through, why not a simple grid wall with no gaps large enough to allow a person to pass?"

Otto sighed heavily and looked up from the blueprints he'd been amending and reworking to focus on his nephew. One of his nephews. One of his multitude of nephews because none of his siblings understood the concept of wrapping it up. He was at Mykola's place, so probably one of his. Too young to be Aiden, too old to be Eric. A, B, C... Connor? Conway? Conrad? One of those. At that extra annoying age where they're too curious for their own good, and have started to believe they actually know something, so get real argumentative about it when you prove they don't.

There's a reason why Otto didn't have kids. Or deal with kids. And tried to talk the Boss out of putting kids into his deathtraps. Fucking kids. Ugh.

"Because if we did that, it'd be impossible to get through." he said, hoping it'd satisfy the kid.

"But isn't that what you're trying to do?" Mykola's boy had his head twisted around to try and look at the blueprints from his uncle's perspective and was tracing out the twisting pathways with his eyes. "This whole thing is a giant 'You Can't Get In Here' tunnel. I don't understand why you're leaving holes in the security."

Well, the kid had actually asked, instead of just flat out stating that his way would be better. Otto grit his teeth and settled himself back for a proper lecture. "You're thinking too mundanely, kid." The boy looked up curiously and brushed a tangle of near-black hair out of his eyes. Slightly mollified, Otto continued. "This isn't like designing security for a bank or vault or something. This is something for my Boss. So we're already not designing like we would for the public sector, right?"

"Yeah? Yeah." Con-whatever agreed, though still looking just as confused.

"So, our issue is, whoever comes looking for whatever it is that the Boss is gonna put at the end of this is already going to be uniquely skilled and driven. Not just your average jewelry robbers or beat cops, right?"

"Right, yeah, you're going to be dealing with capes or cowls and stuff, sure. But wouldn't that mean you'd want it all extra locked down?" The kid was now looking directly at him. But with the intense look of someone who didn't understand but wanted to. It was by far more annoying than if the kid had just been flat-out disparaging of the whole process. Now Otto couldn't just tell him to shove off without feeling bad about it. Ugh.

"Well, here's the thing. If this was something the Boss really wanted to keep away from people, he'd have it put in some indistinguishable bank vault lock-box by a patsy that one of us underlings had hired through a third party, leaving two whole layers unaware of who even wanted the thing in there, and at least three whole layers who have no idea what the object even is besides. But he's not doing that, he's putting it at the end of a long tunnel of traps, alarms, and obstacles. Which means, what he wants is for whoever's coming after him to go through the whole thing. Which means it's gotta be at least theoretically possible to get through the whole thing. If you were a cowl and you came across a perfect laser grid that there was no way to squirm your way through and no way to work around, what would you do?"

Mykola's kid frowned down at the blueprints, eyebrows furrowed in tweenage concentration. "Start cutting through the walls, I guess. Either to find a way to cut the power, or to bypass the tunnel all toget-OH! Ooooooh, okay! I see, I see!" Otto grabbed the edge of the table to steady it as the kid started bouncing a little in his seat. "If you make it impossible, the cowls will start thinking outside the box and start looking for ways to end-run around the whole thing. If you make it difficult, but still possible, they're going to be too busy focusing on how to do the almost impossible thing so they're still playing by your Boss' rules instead of making up their own!"

Otto grunted and bit back the hint of a smile that wanted to cross his lips. Last thing he wanted to do was encourage the brat; then he'd be stuck answering questions all day. "Now you've got it. Make it hard enough that they waste as much time getting through it as possible without breaking out their bat-themed metal cutters or retreating and finding another way to come in altogether. Same reason why museums do it this way. Otherwise, the only way to get at shit would be to blow a hole in the floor, and that'd damage way more artifacts than whatever the thief was targeting originally."

"Okay, I think I totally get it. Is that why the HVAC ducts are big enough for sidekicks to get through? In case they can't work stuff out?"

Otto blinked and scowled back down at the blueprints to figure out what the kid was talking about, "No? No! I've got them as small as they can get without leaving the air rank, and we've got mesh grids every five feet just in case they try anyway."

The kid pointed down at one point in the blueprints and traced out a line that went way from one-third of the way through the hallway to right near the end, "Not on this one. And it's got this other branch that leads out to the bathrooms in the laundry mat you're using as a front, even!"

Otto squinted down at what the kid was pointing out. It was a second branch of the air circulation network, focused mainly on the above ground business, but with a few pipes down below ground as federally mandated backups to the system he'd been focusing on locking down. "No. That's not for the sidekicks." He growled and grabbed for an eraser and pencil and got to work grinding out alterations.

"Huh. So what about the-" the kid started.

"One thing at a time. Let me get this fixed, then you can ask the next one, okay?"

"Yeah, sure, okay!" The kid shrugged and grabbed up one of Otto's old notebooks that had the first iteration of designs for the Boss' main vault and started reading while kicking his legs.

Otto just ground his teeth and focused on his work. Only thing worse than a kid was a precociously bright kid with an honest interest in your work. Worse thing in the goddamn world.

He should message Mykola and let him know he needed to get one of his other kids to bring up snacks for the brat. He was at that age where he was going to get hungry long before Otto was done.

"Why do we make laser grids like these?" "What do you mean?" "I mean instead of a messy random arrangement of lasers that a nimble intruder might be able to jump through, why not a simple grid wall with no gaps large enough to allow a person to pass through?"

[revelboo]

what is your worst "hear me out" for transformers? mine is tarantulas like a spider in irl hell no… but a big robot spider thats hot

Probably Tarantulas (I love his Earthspark design) or IDW Waspinator.

I read Windblade for Metroplex lore and it reminded me of this messed up, fatally gullible mech that is everyone’s punching bag and just knows it.

Worker Bee

IDW Waspinator x Reader

• Dragging his broken body, his alt mode scrabbles for purchase in the leaf litter. It’s hard to focus on much besides the pain and finding somewhere safe to hide and heal. He’s not even sure what he did, only that Skywarp had pointed at him right before Megatron went ballistic on him and the two other Decepticons that had been close by. Maybe he had done something wrong. He must have. “Waspinator’s fault,” he rasps, antenna flicking because there’s light up ahead, a building where he’ll be out of the snow just beginning to fall. Leaving the tree line, he drags himself inside, legs scrabbling and knocking over a metal can that clatters as it goes rolling and he collapses on the straw inside. So tired, burrowing in.

• Looking up from your book at the noise, you groan because the raccoons are back and they’ve tipped over the trash can. It’s late and you just want to ignore it and deal with it in the morning, but there might be garbage strewn across the yard by then. Standing, you tug on a coat, grab a flashlight, and a rifle just in case it’s a bear, not cute little trash pandas raiding your garbage. You’d left the barn door open apparently and you find the can turned over, but its contents not scattered everywhere. Maybe the sound scared them off? Setting the gun down, you right the can and turn as something shifts within the hay, rising slowly to tower over you.

• There’s a human with a weapon. Here to hurt him, because everyone does. They always do. It hurts to transform and reach for the human, but his injuries throw him off balance and he crashes down, knocking the little organic sprawling with him. And you’re screaming at him, your fear jangling through him making him curl forward, servos over his head. Waiting for a blow that doesn’t come. “Not hurt Waspinator?”

• Hyperventilating as the monster lifts its big head slightly, you can’t even scream. It’s gigantic, seizing your ankle when you try to crawl away and dragging you back, looming over you. All you can do is hold up your hands in supplication as those awful mandibles work and those glowing optics stare. “Don’t hurt me.”

• This is new. Someone afraid of him? It should make him feel powerful to be the one feared for once, but it just makes him oddly ill. Sitting up and gingerly touching the wound in his torso sluggishly bleeding energon, he makes a buzzing click of his mandibles. “No hurt,” he says as you scramble to your hands and knees to put some distance between you. “Already hurt,” he adds tiredly, and you hesitate in your retreat. Staring at the energon welling through his servos. You take a hand through your hair, expression twisting.

• All you have to do is run like hell. That thing, Waspinator it had called itself, is hurt too badly to chase you. But there’s something about its defeated tone that makes you feel guilty. This isn’t your problem. Big and scary was already hurt when he crashed in your barn. So why do you go over to the workbench and retrieve a roll of duct tape? He hisses at you, rearing back when you try to touch him and you freeze. “Cut that out,” you snap and his antenna flatten back. Not hurt Waspinator? You’d guessed with the way he’d worded that question that maybe he’s used to being hurt. That he’d fold if you acted aggressive and you were right. It’s unsettling to see a giant, metal death bug cringe like a puppy being scolded. But he doesn’t make a peep as you find the hole in his metal side and gingerly tape the leaking lines, trying to not think too closely on what you’re touching or that your hands are inside him rooting around. “Waspinator, right?” The way he’s just staring down at you with those wide glowing optics just cements in your head that he’s a big, really ugly puppy.

[rockinmusicquarterly]

my voices :> (alt text labels who's who)

long ass design notes under the cut:

smitten

went with a sort of roman poet vibe for him with the sash and wreath, plus a nice cape for the dashing hero look, all pinned with a (unspecified) flower right over his heart

hero

his feather coating is short and rounded, meant to give off the look of puffy sleeves like a medieval prince or bard. his little head tufts are heart-shaped also

his wings are shaped rather elegantly, in an almost stereotypically "angelic" way

my mindset for him was as middle-road as possible: in height, feather length, wing size, color values, etc. truly just The Guy

neck bandana for the adventurer look, and some shoulder pads that, while offering some protection, are overall pretty unqualified for the kinds of horrors to be wrought in the construct; he's prepared, but not that prepared

while the other voices have 2 front-toes, hero is one of three voices who has 3. this is done to show he has more of a... i guess closer connection to TLQ (who also has 3), since he's there from the start and feels the most fleshed out overall

contrarian

the shortest king of them all

definitely aiming for the jester aesthetic, but in what i hoped was a more subtle manner? his head tufts are the general shape of a classic jester's hat, along with all the bells he's adorned with - you can hear him coming from a mile away. wears half of a comedy mask bc (gestures) he's Like That

his wings are tiny and cartoonishly shaped, only able to lift him off the ground out of pure looney tunes physics. his whole thing is just rounded, playful edges

3 front-toes like hero, showing how he grows somewhat out of his titular role in the strange beginnings ending, becoming more of his own person than just a singularly-defined Voice

cold

the tallest king of the bunch

his feather coating is a disaster, this man does not care about preening himself & it shows. lots of loose feathers sticking out and ruffled in every possible spot

the last of the voices with 3 front-toes: the cold seems to have an (albeit implicit) understanding of the TLQ's (and to an extent his own) role as a deity, finding familiarity in the textured nothingness - though, he isn't as "special" as he'd hope

the giant wings give him a more imposing presence despite his twig frame, i imagine him sometimes wrapping himself in them like a big cloak

his scarf is positioned just so to make the scar over his heart (matching the spectre's of course) an open target - as if giving one the invitation to make him feel Something

opportunist

this one was where i wanted to start adding design parallels between the canonical voice "pairings" in the game (consumption & betrayal, pain & unfamiliarity, etc.) so he and the hunted share some design elements

they both have little utility belts, but the opportunist carries on him nothing but a poorly concealed blade - looking out ultimately for himself in the long run

lil braid cause it's cute, and to me has the sort of sleek, tidied-up vibe of someone who wants to come off like he knows exactly what he's doing

i think his wings are on the larger side, but he generally keeps them pinned under his clothes to make himself appear non-threatening

hunted

verrry dirty with lots of loose leaves and branches stuck in his feathers. he can try to wash them out, but they're always back before long. dirt boy (affectionate)

has a utility belt like the opportunist, but he uses it to carry a pouch full of various goodies & medical materials - always trying to look out for everyone else, concerned most with group survival

unlike the opportunist who can pull them out whenever he wants, the hunted's wings are fully pinned beneath his cloak & rendered unusable. something something about how his instinctive fears keep him from reaching his full potential?

(though given what can happen in the den maybe it's best he keep that potential unfulfilled lmao)

digitigrade legs are cool :>

cheated

like the razor, he's all sharp edges and angles. he's covered in jagged scars outlining the general spots where the razor chops TLQ up, along with some other missing chunks around his tufts & limbs

(at first i wanted to have some of them look like autopsy scars, but i couldn't quite get the shape right & it was just too much visual clutter 😔)

covered in bandages similar-looking to the contrarian's wrapping things, though they don't do him much good in the long run

not as short but still short king. free my man he did nothing wrong

stubborn

while the cold is slightly taller than him, he's overall the biggest of the bunch

the only one with pants (skirt) privileges because i know in my heart he's the guy who has to be convinced into wearing a shirt. his is adorned with a few of his own feathers

scarred all over, including his wings which are pretty much broken beyond use from all his fighting. he doesn't care - it seems fairer overall to stay on level ground alongside his opponent(s). unlike the broken's wings, stubborn's are flared out despite their damage - essentially saying, "come at me"

lil ponytail cause it's cute

skeptic

both to match the smitten's general look and to try something a bit different from the classic detective vibes, i went with a sort of vampire hunter look for him? not sure how much sense it makes but i think it looks neat

while the smitten's sash is large and goes right over his heart, the skeptic's utility belt avoids it altogether - skepticism vs blind devotion yadda yadda

always carries the pristine blade in a little holster, since he refuses to let TLQ go on without it in all his main routes

on the taller side compared to the smitten

paranoid

in contrast to the cold's unpreened disheveledness, the paranoid is ridiculously overpreened, giving his feathers a messier, plucked shape

(i wasn't brave enough to draw them but i know in my heart he's got some bald patches)

has a big, splotchy scar over his heart with little blood vessel/nerve lines diverging off of it - his route has TLQ dying of "fright" (something usually associated with a heart attack), compared to the cold just skewering himself

his little cloak-thing is torn to shreds, trying and failing to hide his heart - while the cold leaves his purposefully vulnerable

short(ish) king

broken

my beloved <3

very disheveled, though not as bad as the cold or paranoid. he's generally too miserable to worry about caring for his appearance, but is more open to the effort than the cold (and less neurotic about it than the paranoid)

clipped talons and nails

has a shackle around his neck for the obvious pet/prisoner imagery from his route, and one around his ankle on the opposite side & limb from where the princess is usually chained up

he's scarred up, but in more i guess "deliberate" places than the stubborn. one near his neck reaching to his heart, one winding around his midsection, and one on the back of his knee

his wings are broken & unusable like the stubborn's, also open though in a more subdued manner, showing the openness of his pain & vulnerability

[saturdaylemon]

Take all the time you need! And please ping me when you expand on those thoughts - if you don't mind.

Okay, back to designing.

I'm moderately opposed to making the Shades talk for previously mentioned reasons, but I could see giving "X speaks of Y" style summaries in the action popup. They're not really the people who died (or almost died), more like impression fossils. The lights are on, but nobody's home. We think.

The Ku Flame

Your idea for Hikari are a worthy inclusion, the only question is how. And the answer to that depends on how the fight works. If I were programming a game I'd be more inclined to do a mostly-standard boss fight with some extra narrative. If I were writing a fic, however, the 2v2 with Path Actions, Talents, and Latents all getting involved would be easier to pull off in that format. The quote would be something like "Ageha, you are relieved of duty!" In a more standard boss fight it fits better as "entering second phase" or maybe post-boss dialogue. In the 2v2 narrative puzzle it can be a Full Boost quote. It really only makes sense to say once; and maybe Ageha's Shade could seem to respond to it? You probably get prompted to activate Light's Radiance for the final blow.

Ageha's Shade shouldn't get minions. He was a general in life, but like you said, he's the last vestiges of the old Ku. He doesn't have an army anymore. On a side note I want this guy to yell "FIX BAYONETS" so bad but guns aren't available yet. Need to pick out a Boost message, a Boost Attack, regular moveset because it can't be all support... so everything. Definitely gets Rally Troops or a similar move by the same name though.

Tanzy was an aspiring playwright, but it seems she never published. In Giselle's troupe she served as director, so it could be fun (more fun in a standard boss fight where there are more characters) to let her Shade mess around with turn order. Like, oh, you were setting Hikari up to counter Ageha's shields off? Haha no the adds just got moved to the top of the round and used up the Vengeful Blade stacks, Ageha's Shade is shouting orders, and Tanzy's Shade is about to hand you your ass. Speaking of adds, the most obvious basis is the other troupe members... but Tanzy pretty conclusively left them behind. Another possibility is to reference her unpublished scripts with unfinished marionettes, or if we want to have some fun, give Tanzy's Shade the same minions as Arcanette. Tanzy begins praying.... -> BREAK HER SHADE NOW! If this is a 2v2, Ruinous Kick makes sense as the Boost Attack because that's half your dudes. In a more standard fight, the Boost Attack should be something a bit more powerful. Regular moveset has the summon, the turn rearrange, probably a buff or two, and maybe a physical attack that inflicts something.

Agnea's Boost quote is mostly babbled interrogatives.

The Crackridge Flame

Ori's Shade is weak to Polearm/Dagger/Bow/Fire. Guess why. (some kind of Light element attack because come on it's in her name) Stop the Presses! / So Tired: inflicts Speed Extremely Down Dear Diary: equivalent to the Merchant job's Rest. Name does not change after Ori's Shade is broken for the first time. Ori can't do this anymore. -> this is gonna hurt

The Final Night sounds like it should be the Boost Attack for Lucian's Shade, but it would also be really funny to have it be the weakest attack. We'd need to name Lucian's other works to name the Shade's attacks... think we could crib Nearer the Flame from the Stormlight Archive? Lucian retrieves a notebook.... -> this is gonna hurt slightly less

Temenos starts going through all of Lucian's works, trying to line them up with the Shade's attacks, and Osvald is experiencing the internal conflict between "not my SpIn, not my problem" and the knowledge that it is Very Much His Problem. Castti is probably in the background like "oh shit I have seen that girl before."

Osvald will offer to explode the person responsible even if you hit Crackridge after Flamechurch. There is no expiration date on Grandpa Blast.

The Toto'haha Flame

Hm, fair point. I figured Castti's usual Slightly Unhinged Boost quotes fit the emotional charge well enough, but this wouldn't be that long after Trousseau. The metaphorical wound is still raw. She could have a Boost quote demanding that the Apothecary's Shade get out of her way. It can't understand her, but she doesn't know that. We could give the apothecary a name, but it also works to leave him completely unknown. Just another cooling body.

Keep the Grotesque Monster's weaknesses (Axe/Bow/Ice/Light), mostly physical moveset since the Apothecary's Shade is handing out debuffs. Give it the Grotesque Monster's Piercing Cry, because if I heard someone like Petrichor start screaming out of nowhere I would be pretty freaked out. Petrichor gives off an ominous aura! -> Apply axe to face, repeat. Hunt the Weak: single target physical, damage increases with number of debuffs and afflictions on target. This is kind of a dark mirror of Drastic Measures, but it works.

Someone's Shade is passing out every negative effect in the game. Bow weakness works, maybe also Dagger and something else for game balance I dunno.

Ochette's Full Boost quote for this fight is "I can't forgive you!"

At some point Temenos makes the connection between some of Petrichor's comments and Roi's disappearance, promptly flips out.

The Flamechurch Flame

The design philosophy here is basically OKAY EVERYONE, PUT ON YOUR ARCANETTE HATS, TODAY WE ARE BEING MEAN TO TEMENOS! And part of that is making him watch two of the most important people in his life aid and protect their killer. So that's 3 and 4. 3 has the extra gutpunch of making him wait for the other shoe to drop.

Crick's Shade can keep his playable moveset. Weak to Sword/Staff/Dark. You know why. Crick is watching Temenos.... -> For a moment, a player could mistake this for a "skip a turn" message, maybe a hint that the people who left the Shades behind are still in there (this is intended to be perceived in-universe)... NOPE THAT'S THE BOOST MESSAGE. Also a callback to the Felvarg. Should we make Crick's Shade have a Boost Attack that sacrifices itself, or is that too limiting in Mean To Temenos potential?

Pontiff Jörg's Shade gets the Standard Cleric Weaknesses of Sword/Dagger/Axe/Dark. It has reason to use the Cleric moveset, but I was thinking we could nab something else from the Claude fight and give it Reflective Veil from the OT1 Cleric. Also, Lock Away. The move that prevents the target from recieving aid or items from any other party member. (And a slight nod to Whatever Was Up With Alpates.) Starts battle by using it on Temenos.

(Balance-wise, Temenos can break Crick with his base kit but not the Pontiff partially because this works with the story - Temenos hitting Crick's worldview with a metaphorical sledgehammer vs That's Your Dad - and partially because between Temenos' Latent and Throné turning into a protective blender it's probably fine.)

Throné uses her "Sorry, but I won't hold back!" Max Boosting quote for this fight, but even using the same voice clip it's meant to come off in a slightly different light. (You ever think about how her HP Thief bark is a sarcastic "You're too kind." and her "healed by Temenos" bark is a much more genuine "You're too kind, Temenos"? Because I have.) Temenos tries to talk himself out of a breakdown when Max Boosting. He fails. Possibly devolving from "keep it together, that isn't really him" early in the fight to beaten-dog whimpering in the second phase.

2v2 narrative puzzle ramble One reason I'm more inclined to use this for a fic is that the Journey For The Dawn locks you out of your daytime Path Actions. Sun's not rising. In writing, there's less trouble with carving out an exception in the game mechanics. The idea I had was that the Shade battles would yank the corresponding travelers into a sort of dream space where it isn't day exclusive or night. Kind of like a cross between Temenos' "The truth lies in the flame" Detective Vision thing and whatever was going on while Hikari duked it out with his shadow. (Said shadow: "Not me this time. I'm not touching that with a ten-foot pole.") From the outside, the two fighting appear to be asleep standing up, twitching and mumbling as if caught in a particularly vivid dream. Temenos "Commitment to the bit" Mistral sees two people snap out of that trance for the first time and immediately goes "Welcome back. ^_^" Throné may or may not be winding up to smack him.

This also works with having both the Arcanette fight and the Shade fight at Flamechurch. Arcanette certainly looks like she could cast Spell of Really Bad Trip. Basically Throné and Temenos are in the Terrible, Horrible, No Good, Very Bad Boss Fight while everyone else is trying very hard to kill Arcanette with hammers.

Back to Path Actions, I still don't know how all of those would work. Going down the list

Agnea: Entreat to get "Tanzy" to show you her journal works, Allure doesn't. Both these people have chosen their paths. Hikari: Challenge is a little redundant but potentially serviceable, Bribe less so.

Partitio: Purchase and Hire could both work for trying to coax "Ori" back to the land of the living. Purchasing a paper moreso. Osvald: Trying to get at Lucian's notes fits Scrutinize or Mug, although Mug is again redundant. Let him see that!

Ochette: Provoke is already happening, especially with Petrichor's Shade dropping everything to focus Ochette down if she summons one of the Creatures of Legend. Befriend is... not happening. Petrichor can starve. (Party pretty sure this is the first time they're heard Ochette curse.) Castti: Inquiring to get the unknown apothecary's name so the party can effectively lay him to rest is kind of sweet. In that vein, Soothe has already been done with Malaya and also believe her she's trying!

Temenos: Guide has also been done already, and Coerce is not only kind of already happening but isn't going to work on Shades. Sorry, Temenos, no chances to say goodbye for you. Throné: Stealing in combat is already part of the Thief kit (also pickpocketing Temenos' family in front of him is Not Cool Dude). Ambush is OP in anything resembling an actual fight, so that's another no.

So we're 4/16, 5.5/16 with partial credit included. Unless you have better ideas. Still wish to subscribe to your newsletter.

Latent Powers, Talents, and EX Skills though...

All Together Now... probably not. Dance Session maybe. Song of Hope a more positive maybe Learned Skills would be great if this were Jin Mei's Shade. See Light's Radiance prompt above.

Hilarious though Negotiate Schedule may be, nothing of Partitio's really works here. Teach... maybe?

Indomitable Beast into Beastly Fangs looks fun. Or Indomitable Beast into Provoke Beasts. Get her ass, fellas! Concoct has potential for showing the Apothecary's Shade how it's done... except it's mindless.

Moonlight Judgement: hehehe. Could have it not proc at the start of battle, wait until Temenos pulls himself together enough to effectively fight the Shades. This works better in the Arcanette + Shades version of the fight. Prayer for Plenty and Heavenly Shine both have story potential. Blessing of Darkness: "Consider the following: mine's better." Veil of Darkness is also good here.

Took "standard class weaknesses" from the Dolcinea fight with Love's Marionette, for the record.

Things about Octopath Traveler 2 that I think about WAY too much 2/????

Under the cut for late game spoilers, loose and speculative nonsense

So the four sacred flames and their connections with the gods connected to each one.

Brand and Sealticge to the Ku Flame

Alephan and Bifelgan to the Crackridge Flame

Dohter and Draefendi to the Toto'haha Flame

And Aelfric and Aeber to the Flameschurch Flame

Going to go ahead and put it out there, that my head canon is that the Moonshade order successfully completed the sacrifices line out in the Book of Night in this manner: Pontiff Jorg (Cleric, Temenos chapter 1), unnamed apothecary in Canalbrine (Temenos Chapter 2), scholar in Canalbrine (who's name I don't remember, also from Temenos Chapter 2) Tanzy (dancer/Sealticge aligned), Petrichor (Hunter), Ageha (Warrior), Ori (merchant), and Crick (Thief, as mentioned in some dialogue in Stormhail about his background).

I feel like, in a lot of ways, these flames would have been great spots for boss fights. I feel like, for a game like Octopath Traveler 2, just getting to relight the flames with ease was a bit too easy. There's a couple of different routes I personally would have taken with them.

Option 1 (least favorite) - the party fights a shadow creature of some type (excluding in Flameschurch because there is already a boss fight there). Alternatively, remix the chosen travelers' final chapter boss fight.

Option 2 - the party fights the shadows of the sacrifices associated with that flames gods (so Ku would be Ageha and Tanzy, Crackridge would be Ori and the scholar from Temenos Chapter 2, Toto'haha would be Petrichor and that unnamed apothecary from Temenos's Chapter 2, and Flameschurch (after Arcanette), would be Crick and the Pontiff (not a fun fight for Temenos especially)). Standard boss fights would be cool, but you could go a step further and have it a two on two fight with the chosen travelers against those shadows where path actions and skills came into play in defeating the shadows. Also makes the relighting of the flames a bit more personal. You've got potential either way with this option for some really cool character exploration and thematic resolution. This one is probably my personal favorite.

Option 3 - the party (or just the chosen travelers for that flame) fight the gods themselves (as a test). There's a few ways to do this too: 1. fight images of the gods. 2. the statues of the gods by the flames come to life and you fight those, not dissimilar to Osvald's chapter 4 fight with the Golem. 3. You fight a being of combined powers of the two gods, a strange and otherworldly combination of Alephan and Bifelgan for example, staff and scales in hand, plying magic and calling allies, making it rain in leaves as easily as flashes of magic lightning, or Brand and Sealticge (which I think would look something akin to Hinoekagura). This is also a personal favorite just to see how when faced with the gods, our travelers might act, when within the world itself the gods are mostly pretty hands off. The situation with Vide is an urgent one, and I think the gods would be willing to test their chosen in the final hour to make sure that they are truly ready.

I just think it would have been neat

[averlym]

ghost story premiere day! check @melliotwrites for more info

[reestallized]

a little bit late for it

[rwby-confess]

Confession #166

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[todayisafridaynight]

everyday i constantly think of masato's wheelchair and if that's his only one/main one no wonder he's so pissed at everyone

[sheliesshattered]

somehow, I don't know how, but somehow sewing machines always know when you're nearly done with a project and pick that exact moment to throw a hissy fit

[cowboyskeletons]

i like wizards

[flame-cat]

inspirations for how i draw eiffel, in no particular order:

shaggy. like scooby doo

my roommate

zack valenti

one particular artist's version of reigen arataka (it's @sandflakedraws )

myself

[galacticrain]

More gijinka doodles I can't be stopped

[m0e-ru]

adachi depictions can be so fucking stupid. like put that cabbage, plastic shopping bag, police tape, handcuffs, nambu revolver, tv set, yellow contacts, red black stripe vortex pattern AWAYYY and go outside to take a walk and think about what you're doing before doing anything else is that clear

[sundial-bee-scribbles]

In case it's hard to read/understand: "If I had a nickel for every time I had a story with a blonde girl named after a plant, who has a German father and a French mother but absolutely hates said mom, I'd have two nickels. Which isn't a lot, but it's weird that it happened twice."

weird, extremely-specific tropes in my stories: pt 1

[sillyfudgemonkeys]

The nendo I need for the my custom Kayako's hair (and maybe body too?) should be arriving on the 19th. I'm very excited