#( there is used my brain to do bad media analysis

[poorly-drawn-mdzs]

Remember: The burning sensation is part of the process.

[catgirlreisuwa]

Oh and by the way while Misaki is not a good person by definition I will say this: if I were a woman and someone came to me (someone with no desire to be a parent whatsoever) parroting about maternal instincts and parenthood and clichés of the sort I too would go batshit hogwild. Kazuki was lucky he got away with only a scratch because I would've killed the motherfucker.

Maybe it's me projecting my own insecurities about parenthood on Misaki but the lack of "paternal instinct" plus the fact that she is a woman (expected to have those instincts innately) is a heavy enough burden and you will not villainise her in my house 🔪 bad people have reasons behind their actions and behaviour too and you will not turn a blind eye to that. Either you analyse the show (ALL of the show) or you stick to just consuming it for entertainment but getting to pick and choose what parts to find nuance in is not an option in this household (blog)

[alexanderwales]

Turning Off Your Brain and the Critical Lens

Alright, let's start with this: there is a thing called a critical lens. It is a way of looking at a piece of art, examining what it's saying to us about itself or its subject or themes or whatever.

There are many critical lenses. Because this is something that's mostly only taught at the college level, most of them are (in my opinion) mired in academic language and not actually all that interesting in and of themselves: I think if you read a dozen stories through a feminist lens, you really start to think "okay, yeah, I get it". Different readings of different texts through different lenses can be great fun though, and it's one of my favorite parts of media criticism, and something that I wish people were more explicit about.

I'm going to talk about the Barbie movie, because it's easy. The feminist lens is obvious and in my opinion intended: it's the thing that the movie is most trying to be about, and as a consequence, it's something that probably has the most critical meat. But you can also read the movie through other lenses, and ask what it has to say about capitalism, about race, about neurodivergence and queer theory and game theory and a bunch of other things.

Some of these readings are Unintended. The author (in this case, hundreds of people working together on the film) did not intend for you to look at the movie to see what it's saying about, say, American Imperialism. Probably.

I personally enjoy unintended readings. I like teasing apart a book to see what it's saying about different things, and how it's saying it, and what the assumptions it's operating under, and whether this creates anything interesting when I bring a different set of assumptions. I think the writers and actors of Winter Soldier were not trying to say anything in particular about masculinity, but fuck it, let's watch the movie and think about it.

Sometimes people will watch something and recommend that you turn your brain off. Sometimes they'll say this to you just as you're about to start in on some critical analysis of something that definitely was not made with that critical analysis in mind.

Here's how I think of "turning off your brain": it's a critical lens. It's not a critical lens in the sense that academics might use it, but you're looking at this piece of media from a specific viewpoint, and that viewpoint is "omg they're in love" or "fuck yeah" or "no, don't go into the basement!". There are certain pop genres that greatly benefit from being viewed this way, at least in terms of pure enjoyment.

When I sit down to watch a romcom, I can do it with male/female social dynamics in mind, or I can do it with "aw, I hope these kids get together" in mind. One is the intended reading, and I don't think that it should get all that much privilege for it, but I do think generally it can result in better enjoyment. I love media criticism and consider it to be one of my main hobbies, but if you fall in love with one particular way of viewing media and only use that single one, you're going to have a bad time.

I write and generally enjoy rational fiction, which comes with its own lens, which I guess we can call the rational lens. If you sit and view a work through the rational lens, sometimes you can have fun with it: you try to work through the systems as presented and the actions of the characters and think about how you could make everything make sense. The way to do this that's not very fun is to look at a work through the rational lens and conclude that the author is dumb, the characters are dumb, and the worldbuilding is shit. I guess this can be fun if you have a sense of smug superiority, but I personally do not.

One of the things that I love about media criticism is that you can sometimes extract weird and new things out of a work. One of the things that I love about fanfic is that you can take a deliberately strange reading of a work and then write as though that reading was true. You can look at Batman and say "what does this say about income inequality" and then start writing and say "this is about income inequality now". You can look at Winter Solider and find a reading where Cap and Bucky are gay and then write it out.

Where I think people fail in a way that's personally annoying to me is that they take their preferred reading and then loudly claim ("ironically" or not) that this is the One True Reading against which no other readings can stand. Sometimes "that is not The Point of [thing]". I think you get that a lot from the "shut off your brain" crowd, but I've seen it from other places too, and I would attribute it to people talking past each other, sometimes not even realizing what critical lens they're using.

If you're talking to me, you can just say "non-preferred lens" and I'll understand, or maybe I'll say "wat" because I might forget this blog post moments after I write it.

[rotisserory]

Aventurine Is BPD Coded- Some Thoughts

Ahhh welcome back everybody to another installment of 'Rory writes a ridiculously long essay nobody asked for to shine light on characters who exhibit symptoms of borderline personality disorder so that we can learn to recognize symptoms portrayed in media that aren't just 'crazy manipulative abusive ex' and start to treat the disorder with a shred of compassion' !!

A good chunk of you follow me because of my essay I wrote on Reo Mikage from Blue Lock, my beautiful borderline princess, and I am PLEASED to announce that my essay is now the first result when you search 'Reo Mikage BPD' on Google, AND he has since been added to the BPD character database !! Saving the world one baddie at a time, no need to thank me B)

Today, I want to write something out that I've been dying to share. I think Aventurine can be read as a BPD coded character, and I think he would be able to cop a diagnosis should he go see a therapist (which we all know he CLEARLY has not done). I've been puttering around posting this because I've been spending so long on a full, all encompassing analysis of this sick blonde man, but I want to take a quick break and kick my feet over BPD Aventurine, so I invite you to come kick your feet with me!

Some context before I start:

1.) Borderline representation is extremely important to me. I've got the BPD / CPTSD combo meal, so I'm having TWICE the fun !! But seriously though, it's not easy being viewed as crazy and 'bad' all the time. Trauma disorders are rough enough as it is just to live with / overcome, but it's worse when there are books, forums, blogs, shows, ect. dedicated to hating you and talking about how evil you are. So, I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). Fans, characters, and even Aventurine himself refer to him as 'crazy' 'insane' 'unstable' which only further rang my BPD bells because he's not crazy; he's just traumatized!

2.) I’m not a psych, so I obviously can’t diagnose real people, and don’t use any of this to diagnose yourself (I don't need the scandal!) I do, however, have a masters degree in English and structured the basis of my education and published my thesis on mental health, cluster B personality disorders specifically, so I read and research a LOT. I’m confident enough in my knowledge to diagnose anime characters (lol).

3.) If you're somebody who has a weird hangup about borderlines, feel free to either not read this, or do read it and soak up some useful information! Regardless, I know Aventurine fans can have some really wild takes (/neg) , so believe what you want at the end of the day! This is just my interpretation of what's festering in that sad brain of his. You can disagree all you want to, but what we're not going to do is spread hateful stereotypes or perpetuate negative stigmas about BPD! That's cornball behavior and I will call you out for it ^-^

CW for discussion of death, suicide, self injury, and identity disturbances

Anyways, if you ask me, Aventurine has a case of Beautiful Princess Disorder, and I'd like to explain why <3 So, buckle up! This will be another long one.

First, let me define BPD: it's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. Though it's coined as a 'personality disorder', I urge you to look at it as a trauma disorder. People most often develop it when they are repeatedly traumatized during their formative years. It actually overlaps a TON with complex post traumatic stress disorder, which is why a lot of us baddies end up with both! (On that note, you could definitely view Aventurine as CPTSD-coded as well! I'm a stinky kinnie so I'll just say he's both <3) I won't preach too much on why it's so necessary to treat borderline as a traumatic stress disorder (since hopefully I'll be focusing my own personal academic research on that and I could yap for HOURS about it lol).

But when we look at BPD properly, it's evident that the basis of this disorder is that these people didn't have the opportunity to learn and foster proper emotional reactions. Because of the recurring traumatic events, sections of borderline's brains are underdeveloped as a result. They have a smaller amygdala and they have reduced volume in the prefrontal cortex, as well as other differences in brain development. I've heard it described as 'you were forced to learn some behaviors that helped you survive at one point in your life (for example, maybe fervent efforts to avoid abandonment, unstable emotional reactions, self harming tendencies, lying, mirroring, etc.,) but now you need to unlearn them, because they’re no longer helping you.'  They're trauma responses.

Aventurine shows us a perfect example of the kind of shit that would make someone develop BPD: dude grew up in extreme poverty, was constantly told he was special and he was supposed to bring good luck, watched his entire family and race die in front of him when he was literally still just a kid, was kidnapped and sold into slavery, was forced to murder roughly 34 people while everybody watched him like it was a game, probably went through several other fucked up things while he was enslaved, and then killed his slave owner and was promptly sentenced to death for it. That's...a whole lot of ridiculous trauma that would severely impact somebody's ability to mentally grow and develop correctly. The bulk of his childhood/adolescence was spent with no safety, no security, overwhelming guilt, constant fight or flight reactions, learning how to take on other personas to avoid violence or mistreatment – you get the point. He did not have a normal life and it is absolutely probable that he would develop a trauma disorder from the shit he's been through.

So then, what behaviors/signs does somebody need to exhibit to receive a Borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

As with my last post, I'm going to organize this based on the 5 immediate traits I think Aventurine exhibits most (you only need 5 out of 9 to receive a diagnosis, so let me cut to the chase and stop wasting your time w my yapping).

Fear of Abandonment:

Aventurine has a habit of wanting relationships and then pushing them away once they get too close. He also clearly has trauma associated with losing people prematurely.

First of all, let's look at Aventurine's tendency to view relationships as transactional. With the expectation that a friendship, partnership – whatever –  is mutually beneficial, that generally implies both parties will leave satisfied once the 'transaction' is complete. That’s his parting line in the game, actually! “Satisfied with our transaction, I trust?” 

That being said, he's already prepared for people to leave when they're done getting what they want from him. In one trailer (and the game) he refers to himself as "another cog in the machine known as the strategic investment department" and then says, "Your humble servant aventurine at your disposal [...] I can also play the role of ‘friend’ – if needed; Go ahead, use me as you wish, even stab me in the back if you see fit."

This is a very strange thing to say upon first meeting someone LMAO. He's speaking of himself like he's an object, rather than a person. Before the other party even says anything, he's basically saying 'hey btw if you end up disappointing me in some way, i'm already prepared for it!' Establishing relationships with the assumption that the other person will betray you/abandon you/hurt you in some way? Borderline behavior. God forbid somebody does try to break down one of these walls, we'll see Aventurine's second habit to avoid abandonment: pushing people away.

Something people don't necessarily consider is that ‘efforts to avoid abandonment’ doesn't always mean the person is on their knees begging you to not to leave them. It can manifest as someone being very flighty and purposefully cutting ties randomly/pushing people away from them so that nobody is able to abandon them. If you leave first, they can’t leave you, right? This is a very common behavior for borderlines to avoid the pain that comes with being abandoned.

The most notable moment of this, in my opinion, is when Aventurine tries to gaslight himself into thinking that Ratio really did stab him in the back during their ploy against Sunday. As we know, their fighting, bickering, and Ratio's 'betrayal' were all part of Aventurine's plan. When they leave Sunday's office, Ratio immediately asks if he's okay and if he needs help, and Aventurine is very dismissive/a little rude in his response. Ratio is confused because Aventurine is talking as if he wasn't the one who MADE this plan and TOLD Ratio what to do:

Aventurine is basically saying, "Hey babe this is not in the script we talked about! Let's stay on track, remember? You hate me, you betrayed me, and now you're leaving me!" And Ratio is like "Yeah okay but are you good? Because you don't seem good,” but Aventurine's heels are so far in the dirt at this point that he is NOT budging at all. When he's in the Trauma Maze, Future Aventurine grills him on this moment:

I get why this part confused some people; why would Aventurine think this when the plan was his idea in the first place? Because, he subconsciously doesn't want to get too attached to the idea that Ratio might ACTUALLY care about him or want to help him. He's forcing himself to think "no, that's not what he was doing, he was planning on actually ratting me out all along, he was only asking about my wellbeing to get in my head."

However, I think it's evident that Aventurine wants relationships/attention just as much as everybody else does, he just won't let himself have it. To further this idea, I think the lyrics to White Night (the Penacony trailer theme song) are worth looking at (these specifically):

I don't wanna be alone tonightOh, lead me with your altered signThere's no one else left for me to loseHeadin' to the other side, other side

I don't wanna be alone tonightI'll bring you to my best disguise'Cause you don't need, don't need to know the truthLet me rave forever in your life

The song is obviously about Aventurine when you look at the lyrics, but these lines in particular just further my point that this man does NOT like the fact that he's alone. He wants relationships, he wants closeness, but he rejects it at the same time out of fear that he might lose somebody prematurely again and doesn't want to experience being abandoned or being rejected for his personality (his real one or his fake one), which leads me to...

Unstable Self-Image; Struggles With Identity or Sense of Self:

The shift from Kakavasha to Aventurine screwed this guy up REAL bad. A MASSIVE part of Aventurine's character, in my opinion, is his struggle with his identity/sense of self. I mean, he literally had to kill off who he used to be in order to live how he's living now, and he didn't have much of a choice in the matter. Jade sums it up pretty well when Aventurine is sat before her on trial: 

Aventurine joining the IPC comes with the price of...well, becoming 'Aventurine'. Since I'm clocking him with a BPD diagnosis, the identity disturbance would have probably happened before this moment, and I think it did. I'll bet it started festering after that first massive traumatic event where he watched his family die and tried to rationalize how that was possible with his 'good luck' (since that was really the only consistent idea he had about himself), and it probably only got worse when he became fixated on the fact that whoever tf he is, he's only worth 60 copper coins (did the math – that's about $3). That's gotta cause some massive identity issues. He's coined as this ‘good luck charm’, this ‘blessed child’, a ‘beacon of hope for the Avgins’, and somehow, he ended up in the absolute worst situation possible while simultaneously dooming all of the Avgins (obviously not his fault, but he thinks it's his fault).

When Jade tells him to pick a new identity, ironically he picks one that is everything he probably grew to hate after his childhood/adolescence.

Associating with the wealthy? The rich were the people who paid to brand him and enslave him. The IPC? Promised to help the Avgins but disappeared when the Katicans invaded, then came back and kidnapped him to sell him as a slave. Now he's both wealthy and a part of the IPC, and you have to wonder how he truly feels about it. We'll look into that more later. Regardless, he's not really 'free' now, even if he isn't technically owned by a master anymore. He's chained to the IPC because this is life now; this is his identity. Where else would he even go? What else would he do? (Die, perhaps?) It's not like he can go home, or go live a peaceful life out on the countryside somewhere. He made 'Aventurine' his entire life and his entire personality. On that note, I really like this quote from his third character story:

“The aventurine, that symbol of power and of the future, is about to be officially handed to him — Yet it would have no more allure or value in his eyes as soon he obtains it, even though he had sought it by putting his life on the line.

He returns to his office in a daze. The aventurine stone emits a peculiar glow on his desk, seemingly congratulating and mocking him at the same time."Was luck truly on your side when you wrestled with fate?"”

Did he really luck out with this one? Comparatively, of course, this is better than his life as a slave, but he essentially just traded his rusted chains for golden ones. Becoming Aventurine might wind up bringing him a lot more pain than it was worth. 

Also, the outfit he chose? Covered in gold, fur, and jewels, all materials that somebody who knows nothing about being rich would assume rich people wear in excess. It's evident in his tacky taste (sorry honey I love you so much but the hat is just crazy work you look like a pimp) that he doesn't know anything about how to dress himself. And I bully him for being tacky but it makes sense! He dresses exactly how you'd think an out-of-touch billionaire would dress. Back to his sense of identity: it's very important to establish that Aventurine feels guilty about taking on this persona! That's all 'Aventurine' is: a persona. If he were to die tomorrow, the IPC would dust off that stone and give it to another bozo who would end up being the next 'Aventurine'.

While he didn't initially develop this personality subconsciously and it was a 'choice' to start playing this role (not that he had a plethora of alternative options), the perpetuation is damaging him mentally. He does a good job of keeping up the act, obviously. This theme that his entire personality is just one big act is overarching through the entire Penacony quest, but there's one moment in particular I really liked: when Sparkle is being a jerk and he has this offhand comment about how he's so frivolous, vain, and flashy, and how he'd hate to live anywhere where it rained since his outfit is too expensive to get wet.

Then, we have this interaction in the maze: Future Aventurine brings up the memory of him and his big sister playing dead, floating in bloody water to avoid being killed by the Katicans when they attacked. He mentions that it was his father's shirt, the last one his father left behind before dying, and that it was ruined. Aventurine says it wasn't ruined, and he's always kept it. (I wonder if that's the shirt he wore during his time enslaved?) Future Aventurine grills him and asks ‘why keep it? This new person that you are would never wear something so dirty and old. 'Aventurine' wouldn't want that old rag, it's not worth any money. 'Aventurine' would never splash around in murky water like that; he wouldn't need to.’ Nobody is hunting him, now he's the hunter. Future Aventurine makes the snide comment that he bets Aventurine wouldn't even dare to go outside in the rain, let alone do any of the things Kakavasha had to do, since he's so much more elite now. Aventurine, clearly hurt by the implication, says that even after all this time, he's never changed.

Of course, he hasn't. Deep down, no matter how much he tries to trick himself and everybody around him, he's still the same scared, traumatized boy he always has been. His future self chastises him for having an inferiority complex and mentions that with every gamble he makes, he has his left hand shaking in fear behind his back.

But the constant pull to push Kakavasha down and keep up this act that 'Aventurine' is the real him obviously perpetuated the identity disturbance in him and made it a hundred times worse, to the point where (as Future Aventurine points out) the hole he's dug is basically impossible to climb out of.

Because of this, I interpret Aventurine to constantly be struggling with his identity, not knowing who really exists under all the masks he wears, not knowing if he or anybody around him will ever figure it out. I imagine he feels very empty and unfulfilled, since as I mentioned in the abandonment section, he doesn't want to be alone. But the higher he climbs on the social ladder, the further he can separate himself from other people. This is a classic issue borderlines face. We masquerade as something we think the people around us will like, someone WE might like, but it always ends up leaving us feeling more empty than before.

(This is just an added bonus to chew on, but I got stuck on this line when I played through Penacony:)

Do you think once he became Aventurine and got the money and the resources, he researched toys that normal kids play with? Fancy ones like building blocks, stuff that he would have never been exposed to as a kid? Obviously baby Kakavasha would not know wtf building toys looked like, and I'm sure teenage Kakavasha didn't have the opportunity to browse toy catalogs. But, he recognizes the toy even though he says he's never played with them before. Maybe he considered buying it but decided against it, since it doesn't fit his new persona. Kakavasha doesn't exist anymore, so there's no reason to nurture that part of him. Anyways, just wanted to hurt y'all a bit more. Speaking of hurting ourselves:

Impulsive or Self-Damaging Behaviors + Suicidal Behavior or Self Injury:

I'm combining these two because my points kept blending together, so bear with me lol.

Aventurine is known for being incredibly reckless and putting himself in the path of danger over and over again. When discussing how he tricked Sunday with the Cornerstones, Future Aventurine asks:

I want to exaggerate how crazy it is (i can say that i'm also a bpd baddie) that he smashed his Cornerstone. I don't think a Stoneheart has ever done that before. Their stone is what makes them a Stoneheart. Ratio mentions that without it, Aventurine would be back to being nobody. Remember: that's what makes him Aventurine. You know, the persona that required him to kill off his former identity? Their Cornerstones are more important than the Stonehearts’ lives, as stated multiple times. But that's just it: Aventurine doesn't GAF about his life. He doesn't mind putting his life on the line to pull off his plan because he has that deep-rooted desire to punish himself for everything he thinks was his fault. He gets called out for gambling with his life multiple times during Penacony, and while most of the time it's reduced to him just being crazy (cough, bpd) or just having a severe gambling problem. Extremely hot take, but I think he gambles literally as another way to hurt himself. I mean, look at what he says when you ask about his hobbies:

"There's no denying it, my fascination is with the game of chance... be it the exhilarating rush of triumph or the extensive emptiness that follows, both are worth savoring, time and time again."

Being impulsive and risky, betting his life over and over –  it makes him feel alive. He knows the end result will hurt, that he'll have to face that 'extensive emptiness' and the extreme guilt he feels regarding his continued good luck, but he does it anyway.

Speaking of betting, his bets are always 'all or nothing', seemingly every time. Future Aventurine calls him out on always risking everything with every gamble, asking:

"Do you truly believe the greater the risk, the greater the reward?"

Or...do you just not care what happens to you? He doesn't need to risk a lot; he's never lost. He could bet the lowest amount and still win every time, and make a lot of money depending on what everybody else bet. In fact, that would actually be a better strategy in gambling (poker/black jack specifically), because it would insinuate that he's not very confident with his hand and prompt the other players to bet higher, assuming that they'll beat him.

I imagine he gets a shred of dopamine betting everything he has knowing that he'll probably win, but hey, who knows? Then after winning and multiplying everything he has, I imagine that 'extensive emptiness' that he refers to is the feeling of 'oh good, more money. More status. More success. A reminder that no matter what I do, I'm stuck here in this role forever.'

For some reason, he also thinks that taking risks makes him appear more confident and secure. He makes a show of always keeping up the big bets and he boasts about how successful he is, while clutching his hand behind his back thinking 'oh god, is this it? will I finally lose this time?' He brings this up when he's speaking with himself and he says, 'How could a weak person take such daring risks?"

Oh, the delicious irony.

That raises the question, though: if he wants to die so badly, why hasn't he yet? It's not like he had an easy life. He fought very hard to stay alive, so why does he act so recklessly now?

I think at his core, he's scared. Dying is scary. His family is there in the afterlife; would they be disappointed in the person he’s become? At the same time, being alive is exhausting. The constant emotional pain this guy probably deals with every day? It's gotta be heavy.

His behaviors around suicide remind of a classic passively suicidal person with BPD: maybe they don't necessarily want to die, but they're tired. They don't have an active plan, but If something is going to kill them, they're not going to move out of the way.

So, carrying out his Penacony plan makes sense. Of course he’s not completely sure what will happen when Acheron kills him, but because he doesn’t have anything to live for, he’s fine gambling with his life. He makes a show of finally throwing out every last chip, too, no longer clutching them under the table in fear. He was fine with smashing the Aventurine stone because it's not like he was planning on using it after his final show; the little bit of power it had left in it was more than enough.

That being said, we do have to address this little number:

Aventurine attempted several times in Penacony, he admits it flat out. The writers even went sofar as to bold this line specifically! I think this does also go hand-in-hand with him being passively suicidal, since he's pretty sure he'll live when he attempts in the dream, but he's gonna try it SEVERAL times just to be sure. Mentally healthy people wouldn't try it... once, Aventurine!

As if we needed more evidence that Aventurine constantly puts himself in danger, you know I HAVE to mention...the light cone:

n case you haven't read the description for this light cone, let me share it with you:

"You don't believe me?"He (Aventurine) provocatively looks at the man (Ratio) before him, then draws out a revolver, empties its cylinder, and leaves a single shot in the chamber.

"Seems like I'll need to get you up to speed on how I do things if our cooperation were to remain amicable."He pushes the gun into his opponent's hand, spins the cylinder, and points the barrel to his own chest.

He pulls the trigger repeatedly, and the smile on his face remains the same after three empty clicks."Life is a grand gamble, and I'll always be the final victor."

Now what the HELL is this? Mind you, this is the first time Ratio has met this man!!! Imagine you meet your new mission partner for the first time and he puts a revolver in your hand and fires it thrice, then leaves. WHO does that? (...a baddie, perhaps!)

I don't think it's a secret to anybody who has spent a reasonable amount of time around Aventurine that there's something off about him, and that there's a really deep sadness running through him. There's some instances where other characters mention his passive desire to die – A few quick examples I can think of:

The instance in Story IV with Opal:

"Maybe luck won't be on your side this time, and the bill for all your past good fortune will come due [...] But isn't that what you've been longing for?"

Opal implies Aventurine wants to fail on Penacony, which, as we've discussed, is an accurate assumption. Jade says something similar after Aventurine's stunt: when Topaz says the light in his stone went out, Jade replies by saying "he got what he wanted."

Also, I’d like to point out that Ratio must have been anticipating that Aventurine would do something rash, since he wrote that note (doctor's advice) long before he started grilling him after the meeting with Sunday.

It's also worth noting the nod to T.S Eliot's "The Waste Land" (a very long poem about life and death). You get the achievement Sibyl, What Do You Want? after playing through the past of Kakavasha's life, and once you defeat boss Aventurine, you get the achievement She Replied, I Want to Die. I don't think that one needs an explanation, but boy does it hurt! (There's other, smaller nods to him being suicidal, like the Waiting for Godot achievement – Google the story if you're unfamiliar. Not as relevant, but I must mention it bc it makes my english major brain go brrrrr)

Also, overspending/gambling/being loose with money is a very common vice for borderlines to indulge in and harm themselves with. It's also implied that he drinks a decent amount. I counted 6 bottles of SoulGlad in his hotel room just from the angles I could see, and he's shown to be passed out at the bar when Ratio goes to get him before they go on their little date-I mean, mission. Aventurine says 'he must have drank too much', and whether or not that was true is irrelevant since it was a believable enough claim that Ratio bought it.

Borderlines are (usually) self-destructive in some capacity, and while some very annoying people assume it's for attention, it's so much more common for it to be because our inner emotions are just so out of whack. Sometimes, matching the inner pain with outer pain is a way to cope. They might also do it to try and combat-

Constant Feelings of Worthlessness or Sadness:

Probably the most nagging, prevalent feeling Aventurine deals with is the constant feeling of worthlessness. One thing about this man? He hates himself. Like, really hates himself. Take a look at the missions during his maze in Penacony. This one is one of my favorites:

It doesn't get much more on-the-nose than him calling himself a selfish, useless loser. He gets stuck on that word, in particular. Loser.

Aventurine, at his core, views himself as a massive loser. Is that ironic because of how much he wins? Not really. Money and materials are just part of the Aventurine persona. He's 'rich' in stuff, but he's not rich in what he actually wants. I think it's obvious that if he had the option to quadruple his wealth or see his sister again just one more time, we all know what he'd be picking.

The only thing he wants is connection – connection with his mother, his father, his sister, anybody at this point – but he can't have it. His family has been dead for a long while, and as I discussed before, his fear of abandonment and his luck scare him away from forming any other relationships. 

This luck, this destiny to be blessed, leads him to reflect on his life a lot and wonder what the hell the point is. He treats himself like some sort of walking curse, because he's convinced that his luck is bound to hurt other people. Every time he wins, somebody else loses. The luck that keeps him safe destroys everybody else around him. As Future Aventurine puts it:

His luck is "built on the pain of someone" else. This perpetuates the constant feeling of guilt, which in turn, makes him feel worthless. Why is it him that's spared every time?

Then, right before you start his boss fight, Aventurine says,

"The architect's flawed stone, of no value at all."

Some people speculate he's talking to the MC when he says this, but I can't help but assume that he's referring to himself. Even if it was directed at the MC, so much of what Aventurine says in his bluffs and boasts are just digs at himself. He's sort of an expert at hating himself, and what do people who hate themselves do if not project? Especially when you consider the fact that aventurine is actually a really cheap, undesired stone. It's like $3 a caret and mostly only used to rip people off and pose as jade. I really don't think it's a coincidence that his character is based around a stone that is, essentially, worthless.

The way that Aventurine is also prone to giving people ridiculous amounts of money/gifts can be read as a frantic effort to keep relationships going and prevent people from leaving him (relating to my points on both his feelings of worthless and his fear of abandonment). He has a skewed view on relationships, since the only value that's ever been associated with him is monetary value and that of his 'luck', which in every context is spoken of as an asset to benefit people he cares about. His sister told him that his luck was 'the most precious wealth' of the Avgins and Jade sees him as an investment that can bring her more wealth because of his luck, but he views it as a massive burden that ends up wrecking everybody around him. So how does he prove to other people that someone as worthless as him should be allowed a seat at the table? Deep down, he thinks that he's still worth 60 red copper pieces, and he's desperate to show other people that he's worth more than that now – even though he doesn't believe it at his core. With all the money he wins now, he can throw it at people and say 'look, look how much money I'm worth now, you want me around because I can buy you anything you want, that's a useful quality in a friend!'

(I did use the 'seat at the table line' as a nod to what his slave master said to him when they were discussing his worth: "Don't forget your place, slave. You're not qualified to be at the table." Which is, painfully, what Aventurine says when you open up chests! He scoffs and says that "it's hardly enough for a seat at the table." :’) )

There is also, of course, Aventurine's overarching struggle with finding purpose in his life. We see a lot of his existentialism during his trauma maze, but at the end of his trauma maze, Future Aventurine finally stops ripping Aventurine a new one and is vulnerable for a second, saying he doesn't understand what he's ever done wrong to have suffered as much as he has.

Then, when he's in the Nihility and he's speaking to Acheron, making the decision on whether or not he even wants to keep going, he asks her:

As I said, he has this conversation with himself in the maze as well, but here he's actually being vulnerable and speaking to somebody else about it: what's the point in being alive if we're just born to suffer? If nothing else, this solidifies the emotional struggle that Aventurine is constantly having. I also think it furthers the idea that he has this nagging sort of emptiness inside of him which is another BPD trait: the feeling that you're empty at your core, and you're constantly trying to fill it with things (friends, money, substances, whatever) but nothing ever works. You worry if anything will ever make you feel 'whole' again, and pair with the the identity disturbance? You're left with a constant feeling of despair.

Other Points:

These are a few other random thoughts I have, inspired by in-game moments but I'm taking them for my own evil fiendish BPD narrative. Take them with a grain of salt.

I think the stigma he gets around 'being crazy' is really BPD-coded. Separate from the ridiculous discrimination he gets for being an Avgin where people assume he's a liar and wolf in sheep's clothing (which can this man catch a SINGLE break jfc), he also has this reputation of being crazy, insane, manipulative, cunning, and someone you want to avoid, which is more rooted in his reckless gambling habit and status with the IPC. Living with this reputation of being insane and unstable for...lowkey no reason at all? Very BPD coded. I think Aventurine leans into that stigma to keep people a certain distance away, but it also just ends up making him hate himself even more.

Also, his entire mantra is "all or nothing", which always rang my BPD bells as well. There's not a lot of gray area with him, which is a key trait in borderlines as we often display very black-and-white thought patterns.

In Conclusion:

I think Aventurine is a borderline princess <3

No but actually though, Aventurine is extremely smart, witty, funny, generous, and very kind-hearted, and he also happens to have a lot of BPD symptoms :^) I don't think it does any harm to view him as BPD-coded; in fact, I think it's great to associate positive, fan-favorite characters like this with BPD because it helps to humanize us. Borderlines are not violent, crazy maniacs, they're people who have been severely traumatized and developed some unhealthy habits because of it. They deserve love, respect, understanding, and communication, just as everybody else does.

If you actually made it this far, thank you for reading! I hope I was able to shed some light on Aventurine and his Symptoms. And, as I do in all of my BPD posts, here’s your reminder to kiss the borderline baddies in your life and tell them they’re important to you :^) Living with BPD is exhausting and I know I speak for all of us when I say that. We try so hard every day to stay positive and regulated, and though rewarding, it's exhausting and very hard work. Nothing makes us smile more than some recognition that we're trying our best !!

Till next time xoxo (and shout out to @roxirinart for helping me edit this monstrosity mwahhh mwah)

[brf-rumortrackinganon]

I'm one of those people who can tolerate Charles and Camilla's existence. What I find infuriating sometimes is this seasonal pr about how they are the greatest couple who had the best love story ever as if it wasn't built on infidelity.

I also side eye those people who support such story

Since I’m getting dog-piled in the comments asks (sorry - had a brain fart) here’s what I actually think of Charles and Camilla:

1. Yes, infidelity is bad. But if we’re condemning Charles and Camilla for cheating, we better have the same ire and condemnation for Diana cheating too. She doesn’t get a pass just because a portion of the internet has sainted her or because she’s dead. I mean, Diana literally harassed one of her boyfriends after he dumped her! There was a police investigation! (Yes, she was still married to Charles at the time.)

2. Yes, Charles shouldn’t have retaliated to Diana’s cheating by having his own affair.

3. But at the same time, this is what the aristos and the BRF have been doing for generations - having discreet extramarital relationships/affairs when the marriage has run its course. So I don’t fault Charles or Diana for that. It’s simply just what their kind has done. The issues here are that a) the press and press attention was unlike anything anyone had ever experienced before in history so of course things weren’t going to be as well-hidden as it may have been in the past and b) the personalities and behavior of Charles and Diana were so similarly toxic on certain matters - “neither can live while the other survives” comes to mind in that they were both so consumed by the press attention, wanting to control what people thought, and wanting to be seen was the victor - that they couldn’t co-exist in the spotlight together. So that fighting, coupled with their media friendliness and the new media’s pervasiveness (holy shitake mushrooms, I forgot I was supposed to give you guys that analysis. I’ll work on that this weekend.), blew the doors off this dirty little secret about who what the aristos do in their spare time.

4. Glad the marriage worked out for Charles and Camilla and their relationship is strong. But there’s no need to shove it in our faces with “the best love story to ever love story” or their “coronation-as-the-wedding-we-never-had” PR. It’s gross when Harry and Meghan do it. It’s gross when Charles and Camilla do it.

4.5 - I don’t like that Charles keeps saying “My wife and I” in his statements. Dude, she has a name. Use it. Stop making her your possession.

5. I actually have a bigger issue with Charles supporting Camilla’s home decorator sister than I do with Charles and Camilla’s affairs and their marriage of 20 years. If there’s anyone else in the royal-adjacent circle who can rudely STFU and go away, it’s Annabelle. I’m sure she’s a perfectly nice lady, but come the fork on.

6. Humans are messy complicated people. Real life isn’t black and white. Opinions and perspective can - and should - change as we learn new things, as we grow older, as we have new experiences, as we see our parents for their actual selves, as we see our celebrities and leaders for who they really are instead of the PR images they put forth.

Meaning just because William was angry when he was 16 doesn’t mean he’s required to be angry for the rest of his life. That’s not healthy (case in point: Harry). We do know that William went to therapy for Diana’s death, but I guarantee you that’s not the only thing he talked about in therapy and it’s not the only thing he worked to heal from.

At the end of the day, William appears to be indifferent to Camilla. His family has a relationship with her and his children - or Charlotte, at least - is close enough that she can cuddle up to Camilla for a photograph and Camilla lets them poke in her handbag for candy. Yes, William did publicly say once that “Camilla is not my children’s grandmother” but that is not a prohibition on Camilla being in their lives. It just means that William sees Camilla as his father’s wife and doesn’t see her as having the same relationship with his family that Charles does. Which is a very perfectly normal thing for an adult child of divorced parents to do. But here’s the thing: he’s not getting in the way of letting his kids forge their own bond with Camilla, however and whatever it looks like.

[canonizzyhours]

One thing I do find fascinating, is that everyone who watches ofmd for the first time has the opportunity to interpret the show however they see fit. And while everyone is different, and will connect with different characters for different reasons. There are certain aspects that, once you decide to delve deeper, have to be viewed in either good faith or bad.

When I first watched the show, I didn't really have many opinions of it, other than the normal kinda baseline interpretations. Of course I loved it, which is why I'm here now, but I'd not considered any of what was shown, further than the surface level.

I maybe had a unique experience, having been able to power through s1 and s2 without pause. But it got me thinking, could I have had the opportunity to join the canyon, had I been subjected to more of it once I entered the fandom space? After all, if it is merely an interpretation that is supported by the text of the show, then it is valid for me to look at both arguments and decide where I see myself fitting no?

The problem with that is, I simply couldn't make my brain comprehend why anyone would come away from the show seeing Izzy as the "special guy", "the main character", "the most interesting in the show" etc. I would have to have gone so far against the text to make myself believe and feel comfortable with those interpretations, that it wouldn't have felt like my thoughts anymore.

Once I started reading meta, I saw takes from both sides. And it just became very noticeable that some people are just good at arguing, using big words or complicating sentences to make you think like you're reading a good analysis whereas really, they're just media illiterate. And once you realise that, reading meta about the actual show becomes a lot more enjoyable.

I'm not exactly sure where I was going with this, I guess I'm just baffled how some people can come away from watching the show and end up in the canyon despite what they're shown in text, and having plenty of excellent meta analysis at their disposal. I didn't have to search hard for good takes, they were just there. In my opinion, it would be harder to avoid them.

#431.

[nekropsii]

hello oh great provider of art and analysis, do you have any tips on how to correctly analyse a character?

Funnily, I don't think there's a correct way to analyze media, but there are incorrect ways to do it. But my advice for sound analysis is as follows...

Look at Canon. Reference it as heavily as physically possible. Take into consideration who the author is, and what their intentions would be. Extradiegetic Analysis is extremely important. Commit to it. Do not pussyfoot around Extradiegetic Analysis. Take into consideration the story, its tone, who it's made for, who it is marketed towards, what messages it's trying to convey, how, and why. Use Occam's Razor heavily. Ground yourself, turn off "Fandom Brain", and your own personal headcanons. Remember that Characters are Plot Devices, not People- they are put in the story for a reason, and they serve a particular function within the narrative. Ask yourself what that reason is, and what that function is. It's important to get a firm grasp of the story and the characters in it before extrapolating. Ponder their relationships with themself, others, the world around them, their task at hand. Try to take into account framing, themes, motifs, and symbolism.

Grab anything that really stands out to you, see what you can do with it. Analyze why it stands out to you. Does it match your own personal experience in some way? Does it remind you of something else? Does it seem to be setting something up within the context of a story? Are the curtains blue for a reason? If not, should they be? What if they did? What function would that serve?

Analysis is largely asking questions and trying to answer them. Sometimes those questions are posed by the thing you're analyzing itself. Sometimes the question comes from your heart. Sometimes it emerges from something you've latched onto that isn't quite there - a blind spot in the narrative, missed potential, et cetera.

Again, Occam's Razor is your friend. Get very familiar with it. And... Do not consult Freud on anything. If you feel the impulse to consult Freudian analytical concepts without prompting from the narrative itself, that's the devil talking to you. Beat it to death immediately. We do not need Freudian analysis of children's cartoons. We literally do not need that. It will be wrong.

This is one I'm seeing more and more disregard for lately, especially with regards to minority headcanons... Consider the real-world implications of your analysis. I do not think it is very "woke" to headcanon unrepentant sexually abusive assholes as trans women, or characters who are known for their loudness, aggression, and abusive natures as Black. Consider optics for maybe, like, five seconds. Analysis is just as much an act of introspection as it is an act of dissecting a piece of fiction. You need to be able to ask yourself why you're seeing characters the way that you're seeing them. Sometimes that answer is latent bigotry. Unpack that. Work on it. Sometimes the answer is that the author is a bigot and trying to tell you something about the group of people a character is supposedly representative of. Acknowledge it. Unpack that. Work with it. And I mean that seriously- you cannot just skirt around bigotry without perpetuating the bigotry yourself. Analysis will, by way of the vulnerability of the practice, get uncomfortable at times. Be ready for that.

Think critically and think for yourself. A lot of people shoot themselves in the foot by being reactionary, and/or letting other people do the thinking for them. Again, analysis will get uncomfortable at times. It is vulnerable, introspective, and an act of challenging yourself and your worst habits. Commit to that.

Oh, and have fun. Yes, I just spent several paragraphs talking about how analysis is challenging and uncomfortable, but don't make yourself have a genuinely bad time on purpose. You truly do not need to give yourself an attack or episode for the sake of an internet post or something. Horror movie rules - know your limits and respect them.

That's all for now, I think. There's infinite nuance to this subject, but I believe this is a decent 101 post.

[nova-streyart]

The Thing about Belos Nobody Mentions

There's an aspect of Belos I haven't seen anyone talk about yet: him potentially being on the schizophrenia spectrum, or schizospec for short, and everything that means. Before you say anything, I am a schizoaffective person. This is my interpretation. This is based off my own experiences with this disorder, and my own research.

Analysis and rant under the cut:

=ANALYSIS=

So this all started when I learned that one of the color design pieces had Caleb and the grimwalkers labelled "Golden Guard Illusion". Artists credited in the image itself.

It's weird to me that they're labeled as illusions and not hallucinations, because the latter is what the ghosts actually are. Illusions are images your brain distorts based off something that's there, while hallucinations are images your brain creates from nothing. The fact that these ghosts are actually hallucinations of Belos and not real ghosts doesn't say a whole lot about Belos on its own, because anyone can hallucinate if they experience intense enough negative emotions. But you'll see why I think there's something more to this.

Following this lead, I rewatched the scene where Papa Titan talks to Luz in the In-Between realm in the series finale. After Luz asks him whether her motivation to save her friends and family makes her just as bad as Belos, she tells her:

"Well, you assume Belos' goal comes from a genuine place. But that man doesn't care about anything but his need to be the hero in his own delusion."

Let me give you a short lesson about delusions in the context of schizospec disorders: Delusions are firmly held beliefs that the person experiencing can't be convinced aren't true. This can be extremely serious and life-threatening, such as as believing all your food's been poisoned. But it can also be harmless; it really depends on the delusion. The type of delusion referenced here would be a delusion of grandeur, which is a real thing in schizospec disorders. Such delusions can be serious, like believing you're the second coming of god, or more harmless, like believing you're better than others.

Taking both the hallucinations and the delusion into mind, it's very possible that Belos has some kind of schizospec disorder.

=RANT=

Let's talk about that scene where Belos goes to the grimwalker cave. Notice how the hallucinations are played for laughs? That's problematic. Hallucinations are not something you can just tell to "shut up" and they'll go away. Hallucinations are not things you can interact with. There's already other media with this problem, such as A Beautiful Mind, but the fact that it's in a show that's supposed to be celebrating neurodivergence is hypocritical.

Let's briefly go back to that Papa Titan quote. See how he used the word "delusion" to describe Belos' motivation?Yeah, that's really problematic in the schizospec community. As mentioned before, delusions can be life threatening, so tossing that word around like it's nothing is really frustrating and insulting. The show should have used a word like "fantasy" to get its point across more effectively if it was implying that Belos has a hero complex.

Continuing this train of thought, it gets worse when you consider how Papa Titan- and in essence the narrative- is essentially ridiculing Belos for experiencing a very intense delusion. Delusions are not something a schizospec person can control. I've already seen the fandom mocking Belos for this quality. It was one of those awful memes with the caption "schizophrenia," and had audio of markiplier doing a bit where he was bantering with an "inner voice". Such memes are awful because they're not real experiences schizospec people go through. They're assumptions about our experiences non-schizospec people make about us.

That would be the worst of it, but no, it gets far worse when you consider a few things:

Belos is the main antagonist. That would be annoying enough, considering the plethora of mentally ill villains in media, but nope. The narrative also treats him as this purely evil being who is incapable of any good whatsoever. Which, OK. It's possible for a schizospec person to be a monster. But the fact that the only schizospec representation we have is either of us as helpless victims, or as irredeemable monsters, is infuriating.

Belos is clearly meant to be a foil to Luz. Which, congrats to the show for having a neurodivergent lead, but let me tell you about some of the hardships schizospec people face: In real life, schizospec people are cast out of mental health advocacy groups. Schizospec people are treated as subhuman by doctors and psychiatrists. Schizospec people are demonized and vilified by society. Schizospec people are denied jobs and housing. With all this in mind the fact the narrative chooses to glorify a character with the "right," the "acceptable," kind of neurodivergence while berating a character with the "scary," the "monstrous," kind of neurodivergence is absolutely disgusting.

=CONCLUSION=

I feel like it has to be said that I am not condoning Belos' actions, or trying to woobify him. Belos, as a person, was terrible. No amount of mental illness tacked onto him will excuse any of his actions.

I'm also not trying to imply that schizospec characters can't be evil. I'm just saying that it's extremely tiresome that the only representation we get is either us as victims or as villains.

To conclude all of this, please, do your research before adding something like this into your story.

[rickktish]

A list of mutable batfam headcanons that live inside my brain:

Steph deserves to be 6’ minimum, preferably 6’1” or 2”

Bruce is constantly trying to balance his need to be at the same eye level or above the people he’s intimidating vs his need to do his funky little gargoyle crouch. His favorite thing about the GCPD roof is that it has lots of surfaces he can crouch on and still meet or look down at Gordon’s eye level

Tim and Damian suffer from “too similar to get along” disease and must either become best friends or despise each other until the end of time

Babs prefers light, natural toned makeup. Steph prefers pops of color and decent amounts of jewelry when she can get away with it. Cass prefers jewelry and no makeup at all

Jason’s comfort meals are all variations on soup served with bread for dipping

Jason is of the opinion that Fitzwilliam Darcy is an ass at the beginning of the book and it’s a good thing he decided to change himself so he could take his place as Best Fictional Man Ever. Dick, who read the book in order to be able to connect with Jason better, is of the opinion that Fitzwilliam Darcy has done nothing wrong ever and only needed to work on his social skills, meaning that it’s his improved ability to communicate that makes him worthy of Elizabeth Bennet at the end. Neither of them wants to listen to Tim’s analysis of what this says about their relationships with Bruce

Duke has never engaged in non-Alfred approved chaos. This is not because Duke seeks Alfred’s approval, but rather because their senses of humor are in perfect alignment and Alfred is always pleased to discover that he approves of Duke’s particular instances of chaos even after the fact

Damian never had stuffed animals growing up, but after being corrupted by Dick’s influence he can no longer sleep without a minimum of one in his bed

Damian collects posters and articulable action figures. His favorite ones are the ones that can stand on their own, which he uses for posing practice in his drawings. His favorite figure is of one of the characters in Cheese Vikings who has a zuko-esque backstory and a secret propensity for gardening

Dick always buys the most beat up box of cereal at the grocery store because he feels bad for them

Cass loves not only ballet, but other works by classical composers as well. She will unironically listen to the local classical station, and can identify the Borodin String Quartet by the sound of their instruments alone

Tim and Bruce watch and read Gray Ghost media in all its various forms and discuss it together as a bonding activity

Alfred and Jason’s shared birthday is usually celebrated with them making each other cakes, meaning that everyone gets to enjoy not one but two cakes for the day

Jason specializes in cheesecake above all other cakes, though he did make Damian a black forest cake for his birthday once right after he’d finished playing Portal

Literally everyone is surprised when they learn that Damian plays video games. No one has ever once looked at him and thought “yeah, i bet that kid plays console games” and he’s actually really insecure about it, but he also refuses to wear any kind of merch outside the house. He owns dozens of gaming and anime T-shirts but refuses to be seen as anything but completely neutral outside his own territory

Most of the bats wear drug-detecting nail polish at all times, though the base and reactive colors vary by the bat in question

Bruce and Dick have both had therapists straightup quit on them and are therefore reluctant to go back to therapy ever again

Duke’s favorite book is Walden Pond

Alfred read Lord of the Rings aloud to Bruce when he was a kid

[meeks-just-wants-to-scroll]

hi 🐊 me again

i figured id ask soneone who actually gives a rats ass about colm since most of my pals dont lol ^-^ last ask posted gave me the push to ask

i think a lot about kieran describing colms happiness as "a ray of sunshine" when speaking about him at the campfire. of course it could just mean that kieran isnt being treated horribly, and thats a ray of sunshine to the him, but i like to think his standards are a little higher even if they never get met.

ive always liked to imagine it as actually meaning something, at least to kieran. its lead me to believe that in an ideal world, kieran was moreso colms personal errand boy rather than just the gangs as a whole, that would make all of the o'driscolls recognizing him make sense. and that would also make the "sunshine" line make more sense too, if kieran was colms own little whipping boy, they would probably have a slightly closer relationship than most. after all, during the camp raid in chapter 1, we do see kieran directly grabbed snd hit by colm.

but im mostly curious about your thoughts on it all, especially as someone whos colm brained (i am trying to get myself there honestly ^-^). id looooove to know your interpretation of that line and what it says about the o'driscoll leader !! its always stuck out to me considering how little they try to humanize colm elsewhere for most of the game, and kieran says it with so much energy that youre stuck believing him.

Oh man, I am glad to get this ask because I love colm discussions. I kind of lagged on answering this because I wasn’t sure if I could actually bring a lot of interesting stuff up to talk about. Colm had so little screen time that it’s hard for me to get a grasp.

Okay. So… sunshine… ☀️

When Kieran said this it immediately made me think of cyclical abuse tactics where there is a period of good treatment followed by destruction.

I believe Colm is much the same as Dutch with having the ability to draw people in and stick with a commonality + a common goal. The O’D are drawn together by the commonality of being Irish heritage (despite Colm being American but has an Irish name). Their common goal is money and the outlaw freedom to do bad and feel invincible in numbers.

Colm doesn’t put a lot of 1:1 time with his gang so I can’t assert how he treats the rest of the gang (likely like a distant boss). But I can make a guess how he treats his close circle of people based off of Kieran’s dialogue.

Why is Kieran selected to stick with the gang? That deserves its own post, but let’s pretend Colm took a liking to Kieran and let him be the personal whipping boy; Someone who showed he was malleable enough to not put up a fight when bossed around (and disposable).

As for the sunshine, I think that could be Kieran recalling the times Colm had treated him well. Not just “he didn’t punch me today. Yay!” But 1:1 personal attention that is so far from what Colm usually does for the rest that it makes Kieran feel on top of the world. Of course he isn’t actually treated well, but it is that friendly talking and ease of laughter that makes Kieran almost forget it’s not sincere.

I think Kieran would be touch starved, and Colm knows this, so he uses brief kind gestures of touch to persuade Kieran. This is me being me but I rlly like Colm touching people’s hair. It is such an invasive and personal thing to do but also 🗣️♥️head scratches and getting your hair played with feels nice‼️♥️. It’s that dissonance between “this is creepy but also I haven’t been shown kindness since my parents died.”

It’s compared to sunshine because Colm’s nice attention is like being singled out by the sun in a cold mountain. It is a spotlight.

The flip side of “when he’s angry, it’s like the devil is upon you” is harder for me to define. I sometimes struggle with media analysis when it comes to imagining things I don’t get to clearly see in the media. Leaving stuff to the imagination is powerful, but I need something of substance to bite into for me to analyze.

I feel like Colm’s anger can be unpredictable. He has the men power and persistence to extend his anger not just to you when he is before you, but to you at all times. I don’t think Kieran was only paranoid, I think he had good reason to fear every moment he was being watched. The one time he let down his guard, he was snatched. There are also letters across the game written by O’Driscolls where they make threats and allude to them stalking people.

Colm’s anger in person is hard to read. I don’t think he yells except in a few cases, he always whispers and talks in such an eerie way. Pardon me as I copy and paste what I told some friends on the topic of his voice…

“He talks in a way that fries my brain because I know I shouldn’t trust him and he DOES sound untrust worthy but I can’t get my claws into what specifically is setting off my radar.

[in blessed are the peacemaker] After the threatening “I liked Annabell” line, Colm is so ominously silent, drawing out the tension moments longer before he just???? Smiles and almost laughs. It’s so playful and harmless sounding (without the context of the situation). Such a fucking 180 and unseriousness. He also says ‘you’ve always liked the ladies,’ as if Colm knows how shallow and fast Dutch likes and falls out with women.

And then the ‘I like that about you,’ whisper is just… Colm. Very colmy. Just whispering something as if it’s some secret or to emphasize it.

Colm is incapable of going one sentence without changing his tone/delivery/pacing/breathiness all to throw off how to read him.

He talks like he is a three headed snake-rat-vulture chimera.”

He turns on a dime when talking to Kieran in Chapter 1 (mission Old Friend? I forgot the name). He holds an amicable conversation for a few moments before something suddenly cues Colm to grab Kieran and give him two quick slaps across the face, then shove him and yell at him. It’s brief, but Colm has been shown to have the capacity to get his hands directly on people, not just use his gang as an extension of his hands. I also want to mention the intentions detail of Colm being atop his horse and leaning down to talk to Kieran. Visual story telling/signifying rank and dynamic. Even when speaking amicably, Colm is in command.

I wish I had more research in my brain of manipulation tactics that would lead to this, but I do think Colm either keeps easy to influence people or already morally corrupt people in his ranks so they’ll easily align with him when he is angry. Hence Kieran mentioning how “he’s mad. And you’re upset and you don’t know why… as long as it isn’t directed at you, you don’t care!”

^ I believe what I am talking about are “Flying Monkeys” in the context of psychology and narcissists. Brief rehashing of what TheraminTrees taught me but it’s when people knowingly or unknowingly are recruited by narcissists to extend their influence / control beyond direct interactions.

I don’t think just anyone could be slotted into Colm’s gang and especially not his close ring of people. That man had an eye for picking people who will easily follow and carry out his bidding.

I don’t think the game could have humanized him a whole lot outside of one of his abuse victims briefly mentioning how colm had moments of good treatment. As the audience (extra: as the audience looking through Arthur’s eyes), there is no good way the game could have made ups sympathize or respect Colm because we ourselves aren’t the kind of people who would believe the sickly sweet lies Colm drip feeds to keep his men by his side.

I do like how they managed to at least briefly allude to a “kind” side to Colm. It would have been so easy to paint Colm as a black and white bad man with no redeeming traits (and I am sure that’s how some fans see him if they missed or ignored Kieran’s camp interaction). But that tiny mention makes him so interesting to me.

As much as I hate how little screen time he got, that’s in character for him. He is elusive, he is hard to read, he is contradictory in how he talks (sounding so humored one minute and deathly silent the next). He is… so. God damn. Slimy.

I love Colm as a character so much it is actually driving me ballistics.

SIGHHHH LONG ANALYSIS BUT ANYWAYS thank you for sending this ask this was a good use of like…. Two hours.

[rainboq]

Meowdy!

I just wanted to start by saying that I adore Statistics and Purity Through a Prism.

Do you have any general advice you can give to less experienced writers? I’m also hella into making LiS fics, but I’m still trying to find my footing. Plus most of my projects fizzle out around chapter 5, and I’m not sure how to get momentum back after taking a break 😂🥰 how do you write stories that go for so long?

Thanks!

First of all thank you very much for enjoying my fanfics! I'm sorry that I haven't updated anything in a while, life and original fiction projects have pretty much taken over (I'll be self publishing a novel in the next few months).

For general advice, consider the following.

Keep an idea diary. Write down your ideas, just because you have nothing to go with it doesn't mean you won't later and don't be afraid to mash things together.

Learn about story telling as a craft. Study any and every medium and think about how to apply their lessons to word smithing. I highly recommend Every Frame a Painting, Thomas Flight, Hello Future Me, and Ellen Brock.

Read everything twice. Once for pleasure, once to tear it apart to figure out how the sausage is made. Dissect word choice, structure, pacing, foreshadowing, all of it. If you want to get better as an author, get better at media analysis.

Ask yourself why a project fizzles out. Did you lose sight of your original goal? Is it not turning out the way you hoped? Can you not remember where you wanted it to go? I tend to write with a few very specific scenes fixed in my head and I need to massage the characters to make those scenes happen and make sense. For Prism that was Kate and Chloe's clifftop kiss. Everything after that was kinda ad-libbed.

Embrace failure. Enjoy failure. Fail faster. As the Frizz would say: take chances, make mistakes, and get messy! You will learn more from your mistakes than from your successes. It's okay to be disappointed and upset when things don't go your way, but then dust yourself off and figure out what went wrong where and learn your lessons. (Just because you can write a novel in 3 months doesn't mean you should)

Your ideas are crap. It's okay, mine are too. Ideas always suck, they become good when you actually write the stories and find your blind spots. Make it work in the edit. You can change things right up until you publish, so play around and have fun.

It's okay to not finish projects. Use them as learning experiences. Practice writing better and better hooks. Find character's voices. Toy around with premises.

Practice with a purpose. With everything you write, pick something you want to focus on. Dialogue, pacing, structure, action, word play, imagery, etc. Pick something, study, execute.

Keep it simple. Elevator pitches are 30 words or less. If you can't summarize the crux of your story simply and succinctly, consider revising your idea to make it less complicated. Prism's premise is literally "What if Max never went to Blackwell". Statistic's premise is "What if Chloe was a homeless trans girl dealing for Frank". Complicated premises aren't bad, but they make executing much harder, and you don't need them to tell a good story.

Don't stop. Always be reading, writing, and thinking. Your creativity is a muscle, work it out. Hit the brain gym regularly with focus and intent and you'll see the growth.

I hope these help and good luck!

[neuroticbookworm]

*deep breath* FUCKKKKKKKKKKKKKKKKKK

Alright, I'm gonna make my case for the Bad Buddy Rooftop Kiss. This is probably gonna be the most personal I've ever been on this hellsite.

Let's get this out of the way. I loved Kinnporsche. I honestly did (even though it might not look like it since this is the second time I'm passionately campaigning against the show). I loved it so much that I made my very busy best friend, @tonysteve25 who is planning their wedding, make up the time to talk to me so I can rant for two hours about the show (no need to judge me, I know y'all are equally crazy)

I'm gonna strip the plot to the basics and then build my argument, so if I end up reiterating a lot of themes that are already discussed, apologies in advance

Bad Buddy is, at its core, a Romeo and Juliet retelling. Set in a fairly conservative Asian country, and produced by a media industry whose brand of storytelling often involves an AU-esque setting where homophobia does not exist. We are shown time and again that Pat and Pran's friends and family do not have a problem with them being in a same-sex relationship.

So the conflict comes from the history their families have with each other. As a South Asian cinephile, I've watched this trope play out so many times with heterosexual couples that I'm sure it has unwittingly become a part of my brain chemistry. Oftentimes, the reasons why the families are feuding are so over the top that every shred of relatability gets thrown out the window.

In Bad Buddy's case, the reason is kept simple, albeit childish in the beginning. A business rivalry between the two families, and as a result, the boys are also pitted against each other. This simplicity gives way to a lot of levity in the beginning, but as the story progresses, the real strength of this narrative starts seeping through. This show is relatable. Almost too relatable.

The constant pressure to outperform the other in every way, be it academics, sports, or romance; the expectation on Pat to follow his dad's footsteps and match his achievements, even in a dumb singing competition; the guilt that permeates every moment of joy they feel in their relationship, because they are always aware that they are actively disappointing their parents; the quiet, painful realization in the later episodes that they will never be accepted into each other's families, no matter how hard they try; the revelation that the root of the conflict came from a scholarship stolen from a woman, to satisfy the expectations of a patriarch.

Every statement above is the reality of so many Asians living their lives right now. I personally know couples who have been cut off from their families for over 20 years because they don't approve of their love/marriage. I have peers who blindly follow the career path charted for them by their parents because it is easier than resisting and doing something they actually like. A lot of us are left feeling unmoored and struggling to define our self worth in the real world, after we leave academia, because that is all we are ever taught: your grades indicate how worthy you are.

Now, I know not a single word above argues why the kiss is the best, but I'm getting there. Stay with me now. Many people more talented than me have argued the specifics of the kiss, the reasons why it grabbed us by our throats the first time we saw it, and why we are still on that rooftop with them. The reasons submitted in the poll describe it so eloquently, beat by beat (edit: I found out that it was witten by @tiistirtipii, here). @respectthepetty begs us not to disappoint Pat again here, @lurkingshan dives deep into the character analysis and why the kiss is the perfect culmination of narration, pacing, and the characters' journey here, @waitmyturtles explores the importance of foreplay, the 'how did we get here' before the kiss, here.

What I want to draw attention to are two things. One: how this kiss was executed in such a way that all of their deeper struggles are woven into the microexpressions, so when you rewatch the show, all of the added context makes it so much more heartbreaking.

Let's be clear here, Pat and Pran did not get a happily ever after. They did not break all of the chains that were weighing them down. Pat went on to follow his father into the business (who also followed his father into it). They have to keep their relationship a secret, with no end in sight. Even in the end, the audience is shown only a hidden, reluctant acceptance from the parents, not an open love.

Pat and Pran's relationship will always be bittersweet. And the kiss shows it. The fact that the kiss was the very last shot to be filmed is no coincidence. The actors know how it ends, they have already performed it. They also know that the characters in this moment know it too. They have lived all their lives playing their families' games, they know that if they take this leap of faith, then they are willingly giving up so many little moments in life, even something so mundane as entering each other's house through the front door. And we can see it, see all of it clearly in Pran's face. Pran, who plans every detail of his life. Pran, who is also in love with his rival for who knows how long. And then we see it in Pat's face too, if only after a moment, because that's the way he is. Pat, who has looked at Pran all his life as a rival, a bandmate, a secret friend. Pat, who is the only one who can completely understand Pran, his anger and grief and devastation, because they only have each other in this wretched game. We see his face fall, and we see confusion cloud his happiness.

This kiss is the perfect summation of their relationship, shown at the very beginning of it. They can have desire, but be riddled with guilt. They can have happiness, but only in secrecy.

Two: how this kiss did more for Asian queer representation than we can ever comprehend.

I was not present in the Tumblr trenches with y'all when the show originally aired, but I've read many, many posts about how it broke the internet. Western media often fucks up queer characters because they don't write fully fleshed out characters who happen to also be queer. They place enormous emphasis on the character's queerness, and end up writing a stereotypical cardboard cutout in the shape of a queer person. Complex queer representation is hard to come by, add Asian into the mix and the pool gets laughably small.

In the episodes leading up to the kiss, we see the characters get fleshed out, their struggles explored, but they are also deeply rooted in the middle class Asianness of it all. I know it is ironic to say that other shows from Thailand are less Asian than this one, but the struggles of a queer mafia boss/rich businessman/heir to the corporate throne protagonists can sometimes be a tad out of touch for the general populace, and we can only feel so much nostalgia for our school days before we are tired of the saccharine sugar high.

When I saw this kiss for the first time, my eyes teared up, not because these gay characters are having a hard time, but because I could feel their pain, irrespective of my sexuality. I knew deep in my bones how a kiss can simultaneously feel like freedom and a lifelong trap. And I'm sure so many others felt it too. The kiss went viral because it was a perfect representation of so many struggles of Asians and the diaspora (and beyond), and it happened to be queer.

I don't know how the results will tally up when the clock runs out, but I hope we can chalk up a honest-to-goodness happy ending for them, if only in a silly Tumblr poll.

cc @bl-bracket, here ya go, a very long and rambling campaign propaganda

[kneelingshadowsalome]

ahh~ i’m so glad you liked my little essay~!! i have a knack for analyzing and interpreting stuff, i just think it’s so fun. plus i needed a way to vent out my thoughts and feelings on the little hyper-fixation i’ve developed from your story, my brain just went into overdrive because of how unique it is so i couldn’t resist.

anyway, thank you, seriously thank you for enjoying it, and i’m super happy to say that i have come up with few a headcanons of my own. these are mainly könig headcanons, so they’re more of my interpretations and analysis on him. let me know what you think~! i hope you have a wonderful read, and please keep doing you, you are a wonderful writer, and incredibly talented!!

okay, so first:

despite könig’s openness and acceptance to engels interest in his weaponry, i highly doubt that he would actually allow her to indulge in using any of them. i would even consider that he wouldn’t even teach her how to use one, especially his guns. sure, he’s gifted her knifes but notice that they’re quite feminine and dainty even, könig does try to engage with engel and her interests but emasculates them in a way that should suit her, a cute little knife is practically harmless compared to the massive destruction of his guns. the furthest he would go to showing her anything is how to hold it, but he still wouldn’t want her to hold it herself, and he won’t even shoot it in front of her considering that would damage her hearing, and he can’t bring himself to do that to his baby.

with that, i do think könig is careful and cautious with his engel. i feel like he tries to filter through the good and the bad for her. yes, we’ve been given instances in which the exact opposite has happened, i.e. him stabbing her boss right in front of her, but that was acted purely on impulse. i think after that, he tries his best, and i mean he really tries to shield her from that ever again unless absolutely needed. however, if she were to ask for that twisted ruthless side of him again, because she has the tendency to be twisted herself, then i’m sure he would have to lay down some ground rules, and although hesitant, in the end, he would do anything for her. but despite that, he does not allow angel to consume things that he perceives to be negative for both him and her, and what i mean by that is that he doesn’t allow her to consume any material that could be triggering for him or anything that could alter her behavior that would negatively effect both of them. so, stuff like world news, social media, anything that could give her a sense of empowerment, he doesn’t allow her to have her own phone, she’s constantly monitored, and she’s never alone once she leaves home because könig has to always check in on her. könig absolutely does not want her to be influenced by anything, it’s another reason why she doesn’t have friends, and knowing she isn’t influenced by anything other than him helps keep him from being paranoid, anxious, and violent.

now, back to könig being a raging misogynist at times, he would definitely believe in the value of gender roles, and i mean nothing is more important to him than the normalcy and complacency of the ideal of gendered roles and relationships. also, i hate to admit it, but he just can’t see his woman doing or portraying anything too masculine, it’s a turn off for him, he prefers if she were to just stay at home and do “womanly things” and be a woman, whatever that entails. i think he would even encourage engel to quit the job that she has now, he probably never liked the fact that she worked in such a masculine environment, working such a dirty job in the first place. the only times when he’ll allow engel to even be remotely dominant is during sex, and it’s only if she wants to be, but even through sex he still has the upper hand and has this, ‘this is only happening because i’m allowing it to happen’ mentality. plus it’s a nice thing to let go, relax, and allow her to take control for a little bit, but he would always remind her, both sexually and domestically, where her place is.

könig is completely shameless when it comes to his physicality. he knows what he’s capable of and he knows engel loves his body, so he uses that to his advantage to show off and impress her more. so that means, more unnecessary bouts of strengths used in front of engel, more commitment to his workouts, wearing less clothes around her (he honestly prefers to be casually nude more than he likes to admit, i also think it’s a kink for him to see her so flustered from it too), and insane sex positions. i think he would really enjoy fucking/eating her out standing up, just anything that involves comfortably lifting her up and possibly manhandling her, in a safe way at least.

also, könig is the most expressive when it comes to his sexuality. again, he has little shame, but it’s only because there’s something so special in sex that allows him to let go and just do what he wants in such an intimate environment, and it’s because of engel that it only amps up way more. so, with that being said, the guy is incredibly kinky and experimental. like i said, he likes casual nudity, but only done on his part, he doesn’t really like engel flaunting her body the way he flaunts his and prefers for her to stay modest, it’s really because of the innocent aspect that she tends to play that gets him going because of it. i also see him thriving in animalistic, predator/prey type of sex, especially if it’s outdoors. every time they’re out hiking, camping, or just happen to be in a large remote wooded area, expect some wild sex happening between these two. he just really enjoys pushing his limits and boundaries through sex for the purposes of showcasing the emotions he is unable to communicate normally, which is why he often has an intense sexual drive, but he also enjoys letting go once in a while, being taken cared of, and feeling loved by engel. könig really bonds well when he has this outlet where his emotions, something he constantly suppresses, can be catered, and very often is his emotions expressed dominantly, whether as a hard dom or soft one, it’s mainly about control and acceptance for him.

something könig would slightly be ashamed of though, is receiving open comfort and affection. his upbringing is super fucked and his lack of affection and love as a child definitely shaped himself as a very undeserving man of any of that, although he craves it immensely. so, as contradictory as it is, while he loves giving devotion and intimacy for selfish reasons, he does have trouble accepting genuine love and warmth for himself. it’s something that takes time for him to recognize that he needs and accepts, especially with the right person. so, yes, he’s very hesitant of these instances, but by god, does engel make it so much easier for him. it’s no wonder he’s so indulgent with her and why he’s constantly pushing her limits, it is not because he’s consciously choosing to do the most insane shit but rather, he doesn’t realize it and it’s inappropriateness. i think if engel were to teach him how to properly love and care more respectfully and appropriately, you know something he wasn’t taught as a child, i think he would be a bit more mentally stable in his behavior. however, i do not think she will, it’s because of his dangerous behavior that drew her in the first place and his toxic, overwhelming personality that solidified her place in their relationship, so there’s no way she’s getting rid of könig’s obsessive, possessive, dominant traits that practically has made him into a sex god, but she will suggest therapy from time to time if he continues to exhibit insecure-like behaviors and especially when he’s going through ptsd episodes. i’m pretty sure he has both ptsd and c-ptsd, and to top that off, personality disorders, and mood disorders, soooo…

last but not least, and this one is purely self-indulgent on my end, he is a serial spender for his engel. dude makes an absurd amount of money for what does, and has no reason to use it… until engel walked into the picture. even since then, könig will buy anything for engel and help her splurge to keep her happy, comfortable, and away from society. this man will get her all the material items that she wants, clothes, a big new house, lots of land, entertainment, all the foods that she wants. want a dog and/or cat? sure! he’ll even supply her with weed if she’s that type of girl, but anything to keep her sane and occupied, he is willing to buy, just nothing too illegal, and definitely no vacation spots, dude is way too paranoid to travel and is not willing to risk it.

IM AM SO SORRY THAT THIS WAS SO LONG 😭😭

These were just pure gold, *chef’s kiss* exquisite!! Every single sentence is perfection. So well thought out, and so well put! I don't even have the words to express how incredible this is (and I call myself a writer lol). Seriously, thank you again!! 💖

Also I want to participate (teacher teacher lemme participate please) by adding a few things:

The first one I wholly agree with, but I also believe König might have a little teeny tiny kink for watching how his innocent Engel brushes her fingertips down the barrel of his huge shotgun or holds one of his biggest knives in her *cute* little hands... The contrast between a woman’s softness and a massive, cold, brutal weapon drives this man crazy.

To indulge in his dark fantasies, he might allow Engel to come to the range with him once or twice. I imagine König getting off on showing a “fragile woman” how to handle and shoot a rifle 🙄 He thinks it’s both horrifying and drugging to see how her smaller body tries to absorb the recoil from his guns. Soon enough he’s like “Ok that’s enough” but not before he has enjoyed that peculiar scene a while longer.

And the fourth oh god. Gave me butterflies. He's shameless. I just know that König sleeps naked. Guy associates nighttime with masturbation – and nowadays, sex with his Engel – so off with his clothes, and off with hers, too. König also gives me semi-somno vibes: he would try to wake Engel up with his dick if he can't sleep. (Give me attention and love and provide me with a distraction from my anxiety! Now...!)

The sixth: yes, I don’t see things getting any "better" as in them suddenly calming the fuck down and learning healthy ways to live and love. They are too enamored with their dark side and as you said, I don't know if Engel would be that fascinated with König if he suddenly developed a conscience and healthy ways to cope with his trauma(s). Their escapades resemble a shared psychosis sometimes, but with time and patience this couple will perhaps find true love and relief together – something bigger and better, a way out of the spiral. They learn to dance on the knife’s edge, so to say. They might even start to behave 🩷

And the last one: YES he would spoil her to bits! One of the reasons for this is that König feels guilty. He doesn't know how to show love and devotion through emotional intimacy so he will try to show it through spending money on her. So yes to all of this.

I see Engel wishing for a pet to keep her company while he's away on longer missions. And König is so thick-skulled he wouldn't even bother to ask what type of pet she wants or if she has allergies, he just shows up with a cat one day like: "Hier. I brought this to you. Do you like my gift? I will bring you a different pet if you don't like this one. 🤨"

(And omg the image of Engel smoking a fat one or using a cute little bong on their porch, perhaps chilling out with that cat and giggling when König comes home... ^^)

Thank you so much for bringing these to us! Tbh I never wanted this essay to end 🩷😭 You're amazing I hope you know that!!

[procyonloser]

I want to give writers a chance to talk about their process and influences in their writing.

The media we enjoy (or even hate) help make us who we are. We might share opinions with the media, consider the media of having a bad take, or inspire us to branch off from that idea.

So, when you write stories with more fleshed out themes or ideas, stories where there is character development, has any other media (books/tv/mythos/etc) and their topics influenced it?

For example if you enjoyed how the book ABC tackled the subject of XYZ when writing fanfiction for tv show LMNO (or orignal works) have you included your own takes from ABC? Whether on purpose or incidentally?

Have you started writing a story with the idea of a theme already in mind or would you say (if there is a theme) that it grew more organically as you wrote?

Which of your stories is your favourite? Do you have a particular reason it’s a favourite or is it just neat and you like it for an intangible reason? Any favourite scenes that you’re written?

So, I'm probably a bad person to ask about this because I do not think about my own writing process at all. That's not a bragging thing, like, you should absolutely think about your own writing process, and just in general reflect on the things you do and why you do them.

I just... don't really.

I didn't finish highschool and I haven't taken a English college level class in a good long time, (I'll have to do so probably in the nearish future though) so I feel like I don't really have the tools to describe what I'm doing. I also haven't read many books in recent years, I should but I don't. I've mentioned before that if I'm reading, my brain says I should be writing instead.

In regards to media impact, I do often read/watch breakdowns, debates, story analysis, character analysis for the things I like, just to get a sense of what makes a good character and story. I enjoy how george rr martin describes writing as planting a garden, rather than being an architect.

In regards to themes, sort of, sort of not. Eve of Adam, yes, I had the general theme set up from the beginning of the idea. I'm not personally someone who takes any issue with "gender benders", I've written them before, I'm not going to talk about my old HP fics lmao, but yes the main theme in Eve of Adam was absolutely intentional from before I started writing, but other themes arose more organically as I was writing it.

Meanwhile, Maybe This Time absolutely 0 planning, only thought it'd be a one shot. Any themes are accidental at best lmao.

As for my favorite story? I don't know, honestly. Depends on my mood. Eve of Adam is kind of like my baby, as imperfect as it is, I think MTT is pretty well written generally speaking, and I'm actually really eager to get back to Below Eden lol

[imagionationstation]

Heyya! I hope your break from social media was nice! :D

I just wanted to say I love your writing both on here and ao3, and find myself looking through your character and episode analysis on here a lot when I need inspiration.

I drew some art of your separated feral donnie au and i hope you like it. Hope ya doing well! :D

Okay, hear me out, I saw your post and I made a response and then Tumblr deleted it so I got upset and walked away with the intent to come back and reblog it later and totally forgot.

There is a reason that I never get to Asks even though I spent all day thinking of how I'll respond until one thing interrupts and now that Ask is lost to my drafts until I stumble upon it months later-

The memory loss is strong with this one.

Also, thank you sm. I adore when people can use my random stuff to positively influence their writing/art. That's literally why I write them, because I fully realize that there's a lot that can go under the radar and it's not fair of me to wonder why people only notice the bad when I have never stepped out to share the good.

THE PUBLIC DESERVES TO KNOW.

Plus, there's not nearly enough 2012 Donnie fanfiction out there, so I do my absolute best to fill that hole. I love to make converts. CONVERTS TO THE DONNIE FANCLUB CAUSE.

Because I like him and all that he does a normal amount <3

BUT ANYWAY LOOK AT HIM- THE FERAL CHILD!

He. Is. So. Realistic. I CAN'T EVEN BECAUSE THAT'S HIM.

The little gap- the big brown eyes- the cracked plastron and the scarring around his throat and the symbol on his chest- MAN.

HE'S SO ABUSED AND HE DOESN'T EVEN KNOW IT.

Like I look at him and his little crouch and his squinty glare that looks like this boi needs glasses because he doesn't know how to properly glare or even have a mean bone in his body my gosh his big brown eyes are right from my brain he's so innocent I CAN'T-

YOU GUYS ARE MAKING ME EVEN MORE NUTS OVER MY OWN AU AND I DON'T KNOW HOW THAT'S POSSIBLE-

NOW DON'T GET ME STARTED AT HIS LITTLE HISS.

Honestly, this kid wouldn't hurt so much as a cockroach, but if that monitor even considers shocking his Friend again he will learn to change his ways, so help him-

[kerubimcrepin]

Live-read: The Wheel of Destiny #1, Atcham.

You can find this article on the Dofus MMO’s site, by simply googling it.

Before I begin this post I want to acknowledge multiple things:

On the hierarchy of canonical media, web articles are like... the bottom of the barrel. I already suspected this, but season 4 fully retconning Eva's parents from the lore articles sealed the deal. For this reason, take these as nothing but the sort of canon that will get retconned at the first available opportunity.

I recently found out that the Wheel of Destiny 8, the one about Kerubim, seems to use stolen fanart by Flowerimh, which is sad. I don't know where else to put this, because I don't want to make a separate post about this. Flowerimh isn't even active anymore...

Despite these two things, let us proceed to read this article together:

So, this article happens anywhere from one year to a decade before Joris was born, and at this time, Atcham and Julith were already acquainted and spending free time together.

Spoiler alert: They are searching for Kerubim.

Keke getting called a "precious runt" is on par with the shit Joris gets called. Wonderful. I do wonder why they would search for him in Brakmar. Someone confused him for Atcham? Maybe they asked Kerubim himself, and he didn't want to deal with them, and so, sent them to Brakmar on a wild goose chase?

I will not be asking "what did he do" because, like, Fifi Pretty Calves exists. He has enough enemies to have a price on his head.

I am literally in love with him, and every single way he is described in this part of the text.

"He had a preference for sibilant sounds", "Aw, poor little puppy", "the only reason he hadn't robbed them blind is because he wanted to know more".

He was so excited.... he thought they wanted him (not carnally).... 😢

He takes a lot of pride in his work and insane behaviours.

Atcham considers himself an extraordinary adventurer and a valiant fighter. AND HE ISSSSSS. But it is interesting that besides being a killer for hire, he probably also adventures.

[Taps this meme I made about Kerubim and Atcham once again]

He was so ready to be the one people wanted to kill just once, and they ruined his whole fucking evening.

Imagine this being your day-to-day life, for decades. Just people laughing at you, laughing because you still hadn't caught on that you're the joke, and laughing when you finally understand that, and get upset.

Laughing about you behind your back, to some random stranger, too. Because they still hadn't realized they're literally talking about him.

I think this is a good time to say that I headcanon Atcham as autistic. It is simply a headcanon, but one rooted in the themes of his character. I think it is a fitting conclusion, (albeit, just like my hcs of Joris having ADHD and OCD and Kerubim having comorbid BPD and HPD, very accidental one, on part of the writers).

I could talk for hours on the way neurodivergence, disability, body issues, and violence-as-response-to-abuse intersect in Atcham's character, — or the way he hates everyone preemptively, because he knows that they will probably hurt him, yet still tries to be at least a bit kind and fair to others (....who aren't Kerubim).

I am probably not autistic, — however, I am neurodivergent, and I love & relate to him, so yeah. Always rotating this bingus in my brain.

Imagine this being your whole life.

I read descriptions of Atcham being cool and fast, and all the analysis leaves my brain as I say "awooga hummina hummina".

The fact that nobody ever wed him is literally so unrealistic, like WHAT DO YOU MEAN you don't want the weird, mentally ill, neurodivergent twink.

We never see Atcham's home in Brakmar, but from the description of "tattered", and the way his bed looks in the comic panel I inserted earlier in the post, it is safe to say his home is the definition of "girlrotting". It probably smells. Bad.

Says the woman whose kindness will also be the death of her, — and her ruthlessness too.

Because of her visiting his home so nonchalantly, and their interactions as a whole, I like to view Atcham and Julith as somewhat close friends, — as close as two very emotionally repressed people, who have a huge age difference, and don't like to admit that they feel anything positive, can be.

He probably didn't mourn her, — not after she was presumed dead for ten years, and not after she died for real.

But he probably still thinks about her, once in a while.