#(( and a lot of people REALLY struggle to understand that difference and treat her appropriately

[royalreef]

Hello there! Is your Mira able to shift between the more "humanoid" merfolk appearance and her more beastly/animalistic self, or is she purely in that animal-like form you usually draw her in? I see you use her in-game appearance for icons and threads, but was wondering if that's simply for expressions, or if she really is in the more humanoid form. Sorry if these questions are wordy or don't make much sense, I just want to make sure I understand her right! -Thanks, a curious nonnie

(( I've mentioned and brought this up before, but in short, nope! Merfolk and the Merkingdom are entirely meant to be exercises in speculation, from the very start of this blog (and notoriously one of the reasons I particularly loved Miranda so much), and it's impossible to remove the biological factors and the sheer experience of being an entirely different species from the question of what a marine society would be like.

I keep the old icons I have of her official art and make a few more here and there when new artwork is released — mostly for expressions, but also because I'm heavily limited in the art I actually have on hand of the full design, and simply want to utilize what I've already made.

Miranda is, was born as, and always will be the full design of my merfolk, and this is a consistent theme that I'm intentionally writing! I very much want to discuss the act of being something different, of not just being a variation of human but of being something entirely of your own. I want to talk about how she navigates landfolk society, which uses human as the norm, and the long, long, long list of problems that it causes her because her body isn't what is expected nor wanted. It's worsened her chronic illness and pain significantly, it's directly endangered her, it produces pronounced mental effects and depression, people make weird comments about her and her body, people treat her differently and like an animal, people have strange and intrusive fears about her, it's supposed to point out all of these things, and they don't work as well if she has any more humanoid form as a real option! I'm making a point about the depth of difference that exists between the human and nonhuman, and about how a lack of understanding and acceptance of that is just going to harm both parties.

[campgender]

Hi, my friend has a chronic illness that flares up sometimes and we've been wanting to hang out but it has gotten cancelled a couple times lately bc of her not feeling well enough on the day. I want to ask her how she feels cuz I care abt her a lot and want an update but 1, I don't want her to feel pressured or like I'm asking just to ask can we hang out now, and not bc I care abt how she's feeling (does that make sense? I may be overthinking this) and 2, I genuinely wanna know how she's doing but idk what to say if she responds with her not being better, sometimes u don't feel better and that's ok but I always want to offer comfort somehow or just convey my friendship? but I feel the same everytime and don't want to sound repetitive ?

Any thoughts?

this is really kind of you & it means so much to me that you want to support your friend & are putting so much thought into it! my response is inherently based in my own experience to an extent & everybody���s different, but a lot if not all of this is stuff i’ve heard regularly from other chronically ill people. of course, don’t say anything you don’t mean – if some of this isn’t the case for you, just adapt accordingly :)

i understand worrying about being repetitive but i think that’s totally okay to do! for one thing, it can be difficult to remember things period when you’re ill, especially during a flare, & for another, internalized + societal ableism is a hell of a force. it never hurts to have a reminder that not everyone is trying to force ableist expectations onto you + your friendship & that someone cares about you!

i think you can definitely tell your friend pretty much what you told me! like, “hey, it’s okay if you aren’t feeling up for responding but i just wanted to check on you! not trying to pressure you to hang out or anything, i just care about you & how you’re doing”

honestly the most important + supportive thing people have ever told me is that it’s okay if the answer is “bad.” i’m literally like surprised pikachu meme every time somebody offers to let me vent about having a rough time & then it helps me just to talk about it. it’s really socially unacceptable to talk about chronic pain & a lot of people get frustrated when you’re complaining about the same thing & there’s not really anything they can do, so just the opportunity to be like “yeah shit fucking sucks right now” means a lot.

obv the appropriateness of this depends on the person & their relationship to disability but most of the time i’m very like, radical acceptance / embracing / etc about the fact that i’m probably just gonna get sicker, so sometimes when i’m having a rough time emotionally & am like “what if i’m this bad for the rest of my life” my gf (who doesn’t have chronic pain / chronic illness) will say something like “then i can’t wait to be there with you ❤️” & it’s more meaningful to me than i can begin to put into words.

again everybody’s different but for me one of the biggest things is when disability stuff just… isn’t a big deal to the other person. which, it’s totally okay for you to need support from others when someone you care about is going through a hard time & when things change! but abled people are constantly horrified about like, every aspect of my life, so being able to talk casually about symptoms & somebody mirror the mood / tone i set – laugh if i’m joking, be upset about the ableism i experience & not my body itself if i’m complaining about people being weird about it, taking things as they come – is so affirming.

other things that have been helpful + meaningful for me are friends sending me notes, stickers, & art in the mail – having something tangible can make me feel more “real” & part of the world, something i struggle with due to being homebound – & peer support around medical neglect, which often just looks like talking to someone after a doctor’s appointment & them reaffirming my reality / experiences & saying i didn’t deserve to be treated that way.

oh one other change in language i’ve made over time & probably picked up from a few other ill people in my life is a sort of realistic encouragement – there’s not necessarily anything wrong with “i hope you feel better soon!” because like, i get that the message is well-intentioned, but it can be awkward & difficult to receive when you don’t know if that’s gonna happen. instead, i try to tell people something like “i hope you get a bit of relief soon” or “i hope things are a little easier tomorrow.” a 7/10 pain day may be horrifying for most people, but when you’ve had a streak of 9s, it can be a much-needed taking the edge off, & i try to make space for that breadth of experience in my language.

i’ve answered a few similar questions before so i’ll add my “asks” & “faq” tags on my chronic illness blog in the reblogs if you want to browse! much love to you & your friend and feel free to lmk if you have any other questions 💓💓

[uncloseted]

what do you think about parents who don't let their daughters/kids go to sleepovers? i understand their concerns but at the same time it's like... you're isolating them, let them live

Maybe I'll feel differently about this if I ever become a parent, but I think parents have to get to a point where they trust they've raised their child well enough to want to spend time with good people and be able to use good judgement. If you're preventing your kid from engaging in age-appropriate behavior, including being independent from you and pushing some boundaries, you're also preventing them from maturing and from learning how to form and maintain interpersonal relationships. And I think that's a huge problem- more than anything else, it's important for kids to learn how to make friends, maintain friendships, and handle interpersonal conflict. It's crucial to have those skills for emotional well-being, but also for career success as an adult.

To take a Skins example, I think Pandora would have been a lot less interested in Effy and a lot less likely to put herself in emotionally and physically dangerous situations (swallowing a whole bag of unidentified drug powder, sleeping with the first guy who was interested, dealing drugs, and having to deal with a gang because of it) if her mum hadn't been so overbearing. Pandora has no real way to determine how dangerous a situation is, she doesn't have an adult she can rely on if things go badly, and she doesn't really know how to make friends or interact with other people in a way that's age-appropriate. When we see her at her job in the Unseen Skins "Wurst Case Scenario", she's struggling because she doesn't know how to interact with customers and she doesn't know how to say no to Effy, something that ultimately gets her fired. If her mum had been a little more lenient and treated her like the teenager she was becoming, I think Pandora would be better equipped to handle the world.

[uefb]

Hi

I hope you don’t mind me asking, but as you know I really enjoy reading some of your fanfic and love the way Newt’s family are written in your universe. I love how Newt’s parents are supportive, especially his dad. I think his dad and Theseus are my favourites.

Anyway I wanted to ask, in your world how would Helious and Rowan react to Newt’s expulsion from Hogwarts? What happened when Newt came home? Or when they were called in after the incident?

Did they treat him with kid gloves? Like go about it delicately like they did with the incident with his uncle in the ministry? Or maybe this time he’s gone too far (as far as they know), so they’re more disappointed and bit more firmer? He’s not a kid anymore so how would that go? Now that’s something interesting I think to explore.

Hello! Good to hear from you! I’m answering this from bed half asleep so forgive me for not going into a ton of detail. But if I put it off I’ll just never reply. Very happy you like how I write the Scamander family

And great question — because their reaction is different from how they treat him after the situation with Hesiod in “The Riot Act”. While still cognitively immature, there’s still a big difference between barely 11 and 16/17…. ‘Kid gloves’ are appropriate when dealing with certain issues at certain ages, but realistic conversation would probably be a better fit for the expulsion at 16.

That being said..

So I actually I have a few versions of their reaction to Newt’s expulsion I’ve been playing around with. But all of them involve Newt going back to live with Rowan eventually, but spending the first month avoiding home, living solely with his dad in London. I write him specifically requesting his father be contacted to pick him up, after which he informs his mother himself, while at Helios’. Newt knows she’ll be disappointed. And he ultimately chooses to figure the first few weeks after expulsion out with Helios precisely because Rowan is struggling to be supportive (and he likely feels ashamed). Rowan, meanwhile, feels she’s tried everything and still she’s ended up with her youngest son, expelled from school, just come of age with absolutely nothing going for him. She’s worried, and frustrated, and angry, and that can be hard for someone like Newt to figure out how to handle, especially bc I don’t headcanon he tells his parents about the entire Leta situation. Which makes him come across as far less sympathetic.

By this point, I write their dad as being somewhat “checked out”. He’s largely given up on parenting by now (I mean, Theseus is well into adulthood, but newt’s still young), as he’s been rather burned out by his own life and some particularly poor coping mechanisms. You can imagine the unspoken strain that puts on a family unit. Helios is of course upset with the situation but he’s not disappointed in Newt in the same way as Rowan (probably for obvious reasons, as he and Newt share a lot of personality traits in addition to some overlapping neurodivergence), so his reaction is pretty tempered. So it’s easier for Newt to hide there, with his dad.

Luckily for both Rowan & Helios, though, Newt immediately gets work at DRCMC and an apothecary in Diagon Alley, so he keeps himself busy, and largely out of trouble. He strikes me as the kind of person who does much better—in many ways—in the world than he does in school (I say, heavily projecting), so I imagine over the course of a few months, he and his mum come back around to understanding one another better. There’s a point at which one just has to accept that (a) this is the unfortunate way of the world and it’s necessary to survival to sometimes just accept it [Newt], and (b) this is just the way some people are — you can cry and scream about it but good luck trying to change something that perhaps just can’t be changed [Rowan]. Neither of them is entirely in the right, and I think they both probably know it, a little bit.

I do headcanon the expulsion as one of the first real cracks in N & T’s relationship, though. Theseus doesn’t abandon him and remains an anchor in an otherwise somewhat unstable family during this time period, but he doesn’t understand him, and it starts to get messy.

One of the reasons I love writing about Theseus and Newt is because neither of them is perfect. They both have canon flaws in how they deal with commitment and conflict. And I’m trying to figure out how to write the expulsion reaction for all of them, so I’ve just been poking at it for a few months, and waiting for it to shape itself out.

So that’s some rambling. Certainly it’s not all my thoughts because I’m in bed but. Would love to know your thoughts too.

[himalayaan-flowers]

getting really tired of the word “manipulative” being used to describe some clients at work

we’re supposed to be the ones who are understanding. i understand some people may seem harder to work with and it’s not ok for people to be abusive. but i don’t think they’re being abusive. they’re just people who are really struggling and whose needs are more complex. treating people equally shouldn’t mean “giving the exact same amount of time and attention” to each person. we should value each person equally but recognise that people have different needs and some people need more time. all most of these people are doing is trying to get you to listen to them for longer. if they’re doing it in a roundabout way, it’s because they think they’ll be ignored otherwise. they’re just very unhappy and lonely and their needs aren’t being met. saying they need to go elsewhere, to more appropriate services, is sometimes understandable but the reality is most of them have tried?? and there is a reason most of them come back to us. because those services are not helping them or they’re telling them they need to go another service first, only for that service to redirect them back to the initial one they contacted. they’re not being manipulative when they say they don’t have support or that the services are letting them down. it’s probably true. mental health / addiction services are understaffed, underfunded and they don’t always know how to help. i think that’s what people are afraid of admitting. they don’t know how to help some of these people so they blame them- it’s always “they’re not ready to engage properly” and never “what we’re doing doesn’t seem to be helping, maybe we should think about another approach”

i think people have compassion fatigue or burnout and that’s completely understandable they need to look after themselves. i am definitely burnt out. and i feel horrible if i feel I haven’t given someone as much as they need. i am also suffering so much and i have no support at all in my life so it’s hard to keep pouring from a cup i feel is empty. i just think it’s sad that these people who are contacting us a lot because no one is showing them enough care are getting described as needy and annoying.

i don’t know how to help a lot of them either. all i can tell some of them is i’m so sorry you’re suffering so much and no, you’re not bothering me, you’re not a burden, you deserve support. i’m not allowed to say it but i wish I could say it that yes, i agree you are being let down, I believe you when you say your GP doesn’t listen, that your mental health team discharged you when you are still attempting suicide frequently, that your crisis team forgot all about you, that they stitch you up at the hospital and let you go with 0 further support, whilst rolling their eyes that you’re there taking up their time yet again. I believe that you don’t have family or friends you can talk to. I believe you and you deserve better. for some of them i’ve lost hope and it’s an awful feeling. because no one is ever going to care for them enough. that’s the truth. people always want to make them someone else’s responsibility or just say the person “needs to show some accountability” but it’s not that they aren’t trying. there is a reason they act the way they do.

calling a client who frequently self harms so deeply that she’s at high risk of dying by “misadventure” manipulative in a derogatory way is not fair.

yes she may disclose that she’s hurt herself again to get you to spend longer with her. she is seeking attention because she needs it!! why are you more focused on the fact that she’s “manipulative” than concerned that this poor woman is hurting herself so badly over and over and over because no one is helping her??

can we please stop making these people feel like burdens. they probably already feel that way and we’re just reinforcing those beliefs

idk how to do this job any more. the people who need help most desperately don’t get it. i haven’t lost my compassion, but i’ve just lost hope. i feel like i’m lying to some of these people when i try to instil hope in them. i want to say it’s not you. you’re not the problem. society doesn’t care enough and i’m sorry.

[embarkbehavioralhealth]

Embark at Campbell Provides Affirming, Healing Environment for LGBTQ+ Youths

The Trevor Project’s 2022 National Survey on LGBTQ Youth Mental Health found that nearly 3 out of 4 LGBTQ+ youths reported symptoms of anxiety, more than half reported symptoms of depression, and almost half seriously considered attempting suicide in the past year. Affirming, supportive mental health care is critical to these young people and can make a world of difference to them. The clinicians at Embark at Campbell are providing just that kind of care. The outpatient clinic in Campbell, California, located in the San Francisco Bay Area, helps preteens, teens, and young adults ages 12-25 with mental health and substance abuse issues. It’s part of Embark Behavioral Health, a leading network of outpatient centers and residential treatment programs. Cultivating Inclusive Environments and Treatments for LGBTQ+ Youths "Mental health is really unique in this age group and this demographic because a lot of them are coming to understand who they are," said Dan Thompson, an associate marriage and family therapist at Embark at Campbell. "They’re in an exploration phase. They want to know if the world is safe — is it safe to come out? They're assessing all these different environments and experiences to see if they can be their authentic selves." Embark at Campbell treats many young people in this demographic: 90% of the youths it serves are part of the LGBTQ+ community — noncisgender, lesbian, gay, transgender, or bisexual. According to the program, many youths in and around Campbell are gender-fluid and no longer think in binary terms such as male or female, gay or straight. They see gender as a fluid spectrum and think about where they fall on that spectrum. To meet the unique needs of the LGBTQ+ community, clinicians at Embark at Cambell are trained in the RISE service model. RISE stands for recognize, intervene, support, and empower. RISE and the training curriculum at Embark at Campbell  Because of the RISE approach, each clinician who completes Embark at Campbell’s training curriculum is educated in:  - Inclusive language and appropriate use of pronouns. - The gender spectrum and the LGBTQ+ spectrum. - The differences between gender identity, gender expression, and sexual orientation. The RISE approach doesn't just focus on the LGBTQ+ youths. It also involves working with parents and caregivers to combat the bias against sexual orientations other than heterosexuality, as that bias can lead to poor mental health outcomes. Thompson shared an example of how the RISE approach influences treatment at Embark at Campbell. "I had a teen client and their mother who struggled with understanding each other around identity," Thompson said. This created conflict and impaired the youth’s progress toward treatment goals.  "In collaboratively working with the client,” Thompson said, “we realized that the mother didn’t have the awareness around the differences between gender identity, gender expression, and sexual orientation." Using the RISE model, Thompson: - Discussed different aspects of identity. - Used the gender unicorn tool developed by Trans Student Educational Resources to visually explain identity. - Connected the mother to mental health education around gender identity, gender expression, and sexual orientation to expand her awareness. “In further family sessions, the mother was able to become an advocate and help the client with researching and connecting to resources around sexual health and gender-affirming medications,” Thompson said. “Meanwhile, the client felt validated, which improved progress toward treatment goals. In addition, their relationship improved, and the client felt safe to express themselves a lot more to their mother." Exploratory communication and interactions The team at Embark at Campbell also tailors its interactions with LGBTQ+ youths — many of whom are struggling with questions about their identity — to foster a greater sense of exploration. Staff members approach youths with open-ended questions, coming from a lens of curiosity. Rather than be the experts in the room, they allow young people to educate them about their journey and where they are with respect to their sexual exploration or gender exploration. Peer-to-peer LGBTQ+ support and safe environments Connecting LGBTQ+ youths with each other is also crucial to Embark at Campbell's tailored approach to its clients.  "I cannot express how important it is to have peer support for LGBTQ youths, and I’m proud that we’ve incorporated it into our group therapy process," Thompson said. In peer support, clients are taught to use healthy communication skills like: - Reflection. - Validation. - Reframing. - Collaborative problem solving. - Giving feedback. “It’s a safe space to share their experiences and allow their peers to offer helpful guidance and normalize mental health,” Thompson said. “It’s been such a powerful aspect of our program and is one of our most valuable assets." Finally, Thompson noted that one of the greatest barriers for LGBTQ+ youths is feeling unsafe or judged. To help them feel accepted and safe enough to share their experiences, Embark at Campbell displays rainbow stickers and pride flags and always has flyers and resources on hand for them.  The Future Is Bright With mental health continuing to be a top concern for LGBTQ+ youths, Embark at Campbell’s inclusive, supportive approach is an important one — and it’s making an impact on the young people the program serves. "I’m excited to see the change," Thompson said. "Just seeing them be more open to their authentic selves and their identity at such a young age and finding that group of peers that they can connect with and feel safe with is so rewarding. I’m honored to be part of their journey through self-discovery.” Read the full article

[that-spider-witch]

On “Dead” Cultures and Closed Spiritual Practices: Why Colonialism Is Still A Problem.

Let me start this by saying that, as far as my knowledge of Paganism and Polytheism as a whole goes, I’m what the internet witch community calls a “Baby Witch”. I’m stating this out of the gate because I know there will be lots of people, including witches who have more experience on the craft than me, who might decide to ignore what I have to say based on that fact alone, stating that I’m not knowledgeable enough to give my opinion about this.

Here’s the kicker: I’m a ‘baby witch’, yes, but I’m also a twenty-six year old Venezuelan woman. I’m an adult. I’m Latina. I’m a Christian-raised Pagan,but I’m also a Latinoamerican woman over all other things including that. I grew up on this culture, these are my roots. It is because of this background than I’m writing this post today.

Looking through the “Paganism” and “Witchcraft” tags of this website, I’ve seen a few posts throwing indigenous deities and spirits’ names around on lists alongside deties of open cultures. Yes, you can know better by doing your own research and not going by what just a random Tumblr user wrote on one post (as I hope its the case with everyone on this website), but the fact that pagan beginners are still getting fed misinformation is still worrisome to me.

There’s nothing like reading a so-called expert putting Ixchen (Maya), Xolotl (Nahuatl) and Papa Legba (Vodou) on the same damn list as Norse, Hellenic and Kemetic deities and tagging it on the tags aimed at beginners who might not know better to truly ruin your morning. I’m not mentioning user names here: If you know then you know.

To quote @the-illuminated-witch on her very good post about Cultural Appropriation: 

“Cultural appropriation is a huge issue in modern witchcraft. When you have witches using white sage to “smudge” their altars, doing meditations to balance their chakras, and calling on Santa Muerte in spells, all without making any effort to understand the cultural roots of those practices, you have a serious problem.

When trying to understand cultural appropriation in witchcraft, it’s important to understand the difference between open and closed magic systems. An open system is one that is open to exchange with outsiders — both sharing ideas/practices and taking in new ones. In terms of religion, spirituality, and witchcraft, a completely open system has no restrictions on who can practice its teachings. A closed system is one that is isolated from outside influences — usually, there is some kind of restriction on who can practice within these systems.”

A counter-argument I’ve seen towards this when someone wants to appropiate indigenous deities and spirits is to use the “dead culture” argument: Extinct cultures are more eligible for use by modern people of all stirpes. It is a dead culture and dead religion. It would be one thing if some part of the culture or religion was still alive, being used by modern descendants, but the culture died out in its entirety and was replaced, right? They were all killed by colonization, they are ancient history now, right?

Example: “If white people are worshipping Egyptian deities now, then why can’t I worship [Insert Aborigen Deity Here]?”

To which I have two things to say:

Ancient Egypt’s culture was open and imperialistic, meaning they wanted their religion to be spread. This is why Kemetism is not Cultural Appropriation, despite what some misinformed people might tell you. Similar arguments can also be made for the Hellenic and the Norse branches of Paganism, both practiced by people who aren’t Greek/Norse.

Who are you to say which cultures are “dead” and which are not?

Religious practices such as Vodou and Santería certainly aren’t dead, not that it keeps some Tumblr users from adding Erzuli as a “goddess” on their Baby Witch post, something that actual Vodou practitioners have warned against.

Indigenous cultures such as the Maya and the Mapuche aren’t dead, despite what the goverment of their countries might tell you. The Mapuche in particular have a rich culture and not one, but two witchcraft branches (The Machi and the Kalku/Calcu). Both are closed pagan practices that the local Catholic Church has continuously failed to assimilate and erase, though sadly not for lack of trying:

“The missionaries who followed the Spanish conquistadors to America incorrectly interpreted the Mapuche beliefs regarding both wekufes and gualichos. They used the word wekufe as a synonym for ideas of the devil, demons, and other evil or diabolical forces. This has caused misunderstanding of the original symbolism and has changed the idea of wekufe right up to the present day, even amongst the Mapuche people.”

For context, the Wefuke are the Calcu’s equivalent of the Familiar, as well as reportedly having more in common with the Fae than with demons anyway.

This and other indigenous religions are Closed because it is wrong for foreigners to just come and take elements from marginalized groups whom are still fighting to survive and that they weren’t born into. To just approppiate those things would be like spitting in their faces, treating them and their culture like a commodity, a shiny thing, a unique thing to be used like paint to spruce up your life or be special.

I know some of you are allergic to the word “Privilege”, but on this situation there really ain’t a better word to explain it. You weren’t born here, you don’t know what it is like, you are only able to see the struggle from an outsider’s point of view.

If a belief or practice is part of a closed system, outsiders should not take part in it. And with how many practices there are out there which are open for people of all races, there is really no excuse for you to do it.

Why Colonization Is Not “Ancient History”

If you have kept reading all this so far, you are probably wondering “Ok, but what does Colonization has to do with any of this?”

The answer? Everything.

With the general context of culture appropriation out of the way, let me tell you about why the whole “dead culture” argument rubs me the wrong way: Here in Venezuela, we have a goddess called Santa Maria de la Onza, or Maria Lionza for short, whom’s idol statue I have been using to illustrate this little rant. If you happen to know any Spanish, you might recognize the name as a derivative of Santa Maria, aka the Virgin Mary, and you are mostly correct: Her true indigenous name is theorized to have been Yara.

And I say “theorized” because it is a subject of hot debate whether she was really ever called that or not: Her original name, the name by which she was adored and worshipped by our ancestors, might have been forever lost to history.

That’s the legacy of colonization for you: Our cultures were stolen from us, and what they couldn’t erase they instead tried to assimilate. Our ancestors were enslaved, their lands and homes stolen, their artwork and literary works destroyed: The Maya and the Aztec Empire were rich in written works of all kinds, ranging from poetry to history records to medicine, and the Spaniards burned 99% of it, on what is probably one of the most tragic examples of book burning in history and one that people rarely ever talk about. 

People couldn’t even worship their own gods or pass their knowledge of them to their children. That’s why Maria Lionza has such a Spanish Catholic-sounding name, and that’s why we can’t even be sure if Yara was her name or not: The Conquistadors couldn’t steal our goddess from us, so they stole her name instead. Catholics really have a thing with trying to assimilate indigenous goddesses with the Virgin Mary, as they tried to do the same with the Pachamama.

On witchy terms, I’d define Maria Lionza as both a deity and a land spirit: Most internet pages explaining her mention the Sorte mountain as her holy place, but it is more along the lines that she is the mountain. 

You’d think that, with Venezuela and other Latinoamerican countries no longer being colonies, we’d be able to worship our own deities including her, right?

As far as a lot of Catholics seem to think and act, apparently we are not.

The Catholics here like to go out of their way to shame us, to call us “cultists”, to ostracize us, with a general call to “refrain from those pagan beliefs” because they go against the Catholic principles. Yes, the goddess with the Catholic-sounding name, a name she happens to share with a Catholic deity, apparently goes “against Catholic principles”. You really can’t make this shit up. (Linked article is in Spanish)

This is just an act of colonization out of many, of not wanting to stop until the culture they want to destroy is gone. Don’t believe for a second that this is really their God’s will or anything like that, they are just trying to finish what years of enslavement and murder couldn’t. They might not be actively killing us anymore, but they still want us dead.

So no, colonization is not some thing that has long passed and now only exist on history textbooks: It is still happening to this day. It is by treating it as old history that they can keep doing it, and it is by pushing the narrative that our indigenous cultures are “dead cultures” that they try to erase our heritage.

Because we are not dead. We are still here, we are alive, we have survived and we’ll keep on surviving, and our gods and goddesses are not yours to take.

¡Chao! 🐈

[natsukitakama]

What kind of Yandere Floch is ?

Could I please get Yandere Floch since I’m really curious what type of yandere would he be but with a fem s/o who isn’t member of yeagarits and she’s with Hange and others instead, wanted to stop Eren. She’s also afraid of Floch since she can sense something odd about him

Hey I’m that anon who request yandere Floch with a reader who isn’t a yeagarist, well just so you know they’re not dating but perhaps they are friends and the reader is type of person who’s not ready to be in relationship even if she has a crush and Floch is aware of that. you could reply this ask at the same day when you post this request

Hey it’s me again, the same anon who request yandere Floch, there’s something I want to add more is that the reader figure it out that eren was using and manipulate Floch and the reader was telling Floch that he’s being used so really curious what would he tell her. Once again reply this ask until this request is posted which I know you’ll take long but I’m fine with it since I’m patience

Author note : Hi there, first of all thank you for being so patient with me ! I hope you’ll enjoy your request. It’s like a HS of my what kind of Yandere are they with two part : part 1 and part 2, the only difference is this headcanon got context

Before we started, let me reminds you those relationships are TOXIC please be careful. No one should treat you the way they did in this headcanon, you’re precious and deserve someone who’ll be able to take care of you properly.

Warning : violence / Mention of stress / Toxic relationship and behavior / slight nsfw / mention of violence / Spoiler from season 4/manga if you didn't catch up with the manga you might be spoil so be careful

-->if you don’t feel confortable wit those kinds of things don’t read, I want you to feel good on my blog this is a happy place.

Masterlist

We’re going to start with the basic, during a long time you guys got a hate/love relationship

None of you knew if you hate each other or if you were too into each other, like you were always teasing each other, always trying to get on the other’s nerve.

It was kinda cute until it became an obsession for Floch.

He didn’t notice it though. Not at first, he thought that he was genuinely crushing on you. I mean you were pretty hot, you got a big mouth not afraid to tell whatever you had in mind, you were even bold enough to argue with Floch with that damn smirk of yours.

Before he could acknowledge it he was already in his kneel for you (not literally not now though).

But to you, you were just friends. With your life and what was going own outside of the wall you knew it wasn’t the right time to get in a relationship, so even though you were in love with Floch you decided that it wasn’t appropriate to start dating.

But Floch disagreed with you. It was already too late, he was into you. He wanted to be by your side, he was craving for your attention whether it would be by arguing with him, fighting (not in a bad way you know just teasing each other) or even romantic attention.

He wanted to get everything that you might give him.

And he was ready to do everything in order to get what he was craving for.

At first you didn’t mind it, you didn’t even notice how bad the situation was. I mean, you were in love with him and as you got to know him you realized that he went through a lot of things. You were aware that the Shinganshima’s event left a huge mark on his soul and now he was dealing with a trauma that might stay forever.

It pained you to see him sometimes struggling with his dream because he was always dreaming about the death of his friends, the way he almost dies and for nothing. Yeah they got Shinganshima back but now they needed to be strong in order to fight the whole word outside the wall.

He needed to be strong so he wouldn’t live this again, he needed to be strong so no one would be able to touch you. He knew at this point he became addict to you and you were the only who can maintain a sort of serenity around him.

So yeah when it came to Floch you weren’t exactly unbiased, you cared a lot about him, so you couldn’t manage to just straight up and tell him to let go.

And he knows it oh boy he knows and he is not afraid to use it against you.

Especially when it was time to choose your side, would you be a yeagerist or would you stay with Hange ?

He expects you to make the right choice ( aka follows him in case you were wonderin)

But it was more complicated than that, of course you were afraid. Since you’ve realized that your nightmare started because some people outside of the wall (who used to be your boundaries) decided that you were monster who needed to be killed because some of your ancestor made war against them. You weren’t a fool, you were aware that talking won’t be enough, it’s been decades since the outside hated you, but you weren’t ready to use such a powerful and dangerous power (aka the rumbling) against people without being a hundred percent sure there weren’t a way out.

So for now you decided to follow Hange much to Floch’s dismay

Not gonna lie he was ready, I mean he knew everything about you so of course he kinda expected you to not follow him easily (where’s the fun then ?)

Even if he expected you to confront him and not follow him already, he couldn’t help but feel disappointed. I mean why you wouldn’t follow him while all he was doing was fighting for a better word for both of you ? Why wouldn’t you agree with him when he was protecting his people ? Why would you disagree when he was obviously right

So yeah he felt bitterness against you, especially because since you’ve decided to join Hange’s side all you were doing was to confront him about his relationship with Eren. « He is obviously manipulating you ? » « Why are you following him ? I thought he was an ass ? » « We didn’t even try to talk to them how could you be so sure there is no other way ? »

Quickly you came to realize that you couldn’t change his mind which pains you, even though you weren’t ready to be in a relationship for now, you couldn’t help the feeling of emptiness each time you were thinking about him.

Yeah you were missing him, you missed the way you two used to tease each other, you missed his cocky smile each time he was showing off to own some of your precious praise.

But sometimes you swore this man was scaring you, the way his eyes was always on you no matter what (he could have been talking to some of his companion his eyes would remain on you)

Sometimes, you swore that he was following you even though you didn’t have any proof that he was doing it, you just felt it. He was here no matter where you were he was here looking at you from your usual spot to your training spot, you were even starting to think that he was here when you were showering or when you were sleeping.

This sensation was driving you crazy, everyone started to believe that you were a little bit paranoid (yes the man was always looking at you but he told you he was in love so it’s normal right ?)

The feeling became stronger after one of your last confrontation because his behavior (and himself) change brutally :

When you decided to follow Henge-San no matter what, you knew that it would affect your relationship with everyone especially the one you got with Floch. After all he decided to become a yeagarist and to betray everyone in order insure paradis’ safety. In his mind everything made sense, his trauma, all the things he had to go through was because of them, because some people behind the wall decided that paradis was the real danger and needed to be annihilated. What he couldn’t understand was why you hadn’t join him yet ? His goal was noble, he was doing everything to provide you safety. Why were you against him ? Why would you meddle into his plan ? At first, he thought you were playing hard just to amuse him, because you used to love teasing him and while he was enjoying a little opposition coming from you, now that he was about to betray everyone including his superior by changing them into titans he needed to have you by his side. He couldn’t wait anymore, the plan already begun so he needed to convince you to follow him.

That’s why you were here now, in jail behind the bar while Floch was looking at you a frown on his face. No, it was more than that, it was the face you made when you were about to scold your child from acting like a brat. He looked disappointed and quite angry, though you got some ideas why he might be angry you couldn’t however understand why he was so disappointed. After all, you told him that his plan was insane so why was he acting like this ? To be honest you should be the one being angry, he got the nerve to send some rookie from the survey corps find you to arrest you so they could bring you to your jail. You’ve been here since your last argument with Floch and it was like a week ago.

« You know I always knew you were a bad looser but I didn’t expect you to bring me into jail for not being cooperative. Don’t you think it’s a little bit excessive ? Like a LOT »

« Always sassy right Y/N »

« It’s not sassiness at this point it’s just being rational »

« Rational ? You are talking about being rational while being the one who claimed that my plan was full of shit ? »

« I didn’t really say that I just underlined the fact that we still got some cards to play before sending whatever Eren want to send »

« The rambling »

« Yeah whatever that’s not the point »

« It’s definitely the point »

« Absolutely not there is plenty of things to do before even consider sending them titans to kill a whole population »

« A WHOLE POPULATION ? Did you hear yourself y/n ? THEY kill us, THEY were the reason we don’t have a home anymore THEY are the reason so many people died and for what uh ? »

« Not because their government want us dead does it mean the people want our death most of them are probably innocent. There are other way Floch »

« There is no other way y/n the world has to be fix »

« Fix ? Now you are scarring me Floch »

« It doesn’t matter what you think y/n »

« May I ask you why ? »

« Because you’re not leaving this jail »

« I beg your pardon ? »

« Look, here you’re safe from both them and the yeagarist »

« I’m not afraid I’ll kick their ass »

« I won’t take the risk of losing you, so you’re going to stay here all you cute for me yeah ? I Wont be too long I need to work on a little problem then I would be back and you could yell at me as much as you want ok ? I’ll be back »

« No no no Floch look come back OI come back ! I’m not going to stay here you now I’ll find a way out »

« No you won’t nobodies know you’re here I told the yeagarist that you were dead. They won’t look for you, your friends believe you’re dead too. I’m the only person who knows where you are. But it��s okay, it was always about us right ? »

With that he just left your jail, without even a look, all he could was your scream but he didn’t care. The jail was hiding under the military court no one would even think about looking for you here. Besides the wall was thick enough so no one would hear you screaming, for now he decided that you will remain here until he was done saving paradis. But of course, he promised himself to take great care of you so don’t worry.

After this « incident » (aka his way to save you from the trouble outside according to him), his behavior change toward you. You noticed it, he became possessive and rather paranoid when it came to you.

So you might ask what kind of Yandere he is ?

Possessive : I mean he was already possessive before he became the Yandere that he now is, he just lost so many people that now he was afraid that you would be next. So yeah he always makes sure to have his hand on some part to your body mostly your hips or even better holding your hand, since you were attracted to him you let him do his things. But as he falls gradually into darkness, his touch which used to be light touch became more rough. Floch wasn’t holding you anymore he was grabbing you, as if to demonstrate to everyone that he owns you. It wasn’t a mark of affection, but a way for him to illustrate your affiliation to him (as if you were wearing a leash). Speaking of leash, he started to think about it when he notices way too many people was looking at you as if they didn’t understand that you belong to him. And when you two started to be intimate, he was more than ready to mark each inch of your body whether from his teeth, mouth or even from the way he is grabbing at your thigh. It quickly became a habit of him to ask who you belong to especially each time he was giving a rather hard slap from his hips or his hands (because if you think he wouldn’t spank you for being naughty or a brat you’re wrong he loves that) and even though at first you didn’t like the idea of moaning your belonging you quickly discover that it was better for you to just do as he said.

Paranoid : It might because of his trauma from the mission in Shinganshima or because he was more aware about the fact that everyone outside the wall want to erase paradis from the world but he was afraid to loose you. I mean since he joined the survey corps all he has do was losing someone, he lost Erwin, he lost his friends, he lost a part of his mind, he almost lost his life. There is no way he was about to lose you. So yeah as you may notice before, he started by locking you from the world in a jail under the military court after claiming to everyone who wanted to hear it that you were dead. One night he woke up after dreaming that one of the yeagarist would discover you in jail after bringing another prisoner, what if they unlock you ? So after multiple days in jail, without any light, he decided that he couldn’t let you here it was too dangerous, although he claimed to you that he did because he noticed your unhealthy body cause of the lack of light. But since he wasn’t sure if he could trust you enough, he took some handcuff with him so he could link you and him, which made him laugh cause it was as if he put a ring on you. That day he locked you into a house secluded from the world, meaning that you couldn’t reach any city without a horse, it was safe for him and for you and here he was sure no one would ever notice you.

Threatening : Of course, you wouldn’t let him do as he pleased, so some times you tried to kick his ass to steal his horse, or to climb into a tree to help you finding the closest city. You even tried to make him believe you kill yourself so he went completely crazy, screaming, crying so you could knock him you. Unfortunately it never works, and after your failed attempt to leave him he started to threaten you. At first he uses light poison, like he gave you a poison that he mixed on your meal or your drink without you noticing so you were ill during the whole day and you needed to wait like a good s/o that your lovely husband as he calls himself, so he could give you the medicine. Sometimes he even let you believe that he might give you something that will change you into titan like : Do you remember all your officer ? Yeah ? They all drink that famous spinal liquid that change everyone into titan, what if you drank it by accident mh ? Maybe when he gave you food he already mixes your drink with that poison ? Whether it was true or not no one will know, but it works you never attempt to leave him after that.

Violent : I hate to say it, but at some point when dark would entirely cover his mind, he would start being violent against you. Though he would never be something that could kill you, he wanted you to remember that you were living a peaceful live because of him, you were safe because of him. To him you got no reason of being such a brat to him, not when he was giving you everything you wanted. He took care of you, you had no right to be mad at him. So yeah sometimes he had to break your ankle, or maybe your leg so you won’t escape. Sometimes he would strangle you slightly just enough to knock you out. It barely happens because to act like this he needed to be really really angry, like loosing every common sense you know ? So it barely happens but it happens. Your body still have so marks as proof that you shouldn’t get on Floch’s nerve. Despite his physical violence, he tends to be quite violent with his word too so it wouldn’t be a surprise that you’ll break. The emotional amusement in addition with the physical violence would be enough to break anyone so you shouldn’t be ashamed. After all maybe he has been looking for this since the beginning ? Who knows ?

[itsclydebitches]

I kinda wonder, what could bakugou do (hori write bakugou to do) to make him less popular with the "anti" crowd. Like He was a horrid child no doubt and people who try to put blame on Deku or lessen the terrible shit bakugou did aren't great. But as we don't rly see it, we have to assume bakugous behaviour wasn't stopped, we only ever saw his mum "punishing" him when he was being rude after getting kiddnapped. Nothing will excuse what bakugou did, but he has stopped? He's overall a harsh person but he's not harrassing and bullying people anymore, specifically not deku, he's trying to attone for what he did to deku and has now apologised for it. His behaviour was never viewed as justified or good in the series, he's a scary figure in middle school, we're not meant to like his behaviour, so the series itself hasn't justified his actions.

As someone who relate to both bakugou and deku more than I'd like to admit (never told someone to jump tho, that's fucked lol) so I can 100% understand not liking or even hating bakugou but as someone who's not 15 anymore, looking back I also made a lot of really shitty decisions and like bakugou have tried to make up for it, and like deku I was 'friends' with people who hurt me.

Is there anything he can do for the "antis" to just dislike him rather that be "anti"?

(I'm very sorry if you've talked about this somewhere, you can just tell me to look for it if you have, I'll continue to look for your posts on the subject)

Hey there, anon! I think I’ve spoken about this only tangentially and/or in my main Bakugo meta, which is too big for anyone sane to read. So yeah, let’s chat here!

For me personally—and that’s all I can ever do: speak personally. I think it’s important to keep in mind that there is no single solution to please the “anti” crowd. Each fan will be looking for something slightly different in Bakugo’s character, much of which might contradict what a “stan” is currently enjoying. Given how charged a character he is, I'm not sure it's possible to get the entire fandom to like him—what I’m looking for hinges on having a different reading of the story than you seem to. Meaning, I think the series does justify his behavior. Not in any overt, super obvious way like having all the characters go, “Wow, Bakugo! I sure do love how you threaten people all the time. That’s super cool and heroic!” Things are rarely that straightforward. Rather, it’s in a more subtle, but consistent manner that paints a rather conclusive picture across hundreds of chapters.

Simply put, Bakugo is continually rewarded for his actions. Or, if not outright rewarded, his actions are ignored in a way that implies silent acceptance. Characters may not always like what he does... but they're willing to let it slide because Bakugo's heroism was always treated as a given, not something he had to earn and prove.

With the ever necessary disclaimer that I’m not fully caught up yet, here’s a list of some of the things that stood out to me in the first half of the series:

Bakugo’s bullying made him the most popular kid in school.

Bakugo’s bullying was ignored by/outright supported by the teachers.

Bakugo’s bullying did not hinder him from getting into U.A., one of the most prestigious hero schools around.

Despite acting horribly throughout his time at U.A. too, this behavior was continually ignored by the teachers and other authority figures around him.

Bakugo’s struggle to realize that other people aren’t “trash” doesn’t hurt his achievements in any way. He still gets top scores, still wins the tournament, etc.

Bakugo’s behavior gets him special attention from All Might, the greatest hero and Bakugo’s personal idol.

His behavior doesn’t make others dislike him in any manner that’s taken seriously. Everybody is still willing to not just put up with Bakugo, but—in time—start treating his behavior as a quirk (no pun intended lol) that they’re secretly fond of, rather than something he should legitimately be striving to change. Kirishima is the most overt example of this.

This is compounded by his behavior constantly being framed as humorous. Much like with Mineta’s perverted actions, characters might superficially go, “No, that’s bad!” but the story never demands any significant development because then we’d lose the “joke” of Bakugo screaming in rage at the slightest inconvenience, threatening to murder someone over nothing, constantly belittling everyone around him in a “funny” manner, etc. When fans talk about development of a manga character as archetypal and extreme as Bakugo, most don’t really want to see significant change to his base personality. Because then that would result in someone who doesn’t look like the “real” Bakugo: someone nicer, more even-tempered, more mature, etc. But for those of us who were never drawn to that personality in the first place, the continued acceptance of his rude, egotistical, and violent behavior is discomforting. The easiest comparison I can draw is between this and Bakugo’s mother slapping him. That slap is meant to be another “joke”—we see it constantly in shonen anime, something "humorous" you shouldn’t take too seriously because haha, it's just an overprotective mother—but many fans do take it seriously, using it as the basis for a whole “Bakugo was abused and this explains his behavior” reading. Well, I take the “joke” of Bakugo’s threats and insults seriously, especially in a story that starts with something like telling Izuku to jump off the roof. In the same way that many fans want others to treat Bakugo’s mother as a serious topic that has had a negative influence on his development, I want the series to take Bakugo’s everyday actions seriously as a negative influence on… well, everyone around him. But it doesn’t. His base personality is grudgingly adored.

The above two points are seen most overtly in Izuku, who never wavers in his respect for Bakugo despite how Bakugo treats him. Not just prior to U.A., but during their training too. Izuku, as the protagonist, is the emotional heart of this tale, so when he talks about how inspiring Bakugo is, it encourages the reader to see his behavior as inspiring too. Rather than, as said, something that needs to change. Izuku's continued friendship with Bakugo, his adoration of him, and his acceptance of the way he's treated has severely warped how the entire story sees Bakugo's actions. After all, if #pure Izuku can see the good in Bakugo, why can't everyone else? He must not be that bad after all.

I could get into detailed analyses of all the above—like how Bakugo was the one comforted after attacking Izuku outside the dorms at night and how the messed up relationship he has with Izuku is upheld as something to nurture; how the remedial courses he had to take were made to be rather silly, thereby undermining their supposed importance to his development; how Bakugo’s kidnapping had nothing to do with his flaws, but much of the fandom uses it as a way to dismiss any appropriate consequences because, “Hasn’t he suffered enough?” etc.—but in the interest of keeping this within a readable length, I’ll leave it at that. The point is that Bakugo has always been privileged when it comes to his behavior, resulting in others either outright praising it, ignoring it, or demanding that he change a miniscule bit, which always keeps him far below the standards of both his peers and the expectations of a hero. Everyone in 1-A must learn to be even better than the good people they already are... Bakugo needs to learn that other people aren't dirt at the bottom of his shoes. It's never been a particularly impressive development when pit against the rest of the class. All of which can make something like an apology feel pretty hollow. Yes, he’s apologized and I say with all seriousness that that’s great! But how does that apology stack up against 300+ chapters of content? As Bakugo’s words highlight, he's been a really awful person up "until now": he was consumed by Izuku being “miles ahead of [him],” he “looked down on [him]” because he didn’t have a quirk, he “didn’t want to recognize that,” he “hated that,” “grew distant,” “tried to beat you down,” “opposed you and tried to show my superiority over you,” and ends it all with, “it probably doesn’t mean anything telling you all this” before finally getting to the “I’m sorry.” This is basically a laundry list of how horrible a person Bakugo has been for the entire series, with an acknowledgement that this apology is coming really, really late. This is the moment where I could START to like Bakugo, depending on how he acts form here on out, but that pivotal moment arrived after six years of content and in the final arc of the story. It’s too late. Bakugo needed this kind of self-reflection and positive action 250+ chapters ago so he could (hopefully) grow into a better person across the story, not at the story's end. What we got instead is 322 chapters of him being a really horrible person, but the story going out of its way to excuse or even praise that behavior the majority of the time.

As a quick comparison to end on, I think what Bakugo needed was what Soo Jin got in True Beauty. You don’t need to have seen the drama to follow along. The tl;dr is that she has a lot of the core qualities of Bakugo: an all-consuming drive to win that was created due to abusive parents with high expectations, resulting in her bullying a peer to a pretty horrific extent. The difference between them is how the story frames their actions. When Soo Jin becomes the bully she loses everything. Rather than succeeding academically, her grades plummet, making it clear that this anxiety and self-doubt (things the fandom keeps insisting Bakugo is struggling with, but that rarely ever show up in the text) is actually impacting her day-to-day life. Her best friend drops her because she’s not going to support her choices. The boy she likes rejects her. She’s eventually forced to start over somewhere new - which importantly separates her from the girl she was bullying - and get some distance from her parents, resulting in the growth needed to become a healthier, happier, good person again. So when Soo Jin apologizes to the girl she hurt, it feels earned. The story continually recognized how horrific her actions were and put her into a place where she either had to change, or continue losing at everything else that was important to her. Bakugo? Bakugo doesn’t lose. Oh, he claims he does because he’s comparing himself to Izuku constantly, but that’s just him thinking in extremes. He still wins academically. Still wins many battles. Still wins at having friends. Still wins by maintaining the prestige of being a U.A. student. Still wins by getting All Might’s attention. Still wins by receiving Izuku’s respect and an agreement to maintain this rivalry that Bakugo is so obsessed with. Bakugo comes out well 99% of the time, he just thinks he's "lost" because he can't stand not being the absolute best.

For me, the story needed to have Bakugo face consequences for his behavior, not receive rewards and/or have others ignore it, and that revelation/apology needed to come way, way sooner. For me the issue is not a specific action that Horikoshi can have Bakugo do in the next chapter and them bam, I like him now. The problem is Bakugo’s entire concept, how he’s received by the entire cast, and his run across this entire series. "Entire" is the key word there. Which is why the “But he’s apologized. What more do you antis want?” reactions don’t sit well. What we wanted is a better written redemption arc across those 300+ chapters, not a single scene that’s meant to have us forget all the other problems inherent in the story. At this point it’s a far more complicated situation than, “Bakugo just needs to do X, Y, and Z and then we’re golden.” At the end of the day, Horikoshi failed to make me like him as a person and I’m pretty sure he isn’t going to change Bakugo enough to make him likable to me. Bakugo was never the sort of character I’d be inclined towards without a serious, nuanced redemption arc, but sadly, a core, crucial part of that redemption arc took six years to arrive. At this point there’s no way to change the problems in Bakugo’s writing for that huge chunk of the series and not enough time left in the series, it seems, to do the work we should have seen across the entire run. Honestly, idk if the Bakugo we'll get going forward is someone I can just dislike as opposed to being really uncomfortable with, but my money is on there being too little story left and too much investment in upholding Bakugo's base personality for that to happen. I could absolutely be proven wrong! But I think the problems are structural and needed to be better dealt with from page one, not hastily patched over in the final hour.

[ladyloveandjustice]

Spring 2021 anime overview: Quick Takes

Now for my Spring 2021 anime thoughts! I’ve decided from now on if a season’s like, 20- to-24 episodes I’m just going to wait ‘til it’s done to review it unless I feels super passionately, so though I watched To Your Eternity (it’s good!) and MHA (eh), I’ll comment on them next time. Also, for the record, I watched the first eight eps of Joran: Princess and Snow of Blood but I dropped it because it had clearly crossed the line from entertainingly dumb to boring dumb. 

I will probably give Supercub and some other stuff a shot later, this was a stacked season! May give updates on all that later, but this is what I have for now.

ODDTAXI

Quick Summary: A mild mannered middle-aged walrus taxi driver is drawn into a case involving a missing girl, yakuza, Youtube clout-chasers, manzai comedians and idols with big secrets.

It’s rare to walk away from media and be like “that is a singular experience I will definitely never see repeated again” but ODDTAXI is definitely one of those. A tense noir thriller murder mystery starring cartoon animals that spends an entire episode detailing the one (cat)man’s very fall into darkness triggered by addiction to gacha games and an online auction for a novelty eraser? Also there’s a porcupine Yakuza who speaks entirely in rap? Also there’s tons of meandering conversations about stuff like manzai comedy and the struggle to go viral on Twitter?

Admittedly, I had a hard time getting into the first episode, the dry meandering humor not being enough to hold my attention while I was sitting still, but once I watched this while I was working out at the end of the season, I found it an easy binge. A ton of characters with dark secrets or dangerous ambitions, each with their own part to play in a tableau of intersecting events- and it all actually comes together really well.(As for the female characters, it’s a pretty dude driven story, but they do get nuanced characterization and even some good heroic moments from one of them.)

 It’s a great example of a carefully planned narrative paying off, with all the twists appropriately seeded and foreshadowed to reward viewers who paid attention. Even when it ended on a perfect “OH SHIT” moment and denied me closure, I couldn’t help but respect it. If you that all sounds interesting to you, definitely check out the first couple episodes and see if you like it- you’re likely to have a memorable, satisfying experience!

Shadows House

Quick Summary: Emilyko is a ‘living doll’ who’s told she was created to act as the ‘face’ of her shadow master, Kate. The shadows and their ‘dolls’ all reside on the mansion and are required to pass a ‘debut’ to prove they’re a good pairing. If they don’t pass, they might be disposed of. And so the mystery of the Shadow mansion grows...

This slice of gothic intrigue was my favorite of the season, tied with ODDTAXI. With an interesting premise, slightly tense undertones and a strong focus on character building and relationships, it kept me hooked the whole way through. And for any squeamish fans put off by the hype about it, don’t worry, while there are some suspenseful elements, I wouldn’t qualify it as horror. I thought the relationship between Kate and Emilyko might end up being a completely sinister one, but it’s thankfully a lot more complex than that and it’s really interesting to follow how both their characters and relationship grow. The focus of the show is, unsurprisingly, on the “dolls” slowly discovering their autonomy and personhood as they struggle under the rigid system imposed on them by the mysterious elders of this weird Victorian mansion. Can they develop a more equitable relationship with their shadow “masters” (who are also shown to suffer under this system)? There’s a lot to dig into there, and the show has the characters develop through learning to understand and appreciate each other, which is pretty heartwarming. Our hero, Emilyko, is the typical plucky ball of sunshine (they even nickname her sunshine), but she’s also shown to be clever in her own off-the-wall way and she bounces off the far more subdued and cynical Kate well, not to mention the other ‘dolls’ she ends up befriending. 

What’s more, the show spends plenty of time to developing several other character pairings and combinations, and they all have their own interesting dynamic that makes you want to see more of them. Same-gender bonds are at the forefront of this show, and many of them are ripe for queer readings (I definitely appreciated the healthy helping of ladies carrying ladies), but even outside that it’s nice to see a show where a strong, complex bond between girls is at the forefront. My only real complaints about the show are the anime original ending is noticeably a bit rushed (though it’s not too bad, and leaves room for a season 2) and I wish the animation used the whole “shadow” theme more strikingly (like the opening and endings do)- instead the colors are a bit washed out which makes the shadows blend into the background sometimes. The “debut” arc also drags a bit in places, but it makes up for it by having a lot of good character integration.

I hope to check out the (full color)! manga soon and see more of this quirky, shadowy story. There’s some physical abuse depicted, sad things happening to characters and naturally the whole “oppressive familial system” thing, but otherwise not much I can think of to warn about. I give this one a big rec, especially If you’re a fan of gothic fairytales and stories of self discovery.  

Zombie Land Saga Revenge

Quickest summary: In this sequel season, everyone’s favorite zombie idol group must claw their way back into prominence after a disastrous show- the fate of the Saga prefecture LITERALLY depends on it!

This was a fun follow-up to the first season- if you liked the first zombie-girl romp, you’ll probably enjoy this one. In fact, there were a couple areas it improved on- namely, Kotaro failed, ate crow and embarrassed himself a lot more this season, which made him more likeable (as did the fact the girls gained a lot of independence from him). This season also shed more light on what the ‘goal’ of this zombie raising project is and what kind of shit Kotaro got involved with to make this happen, and it’s appropriately off-the-wall and ridiculous. We finally got some backstory for Yugiri too! I wish it had focused on more of her interiority, but she got to be a badass in it, and it was a treat to see this zombie idol show turn into a period piece for a couple episodes (also her song ruled).

 Tae also got a cute focus episode and there was a particular SMASHING performance early on! Also That revelation last season that had the potential to turn creepy hasn’t yet, and hopefully never will. The finale was heartwarming with big hints of more drama to come- I’m definitely down for more zombie hijinks!

Vivy: Flourite Eye’s Song

Quickest Summary: A songstress AI named DIVA (nicknamed Vivy) is approached by another AI named Matsumoto, who says he’s from the future and they must work together to prevent AI exterminating all of humankind 100 years from now.

This show is absolutely gorgeous visually with some really nice action scenes, but when it comes to the story my feelings basically amount to a shrug. It’s fine! I guess! Vivy starts out as an interesting layered character- and I guess still is by the end- with her stoic but stubborn determination bouncing off her fast-talking bossy partner Matsumoto well. She never listens to him, which is delightful. The way the show took place over the course of 100 years was an interesting conceit as well. However, it bought up a lot of themes and then sort of... dropped them. For instance, Vivy interprets her mission (PRIME DIRECTIVE if you will) as protecting humans at all costs, no matter how destructive said humans are or what their fate is supposed to be, and is perfectly willing to murder her fellow androids to do this, showing she inherently thinks of androids (herself and her own people!) as less worthy. Which is a little alarming! There’s a very dramatic point in the show where they bring this up as a potential conflict for her character but then it’s sort of...dropped. Pretty much.

Actually, despite the premise, the show doesn’t dip into the “AI rights” as much as you think it would with the main theme being more about Vivy’s search to find her own creativity and discover what it means to ‘pour your heart into something’. Vivy herself doesn’t actually care if she has rights or anything. Which is in some ways fine, because ‘AI as an oppressed class’ has been done to death, but IT’S ALSO KIND OF IN THE PREMISE, so that means that the show just shrugs really hard at a lot of the questions it brings up  basically just going “humans and AI should work together probably” and that’s it. There’s a lot that feels underexplored. The antagonists in the show also either have motivations that don’t really make sense or have boring hackneyed motivations. In the finale in particular, it feels like a lot of things happen “just because” and it falls a little flat.

I also have to warn that one of the arcs focus on a robot ‘pairing’ where the dude-coded robots actions toward his partner are straight up awful and rob her of her autonomy, but it’s played like a tragic love story. I suppose you could read it differently too, but it definitely made me go ‘ew’ the story seemed to want me to sympathize with this robo dude,

Overall, I wouldn’t anti-recommend this show, it’s an all right little sci-fic romp (and definitely SUPER pretty). My favorite element was definitely the episodes where Vivy develops an entirely new (an loveable) personality, because it played with the idea of of an AI getting “rebooted” really well and interplay between her two “selves” was done really well. But there are a lot of other parts of the show that just feel...a little underexplored and empty, making me have an ‘eh’ feeling on the show overall. It’s definitely an ambitious project, and while it didn’t quite stick the landing, there’s something to be said for a show that shoots for the stars and falls short over a show that just languishes in mediocrity.

Fruits Basket The Final

Quick summary: The final season of that dramatic drama about that weird family with a zodiac curse and the girl who loves them.

It’s very weird that after not cutting a lot out, they kinda sped through some material for, you know, the finale. I guess they thought they couldn’t stretch this final arc to 26 episodes? Or weren’t cleared for another double cour? However, though there were a couple places that felt awkward, despite being a bit condensed it mostly held together pretty well for a D R A M A T I C and ultimately heartwarming conclusion. I was really disappointed they kept the part where Ritsu cut their hair for the ‘happy ending’, I thought  their intro episode not showing them in men’s clothes meant the anime had decided their presentation didn’t need to be “fixed” but WELL I GUESS NOT. That was the only big upset for me though, otherwise the adaptation went about how I expected, sticking to the source material. Furuba has a lot of bumps, from weird age gap stuff to ...gender, but it also has a lot of important feels and great character arcs. It was a gateway shoujo for many and has its important place in animanga history, so I’m glad it finally got a shiny, full adaptation.

[evanescentjasmine]

I’m going to talk about a little pet peeve of mine with regard to portrayal of poc in fic, TMA specifically since that’s what I mostly read and write for. 

I suppose I should first start by saying that, of course, poc are not a monolith, and I’m certain there are other poc who have many different views on this issue. And also this post is in no way meant to demonise, shame, or otherwise discourage people from writing poc in fic if they’re doing something differently. This is just a thing I’ve been noodling on for a while and have had several interesting conversations with friends about, and now that I think I’ve figured out why I have this pet peeve, I figured I’d gather my thoughts into a post.

As a result of the fact we have no canonical racial, ethnic, or religious backgrounds for our main TMA cast, we’ve ended up with many diverse headcanons, and it’s absolutely lovely to see. I’m all for more diversity and I’m always delighted to see people’s headcanons. 

However, what often happens is I’ll be reading a fic and plodding along in a character’s PoV and get mention of their skin colour. And nothing else. I find this, personally, extremely jarring. In a short one-shot it makes sense, because you’re usually touching on one scenario and then dipping out. Likewise if the fic is in a different setting, is cracky, or is told from someone else’s PoV, that’s all fine. But if I’m reading a serious long-fic close in the poc’s head and...nothing? That’s just bizarre to me.

Your heritage, culture, religion, and background, all of those affect how you view the world, and how the world views you in return. How people treat you, how you carry yourself, what you’re conscious of, all of that shifts. And the weird thing is that many writers are aware of this when it comes to characters being ace or trans or neurodivergent—and I’m genuinely pleased by that, don’t get me wrong. Nothing has made my ace self happier than the casual aceness in TMA fics that often resonates so well with my experience. But just as gender, orientation, and neurodivergence change how a character interacts with their world, so do race, ethnicity, and religion. 

As a child, I spent a couple of years in England while my mother was getting her degree. Though I started using Arabic less and less, my mother still spoke to me almost exclusively in Arabic at home. We still ate romy cheese and molokhia and the right kind of rice, though we missed out on other things. She managed to get an Egyptian channel on TV somehow, which means I still grew up with different cultural touchstones and make pop-culture references that I can’t share with my non-Arabic-speaking friends. She also became friends with just about every Egyptian in her university, so for those years I had a bevy of unrelated Uncles and Aunties from cities all over Egypt, banding together to go on outings or celebrate our holidays.

As an adult who sometimes travels abroad solo, and as a fair-skinned Arab who’s fluent in English, usually in a Western country the most I’ll get is puzzled people trying to parse my accent and convinced someone in my family came from somewhere. When they hear my name, though, that shifts. I get things like surprise, passive-aggressive digs at my home region, weird questions, insistence I don’t look Egyptian (which, what does that even mean?) or the ever-popular, ever-irritating: Oh, your English is so good!

At airports, with my Egyptian passport, it’s less benign. I am very commonly taken aside for extra security, all of which I expect and am prepared for, and which always confuses foreign friends who insisted beforehand that surely they wouldn’t pull me aside. Unspoken is the fact I, y’know, don’t look like what they imagine a terrorist would. But I’m Arab and that’s how it goes, despite my, er, more “Western” leaning presentation. 

This would be an entirely different story if I were hijabi, or had darker skin, or a more pronounced accent. I am aware I’m absolutely awash with privilege. Likewise, it would be different if I had a non-Arab name and passport. 

So it’s slightly baffling to me as to why a Jon who is Pakistani or Indian or Arab and/or Black British would go through life the exact same way a white British character would. 

Now, I understand that race and ethnicity can be very fraught, and that many writers don’t want to step on toes or get things wrong or feel it isn’t their place to explore these things, and certainly I don’t think it’s a person’s place to explore The Struggles of X Background unless they also share said background. I’m not saying a fic should portray racism and microaggressions either (and if they do, please take care and tag them appropriately), but that past experiences of them would affect a character. A fic doesn’t have to be about the Arab Experience With Racism (™) to mention that, say, an Arab Jon headed to the airport in S3 for his world tour would have been very conscious to be as put together as he could, given the circumstances, and have all his things in order. 

And there’s so much more to us besides. What stories did your character grow up with? What language was spoken at home? Do they also speak it? If not, how do they feel about that? What are their comfort foods? Their family traditions? The things they do without thinking? The obscure pop-culture opinions they can’t even begin to explain? (Ask me about the crossover between Egyptian political comedy and cosmic horror sometime…)

I’m not saying you’ll always get it right. Hell, I’m not saying I always get it right either. I’m sure someone can read one of my fics and be like, “nope, this isn’t true to me!” And that’s okay. The important thing, for me, is trying.

Because here’s the thing. 

I want you to imagine reading a fic where I, a born and raised Egyptian, wrote white characters in, say, a suburb in the US as though they shared my personal experiences. It’s a multi-generational household, people of the same gender greet with a kiss on each cheek, lunch is the main meal, adults only move out when they get married, every older person they meet is Auntie or Uncle, every bathroom has a bidet, there’s a backdrop of Muslim assumptions and views of morality, and the characters discuss their Eid plans because, well, everyone celebrates Eid, obviously.

Weird, right? 

So why is this normal the other way around? 

Have you ever stopped to wonder why white (and often, especially American) experiences are considered the default? The universal inoffensive base on which the rest is built? 

Yes, I understand that writers are trying to be inoffensive and respectful of other backgrounds. But actually, I find the usual method of having the only difference be their skin colour or features pretty reductive. We’re more than just a paint job or a sprinkle of flavour to add on top of the default. Many of us have fundamentally different life experiences and ignoring this contributes to that assumption of your experience being universal. 

Yes, fic is supposed to be for fun and maybe you don’t want to have to think about all this, and I get that completely. I have all the respect in the world for writers who tag their TMA fics as an American AU, or who don’t mention anyone’s races. I get it. But when you have characters without a canonical race and you give them one, you’re making a decision, and I want you to think about it. 

Yes, this is a lot of research, but the internet is full of people talking about themselves and their experiences. Read their articles, read their blogs, read their twitter threads, watch their videos, see what they have to say and use it as a jumping-off point. I’m really fond of the Writing With Color blog, so if you’re not sure where to start I’d recommend giving them a look. 

Because writers outside of the Anglosphere already do this research in order to write in most fandoms. Writers of colour already put themselves in your shoes to write white characters. And frankly, given the amount of care that many white writers put into researching Britishisms, I don’t see why this can’t extend to other cultural differences as well.

[loominggaia]

Somehow, someway Elska gets officially diagnosed with autism. How does she and the crew respond to her diagnosis?

I think there would be a lot of confusion, considering that autism as we know it isn't really a known thing in most of their cultures. It tends to go by other names or is diagnosed by different criteria, or sometimes just not recognized at all.

For example, in Evan's culture, there is no distinction between low-functioning autism and mental disabilities. They are all lumped together and all go by the same name ("mentally impaired"). Meanwhile high-functioning autism is usually just labeled as a quirky personality and is given no other distinction. Evangelites are very ignorant when it comes to mental health, disabilities, and...well, just health in general. This is a culture that sticks leeches to people to cure the flu, so...y'know.

Elska's culture is quite similar to Evan's. There is no distinction between "autism" or "ADHD" or any other neurodivergency, there is just "disabled" and "not disabled". The criteria for disability in her culture is just "Can this person survive on their own Y/N?" If yes, then as far as they're concerned, there is nothing wrong with you and if you're struggling in life, it's your own fault.

Elska doesn't meet her culture's criteria for being disabled, nor does she meet the criteria for having autism because the concept of autism doesn't exist in her culture. Her people would just say she is "stone-faced", "quiet", "austere", maybe even "quirky". What we in the real world define as "autism" is just treated as a personality trait to Elska's people.

However, there are cultures on Looming Gaia that recognize the specific symptoms of autism, and these are the cultures that label and treat it most appropriately. Zareen Empire, Matuzu Kingdom, and the Unseelie Court do the best job at this overall.

Elska would meet these kingdoms' criteria for a proper diagnosis. I think her crewmen would be pretty confused at first, but the more they learned about her condition, the more they would understand her. Suddenly behaviors that used to frustrate them would start to make sense, and they could figure out better ways to respond than just getting mad at her.

Not to mention a diagnosis like this would really help Elska understand herself better. It would soothe a lot of her self-doubt. Now that she has a diagnosis, she can start learning strategies to help her cope in a world that largely refuses to accommodate her. She would feel less like an outcast, realizing that there is nothing "wrong" with her, she just has a different way of thinking than most people.

Overall I think a diagnosis would only benefit her. Who knows? Maybe one day she'll travel to a more progressive kingdom and get one.

(While they're at it, the crew can get Jeimos' and Mr. Ocean's autism diagnosed too! These poor Guys are all walking around wondering why it's so hard for them to relate to people, and all it would take is one visit with a competent doctor to really change their lives.)

*

Questions/Comments?

Lore Masterpost

[cowboyjen68]

Recently I’ve been debating getting top surgery. I know that some butches get top surgery and seem happy with the results but I’ve also met some who grew out of their discomfort with time. So I guess I’m debating if I should wait to see if maybe the discomfort around my chest will ease with age or if I should look into getting top surgery. The ones I’ve talked to also had this discomfort about their breast growing during puberty but they said after some time it decreased but for mines it seems like a problem that hasn’t gone away.

I am so sorry for the delay, seems work and side gigs are taking up a lot of my time lately. 

I can only speak from my experience with my body and from other lesbians I talk to... and I talk to a lot. I have many friends across generations. Many of my younger friends are butch but not all. My older friends are a myriad of types of lesbians and as diverse as the greater population. This weekend now that we are all vaccinated we had a campfire with 12 lesbian, 5 butches present. We have definitely had discussions about our breasts, discomfort, and the mourning over loosing breasts to cancer (or the danger of cancer).  Most of my buddies, from 19 to 68 share similar stories about learning to be at least “okay” with their bodies in a world where our physical attributes are often used to define our personality, and our worth. 

One thing we ALL share, as women, not just lesbians, is that we were at best dissatisfied that we have breasts starting as soon as they begin to form. I was 7 when mom told me I had to wear a shirt outside. Wow was I pissed. AND as a 7 years old I knew it had nothing to do with me but everyone seemed just fine with the fact that men were the issue but since we can’t change them we must change our own behavior.

 I remember thinking “how is me not wearing a shirt a problem”. Breasts had been neutral for me at that point. Just another part of my body. Once I realized “they” made me different, more vulnerable, more controlled, less “human” than those around me without breasts I turned my hate on my body instead of the people who really were to blame. Just like I was taught, I can’t control the men but I perhaps I could control my body. 

I have raised at least 10 teenage daughters (2 are lesbians now) my youngest adopted is 15 and when her other mom told her to put on a shirt in the summer of her 8th birthday, even in our rural yard she looked at me dead in the eye and said “why haven’t you fixed this yet?” (meaning women’s bodies being subject to the eyes and opinions of men). I wonder.. why haven’t we? She is the youngest, but all the others grew from hating their breasts to at least neutral, some really love their bodies and that is lovely. 

Lesbians are unique in our dealings of men’s opinions because we never need or want the approval of men in relation to our bodies. The opposite in fact.. we would prefer they see us void of anything they find sexual. Many women, straight, bi, lesbian eventually either learn to give no shits about the opinions of men or they learn to work around that feeling.

Ok.. all that being said, my story. My breasts are B cups, perhaps C’s when I was a bit heavier weight wise. I wore regular bras WITH padding and always as tight as a could to make them less noticeable. When I came out i switched to sports bras because i was embracing being butch and no longer wanted to play the game of wearing  “pretty bra” . I never wore tight shirts, always baggy. I wore the tightest bra I could wear to keep my breasts smaller, less visible. FOR YEARS. 

Going to a women’s festival opened my eyes to the many ways bodies can be. The many ways BUTCH bodies can exist. Women went topless and NO one sexualized them. (except when appropriate-- like while flirting etc when it was welcomed). Thousands of people, many topless and no one, not one person was oogled, cat called, teased, or otherwise treated as different than someone wearing a shirt.  What did they all share? Why was it different than in other places? Women. All women and mostly lesbians. However that did not automatically translate to “I am going back to the real world and giving no fucks about the reality of existing with breasts in our world”. It took time.

I no longer wear a bra just an undershirt. BUT I am in control of where I go, who I interact with most of the time. If I was still at my retail job, I’d probably still wear a bra. I no longer dislike my breasts. I love them. They bring me pleasure, they bring my girlfriend pleasure. They are a lovely part of me BUT that does not mean I am not very aware in public of my nipples being visible or of people noticing I am braless. And I imagine it is harder for women with larger breasts. 

Had binders been a “thing”, had I had access to a double  mastectomy, or the idea of it i cannot say that would have pursued either. The pattern suggests I would have. But again., neither were on my radar, not options presented to me or encouraged as a way to solve my discomfort.

 I have  three friends who have had elective double mastectomies. And many who had one to prevent or remove cancer. Several of them suffer consistent and painful nerve damage that is not treatable, is quite common, is unpredictable (they can’t know who will have it) and possibly life long. Of the three who were trying to alleviate the distress of dysphoria, all three regret the decision and none of them are over 30 yet. These women are all lesbians. Those who had the surgery because of cancer are thrilled to be happy and alive with less worry, although they do deal with nerve issues and mourn the loss of a part of their body. 

I have a few trans men friends, although we are not close. A  couple of them have had double mastectomies but their thoughts or feelings have not come up, we are just not close enough for such a personal discussion and none have had the surgery for more than 2 years.  I have had lots of older lesbians friends (and a few younger) who did get breast reduction surgery and their health and mental health were both improved. Their backs are better, their clothes fit better and they feel more active, less self conscious with out the physical risks of a full mastectomy. 

The easy answer and what I WANT to say, is be patient, find lots of older lesbians friends to show you your body is neutral, men are the problem. Give yourself time to understand that your breasts are as butch as the rest of you. They are a natural part of your body and how you are meant to be. Also, I know there is not an easy answer. Men will continue to exist. They will continue to sexualize lesbians (with or without breasts). I didn’t outgrow wishing my breasts could just disappear(in public settings) until my 40′s but it got easier and easier to sort of “live with it”. I am many times over grateful for my healthy breasts now. 

Seek therapy.. and not someone who will just go along with what ever you say. My therapists works me hard. She makes me answer the hard questions. She has me vocalize things that I don’t even want to admit in my head let alone out loud. Find one like that. Find one who is willing to explore all the reasons your breasts cause you distress. Then, if you decide to proceed, you can do so knowing you were worth the hard work and you can feel more confident in making an informed decision. Don’t make any decisions based on the opinions of men. Your body. YOUR decision. Write that down on a post it and keep it somewhere you will see it. 

If you would like to speak to some others who are struggling with how you feel or want to talk to lesbians who can tell you about their double mastectomies, DM me, perhaps I can connect you. 

If  anyone wants to add their experience in the notes please be kind. No judgement for anyone making such a difficult decision. 

One last thing to this long post. From one butch to another.  I care about you and I am saddened and angry at  bull shit you have to wade through in this world. I get it. You are not alone. 

[palmett-hoes]

per your post "every single one of the monsters is autistic and/or adhd" will you elaborate on that?, if you do i will love you forever (not that i wont if you dont do it)

oh boy i would love to!!! unironically nothing brings me more joy than writing long, convoluted character analysis posts

---

okay so i’ve written several posts before about why andrew is autistic. his moral code, the roundabout way he communicates, his body language, his stimulation-seeking behavior, his strict adherence to transactional deals, the emphasis on honesty, and a dozen other details. at this point i just take andrew being autistic as fact, not just an interpretation

h o w e v e r  i also hc that andrew is dyslexic, which is also a neurodiverse condition

- - -

similarly, i’ve seen more than one person interpret kevin as autistic, and i absolutely agree that it fits. not just the hyperfocus on exy but mostly the way he communicates. he’s very indirect, especially in his affection but very direct with his opinions. he tries to be helpful in a material way to the people he cares about, even if he comes off as negative. he wants the people he cares about to be safe and successful so he pushes them to work hard and reminds them in measurable ways how to stay healthy. he doesn’t factor in a lot of room for emotions, so instead he focuses on quantifiable things that he can improve. i personally act very similarly. approaching someone emotionally is hard for me, so when the people i care about have problems all i can think to do is try offering solutions, check up on their well-being, etc. practicality instead of conventional sentiment is extremely common with asd

- - -

so now let’s talk about neil. i had to think on this one for a WHILE but ultimately came to the conclusion that neil is adhd, probably hyperactive type. 

like obviously neil is high energy. i would say he probably does the most exercise of anyone on the team. morning run, morning practice, afternoon practice, night practice with kevin and andrew, plus he doesn’t have a car so he runs to class (on a BIG ass campus), and goes for an extra run when he feels stressed. that’s... insane, honestly.

neil reminds me SO MUCH of this post that goes:

“Was just informed by my mom that I do in fact have ADHD and the reason I thought I didn’t was because ever since I was seven whenever I got super energetic my mom would have me go chop wood so now when I’m feeling The ADHD I go chop wood”

(phenomenal post) and that’s neil to a t. tell me this isn’t exactly how neil handles his problems and also exactly what mary would have had to do to keep her unmedicated and very energetic son focused on the task of staying alive

neil also definitely has that ADHD on/off switch with his interest. the obvious being exy which is like the definition of a hyperfixation, but you can see it in other things: the way he runs totally hot or totally cold with people, his complete disinterest in his schoolwork, the way he can’t seem to sit still long enough to follow movies. but then there’s also the hyperfocus. doing the same drill for hours on end. watching exy game after exy game. staring at andrew until time falls away

what’s more, neil on many occasions shows racing thoughts, both in an anxiety way (and anxiety often goes hand-and-hand with adhd) but also as a way to quickly and accurately take in details about people to build a character profile of them. this is what allows him to connect with the foxes, how he manages to get through andrew’s puzzles, and even how he knows what to say in order to knock riko down a peg. his brain just works so fast and it takes in a lot of very specific details and disparate information to make connections.

but also like,, neil has a HUGE problem with time blindness. like the instant he didn’t have his mother around to manage and direct him anymore he lost all sense of time. he stayed in Millport for a YEAR. and what did he keep telling himself during that time? basically “i really need to move on, but not just yet.” for a YEAR! then he gets to palmetto and he’s like “i’ll cut and run in a month or two” then he doesn’t “i’ll be gone by halloween” wrong again “i’ll leave by the raven’s game” nope. like,, the boy just has NO sense of time and he can’t seem to make himself DO anything outside of an externally enforced schedule. and even then,,, HE HAD 48 FUCKING DAYS TO FIGURE OUT SOMETHING TO DO TO NOT GET MURDERED! 48 WHOLE DAYS. he didn’t make a plan, he didn’t write down any letters with goodbyes, he didn’t GO TO THE FBI LIKE HE’D INTENDED TO THE WHOLE TIME! nah he just made out with andrew and when he finally got to zero he was just like “ah shit, that was fast. oh well guess i’ll die” and that’s time blindness, babey!

---

let’s move on to nicky. 

now i think it would be really easy to say nicky is just adhd because he’s high energy and forgetful but tbh,, i don’t think that’s all of it. like if you really look at nicky’s character and especially at his problems, he has asd problems just as much as he has adhd problems.

so nicky is dual diagnosis asd and adhd. also nicky reminds me a lot of a girl i used to know who was autistic/adhd

so, adhd:

very generally speaking, ppl with adhd will struggle with sitting still, listening to and following instructions, planning/organization, following a schedule, and some social boundaries like “appropriate” times and topics of conversation

i would say you see hints of this with nicky. he’s definitely a rambunctious personality, constantly on the move, constantly stimulation seeking. he’s very tactile. he likes to dance, he likes to party, he complains about it but he’s an elite-level athlete. he’s also decidedly very chatty, and doesn’t seem to really pay attention to what he’s saying. he distracts himself and the people around him have to keep him on track. he has some trouble with boundaries. he’s a little all over the place. he’s almost a bit of an adhd stereotype

also one thing i find interesting is that when neil sees him in the library doing work neil is surprised to see he’s capable of that, especially bc when we see the upperclassmen doing work they generally do it in their dorms or on the bus and/or with other people around. that hyper-social nicky would be alone in a quiet place is weird. but this is like the most common tip for dealing with adhd. don’t do it in a familiar space. have a designated space and time to do work. limit distractions. just a lil detail

so now, asd:

in all honesty, most of nicky’s actual problems in the narrative could be viewed as stemming from asd symptoms. his number one issue being that he has a lot of trouble with nonverbal cues (and tbh, verbal ones too). the twins are mostly quiet. andrew especially (when he’s sober) communicates primarily nonverbally, and nicky seems to have a lot of trouble with this. despite knowing them for the longest on the team, nicky honestly seems to have the least insight into the way either of the twins actually thinks or processes things. he loves them, and he’s very forgiving of them, but he fundamentally doesn’t understand them. 

the twins, andrew especially, put up a LOT of nonverbal boundaries, and nicky sort of inadvertently keeps trampling all over them. he’s touchy in a way they don’t like. he talks a lot about their personal lives to other people. he treats them like they’re joking when they’re serious. etc. and like,,, you kind of get the sense that the upperclassmen feel similarly about him. beyond the homophobia, beyond the fact that he’s loyal to andrew, the upperclassmen still treat him with this sense of,, bafflement, i suppose? it’s clear that they don’t really understand him and he doesn’t really understand them. although, nicky IS curious about the upperclassmen, while the upperclassmen are pretty dismissive of him. it reminds me of when my sweet, floppy dog tries to play with my cat. their body language is different; they’re each receiving different signals than they believe they’re sending out

only,, nicky loves people!! he likes being around them, he likes talking to them. he’s interested in their lives and stories, but it’s very clear that he can’t read between the lines on people. he has an incredibly hard time with people who expect their actions to speak for them, which is most people, but is especially his cousins.

actually this is very much also an issue that i have: things need to be spelled out for me. the way i deal with it is i ask a lot of questions. ‘how do you want me to react to this potential situation?’ ‘what are specific things that make you most comfortable?’ ‘please explain to me exactly how you feel and what has prompted those feelings?’ and i’m always communicating vice versa like that with other people. a lot of specifics in both questions and answers

and the interesting thing is, when i was skimming through the books reviewing dialogue styles for another ask, i noticed that, actually, nicky DOES do this. with neil and the upperclassmen, nicky asks a LOT of quick, clarifying questions. things that ask after tone, that ask after intent. it’s kinda sad that he does this for communicating with acquaintances, but with the twins, the people he’s closest to, he makes a lot more assumptions. and i’m really proud of nicky for having this coping skill, because i can’t imagine it’s something he grew up doing. there’s no way he was raised in an environment that fostered this kind of open communication so it must have been something he learned about much later, probably in germany with the kloses, which would also explain why he’s a lil imperfect about it

---

now last but not least, aaron

this is another one i had to think through for a long time before it felt like it fit

much like how i felt that it would be easy to read nicky as simply adhd rather than also asd, i think it would be easy to say aaron is autistic simply because he is quieter, less rambunctious. however, i actually think he’s adhd, likely primarily inattentive type

in all honesty, aaron’s #1 character trait for the first two books is basically that he’s disconnected. detached. separated both from his family and his team. not in the same forcefully apathetic way that andrew is, more,, spaced out. he’s just kind,, there. not really paying attention to what’s going on, tuning in every once in a while only if something really catches his eye/ear then tuning right back out again. just sits in his corner and plays on his phone. and the thing is, from the moments when he does tune in, you can tell that he actually does care. he backs nicky when seth insults him in tfc, and we know he cares deeply about andrew even if he’s become disillusioned with their fraught relationship. he even hangs with his family, doesn’t seem to really try and slip away to other friends besides katelyn, he’s fine spending his leisure time with the monsters. so it’s not totally apathy, he’s just,,, tuned out most of the time

and, yea, that sounds like adhd. it’s not the type that most people are familiar with, and for a lot of people this causes it to slip under the radar. it can make it hard to get help or a dx because it doesn’t fit with how adhd “should” look or how someone “should” act, but difficulty focusing your thoughts and staying in tune with the current moment is absolutely part of adhd

addiction is also a huge problem for people with adhd. a lot of stimulants affect people with adhd very differently than neurotypicals, especially in small doses, and an adhd kid who’s struggled their whole lives with the disorder might try speed or god-forbid meth or fuck even coffee and suddenly find that things are a lot easier for them. they start to self-medicate, they don’t actually know what they’re doing, and then they’re addicted, and everything spirals out of control. we don’t know too many details about aaron’s addiction other than that his mother enabled him, but wouldn’t this fit? it’s also an explanation for aaron still taking drugs at eden’s, given that cracker dust seems to be a mild amphetamine. (aaron talk to betsy about the neurocog and get an actual prescription please)

(total throw away but aaron plays videogames and videogames are like,, adhd culture)

[wishingstarinajar]

I am going to ramble a bit but I will hide it under a cut because it's a bit long. It will be about the previous fandom I was active in around two years ago and how it affects me to this day. It's also about popularity and putting others on a pedestal.

If this sort of ramble isn't up your alley then feel very free to skip over this post! I don't mind. If you want to read more about it, just check under the cut.

The Franchise And Its Creators

====

THE FRANCHISE AND ITS CREATORS Around mid-2014, I joined the Wakfu and Dofus fandoms, a small-ish fandom as a whole but popular in certain circles.

For those who don't know, Wakfu and Dofus are (online, console, mobile, figurine, card and board) games, comics, animated series, specials and movies created by a French studio named Ankama. These two franchises are intertwined with each other as they play out in the same universe but in different timelines. I myself dabbled around in the animated part of the fandom; I was a huge fan of the two series and the Dofus movie.

There was very little catering to the international part of the fandom when it came to the studio's attention and interactions. There were no English dubs or subtitles; international fans had to rely on English fan subtitles on ripped/pirated episodes of the show and movie, same for the franga/comics. Merch was hard to get. A lot of articles related to the shows and whatnot were in French only, which is understandable because it is a French-made product. But there's no denying that the international fanbase felt a little neglected back then.

====

MY FANDOM JOURNEY

Because I was very interested in the lore of both franchises, I had to do a lot of digging and translating to be able to fully indulge in it all. I went full in! I dug deep, created OCs, art and also tried to write fanfiction. I also shared news and info about the series and movie; I ran a fan blog dedicated to sharing things with the international part of the fandom. I was also often approached about lore, particularly for a few of the canon characters and one of the races that play a role in the Wakfu franchise; the Eliatropes. It was fun, it felt good to help other fans out, it was nice to make friends and be creative with others about similar things.

Eventually, the character and art theft began. We all know this is a 'normal' part of fandoms, so I won't hammer too long on it. My issue with it was the fact that my main OC, a female Eliatrope, gathered a lot of attention because female Eliatropes were a rarity in the Wakfu franchise. They existed but didn't get a moment in the limelight, except for one that even received her own game (Islands of Wakfu) but it was so obscure that a lot of fans didn't know about its existence. My OC was somehow mistaken as canon by plenty of folks and many others started to use her as a template to create their own (female) Eliatrope OC. I didn't mind, as long as they weren't straight-up copies and I tried to be supportive by answering lore questions and give feedback whenever it was asked for it (which happened a lot). Of course, copying and theft happened more often than not; over the five years I was part of the fandom, I sent out almost a hundred DMCA reports for art and character theft (like true theft; I could handle some similarities or one-time occurrences). One particular case went to the extreme but I won't beat that dead horse any further; it brought me enough misery to last me half a lifetime, that's all I'll say on it. I kept a lot of the negative experiences behind closed doors and dealt with a lot of it quietly to not bother, worry or burden anyone else with any of it. I wanted a positive and supporting environment for my followers, even if the truth wasn't as pretty.

====

ANKAMA'S STRUGGLE

Over the years, studio Ankama increased attempts to cater more to the international fanbase of its animated properties (articles in English, English dubs and subtitles, etc). However, the studio's struggle to garner the attention of international supporters (aka companies and sponsors) didn't go too smoothly, and to make matters worse, they were also struggling with finding a platform in France to broadcast the Wakfu series on after wishing to take a different and more mature direction. Ankama wanted more freedom with the Wakfu show, like less censorship, a serial rather than episodic, and it not being aimed at a young audience like its previous contractor demanded Wakfu to be. Ankama even turned to crowdfunding to get certain projects (like new Wakfu seasons) off the ground and let's just say that those crowdfunding projects are best described as tiny dumpster fires; they weren't pretty to watch. The first one was a disaster with plenty of displeased backers and the following crowdfunding attempts often didn't meet the end goal due to bad past experiences or the lack of interest.

Luckily, Netflix breathed some life into the international Wakfu fandom, which was great! But it was still received badly (mostly due to the awful English dub and sound mixing of the first two seasons and special) that the third season Netflix made possible was not getting the attention it deserved. It was also a rushed product due to financial and time constraints on Ankama's part. Netflix eventually declined a fourth season and it all fell a bit apart from there. Ankama turned to crowdfunding once more to try and make season 4 a reality. Last time I checked (which was quite a while ago), it did decently enough to make season 4 a reality. (Please don't ask me about it, I don't know anything about it.)

====

THE PEDESTAL

While all this was happening behind the scenes, I was starting to struggle with the reputation I built up in the Wakfu and Dofus fandom over the few years I was a part of it. The best way to describe it is that I had grown exhausted.

Aside from dealing with the theft and answering people's questions daily, I wanted to be treated as an average fan but I kept getting put on a pedestal. People went as far as to call me by titles (like lady Wish and miss Wish) more often than not. To be called and treated as such made me feel alienated, like as if I wasn't considered real. I often asked to just be called Wish, no titles/formalities required, and that I wasn't as 'popular' as they believed, but the majority of the people didn't seem to listen. People were either afraid or refused to interact with me because they considered me 'too popular', or simply wanted nothing but my validation, feedback and/or free art. I also had my fair share of haters and people that didn't approve of my 'status' in the fandom. Join the club xD I wasn't very happy with it either.

I really started to dislike being called 'popular' because it had such a bad impact on the people around me (and my own mental wellbeing). Friends started to become jealous of the attention I garnered and it dragged me down every time. At times, it would turn toxic. It was never my intention to make my friends feel like they meant less because they surely didn't. To learn that they believed others were only friends with them or only looked at their art/writing because they were good friends with me hurt so much. It still does. I refuse to believe that was fully true because I was (and still am!) surrounded by very creative people and they all deserved as much attention as I was getting, at times more. I wish others saw it that way too.

I was also heavily chained down thanks to the role (model) I played in the fandom. Too many people (especially young ones) looked up to me and there were a lot of expectations that I felt forced to meet. I started to lose the energy for it, but if I dared to stray a little from the path, the pitchforks and torches would come out. It was very restricting.

In the end, I felt stuck. Things started to grow toxic. There was a point where I began to dislike the franchise because of the bad feelings it brought me. I couldn't even get myself to watch the series or movie anymore. I focused less and less on the canon side of things and more on my own ideas, which was one of the only comforts I really had left in the fandom. I started to shut myself off, which upset a lot of people. I am sorry for that, I wish it didn't happen that way but I was at my wits' end.

When I realized and also accepted that I was no longer enjoying myself with canon or fanon, I knew I had to move on or stuff would end badly. It was a very tough realization and decision to accept and make; I literally dedicated five years of my life to the fandom. I spent hours a day digging for info and news to translate and share, doing 'research' for my fanfics, answering questions, and whatnot. I truly lived the fandom day in and out. It was the first fandom I ever actively participated in to this degree. What the heck was I going to do without that?

====

THE NOW

Abandoning the fandom was a scary step to take but not one I regret. I left the Wakfu and Dofus fandom behind me in late 2019. I feel freer now and so much happier. I no longer have the burden of expectations, being a lore guide or be forced to portray a certain role model weighing me down. I am no longer on that f*cking pedestal. I can finally explore interests that aren't exactly child-friendly without a big part of my following pummeling me down for it. (Don't worry, I always try my best to keep it in the appropriate places.)

Do I still like Wakfu/Dofus and all the stuff I've created with it? Yes, I do but I also want nothing more to do with it. Aside from the friends I've made there and also stuck around on my new adventures, I left the fandom behind me.

I still get approached at times about how my Wakfu OC, art and writing inspired someone and ask me if I could give them feedback for their own ideas or give them advice/information on Wakfu/lore. I am extremely humbled by it every time. It's great to see someone feeling inspired and be creative. However, I've moved on. I've left interacting with the Wakfu/Dofus fandom and fan-made stuff far behind me. I haven't touched it for almost two years and it shows on all the social media I share my art and writing on. I at times wish people could be considerate about the fact that I moved on but I also know and understand that not everyone knows my reasoning or my side of the story. I try not to be too harsh on it.

====

MY ADVICE

I don't hate anyone for how things turned out; a lot of it was my own doing by not saying no or taking a stronger stand.

It did teach me a lot of things, especially about caring for my own well-being and putting others on pedestals. Please be mindful when you treat someone like others treated me before; it's not healthy, for yourself and the person you put on that high pedestal. Take everything in moderation and consideration, that's all. Everyone's human, everyone has feelings, and everyone deserves a sense of being. Even your favorite artists and content creators. Don't treat them like an otherwordly being that you have to worship.

In turn, if a fandom or something you enjoyed is making you unhappy nowadays, you owe it to yourself to make or find a change. Be good to yourself, always!

~~

Thanks to anyone who read through this ramble. I needed to get this off my chest. I am not asking for advice, neither pity or whatever else. I just wanted to share my thoughts on past experiences because I have a feeling others might be going through something similar.

Thank you again, please take care.

[solo-23]

I'd debated about whether or not to post this because it's definitely a rant and there is definitely a lot of negativity, but I need to vent after last night's episode (with some leftover issues from earlier this season, too). If Betty is your favorite and you don't like to read anything negative about her, you will not like this post.

1. The way the voicemail has been blown completely out of proportion by the writers, reviewers, and some shippers is ridiculous. We keep hearing about how it was terrible, emotionally abusive, toxic, and something that Jughead definitely needed to apologize for, but nothing he said was actually out of line. There is absolutely nothing in that voicemail that Betty should have been surprised about, let alone treating it like it somehow turns her into the victim in the fall of Bughead.

It's not surprising that Jughead has now apologized twice for the voicemail, even if he doesn't actually remember all of it, because he knows that it hurt Betty. He can also probably guess what he said because he knows what he feels and how it can be exaggerated when he's feeling depressed or under the influence of drugs and alcohol. Generally if you actually admit what you're thinking or feeling when you know it would hurt someone, you feel bad about it. It doesn't matter if it's true or not, or if you're under the influence. A good person apologizes if they know they hurt someone. Jughead is a good person.

Just a note here, I've seen other people saying that Betty's actions while high should be excused just like people have said Jughead's voicemail should be excused because he was under the influence. Being under the influence DOES NOT excuse the voicemail.

The fact that Betty cheated on Jughead, did continue to sneak around with Archie while debating whether or not she wanted to "officially" pursue him, hid the whole affair until Jughead actually caught on and she had to make up a direct lie to his face or confess, never actually explained anything to Jughead (things like she was the one who stopped the affair, she wanted to stay with Jughead, etc.) even after he asked if they could talk about it, stood him up at Pop's a year later, and then stood him up again at the book release party justify Jughead's voicemail. And he has apologized for it twice.

2. That is why it was so intensely frustrating for Betty to just brush off his apology (again) and then turn the conversation to her, but without actually apologizing for anything. When Jughead mentioned not really being able to remember the voicemail, she could have brought up what bothered her in it so (a) he would know and (b) they could actually discuss the issues, which could have led into Betty actually explaining what happened with the cheating, including how the affair ended, and she could have apologized for that. It still wouldn't have been fully satisfying because Betty never apologizes first for her actions, but it would've been better than nothing. She also could have apologized for standing him up, although at least she explained why she didn't make it to the book release party.

3. However, she still didn't admit to or apologize for giving away Jughead's manuscript. The entire reason Jughead relapsed into drinking and almost plagiarized Cora is because Betty gave Jessica his manuscript. No, Betty does not get credit for "saving" Jughead because she was present when he got a phone call from Samm and admitted that he wasn't the author. She's the reason he was in that position in the first place. Yes, she had been drugged. Yes, Tabitha was present and didn't stop her. No, neither of those things excuse it. It also doesn't excuse her from sharing the voicemail with Tabitha and Jessica.

Why not? She and Tabitha were still shown as functional when all of this happened. Jessica admitted that she drugged them to try to get the manuscript. They were both capable of thinking and arguing. Betty chose to give the manuscript to Jessica. It wasn't until afterward that Betty and Tabitha started being really impacted by the drugs. Jughead's manuscript wasn't Betty's (or Tabitha's) to give away and doing so completely screwed Jughead over.

There are some questions here--did he switch over to his typewriter and that's why there was no backup? did he forget to save a copy on his laptop? did his laptop crash or get lost? who knows, but in the story it doesn't matter. There was one copy and Betty gave it away, placing Jughead in the position of losing his agent or plagiarizing another author.

Also, for playing the voicemail, Jessica had just brought the drugged fries to the table. No one is shown as having felt the effects of the drugs until Tabitha made a comment about being warm after the voicemail is over. Betty had been reluctant to help from the beginning, before Tabitha mentioned the "don't be a Betty" line, and made fairly rude comments about Jughead throughout the episode. I don't think she needs to apologize to Jughead for sharing it, but I also thought that playing the victim and having some people blame it on "being high" was ridiculous.

4. You cannot convince me that Betty cares about Jughead in the slightest when he was telling her he was an alcoholic and he's trying to get better and he's clearly drinking alcohol right in front of her and her response is "I'm an addict, too. I'm addicted to serial killers." She's struggling, yes, and it's good that she's opening up, but if she cared about Jughead at all an appropriate response here would be "So, why are you drinking?" or "are you okay?" Show some sort of concern for someone who is relapsing in front of your face. Jughead does it for Betty when he suggests she should take a break, even though he's in a moral quandary caused by Betty, depressed, and drunk.

Also, no, chasing serial killers is not an addiction in the same way as drugs or alcohol and it's insulting to say they're the same. Chasing serial killers could be described as a compulsion for Betty, or a hyperfixation, but it's not the same. It's difficult, but you can choose to not follow a compulsion without experiencing the often severe physical side effects experienced by actual addicts. I'm glad Betty recognized that she has a problem, but no, that is not an addiction.

5. The entire conversation is extremely awkward. It's clear that it isn't what Jughead had in mind, but his life that he had just been starting to get back together fell apart. He sank to new (or at least different) lows. Betty seemed like she wanted to leave as soon as she got there (understandable given how awkward it was, even secondhand) and disappeared once Jughead was distracted by a phone call. It's understandable, but disappointing. The part that was really frustrating, though, was that after talking to Jughead about how unhealthy her serial killer obsession is and how she's worried about her mom, she still goes out. Alice was passed out on the couch, which Betty paused to acknowledge. That should have been a turning point for Betty and it just wasn't. Screw these writers.

6. I loved that Tabitha and Jughead had mutual apologies, discussed their issues, and genuinely seemed to care about each other. I also loved that Jughead still cares and worries about Betty (frustrating as it is when it seems unreciprocated) because it's so true to Jughead's character.

7. It is absolutely fine and understandable if Betty has moved on from Jughead. She seemed to believe that if he found out about the cheating in their senior year, it would be the end of their relationship. She started shutting him out and trying to move on the next day.

However, as a Jughead fan, it's intensely annoying to see him still struggling with the lack of closure and continuing to have feelings for Betty after all of that. I would have preferred to see either both of them move on, then rediscover each other later (or not, depending on where the show is going), or have Betty be the one who still clearly has feelings for Jughead and have her regret blowing up the relationship.

8. Overall, I hate a lot of what the writers have done this season. I don't particularly like any of the backstories for the characters during the time jump, I don't like each character following a separate plot line(s), the lack of interaction between characters, and how disjointed everything feels.

The mothman plot was interesting, but seems destined for a disappointing end. There have been a lot of missed opportunities to bring storylines together (Jughead went missing while Archie was looking for escaped prisoners, he could have found Jughead; Jughead hitchhiked with a random trucker, even without the trucker attacking him he could have seen clues or found Polly; Sweet Pea or Fangs could have seen Betty playing hooker and organized an intervention instead of having the weird cult plot line; I'm sure there's more). Maybe it'll be better with a binge watch, but I'm having trouble maintaining interest in the final three episodes, let alone rewatching this mess of a season.

BONUS: I was relieved that the Bughead talk did not go with my worst case scenario. Based on the possible B/A return, I was a little bit worried that Jughead would apologize for the voicemail and remember what he said, then talk about how he always knew Betty had feelings for Archie. Betty, who said she'd been "wanting this since high school," would then nod along and say she was sorry for hurting him, but acknowledge those feelings. Then Jughead would ask why they never acted on those feelings after the breakup, Betty would talk about the FWB, and Jughead would go full B/A cheerleader and tell her to give it a chance (like the Pacey and Joey chat about Dawson at Mitch's funeral in Dawson's Creek). I was dreading that possibility and I'm so glad the show didn't go there. I'm sorry if I've given anyone nightmares.