#( It's probably *very* incoherent. )

[wordsinhaled]

my ‘crowley loves aziraphale’ post needs a companion because there needs to be absolutely no doubt that aziraphale is ABSOLUTELY as gone on crowley so…

here i am just thinking about aziraphale’s “smitten, i believe…you’re being silly 🥰” and “why don’t you wait inside? you like waiting inside” (aziraphale knows what crowley likes, what makes him happy!). it’s aziraphale telling crowley he gets plenty of use out of the[ir] bookshop and it’s aziraphale making sure crowley feels welcome to come in whenever he likes and that it’s crowley’s as much as his to the point where crowley just feels comfortable making hot chocolate there

it’s the way he touches crowley so easily (hand on the shoulder in the s2 finale, arm around the waist in the graveyard support, hand on the chest and sliding down, the way aziraphale clasps crowley’s hand in both of his with such enthusiasm in 1941 when it could’ve been a prim handshake, the way their hands almost curl together when they’re dancing at the ball…)

(and that last one makes me unwell, because if their ball had been during the actual regency they would both have been wearing gloves… but at aziraphale’s ball, their hands can touch without any layer between, and he even seizes crowley by the hand to pull him onto the dance floor like he’s waited his entire life to do it)

thinking about the way aziraphale has always looked at crowley from the very beginning, soft, soft, so impossibly, unbearably soft. the way he darts little glances at him whenever he can, like he’s indulging himself in looking

thinking of the way he takes obvious pleasure in introducing crowley to people and saying they go back a long time. thinking of how when gabriel spoke about one person making everything alright aziraphale immediately thought of crowley

thinking about how we’ve always seen them dine or drink in public places but then in 1941 they’re having a private candlelit dinner, just the two of them

thinking of the way aziraphale looks at crowley at the end of the season - as crowley’s putting his glasses back on for the final time - in this earnest, intent, searching way. even in the midst of this argument he’s thinking why are you closing yourself off from me? you don’t do that anymore, we’re not like that anymore. it’s like he’s trying to read crowley’s features, like everything will fall into place if they just look at each other properly

thinking of how aziraphale touches his own lips after the kiss like he can press the memory of crowley’s mouth into them to keep forever

in short… aziraphale loves crowley so much it’s devastating

[theloverislost]

ugh. something about the inherit tragedy of the fact that crystal will grow up and charles and edwin will stay sixteen forever. they’re friends but crystal still has her whole life ahead of her and edwin and charles are stuck in a sense. she can’t stay with them forever. the whole point is that she can still live past sixteen but they’ll never be able to. to stay with them is to trap herself. to stay with them is to keep herself from growing up. i have no doubt that they’ll stay friends for a long time but sometimes life is about moving on, even if you want to stay. even if you have to be dragged away kicking and screaming. even if the people you met leave irreversible imprints on your life and who you are. crystal will grow up and hurt and heal and figure out how to exist as herself, how to exist as crystal the psychic and crystal the human. crystal will grow up and the boys will forever be sixteen.

[ahollowgrave]

You make for me a portal Eyes warmеd up with sorrow

[buckleyreid]

I don’t wanna feed into the “bucktommy is purely sexual”, “bucktommy shippers are fetishizers” discourse so this will be the only thing I’ll say about that.

I think it’s incredibly interesting how there’s soooo many posts about bucktommy here on tumblr (and no doubt in other platforms too), there’s sweet wholesome posts, there’s analytical posts about their relationship, there’s headcanons, there’s fanarts and yes, there’s smutty fics too for example.

Yet, the people who are pointing fingers, calling others fetishizers, are the ones solely focused on the sexual content. Bucktommy fans aren’t the ones making their relationship all about sex, the call is coming from inside the house.

Unhinged buddies are the ones choosing to ignore the part of the scene where both characters open up about their rough family histories and, instead, are making it all about a very quick sex joke that was used to lighten the mood. And because they can’t stop at that, they then proceed to say two grown ass queer characters flirting with each other is gross, disturbing, and a reason one of them should get killed off. That’s the real disgusting thing.

This just in, gay people have sex. I know, shocking. They also talk about it, they make jokes about it. It’s almost as if it’s a normal thing- oh wait, it is. In bucktommy’s case, it’s far from being the only facet of their relationship, but it’s still there and it’s not deviant, it’s not disgusting and if it makes you so uncomfortable to think about then maybe that’s something to reflect on.

Touching grass is not enough, y’all need to roll on it like a dog excited to go on a walk. And maybe retake some reading comprehension classes too. Dead serious, grow up.

[justarandomsanenobody]

I hope they aren’t planning for another October takeover, because unless they’ll be playing games, it’s just slapping two villians onto the channel for a month. The Eclipse and Lunar show happened because Lunar wanted to play games and have fans and fun or something, they played games so it makes sense they’d rebrand it to themselves. The Bloodmoon and Ruin show (or whichever way it goes) took over the channel and played games, so it’d be rebranded to them. If this October they pull another takeover but the designated villians of the month don’t play games or barely do, that’s not a takeover that’s just rebranding it for a month, sure the lore could be more focused on that villian but there’d be no reason to rebrand the show since it wouldn’t make sense. I sound like a broken record but I just think it’s true.

[velvetjune]

Jesse would probably have the same reaction to Saga’s profiling as Tor or Odin, being able to directly communicate, which would lead to the best situation of both of them just staring into space while they’re silently and psychically communicating at random times

[fantasykiri5]

Fabian and Riz to me are like. They’re like the definition of “a secret third thing” to me but not like in a qpr way. Their thing is just Their Thing, like they’re inseparable they drive each other fucking bonkers they care so deeply and they’re stupid teenagers and I don’t think they would even really think about it at all. I don’t think either of them can imagine a world where they’re not at least around the other, and like whatever their thing is definitely isn’t allo but it’s definitely not regular besties shit. They just like being around each other, I don’t think either of them would really even think to put a name to whatever it is they’ve got going on, and I definitely don’t think either of them would ever put enough thought into it to even figure out what a qpr is, much less label themselves in one. They’re just Fabian and Riz. The Ball and Captain of the Owlbears. They’re just them I think. Idk man.

[doublechocolate]

shinshi fic writers who write shinichi as a complete simp for shiho, you are truly the real ones

[stagefoureddiediaz]

Thinking thoughts about Abuela being back and with this backstory about her being taken in by charlatans and Eddies whole catholic guilt thing and how the two things kind of play into one another as an exploration of faith and being taken in by something.

Abuela giving all her money to the tarot card readers etc because she was searching for something - for connection (with Abuelo) - trying to recapture what she had lost, and How Eddie has spoken about trying to re-find the magic he had with Shannon - how Eddie hasn't actually fully reconciled the Shannon of it all when it comes to relationships and how his Catholic guilt connects into that.

How Marisol as a physical representation of Catholicism is part of that narrative - how Eddie is entering a place where he has to chose his path - in order to move on from Shannon he needs to fully square the hole - catholic or non catholic. And how that needs to happen first - before he can begin his queer journey!

[wickmitz]

any thoughts/opinions on vikdecai?

i don’t believe i have any complex thoughts that haven’t already been said by the community at large! mostly my opinions just correlate to a very fond i like them, since mordecai kneecapping viktor in order to save himself from having to hurt him later is really one of the first things that humanizes his character. makes you realize he’s not nearly as cold or practical as he tries leading you to believe -- a front that unravels further given his atlas obsession. and i like that! my favorite thing about mordecai is his subtle longing for the lackadaisy crew, how much he doesn’t wish to hurt them, and how venomously he loathes his current life … what he’s doing now isn’t what he wants to currently be doing, but merely what must be done for his goal, one which is already layered in lackadaisy sentiment. so his bond with viktor is important to me, given how much it highlights this inner struggle and earnest truth within his character. but then again, this can also be applied to mordecai’s relationship with mitzi, atlas, and ivy, so let me discuss them in a more romantic sense. which i’m sure is what this question is trying to get at!

romantically, i view mordecai and viktor’s dynamic as … favorable? it’s entirely plausible there were feelings there, an intimacy only they shared as men inside atlas�� arsenal, people who were entirely knowledgeable of the lackadaisy’s nasty underbelly. it’s their slaughter of people deserving and of many, many innocents that help their boss’s speakeasy run, and this violence ( this constant watching one another’s back ) would only breed closeness in spite of the horror it’s built on. and, of course, they have core things in common outside of their job and efficiency for bloodsport! like their love for family, their devotion towards those who matter most, and how out of place they equally feel on this soil - - in this world and era, where everything feels like it’s out to get them in some way or another. their ability to connect beyond their surface level traits and quirks ( mordecai and viktor are very much opposites on their surface, and they have a habit of bickering about these differences, albeit lightheartedly ) demonstrates the profoundness of what they have and what they’d do to protect it. they care for one another in little gestures, insignificant to most but in a way that truly matters to them … as they can see the genuineness in it, since they’re putting themselves into the careful actions and aren’t just doing things for politeness sake. for example, mordecai tries adorning them in matching cloth so they’re two equal halves, symmetrical, and then we have viktor who pocketed mordecai’s glasses to give him later when they were done with their mission. i like to imagine there are more things like this in their relationship! stuff that isn’t as severe as life or death, like saving your friend’s skin by a mere inch or dragging each other to a finish line every day. any of atlas’ men can offer that. it’s the extra things, done out of agency and personal desire, that bring them closer than any other regular joe on atlas’ payroll. it’s rather clear that they were close canonically, and that viktor was perhaps mordecai’s closest friend in a way that atlas could never be due to the pedestal he was constantly put upon. and while we have less insight on viktor’s feelings, i’d imagine the betrayal has never, and will never, fully heal. it is not a wound he can easily patch up, and it isn’t something one could just forget either. how can you dismiss someone who used to be your hands and eyes and ears? when you two functioned as another man’s extra body in your entirety? you may as well have shared a mind when out on the field, and that’s a closeness and a trust which is hard to lose. viktor hardly lets anyone in as is, just as anti social as his spectacles wearing companion, so to lose that in such a violent was is an unspeakable pain he bears, i’m sure. mordecai took whatever remained of his life from him with that shot. he’s permanently robbed viktor the ability to defend the last few hairs he cares to protect. his purpose is now up in the air. and all this anguish from someone he completely and utterly believed in … there is a lot of hurt, is what i’m saying. a hurt that’s too deep and life altering for it not to be supremely personal too. it’s deep and festering and viktor ignores it, and mordecai ignores it, mostly, but sometimes his paw strays near his wound and he itches at it, and it reopens the ache all over again. there is metaphor to be found there! an abandonment and a departure that leaves you bloodied from maiming or being maimed. it is very easily a multi-layered sentiment!

however, i could still take this or leave it romantically, hence my earlier statement of favorabe rather than unabashed gushing and swooning. this is a ship i like, but i don’t read mordecai as crushing on viktor per se? i’ve always viewed his extreme relationship with atlas as puppy love that’s half bred from devotion, something not entirely genuine but also still genuine enough, which makes for a nice parallel between that and rocky’s bond with mitzi. his rivalry with atlas’ wife and his oddities such as wearing his boss’s shirts read as girlish crush behavior, typical things one does when believing themselves enamored, you know? naturally his views and feelings for atlas aren’t quite that simple nor easy to parse, and i’m not trying to simplify them in any way! i just believe he had a torch for atlas, and thus didn’t carry another for anyone else, at least not as intensely. whatever feelings he might have for someone would always be second to atlas, who was his very reason for living and breathing every day, who was his answer and justification and eventually? his obsession. in many ways i think mordecai was too wrapped up in atlas to properly develop feelings for viktor, even if there were inklings of something inside of him. ironically, the term something is what i love using when thinking about him with viktor or mitzi. mordecai is something with those two, he feels something, an unlabeled sort of thing he can’t really reach -- perhaps he doesn’t even want to, scared of what it might mean, what it could say. and it is different somethings! they are not the same feeling, what he feels towards those two, but it’s not fully known to him in the way that his feelings towards atlas was. it is not as clear! especially now, with things as awful as they are and with mordecai so full of turmoil he’s forcing himself to not share. he also has an intense aversion to emotions, obviously, which doesn’t help matters lol. this man could find some of the closure he’s so desperately seeking if he took more than a glance inside of himself, but then he wouldn’t be apart of this tragic tale, now would he?

still, in a better world where the lackadaisy’s gaggle of traumatized characters are allowed healing without any casualties or major losses, then i’d enjoy seeing a viktor and mordecai slowburn. where they decide to remain steadfast by each other’s side like once upon a time before, and they deal with life as a unit. maybe when given the space for it, mordecai’s affection can finally cement into real love for viktor -- the romantic kind, something sappy and disarming and maddening all at once. maybe viktor will allow such indulgences, finally able to touch upon his heart again and use it in a way that he hasn’t gotten to in a couple ages. or maybe he won’t share the specific feelings that mordecai possesses for him, but he’ll enjoy creating an entirely new thing that’s only for them : he can compromise and he can bend if mordecai is willing to bend just the same. they certainly wouldn’t be your typical couple, their emotions too stunted for regular dates or typical pda, but there’s something more special and intimate to them carving out their own space, and thus having their own secret world. a mix of platonic and romantic affections, a healthy dose of selfishness and desire they couldn’t ever have before but now can hoard so entirely, in small bearable doses. and there will always be some things they both won’t ever be able to shake ( mordecai disabling viktor, atlas, viktor’s daughter, etc ), although they could manage these aches and guilt better together, which is the exact sort of happy ending i’d want for them. if i may be so indulgent myself haha ( <- person who knows lackadaisy’s ending will be mostly dark and tragic but likes playing around with hopeful scenarios and what-if’s regardless! )

[jeanmoreaue]

I agree!! *an incoherent rant incoming* Jean imo def moved on from Kevin (in a romantic way; i think he’s not moved on from the whole ‘Kevin left me’ thing ofc but I think he obviously knows and accepts that he and Kevin won’t ever happen lol). And that scene with Renee was obviously a closure/farewell and they’ve moved on to being friends now (also imo while i like their dynamic i feel like they’d never work bc of the whole victim saviour complex, that’d be really uncomfortable and hard to overcome). Jeremy seems like he’s able to handle Jean’s crazy baggage without placating him too much or pushing him too hard. He definitely needs to work on his own shit first (i feel like the way he went all in on helping Jean is kind of giving ‘I am avoiding my problems by getting too involved in others’ problems’) but I think Jean will be the perfect person to help him with that! As you said he’s super perceptive and honestly very empathetic even if he doesn’t show it in the most obvious way. Jeremy would probably really appreciate Jean’s brutally honest approach lol. They’re lowkey perfect for each other ☹️ TSC2 can’t come soon enough

hardcore agree on every single point you made!! i feel exactly the same about Jean and Renee, as much as their dynamic is sweet, i think it would be really difficult to overcome Jean feeling indebted to her (whereas Jean and Jeremy are both growing together) + ya i think Jean has very complicated feelings toward Kevin but i don’t think he’s actively yearning over Kevin anymore

and exactlyy i definitely imagine Jean quietly picking up on whatever Jeremy’s going through and expressing concern only for Jeremy to try and pull a “my problems aren’t that bad and therefore don’t matter” which i don’t see Jean accepting. especially since Jean has an ‘older brother who cares more about other people’s well-being more than his own well-being’ vibe (underneath his slightly prickly attitude lol) i think Jeremy and Jean are really good for each other, Kevin subconsciously knew what he was doing by having Jean transfer to USC 🤨

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[spock-adoodledoo]

i think one of the things i'll always appreciate abt maomao is that even though she's the protag, it's not really that the world revolves around her or that things always happen to her, it's more that she gets involved in things (usually at the request of other ppl but whatever) that usually don't affect her immediately. idk but it's nice that she's kind of our dispassionate window into palace life instead of the person everything happens to

[mommalosthermind]

So I'm slowly starting to come to understand that we shouldn't censor things but also I'm still a little uncomfortable with the site allowing things like pedophilia to be written in a way that's romanticized. I get it. Avoid it since I don't like it but at what point do we say, 'hmm this isn't okay.' I mean I get it, fiction doesn't hurt people but if that were truly the case then why are we lobbying for rep/realism/etc in media? Fiction, at some point, has to have some effect on real life.

Hello darling! I got your second ask too, please don’t worry, you’re definitely not coming across as unkind.

And you’re definitely not the only one to have similar thoughts or concerns.

But my answer’s going to be the same.

There is no such thing as a little censorship, and opening that particular can of pringles is not going to end happily for anyone. It’s better to not open it at all. And yes, that means people will create deeply fucked up things. But they should have the ability to do so, just like you should have the ability to avoid the hell out of it.

(Which, for AO3, is where I start in on my tag your shit appropriately/read the fucking tags!!! Rants. Learned the hard way a million years ago when I *thought* I was reading something very very different than I was, so when I got to ‘Character has sex with a dog’ I lost my mind, then realized I fucked up and hadn’t read the tags. If I had, I would have noped out of that fic immediately. So. That entire encounter was on me.)

“At what point is this not okay?” Well, that’s the whole point, isn’t it? Who would be in charge of deciding where the line goes? Who gets to decide what goes on which side of the line?

The last anon seemed to think writing was the same as doing, and thus writing shouldn’t be allowed at all.

And then got annoyed when I pointed out how often those unsavory themes happen in movies or TV without any warning at all, and generally, people move right past it.

Fiction doesn’t hurt people. People hurt people.

My favorite comparison is still my kitchen curtains, because my curtains are still weird: fairies, trees. Very witchy. I’ve seen people do literal double takes over my curtains. I can tell by the way they squint they can’t stand them or don’t understand why I would want something so *non-traditional* in such a public part of my house. They keep their damned mouths shut though, because they know its rude to tell me to change my curtains to fit their idea of a kitchen. (And also because I’d toss them out after laughing my ass off but that’s not relevant)

Person A has an idea of what ‘acceptable’ levels are, but that’s much much less than person B. Who wins? No one.

And no one should have the power to just decide things like that.

It’s stupid o’clock at night where I am, so I’m not about to go digging for studies, but I know we’ve got pretty solid proof that media doesn’t cause behaviors spontaneously. At the risk of sounding old, but this same argument once was applied to music, too. The weird compromise was slapping content warnings for language/sex/violence on CD’s. (Y’know. A significantly less useful form of tagging?) It didn’t… really do shit for anyone. Other than make those CD’s more attractive to teens, tbh. But. The argument at the time was rap and rock were violent and would make kids go insane and violent just by listening.

It… didn’t. It still doesn’t.

Reading dark fic isn’t going to cause someone to do something out of the blue.

Someone who’s debating doing the thing might seek out media about whatever their obsession is, yes. But their obsession was already there. Fic, music, movies, they’re not going to create it. I’d wager those girls who murdered their friend and blamed ‘slenderman’ had signs long before they went that far.

Part of the problem with this entire thought is that it’s thought policing. Folks assume the thought equals the sin. And as someone with pretty wonky intrusive thoughts and a long family history of mental issues— no. I have weird ass thoughts all the time. ‘Huh, I’m up high, I should jump, maybe I’ll float.’ I’m not gonna act on them. I know they’re weird thoughts. I’m not gonna float, I’d just die. Your brain just… says things sometimes. Some of us more than others. Therapy’s helpful for folks who struggle with that.

Fiction’s got nothing to do with it, though. Fiction just represents someone else working through their lives.

Melissa Etheridge wrote a song (scarecrow) about Matthew Sheppard’s murder. She didn’t cause anyone else to go torture another lonely gay boy to death. She was working through her grief at losing another one of us. And we worked through our grief when she sang.

Art is made for the making of it. Fiction—even the kind that squicks you— is still art.

As for the other part of your ask, the representation? I’m not sure I see the connection you’re trying to make. When people talk about rep, they’re talking about making the characters more authentic, more reflective of the beautiful range of humanity at large. Not seven brown haired white guys and one bitchy white woman and the unnamed not-white side character used for shit jokes. There should be a rainbow of humans in media, because little black girls deserve to know they’re strong and smart and beautiful. Because queer kids of all sizes and shapes deserve to know they’re loved. Because boys should get to be princesses. Because people with chronic illnesses, disabilities, they should get to be part of the stories. Because white folk need to see the rest of the world as human. Folks want to see themselves in the heroes, the happiness, the successes.

Too many kids never get to see themselves on the screen or read about people who look like them.

I loved belle as a kid because she looked like me and she loved reading. I loved Ariel because she wanted to be free. I cried over encanto because I know what it’s like to be excluded, what it’s like to be the big sister. I cried over reading red white and royal blue because the gays get to live and they’re happy. Everyone should have some way to connect.

The realism bit,though, I don’t think is the consumers as a whole. Yeah, some folks prefer it, but from what I’ve seen over the last 20 years, it’s more like the people who control most popular media have decided that’s what they wanna make. I don’t care for it, tbh. Media doesn’t need to be an exact copy of the real world.

Stories are meant as a place of solace, or at least a place that is different, than your day to day.

I like stories that have soft, happy ever afters. We’ve worked through the Big Bad Thing and come out stronger for it and now we get our well deserved rest. The real world doesn’t give me those things. Other people look at the state of the world, read seriously fucked up shit, and then go, well, at least my life isn’t that. It could be worse! And this is their happy place.

So. I’m not sure I’m much help here, but tl;dr: remember the tenets of fandom:

1) kinktomato: your kink is not my kink and that is okay. (You like this, I do not, I’m gonna leave it alone, the end.)

2) DLDR: Don’t like? Don’t read. Filtering and blocking are your besties.

3) ship and let ship (or sit down) — don’t press your dislike onto the people who do like. Let ‘em alone, go find what you do like.

4) tag appropriately, read the damn tags.

5) curate your own spaces. You alone are responsible for your online existence/experiences

6) have fun. Enjoy it. Be weird. Be silly. Be fucked up. Be unrepentantly yourself. Don’t let anyone else take that away from you.

[cream-and-tea]

oh man the judge/calliope and pallas&agnes thoughts are really eating holes in my brain tonight,,,,,,

[mongeese]

I saw a few people after the FHJY finale talking about how the season failed because of the limitations to d&d mechanics. And that takes on a whole different tone for me after having played d&d because like, it simply isn't true that the only possible conflict resolution d&d offers is killing. Literally the first encounter my party had in a pre-written official WoTC campaign, we were strongly encouraged to barter our way out, not use violence. If you have a good DM, you can get out of most encounters with sentient creatures without killing them. I would argue instead that it is a failure of specifically the dimension 20 format; as much as I adore the battle sets, they do create a necessity to resolve conflicts through violence. Which means in a season like junior year, where the supposed theme was the corruptive nature of rage and how inflicting your will on others through violence is bad, there's an inherent conflict, because there has to be battle scenes which involve the bad kids inflicting their will on others through violence. And who knows, maybe Brennan would have actually had the rat grinders join the bad kids fighting Porter on that battle set if the intrepid heroes had tried that route, but idk. Fig tried really hard to reach Ruben and sure, she went about it in a totally batshit way, but it didn't lead literally anywhere at all. I think Brennan (& the whole cast, to a lesser extent) just fucked up with this one, tbh. Like they just didn't think about the implications of the rat grinders as villains or about how the PCs violent rage toward them would completely undermine any thematic coherency. It was just a bad season conclusion :// but anyway you can do nonviolent conflict resolution in d&d it's like normal. Live your roleplaying dreams