#((Okay so I wrote a book but I had this scene so clear in my head and obviously again no need to text match))
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actinidiafruit · 3 days ago
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Okay so i just recently watched the lighthouse again and a lot of things are becoming more clear to me.
Contains spoilers so uh, if you haven't watched (pls do), then don't read.
There's so many things to talk about and this post will probably come across as a crazy man's ramblings, but so be it.
Tom's role is interesting to say the least. Like, at first you kinda just think that he's being a dick for the sake of being a dick and he's just doing that classic old man shit. But then you get these little glimpses.
This is just my interpretation, but the way he mentions how his former second went crazy and was hallucinating mermaids and shit. It kinds plants the seeds into (for the sake of clarity I'll just call him Winslow) Winslow's head. And during their sober run together (before the bird + storm incidents), they're acting relatively normal. Of course Tom gives Winslow a hard time, but that's just him being Tom. Abusing his power as the elder a bit. But the way he morphs in the later half of the movie (especially now that they're both abusing alcohol). You see his intentions more clearly. The way he gaslights Winslow, tries to turn things on him, the way he wrote bad things about him in the log book(?). He's a mean old guy. But why? I still can't figure out why he's done this. Why he killed his former second (which he totally did, even if he didn't spill his beans about it). Is he protective of the light? Is that it? God knows.
And te way the mermaid is presented is... it makes you think. In my first two watches, I didn't understand why or why. But I think now it's a symbol for Winslow's sexuality (at least in some scenes). The way he'd use the charm in the shed. The way he had that hallucination on the rocks. The time he caught Tom having a private moment in the lighthouse and then hallucinated tentacles. Towards the end, when he's beating Tom on the floor and Winslow hallucinates him turning into some sort of sea king type creature.
Of course something must've happened between the two. That one scene where they're drunkenly holding each other, swaying, then go to kiss before breaking out into a fight. The whole master/dog thing. There's a lot of Winslow reflected in Tom. And of course he'd eventually spill his beans, want to be intimate, etc. They've been alone together for god knows how long. It's a very human thing to want to reach out and connect.
It's just so indicative of the human condition and the way that we connect. I feel like I need to watch this movie another 20 times before I fully get it, but my eyes were opened to quite a bit.
And the scene where Winslow looks into the light and laughs/screams. It gives me this sense of triumph (he finally got to see the Forbidden thing!) but also bittersweet. The laughter is triump, the bittersweet screaming is Winslow coming to grips with the fact that it's just a light. There was no point to why Tom guarded it like he did. It's like Winslow finally realises that he let himself be led to madness by some old, lying idiot and can't help but scream at his foolishness. The pointlessness of it all. And maybe that's why he lets himself fall down the stairs and ultimately die. His sins cannot be undone (done-bun can't be undone), so therefore he rots, being eaten by the very things that kickstarted his whole downfall.
Finally, just ugh. The cinematography. The unreliable narrator aspect. The way it's so open ended to interpretation. This movie has so much to give, I just wish my friends liked it even a little lol.
updated this list btw
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RULES:
at least one of the pair MUST be over 50
20 year MINIMUM age gap OR they BOTH have to be over 50
has to be conceivably reciprocal (s.exually, no necessarily romantically)
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uninformedartist · 8 months ago
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😐 GRANT ME STRENGTH
Screenshot from Showtoonz
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She saw many MANY people seeing how obviously one sided their "relationship" is and made this tweet, emphasising BOTH made mistakes.
Nah Vivienne, the only mistake Blitz made in their "relationship"... was nothing, ha WAS NOTHING.
Stolas though, lets see. Made that contract during a time Blitz's life was in danger, Blitz reluctantly agreed to it. The contact in question was ALWAYS about sex & fulfilling Stolas's desires. Blitz's business, livelihood, employees, family was on the line. Stolas's contract put Blitz's under & I say it again economic duress & the contract in its nature is cohesive rape. Blitz had no say on the details of the contract he just agreed because his life was in danger & his business was on the line when it was initiated.
Stolas then in many instances throughout so1 degraded Blitz. Touching Blitz without his consent, making sexual remarks & vances on Blitz that made Blitz visibly uncomfortable, gave him the pet name "Blitzy" a name Blitz on multiple occasions was verbal on denouncing. He used Blitz as an ash tray in one bedroom scene, called Blitz an impish plaything, referred to him, his employees and daughter as little creatures. He abuses the imp staff that works for him, using them as some kind of stress toy. Read a flipping book called "imps in the sheets" in front of his family, fetishising imps and so much bloody more.
So piss off Vivienne that people are seeing your racist, rapist elitist bird boy for exactly what he is. No manipulative tears from Stolas can change what YOU wrote him as. Like you wrote him as the most trash of a character & now want to change the game by writing him as a sad uwu birdy who is actually done wrong by cos the imp he exploited yelled at him, the imp he kept chained to him metaphorical in this contract. Blitz in his hallucinations literally viewed Stolas like a sort of slave owner, having him in chains by Stolas.
...Do I need to even mention that Stolas in his human is white as hell & Blitz is brown on account of how his twin sister looks in her human disguise.
So no it ain't clear that BOTH made mistakes, piss off with that. It genuinely boggles my mind she sees nothing wrong with how much of a piece of shit Stolas is & how Blitz is the only victim in this situation.
But then I remember the kind of person Vivienne Medrano really is... all I'm gonna say.
Credit to versosikastrikerexcuser, they got a really good blog post on all the shit Stolas has done:
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bebewrites · 1 year ago
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I promise I searched your blog, but how do you (specifically) zero draft? The post that showed up in a search of your blog was like, bullet point writing whatever is in your head for the.wip, which I think is v cool and would help me finish lofm! So I'm curious how you do it!
Oh yes, okay! I don't think I've actually explained it anywhere, but I love talking about this.
what is a zero draft?
The great thing about a zero draft is that you can pretty much make it whatever you need it to be. For me, I was having a hard time with the middle of my story. I've started and stopped this wip so many times, always getting hung up at the same part as I approach the middle. I've always had a very clear picture of the beginning and the end, but never how to get all the way through from point A to point B. My original outline had things in brackets like [character growth] and [plot stuff], but what does that mean!?
My goal was to get all the way through. So I opened a blank document, started at the beginning, and literally rambled and talked my way through the entire story. I didn't write real prose. It was all stream of consciousness. It was me describing what happens in the story as if I was telling it to a friend. The zero draft was my rubber duck. This was my brainstorming document. I used common vernacular and slang and abbreviations. There are bullet points, numbered lists, sidebars where I rambled about a scene I completely forgot to mention in a previous section. Lots of comments about things I need to include in the next draft. Literally anything and everything I thought of went into the zero draft.
A zero draft can be as long or short as you need it to be. Mine ended up being around 40k words. But I've seen other people say a zero draft is 10k to 20k words. It's really up to you! And when you feel like you've covered enough of the story to move on to the next draft.
And you don't have to go about a zero draft the way I did! Recently, an author I love and follow on instagram (Casey McQuiston) shared in their stories that when they were writing their most recent book, they zero drafted each chapter before they wrote it out. Casey said that because of this, it was first time they didn't have major edits and rewrites afterwards. So if you find yourself needing a little more structure and sense of where you're going, I think a zero draft could be super helpful!
Of course you don't have to have a zero draft, and if you've got a good sense of the plot and character arcs, you might not need one. But it can be a great way to brainstorm and figure out those things if you need to!
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bingwriterxo · 2 years ago
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the shakespeare exhibit - drabble 1
pairing: tara carpenter x reader
summary: in which tara goes to your apartment for the first time
warnings: none
word count: 600+
author's note: this is set immediately before chapter 3. a little insight into R's life
previous part | next part
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No fucking way, Tara thought as she stared at your apartment building. It was not what she had expected, though she wasn’t sure what she did expect--maybe something more broke-college-student-like, or a building along the lines of ‘my parents are paying for this, but it is New York City, so they found a place with the cheapest rent’. 
However, where you lived was neither of these things, and that was made clear by the doorman out front (who was watching her with a close eye as she simply stared in awe) and the fact that the building itself was fancy. 
She pulled her phone out of her pocket and scrambled to her messages with you, double checking the address. Sure enough, she was definitely at the right place, so she pocketed her phone and took a deep breath in, building up the courage to speak to the doorman. 
“May I help you?” he asked when she stood just feet away.
“Uh, I’m here for apartment 415?”
He nodded. “Yes, Miss Y/L/N informed me that you would be coming.” He gestured to the revolving glass door. “Right that way. You will find the elevator in the hall to your left.”
“Okay.” Tara offered him a smile. “Thank you.”
She pushed through the door and marveled at the lobby, which was not at all like her own apartment building. Your lobby was all grand chandeliers and friendly faces and people dressed to the nines walking around. Is she, like, secretly rich? No, she’d have told me. Right?
She went down the hall on her left, went up the elevator, and searched for your apartment. It wasn’t difficult to find, and she gulped as she knocked on the door that was labeled with a golden 415.
You were quick to answer, a shining smile on your face as you pulled the door open. 
“Hi,” you said. Oh, that voice, she thought, grinning. “Come on in.”
She had assumed--though she supposed she really shouldn’t have--that your apartment would be just as grand as the rest of the building. And, to an extent, it was. It was an open floor plan with a large kitchen attached to the living room and a few doors that led to other rooms. 
But, where the rest of the building held a certain type of sophistication and grandeur, your apartment did not. Instead, it was littered with statue busts and old paintings and tapestries and books upon books that were stacked in any place they could be stacked. Tara felt as though she had just walked into a museum rather than your home. 
“Woah,” she said, trying to take everything in at once. She is such a little nerd! “This is…”
You glanced around shyly. “Yeah.” You chuckled. “I know it’s a bit much, but, well”--you shrugged--“this is everything I like. The busts are all literary figures, and the paintings are scenes from novels or plays, and the tapestries are the same.” You looked at her. “What do you think?”
I think that you vomited your personality all over this place, and I wouldn’t have it any other way. “It’s beautiful.” She stepped farther in, looked at the busts up close, ran her hand over a few of the tapestries, and then came face to face with a framed letter written in nearly illegible penmanship. She turned to you. “This is…?”
“Oh! That’s a letter that Dylan Thomas wrote to my grandfather. They were friends, back in the day.” She blinked once, twice, and you giggled. “Dylan Thomas was a famous Welsh Poet. He wrote ‘And death shall have no dominion’.”
Tara nodded. “Right. Obviously.” She pulled her bottom lip between her teeth and furrowed her eyebrows. “And you got all this stuff…how?” 
“Oh.” You glanced down sheepishly, a blush painting your cheeks. “My family comes from…money,” you confessed. 
“But you’re paying for your tuition?”
“Yeah, well, my parents and I cut a deal. They pay for”--you gestured around you--“all of this, and I pay for my tuition.”
Financially responsible. Noted. “Got it.”
You cleared your throat and held your hand out for her. “Should we get to studying?”
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otrtbs · 4 months ago
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Hi I hope you're doing well 🌷
I had a question. I'm totally asking out of pure curiosity, it's not a criticism or anything of the sort.
In ahb (this masterpiece of yours) Sirius's favorite painting is Degas' Dancers.
I wanted to know if you knew the background of this painting and if making it Sirius' favorite was a deliberate choice or if you had no idea at all.
Because the Ballerinas in Opera Garnier in Paris were all really young and mostly, they were poor. The dancers were often their family's hope to crawl out of misery.
The audience was full of men.
In fact, the sad flip side was that there was a whole prostitution network behind the scene. With these young girls. Men could pay for backstage access to watch ballerinas change and sometimes rape them.
So Degas was a big customer.
That's how he painted the dancers and most of his works.
That's again how he sculpted the ballerina, her tutu was added meaning the 14 year old girl was posing nude.
Degas is also suspected of being Jack the Ripper, there are a certain number of credible leads and potential evidences.
That's why I was wondering if you knew.
Since there is this whole chapter where they insult Picasso (as they should) I found it strange that Degas being a known major p*do did not receive the same treatment.
Ps: I'm french, I don't know if I made any mistakes writing this, if I have please excuse me I tried my best 🙏
Okay hi, hello! I am doing well and I hope you are as well! You have unlocked Art Historian Thesis Nat, so I am going to put an extremely lengthy post under the cut, I'm so sorry (this is literally my area of study,,, i fear i am incapable of being brief about this)
I do want to clarify that right off the bat, I don't necessarily think many of these art historical figures are "good people". Like none of them are the best, most moral, upstanding citizens you should model your life after (but they're also dead sooooo). But I also understand that I did take some time in my fanfiction to make my hatred for Picasso very clear, and so I can also understand the confusion in not extending that same hatred towards Degas. But there are a few reasons for that, that I'll try to explain below!
The direct historical documentation of Pablo Picasso's violence towards the women in his life is vast and damning. If you want particularly good insight into his violence and abuse, then I recommend reading Marina Picasso's (Picasso's granddaughter) memoir titled: Picasso: My Grandfather. I also recommend Françoise Gilot's (romantic partner of Picasso) books, Life with Picasso and Picasso and Matisse. It is through the memories of the people who loved Picasso and who loved him in turn, that we hear of his sadistic nature that drove his lovers to suicide and we get personal letters that he wrote to Gilot in which he says things like "Dora, for me, was always a weeping woman… And it’s important, because women are suffering machines" and "For me there are only two kinds of women: goddesses and doormats." His granddaughter has this to say about him: “He submitted [women] to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.” And Gilot says: "I am the only one to not have been sacrificed to the sacred monster(…) and is alive to tell the tale. He was a wonderful person to be with, it was like fireworks, amazingly creative, so intelligent and seductive(…) but he was also very cruel, sadistic and ruthless with others and with himself (…) It was the greatest love of my life, but you have to protect yourself (…) The others did not, they clung to the powerful minotaur and paid a very high price."
Why this matters: The evidence for Degas being so virulently misogynistic and cruel towards women is extremely less substantial and more speculative in nature.
Degas being Jack the Ripper. Degas being Jack the Ripper started off as a tiktok theory posed in early 2024, (though you can find an article as early as 2004 written by The Guardian's art critic here) and while fun to think about and speculate, it isn't true. August and September and November of 1888 is when the Jack the Ripper crimes were committed in London and Degas was in the South of France at that time receiving medical treatment because he was in extremely poor health. (Which you can find in The Letters of Edgar Degas edited by Theodore Reff (I'm sure there's. free PDF version out there somewhere)). Also, self-admittedly speculative, but Degas didn't visit the East-End of London when he did make his excursions to London because he was classist 😭. So, it would be odd for him to know the ins and outs of the streets where the murders took place. And also he had failing eyesight starting at 36, so the odds of him being Jack the Ripper are extremely slim.
The Ballerinas Yes, while it is true that the ballerina's were often subject to horrific conditions and were prostitutes for the "wealthy" patrons of the opera house, this does not mean that Degas partook in that. in fact, most historical documentation surmises he didn't. Degas considered himself a "realist" painter rather than an impressionist painter, wishing to document "real life" in all of its ugliness, beauty and unstylized truth. Therefore his primary concern was documenting the opera house and ballet in all of the moments, not just when the girls were dancing on stage. And in many of his paintings, Degas captures the opera patronsn in his ballerina paintings as lurkers behind the stage curtains as sinister black shadows, or as men predatorily watching in nice suits (e.g. Ballet, 1876 and The Rehearsal of the Ballet Onstage (1874)). But Degas himself, was NEVER a ballerina patron, he is even quoted as saying "People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement...". (now this is not because Degas was morally outraged at what was happening to the ballerina's, but because he viewed the men abusing the girls as committing a sin against God by sleeping with prostitutes). But while Degas had access to backstage, he was never a customer. And in fact, Degas is a notorious, well-documented celibate. This is because Degas believed sleeping with women would make him lose his special painting ability. No lie. Here's a direct quote from Vincent Van Gogh in his a letter to his brother Theo about the artist: "Degas lives like a little lawyer and does not like women, for he knows that if liked them and went to bed with them, he would become intellectually diseased and would no longer be able to paint." Degas was also known to reject ballerina's advances as well (again, fearing women would take away his magic painting power).
Feelings towards women By all accounts, Degas friends describe him as being reclusive towards women to being jovial with them, but always kind to them outside of a working environment. He even developed friendships with his fellow contemporary women painters. In a working environment, Degas was obsessed with perfection, demanding ballerinas contort their bodies in painful positions, and making them hold those positions for hours at a time. By all accounts, this was not because he hated them, but was obsessed with capturing their movements, the limitations of the human body, and he demanded perfection from himself. (x x x) (i.e. his obsession for his work and drive for perfection as a painter made him demanding and harsh towards his subjects, not his pure hatred of women).
Conclusions: So by many accounts, Degas was not particularly fond of women, and had little regard for his dancers. But the claims that he must have slept with the ballerina's and been a patron/customer "because that's what all men did back then" are not backed by any evidence. only evidence to the contrary. I went in on Picasso because those that were close to him have written first-hand accounts of his monstrocity. This is not the case with Degas. So, while I didn't tear him down like I did Picasso, I wasn't lauding him as a saint either. I highly recommend reading the article called Degas's Misogyny by Norma Broude which details the ways in which modern times have run away with this idea of Degas being a sadistic woman-hater and how we've gotten to this point. Anyway, TLDR; I was aware of the dark "underside" of the Paris Ballet at the time in which Degas was painting his works. Do I think he is Jack the Ripper and a man who participated in ballerina prostitution? No, not at all. At the end of the day, I am just an art history girl, telling anyone who will listen that there is not enough documentation on Degas to take these claims as 100% truth, or put that man up there with Picasso. Peace and Love! <3
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Okay so I need to get some analysis done about Daniel and his relationship with sex (and drugs) because I'm rewatching both seasons and oh man
Starting with Young Daniel
- "I can be on my knees in a second" "Bartering with desire, is that what makes you fascinating?"
This could be a way to get out of dodge in an extremely dangerous and scary situation, or the way out he goes for when also scoring for drugs
- Pulling off his shirt and calling it "fulfilling his side of the social contract".
It could be a joke, it could be a way to get *that* out of the way as if he was indebted to Louis in that way now, he doesn't have any money so that's how he goes
- "You said to a girl that you'll only do her if she had a paper bag over her head. She agreed and you did it, even as she cried"
(A small note about Armand, he's so twisted on how sex is handled due to his past that he calls this humiliation of an unnamed girl a "splinter of coldness". Dude, that's more than a splinter)
To this Daniel doesn't react, maybe out of fear for Armand, but it's interesting the way the gremlin plucks out that memory in particular. Maybe it's to see why he wasn't killed immediately by Louis?
There is no remorse on Daniel's part apparently, so that begs the question as to why he did that. Cruelty, a joke, a way to target that girl in particular? To lash out? We'll probably never know.
On to Old Daniel:
- "I really... I really thought we did."
This is the scene that saddened me the most, especially Eric's facial expressions as Louis says "do you want to now?". A tiny bit of hope that then gets crushed by disappointment, regret, shame. Maybe for the fact that he feels old, or he feels played by Louis?
- "[The gay bar] was a good place as any to score. I did what I had to do."
Score drugs, someone to listen to, something else? We saw that Daniel in the past was interested by Louis, which leads me to believe he is currently "hiding" that part of himself, showing it once more as an obligation.
He also wrote a book on the AIDS epidemic ("A shadow on the skin") when he was young, and another publication called "Searching in the Dark: One San Francisco clinic's fight against AIDS". There is no year added so it isn't clear if they were published before or after those nights in 1973.
It's also a midly worrying situation, now that he is a vampire. He's talking like his younger self, he's dressing like he is having a midlife crisis, and I fear that from there the step against relapsing into addiction will be close by, adding to that the fact that he's super strong and immortal. He wouldn't be bartering with desire to get what he wants anymore.
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ancha-aus · 9 months ago
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RealAgeAU Drabble - Gameplan
Hello! Another Drabble (second one i wrote) concerning the idea of Nightmare returning to his original form (Lovely Prompt idea by @spotaus )
First Drabble here Prev drabble here Next Drabble here
Warning, unedited and unbeta'ed. We die like my ability to spell anything.
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Cross checks around the corner towards the street and waits for a moment longer before nodding "I think we are in the clear. We can talk here for a moment."
Killer just lounges back against a dumpster as he pants "Good! Cuz! I am not walking another step!"
Horror frowns as he searches his backpack. Slowly taking out some fruits "We need to stop this. We can't get the resources we need like this."
Cross groans as he rubs his face "I know I know. But we can't just settle anywhere! How do we explain..." He stops and slowly turns to look to the side at Dust.
Dust sits completely calm on the gorund, cross legged. Looking perfectly calm and content. With the still struggling Nightmare in his arms. Dust just sits there and looks at Nightmare with a raised brow and moves around a bit. Easily getting Nightmare to sit back in his lap with one of Dust's arm holding Nightmare around the middle wiht both arms trapped. And the second arm around his shoulders to pull him back easily. Nightmare looks grumpy beyond believe and Cross can't take it too seriously as Nightmare lost all his goop and corruption. All that remains is a perfectly normal and adorable tiny babybones.
Cross turns back to Horror and Killer and waits.
Horror looks at the scene before shrugging before turning back to prepare a snack for their now tiny charge. Looking calm as he moves.
Killer snorts "Why would we? Boss is tiny now. So what?" and he shrugs.
Cross groans as he rubs his face. He can admit that he will still need some time to get used to the change. But it is okay as he can accept it. After they found the old picture book and the just as old crown they had been putting together what actually happened. And well, even if they sometimes act dumb three out of four of them have university degrees of some type and Cross had always been one of the smartest soldiers.
That together with the known fact that Drema broke out of the stone young but grew up made the fact obvious.
It wasn't that they were in a situation of Nightmare having been deaged. They were in the situation that the Nightmare they had known had been an aged-up version of the real nightmare. Which is the very same grumpy babybones that Dust is holding right now.
Yeah. Cross just needs a bit more time.
Cross glares at Killer and focusses at the issue they need to actually fix "We know that!" he waves around them "But how do you think anyone is going to react to knowing we have Nightmare and that Nightmare is well... like this again?"
Killer hums and nods "I guess..." he turns towards Nightmare "How about a different name? What do you think Nighty? What can we call you?"
Nightmare glares with all his six year old force "Boss."
Killer snorts "got it tiny boss!" and he grins at Cross and shrugs "Guess that idea is a burst. anything else?".
Cross groans as he rubs his skull "don't you see the issue?! If anyone finds out about this they will try to take him from us and bring him to the Stars, if they don't just call the Stars!" Or worse. And they will think that killing Nightmare would be a reasonable solution to keeping him from aging up.
Killer actually glares as he radiates his blood- and LOVE-lust "Let them try."
Cross sighs as he rubs his face "what do you suggest we do?!"
Killer huffs "Obviously we do what we are doing now. We keep moving and universe hopping." and he nods.
Horror looks up with a frown "We can't do that. We will run out of resources. babybones need nutrients" as he says this he sits by Dust and Nightmare with the cut fruits. Nightmare focuses his full glare on Horror but Horror doesn't even blink. They have gotten used to this routine over the last few days and there is a good reason Dust and Horror do it.
Dust nods as he helps Horror by aiming the still struggling babybones "Not to forget his schooling. Now that he is young again he will need to relearn things. Can't do that while hopping from place to place."
Cross turns back to Killer and crosses his arms "See? horror and Dust agree."
Killer grumbles. "Fine! We find some stupid positive universe to hunker down in some abandoned building and do raids to get stuff. Easy!"
Cross crosses his arms "Still the problem of what we do if someone sees him. How do we explain that? people will think we stole him!"
Killer goes to speak. pauses and tilts his skull "I mean. Technically we did kind of steal him. Sure he was originally our boss, so ours. So we have the right to steal him again but still. Very much stolen."
Cross sputters "I! I wasn't serious!" well he was but not about the stolen comment!
Horror speaks up even as he feeds Nightmare, which Ngihtmare tries to fight but Dust is there to assist him. "Technically it wasn't stealing."
Cross sighs "Thank you Horror-"
"We kidnaped him." Horror finishes his statement as he manages to get Nightmare to eat a bit. Nightmare actually pauses and the stubbornness makes way for the much younger mind that enjoys the food and a tiny soft purr starts to leave the babybones. He doesn't struggle as much anymore as the second bite is brought over.
Cross stops and lets his skull fall into his hands "we are so fucked."
All three speak up "Language."
Cross groans louder. They are so fucked.
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First Drabble here Prev drabble here Next Drabble here
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ooihcnoiwlerh · 10 months ago
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So I've been working on a Feyd-Rautha/Reader fanfic, and am working out various headcanons I have for him in terms of his sexual preferences and past, as well as what I've written but might be a little too silly to include in future chapters and kind of want to get it out there to get an opinion on things.
Link here: And I Don't Want Your Heart - Chapter 1 - ooihcnoiwlerh - Dune (2021) [Archive of Our Own]
Some of my NSFW headcanons down below
-Okay, so it's firmly established that he's a sadomasochist. It's also mentioned in the books that he'd been abused by his uncle when he was younger. I don't think the two necessarily have to correlate but I think on some level he finds physical pain cathartic, and the moments in which he's masochistic to him feel like he's reclaiming something for himself. He chooses the pain rather than having it inflicted on him.
-I get the impression that he's generally more dominant but in the right headspace with the right person can enjoy being more submissive. It has to be explicitly on his terms, though. Like with pain, he has to make it clear that this is something he's giving of his own free will and that is not to be taken lightly.
-I don't think he would or could ever tolerate being subjected to humiliation, degradation, or feeling emasculated. Subjecting a partner to that, sure, but I feel like that would actually be a severe trigger for him so someone calling him pathetic or questioning his manhood in the bedroom may very well get killed on the spot for it. He's buried a lot of his trauma from his uncle's abuse but those things awaken it.
-I don't think there's a specific kink community with a vocabulary or guidelines on Geidi Prime. I don't think he knows what a trigger or a safeword is. As established already in my fic, he doesn't fully understand the concept of aftercare and is pretty bad at providing it (so far.)
-Being an arena fighter on Geidi Prime basically makes him a rock star, and as such he does get his equivalent of groupies. He's never been in an actual romantic relationship, but people fascinated with his brutality in the arena have gotten curious about what he's like in the bedroom and while it doesn't happen all the time, he has sufficiently satisfied their curiosity.
-I'm not sure if this will end up making it into the fic, but I picture him as being predominantly but not exclusively attracted to women, and as someone who's had a couple of consensual encounters with men as an adult, partly out of genuine curiosity/interest and partly to reclaim some level of power.
-Spoilers for future chapters--I'm writing it that he doesn't have sex with his Darlings. They're a little too animalistic even for him. He doesn't mind if people assume he does, though, because of the danger and fear associated with it.
-He enjoys period sex. Nothing deeper about it, the man just likes blood. Will also enthusiastically go down on his partner during the heaviest days.
-So...here's where I'm worried it's going to get a little goofy. While he has a lot of kinks that would be considered adjacent to BDSM, as I said I don't picture there being a specific community. I wrote a scene that hasn't been posted yet of Feyd-Rautha using a flogger on the Reader character and her initially being terrified thinking it's a cat-of-nine-tails and calming down somewhat when she realizes it's not that severe. I'm worried it will seem ridiculous, but I could also picture him having something certain tools custom-made for him. It was one of the first scenes I wrote for this fic but am worried it will come across as tacky/not fitting for the environment. Granted, I'm not writing a particularly substantial fanfic. It's completely removed from the main plot and is mostly a combination of character study and smut so I think anyone who's enjoying it probably knows that it's not that deep. *
*Although to be clear, I'd love to hear from people on that they think.
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damagedintellect · 2 years ago
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Dazai Osamu x reader
💌 Reading into the palms of isekai bullshit:
Chapter 3 💌  
Summary: You were no stranger to isekai bullshit. It’s not like you had a problem with it. The genre took over the anime scene for years now but you try to stay away from thinking about how you would handle the situation. The last time you thought about inserting yourself into your favorite show you wrote a 100k word xReader fic for your favorite characters and you didn’t want to spend all your time consumed by the brainrot again. Never again, you promised yourself that was the last time you’d let the devil on your shoulder win. You clicked on chapter 1 to start the adventure over again but when you opened your eyes and saw Dazai O-FUCKING-samu getting choked by Kunikida you honestly hoped it was a dream.  
Notes: Another isekai so I can play around with BSD like dolls.  
💌 Word count: 2,981 💌 <= Previous Chapter | Next Chapter =>
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Aside from the raid on the agency and fearing being shot to death the next few days turned out okay. You had a few scraps on your arms and legs from the broken glass but other than that you were right as rain. While Atsushi was going with Ranpo, Kunikida wanted you to stay behind to help reorganize the files with him.
 "I wanted you to stay behind because tomorrow you're going to escort Ranpo to Kyushu." He took another file from the stack you were holding. "You still have amnesia but it's clear your talent for palm reading could be useful for detective work. It's not Ranpo's ultra deduction but he should be able to help you get a better grasp of it."
You stiffened. You hadn’t thought of that. The next few days they would be handling the Azure Messenger. Which was a mess you'd gladly skip out on but the anime didn't follow Ranpo to Kyushu and you don't recall reading about it either. You'd have no idea what was going to happen. This isn't good but you can't refuse the order. Realistically it was sound logic but you were going to disappoint Ranpo with your clear lack of talent. Oh boy. You were dreading the experience. On the plus side with you gone Dazai could still offer his space to Sasaki and by the time you guys got back you’d finally have your own humble abode.
By train it would take several hours to make it to Kyushu from Yokohama. You were not looking forward to such a long journey especially with Ranpo. Sure enough it was only three minutes into the first train when the other announced that they were bored. “Well, did you bring a book or something?” you asked hoping he had the foresight to plan his own entertainment.
“I did but it was boring. It’s no fun when you can already guess the ending. They made it so obvious too.” he was flailing his arms before he settled to look out the window unamused and slightly irritated. You sighed, you brought a book too or well Dazai handed you a book. “The Complete Guide to Suicide.” You didn’t want to read it, not because the subject matter wasn't interesting, you just would rather not know but you were curious about Ranpo’s book. The moment you tried to grab for it he turned to you “It’s the sister, she lied about her condition and wasn’t even at the hospital. She and the doctor were in cahoots.”
You frowned “You know that’s not going to stop me from reading it right?” He rolled his eyes, pulling it just out of reach. “I know, how about you entertain me!” his smile sparkled with intrigue 
You raised an eyebrow “What you want me to tell you a story?” That wouldn't be so bad if you could just talk about another of your favorite anime. What were the odds they existed in this reality? Ranpo hummed “Not exactly. I want you to read my palm.” he practically shoved his hands in your face. “Well what do you want to know?”
He shrugged, “I don’t know, what can you tell me?” He seemed genuinely curious. Kunikida must have told him about your “talents” otherwise he probably wouldn’t have bothered. You grabbed his hands scanning over them before saying “Originally you’re not from Yokohama but you did go to the Yokohama Police Academy until you were kicked out because you exposed the warden. You met Fukuzawa by chance while you went to pick up your work permit. He was the one who gave you your glasses.” You paused to look up at Ranpo. Shockingly he opened his eyes to stare at you. He didn’t look off put nor did he look surprised but there was this secret third thing you couldn't place. You continued as you matched his eye contact “You don’t need the glasses to activate your ability but it does make it easier for you to shut it off should I go on?” You were not sure how much more you could say at this point. With the way he was looking at you you might have said too much already.
“You don’t actually read palms.”
Shit, he saw through you.
Hesitantly you laughed “What makes you say that?” your stomach drops when he tears away a thin layer of skin from his palms, it was a prosthetic. He came prepared. “Because it wasn’t my palm you were reading. So how did you know that?” Ranpo doesn’t move to pull out his glasses nor does his expression change but he continues to stare at you. A bead of sweat drops down the side of your face. Ranpo saw right through you from the beginning. WHAT DO YOU DO!? How did he know?
“I found it weird that Dazai wanted me to mask my hands. He had made a copy of his palm a few days ago saying he wanted to test your talent again. Kunikida said that when you first met you were able to read Dazai’s palm, with that being the case it confirmed it wasn’t a special ability.” He discarded the fake skin, throwing it into his bag. When he turned back to you he seemed perplexed with the new information. “If you actually read palms you should have recognized it was Dazai’s immediately. Instead you gave me information about myself that only one other person would know.” 
You sighed cat’s out of the bag you guessed. Should you just come clean or wait to see what Ranpo speculates? You sighed just when you thought things were going smoothly. “I should have expected as much from Dazai and here I thought we were finally getting along.” You shifted awkwardly in your seat to face Ranpo more. You were about to tell him when his eyes widened suddenly almost like a realization hit him. “You’re not from here,” he trailed off, finally closing his eyes “(Hometown name), right? But how did you end up here?” He relaxed back into his chair. You wonder how he figured it out but you wouldn’t doubt it had to do with the state you were in that night at the warehouse. “I wish I knew. The last thing I remember was falling asleep reading my favorite manga and then I woke up in the river. To be completely honest I thought this was a dream so I thought it would be funny to mess with Dazai a little.” you scoffed at yourself “Really stupid idea thinking back on it, but you know,” there was no way this was going to work. You had another stupid idea. “Since you’re the only one who knows if you ever wanted to mess with Dazai this would be the perfect opportunity to finally pull one over on him. Obviously the choice is yours but I’m just saying there would be no way for him to figure it out on his own.” You watched as a devilish grin formed on his face.
“I’m listening.”
“If you keep my little secret I’ll answer any questions you have plus be your snack gofer for a week. Oh and get you all the shiny marbles you desire.” This entire venture was hinging on the fact that Ranpo loved snacks. You only assumed it would be amusing to watch Dazai fumble about his original accusation. Dazai was never wrong and you knew that was one of the reasons Ranpo doesn’t like playing chess with him. So you figure it would be fun to watch Dazai have to reconsider his approach and strategy to gain intel on you. Watching Ranpo mull around the idea was a good sign. It meant that he was at least interested. In which part you didn’t bother asking.
“Eh, good enough for me!” He reached his hand out for you guys to shake on it. “So how’d you know about all that?” 
You smiled “Oh the Armed Detective Agency is a part of my favorite manga” Before he could ask you added “Yes, you are my favorite character. How could I not love the world's greatest detective.” He seemed pleased with himself as he dug out some snacks from his bag. He started munching on some chips not even bothering to finish the ones in his mouth as he asked “So then you know what happens already, isn’t that boring for you?”
You hummed “Not really, the story didn’t follow you to Kyushu so this is all new for me. Oh but Kunikida and Dazai will call you in a few days to ask for help solving their case. Which is completely different from what happens in the light novel but I’ll spare you the details.”
“Interesting, so then you already know what they're going to ask and how to solve their case.”
“Technically yes, but I’m not sure how much of my actions will alter events in the future so I’d rather not say anything until the time comes.”
“Let me get this straight, you already know what’s going to happen and you’re just going to watch everything play out as it should, that’s so lame. How boring.”
You let Ranpo roast you for your decisions to stay out of the plot. At one point he scoffed at you saying that it was no wonder even though he ruined the book’s ending you still wouldn’t mind reading it. Eventually he started playing a new game where he would try to guess events that happen in the future but you didn’t tell them when they would take place. You also weren’t entirely telling the truth about some of them either but it was not like he was guessing important plot things. It was mostly ridiculous things, like side story tidbits that would happen in “Bungo Stray Dogs Wan” This seemed to keep him entertained for a while but eventually he got bored of that too. Luckily you arrived at the station before he could come up with another game. Although he put you to work immediately wanting you to fetch him more snacks and ramune. You almost regret making the offer.
In the end it would all be worth it to keep your cover with Dazai. On the next train Ranpo was too enthralled with his sugar haul to pay attention to you so your mind wandered to a certain waste of bandages. You had taken out a notepad to scribble and doodle on to pass the time. You lied to Ranpo earlier about him being your favorite character. It was Dazai. You might be a little too into liking the stupid brunette but honestly you just wanted him to be happy, to finally feel loved without thinking he doesn’t deserve it. You must have had a dreamy look on your face or something because Ranpo looked at you with disgust. “Don’t tell me you have a crush on Dazai, that’s just gross.”
You tilted your head at him “Huh?” He pointed at what you were drawing. You had drawn a collection of chibi Dazai’s all over the page. Oops you didn’t realize what you were doing. “Oh yeah, ew gross.” You tear the page out and crumple it up. Throwing it away at the first opportunity to destroy the evidence.
He laughed at your actions but didn't say anything else. When you finally arrived in Kyushu they had an escort waiting for you. Apparently your client had set up accommodations for you both. You were going to meet with them tomorrow once you’ve had time to settle overnight. During the brief you weren’t much help as expected and once Ranpo got started the most he needed you for was to fetch him refreshments as he looked over evidence. It didn't take that long to crack the case but the amount of paperwork that needed to be done was insane. All because he was from outside of Kyushu. No wonder it took three days total to finish up here. Two days were just traveling and one day of mostly paperwork. 
Just like you predicted on your last day when you and Ranpo were walking around he got the call from the others. He didn't bother asking you anything assuming your passive view on the situation means you wouldn’t help but you also think it was a matter of pride. He rolled his eyes at you because he had to do all the work and maybe that’s what it really came down too. He made you get more snacks than you could carry making you more of a pack mule than a gofer. When you finally got on the train he made sure to give you an earful that he'd let it slide this time but as your superior if you knew what happened next you were to report to him about it so he doesn't have to lift a finger. You're actually not sure how serious he was about the demand. All in all it was a successful mission. It was getting late by the time you made it back to Yokohama but you still checked back in at the agency to be updated on what went down when you were gone. Not like you didn’t already know but it was nice to be kept in the loop.
Making your way back to the dorms you realized that no one gave you the keys to your room. It should be ready by now. You assumed it's because Dazai was holding them hostage. At least since no one mentioned it you figured as much. They think you two were very close it seemed or knowing Dazai he probably outright asked to do the honors. You moved to knock on his door but the moment you did it swung open. He was standing there jingling the keys in front of you. A satisfied grin plastered on his face. "My darling (Y/N), what a pleasant surprise! Could you perhaps be looking for these?"
You rolled your eyes trying to grab for the keys but he pulled them away before you could touch them. “Yes, yes very funny but I’m not in the mood to play right now. I had to entertain Ranpo for several hours and would like to get some sleep.”
He smirked knowingly, "Hmm funny you should mention Ranpo, I ran into him earlier! I don't know, maybe care to explain this?" He held up a wrinkled sheet of paper. It was the one you drew all over on the train. Goddamnit Ranpo, why? "I thought I threw that away." You could practically hear Ranpo's smug tone saying,
 "I said I'd keep your secret but I never said which one."
That bastard probably went through the trash to have this blackmail. This was probably payback for making him do all the work, but he said he’d let it slide. You've been played. You needed to think of something quick "I mean to be fair I drew everyone but I had a hard time getting you to look right, like what is even going on with your hair. I bet it'd be easier drawing the slug’s weird ass hairstyle."
He shifted his weight back on to his other foot. "Is that so, then you won't mind if I keep this?" It seems bringing up Chuuya to change the subject wouldn't work a second time. Oh well, it was worth a shot.
"I already threw it in the trash. Be my guest." You grabbed the keys from him checking what number your room could be found at. Just before you left you pivoted to look at him "Oh one more thing. What did you plan to accomplish with that little stunt of yours?" Obviously it was a big question on your mind. Now that you didn’t get the inner monologues or the outsiders view you have no idea what the other could possibly be thinking.
"That was just to keep you on your toes my little belladonna~"
You huffed “I sincerely doubt that. Why would you go through all that trouble?”
“Aw, and here I thought you trusted me?” He dramatically clutched at his chest with a soft whimper as you laughed at his antics. “I can trust you implicitly but still question your motives. It’s not like I pledged my blind loyalty to you like some kind of a dog.” You were about to leave for real when you realized what episode you should be around. “Oh that reminds me, you plan on going out later right? You should say hi to your cute dog for me.” He narrowed his eyes with a slight frown “So you can see the future.” his tone went flat causing you to smile. 
“Fortune telling is not an exact science but sometimes it’s used to predict the future, yes. The least I could do is try to keep up with you, my little white snake.” 
You could hear Dazai stifle a laugh as you started walking away. It was proof that he got your joke. At least you were hoping that it was because he got your joke. You really tried but there wasn’t a lot of clever word play at your disposal. There was a plethora of double entendres for feminine but not a lot for masculine pronouns and you weren’t about to say the scientific name for white snakeroot, “Ageratina altissima” because it’s one hell of a mouth full. Essentially it meant something akin to “The unaging tallest” not as flattering as “beautiful lady” but it was still a poisonous plant and human descriptor so it was close enough to say you tried to put in the effort. Part of you thinks it was better than giving him any real compliment. You feel like Dazai likes the ambiguity that comes with the chase. So why not play the game?
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bogusbyron · 6 months ago
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Show notes from my double show day on 8th august 2024. 2nd show was largely very similar so any extra notes i took on that show are added onto the emds of the relevant scenes. Enjoy!!!
(Ignore the amount of times i mention jordan)
1) Stew snapping the book shut in the prologue real sharp will always make me giggle
2) fun little stolen time pause before stew delivers "do not forget me", makes it short and snappy (SHOW 2: stew threw the yellow slip so jvj would have to go collect it.)
3) valvert stare-down before javert's exit. Okay
4)  at this point i wrote "can't find harry. Worried" because i was scanning the ensemble for harry lake and he WASNT THERE mad as hell
5) verry good low note on "dirt beaneath" in the prologue .. milan❤ (SHOW 2: in that little bit when he steals the coin from the child they messed that the hell up girl you caught jackshit)
6) understudy bishop! Every other time ive been it was Adam Pearce . I think i prefer him but the u/s had a really nice rich voicr which i fw , not quite as deep as adam but i liked him. He was a lot more stern & firm as bishop, with bits like "remember this"  and "passion" being quite harsh.
7) valjean wincing when the bishop helps him stand (SHOW 2: when talking to the policeman after the robbery, valjean shakes his head at the bishop who then nods back at him. Heartbreakinf ohmy gyat)
8) "my life was a war" line being half-spoken, in a very distressed manner... quite liked that. Also he sobbed a bit after "allow this man" which got me in the feels.. let valjean cry 2024 (SHOW 2: harsh on "hate" in I had come to hate the world)
9) higher note on  "god above" which scratched the brain
10) jesus christ milan can hold a note . The whole "eye for an eye" crescendo drives me batty and milan does not disappoint
11) swallowed before "he told me that i have a soul" not sure if that was intentional like at all but considering his nervous delivery on future lines like "ill escape now" i thought it fitting
12) ENSEMBLE TIME🗣 tom is so hard NOT to spot, ginger ass hair. And also during At The End Of The Day he was hunched and staggering dramatically which made me giggle. Also bonnie langford spotted leftmost factory woman. Not important but i saw her. Also jordan was one of the workers and he cheers on the fight between fantine and the other woman but as soon as he sees valjean comes down the stairs he hurriedly goes back to looking busy writing at the desk. Again i giggled .
13) idk if its just me being stupid but katie's wig lookee different to how i remember it last time did she get a new one. ⁉️⁉️
14) "when i was young and unafraid" almost spoken.  Ate🗣
15) THE BRASS ON THE  I DREAMED A DREAM CRESCENDO UUUUGGGHHHHHHHHHH I ALWAUS GET GOOSEBUMPS ON "SHAME" UEGGGGHHH  goosebumps also on "i had a dream life would be"  katie's voice ao good ans clear ill go nuts
16)  i think jordan was the first  dude in lovely ladies  and he also got his arse  tapped by one of them so that was fun . It was harry lake last time but he really got his arse slapped like he stumbled offstage and everything
16) the woman with the hat in lovely ladies i forgot her actress' name but i LOVED her voice . I gotta know if she understudies anyone cause wowzer.
17) bambatabois was pissed as hell he was screaming his head off like a toddler
18) here i wrote "JORDAN POLICEMAN ON DA STAIRS🔥🔥🔥" handwrote the fire emojis and everything. He was playing one of the policemen and he climbed the stairs. I liked that
19) little fantine sob after javert says "i have heard such protestations" which BROKE my heart ohmy gah. Also katie always  eats the crescendo on "you let your foreman send me away"  that whole bit drives me crazy the music and strings bruh ohmy
20) javert's "monsieur le maire"  very curt and sharp almost a hiss which i dont think ive delivered like that before ? Looove snappy javert
21) like when i saw stew & milan on the 14th they have homo moment at the cart when javert holds valjeans bicep for far too long and his voice even goes up higher on "a memory stirs" as he stares into his eyes for Way too long
22) low note on "comes to court" which scratched the brain
23) valjean snatching his coat from javert LMFOAOAOO
24) his whole mini-monologue was so funny cause he was REALLY pronouncing his "k"s so it was just like  traCK🗣ed him down through thICK🗣 and thin. And to maK🗣e the matter certain theres the brand upon his sK🗣in. He will bend. He will breaK🗣 this time there is no mistaK🗣e
25) slight pauses between the last "i am damned" in who am i like  I. Am. Damned
26) i feel like milan is a lot more determined and deliberate and sure of himself as compared to chris' much softer and "mature"? valjean. Which i find interesting
27) katie somehow so good at singing even when "frail"  helloooooooo shes actually cracked  Get out
28) valjean so soft with fantine though  godbless she makes my heart ache. He had her face against her cheek which i thought sweet
29) CONFRONTATION SLIDE  HIIIIIIIT🗣🗣🗣🗣🗣 GO STEWART
30) Valjean scoffing before "men like you can never change" made me giggle hes so sick of his shit
31) gay as fuck fight. Will never get over stewart's insane gagging coughing and whimpering when hes thrown to the ground after being strangled. What the hell. I have a slur to say (SHOW 2: as javert was knelt down in front of valjean (🧐), when he pulled back his fist to fight back it looked like he was about to punch valjean in the balls but luckily valjean knocked him oit before he could do this)
32) BONNIE LANGFORD🗣🗣🗣🗣🗣 shes really witchy as mme thenardier kind of obsessed. I like her a lot . Her naturally high pitched voice creates a very interestinf tone when singing as mme thenardier which i LOOOOVE
33) when cosette asks her not to be sent out alone she kind of like steps back almost like shes afraid of cosette . Dont know whether this was fear or her being taken aback that cosette would reply but still made me laugh
34) JOOOOORDDAAAAAANN🗣🗣🗣 FUCK YALL KNOW ABOUT THE DUDE IN THE RED JACKET , hes the one who shouts  "over here landlord" or some shir and "this place has gone to hell" before the song properly starts. The WHOLE song he was such a delight to watch, hes so camp and did the gayest of walks and dances and whatever the fuck , ohmy god he was so funny . If anyone goes to see the show soon and jordans ensemble please watch our for him in master of the house, tall bloke in the hat and red jacket. You cant miss him hes camp as hell. Im obsessed with him deeply and i wish i couldve watched master of the house on repeat PURELY so i could see the bloke in the red jacket. (SHOW 2: he did a kind of silly gay walk in which he did the wallace (like from wallace and gromit) hands) Here are some doodles i did of him:
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35) tom was on as thenardier BTW (ginger thenardier gang) i like the way he shakes his epaulettes on "content to be". I loved tom & bonnie's rapport as the thenardiers too, so good . Tomardier on top . They were dancing together and shit during the  chorus they were fun. Apparently thenardier put mme thenardier in a headlock at some point as well which is funny
36) bonnie did a little r roll on "regular voltaire". Not impoerant at all but i liked it. Also did a low note on "master and a half" which i also liked
37) kept the bit where mme thenardier says "where the fu" before realising valjean is there . And the bit where she sprays perfume up her skirt. Always a good gag (cause like i get it)
38) bonnie's pretending to be worriwd abt cosette was so good . Her comedy acting genuinely endearing and im hype
39) tom, like last time i saw him, goes really high pitched on "like our own, monsieur" which is SO funny god i love tomardier
40) on "treacherous people about" they kind of advance on valjean but then immediately cower away when he stands up to challenge them LMFAOAO
41) marius appears. Jac yarrow has a  GREAT voice , but Is he better than harry lake ? 🤫 maybe im just biased . Harrius sweep
42) jordan as claquesous (which is the only character of his that gets a name) is so funny . Hes swinging around his little corner of the set a lot . Swinging from the beams and shit. I do not  blame him id do the same
43) Ok first of all yaz eponine was AMAZING  her "ITS JAVERT!" is so chilling. Shes awesome godbless WHAT  a voice. Javert also keeping it curt and snappy and hissing "square"  in Another brawl in the square. Hilarious
44) i love the way tomardier tries to escape being held by the policemen on "HE'S ---! THE ONE YOU SHOULD  ARREST!" it always makes me laugh. Also voice crack on "chest" in Brand upon his chest. The way he and bonnie strut offstage after being freed is SO funny
45) OK TIME FOR THE STARS INFLECTION NOTES.  Sharp & curt on "there" which i dont usually hear. Soft on "fugitive". Pronounced "god" like  god-uh which was funny. Soft on "yield". Slight stolen time hold on "mine" ("is the way of the lord" as a result came out sharper). Soft on "scarce" rather than the usual hiss i hear. Dribbling a bit . Growled on "returns". VERY clear note on "bars". Sounded a bit like he struggled with "then" on Until then, but delivered as usual on the final Stars. Hoo boy go stew (2ND SHOW: only one i got was "exasperated "Always"" on  And is always the same. I cannot remember what i meant by this but usually my inflection notes are somewhat accurate so let ur imaginaton run wild)
46) for some reason i noted how gavroche had really long eyelashes. I have no idea if i was just seeing things or what but yeah
47) jac has really solid vibrato honestly . His voice is GREAT . I will refrain from comparing him to harry cause i think we all know how much i like him already . But i have things to say .
48) JORDAN UNNAMED STUDENT NO1 WITH THE GLASSES 😭😭😭😭😭😭 half moon glasses he ate that. Cafe scene started off with him arguing with enjolras which i thought funny. He seemed really prim and bitchy with i loooved, dont ask me what anyone else was doing for this scene cause my eyes did not leave him
49) grantaire shouting *YOU* talk of battles to be  won  while pointinf at enjolras made me giggle
50) jordan scoffing off to the side @ grantaire  as he starts playing catch with his bottle. Im obsessed with him. Maybe id be a les amis fan if he was there. Also he's the one who chimes in "OUR WORLD !🗣" so whatever
51) grantaire spinning around across the stage on "red" during marius' verse
52) jordan did NOT need to stand on that  chair at the red & black crescendo girl you are tall Enough
53) enjolras did a silly little "HA-HA!!" I think after "blaze in their eyes"
54) jordan helping move the big staircase setpiece during do you hear the people sing... hashtag stagehands represent BIG UP STAGE MANAGEMENT🗣🗣🗣🗣🗣🗣🗣🗣🗣💥
55) Lulu may not have my favourite voice ever but she is cute as  cosette i cannot  lie she does little toe bounces every now and then i like that .
56) milan had a little stray loose hair that fell over his face and i couldnt take my eyes off it
57) jac quite harsh on the "burst" in She has burst like the music which was fire. Spit yo shit marius
58) yaz has SUCH  powerful voice it was always so shocking everytime she sang GET HER ON PRINCIPAL NEEOOOWWW!!!!!!
59) marius did a little awkward ass wave to cosette after she comes out on the balcony to see her, like he just lifts his hand up a little, DIDNT EVEN SMILE? just ✋😦 looking slightly startled. So good. He also did a deep ass bow to her when she comes down which made me giggle
60) so jordan had like, a stick  as a weapon as claquesous in the attack on rue plumet and as he runs onstage he kinda fumbled with it. Whether this was intentional or not i dont know but regardless yes i laughed. (2ND SHOW: thenardier tries to get up onto the balcony twice, instead of the usual once. The first time, claquesous gets down on hands and knees like a stool. Thenardier steps on him and claquesous immediately collapses under the weight.)
61) i dont seem to remember this happening in other shows  does thenardier always hit eponine after "you'll scream alright"? Or am i insane. Because he did this show (2ND SHOW: marius blows a kiss through the fence to cosette before he runs off.)
62) YAZ DURING ONE DAY MORE BEUHHHH ohmy days.... so sosososoop good so strong... djavan also as usual strong, the way his voice always rips through the theatre is just amazing godbless (2ND SHOW: bonnie sticking her leg up in the air as she's carted off.)
63) JAVERT IN UNIFORM.......... WHERE THE FUCK IS BAKER BOY.......
ACT 2
64) Grantaire was kinda creeping up behind enjolras for whatever reason at some point. Was funny as hell
65) MILAN  LIKE PAUSES AND PULLS A FACE WHEN HES READING THE LETTER FROM MARIUS TO COSETTE BEFORE HE READS THE WORD "LOVE" WHICH REALLY MADE THE THEATRE GIGGLE 
66) Yaz was so delightfully gentle as Eponine i liked it . Made her powerful voice a lot more standout for me . As for on my own inflection: short on "silver" in Shines like silver. The string pickup as it builds up to the crescendo on "and i know its only in my mind" is always insane ohhumy gyat. Harsh on "the trees" in the trees are bare and everywhere. Harsh and almost spoken on the final "without me". The last crescendo was utterly gorgeous . Yaz eat yuor heart out❤
67) on jod theres usually fog for the barricade reveal. No fog this show. Disappointing..  i love fog
68) army general's bit .. as usual harsh on "you" which i like but i think he skipped a beat . Didmt note where but i remember there being a missed beat and it was a bit fast (2ND SHOW: this might have been for the 2nd attack but regardless, when theyre shouted to get down, jordan's student who was way downstage (audience) left he almost fell over when he went to kneel down . Very clumsy job there boss. Obsessed)
69) stew's baker boy matches jordan's now... last time i saw stew he was in brown. Hes in the green/red now ‼️⁉️
70) yaz's eponine seemed content to submit herseld and die in marius' arms which was so heartbreaking . The key up. Also voice break on "her name was" which made me want to punch a wall
71) gavroche hands marius eponines hat :-(((((
72) i think milan was struggling to get off the barricade he almost stumbled and had to be helped down ajdhdifhd
73) javert just kinda admitting defeat and slumping to his knees with a haunted look in his eyes ❤ getting his lapels grabbed until "youre free" will always fuck hard as well. Theway hes grabbing onto valjeans wrists though I KNOW WHAT YOU ARE (2ND SHOW: during drink with me milan and jordan were off to the side next to each other chatting away. Jvj starts to chug whatevers in his cup. Jordan goes to take the cup from him but jvj turns away so that he cant take it. Jvj alcoholism era. Additionally jvj puts his arm around jordan's character just before the final battle.... ouff... Here are some sketches i did of them:)
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73) milan's vocal range is sooogood. His whole Bring Him Home just scrumptious. Plus the crescendo on the strings UGGHHHHHHH. It SOUNDED like he struggled a tad on that final "him" but Home came out GREAT ... godbless
74) final attack. I noticed jordan's student wedged away in the crevice to the (audience) left and everytime hed fire his gun hed turn away and scrunch his face up. Obsessed. I did NOT see where he died though. This tells me he did not actually die and hes alive and well❤
75) javert kissing the cross over gavroche 😔😔😔😔😔😔😔 (i THINK valjean does this too earlier? Possibly he did this in the 2nd show)
76) tomardier holding the dead body's jaw and making it say "breath away from hell" in a stupid voice". He also did a silly posh voice on "thankyou sir im in your debt". "And god in his heaven" almost spoken i think. I alsofind it funny how he kicked over marius' body and stepped up on his arse
77) Javert seemed to almost miss & run past valjean ans marius LMFAAOOO i had a little giggle.
78) Jvj looking so sick of javert will never not be funny hes sooooo fucking done
79) I very much liked the slight distant stare like a moment of reflection before he sings "take him valjean!" adds a little to that bit i think. Yum. Thanks stewart
80) Soliloquy inflections.  "Who is this man/what sort of devil is he" GROWLED rather thsn the usual scream he does . Liked it i cant lie. He was quite shaky especially on "caught in a trap" which was LAAAVELY...... spat "back" in Gave me back my life . Harsh  on "mocked" which is always delightful to hear, a classic . Absolutely delectable tone shift  and becoming quite weak and almost croaky for "how can i now allow this man". He was even hoarse for "gave me freedom", and weak on "die as well". As per the Stewart Clarke Special there was a tremendous glob of spit escaping him on "sins"  in Shall his sins be forgiven . Absolutely delightful voice crack on "begin to doubt". Another glob of spit in "lost in shadow".  SUPER shaky "i am reaching". Yet another glob of spit on "stars are black". Low note on "escape now". And, as per, hit that shit (2ND SHOW: voice crack on "he" in "devil is he". Whimpered "gave me my life". Snarled "it was his right". Another glob of spit on "sins" like the first show. Whimpered "and must i now". Another glob of spit for "escape now".)
81) anyway , empty chairs time. Quite short on "on and on". Lovely and rich delivery of "never came" (thats a hard note to hit comfortably!).. again jac's vibrato was very notable to me !!!!! He delivered "phantom shadows" very upset like a half-sob. The following "empty chairs" very harsh. SHOUTED "don't ask me".
82) i liked his distant & haunted stare during every day ughhh mawius...
83) lulu as usual hitting those insane notes Go girl!!!
84) i really liked milan's acting during the confession - i personally preferred chris' performance but both absolutely stellar. His expressions were wonderfully desperate
85) i think someone (djavan?) almost missed their cue as ome of the servants during the wedding i saw them jogging onstage to help with the table LMFAOAOOO
86) if you didnt know already, bonnie langford does the splits when she curtsies when she appears. She also seems more interested in the drinks djavan servant has to offer than the plan to scam marius . She keeps trying to set thenardier right and then tiptoes off to take a swig of wine. Giggled
87) when marius tells them to go away thenardier turns around and says "for god's sake" LMFOAOAOAO
88) after thenadier is punched by marius (does his classic 270° spin) he falls over and gets stuck on his back, flailing around like a tortoise while mme thenardier cackles like a witch
89) they do the littlw pointy toe gay dance together hashtag true love (2ND SHOW: tomardier blowing a kiss at the lord.)
90) milan during the epilogue always heartbreaking he is wonderfully frail. Absolutely lovely  gentle low notes . He was almost sobbing on "on this page" which made me want to start killing. Sniffed before "its a story". Very shaky voice on "to my keeping". ... suicide tomorroeeeeee
BONUS) since i had nothing more to note down in the epilogue i drafted the next chapter of my fanfiction.
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o-uncle-newt · 6 months ago
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Yes, this is another rant about the Petherbridge/Walter Wimsey adaptation
Okay, to motivate myself to do other less fun things that are unfortunately on my to do list (which I am, of course, abandoning in order to write this) I've been skimming the series in small chunks today and I just got to the penultimate Peter/Harriet scene in Strong Poison- when Peter reveals to Harriet that Urquhart will be arrested and she will be freed.
In some ways it's a great scene- as are most of the Peter-Harriet scenes in Strong Poison (the final scene this episode is, of course, a travesty, but we'll get back to that). They're fun, they either are taken from the book or are pretty faithful to the characters/this imagining of them, and they're of course extremely well acted by our lead duo. As I've mentioned before, one of my favorite scenes in the show is one that was invented by the episode writer- the one where Harriet tells Peter "it would be awful if you were funny all the time, wouldn't it." It's just an excellent way of distilling a bunch of the book's subtext into one relatively short yet extremely effective scene, and in a way it shows that the creative team would seem to have had a really good understanding of the books.
So I rewatched this final jail scene, which I usually like, and which I'm overall entertained by- and realized that a scene that I'd largely enjoyed in previous viewings actually contains a sequence that basically sets up all of the problems with the later episodes. Like, maybe one or two of them are unrelated (their removing Lord Saint-George from Gaudy Night was a travesty in its own right) but most of them can be traced pretty directly back here:
To quote:
Peter: You are the woman I want to spend the rest of my life with, how else could I have behaved? Harriet: You're such a romantic, Peter. A sort of latter-day knight errant, searching for opportunities to perform deeds of valor, rescue damsels in distress- Peter (interrupting): What's wrong with that?
She goes on, of course, to continue to reject him, saying she's not ready for "another affair" (to which he corrects her- "marriage!"- and she says, in a line that I loved enough to put in a fic that I wrote, "marriage, affair, what's the difference- it's supposed to be about love, isn't it?") and that she's too tired to think and decide. But she never says what's wrong with the above description of Peter.
Now, there are two options when you have a scene like this. Either you treat it as a valid description of, and therefore a foreshadowing of, the main character and his upcoming arc in the story, OR you bring it up in order to subvert it. The show decides, for some reason, to do the former, and the book, of course, does something very different.
To be clear, in the book as well as the show this final jailhouse scene makes clear that Harriet will not marry Peter. And I actually think, interestingly, that it's for a similar reason, though in the book it's not explicitly stated- it's because Harriet doesn't love Peter. But the underlying issues are totally different, because in the show, Harriet refuses Peter's offer of either marriage or an affair because she's not ready and because she doesn't love him. But in the book, Harriet is willing to be Peter's mistress, but not to marry him- she says, because it will allow him to drop her whenever he tires of her. And between this and Gaudy Night, we get the idea that Harriet feels enough of a sense of obligation toward Peter that she will be with him out of that obligation, even though she doesn't love him.
I think it's a combination of these two things that sets the show on the wrong path- maybe because the right path would be unfilmable, but it still was wrong:
In the show, they decide that Harriet is only not with Peter at the end because she doesn't love him. They're compatible and he loves her, but she won't just fall into his arms just because he's rich and saved her life and she likes him, because she's a Strong and Independent Woman. That's what makes her, to the creators, a strong character- the classic "damsel in distress" usually marries the "knight errant," but Harriet won't without love- and having her go from liking him to loving him is the journey that she goes on over the course of the series.
In the book, Harriet is not with Peter at the end because Peter (finally!) recognizes that he's been badgering her and if she ended up with him it wouldn't be out of love but out of exhaustion and indebtedness, and he (selfishly, in a way) wants her to be with him because she loves him. Over the course of Have His Carcase, she realizes about herself that she felt that kind of indebted way to him and is disgusted with herself (and extends those feelings on to him, whether justly or not), with those emotions battling her growing actual attraction to him. The thing that makes her a strong character is that she only wants Peter on her own terms. She only wants him if she feels equal to him, not indebted to him, and (of course) in love with him. She feels the latter, of course, long before she feels the former, even if it's hard for her to realize it. (And, of course, part of feeling equal with him is building up her own self-worth, which had been dragged to the gutter by her ordeal.)
Effectively, the book is saying- as any fan knows- "their relationship was set up for failure because we have two strong people who, due to their roles in a massive disaster situation, are in a no-win situation- one is compelled to share his feelings and the other is compelled to reject them."
The SHOW, on the other hand, is saying "Peter and Harriet are suited for each other- they met in the wrong situation, but that's not unsurmountable. The problem is that she doesn't love him yet, so in the next two books we see their pathway to getting there." As with so many romance-type stories they accept the knight errant and damsel framing, the one that Sayers immediately discarded after realizing how little it suited these two people, as a framework for the rest of the show without really questioning its suitability- and the knight errant is meant to be continuing to come after the girl! That's why there's that horrendous final scene in Strong Poison. That's why Have His Carcase and Gaudy Night have Peter running after and confessing to Harriet so often- she needs to fall in love with him, and the only way for that to happen is for him to keep being around her and for her to see how great he is. Her own personal journey of self-growth isn't much of a factor- what she really needs to do is to learn more about him, get used to him, appreciate him, come to terms with him, and ultimately give way to him. With enough banter* and one-sided devotion, they'll fall in love- it's the classic romantic formula.
*Admittedly it's pretty great banter!
And that's why, however good the fight scene in Have His Carcase is, it always feels somewhat jarring- because it's one of the few real relics of the book's version of their romance that remain in the show! It's the only part that contradicts the rest of the show's thesis, which is that with enough time the damsel WILL end up loving the knight errant because they're right for each other. It's the only part that conveys any tension beyond basic frustration on Peter's part. If nothing else, it's the only part that grapples with one of the reasons why she DOESN'T love him, which is that he's a living reminder of one of the worst times of her life. That's before you get to all of the power imbalance stuff... and it actually backfires, almost, because before that you just have Peter pursuing Harriet but after you have Peter pursuing Harriet despite all of the power imbalance stuff! And it's still telegraphed on the show as a good thing, or at least not a bad one! It reinforces how Harriet's arc really is to be pursued until she finally cracks by seeing how noble Peter truly is.
(Usual disclaimer that I didn't rewatch Gaudy Night before writing this as I don't want to do that to myself, so any mistakes I make as a result are unavoidable and I appreciate any corrections.)
According to the show, there's nothing wrong with being a knight errant saving a damsel, so why not show it? According to the book, there isn't anything wrong with being the knight errant, but there is something wrong with then wanting to marry the damsel, because any damsel who would want to be married under those "circs" is not the right damsel for the knight. Even if Harriet HAD loved Peter immediately, it wouldn't have mattered because the ensuing relationship would have been imbalanced and she'd have felt that keenly, whether because she'd have felt so indebted that she'd feel at his mercy or because she'd always see them in the roles that they'd had at their first meeting.
One of these is definitely a richer text than the other, and I know which one that is, however much I may love Petherbridge and Walter in the roles.
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halimamis · 3 months ago
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How to write the first chapter Part 2
I'm back with Part 2 on how to write a good first chapter. Read Part 1 here.
A Voice That Slaps (in a Good Way)
Your writing voice should be like that person at the party everyone’s drawn to: funny, mysterious, intense—whatever fits the vibe of your story. Whether you’re snarky or poetic, let your voice shine. Just not, like, in a “I’m yelling at you with CAPS LOCK” way.
Make Us Feel Things
No pressure, but if we’re not emotionally invested by the end of chapter one... well, we’re probably not sticking around. We need to feel something—fear, joy, suspense, awkward secondhand embarrassment—whatever it is, give us that emotional hit. Just one hit. We’re hooked now. Thanks.
Purpose, People.
Have a Goal. The first chapter should hint at where the story is going. Give us a sense of what we’re chasing. What’s the big picture? Doesn’t have to be crystal clear, but at least leave us a breadcrumb trail. There's an abusive neighbor, what do you think will happen? The lights in the kitchen were on although you swore you had turned them off before you left. Your dog doesn't like your friend and keeps barking every time you're near them... etc
Memorability: Hit Us with That Wow Factor
Make your first chapter stand out. Whether it’s a killer line, an unforgettable scene, or just a vibe we can’t shake, make it memorable. You know, the kind of thing that makes us put down the book and go, “Whoa. That was epic,” or even just, “I need to see where this mess is headed.” For example, the book "They Both Die at the End" by Adam Silvera starts with a chilling premise where two people are informed the day they will die. The first line instantly captured the attention and made readers curious enough to finish to the end.
Balance Between Show and Tell
You’ve heard this a thousand times, I know. Show, don’t tell! But also... sometimes, it’s fine to tell. It’s just all about balance. Don’t give us 10 paragraphs of internal monologue, but also don’t make us guess at everything. We’re not detectives. Don't info dump but don't be selfish.
Example: Lara was a 25-year-old woman with long, chestnut hair and emerald-green eyes that she had inherited from her mother, who had passed away five years ago in a tragic car accident. She worked as a marketing assistant in a big city, though her real passion was pottery, which she had been doing since she was 14 after taking a class at summer camp. Her favorite color was blue, her best friend was named Sarah, and she always had her morning coffee with two sugars but no milk, because she was lactose intolerant... etc.
Okay, we get it. So much info.
Now Balanced Storytelling (AKA "That Feels Better")
Example: Lara sipped her black coffee, staring at the pottery wheel in front of her. Five years after her mother’s accident, the spinning was still the only thing that calmed her nerves. She pushed thoughts of her marketing job aside and went over to the wheel. This was where she belonged—her real passion, hidden away from the chaos of city life. Lara sat down on the wooden chair. One of the legs was broken and a nail was missing, but she couldn't care less now as she slowly let the clay take shape under her hands.
Now we’re showing her love for pottery, hints of her backstory, and her character—all without dumping everything in one go.
And there you have it! Now go out there and write your amazing, epic, flawless first chapter. And remember, no one’s perfect—except that one writer who’s probably over-caffeinated and crying in the corner. Reblog if that's you.
Oh, I almost forgot... I noticed a lot of people suffer with writing their first chapter (I myself deleted and re-wrote my first chapter 16 times before finishing my first novel) So, if anyone has questions, don't hesitate to ask and I'll try to give you as much help. And if you want me to revise and edit your first chapter, you can find me here.
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teriwrites · 12 days ago
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Below: 'Chapter Six'
My Live Reactions to Reading Through My 2011 Novel, pt. 6
Firstly can we just appreciate how every other chapter has a proper title, but I just couldn't be bothered to come up with one for this
We're starting off with Mr. J's crew! Trinity is the only capable person here
"How in the world do you work this stupid thing?" it's a walkie-talkie, Mr. J, i'm sure you can figure it out
"Loud and clear sir," Trinity answered, rolling her eyes. She had done a lot of rolling her eyes in the last few days.' so real, girly, we gotta get you out of there
First confrontation post-Institute: a stand-off in a hotel hallway
Nick immediately teleporting Lea away, our antagonists really could've accounted better considering they already knew what his powers were
yayyyy.... misogyny.......... and dumb blonde jokes??? Kristen, this woman is currently Wiping The Floor with you
Nick is clearly the MVP of this team, he's literally just picking them off one by one and teleporting them away from the fight lol
'I didn't want to hear the fighting, I just wanted to know what Nick was thinking when he teleported me into the closet. Did he believe I was too weak or too aggressive to fight?' maybe he just wanted to avoid fighting entirely, seeing as the oldest among you is a 16-year-old, and you're facing off against three grown adults
Kristen and Lea hanging out in this supply closet, having totally normal conversations about how they're not gonna die of old age lmao
Okay so how this confrontation worked out: Lea and Kristen are teleported into a supply closet away from the fighting. TWO HOURS LATER, they emerge and head back to the scene to find a hallway with 'blood staining the walls and carpet, and a pile of [ash] on the floor.' coolcoolcool
Kristen finally acknowledging that she needs both Ben and Raevin around, afraid one of them has died
But of course they didn't! That pile of ash on the floor was just the hotel maid!! That's totally cool and chill!!! What a relief!!!!
"I deserve a whole lot worse than trouble, but I was saved from that a long time ago," Raevin sighed.' THE ANGST
Not even remotely described where the villains have actually gone. Presumably they just ran off after Nick teleported everyone away
AHA!! Proof that I've ALWAYS been into 'same height' couples. Forget height differences, I want those bitches looking each other DIRECTLY at eye-level at all times
Reading through 'romantic' scenes is genuinely as difficult as I anticipated lmao
It's not even that bad!! Like not that much worse than the rest of it. But something about it is like... oof, I really wrote that out
"I asked what the matter was," Ben took a bite out of his cookie and swallowed before continuing. "You've been really uptight ever since we escaped." I choked down a laugh and then realized that I had sounded a little uptight.' (Kristen's so distracted even her narration is doing the whole 'repeating after the person you're having a moment with' bit)
ONCE AGAIN i'm using "Hardee har har" as Real. Genuine. Dialogue.
wtf Ben suddenly spawned a random book
4/5 of these teens are Crawling. Across. A. Cafe. Floor. In public. On a random day of the week. To avoid being spotted by officers standing by the window.
It works.
Somehow, simultaneously, the entirety of the police are in on the Institute of Discovery's top-secret business, and will all be on alert to follow after these escaped convicts, yet the state and federal government aren't supposed to know literally anything about it
Brooooo ACAB!Teri was PISSED
'[Their apathy] made me twice as mad at the police as I was at the scientists. I mean, sure, the scientists were okay with it, and actually did it, but they were paid for this and it was their lifestyle. The policemen just didn't care what was going on, and would bring people back to be treated however they wanted.'
Something tells me 13-year-old Teri was confronting real world issues for maybe the first time
Throwing out shade at a real-world location I knew (and still know) absolutely nothing about. Sorry to Decatur, AL! Or not. I truly know nothing about it.
Kids getting into arguments about where to go, just to retrace their steps back Towards the institute is a bold move
Oooo it's Nicole's turn again
Superpowers and evil prison complexes aren't enough! What this story really needs are demonic elements! And who better to provide those than the 'removes her soul from her body' girl?
"You fool!" the voice thundered. "I will never let you escape this place! You will be cursed to live alone for the rest of your life! Forever! Forever!" Nicole half expected the voice to go 'repent! Repent!' but it stopped at 'forever'.' PFFT sass must run in the family
"It's better this way," the voice told her. "Oh, then why am I on fire?" Nicole thought angrily. (the presence of mind this girl has while being tortured to be so blase is impressive LMAO)
I think Teri had two different story ideas and decided to simply combine them into one book bc I have no idea how else to explain this drastic shift in the storyline lol
Demonic-style entity promising power, I'm sure this will go swimmingly for her
If I read the word 'power' one more time, I'm closing the document
This is all honestly kind of funny, considering what I wrote in 2012. More on that later~
omfg Teri I know you were only 13 and didn't know that what you just wrote is a WILD innuendo but holy shit. I don't think that phrase means what you think it means. I don't think that whole section means what you think it means. No I will not be sharing it here lol
Aaaand we end with Nicole's soul leaving the Institute entirely to go in search of this strange demonic source
Ending Thoughts
I'm still a little stuck on how insanely and fully unintentionally suggestive that last like page of Nicole's POV was. Oof.
For Kristen being the acknowledged-by-all leader of the gang, she really isn't making many of these decisions. Something tells me things aren't going to go well in Decatur, what with her warning the group that they're definitely going to be found out. And I'm pretty sure there's another confrontation before the end of the book.
We only have one chapter left though, which is wild. I have a vague idea of the very end, but I honestly think it could totally throw me for a loop. I feel like a lot of what I've 'known' about this story has been at least somewhat off compared to the reality of it.
Which is so much more fun than actually knowing everything!
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floralegia · 9 months ago
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4, 19, 27, 29 for the writing ask game! 💜💖
EEEEE thank you!!
4. How many WIPs do you have right now?
OH GREAT SO YOU'RE COMING FOR MY HEAD RIGHT FROM THE START
Well, I counted 29 for this post, but as I noted there that doesn't include the plot bunnies chilling in my ideas doc (aka The List™) or either of the two bingo cards I currently have out, which between them have I want to say 32 prompts? So, you know. :'''')
19. Give us a small teaser from one of your WIPs.
There's important stuff being said, probably, but the only thought Pete's brain is capable of processing right now is this one: Oh my God, he's such a fucking DILF.
Well, okay, that's not exactly true, because as soon as that thought slides through his psyche, it butts right up against the answering one that shouts Patrick! That fucking DILF is fucking PATRICK!, and then he gets sort of stuck in that loop for a little while, until at last the DILF thing overpowers the shrieking confusion of the fact that up until a couple of minutes ago, he'd only known Patrick Stump as a sort of sweaty, scowl-y, angel-voiced teenager, and the whole thing starts over again with the urge to drool dramatically over the glasses and the beard and the fucking build of him, Jesus fucking Christ.
Suffice to say, it's been a challenging few minutes.
27. Is there a fic you were nervous to post/share? Why?
There have been a couple of notable ones in recent memory, one that I won't name because I ended up posting it on a sock account and then this one. In both cases, I was essentially scared of being harassed over the content of the fics; the unnamed fic contains a couple of noncon scenes, and obviously the linked fic is Waycest, lol. Both have been received pretty well so far (touch wood), so, I mean, I'm definitely building up confidence, I think? I very strongly believe in the idea of writing whatever and who cares what people think, but also I am very small and very frightened lol. It's a whole thing.
29. Share a bit from a fic you’ll never post OR from a scene that was cut from an already posted fic. (If you don’t have either, just share a random fic idea you have that you don’t plan on getting to.)
Random fic idea, under the cut because it's a bit long: P2 RHPS AU feat. Bandom At Large!
Due to watching the video of Patrick's performance of "I Can Make You A Man" for the 2020 RHPS charity livestream--which, oh my God, by the way--I was struck by the idea of a Rocky Horror AU. To be clear, I don't mean an AU based on the movie the Rocky Horror Picture Show, I mean an AU about the boys putting on the Rocky Horror Picture show. So really, I suppose, it's a college community theater AU of some kind, but it's focused around RHPS. Not that I've been involved in a production myself, other than at CTY, I suppose, but having done community theater generally and attended RHPS productions, I think I can make a fair attempt.
So, anyway. Pete is running the thing--whole thing is his idea, he's the director, etc. I feel like this is likely not the first year, and in fact Pete likely inherited the production from an upperclassman. But they had a lot of people graduate last year, and they're having trouble backfilling those roles, so in addition to directing he's reprising his role as Rocky. They're advertising hard for musicians, too, because Pete--being a go big or go home kind of guy--ALSO wants to perform with a live band this year and do a proper Rocky Horror Show production, rather than perform in front of the film as they've typically done. That's how Patrick gets involved: he shows up to inquire about playing in the pit, because he's always trying to pick up odd musical jobs here and there to pay for school, and in true Fall Out Boy fashion he ends up singing a little bit and Pete's like, wait, no, holy fuck, sing this, throws the book at him, Patrick sings a bit of one of Frank's lines, and that's all she wrote. They've been having a particular amount of trouble casting Frank, and Pete decides Patrick is perfect for the role, which kind of baffles everyone else, especially Patrick, but Pete's like... distractingly pretty, so against his own better judgement Patrick agrees.
Beyond that, I'm not sure what the actual, like, plot would be. I think Patrick has a passing familiarity with RHPS but definitely not intimate knowledge, so partially he has to get up to speed. Partially, too, he has to overcome his stage fright and particularly his aversion to appearing on stage in front of a bunch of strangers while wearing sexy outfits and doing a lot of slutty slutty things, so there's that, but idk if that's a "plot" per se. There's also the implication/background of the production being sort of scrappy, but I don't know that that's a "plot" either, really. Hmmm.
Well, in the meantime, other notes that I had in my head include Gabe Saporta as Brad because I think that's really funny given his everything; Joe and Andy are definitely involved, I think with Joe playing Meatloaf and Andy drumming, or maybe Andy's Meatloaf and Joe is Riff Raff???? General DCD2/bandom cast... Uhhh, Ray should definitely be in the band/pit, Hayley Williams and Gerard are Magenta and Columbia (not sure which is which--I like Gerard as a sexy maid, so maybe he's Magenta???), and then that leaves, what, the criminologist??? Oh, and Janet, obviously. Maybe Greta from the Hush Sound is Janet? Or Vicky-T, that would make a lot of sense. Frank is either in the pit or he's the stage manager or something. Or crew. He kind of has insane stage crew energy. Mikey is... there. Possibly pit as well. Possibly just hanging around and the joke is everyone's always like, Mikey what the fuck are you doing here???? and he just shrugs and the answer is that he tends to get dragged into things Gerard's involved in and this is no different, but really he's just hanging around.
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hikennosabo · 1 year ago
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trimax vol 9 random thoughts
sorry if you saw this post disappear and reappear in the tag multiple times, i was fighting for my life much like wolfwood using trial and error trying to get it to even show up in the tag because tumblr is a functional website and not fucky in the slightest. </3
i wrote this post extremely sleep deprived 2 days ago let's GOOOOO
also heads up for potential spoilers for tristamp since i talk about it a little. even though i spoiled 98 untagged in my last post. sorry about that
chapter 1:
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someone in the book club tag (don't remember who it was, sorry) said something about sharing food being a love language for wolfwood... :') wah...
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^_^
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why is this thing even on the building in the first place. and for that matter how did the dog even GET up there...... whatever
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hi razlo. i don't know where to say this in the post so i'll just say now i unintentionally spoiled myself on razlo's identity because i was googling when i shouldn't have been. all totally my fault LOL [anime girl bleh gif]
the boy didn't even have the decency to wash the blood off his hands. kid, please, you're not doing livio any favors here.
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livio manspreading on the couch... chapel, have you considered there's another reason why livio's breathing might be "irregular" as he helps you take his former home hostage? hmmm?
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^ FUNNIEST PIECE OF DIALOGUE IN THE WHOLE VOLUME
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thank god for livio, this guy was doing a speedrun on being the most annoying one-off minor villain--WAIT is he kicking him with his hands in his pockets? that's SO funny. i'm liking livio more and more.
chapter 2:
"he shouldn't be that old" <- the kids would be expecting wolfwood to be, hmmm, in his early 20s, thereabouts? ww looks around a decade older than that...
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he's giving... something here. it's the combo of the glasses and all-white outfit i think. the y2k fashion vibe.
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who is saying this? livio? razlo? both? chapel, since he was the one just talking? also, nice visual metaphor!
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this is obviously NOT the reason wolfwood spared these guys, but this is reminding me of when oda said that luffy doesn't kill his opponents because shattering their dreams is worse than death. LOL
also i am convinced nightow drew this chapter for the sole purpose of making wolfwood do cool shit on his motorcycle.
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that being said, all the cool shit wolfwood does is immediately overshadowed by livio CATCHING A BOMB IN MIDAIR AND THROWING IT BACK AT THE GUY WHO SHOT IT. stampede livio could never do this, he's too skinny
chapter 3:
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people have already said stuff about this page, but I Also Want To Say Stuff. the wispiness of the smoke, livio's hair blowing in the wind... it feels very much like the calm before the storm, simultaneously serene and tense. and i LOVE how wolfwood is shaded in grey, while livio is the one shaded in black. fantastic contrast and composition, i adore it.
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why is this razlo's first note to livio. "!" like...?! you're letting livio know you exist, but giving literally no other information like at all? okay. razlo's a bit of an oddball, to put it mildly.
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the rest of his letters are... well they're not "normal," i guess, and not any less cryptic, but they are kinda sweet in their own way.
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knowing who razlo is i love the way his introduction scene is presented. livio is keeping information from ww and from the reader, so it's both literal and not. also razlo is appropriately unsettling, i wish he would stop... unhinging his jaw like that.
...also who tf told him about EoM?! this is a difference with stampede... stamp!livio joined EoM because he wanted to follow wolfwood. no razlo involved in the decision-making, as far as we know. compared to here in the manga, livio left the orphanage on his own, so there isn't really a clear timeline on when ww joined EoM vs when livio did. we don't even know if he knew ww was in EoM at all.
also upon rewatching this scene for this post i got distracted by legato's lack of ass and had to pause because i was laughing too much
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the guy is literally flat as a board help
*cough* anyway. razlo is only alluded to and never named or even really shown, except for a very brief very blurry reflection, so his level of involvement in... literally everything is unknown.
speaking of characters who are weirdly absent, chapel isn't around either...? i thought maybe they combined his character with conrad, but he DOES speak in livio's memory, i even checked the credits for his seiyuu. (hiroshi naka - he voices a lot of old men but most notably garp from one piece!) i don't really know how his role in all this has changed, if at all, since conrad seems to be the one in charge of the experiments...? and i really... do not like what they did with conrad in stampede, he went from being shitty but having nuance to just being extra shitty... okay, tangent over.
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oh, this fight is so WEIGHTY!! i love it!! they gave a lot of weight and physicality to the livio vs ww fight in stampede too, (and all the fights, for that matter), despite stamp!livio's loss of bulk... it's a really fun fight to watch!
chapter 4:
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OHHH..... okay.... soooooo.... this means he's coming back in stampede season 2 i assume?
not to go off on another tangent but this is the second time this has happened to me... i went into stampede more or less blind (oh how things change) and so when knives died at the end of the season I HAD NO REASON TO BELIEVE HE WASN'T DEAD... but then i saw people talking like he would come back in season 2 and i was like, "how?? he DIED" and then i read the manga and i was like oh. and now with livio too. i thought he served his narrative purpose and then died. and he shot himself through the head, which is notable because that's how ww killed monev who was ALSO a subject of EoM's experiments in the tristamp universe!! so i had no reason to believe he wasn't dead!!
i dont have that much to say about this chapter because it mostly consists of the fight, but OH what a fight it is...!! i know i should be rooting for wolfwood, and i am, but livio is just so COOL in this fight. they're both cool...!!!
also, how many little glass vials(tm) does wolfwood have?! honestly, it's amazing that he still has any at all left to drink, it's a wonder they haven't all shattered already with how much he's been thrown around. especially because the one he drinks from CRACKS when it hits the ground... these vials aren't exactly bulletproof, lol.
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THE HUG...?! UUUEEEEAAHGHGHHGH
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MESSAGE TO ALL BITCHES ughhh ww looks so pained here. when he told vash that his blood runs cold when he points his gun at livio... he's feeling that through this whole volume. man.
something about brothers fighting each other... vash and knives, wolfwood and livio... uagh.
chapter 5:
HEY CAN WE KILL CHAPEL ALREADY??
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oh, the punisher is taller than him... i was trying to get an approximation of relative character heights recently, and i saw somewhere that the punisher is 5'7, the same height as me...
also, 10 punishers, huh... wolfwood's is one, razlo has three... does chapel's count even though it has a different design...? do livio's handguns count? will we see the others? is there even a significance to the number...?
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oh great, is this another wolfwood death flag?! we haven't seen him drink THAT many of them so far but still. hope chapel keels over already. i know ww's making an effort not to kill people but can he please just shoot chapel in the head. also wolfwood's pose in that panel... he's kinda serving cunt
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OH, THIS SPREAD FUCKS!!!! once again the CONTRAST... THE STARK BLACK AND WHITE... SO COOL!!!
so these guys work for razlo specifically, i assume? not livio? also... just who are they? random EoM goons?? why are they so loyal to razzy???
and he has a mechanical third arm. somehow. sure okay
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^ um... trigun lol [roll credits]
oh, it's tri-p as in tri-punisher. i thought it was the word "trip" and didn't question it. ...although "trip" could still work.
--also, wait, hold on, upon rereading i noticed razlo's left ear is covered up (by... something) and it's making his head shape look uncanny (more like a skull?!) and now i have to scroll back through the previous chapters to see if livio has ears. [several minutes of scrolling later] okay, he DOES have a right ear. okay. another pointless diversion for this post
chapter 6:
razlo was a real one for killing livio's shitty parents!
also another thing i'm noticing! razlo opens his mouth pretty wide, while livio doesn't open his mouth much at all... i mean okay there are a ton of differences in physicality between the two of them, but that one in particular stands out to me because last volume i complained that i couldn't tell when livio was talking because he never opens his mouth LOL
spraying wolfwood with blood and guts is a fucking wild battle tactic bro. also i'm convinced that nightow gave razlo three punishers for the cool factor first and foremost. three crosses also brings the scene of jesus's crucifixion to mind... but nahhhh it's definitely the cool factor. unless...?
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"killing and violence! killing and violence! :D"
ALSO CAN CHAPEL DIE ALREADYYYY PLEASE
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VASH MENTIONED!!! i'm so caught up in wolfwood's story rn that i haven't even really thought about the fact that vash isn't present in this volume at all... and then it evolves into a fucking. memory montage. stop with the montage please that's another death flag
and... oh man... wolfwood getting back up to fight because he's thinking of vash... and last volume vash said wolfwood is his reason to fight... both of them staring death in the face and thinking of each other... oh my god. ohhhh my fucking god. oh my fuckign god you guys. VASHWOOD.
oh, looks like i lied when i said vash isn't in this volume, he's right here
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...and that ends that volume. i said more than i thought i would... sorry for the rambles and tangents, i wrote this post running on about 3 hours of sleep lol. time for something lighter as i await next week's volume, let me continue to rewatch the 98 anime... what episode was i up to... ahh... 22, huh...
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spacesully · 11 months ago
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Tips on Writing a Book
(From a writer who's nearly complete with the novel they're writing.) These are opinions/tips that have helped me.
1.) Create a vague outline.
Don't spend too much time on writing out the details of the novel. World-build, create the characters, set up basic themes, and plot. I feel like the best writing comes through when you do minimal outlining. When I began writing The Vigil Experiment, I barely had an outline. I wrote the first chapter on a whim and it felt like the main protagonist was talking to me. It was not until later chapters (5/6) that I started outlining and plotting. I had a clear plot in my mind that I wanted to get down on paper, ensuring that I could identify any plot holes during the editing process. People may disagree with me because they believe it will make the plot sloppy, but that's not always the case. If you know how you want the book to end and the lessons it'll teach, then you have a basic outline. From there, you can write. I like to write with the flow, then put in more plot details through an outline after writing a few chapters into the book. This is just what helps me get my creativity going :)
2.) Practice. Practice. Practice.
People may not believe me when I say the key to writing is practicing it. What do I mean by that? Write short stories! Whether it's fan fics or essays for school, anything that can enhance your writing is worth exploring! Although I don't do it as often as I should, I can't help but notice how much my writing style improves every time I write an essay for college. (Using new vocabulary and transitions that make my writing easier to comprehend. It improves my prose.) I used to write short stories about characters I made up a while ago that have helped me tremendously when it comes down to writing. Practice folks!
3.) Listening to music.
Put on some Luke Hemmings or 5sos related and I'll write for hours. The inspiration music gives me is incredible. Writing a sad scene? Alright, put on some Billie Ellish. The aurora around music has captivated me to write even more. A lot of my inspiration draws from music, not just lyrically. It's the vibe of the music that uplifts me to weave words into sentences in my tales. It's so nice.
4.) Avoid distractions.
This is inevitable, as some of us are prone to get distracted. (Me) To minimize distractions, I turn on do not disturb on my phone for a few hours and put away everything that takes my focus off of my book. Remember to take breaks and be kind to yourself. It's okay to get distracted and wander away sometimes, but don't forget to stay focused on your goal.
5.) Don't edit your first draft. Go with the flow.
I had done this mistake, and I still do it occasionally, but I stop myself before I indulge in it. It's so easy to get lost in edits while reading back while writing. If you continue to do this, you'll never reach the end of the book. Trust me, I know from experience—it took me months just to finish three chapters.
6.) Rewrite IF needed.
If you realize that first or third person doesn't fit the narrative of your story, rewrite! Take your time and no rush to finishing your book. Only do this if you think certain perspectives are a better fit for your story.
7.) Take your time and have confidence in yourself.
Take your time and write at a pace that feels comfortable to you. Take your time and savor the journey instead of rushing towards the finish line! If it takes you years to finish writing a book because of the ups and downs of life, then embrace it! Trust in your writing abilities and avoid putting too much pressure on yourself!
8.) Promote early!
Another topic people may disagree with. The earlier you promote, the more opportunities you will have for success. Once you start outlining your book and have a clear idea of its content, begin promoting snippets and teasers to generate interest. Upload unedited snippets and your journey! I recently viewed a instgrammer whose book is in the works and they've been uploading unedited snippets and their journey of writing the book. Of course, keep it minimal to provide no spoilers, but provide a mini synopsis to captivate the audience in learning more about you and the book.
9.) Create Realatable Charchters.
This is very important! The process of character creation is what hooks people and keeps them engaged in your story. If there's a lot of development, they'll grow attached, especially if your character is relatable, someone the readers can see themselves in. It's my favorite part of the process because I get to observe people on social media and in real life. How can I get someone to relate to my character. I take notes, study behaviors, and even see likeable attributes in people for fictional characters. To help, I do character studies on fictional characters that people adore. Right now I'm doing a character study on Alastor and Lucifer from Hazbin Hotel. So far, this has helped me understand their personalities and analyze how they would respond and what actions they would take in certain situations. Lucifer, with his cunning nature, rarely loses his temper. Alastor, with his hands hidden behind his back and a constant smile on his face, maintains an air of deception to unsettle his enemies. The characters' body language tells the whole story. Lucifer's polite demeanor is evident in his use of phrases like "please," even during moments of frustration, suggesting his upbringing in Heaven. See, character studies can be influential, as you can implement some of these traits into your own. Just don't copy and paste characters, make them unique.
10.) Add as many scenes as you can think of and delete later.
Your first draft is your first draft for a reason. Go overboard, get creative! Get rid of scenes in the editing process.
11.) Have fun!
The most important step is to have fun. Make sure not to exhaust yourself with too much work. Immerse yourself in the boundless sea of creativity. If you start to feel fatigued or uninterested, take a break from your book and focus on something that brings you joy. Come back to it once you rediscover the joy it once brought you. Remember, you want to write and bring your words to life on the page.
Good luck with your novels and writing journeys! These tips are optional, so feel free to disregard them! I wanted to share these as a glimpse into my writing process, in case anyone was interested :)
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