#( she makes me so happy. she's perfection )

[spirkbitch]

i love spock with cats just like everyone and i don’t know how much y’all know about cat body language but i felt this would be important to share

this cat is extremely happy (understandable), she’s slow blinking (sign that she’s content/comfortable) and even making biscuits a little bit (the way she clenched her paws like she’s kneading, another sign of comfort/that she trusts the person she’s with)

and i can’t find any other clips but you can tell the whole episode that the cat actor is just so excited to be there

anyways that wasn’t really important i just think it’s nice

[chloesimaginationthings]

I ADORE your design for Charlie. It’s so adorable!!!!!!

I’m so glad y’all loved her design!!

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[heartorbit]

a new world together

[aquanutart]

[tommygotwrittenoff]

bobby says to eddie one shift where buck is home sick with chris. going home to see your boys? eddie smiles and says. yeah. and your boys just Sticks in eddies brain and when he gets home he sees chris and buck curled up on the couch asleep and the sight makes him pause cuz. yeah. those are his boys

[o3o-lapd-o3o]

here's part 7! hope you guys enjoy! part 8 will be uploaded tomorrow!

(p.s my headcanon explainations are in the tags if you're curious)

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 8

there's a masterlist now!

*after everyone had gone inside, telemachus left to go to his room to change while penelope and odysseus headed to theirs*

*penelope had help getting changed/ready from her handmaiden, however odysseus doesn’t start changing, instead he’s just sitting on a lounge chair looking out the window at the sun setting*

penelope: *now ready for the evening*

penelope: *to her handmaiden* thank you for your help. 

penelope: *smiles as she’s walking to the bedroom door with her* 

penelope: *remembers something* oh! please let the others know to make sure you all grab yourself enough to eat after all the hard work the past couple of days! or take some of the remaining fish & meat home to your families!

penelope: *waves goodbye as her handmaiden leaves the room*

penelope: *closes the door and turns to face odysseus*

odysseus: *still staring out the window*

penelope: odysseus?

odysseus: *no response*

penelope: *understands he doesn’t mean to ignore her* 

penelope: *slowly walks towards him* my love, it's just you and i now

odysseus: *finally realises penelope was calling out to him* 

odysseus: *turns his head to her* i’m sorry penelope

odysseus: *looks her up and down, always amazed by the beauty of his wife*

penelope: *giggles as she see the lovestruck look on odysseus face*

penelope: *stops just in front of him and twirls around*

penelope: see something you like?

odysseus: *standing up and pulls her into him by her waist* 

odysseus: always *goes in for a kiss*

penelope: *accepts the kiss*

penelope: *giggles when odysseus keeps planting kisses all over her face*

penelope: my dear husband, stop distracting me! 

penelope: it’s time for you to get ready.

odysseus: *stops the kisses and looks down and sighs*

penelope: *cups his cheek with her hand and turns his face back to hers* 

penelope: you know i’m not going to force you to wear anything you don’t want to, right?

odysseus: *leans into her hand* i know, i know…

odysseus: it’s so silly of me isn’t, it’s just clothing-

penelope: *now holding his face with both her hands* nothing is silly, not if it makes you uncomfortable my love

odysseus: *smiles* i love you

penelope: *smiles back* i love you too

penelope: *lets his face go* now, what would you like to wear tonight? 

odysseus: *looking at the tyrian purple pelops she's wearing* i would like to match my beautiful wife

penelope: *knows she had a chiton made for him at the same time she had her pelops made* ok, let's get you matching then

*once odysseus is ready, him and penelope leave their room and make their way to the palace entrance ready to greet their dinner guests*

*when they arrive, they see telemachus; who is dressed in more ‘princely’ attire than his usual day-to-day clothing, talking to athena who arrived not long ago*

telemachus: oh! mother, father, you're ready!

athena: *turning to them*

athena: *smiling* good evening

penelope: *smiles back* good evening lady athena

athena: please penelope, i think we’ve known each other long enough… especially after everything in the past year

athena: just athena is fine

penelope: *smiles* sure…athena

odysseus: *looking at athena* 

odysseus: it’s still so weird not seeing you in all your armour

athena: *laughs* well i thought the occasion didn’t require it

*the four of them continue talking for a little bit*

athena: i see that my uncle hasn’t arrived yet.

telemachus: *turns to his father* you told him it was tonight right?

odysseus: *nods* i did

odysseus: *thinks for moment and sighs* 

odysseus: he’s not going to come to this entrance… but i know where he’ll be

athena: i’ll go with you to get him

telemachus: me too!

penelope: *laughs* well i guess i might as well join too

odysseus: let’s go then

*they all head in the direction of the entrance for the palace gardens*

odysseus: *stops them before they all head outside* ok maybe we don’t all need to go down to the sea

odysseus: i’ll go meet him and we’ll both join you shortly

*telemachus, penelope and athena wait by the entrance talking amongst themselves, while odysseus makes his way down to the palace cove*

*odysseus arrives at the cove when he sees poseidon making his way out of the water*

poseidon: *sees odysseus* 

poseidon: king of ithaca

odysseus: *deadpan expression* poseidon.

poseidon: *rolls his eyes at odysseus, for the clear lack of title for him*

odysseus: the others are waiting, shall we get going?

poseidon: *about to agree when he remembers about the arrow*

poseidon: wai- uh i mean, i have a question before we leave…

odysseus: *eyebrow raised* 

poseidon: you're not… i don’t know, mad or angry with me or the sea’s inhabitants by any chance?

odysseus: huh?

poseidon: *pinches the bridge of his nose* has the sea or i, done anything to offend you in the past day?

odysseus: *now confused* no?

poseidon: *drops his hand from his face and then points at odysseus* then why did you shoot me?!

odysseus: *even more confused* shoot yo- whAT?

poseidon: *reaches into his chiton and pulls out the arrow he kept there* 

poseidon: *shows the arrow to odysseus* please tell me then, what have i done that's got you shooting arrows at the sea?

odysseus: *looking at the arrow, then up to poseidon* i've not shot any arrows at the sea? 

odysseus: also, who shoots arrows into the sea?!

poseidon: *hands up in the air in agreement, the arrow being thrown behind him* 

poseidon: that's what i said! but who else would it be? it hit the waters of this cove, so unless-

odysseus: *suddenly realises where the arrow has come from*

odysseus: *starts laughing*

poseidon: *brings his hands down and narrows his eyes at odysseus* what is so funny?

odysseus: *wiping a tear away from his eye from laughing so much* my son

poseidon: *now his turn to be confused* huh?

odysseus: *having collected himself * my son, he shot the arrow during archery practice

poseidon: *eyebrow raised* and you're teaching your son to shoot the sea… because?

odysseus: *rolls his eyes* it was an accident, my wife startled him and he misfired. 

odysseus: *lets out a tiny chuckle* i can’t believe it made its way to the sea though 

poseidon: oh

odysseus: yeah ‘oh’ 

odysseus: why would you think i’d shoot the sea anyway? 

poseidon: *arms now crossed and looking away from odysseus* 

poseidon: who knows with you…

odysseus : *smirking* oh poseidon…i’d just use other ways to get your attention

poseidon: *whips his head back to odysseus* 

poseidon: *sees odysseus’ shit-eating grin*

poseidon: oh be quiet… what if i arrived early? 

poseidon: *points at himself* i could have been hit!

odysseus: *snorts* oh please… an single arrow wouldn't kill you

odysseus: besides we both know you've been impaled with worse

odysseus: *turns to head back up to the palace* anyways, let's head up to the others

poseidon: *realising what odysseus said* wait-

poseidon: odysseus of ithaca!

odysseus: *just keeps walking ignoring poseidon’s outburst*

poseidon: *grumbles under his breath but swiftly walks to catch up odysseus* 

*odysseus & poseidon make their way to the palace garden entrance where now only athena is waiting*

odysseus: *looking to athena* where-

athena: *already knows what odysseus is going to ask* they headed to the dining hall.

athena: telemachus wanted to check some final things and penelope left to accompany him.

odysseus: *nods at her explanation*

athena: *turns to look at poseidon*

athena: *nods head at poseidon* uncle

poseidon: *blank look on his face* athena.

athena: *now looking at her nails* not seen you since you were up on olympus in apollo’s infirmary…

athena: *looks back at poseidon and grins* speaking of which… how’s your chest?

poseidon: *scoffs and crosses his arms* fine.

poseidon: *suddenly smirks back* need i remind you that you were also there for a similar  reason…how’s your face?

athena: *grin has left her face and now narrows her eyes at poseidon*

odysseus: *not wanting to deal with two bickering gods* 

odysseus: *sighs*

odysseus: *claps his hands together sharply* OK! how about we don’t fight in my palace, yeah?

odysseus: besides, telemachus has been extremely excited about tonight’s dinner, so i do not want anything ruining it…

odysseus: *makes sure to look at both of them*

odysseus: *red eyes appear & disappear in the blink of an eye*

odysseus: got it?

athena: *now semi-understands why poseidon listened to odysseus ‘requests’* uh-

poseidon: *putting an arm around athena’s shoulders* yep, no arguing here!

poseidon: *turns his head towards athena* isn’t that right my dear niece?

athena: *stares at poseidon in disbelief at the words ‘dear niece’*

athena: *turns to odysseus* you can’t be seri-

odysseus: *raises his eyebrow*

athena: *sighs* sure, no fighting in the palace

odysseus: *smiles* good. now i know you know where the dining hall is located athena, but poseidon doesn’t.

odysseus: so, if you’ll both please follow me.

odysseus: *starts walking down the hall*

athena: *shrugs poseidon’s arm off in disgust and follows odysseus*

poseidon: *sighs and also follows odysseus*

[arundolyn]

"I have to run errands myself today..."

"EH? W... wouldn't this cause a tummyache...?" // "Ah! In that case... apple and potato salad, straight from Auntie Leap's cookbook!"

[illmoraineakoi]

So I was showing my mother AvA, bc she was confused about why I was hyperfixated on stick figures, and when we got to the Purple's family scene in AvA11, she immediately noticed Navy.

"Did that stick just abandon his family?!"

She hasn't even seen AvM 29 yet, and she immediately pinned him as a deadbeat I canNOT--

[smolerthanthediagram]

To be beautiful...

How have i been sleeping on this song for so long, now i'm just to obsessed with her........

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[moonlit-orchid]

These two lines in the movie make me the most mentally unwell.

"I should have been the one to go. You needed your mother more than you needed me."

The amount of layers to this, oh my god. He's blaming himself for being alive. He probably wants to die. He genuinely thinks Adrian needs Emilie more.

And it's been YEARS since Emilie's passed away. Look how tiny Adrian is over there, he only just about comes about the bedpost. Gabriel still looks like he did in the pictures of when Adrian was little. It's been literal years. It could have literally been a full decade ago.

And Gabriel breaks the narrative here. He's supposed to be telling a story, he's supposed to be saying what happened in the past. But at this point, he doesn't say "your mother was taken from us" or anything like that referencing Emilie's passing. The story breaks, he's using a statement. I should have been the one to go. It's completely out of the story, because he isn't saying what he felt then, there's no "I felt like I should have been the one to go". It's just "I should have been."

Because he still thinks this. It's been about a decade, and his opinion, his feelings about this, is still "I should have died". It interrupts his storytelling because of how strongly he feels this way, almost like it's a fact to him.

And then he follows it with "You needed your mother more than you needed me." Again, he says this like it's a fact, like Adrian actually did need his mother more. Because he believes it himself. And this could be because of so many things. It could be because of the way people consider the mother to be the one supposed to care for the children much more than the father, or it could be that Gabriel himself didn't see how much Adrian needed him, or even that Gabriel didn't see himself as useful to Adrian. Especially because he said he should have been the one to die. He's essentially saying he was useless. That he was expendable but Emilie wasn't. He literally is implying he doesn't see any worth in himself regarding being a father.

And then it's not just his grief, it's Adrian's grief that has him desperate to bring Emilie back. He literally doesn't care about himself, he wants his son to be happy and doesn't see himself as able to do that. He loves him to the point of being suicidal and self-sacrificing if it would give Adrian what he need, all while simultaneously not seeing himself as what Adrian needs because he doesn't think he has that much worth regarding him.

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[rp18hplc]

LOOOOOOOOOOK at HER 🥹🥹🥹 !!!!!!! Absolutely in love with this tiny Laswell 🥰🥰🥰🥰!! @gomzdrawfr did such an amazing job with her!!!!!! Thanks again, Gomz !!!!!!!!

[biromantic-barbie]

Season of the witch. 💜💛💚🩷💙🧡

do not repost/remove my username.

[miraneko19]

Realized this while playing Birushana. Tomomori. You know.