#'you're not entitled to your friends' time'
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countdykulaa · 19 hours ago
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﹟ ⠀ ⠀ 𝟎𝟎𝟏 ⠀ . ⠀ ⠀ LUXURIOUS⠀ ⠀ ﹕ ⠀ ⠀ ❪ ⠀ spoilt! reader x sevika ⠀ ❫
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you're spoiled rotten . you know it . your brother knows it, and sevika's poor wallet sure knows the fact . your mother gave you everything she could though you weren't by any means rich . you went to the best schools a lower middle class family could afford thanks to a scholarship, a fancy pair of shoes bought every couple years in contrast to your peers and even went overseas on your own a few times . this rather ordinary upbringing did little to deter the pit of greed rotting your teeth away with each request .
where your mom fell short your looks picked up . all you had to do was walk down the street on a friday night and all your drinks would be paid for . you don't know what it was about you or where the sudden shift came from , but everyone around you looked at you less like the invisible one , doomed to join the shadows and more like the one with stars dancing on their skin . it took a while getting used to it , but after a while peoples generosity turned less into a gift and more into a quiet expectation . all this to say sevika swears she found you like this .
she swears the entitlement in your eyes was shining big and bright under those fluorescent lights the minute she locked eyes with you at a club with your friends . you were probably half her age , still raw with a rebellious look . she knew the moment her eyes trailed down to the scandalous two piece you had on that you wouldn't give her the time of day if she didn't buy your whole table drinks . sevika knows your type and by the way you tilt your head and gaze at her , unabashed and curious , you know hers too .
what initially started as a drunken one night stand turned into something more but it was by no means an accident . sevika took the initiative , asking you on the date while the taste of your pussy was still lingering on her tongue . she needed to make sure you knew she was serious about wanting to be with you. take care of you the way she knew you expected. you responded with a nod of the head and smile of approval , dragging her in for what turned out to be a long two days.
dating you was nothing short of exhausting in the best way possible. you were nothing like most of the other brats she dated you were something else . you never asked for what you knew she wouldn't give you and that was what made you dangerous . you let her take the lead despite the snark comments that often leave your mouth . she'd guide you down the street with her hand on the small of your back , let you order for the both of thwm and chased off anyone so much as looking in your direction for too long.
you were a pillow princess most of time . loving the way she'd lay her giant hand on your back and thrust into you deep enough to make you speechless . fucked absolutely stupid .
she buys you the best gifts money can buy and stocks up on groceries because she knows how much you love to cook for her. flowers were always a constant presence even in her absence but now they're bigger … brighter , replaced every week instead of every other week . she doesn't just take you to get your nails done and braids platted every month, but also makes sure she waits the whole five hours , phone in hand as she watches the game . her reward is the food from her favourite place , paid by her of course. she took care of you in all the ways that mattered.
...
Your hands weakly wail about only to be scooped by her large hand. She places your hands bove the bedframe, the hard slam echoing throughout the house.
The longer she fucks you the more quiet you get . your eyes flutter shut . a growing intensity settling in your lower half.
“Oh.” you whimper out , voice high pitched and downright pathetic in sevika’s eyes.
...
half the times you toyed with her lips or ran your fingers over her clit was more you playing around than it was making her cum . you swirled your fingers around her bush , felt the wetness running down her thighs . even suck your middle finger on her clit at times . sometimes making her cum was another way to entertain yourself . you especially liked the way sevika would react when your long nails accidentally swiped on her lips . the quick thrust she'd give , etching towards the slight pain . those nights always ended with her blazed out , eyes wide and dazed as you rode her to no end . at times you'd see how many times you could beg her to fuck you while her harness hit her clit in a way that would send her hurtling into another orgasm back to back with minimal stop . she rarely complained , even when it hurt , even when she , the acclaimed brat tamer was on the verge of tears herself .
your definition of topping included shoving her down the couch , lifting your mini skirt up as you straddled her shoulders and riding her face until you got impatient and whiney and made her take over . you'd never outright say it , but she'd know whenever those long stilettos sunk into her hair and grip with a harshness that would elicit a hiss from her occupied lips . she'd sink her blunt nails into your thighs and dragging you up and down her face herself . she knows you , knows you won't give her cock or hardening clit the light of day until you've had your fill . you're spoilt and lazy and greedy and … sevika's pants feel tighter than ever as she gives some aborted thrusts into the air .
she swears she could come from this . from pleasing you . from watching the money leave her bank account the moment a satisfied smile graced your features . and cum she does , right in her pants . you pay it no mind nor the high pitched whines she shudders against your clit .
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PLUTO SPEAKS : updated my taglist form so make sure to check it out
TAGLIST : @saycubed
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thesoftboiledegg · 11 months ago
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kyouka-supremacy · 11 months ago
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#This is about the last thing I could have imagined happening to me but.#A girl just slid what pretty realistically is a love letter under my door and. I really don't know what to do about it#God. I like her a lot but I also really just love her as a friend??#I don't. I have no idea what to reply because on one hand if I said something like#“yeah every second we spend together is precious to me too I love you <3 ” I would probably. Definitely come across wrong#But at the same time I can't just reply coldly I don't want to be rude. I do enjoy the time we spend together.#I just feel that if I don't reply with the same love and dedication I will come off as rude and make her sad and I really don't want to#But also I'm like. 100% sure I'm not into her romantically#It's just. The way she talks to me in the letter makes me feel... Odd in the bad way.#She spent words of admiration on me I really feel like I can't own you know.#She seems to look up to me a lot and I don't think I should be looked up to at all.#“You're a wonderful‚ very strong‚ and intelligent person” HOW DO YOU EVEN REPLY TO THAT.#“Uh I disagree but you're entitled to your opinion”... ?#Thank you?#This is. Ugh. I'm really not fit for this kind of stuff.#I LOVE exploring characters being in love and putting them in awkward ridiculous situations that make them miserable.#I HATE to be in such situations#As if exams weren't enough. How do I deal with that#Posting this just in case anyone has genuine advice btw. How do you reject a girl you actually like a lot#And how should I even write her back. Because she said to and I'm the WORST at writing back#Sis this is stressing me off so much. I want to dig a hole and disappear in it. I'm not getting out of my room for the next six months.#(For context we live in the same students dorm)#random rambles#I'm so distressed right now this is the absolute worst.#Like I was pretty fine with where we were at but now I feel like I really don't want to spend time with her again for a long time.#Deleting this soon hopefully
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anastacialy · 7 months ago
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y'know, i keep making a habit of swinging my bat at hornets nests, but i have to say i'm getting so, so tired of people complaining about shows not making perfect sense when they aren't even close to done. we're four episodes into this season of doctor who. we're four episodes into this season of bridgerton. and yet in both fandoms i keep seeing people whine that such and such didn't make sense or it wasn't explained all the way and by god you guys i think maybe explanations might come later in the season. this is something most viewers will recognize as being called a 'plot.'
#like maybe a tiny bit of media literacy... might save you#and if you think i'm being mean like. its okay if you don't get it at first. it's okay if you don't understand the themes. but maybe#instead of stamping your feet and saying this makes no sense and i hate what they're doing and and and#maybe you could try listening to other people's interpretations of things and you'll find that what the show is trying to tell you becomes#more clear! would you look at that. wild how that happens#like im sorry you're entitled to your opinions but calling things bad writing just because you don't quite get it or it doesn't resonate#with you personally... i don't think you should just say this was shitty and worthless#the examples im using are because both resonate with me btw. 73 yards was existential horror it was hill house and bly manor#(im going to write about this in another post btw bc it compels me so)#it was about the way fear of abandonment can haunt you how mental illness can haunt you how you feel like you can drive people away#just by being yourself (the Woman was Herself what caused ruby to be abandoned was Her it's about her feeling as though she was the cause#of everyone who left her even as a baby even the people who loved her most could decide to not love her at the drop of a hat)#colin bridgerton is masking and faking a personality because it has been proven that time and time again#being Himself is Wrong that he annoys people he makes himself into what people expect of him because he's tired of being abandoned too#his family ignores and does not reply to his letters this season PEN stopped replying to his letters#his brother was cruel to him for being a romantic his friends LAUGHED AT HIM for saying sex is meaningful to him and don't they feel lonely#his Fake Rake persona makes viewers cringe because! its!! fake!!! he's faking it! HE GETS CALLED OUT ON IT TWICE IN EP ONE#if you don't understand he's faking it then that's on you at that point! i don't know! maybe take a minute to sit in the discomfort and ask#why did this show make me react this way and do you think maybe it was on purpose#''73 yards was confusing'' do you think confusion may be one of the ways ruby feels about her abandonment?#there is a theme in all of her episodes so far is it ''badly written'' unclear to you or do you just refuse to think critically about it#txtly#and im sorry for tagging this its just for my blog i kinda wish they still didnt show up in tags if i tag them all the way at the bottom#[old lady ruby voice] ''i used to be able to tag things just for myself once upon a time''#bridgerton#bridgerton spoilers#doctor who#doctor who spoilers
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llycaons · 9 months ago
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that 'little stories about love' post is going around again and most of them are quite sweet but I have to say if my grandmother stalked me across the country and called me when I was on my vacation to demand attention from me I'd be not only pissed but extremely creeped out. I'm sure the submitter has a different relationship to that experience but um. I find that super invasive personally
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here-there-were-dragons · 8 months ago
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every time i think the "staff can do no wrong and any form of complaining or expressing literally anything other than "yaaay love it <3" with no further comments is bashing and literally evil we should never say anything that could even potentially be interpreted as mildly critical ever because ~some artist who worked hard on this is probably reading the forums and might feel bad if we ever express anything but praise~ also we must be constantly positive at all times unless we're passive-aggressively shaming someone for having an extremely polite and apologetically worded criticism and if you ask the staff for literally anything you had better be prepared to preface it with 3 paragraphs of apologizing for breathing air" attitude is bad on tumblr, i take one look at the forums, and holy fucking hell is it SO much worse on site
#i go for years at a time without ever bothering to look at fr forums#and then every time i do i remember why i stopped#it feels like a goddamned cult on there and every time i dip my toes i come out feeling slimy and sick#as if i just spent an hour being aggressively gaslit by my extremely manipulative grandmother#what the fuck is wrong with everyone#i'm glad i decided to keep this creepy fucking fandom at arm's length and mostly just lurk years ago#that place is not a healthy environment for anyone to be in#flight rising#legitimately the single worst fandom i've ever had the misfortune of being adjacent to#and in such a creepy and insidious way too#they'll call you an entitled whiny baby to your face and then convince you it's your fault and you're a horrible person for feeling offende#it feels like being neck deep in the absolute worst kind of preformative sj spaces#you know the ones where everyone interacts primarily via callout posts and there's discourse over if crossdressing is cultural appropriatio#that kind of toxic sj space type energy#but somehow combined with like this weird feeling of being in a mormon church in a deep south town#where all the “nice grandmas” will try to put poison in your food if they find out you're gay or voted blue even one time#and it's somehow gotten SO much worse since the last time i looked on there#they've got people literally apologizing for existing what the fuck how is this normal to any of you people#this is so far beyond toxic positivity it's like. crossbred with passive-aggression and shaming and metastatized into something new entirel#it's terrifying. i hope flight rising never shuts down just so that whatever the fuck this is can stay semi-contained.#pro tip: the more a fandom is universally convinced it's Wonderful and Welcoming the faster you should run the other way#actually good fandoms don't have to constantly reassure themselves and everyone that they're great and perfect and toxicity-free#nor do they react with immediate borderline violence to the slightest suggestion there might be anything wrong with the fandom culture#anything wrong other than “people like you who think there's something wrong with our perfect community” anyway#on that note also any fandom that insistently calls itself a “community” just. yeah. no.#get out while you still can.#fandoms work on corporate logic if they're trying to convince you they're your family or friend that's not just a red flag#that's a whole damn red fabric store
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thenightisland · 2 years ago
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whenever i talk to people about how difficult it is to make friends as an adult inevitably they will ask how i made friends in college and then they realize they’re in over their heads in this conversation when i tell them that i made friends in college via a deer jumping to its death from the top of a building followed by a campus-wide game of cat and mouse starring me as the mouse. that is not a scenario easily recreated in an office environment. 
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unproduciblesmackdown · 28 days ago
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also reminded like yeah billions is pretty incapable of depicting like moments of kindness, warmth, consideration even like wildly limited in the ways it does it & unconvincing to that point of like, exceedingly rare that anyone seems to genuinely enjoy anyone's company & these instances are probably for more "unimportant" dynamics & scenes. & it's not all about billions just Not being about nice heartwarming material or anything like yeah of course it isn't but it also definitely has that & does just Indulge sometime like yes you're supposed to go [aww] or whatever's close enough & at least does ask us to believe characters are affected & motivated by such things sometimes....but it's like oh shit the series that's yeah about Events hinging on Power but also asks about the interpersonal & emotional aspect of that where people are entitled to act upon others & others are treated as inferior but answers with just embracing there being superior & inferior groups but like hey we need the Really superior people with the power & the Really inferior people thusly more vulnerable....like nooo way that again like you just get victim blaming all around & best "good" characters can do is stay in the background as props for their Betters & best "bad" characters can do is Get Destroyed like whee that was so fun & validating of my superiority & power....nooo way that This Material is completely shit at showing anyone actually having a pleasant interaction with another character
like you get shit like how rian is just shown being flatout abusive just for funsies to winston & the comment on that is jeez rian you're being a bit too nice. rian only shown having a miserable time assigned with Just Sitting There so taylor can like say things at a character while billions writes wendy as too busy to remember taylor exists for a few months, except oh rian is afraid of how much she loves taylor & what magical times she had working in the same room for a season b/c billions was doing nothing else w/either character. oh taylor is just someone wendy remembers exists when she wants something from them & then she can cast them aside but otherwise she's in charge of taylor's life & enabling someone who treats them like his property is so important that if taylor deliberately outmaneuvers & thwarts her efforts in helping axe keep them trapped it was a real sicko immoral move from taylor that personally wronged her? her doing whatever she wants with taylor's life Regardless Of Their Consent was beautiful & necessary & so For Their Own Good thank you so much forever? great times on billions. & then like all wendy's beautiful complex romances being just. ungodly
like the Lovely Moments you can have on billions are spending money on someone, from axe's helpful bribing off of an ethics panel to taylor actually getting a thoughtfully personalized gift as a specific gesture for a friend, really wide range to that. &/or you can Tell Someone oh you're sooo superior to others. &/or it can be one of those scenes that are just invocations of Family(tm) or Romance(tm) & are just godawful wastelands lmao like this is miserable too. but isn't that lovely. isn't that What Really Matters. versus like glimmers of people acting like friends or actual peers who have basic consideration for each other & are sometimes being kind or having an actually good time interacting with this person like huh what is that. well who cares. back to wendy's relationship arc of the day
#wow the show that believes with all its heart that there's the entitled Superiors & the Inferiors who bring it upon themselves#is dogshit at the least convincing material about two people interacting in a way that doesn't torture one or both of them#how could this be....damn....#winston billions#& i mean enjoyment or not like. when wendy just says like ''oh taylor of course we see each other as peers'' very last episode like#billions can't even convincingly portray basic respect. Wonder Why. on a show that says yes all nonwendies Are inferior to her.#it had Better be good enough for your friend to remember you exist for the first time in ages & be like Well You're Awesome#well you're better than other people. i bought you a Good Alcohol. i interfered in your life but you'll ultimately benefit maybe ish#that's all you get. besides the promise of nebulous concepts of Family & Romance that are themselves just about entitlement#& again like you just need the one kind of example here like. rian's material w/winston being [default: abuse]#and then the show saying Rian You Were Always Too Nice To Him. b/c it Is the show saying that. like pack it up#warmest fuzziest feelings are when someone is dealing with a Superior who didn't hurt them as much as they could've#not That bad....Could've Been Worse....at least it's the devil i know....just Have to deal with this; so i have to see the best in it#truly shooting for the stars. what's better than this. nothing billions is thinking about#when there's people acting more like equals it's like sure unimportant to billions; perhaps ridiculous to pathetic
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sitronsangbody · 8 months ago
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Please, please be considerate of your fat friends' needs and limitations. Fat bodies are heavy to carry around. I move about the world slower than my thin peers, and I've often had to choose between pushing myself to keep a pace that takes absolutely all my energy, or being left behind, when walking in a group. I don't always feel safe to ask that everyone walk slower, because there's a prevalent idea in society that fat people need to exert themselves as much as possible at all times in the service of weight loss, and that we never "really" need rest, therefore it's a good thing whenever we're exhausted. Fat people and thin people alike are taught that fatness is a flaw, one that fat people ourselves are to blame for, so we're not entitled to any accommodation or consideration. A friend of mine who is fat recently told me about a dinner party she went to where the chairs were far too small for her and she was sitting very uncomfortably. After the meal she politely suggested moving the party to the couch, but the others didn't want to. She spent another couple of hours in unnecessary pain, and didn't dare tell them about it. I love my thin friends, but some of them just don't realize that I weigh probably twice as much as them, and yet I balance it all on the same size feet and carry it on about the same size bones. I'm like if they had a whole other them to carry around at all times. Why would that not have an impact on how I function? Please - take us into consideration when we're part of activities. Ask us which activities work and which don't. Adjust the pace so no one has to be dry heaving and sweating barrels on what's supposed to be a casual walk. Make sure venues have seating that fits us. Make it safe for us to speak up if we need something. When we do, don't treat us like we're the problem. Finally: yes, we have heard of losing weight. Even those of us who might (and many never will, whether you like it or not), won't do it on a moment's notice. If your response to "fat people deserve accommodations" is "what if they weren't fat though", you're playing a fantasy game. It's pointless. We are fat and we are here and we do partake in society. Work with that.
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psychological-musings · 9 months ago
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Honestly I think this could have used an extra button for "No; I've helped people cope with suicidal ideation before, but I never felt guilted/coerced into it" based on a lot of responses in the notes. (Obviously the submitter can't think of every possible poll outcome, I'm not trying to say it's bad that the option isn't here— just that it's an interesting conclusion that that's a pretty common thing people are saying)
We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.
#other than that comment though it's an interesting poll. that's a scary amount of yes votes#given the wording of the question anyway.#I've been the suicidal one in this situation but I never expect anyone to talk me out of it. if i want to be talked out of it then it's not#actually the suicide that i want. if my goal is to be convinced to stop then what I really want is to hold my life hostage to force people#to care about me. which is understandable if you think they won't care any other way. but cruel nonetheless.#when i talk about suicidal ideation it's always from a place of wanting to be understood. and empathized with .#though that's coming from someone who's only ever made plans Once ever. most of the time it's just ideation with no intent#anyway. yeah.#people often don't realize that threatening to kill yourself is still a murder threat.#i firmly believe in the human right to die. suicide is a basic human right in my eyes. so if that's what you need to do then you're entitled#to that.#but. if you THREATEN your life then that's not.... the same. that's an act of manipulation and holding someone's life hostage#now that's also VERY DIFFERENT from BEING SUICIDAL and ASKING FOR REASSURANCE. that's not a threat#that's a plea for help. if your goal is to get reassurance and support and you need a shoulder to lean on that is normal shit.#that's like if you get really violently ill and you text your friend like ''hey i am throwing up constantly and i feel like shit... help..''#and i mean they have every right to reply ''oh shit that sucks but i have no advice for you I'm so sorry. i hope you get better though''#in either case.#but the point is that ''hey I'm going through something scary and i want help and reassurance'' is good and normal human stuff#while ''hey you didn't say exactly the way i wanted you to so if you don't rectify your behavior right away I'm going to make it your fault#when i decide to kill myself'' is. i think what the op here was going for. and that is very much not a healthy or ok thing to do to someone#like that's... there's a huge difference between asking for help#versus withholding your own survival from people who care about you unless they do a specific thing for you.#suicide threats are still death threats.#polls#my thoughts#my tags#suicide
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sk-lumen · 7 months ago
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What a healthy, secure relationship looks like
He communicates consistently and clearly. Replies promptly, doesn't leave you on seen, checks up on you throughout the day/week according to his schedule and in agreement with your needs as well.
He pays attention to your needs and desires and quirks, and makes your life better using said details. Ie. buys your favorite kind of flowers, makes your favorite tea in the morning, remembers your food allergies when having dinner dates, etc.
Disagreements may still appear even in health relationships, and it's ok, as communication is essentual for a healthy dynamic. However, his approach to disagreements is a secure one: each will share their perspective, and if feelings were hurt or mistakes were made, he takes accountability for his side, and makes genuine apologies followed by reparations and direct actions (ie. "I'm sorry I did x, I didn't mean to hurt you. I will be/do y in the future", and then does as he promised).
Promises are kept. His actions are in alignment with his words, and he keeps his words. If he says he'll call you after work, he does. If he says he needs to cool off during an argument and will reopen the conversation in 1h, he does indeed return in 1h to continue the topic.
If you're anxious, he will reassure you and work through it. He doesn't run away or avoid the topic (as an avoidantly attached person would).
If you come forward communicating your needs, or sharing complaints or grievances, he will hear you out and actively seek a way to improve things. He won't freak out, or get angry or run away in response to you having needs or communicating your thoughts; these are normal relationship things you're entitled to, and a securely attached man knows this.
A man that is well-rounded, with a secure attachment style, will have a rich life of his own: hobbies, interests, circles of friends, activities, etc. He will enjoy having his independence and space, and will respect your need for your own. He is not co-dependent, nor gets in the way of you having your own life outside of him. He knows having individually rich lives is important for a healthy relationship. To expand on this, he encourages you to enjoy your selfcare time, your girl's night out, or whatever other activities nourish you.
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astonmartinii · 25 days ago
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day one: when you wish upon a star | lando norris social media au
pairing: lando norris x fem reader
he's been begging max to set him up ... and look who has him in the grid secret santa!
christmas song: my only wish (this year) - britney spears
MASTERLIST | TIP JAR
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f1
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liked by maxverstappen1, charles_leclerc and 1,209,488 others
tagged: carlossainz55, pierregasly & landonorris
f1: it's that time of the year again... it's secret santa time!
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user1: THE SPEEDOS????
user2: 100% from valterri
user3: what do we have to do to see them on tho ???
user4: HUH?
user3: we're all thinking it??
alexalbon: since you're a blabber mouth @charles_leclerc PLEASE PUT MORE EFFORT INTO YOUR GIFT THIS YEAR
charles_leclerc: my gift was great last year idk what you people are talking about
alexalbon: if i unwrap a calendar i will set horsey on leo
charles_leclerc: @rspca GET HIM
user5: i love with secret santa you can really tell which drivers are actually friends lol
user6: charles... we're looking at you last year
user7: the teaser showed that max got lando ... could be interesting after this season
maxverstappen1: not that i need to ... but i have a plan
user8: really?
maxverstappen1: i have concepts of a plan!
landonorris: please don't like gift wrap like a litter box or something
maxverstappen1: oh i like my cats much more than i like you why would i do that?
maxverstappen1: AHA! I HAVE IT
landonorris: that sounds ominous
carlossainz55: is it something to do with his pathetic crush on a certain someone
landonorris: LALALALALLALALA SHUT THE FUCK UP I DON'T WANT THE WORLD TO KNOW ABOUT THAT MAX PLEASE DON'T I'M SORRY ABOUT AUSTRIA
user9: well now it needs to happen...
user10: whoever came up with the grid secret santa i need to give you a big fat kiss
maxverstappen1: you might not be the only one ....
landonorris: SHUT UP
maxverstappen1: hehehehehee
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yourusername
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liked by maxverstappen1, landonorris and 14,055 others
yourusername: gift giving is my love language
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user14: okay lando i kinda get you
user15: she's friends with max and looks like that and hasn't been hooked? where is the hope for all of us
maxverstappen1: hideous personality 👍
yourusername: and you're my best friend so what does that say about you?
maxverstappen1: i have zero standards?
yourusername: girl fuck you
user16: i hate bitches that can actually wrap gifts
user17: leave me alone with my crinkled shit held together with a whole roll of tape
landonorris: my love language is words of affirmation :3
yourusername: okay mr praise kink
landonorris: WHAT? NO?
yourusername: whatever you wanna say babygirl
landonorris: oh i ... um - yes!
user18: oh brother this dude stinks
alexalbon: he is even worse in real life
oscarpiastri: but it is just as entertaining
landonorris: i'm glad my low self esteem is so funny for you guys
yourusername: you're amazing lando - don't think badly of yourself :(
landonorris: did you or did you not call me a 'stumpy, entitled british bum' the other day?
yourusername: well that's because you were fighting max and unfortunately we're two trauma bonded cats and he therefore comes first
yourusername: but i still love you!
landonorris: LOVE?
user19: someone check on him?
oscarpiastri: i just found him passed out in his driver's room
georgerussell63: that's becoming blackmail material
landonorris
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tagged: maxverstappen1
landonorris: didn't manage to win the championship this time round but i'm hoping max got me something good in the secret santa to say sorry
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user20: thank god this season is ending
user21: i think it would've killed me if this title race went to abu dhabi again
user22: it's pookie on pookie crime
user23: i fear one of the pookies may have killed the other if this went on any longer
maxverstappen1: wouldn't you like to know weather boy
landonorris: um yes? i hate surprises
maxverstappen1: i think you might like this one 😈
landonorris: that emoji makes me think you've been scheming
maxverstappen1: maybe i have? you'll just have to wait and see ...
landonorris: STOP I CAN HEAR YOUR EVIL LAUGHTER FROM HERE
landonorris: seriosuly how many of you are in on this it sounds like a pack of hyenas this is meant to be SECRET santa
alexalbon: what do you mean i don't know anything about this ...
landonorris: alex YOU CAN'T STOP LAUGHING AROUND ME
alexalbon: maybe i just find you real funny lando?
landonorris: really?
alexalbon: NO
user24: they are enjoying torturing him way too much
maxverstappen1: call it karma for all the shit he talked throughout the season
landonorris: NOO I THOUGHT I WAS GETTING A NICE GIFT ???
maxverstappen1: oh it's definitely a gift for somone...
landonorris: i deadass won't come to the paddock
yourusername: you'll win it soon lands - just wait for max to retire so i can support you wholeheartedly
landonorris: why not now :((((
yourusername: don't worry babe he's old he'll retire in no time
landonorris: yay 🥳 🙌 😀
maxverstappen1: excuse me?
landonorris: is four championships and y/n not enough?
maxverstappen1: no!
maxverstappen1
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liked by charles_leclerc, alexalbon and 1,302,558 others
tagged: yourusername & landonorris
maxverstappen1: not just because i want another trophy, but i'll pick up my best secret santa award now thanks
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user25: he didn't ???
user26: i think he did
user27: is that not like prostitution?
maxverstappen1: i don't think giving lando a chance to embarrass himself on a date is prostitution
user28: do you have any faith in him?
maxverstappen1: in him? no. but does y/n also have horrible standards and is easily impressed? yes.
alexalbon: he folded so quickly i hope they got it all on camera
oscarpiastri: that was so humiliating it might have to go on a more x rated website
landonorris: OSCAR????
oscarpiastri: it was harrowing mate but she seemed to like it so go you?
carlossainz55: that was a crazy reaction for it to just be y/n
maxverstappen1: i think you're trying to be funny but it might JUST be a skill issue
landonorris: JUST Y/N? KILL YOURSELF
carlossainz55: woah where is the christmas cheer?
landonorris: i will run you over with my sleigh
landonorris: THIS IS THE BEST GIFT ANYONE HAS EVER GOTTEN ME PLEASE LEAVE ME ALONE
user29: bro is so down bad that he just took carlando out back and shot them
user30: bro is so lost in the sauce that he is threatening a festive hit and run
yourusername: okay max we can stop pretending that i wasn't also begging you to set me up with lando
maxverstappen1: but it's so funny watching him make a fool of himself
landonorris: HUH???
yourusername: newsflash baby, i'm just as in love with you as you are with me
landonorris: AHHHHHHHHH <333333333
landonorris: i'm sorry i'll get back to being in love with you one sec
landonorris: @alexalbon @georgerussell63 @oscarpiastri @carlossainz55 SUCK ON THAT
landonorris: okay i love you y/n :3
yourusername: i love you too you crazy boy
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landonorris
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liked by maxverstappen1, alexalbon and 1,430,973 others
tagged: yourusername
landonorris: christmas wishes do come true!
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user34: so how long do you think he's had that shirt in preparation?
landonorris: 18 months at least - i have faith in myself even if the others didn't
user35: i can't tell if that's creepy or?
landonorris: IT'S ROMANTIC
yourusername: kiss me it's christmas!
landonorris: only because it's christmas?
yourusername: i guess i can give you a couple more passes...
landonorris: not to be dramatic but now i know what it feels like i might die without it
yourusername: not dramatic at all !!!
maxverstappen1: it is kinda dramatic ...
yourusername: SHUSH!
maxverstappen1: i knew you were mushy about this (your diary reads like a very badly written romance book) but good lord this is awful THESE ARE PUBLIC COMMENTS
yourusername: I FUCKING KNEW YOU READ MY DIARY
maxverstappen1: duh! how else did you think this little scheme came to be?
yourusername: ugh i guess
user36: so like where do i get an f1 driver bestfriend who will invade my privacy to get me a bf?
user37: might just start throwing my diary in the paddock at this point
alexalbon: ur so pathetic i love you
yourusername: excuse me old man
alexalbon: old? OLD?
yourusername: i don't care to google you but i've seen you try and read a menu and scan a QR code so stop declaring your love for my boyf or i will keep going
landonorris: she's so possessive 😩😩😩
yourusername: i ate too many grapes on new year's eve to not get and keep my man
alexalbon: trust me, no one wants ur man
yourusername: tell that to the teenage girls in my DMs
user38: it's a pleasant surprise to see that y/n is just as down bad as lando
user39: match made in heaven ... this MIGHT make me a max verstappen fan
user40: i fear this will be an f1 custody battle for the ages
yourusername
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tagged: landonorris
yourusername: my only wish this year was to finally get you <3
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user41: i already liked this queen but a queen who loves britney spears christmas... that's mother
user42: one of these most underrated christmas songs ever
oscarpiastri: ... some people have even witnessed her live rendition of it
yourusername: don't sound too excited about it then
oscarpiastri: i appreciated the enthusiasm but like i feel like it was a PRIVATE moment ... not for the whole of the garage to see
landonorris: someone is missing lily ....
user43: i am trying to be joyful as per the holiday season but i am absolutely seething with jealousy
user44: hey siri play that should be me
yourusername: nope sorry never gonna happen :P
user45: okay girl you've made your point no need to rub it in our faces
yourusername: actually i think i will! my bf is pretty why wouldn't i show that off ?
user46: yall can hate her for this but realistically this is how we'd all be if we pulled lando
landonorris: you guys acting as if i'm the catch when it's literally her...
user47: do we think santa's elves can make me a lando norris? REAL ANSWERS ONLY ...
maxverstappen1: WOW you wouldn't think this was a double date trip ...
yourusername: you can't complain about BOTH of us pining and then be annoyed about us being lovey dovey
maxverstappen1: i can and i WILL
landonorris: you know what max you can complain all you want because this has been the BEST secret santa ever
maxverstappen1: so you won't call me a dirty driver next season?
landonorris: eh?
yourusername: make no mistake lando, i may love you but my loyalties on track remain with max
landonorris: as long as you're still coming home with me i guess i'll deal with it
yourusername: luv u xxxx
landonorris: i love you tooooo xxx
user48: is y/n going to do more for the on track tension than the literal fia?
yourusername: always gotta be a woman sorting everything out
user50: babe i think max is just afraid of you and lando is so in love he'll do anything for you
yourusername: AS THEY SHOULD BE
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fin.
note: and on the first day of christmas aston martini gave to me a smau that undos all of our max vs lando tension from the season !! thought i'd treat yall to the first day early <33
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iwriteyanderes2023 · 7 months ago
Text
Yandere Socialite (Fem! Yandere x Fem! Reader)
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Divider credits: @/anitalenia
Trigger warning: Violence, drama between friends, profanity usage, yandere themes, name-calling, sexual harassment, power abuse. Choking, pet play, humiliation, drugging, sexual scenes, bondage play, female on female
(8941 words)
You regretted agreeing to this.
Your friends were raving about this massive party, where all the hottest celebrities and the wealthy go to flaunt or make a fool out of themselves. Obviously, it was an exclusive event, no mere commoners could simply walk in. To enter, it's either paying an extravagant fee or be (in)famous enough. Which, you were neither.
They claimed to know how to sneak in, undetected by the burly bouncers that you would rather not be the receiving end of their anger. It made sense to have some tight security, it is taking place in someone's mansion; someone's home, after all.
You, being new in this city and desperate to make connections to you could advance your career, said yes. You stupidly said yes, put on your best clubbing outfit and makeup, and went through with your friend's plan to slip in through one of the back doors while the other distracted whoever was around to hinder the plans.
Which leads you to be lost in a seemingly unending maze of hallways, you don't know where the other girls went and you don't know where you are. There wasn't a single soul wandering around the carpeted floor and chandeliered ceilings. Elegant paintings of men and women in dignified poses seem to peer at you in disgust; a filthy commoner dressed like a tramp. You didn't belong here, and it's only a matter of time before you were thrown into jail thanks to the recorded footage from the surveillance cameras you're sure were pointed at you.
You covered your arms with your hands as you moved onward, cussing under your breath about how silly it was to wear a ridiculously tall heel. It's already giving you blisters, so you decide to take them off and walk barefoot; silently and dryly sobbing about how humiliating this feels.
You continued trundling on, periodically looking back and trying to see where the life of the party is at so you could at least witness how it's like. Perhaps make a few connections, but you think that's unlikely. Most of them are probably drunk out of their mind or high off coke to care.
Actually, what are you even doing here? You're supposed to be networking at a classy, evening soiree, not a rich boy's messy party!
Before you could sigh again, you were interrupted by the sounds of yelling in a room nearby.
"Get off me, fucker!" You heard an enraged feminine voice shout out before the sounds of crashing reached your ears. Groaning could be heard as you assume the other party was shuffling to get up.
"You fucking bitch!" Retorted a masculine voice, followed by more stumbling. "What the hell is wrong with you!?"
"We're over. Get the fuck out of my sight!" She yelled, but it doesn't sound like she was too hurt over it. It's more anger if anything.
"What...? Just like that?! After everything that I've done-"
"All you did was embarrass me over and over again! Like, does it kill you to take a shower? Does it kill you not to be an entitled, gross loser all the time?"
You inched closer to the door and discreetly poked your head in. You saw the back of a woman with the most gorgeous blond hair draping down to her tailbone. She's wearing a silver sequin dress that barely covers the fold of her bum.
The male, slightly drunk and injured from the shove with debris around him, was glaring at the blonde.
"Shut up, slut! If it wasn't for me, you wouldn't get to live like this!" He threateningly pointed at her, but she didn't budge.
"Oh? You mean that monthly allowance of fifty bucks from you? Please, I pick up my dogs' crap with it. That's how worthless you are to me, I'm only tolerating you because I'm doing your mommy a favour." She fought back, her words enraged the man even further.
"You can forget the deal our families had! I'll make sure the Maciovelli name goes to shit, you will be living on the streets before you know it!" He yelled right in front of her face, getting up close and personal; and having his stray spit hit her. She merely wiped them away.
"Ugh, you're insufferable. Whatever, I'd like to see you try, bitch." She hissed before shoving him away again.
But this proved to be a dangerous move, as it provoked the man to lunge and swing his arm at her. Luckily though, it seems she has predicted it and dodged his attack on time.
You had to do something! And so, you looked around as the pair went on to physically fight. Though, it's more like she's doing all the defense while he does the offense. Sometimes blocking his hits with her red handbag.
There is a vase nearby, decorated with intricate, hand-painted flowers. Without thinking, you picked it up and chucked it at the man. The antiquity of that piece of art be damned, that woman is in danger and you have to do something to help her!
She visibly jolted when it flew past some strands of gold and crashed onto her assailant's head, spraying shards everywhere and making small cuts on her legs. He was thrown backward and rendered unconscious almost immediately.
The woman whipped her head back to see the source of it, staring at you with wide, baby-blue eyes. You stared back at her breathtakingly stunning face; she had thin, sharp brown eyebrows that accentuated her fox-like eyes. Long, black eyelashes framed her iris as smokey makeup made her eyes look much bigger and lively. Her lips were glossy and in a shade of pastel pink, with a dusting of sparkly glitter.
You stammered, not knowing what to do or say. You're not even supposed to be here. So you remained silent as you and her continued this staring contest, the woman's eyes were scrutinizing you from head to toe.
She began walking towards you, her heels menacingly clicking against the marbled floor of that room. You felt a surge of panic course through you, so you took a few steps back.
Only to be grabbed by the shoulder by someone else behind you. Chills ran down your spine when you heard the familiar sound of a walkie-talkie beeping. "I found one of the trespassers."
You started panicking even more, speaking erratically to try and defend your case. But the security officer wouldn't hear it, instead restraining you and pulling you away from the scene. You thrashed and screamed, not wanting to get caught and end your life as soon as it started. "I need backup!" Shouted the guard into his device as he tried to wrangle you into his grip.
You shouldn't have agreed to them, look what it has gotten you into. Your life is so over, you're going to be shoved into a jail cell and forced to move back to where you came from. If only you could-
"Hey, you fatass!" You saw her red, crescent handbag whack the officer in the arm, he flinched in surprise. "Hands off my best friend! And who the fuck do you think you are, calling her a trespasser!?"
A look of surprise crosses his face. "Miss Maciovelli? She's with you?" The officer took a look at you, there wasn't an aura of money emanating from you, not like how the woman was.
You looked back at the woman, now putting her hands on her hips. An irate expression adorns her face, "Um, yeah? I just said it, are you fucking slow? Let her go right now!" She demanded, raising the volume of her voice as her patience was running thin.
He sighed and released his hold on you. The man brought his walkie-talkie up to his mouth and said that it was a false alarm and that there wasn't a need for more of them to come over. They should focus on finding the rest of the intruders, which you can guess that they were referring to your friends.
"I'm sorry, Miss Maciovelli-"
"Yeah, you better be." She spat as she hooked her arm around yours. "Insulting my girl like that- why don't you all actually do your jobs and kick the real troublemakers out? Like that pig there, taking a nap on the floor. He tried to hit me and my best friend!" The blonde pointed her ivory-white acrylic nail to her bleeding ex, who seemed to be slowly regaining consciousness.
His eyes widened as he seemed to recognize the waking man. "O-oh! That's-!"
Before he could finish his sentence, the woman dragged you away from the scene. Pushing you by the shoulders and pulling you by the hand. You looked behind you to see the security guard entering the room while frantically speaking into his walkie-talkie.
"You're new. What's your name?" You were snapped out of your frazzled trance when she spoke. Her pace was slowing into a leisurely walk when she deemed it safe enough. The blonde's arm was still linked around yours, though.
Her baby blues curiously stared at you, all that malice and rage she held earlier was gone. Replaced with friendliness with a bit of wariness.
You told her your name and stumbled over your words trying to explain your situation as fast as possible. You made sure to thank her for saving you.
"Your friends are gross for abandoning you like that." She scowled. "I hate fake bitches like them, they should like, get shot in the head or something."
Your mouth gape open at her extreme remarks. Is this how socialites usually talk?
You defended your friends, telling her that they didn't abandon you. They probably just lost you as everyone scrambled to hide from security.
"Yeah, you're definitely new here. They knew what they were doing. You came with five others, at least one should be hiding from security with you." She brought you into a grandiose bathroom. The blonde finally lets you go and approaches the vanity. "Those sluts used you."
Miss Maciovelli pulled a tube of lip gloss from her mini handbag and began doing touchups. You simply watched her, not knowing what to say. Well, you should have seen it coming. Big city dwellers are known to be cutthroat, and you just met them.
"Sorry babe, but that's the reality here." She smacked her lip and wiped away any imperfections with her thumb.
You scratched the back of your head. You asked her if she could show you the exit, it's been a long night and you want to go home.
"You don't wanna stay for a little?" She asked, turning to you. "You're hot, I'm sure you'll have fun. I'll get rid of those snakes for you, if that's what's holding you back."
You shook your head, feeling exhausted after everything you went through today. You asked her if she's going back to the party, wherever that may be in this mansion.
"Duh." She bobbed her head.
There was a pregnant pause between the two of you. Until she decided to fish her phone out.
"Number." She extended her hand and brought her phone, numpad side to you.
You picked it up and entered your phone number. It's saved under your name, but you doubt that she will remember you after today.
"Oh, so that's how you spell it." She mumbled, looking at the contact name.
You watch her keep her device away before fixing her hair in the mirror again. She used a nail to adjust her eyelashes.
"Okay, let's go." She linked her arm around yours again, escorting you out of the bathroom.
You and she walked past numerous rooms and halls, some had excited shouts coming from them, some had salacious moaning and some had loud booming music. When you were nearing the core of the alcohol-fueled rave, the noise from massive speakers was nearly unbearable. You even had to cover your ears in order not to blow your drums out. But the woman didn't even flinch, she continued strutting along with you in tow.
You saw men and women feverishly dancing along to the beat, the surroundings were dark and illuminated by colorful strobe lights. Good thing you weren't epileptic.
"Heyy..."
You turned your head to see one of your friends. She's wasted beyond belief. "You... you made it! C'mere, I want you to meet-"
"Fuck off, whore!" Barked Miss Maciovelli, she yanked you along with her. Ignoring the expletives coming out from your friend's slurring mouth.
You asked if that was really necessary.
"Yep. They won't get the hint if you're this nice." She answered. "They'll keep trying until you're dragged down to their level. Don't ever disrespect yourself like that." She sternly warned you.
All you could do was nod meekly.
Eventually, you reached the exit. It's as grand and fancy as it was on the inside. You see a massive water fountain in the middle of a looped road. Yet, no cars could be seen but there were hoards of security milling around.
"Wait here." She left you on the marble steps as she approached a uniformed staff member. You watched them exchange some words before she marched back to you.
You thought that this was the end of your meeting with her. So you told her thanks and bid her goodbye while referring to her as Miss Maciovelli. She scrunched her nose up in disgust.
"Ew. That's so fake. Don't call me that." She crosses her arms over her chest, and you can see pale tan lines on her skin.
You asked what you should call her instead.
"Mercedes." She replied immediately. "You know, the car."
You told her that it's a beautiful name. She smiled and flipped her hair.
You told her that you better get going, it's late. Mercedes narrowed her eyes at you and grabbed your wrist.
"And how are you going to do that? It's an hour's drive from here to the city."
You said you were going to take the bus, that's how you got here in the first place. Worst come to worst, you would call a cab.
She shook her head defiantly.
"I'm driving you home, no way am I trusting those weirdos to bring you anywhere."
You told her that you would be fine and that you didn't want to be a hassle. To that, she rolled her eyes.
"Ugh, shut up." Mercedes punched your arm playfully.
A hot pink convertible then rolled up in front of the two of you. Its headlights are heart-shaped, you thought it was cute. "Miss Maciovelli?" Said the parking Valet.
"C'mon, don't be difficult." She urged you to get in through the passenger's side.
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"This is your place?" She asked with a tone of incredulity. "Looks... plain."
You wouldn't call it plain. It's small but cozy. It's also all you can afford at the moment with your job, that's why you were planning to network around to get better opportunities.
"Hm." She hummed, releasing her grip on her pink, fluffy steering wheel to fix her hair.
You got out of her car and said goodbye. She didn't say a word but watched you get to the front door.
You look behind you to see her staring, so you wave bye. But she neither budged nor returned the gesture. Simply staring at you like a hawk. Feeling a bit creeped out, you went into the lobby.
Only then did she drive away. What a strange woman.
You sighed and trudged to the lift, pressing the button and resting your forehead on the cold, metallic panel. Well. There goes your only contacts in the city, they're all not good for you.
You didn't even get to know Mercedes's number, so until she texts you first, you're completely alone.
The lift opened to reveal no one. As usual. You don't think you've seen your neighbors yet, thinking they're either avoiding you, extremely busy, or extremely reclusive. Or living in an entirely different timezone.
When you reached your room, you decided to boot up your computer. While waiting for it to be functional, you did something else; preparing the things you need for a relaxing bath and boiling some water for tonight's five-star dinner: instant noodles.
You spent the night researching Mercedes, only searching her first name predictably bringing up results of the luxury car brand with the same name. But as soon as you searched for Mercedes Maciovelli, you began learning a lot about her.
She is the heiress of a very successful, multi-billion conglomerate company. Her family owns more businesses than you can count in two hands, they're also huge and famous companies. Banks, grocery stores, and even planes. It's scary how her family possesses this much power. That was such a silly thing for her ex to say, that if it wasn't for him, she would have been in poverty. Maybe it was just the heat of the moment.
However, she is no stranger to paparazzi as she frequently mingles with high-profile celebrities, gets into physical altercations, and goes wild in nightclubs. She is nothing like what was expected of her as someone who grew up in "old money". She's associated with words like "bitchy", "fiesty", "trashy" and "Messy". Whereas her peers barely have any information available about them online, they stay out of trouble and act too elegant for the paparazzi and tabloids to take any interest.
The most interesting bit about Mercedes was her dating life. Your eyes bulged out of your skull, seeing the seemingly unending list of boyfriends she had over the years. It's almost like she has a new one every month, but there are never repeats. Articles, gossip pieces, and smear forums about Mercedes are just so prevalent, that you think you're getting a cramp on your finger by just scrolling your mouse.
In the end, you're sick of seeing the public bash the blonde. It gets old and you're becoming tired. Perhaps aging has already caught up to you, but you cannot stay up past 12.
You decided to shut your computer off and head to bed.
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It's been a few days since that party. Your "friends" kept texting you, trying to get you to join one more of their trespassing escapades. You gave them excuses upon excuses because you're not interested in such a lifestyle.
"Aw, don't be such a lame-o," Drawled one of the girls as she shook your shoulder. "Come on, it'll be fun! You had fun!"
The other girls continued egging you on in this expensive cafe. You were already uncomfortable meeting them here, as you can barely afford the cheapest of their pastries. At least the ambiance looks amazing in photos. If only you owned a digital camera...
You let out a nervous chuckle as you tried to decline as much as you could without offending them.
"There's another one tonight! You should totally come with us, I got like, the routes and everything already!"
"Yeah, think of the cute guys that's going to be there!"
"OMG, I heard Retro Rhymes are going to be there!"
"Really!? The rapper!?"
You sighed as they chatted amongst themselves. You silently picked at your muffin with your fork, that was the cheapest thing on the menu and the price was enough to give you eight of these back home.
Eventually, they must have forgotten your existence. Because they continued talking until they left the building. Not saying a bye or sparing a glance in your direction. Leaving you to sit at your table alone and brooding.
Well. You shouldn't expect much when it comes to friendships here. Many people come to the city solely to make money and have fun, after all. Not so much finding true, lifelong connections.
You took a sip of your black coffee. Again, the cheapest thing you could get from there. You couldn't even afford sugar or milk with it.
Suddenly, a manicured hand slammed a cup onto your table, shocking you and making you accidentally spill some of your drink onto your blouse.
"You should try this, it's so good. Way better than your boring-ass black coffee, I bet." You recovered from your initial shock to crane your head up to see Mercedes staring down at you from above, her soft, golden hair falling to your face.
You greeted her, asking what she was doing here.
"I could ask the same of you, seeing that you're pretty broke. But I saw how you still hung out with those sluts even after I told you not to." She cocked an eyebrow as an unimpressed look crossed her face.
Today, she wears a simple, lacey crop top and a pair of low waisted jeans. You got to know that she had her belly button pierced.
You sighed once more, burying your face in your hands. You told her you don't have a choice, it's a cold world out here and you need someone to fulfill that human need for socialization. Now that you have calmed down, you decided to take a better look at the drink she gave you.
It's a tall, plastic cup with a dome cover. It's an ice-blended, creamy mocha with chocolate syrup drizzled on the sides of the cup. It has a healthy dollop of whipped cream on top and a thick straw is sticking out of its opening.
"Um, hello? You have me." She moved away from you and took a seat next to you, she ordered the same thing. Mercedes shook it around before taking a sip. "You don't need them anymore, I'll be showing you the ropes."
You thought about it for a while. There is definitely a non zero chance that she will play you like a fiddle, but it's much better to have someone high up there in the hierarchy. Even though she isn't necessarily a mature businesswoman yet, you would still have a better chance to brush shoulders with relevant people. Not... Partygoers.
So then, you agreed. Picking up your cup and taking your first sip.
It was tooth-rotting. It was good, but you knew if it wasn't for sugar, this cup would not even be filled to half. The sheer sweetness of the treat made you grimace and pucker.
"What? Don't like it?" She asked, looking bored.
You said it was nice, but a bit too sweet.
"That's the point. I like it sweet." She took another sip from her drink. "Keeps me full for hours."
You... Don't think that's how it works. Isn't it usually the opposite effect? Whatever.
For the next few hours, you and her chat about almost everything and anything. Ranging from each other's histories, to each other's interests, to oddly philosophical questions and personal views on things. There were quite a few differences between you and Mercedes- obviously so, as she was raised by the uber rich and you were raised by... Your guardians, but you liked how she kept her mind open and was non-judgemental about you.
It was refreshing, really. Someone you could somewhat be real with, unlike your previous set of friends where you had to put on the most guarded mask in order not to feel like a pathetic lowlife around them.
You were curious about her dating habits, but you think it's rude to ask about it this early on in the friendship. Plus, it never came up, so you decided to save that question for another day. You bet if she's willing to open up, it will take more than just a few hours.
It's getting late, you should leave.
So you stood up, secretly in disbelief at how you finished the entire thing of diabetes. You told Mercedes that you have work tomorrow and you're going to need to leave soon.
She frowned. "Boo. Boring."
You said that you have to be "boring", you don't have her type of money.
"And it's literally just six in the evening. It's not like it's six in the morning or something." She huffed.
You said you have been in this cafe for seven hours.
"They don't close til 10."
Still, you have to get back home. You're tired.
She stuck her tongue out at you.
"Fine. But I'm driving you home."
You said there isn't a need for her to do that, you could take the bus.
"Let's go, you need your beauty sleep." She ignored you and grabbed you by the arm, pulling you along with her so quickly that you struggled to keep up.
Weeks would go by and you would meet Mercedes every Sunday in a different cafe of her choosing. And these meetings would increase in frequency each week, to a point where you were eating all three meals with her daily. She would always foot the bill and refused to let you pay for anything, talking about how you're so poor, that you're probably fighting rats for the scraps at the bottom of the dumpster. It's an absolute win for you; no cooking involved and you haven't eaten instant noodles for months now.
The five girls you originally started off with seem to lose interest in you, they never texted or called you again. And when you did bump into any of them, they would pretend not to know you.
It's extremely obvious that they're avoiding you for some reason, maybe it's because they've seen you buddying up with Mercedes: one of their sworn enemies and one of the most feared figures in this city.
It's... Surprisingly sad. Knowing that the friendship was doomed from the beginning didn't change the feeling of isolation and hurt in you. But at least you gained something that resembled a friend.
Mercedes would gradually increase the frequency of her texts and calls, hitting you up whenever she's bored out of her mind.
"Stop working letz go shopping"
"U r SO going blind in ur 30s"
"nerd :-P"
"im boreddddddddddddd"
"go clubbing with moiiii"
"letzzz goooo"
"stop ignoring me :-("
These were just some of the few text messages you would frequently receive, blowing up your phone even when you're in a meeting. You would usually need to turn it off entirely to keep yourself quiet.
But yes, you would go shopping with her. Mercedes seem to have a kick out of spoiling you with clothes, jewelry and other things you can only dream to buy.
You didn't like trying on clothes, because Mercedes would barge into your changing room however and whenever she liked.
"What's the big deal? We're both girls." That was what Mercedes would say when she slips into the cubicle, while you're mid-change without any warning. Of course, you would react negatively to that, especially since you don't know her that well.
In the end, though, you would just give up and let her come in. It's not like you could stop her and she isn't doing anything too weird... Aside from her vaguely longing stares at your partially or completely unclothed body. She would almost be in a trance, staring unblinkingly for long periods of time until you snap your fingers in front of her face. She just claims that you're just too hot for anyone to handle.
Mercedes would contact you via your phone, asking if you would want to go clubbing with her, or if you would want to be her plus one to an event. And each time, you would say no. And each time, she would whine about how lame you are but never pushed too far.
A temporary boyfriend would take your place, only for her to break up with them the next day and appear in another tabloid for some scandalous fighting or dating. When you asked her about it, she would get moody and irritable. She would rant about her feelings and problems with the world at large, finding the dating pool now repulsive and general standards insanely low.
"Ugh! Can you believe that he said that to me?"
You would have to nod, it would end her ranting faster. It's always the same phrase over and over again, with slight variation.
"I wish men were just like you, I would find it so fucking easy to commit to a guy. But they're not, so I rather shit my hands and clap. Oh my god, he was so pathetic and gross."
You could recite her words at this point, you got it the first time that she wishes she could date a male version of you. Mercedes didn't have to repeat that every single time you and her met up.
For her sake and yours, you pray hard that she finds what she's looking for. You don't know how much more of her repetitive complaints you can take.
All your other attempts to network and make connections fail. As soon as any of them knew you were Mercedes's "bestie", they would either run for the hills or become actively hostile toward you. She has made a lot of enemies and you don't think she has any girlfriends... Only orbiters or those who tried to get her approval but secretly hated her guts. Or die-hard fans who don't see her as a human, but as an object, whether for better or for worse.
She kept them around, just because she could benefit from them. Mercedes would bring them along to some of your many shopping sprees with her just so they could carry heaps of heavy bags for the two of you. While you and her get to enjoy the day, completely unburdened.
It unsettled you how she treated them like lowly servants, or even more degradingly so, like dogs. And not like one of her spoiled Pomeranians, but mutts that are bred to work and live off scraps of attention. You could be having a spa day at the city's finest specialist, sipping on complimentary champagne, and having your hair done with products that you cannot even pronounce; Mercedes would make her lackeys wait outside. Yet, they appear happy about this treatment from her. Eagerly following Mercedes and by extension, you, wherever you go.
It didn't matter who you tried to befriend, Mercedes's opinion of them would remain constant: They're all two-faced liars who are out there to kick you when you're down. It never changed despite never even meeting them or you made them up. She's fiercely protective of you, and always assumed the worst of everyone, even her own relatives when they tried being cordial with you.
Of course, the friendship has blossomed to the point where you would have a slumber party at her multi-million mansion every Friday. You wouldn't even need to bring anything, she would have everything ready for you; clothes, toiletries, hairdryers- anything you need to survive from day to day, you would have a more luxurious version of it. She definitely has an affinity for bling, as the tops that Mercedes provides always have rhinestones decorating them.
You were living in opulence, a lifestyle that can only be seen on TV, in magazines, or in history books. It's jarring and almost dreamlike how you got to experience such things just by chance. You didn't have to work hard for it, you just need to endure a spoiled blonde's clinginess to receive all these. What a steal. You had maids and butlers that would await your every order, personal chefs to whip up something delicious in a second, and hunky pool boys to ogle at when you tan with her outside.
You just wished that Mercedes wasn't so touchy, though...
"Like, sunburn isn't cute. C'mon, don't be such a hardass, turnover." You would groan and do as you were told, laying flat on your stomach and adjusting your sunglasses. Mercedes would then squeeze a handful of white sunscreen on her palm, and begin rubbing onto your exposed back and legs.
She would always take her time running her hands over your skin, sensually massaging from the base of your neck and down to your bum. Her flesh would glide against yours, reaching all that she could touch and occasionally squeezing your cheeks down south. Whenever you complained, she would say:
"What? Not my fault you have a bubble butt. No one can resist giving a squeeze." And continues fondling you under the guise of preserving your youthful skin from the harsh sun rays. You would sigh, slumping your head down as Mercedes continued doing whatever she wanted. It's her house, her money, and her influence after all. You're just riding on it for free. And it's not like anything is going to be too weird, you and her are both girls!
"Okay, I'm done. My turn." She would hand you the bottle of sunscreen and flip herself over. It's undeniable that she has a body that even Aphrodite would be envious of, thanks to a combination of genetics, her lifestyle, and other procedures. Mercedes does put in work in her personal gym, toning her body and alluring men everywhere. Her bikini would leave very little to the imagination, but it made sense why she needed much more sunscreen.
"Make sure to get it on here too." She would purr, playfully wiggling her plump rear. This would usually prompt an eye roll from you and a giggle from her.
She's soft to the touch. And you knew that not because you would have to smear sunscreen on her, but because she would often cuddle with you. It didn't matter what you were doing, you could be stretching in her living room, and she would wrap her arms around your waist. You could be curled up on her fluffy sofa, watching a sitcom, and she would crawl up all over your space. You could be sleeping, and you would wake up to her being the big spoon. And she would have the audacity to whine about how you ruined her sleep by moving around.
But you must admit, she is comfortable to cuddle with. Especially when you rest your head on her voluptuous breasts, allowing yourself to sink into them and inhale her sweet, floral perfume. It would be heaven squared when she would rake her long, acrylic nails through your hair. Mercedes would let you twirl with her golden strands, playing with them between your fingers.
You think, maybe it's because she's just lonely and a big fan of physical touch. It must be exhausting to constantly think every single person in the world is out there to get you. But does she have to be so... gross?
"I just want it." Mercedes would whine, demanding that she wants your drink. You would ask her why, you also drank out of this straw anyway.
"I didn't like my order."
You pointed out that you ordered the same exact thing as her.
"They didn't make it right!"
You asked her what made her think they made yours right.
"They just do!"
You said it's just going to be the same thing. Why not throw hers away and order another one, seeing that she has near infinite amount of money?
She would groan in frustration and stomp her heels on the ground. "It tastes better after you drank from it, okay!? I don't know what it is about your... fucking saliva that makes something so mediocre, tastes so good. Now, gimme!" Mercedes would snatch it out of your hands and swapped it with her one.
You drank more than half of yours while Mercedes barely touched her cup. Well, more for you, you guess. At least everyone is happy.
This habit of hers would extend to utensils, you knew she would purposely drop her dessert spoon just to eat from yours. Mercedes would steal your clothes, claiming that your outfits are always cuter than hers, and she's jealous.
But she chose and bought you these clothes...?
You were so used to her antics, that one day, Mercedes gave you a new brand of gum to try. However, when it touches your tongue, you immediately grimaced as it was the most atrocious flavour ever.
"Whaatt? Are you fucking serious? That's like, my favourite flavour!" She would look at you in disbelief. And you would look at her in disbelief, because this was the first time seeing her buying this brand.
You told her that you wanted to spit it out, it's awful.
"Don't waste it!" She hit you on the arm. "Spit it in my mouth." Mercedes would part her lips wide and bring her face close to yours.
Without thinking, you expelled the partially chewed up candy into her orifice... which she gladly accepted and began chewing on it. Sucking whatever flavour that was left on, including your fluids.
"What are you talking about?" You could hear her obnoxious chews between words. "It tastes fine, you're so dramatic."
Upon realizing what you just did, you would shudder in disgust. Quickly walking away as if you're trying to run from the memory.
Soon after, Mercedes would permeate through every aspect of your life. It seems like she had a chat with her parents about offering you a job at one of their firms. A high standing one at that, too.
You obviously accepted it and resigned from your previous post. Now, THIS is what you're talking about. A prestigious job with unbelievable benefits and tasks that doesn't seem too hard for you to do. It's everything you wanted you achieve, ever since you arrived at the city.
Well, minus the fact that your bestie who got you this position would intrude your office every chance she gets and talk your ear off.
"Ughhh... this is so boring... Let's ditch this place and go somewhere fun." She would rest her head on your shoulder while shaking you by the arm.
You said you can't. You have work to do.
"Says who?"
You said your boss.
"Who's your boss?"
For the fifth time, you told her the name of your supervisor. But instead of complaining, she would storm out of your office. At first, you thought she would leave you alone, maybe she's tired of bugging you and got the hint that you're a responsible adult with adult jobs.
But, ten minutes later, she would be barrelling in with your boss in tow. She had him in a very unsavoury grip, her hands tightly clutching his sleeve.
"Tell her!" She demanded.
"Y-you're free to go. Someone else can cover for you."
Your eyes would widen, asking if this will affect your pay.
"Not at all. Don't worry, I will have this... agreement in writing. Please e-enjoy the rest of your day." He would then quickly excuse himself from the room, avoiding Mercedes's fiery glare.
You looked at her. How could she just do that?
"My Dad owns this company, duh. Anyways, less talk, more walk." She hooked her arm around yours and dragged you out of the office.
It's as if her father was paying you just to babysit his bratty, adult daughter. You barely get to do anything for the company! You don't even know what you were hired to do in the first place anymore.
It gets extremely suffocating being her best friend, you don't know anyone around except her. The staff in her mansion is always rotating, so you wouldn't see the same face twice. You barely remembered your supervisor's names, let alone any colleagues'. All your free time is robbed by Mercedes, she saturates every single second of your life. You don't remember not seeing Mercedes's pretty face on the daily, yet it's astonishing how she would get the paparazzi on her for constantly dating a new roster of boys each season and getting into catfights with other women. Where does she find the time to do that?
It's rubbing on you, now you begin to crave a boyfriend. A 'boy toy', as Mercedes would call it.
It shouldn't be too hard, you know that you're good-looking; you have the clothes, the hair, the makeup and you can always steal from your filthy rich best friend. Your bank account is a little chubbier now thanks to Mercedes. If you just put yourself out there, you're sure boys will flock to you.
But you shouldn't tell this to Mercedes, you get the vibe that she would be jealous that you're stealing the spotlight. You aren't trying to do at all, you're just curious to know what it's like to live like Mercedes for once.
So you had to do it secretly. You would always decline her requests to join her clubbing, preferring to favor sleep over drug-fuelled parties. But recently, you would cover up your eyebags with concealer just so you could introduce yourself to the market. It goes without saying, that you're not tagging along with Mercedes, you went on your own and told not a single soul.
And it was a success! You have never received so many free drinks from men before, you even witnessed some of them fighting over you, all physical and mock-macho. It was hilarious and flattering, but the other girls would avoid you like the plague and shoot you nasty looks your way. It's much worse than you expected it to feel, you feel... rejected, alienated, and ugly. Was this how Mercedes felt? Is that why she thinks all other women are out for her blood? Well, you understand it now. And some of the boys would be really creepy towards you, it doesn't feel so good on the soul knowing the people who defended you from those weirdos are also creeps themselves. They just wanted a piece of you as if you were just a slab of meat in a cage of hungry wolves.
Though, it would be a big, fat lie to say you didn't feel free. You felt the freedom that died on the day Mercedes took you under her wing. It tasted so sweet, you wanted more and more. You were so addicted, that you took illicit substances just to keep you awake for longer, to party until the sun rises.
You were leading a double life: As Mercedes's goody-two-shoes bestie in the day, a bad girl gone wild at night. Make out with whoever you want to, drinking as much as you want and shaking yourself to the beat of the music until you drop.
You knew Mercedes was suspecting something was up, but at this point, you give no shits. This is your life, and you get to live it.
It didn't last long, though.
There was one night in particular; you remembered that they had a massive disco ball in the middle of the ceiling, reflecting every ray coming out of the projector. It was deafening, the smell of booze and sweat nauseated you but you didn't notice. The DJ was bopping his head to the rhythm and scratching records using his fingertips. The patrons were doing their own thing, some were dancing like no tomorrow, some were locking lips and some were snorting lines. It was one of those types of parties, the one where you first met Mercedes. Except this time, you successfully snuck in without your ex-friends and finally found the core of the rave.
Your hair was frazzled and you had a few wardrobe malfunctions, but why should you be bothered by that? It's not like everyone around you were dignified at all, you blend in and that's all that matters to you.
The details were fuzzy, but you remembered wondering what it was like to make out with a woman instead. Men had pretty rough lips and they smelled like crap. Why not experiment? You're here anyways, and no one is going to recognize you- whatever happens in this mansion, stays in this mansion. Plus, you already have a willing participant next to you, who has been hitting on you all night.
Later in the dark, you became bold from a mix of alcohol and whatever glowing pill you took from a giddy stranger. You pulled her aside to somewhere secluded, the two of you were clearly hot and bothered, deeply eager to explore each other's bodies. Nothing else matters in this moment, other than to satisfy each other's needs.
She pulled you in by the neck, pressing her full lips against yours. And you were correct, it was soft, fragrant, and delicious. A thousand times better than kissing stinky boys. You closed your eyes and melted into her touch, sinking deeper and deeper into the kiss. She's on top of you, straddling your hips and your hands are rubbing all over her body. The woman, who you didn't even know the name of, trailed kisses from your jaw down to your collarbones. Her slender fingers began to stray from your chin and roam downwards until it was dangerously close to the hem of your panties. You let out a muffled moan as she let her tongue taste every corner of your mouth, neither of you could speak. And neither of you wanted to, words weren't necessary.
However, your ecstasy was cut short when your lover was yanked backward. Confused, your eyes immediately shot open at the first taste of emptiness... only to witness something scaringly horrific.
"Fucking slut! How fucking dare you, how fucking dare you touch my girl!" Shrieked Mercedes as she had an iron grip on your lover's hair with one hand, and another was whaling on her non-stop. She was screaming in terror as your best friend inflicted as much damage as she could on her face. Scratches, punches, cuts, she had done it all. Mercedes pulled clumps of hair out from her victim's scalp and dodged every attempt of her to fight back. She was fast, fueled with the purest distillation of rage you have ever seen, mascara streaked down her face as she shouted until her voice was hoarse. Blood splattered onto her light-hued hair, her outfit was ruined and no doubt, a thousand dollars worth of acrylic nails were ripped from her nailbed as she threw brutal punches.
You panicked, trying to break the fight up but Mercedes was entirely immersed in anger that she didn't care that she lost her natural nails along with her false ones. She's also bleeding, scarlet painted her fingertips, knuckles, and up to her wrist as she went on tormenting your lover with more hits and pummels. At this rate, Mercedes might just kill her!
You attempted to restrain her, but she was too strong, easily overpowering you just so she could beat your lover to death. There was so much hatred simmering in her heart for this one stranger, this one woman you're sure she's never met. Why!? Why her!? Why would Mercedes attack her unprovoked!?
The fight, which was one-sided ended a few minutes later when your lover stopped moving and was covered in gruesome welts. Her eyes were swollen shut and there was blood pooling around her from her nostrils, scalp, and lips.
"You."
Growled Mercedes. She was breathing heavily and all her strands were out of place. Tears were flowing down her bloodshot eyes as she trembled.
You were speechless, you quivered in fear as you looked on. In the end, all you could mewl out was a meek "Why?"
This caused her to wail, scream, and sob. She brought her injured fingers to her head and gripped her hair, letting out all her frustrations and agony before composing herself enough to form a coherent sentence.
"Fuck you, Whore! Fuck you!" She pointed at you, her shrill voice was making your ears hurt, but you're glad she wasn't biting them off instead.
You said you didn't understand what was going on, why was she so upset.
"You were into girls all along! I-I-" She sniffled, ungracefully wiping her tears away with the back of her hand. Soiling her face with her own blood.
"I'm... in love with you..." Her voice quietened as it wavers, Mercedes choked on her own tears as she confessed. "Why didn't you tell me...?" She gasped erratically as she cried. Suddenly, there was a spike in her emotions. "Why didn't you fucking tell me?!"
You took a few more steps backward as she lost control over herself again, she had to kick your already unconscious lover with her heels to calm herself down.
"I wanted you! I..." She let out one last bloodcurdling scream before lunging at you.
You tried evading her, but she was just too experienced in this. Within seconds, her hands are tightly wrapped around your neck; Choking them until blood rushes up your head. You clawed and clawed on her hands, but nothing worked. She was determined to kill you.
She gnashed her teeth as she choked the life out of you, her salty tears rolled down her cheeks, taking some concealer along with it showing that she also had severe dark bags under her eyes.
You started seeing spots, and your thinking became redundant as your brain shuts down from the lack of oxygen. Is this it? Your death? Killed by a nepotism baby with her bare hands?
You took one last look at her face, it was filled with pain and anguish.
You regretted agreeing to come to the city.
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She was yearning for you, ever since she bought you that first drink. If you knew the depth of her twisted, obsessive love she harbors for you, running for the hills would have been your immediate reaction.
Mercedes cried herself to sleep almost every night, suffering from a heartache that could never heal itself as long as she knew you were straight. She knew that you would never share her feelings, because she was taught that everyone sees lesbians as freaks of nature.
She tried distracting herself with parties, boys, booze, and coke. But nothing worked, all she ever thought about was you, you, you. She loves you and wanted nothing but to be your lovely wedded wife. Oh, how she longs for a life where it's just you and her. And no one else.
Mercedes couldn't let you go, no way in hell. That's why she would scare off anyone who got too close to you for her liking, that's why she sent out hit after hit to eliminate the competition. Because if she can't have you, no one can.
But now...
"Sit."
You frowned, refusing to budge from your spot.
Mercedes pouted, she cupped your cheeks and stared deep into your eyes.
"Bad puppies don't get treats, you don't want to be a bad puppy, do you, baby?" She cooed in a babyish tone but with heavy condescension.
You couldn't speak, because there was a ballgag between your lips. Yet, you stayed still in defiance.
She narrowed her eyes at your disobedience.
"That's how you're gonna be, huh." Mercedes lets go of your face and sticks her hand into the pocket of her bathrobe. You heard a click, and soon you felt insane vibrations between your legs, it's coming from the vibe taped to your clit!
You let out a muffled yelp as the stimulation made you buckle to your knees, and eventually, you were on the floor, helpless as your hands were tied up behind your back. Juices leaked from your slit and onto the cold, smooth floors.
"Good girl~" She praised in a sing-song voice. Mercedes happily clapped her hands together.
Your eyes rolled back into your skull as you were about to be overcome by pleasure, but... the device suddenly stopped moving. Leaving you incomplete and agitated.
You whined and whimpered, wanting your rightful climax but Mercedes only smiled at your pathetic, squirming state.
"Aww, what's that? Puppy wants to cum?" You feverishly nodded, face burning from the degradation.
"Well, only good puppies get their pussy eaten. Are you a good puppy?" She rested her hands on her knees.
You nodded and let out a muffled yell.
"Roll over."
You tried your best to do that, but the frigid floor is stimulating you further.
"Play dead."
You lay still for a few seconds, your sex is still throbbing in arousal.
"Good girl, good girl!" She praised, giggling at you.
You whimpered, having tears bead from the corners of your eyes. You need that release so badly, it's starting to hurt.
"Mmm... you're so fucking hot..." She whispered as she slowly got down to the floor, slipping her hands between your inner thighs to remove the toy. Her pupils are dilating at the sight of your naked, dripping crotch. "I can't wait to eat you out. You always taste so fucking delicious." Mercedes brushed your puffy lips with her fingers.
"Open your legs."
She didn't have to tell you twice, you granted her full access.
"Good girl..." She purred before dipping her head down to drag her wet, pink muscle over your pussy.
You writhe as she tongue fucks you, lapping up everything and not letting a drop of your sweet, sweet nectar go to waste.
You would spend almost every waking second being 'trained' by Mercedes. Her treats are sex and the overstimulation of your pussy until you faint. You never knew that she was such a nymphomaniac, or maybe she just is that for you. Mercedes just couldn't get enough of your essence, so you're subjected to such treatment.
Well, at least you don't have to work anymore. You get to eat five-star meals and sleep in a mansion, and you get to binge-watch all your favorite shows guilt-free. All you had to be was Mercedes's pet and have her eat you out whenever she wants.
Her beloved Pillow Princess; was embossed in gold, on the hot pink collar around your neck.
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onmyyan · 3 months ago
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hi again i'm the Anon who asked if you take commisions only or requests as well. I love your writing style<3
Soo could you write about Batmom reader, where reader took care of bruce's children as her own. But then bruce gets a mistress, reader still stays becuz of the kids but when everyone started to become cold to her and insult her ' X (mistress) is better mom then you ever were' she leaves gonthem. Then everyone realises she (mistress) was just after their money. They go to batmom's room to apologize only to find it empty. They try to find her everywhere but couldn't. And finally when they do, reader rejects them since she was having the time of her life without responsibilty but gets kiddnapped by the batfam?
Honestly i wanted to commision but i'm flat broke and i'm too busy studying to work and on top of that i don't have my own phone (i use my dad's old laptop) soo yeah... I hope you consider this.
A/N: Loooove this request thank you for sending it in <3 fem reader yandere themes lmk if you want a part two
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The (L/n)'s were a wealthy and prominent family in Gotham, right up there with the Wayne's when it came to power over the city, the two families were in business together which is why when Bruce Wayne personal attorney came to you with a marriage proposal, you weren't surprised.
A marriage of convenience. You thought you knew what this would entitle, you knew this wasn't out of love, that this was required of you, it had nothing to do with what you actually wanted, but you were dutiful and signed, inking your name on the paper felt like a deal with the devil.
Bruce hadn't bothered to officially meet you until the day of the wedding, it was beautiful and well done but lacking any form of love of affection, CEOs and other rich folk you didn't recognize filled the pews, the ring felt cold when he slipped it on, his vows perfectly rehearsed, and not an ounce of warmth in his eyes, you knew that night you should have annulled the marriage, but something made you hold on, something your mother had said to you as the makeup artist turned you into the visage of a bride.
"You'll learn to love each other, your father and I did after all." And she wasn't lying, your parents married for convenience as well but had grown to love one another, so maybe you could do the same?
A year after the nuptials Dick Grayson is thrust into your life. Haley's circus was famous in Gotham for its incredible death defying shows, but on this night death would walk the stage, taking with them Dick Grayson's parents in a horrible display, You and Bruce had consoled the boy for only a moment before Bruce was talking to the officers, he'd decided Dick was coming home with you, of course without asking your opinion, but it didn't matter, you felt such pity and grief for the boy, it made perfect sense to you, he was shut down for the first few months, he called you by your name and you had no problem with it, making it clear you never wanted to try and replace his mother, the ice between you two melted one day, one kind word at a time, he couldn't help but confide in you about school or his friends, because you were more emotionally there than Bruce was.
Like the night you caught him sneaking out, a packed bag in hand and the keys to one of Bruce's many cars in his hand. Instead of yelling for Bruce or Alfred you simply smiled at him, "you should take the audi, it's the safest car here."
"..You're not going to try and stop me?"
You shake your head no, still offering that kind smile.
"You know yourself best Dick, if you're unhappy here I won't stop you from finding your peace." He took a moment before tossing you the keys and reluctantly making his way back inside.
You find out about Batman because of Dick. He'd come home with some nasty bruises and it wouldn't take long to put two and two together. Them both being missing at the same time, Dick started to pull away from you, one night, after hours of trying to get to sleep in a bed much to big for one body, your legs decided a walk was necessary, the halls were dark and quiet, giving the manor an eerie air, quietly you walked the long hallways intending on stopping by the library, as you turned the corner you seen Dick in a hidden elevator, the doors just slamming shut as your eyes tried to register what was there. Seconds after the doors close a wall appears, as if nothing was ever there. It's not long after that you see a brief news clip of the caped crusader and his new sidekick, because the longer you stared at the screen, the more familiar they began to look, that dead tight lipped scowl on Batman's face, it was one you'd had the pleasure of looking at for the past few years.
That night you confronted Bruce, he seemed surprised you'd figured it out, but he didn't deny it. Simply saying, "It's late (Y/n), get some sleep."
You nearly divorced him then and there for endangering a child the way he was, but after a moment of thought, you realized Dick would need a real parent around so you stayed, making Bruce swear to be careful.
Jason comes next and he takes to you a lot faster than Dick. He craved the warmth you offered, you two had inside jokes and a closer relationship than him and Bruce, but that all changes the day he dies. You're broken, a ghost haunting the manor with your presence, and Bruce is no comfort throwing himself into the Batman role, you begin to hate him a little with this particular betrayal.
Tim was another hard egg to crack but you were desperate after Jason's death, so you took his verbal lashings with a smile, were always there to offer a helping hand with any of his projects despite the help never being accepted. Tims wound from losing his father is too raw, he takes a lot of his anger out on you. And you weathered the storm with a soft, warm smile.
Damian hated you, from the moment he arrives, which is bitter enough as is because it meant Bruce was unfaithful, he's spitting out insults and comparing you to his 'perfect' mother.
Things weren't great in your life, but one day they started getting noticably worse. Dick no longer responded to your check in texts, Jason (now reanimated which was a heart attack in and of itself) saw you as the enemy, you didn't leave Bruce after what happened to him, so in his eyes you betrayed him, Tim ignored your existence as best as he could, and Damian? He'd started staring at you with this smug look on his face, like he knew something you didn't.
Bruce had all but ran from you, he didn't sleep in your shared room anymore, he barely spoke to you at breakfast, if it wasn't for the cameras he wouldn't touch you.
And it's all because of a woman named Rachel.
Apparently Bruce had introduced this woman to the family, bringing her around when you weren't, slowly replacing you, it was no wonder they started to pull back.
Alfred is the only reason you find out, having enough of the blatant disrespect, he calls you to come home early one day saying it's a dire matter. Of course you comply, and walk in on a discomforting sight. The whole family was gathered at the dining room table, plus a woman you'd never seen before, she sat close to Bruce, toying with his hand intimately. Her green eyes lock with yours and the smile she gives you forms a pit in your stomach.
There's silence before Bruce stands up, he walks over calmly, "Can we take this in the other room." But it wasn't phrased as a question.
"No" you licked your lips, a nervous habit from your youth. Bruce seemed taken back by your sudden backbone. He nods silently.
"I want her gone Bruce. I am your wife. You will show me that semblance of respect."
"I- of course." You don't wait for the words to settle instead, you calmly walk to your room, face unreadable.
Locking the door behind you, your body slides against the frame, a silent sob wracks your frame, your hands covering your mouth, you wouldn't give them the satisfaction of hearing your cries.
The next morning you wake up to breakfast in bed, a generic yet elegant spread of food lay on a tray in the empty spot Bruce used to stay. The man himself sitting in the chair beside the bed, staring at you with that practiced smile he used to appease people.
"Good morning."
"What's this?" You sat up straight, sleep evaporating from your form as you took in the threat before you.
"An apology. I never meant for yesterday to happen."
"What a comfort that is." Your piercing (e/c) eyes stare at him blankly, unreadable. "How long."
"A year." You scoff pushing the breakfast away from you like it was poisonous. "But its not what you think, Rachel is a childhood friend, a year ago our relationship, evolved into what it is now, but I was never intending to go behind your back."
"Ah of course, your intentions were pure." The words dripped venom, grabbing your robe you quickly dress before standing and walking to the door, "Thank you for the wonderful talk Bruce, really your people skills are top notch." Your hands gesture to the door. He leaves without a word.
The rest of the day is as usual, Bruce avoids you like the plague, the rest of the family acted as if you weren't there. Which made leaving all too easy.
Your lawyers had the divorce papers ready and hour after you called them, signing them felt like the first act of self love you'd done in years. Slipping them into Bruce's study you took the time to analyze the room you never entered.
It matched Bruce that's for sure, pictures of every single person in the family. All except for you.
Walking out the door, wrapped in your ankle length black faux fur coat, the garment whipped in the wind, the designer sunglasses on your face hid your eyes from the world, hair in a slicked back bun, your heels echoed against the pavement, a sleek black car was waiting for you, you look back at the house that had caused you so much misery then got in the back of the car, never looking back.
Life goes on for about a week, your absence goes unnoticed, that is before Rachel is trying and failing to blackmail Bruce out of a billion dollars, she'd collected evidence he was cheating on you with her and presented it to Bruce with a grin, it was only as he went through the pictures of himself and Rachel, did he notice the yellow envelope with his name written on the front.
Hey puts the heartbreaking matter of Rachel's betrayal on the back burner, Bruce opened the envelope and felt his heart completely stop at the word divorce written in bold lettering across the top, your signature was already there, waiting for his to join it.
Ignoring Rachel completely now he turns in his chair, turning the paper over and over as if it would magically change. But it remained the same. Alfred knocking on the door of his study broke him from his trance. "Master Wayne, miss Rachel." He says the latter's name with no warmth. "Escort Rachel to her car Alfred."
"Bruce have you heard a word I've said? I'm serious I'll go to Gotham daily right now if you don't -"
"Now Alfred."
That was all it took for the screaming woman to be firmly escorted off the premises. Bruce all but ran to your room, he didn't bother knocking, and despite knowing in his heart you were already gone, he couldn't help but check anyway.
Your room was empty and cold, he couldn't believe the date he'd read on the divorce papers, it was dated a week ago, meaning you'd been gone for a week and he hadn't noticed. No one had.
That is until Bruce remembers there's someone in the house nothing gets by.
"How long have you known she was gone Alfred?" He asks leaning on his knuckles the divorce papers stared back at him taunting him. "Since the moment she left." The older man replied simply his hands behind his back. "Why didn't you tell me immediately?" Bruce felt himself tense, "Because you've hurt that woman enough Bruce. She deserves at least this." He gestures to the daunting divorce paperwork before turning to leave Bruce with his thoughts.
The news of Rachel's betrayal shook the manor each member feeling violated by their trust being broken. But it was nothing compared to their reaction once they finally realized you were gone.
"That was rough." Jason says after watching Rachel being dragged out of the manor, he blew air out of his cheeks arms crossed over his chest, he looked towards the hallway that lead to your room, you had to have heard that he thought to himself.
Dick sighs through his nose, "Someone should check on (y/n), Rachel was screaming so loud she definitely heard that." No one volunteers so Dick rolls his eyes and heads towards your room.
He lifts his hands to knock but noticed the door was open, pushing it further he's met with a baren room, his brow furrowed in confusion before he makes his way to Bruce's study. "Hey B, have you seen (y/n)? Her room is like weirdly empty."
Dick found his Father where Alfred left him, leaning over the divorce papers silently a storm in his eyes.
As he steps closer and reads the paperwork Bruce was staring so intently at, his heart stopped.
"Holy shit- are those real?"
"Yes." Bruce finally spoke his voice horse. There was a moment of silence before Dick left the room practically running down the stairs to alert the others.
"(Y/n) left Bruce." He said still processing the information, "No fuckin' way." Jason says pushing himself off the counter he leaned on. "Her room is empty and he has the papers, she's gone."
Each member of the family had different reactions to this information.
Dick tries calling you only to be met with a disconnected number, his heart hammering in his chest, he wasn't as close to you as when he was younger sure, but you were a constant in his life, always had been, a pillar of support, and suddenly you weren't. It felt like the floor had gotten pulled out from under him.
Jason curses under his breath, his mind working a mile a minute, he had barely spoken to you since his Resurrection, something he deeply regretted as the information of your leaving sinks in like a brick thrown into a river.
Tim, ever calculating is trying to figure out where you went, you were a figurehead in his life, someone that was literally never not there, sure he wasn't close to you in the slightest but that doesn't mean he wants anything to happen to you, someone as quiet and soft as you on your own in Gotham? It didn't sit well with him. Not one bit.
Damian didn't know what he was feeling at the news, he supposed he should feel nothing, after all you were nothing to him, but there was this nagging feeling in his chest that he couldn't quite place. And he hated it. How dare you leave and upset his fragile ecosystem?
Meanwhile in the Bahamas, far from Gotham and the neglectful family you'd left behind, you sat lounging on a private beach, a knitted hammock cradles your body, a designer baby pink bikini covers you, a matching sunhat protects your face from the hot sun, you can't wipe the smile from your face, humming a tune from your childhood you barely flinch when someone takes the seat besides your hammock.
"Do I want to know how you found me?" You ask, eyes still closed as you bask in the warmth. You knew only one person had the sources to find you on your own island, and despite how much you resent the man, even his presence can't ruin your shine in this moment.
"You're my wife (Y/n), I'll always know where you are." Bruce speaks softly as if trying not to startle you. "Former wife." You correct cracking an eye open, a small smirk curling on your lips.
"Not until I sign those papers- which I never will."
"huh, I thought you'd be thrilled." You muse to yourself before folding your tanning mirror and setting it aside, you take off your Louis Vuitton sunglasses, blinking your pretty (e/c) eyes up at him, "Figured you and your little Twinkie would have tied the knot by now." You laugh softly, the sound, unfamiliar to Bruce, sent warm shivers down his spine, it causes his lips to quirk up in a small grin.
"She's gone."
"Well, I don't care."
There's a beat of silence before he's offering you his hand. "Will you walk with me? I know I don't deserve it."
You sigh before getting up, ignoring his hand, you nod your head reluctantly, "Well? Hurry up I've got dinner at six."
His smile remains as he begins leading you along the shoreline. It's relatively quiet between you two as you walk side by side, a peace between you both you hadn't ever felt. "The manor isn't the same without you." He breaks the silence, "I sincerely doubt that." You laugh at the very notion. "It's true- it's colder, quieter, I want you to come home."
"That was never my home, you made that abundantly clear."
He winces as if your words cut him, "I know I haven't been a good man to you, I know I've failed you time and time again but I..I looked at those divorce papers and my heart stopped." He admits running a hand through his hair.
"You can't leave me."
"I can't?." You scoff, your movement halting, "I'm a grown woman- I'm taking responsibility for my own happiness, you can't stop me."
"I wasn't asking." He says softly, his hands in his pockets, he had this fond look on his face, like he was staring at you for the first time, in a whole new light. "You can't make me." You say, brows furrowed, "You belong back home, you're supposed to be with me, till death do us part, remember?" He steps forward making you step back, your eyes wide, hands shaking, you back into a wide chest, spinning to face Dick, who's grinning at you, he's in his Nightwing costume, he gives you a small wave of his hand, you scrunch your face in confusion, "What the hell-" your thought is cut off by a small pinch in your neck, the needle in Bruce's hand is empty in seconds, he's cradling your stumbling form, holding you tightly, "Don't worry - I'll fix this."
Your sleeping body is gently carried to the batplane, Bruce holding you close to his chest as Dick pilots the plane, he whispers promises into your hair, rocking you against him as he swears on his life to make things right, weather you liked it or not.
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capslocked · 10 months ago
Text
PASCAL
male reader x karina & irene
part 1 of two roses, by every other name
28k words
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It goes without saying that Karina’s reputation is flawless. 
Irene’s is remarkably not.
You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."
-
You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.
It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 
It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.
“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”
It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.
And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.
Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.
The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.
Also, just as straightforward: crossing any number of those lines has its own kind of appeal.
"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."
Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."
The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.
“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."
The twisted irony is that the two of you could pick up any woman, anyone at all.
"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.
"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"
Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.
If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.
"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.
"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"
You pull Irene in closer. “She’s not you.”
-
For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.
Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.
It happens to someone Irene knows, once. You pray every year it will happen again.
Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.
And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.
The machine’s so fine-tuned and tightly wound, like clockwork.
"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.
And so it goes.
You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."
"Uh-huh," you say, eyes fixed on her reflection in the mirror.
"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 
You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 
“So I guess, pace yourself or something.”
"Ever the salesman, Irene," you say, facetious.
"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 
It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.
Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”
She muses it right into a laugh. Covers her genuine smile with her fingers.
"Hey," is how you answer, always.
You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.
And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.
"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."
She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”
And so it goes, and so it goes.
-
"Have a drink," someone keeps saying.
As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.
Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.
And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.
Happy New Year, sorta. You wait it out.
-
She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.
This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.
She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.
Character, setting, scene; it’s all rather textbook, no? 
You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.
And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.
She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.
She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.
You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.
Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.
"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"
Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.
“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"
"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.
She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."
As if you had any intention of absconding without her.
-
Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.
"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"
A real celebrity.
The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:
You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.
Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.
“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”
You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."
Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.
"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.
You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.
Who the hell else could make it sound dignified, pretty even: ménage à trois.
Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?
Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”
You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.
Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."
Add that to the fact the girl’s utterly shrouded in myth.
Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.
Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.
Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.
You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.
A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.
You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:
Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.
So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 
“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”
"And wouldn’t you know."
It’ll sound smooth, probably. Irene will roll her eyes.
“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”
"Hm, I’m thinking."
You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.
She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.
You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.
Irene will finally perk up, gleaming.
Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.
But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.
But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.
She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.
It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.
It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"
And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."
Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.
In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 
The light will change. The intersection will empty. The radio will turn to static.
You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.
"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"
The difference won't matter. "I'm suggesting," you'll say.
You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"
Tough to say.
Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.
And - she would, really.
She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.
"I think she's great," you might say out loud, lowkey.
And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."
It’ll make the cab driver clear his throat.
"What you’re saying is ‘no.’"
Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."
You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.
"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."
The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."
You've been speaking in code for years. She means: way, way, way too straight.
"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”
"Um, do you mean Rosé?”
“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.
You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.
Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 
And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 
What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?
-
(The truth is: it doesn’t go like that at all.)
-
Enter then, Yu Jimin.
The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.
An assay into form over function. She's never cared for pragmatism.
But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.
Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.
Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.
A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.
Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"
Not for long, the question lingers.
"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.
"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.
You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.
"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.
"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."
"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.
Oh, and listen, no one gets it better than Irene.
"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.
"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.
"Are you out here waiting for someone?" you have to ask. 
"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"
"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.
"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."
This is sorta how you've always known her. 
Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.
Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.
"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."
Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."
Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"
"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”
Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."
“You're one to talk, Irene."
“Careful,” Irene warns.
"What, you gonna set me straight?"
"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.
There's no kindness to the way she laughs. None.
She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"
-
Depending on who you ask, you’ll get different results.
Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.
She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.
Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-
"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.
“That’s more or less the gist of it,” you offer.
“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."
"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"
Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.
But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.
If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.
Doesn’t matter who you are, that’ll fuck you up for real.
And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.
Irene is not stupid. She picks up on everything, and there's a lot to unpack:
"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.
“Well,” you played along, because you’re not really without blame here either. "Have you?"
"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."
You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 
"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."
You remember the knit of her brow.
“Do not.”
You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.
"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"
"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"
Karina hums. "Ah, so - you think I deserve to have a little fun."
"Maybe," she draws it out a little longer.
Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.
Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.
She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -
"Both of you should know I'm not that type of girl. Who puts out so easily-"
"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.
"Yeah, well. If this isn't a setup, then, what-"
“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."
"Ha."
You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.
"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”
Karina just runs her tongue across her lips, sighing.
“No strings attached, no special treatment. Or anything."
"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."
"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."
There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"
"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.
Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 
You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 
"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."
Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 
The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.
"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."
It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.
(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 
Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.
"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."
Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."
Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 
“Oh,” she breathes out, and it sounds sated and needy all at once.
You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.
Just to keep her gasping, panting.
Like a woman starved for it.
"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"
Karina nods, slightly. It’s all she can manage.
You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.
"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.
When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.
Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.
"That feels - so," she starts, and bites off the rest of the words.
Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:
"- so, good, oh. Do - ah, fuck. Oh, god-"
-and vanish somewhere in Irene's mouth.
"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"
And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.
Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.
She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"
And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 
You both do. 
Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.
Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 
"Oh my fucking god." Karina can only gasp, jaw-slacked open. 
Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.
"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."
Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.
And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-
“I'm… fucking cumming.”
Karina spends the entirety of her first orgasm between the two of you, heaving.
The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.
How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.
"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."
"You said to," is all Irene says, amused. 
Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.
She breathes, "god. Irene."
It sounds an awful lot like she's begging for mercy.
Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."
"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"
Karina replies, "only everywhere I still haven't gone."
Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.
It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.
Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."
She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.
"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.
It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."
“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."
Karina sighs. “Well I’d hate to get all the way here and half-ass it.”
You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.
All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-
“-sorry, whose cock?” Irene has no intention of letting her off easy.
You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"
Karina just shoots you a sharp-eyed look. "You heard."
"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."
"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."
The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.
“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”
It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:
"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 
You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."
“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”
"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"
The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.
"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."
There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-
Like Karina wants you to look.
She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 
She laughs at the premise. 
“I dunno, what's a girl to do?"
You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.
And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.
-
So what if, by some pure hypothetical, this all spirals out of control?
You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.
Irene laments and hopes in the same breath. 
She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.
"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."
"Honey," is how Irene responds, leisurely.
There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-
Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.
"I wouldn't have you beg for anything."
It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.
Karina can't deny it's everything she wants.
"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."
Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.
You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.
"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."
She ends it so charming.
“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."
Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.
"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"
Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.
“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”
Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.
“I know, I know - that feels so good, right?” Irene coos.
You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.
Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.
“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”
All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.
“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.
There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”
Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”
And the girl absolutely fucking keens.
You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.
"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."
If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.
"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.
It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 
“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:
"-until it's leaking down these fucking thighs-"
"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.
“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”
"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 
"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”
"Fucking, please, god-."
Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"
Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:
She slaps Karina, right across her tits. "Fucking cum on it."
One.
Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"
Two.
"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"
Three.
Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"
Four.
The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.
"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."
The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-
"God, I can’t, just- ah.”
“Breathe,” Irene says.
"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.
Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"
You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."
You're about to just pull her down and absolutely cream her, stuff her full - a mess.
And she wants you to-
"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.
She’s right. It does. Her, coming undone. You, at wit’s end. 
Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 
You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 
A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.
Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 
“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."
You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"
It’s wicked, for one thing. More than that, it's seamless:
While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.
“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.
Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."
No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.
You absolutely get it. 
How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.
She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.
So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'
Who stands any chance to resist?
And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"
Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 
The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-
"You can cum for me too, baby."
It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 
“Just cum.”
You watch it knock the architecture right out of Karina's legs.
-
Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-
Look - the tumultuous tangle you three make is all over the fucking place.
One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.
There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.
And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.
The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.
Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'
Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.
"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."
You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 
Karina presses, all cheek - a very dry, "cute."
It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.
The three of you know she deserves nothing less.
“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”
Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.
The thing is, with Irene: facades fade fast.
Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 
“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 
The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:
She simply shudders apart.
Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.
Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 
“Irene, look-” 
Well, at least she’s tuning in on all the right frequencies.
"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"
Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.
“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."
Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.
You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.
“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"
Irene lets out this wanton sound, desperate.
“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”
You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.
How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-
“Just say please, doll,” Karina tells her.
If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"
You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.
"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"
"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"
Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.
You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.
The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-
It steps out into pure necessity.
She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.
"Honey," her voice wavers. Then, it falters: "please."
The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.
You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.
Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.
In and in and in.
Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.
It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.
“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"
There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-
"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?
Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.
And in case you missed the point:
"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"
There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 
Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.
And so it goes, and so it goes, and so it goes.
-
(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.
More relevantly perhaps, it is that race and rise you feel inside your chest. 
Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)
-
“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."
You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.
So,
You and Karina happen to be two things at once: very tired, and very awake.
"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 
A bit of color.
"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.
She finishes with a cough. And says again:
"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"
Well. She's got you on that count.
"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."
“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."
"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 
Karina reaches in. Lets her fingers graze yours. Her skin is cool. 
“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”
She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.
Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.
"You're not, I dunno, say embarrassed?" you ask, after a beat.
"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.
“Because I'm not the type.”
The heavy stream of smoke then blown right into your face.
"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"
There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.
"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.
"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."
“We’re not married,” you correct.
“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”
The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.
"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."
She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.
“I really thought she was going to make me call her mommy or something, I swear-”
"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”
"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.
"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.
Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-
The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."
She’s probably right.
"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.
"You’re really going to let them in on what we all got up to?"
"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."
-
On Monday: the holidays are officially over.
There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.
You head downtown with a cup of coffee in one hand and a musing mood in the other.
On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 
The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.
She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.
The messages just keep on coming and there's really no better descriptor.
And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.
There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.
-
Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.
Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.
You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.
She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-
“Don’t you Joohyun me,” is her lightest rebuke. 
She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.
And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.
"Actually, here," you say, "can I?"
She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.
"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"
It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.
“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 
She doesn’t really care.
You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.
"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks
“I think, definitely, should open a bottle of wine-”
That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.
But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 
She’s totally caught you staring.
The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.
You tell her as much when you end up fucking her right there on the counter.
It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.
"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."
"I wouldn’t push your luck," is all you choose to tell her. 
You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.
"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."
Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-
"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"
You stop fucking her, halfway.
"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”
Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.
But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 
To the vice, the virtue, and everything in-between.
"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 
The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"
You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.
You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-
Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-
Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.
You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"
Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 
"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 
Like fucking her is the only thing the two of you ever do.
Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.
"I bet it all sounds like, ah, the prettiest fucking music - in your head-"
“Fucking god, Irene-”
“Mhmm?” she fucking coos.
Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.
Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-
"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”
Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”
What, is that tacit approval? Probably. It’s hard to think straight.
So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-
"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."
(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.
You never say yes. You never really have to.)
This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-
The sight alone.
When her head tips back, tongue passing over her knuckles, and she swallows-
"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."
She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.
And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.
You’ll make your vows like any other.
"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.
You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.
The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"
-
The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.
"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."
“Okay then why all the go-around; the wait-and-see; what’s her endgame?”
“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.
"I think you might be projecting."
"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."
"An affair," you repeat, skeptical.
"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"
"And you figure we should be the ones to dole it out."
"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 
"That's the fantasy."
And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.
You listen until it feels less and less like the decisions have already been made.
“Okay, babe,” she’s presenting her case. “Hear me out.”
And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?
(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)
"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."
There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-
"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.
"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 
Right in her warm, wet little mouth.
Jesus, her tongue too-
She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-
Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 
She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.
To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.
"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.
She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"
You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-
"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."
Her pout, right there, waiting.
You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.
When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-
There are no questions. This is simply Irene, doing what she loves.
She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-
Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.
"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.
There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.
"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 
The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"
Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-
She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.
"Yeah, god, okay- I’m just gonna go ahead-" 
There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 
"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 
Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-
It’s all flexed in your back. Every muscle. Every fiber.
Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.
(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)
"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.
The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.
Though it's a pleasant daze. She prefers you soft like this, really.
All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."
If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.
-
The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.
// Karina 10:41 pm > i'm bored.
// Karina 10:42 pm > suggestions?
// 10:49 pm > have you tried looking into an incognito tab?
// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?
// Karina 10:58 pm > help a girl out here.
"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."
"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."
Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.
// 11:01 pm > sorry. i'm not in the business of just handing out freebies
// Karina 11:07 pm > really
// Karina 11:07 pm > thought we were making progress here
// 11:11 pm > you're funny
"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."
"Something edgy," you deadpan.
"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.
"No," you say. “God, no.”
"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."
// 11:13 pm > u alone right now?
"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"
// Karina 11:13 pm > yeah. i am :/
You and Irene are both struck a little dumb by that. 
“Sheesh, she must have had her finger hovering over the reply button.”
"Yeah," you say, eloquent. “Who could blame her, though.”
"Uh-huh." Irene exhales, staring a bit pointedly.
// 11:16 pm > cool if I come over?
// Karina 11:17 pm > and… do what?
Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."
“Can you fucking leave it-”
Irene rolls her eyes.
// 11:18 pm > do you need ideas
// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though
"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"
"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"
Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.
"How, what - babe."
"You could promise to let her sit on it."
"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"
"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."
Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"
"Just- have sex. Tell me about it after."
The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.
The sigh. That long, heavy thing. A leadup you do so often.
The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."
"Wait," and she's saying, "wait. Wait."
And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"
"Mm."
Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.
Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.
"You'll be good right?"
"I mean, sure," is what you manage, watching her lips close.
"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."
There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-
"And give her an extra hello from me."
"Okay, I love you, but also you're insane, like certifiable."
"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.
-
You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-
Until she answers and leans out, pulling open the door. It takes you by surprise-
"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."
It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.
"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"
There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-
"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."
Though, unfortunately, the suggestion falls short on delivery.
"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."
She drags you another step forward, with just the hot flash of her gaze. 
"Shut the door behind you?"
"Locking it too," you tell her.
The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.
As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.
"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."
She must see the confliction you're in-
"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."
"I- don't really-"
She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"
Your lips draw themselves a blank on anything useful, while your heart rate accelerates.
"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.
-
You’re not exactly supposed to end up on your knees for this.
This isn't quite how you pictured-
Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-
Karina, for the longest few seconds, is shocked into stillness.
Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.
"Yeah. That would work."
Like it's no big deal-
"Do you need instructions? I can get a bit graphic."
"Actually, you know what?" you choke a little, and - "trust me."
You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-
And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-
(You know, god help you.)
-
Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.
"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."
"What the hell do you think?" you say, dumb.
There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"
"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.
"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.
You lay it all out for her. Everything she wants to hear.
-
Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.
Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.
Always traveling for this reason or that.
And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.
The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 
In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.
To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.
After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.
The long and short of it is: 
She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.
“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."
“Yeah, I’m sure she’d love that.”
Karina does the most insipid thing. She fucking winks. “I’m sure she would.”
-
"Uh, are you kidding me?" you ask Irene. 
It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"
Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"
She takes another spoonful of yogurt between her lips.
"-she'll let you do anything, promise."
“That’s fucked up.”
“I know.” Irene wags the spoon at you. “It’s great.”
-
It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"
In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.
-
You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:
It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.
Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.
Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"
Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.
“Elaborate.”
"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."
"Are you really."
She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”
Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.
“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."
Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-
“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"
There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."
Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.
“So.”
You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.
You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.
“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”
She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"
"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.
You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-
She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.
Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.
"Fuck," is the harshest exhale she's ever dragged out from you.
She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.
"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"
On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.
Because on the other, the movement is so, so direct. 
Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.
"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 
“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"
"Holy fuck, you're-"
"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"
You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.
But instead,
"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.
Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-
"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"
You cum just like that: 
"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."
You shoot clean up, all thick, hot splatter.
Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.
"Jesus, Karina, baby you’re-"
"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”
And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.
(Sanity is being generous, considering.)
You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.
Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.
You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 
Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.
Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.
-
(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.
She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.
The protégé, the goddamn heir-apparent:  
But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 
So you see, if you and yours have both decided to ruin her-
It is a disaster-in-the-making, isn’t it.)
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periprose · 8 months ago
Text
Sweet as Nuka Cola
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Cooper Howard/The Ghoul x Reader
You're an upcoming actress who has a constant flirtation with Cooper Howard. But even if things seem to be off to a good start, a nuclear bomb, a cryogenic pod, and two hundred years of carnage ruins all of it. Is there something to be salvaged from your relationship with Mr. Howard?
Genre: Mutual pining, flirting, slow-burn, angst, friends to kind-of enemies to lovers (no cheating but maybe it's a little murky?)
Word Count: 11k
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“Action!”
“Hello. Yes, it’s me.” You wave at the camera, adorned in a classic-red sweetheart neckline dress. “You might know me from ‘Girls Want It All’ or ‘Next Door Babe.’”
Here, you play up your recent bombshell status. As Ed, the director of this advert, keeps reminding you, you need to sell yourself to make customers listen.
You sway in your dress, squeezing your arms and throwing your waist back to plump and push out your chest. The implication of the sex appeal in your movies keeps people watching.
But you’re still a rather new actress, so America might not know you so well. You’re glad Nuka Cola has hired you– if you want to be a star, you need more exposure.
“Do you enjoy feeling refreshed?” You cock your head to the camera, pursing your red lips. “Well, golly, what a silly question. Who doesn't?”
“That's where Nuka Cola comes in.” You lift a bottle out of the cooler next to you, all gentle in demeanour, showing off the logo of the bottle to the camera, in your perfectly manicured hands. “With triple the amount of caffeine found in competitor's bottled cola, it's sure to keep you feeling up for a long, long time.”
“And it's good for you.” Ed whispers, a last minute adlib you did not agree to, but you're a professional, so you add it on with a little wink.
“And it sure as heck is good for you.” You smile, the infamous smile that's won you notoriety to Hollywood execs for being the newest bombshell on the block, and you throw your shoulders back as you really lean into your image. 
“Cut! That's a wrap, everyone!” Ed, wanting to finish early, quickly starts ushering everyone out so not a cent more gets spent. 
You immediately relax out of your practised, professional smile. “Any ADR needed?”
“Don't think so, but we'll let you know.” The director is already moving onto whatever his next project is. Advertisements make more money than anything else these days.
You head over to catering, where you're craving– not a Nuka Cola, considering how much sugar is in that thing it's hardly refreshing at all– but an iced tea. 
You stretch out your ankles in your kitten heels as you prepare it. If you told your Ma back in Mojave that the worst thing about fame would be the uncomfortable outfits, she'd smack you. So you keep it to yourself– you're grateful, you're humble, you'll never be an entitled asshole like those fucking execs.
“Watch out, I'm behind ya.” A man gently presses your shoulder as he walks next to you.
You know that voice. Famous movie cowboy, devilishly handsome, easy to admire. A career worth emulating.
“Mr. Howard?” You turn to look at him, and it is him. Wearing a tuxedo suit, smiling his classic, rugged grin at you.
“The one and the only.” He laughs in a self-deprecating way, as a man tired with his fame and used to mocking it. “Hey, wait, don't I know you?”
You immediately feel your face heat up. “Probably not– lots of people have mistaken me for Lucky Yates so far…”
“No, I do know you.” He points a finger at you, while pouring himself a mug of black coffee. “I told you mister, I'm not here for a long time. Just a good one, and if you can't provide it for me, I'll be inclined to look elsewhere.”
Cooper Howard does a perfect impression of your girly, haughty tone from “Girls Want It All”, and it surprises you that he even knows your dialogue that well. You're not used to this much attention, especially not from one of Hollywood's most notable movie stars.
He says your name.
“Yeah, that's me.” You say sheepishly– even though you know you have to fake that confidence, it's hard when you've been caught off guard. You're starstruck– you don't know how to operate, now realizing that even celebrities are noticing you. “Just shooting an ad for Nuka-Cola.”
“Ah, that’s smart of you.” He leans in– about to give you a bit of Hollywood advice, no doubt– and you feel yourself turning warm at the attention he’s giving you. “I wouldn’t expect any less from one of Hollywood’s upcoming stars– residuals aren’t enough to make the world go round.”
You know he’s admiring your street smarts, but you have to ask. “Upcoming, really?”
“Miss, I’m not sure many other actresses could’ve delivered that little monologue I just did without, er, pardon my language,” Cooper takes a sip of his coffee, his eyes peering down at you over the perimeter of the cup. “Fucking it up. Pantomiming too much wily, feminine shit  that execs love, without that little edge of real, subtle emotion. I’m not the only one who thinks so.”
You giggle a little. “C’mon, really? I hardly got to act the way I wanted to.”
“That’s how it starts. Little moments, little subtleties where you’re letting your real character shine through– it’s noticeable to the industry. More opportunities come that way. But it’s smart to use, uh…” Cooper swallows, a tiny, imperceptible thing that reminds you of your bombshell image, that he must be thinking about it. “Smart to use such attractive imagery, if you get my drift. The public will eat you up.”
The way he drawls that latter part makes you feel excited, but you keep it down– it’s well known Cooper Howard is a married man, and you are not about to be ruined by an affair. Even if he does sound sort of flirty, this sort of complimenting is so common in Hollywood.
“What are you doing in the advertisement shooting lot?” You ask, changing the subject, and Cooper shrugs, a nonchalant ripple of a movement that tells you his general cool demeanour isn’t just acting.
“Promised my wife I’d shoot an advert for her. Vault-Tec, you know?” He admits, telling you he hasn’t forgotten about his wife, either. “Gotta head to the experimental Vault they’ve set up next door.”
“Yes, of course.” You, like anyone else, have seen the ads of Cooper in the Vault-Tec suit– it’s a rather controversial thing to be partaking in, but you think he knows what he’s doing.
“Well, Nuka-Cola.” He hands you an iced tea– one you didn’t even notice him making for you as you were talking to him. “I’ll see you around.”
/
The Ghoul walks around the wasteland, two hundred something years into the future.
He’s searching for a bounty– Leopold St. West– worth at least 1000 caps, and it’s terribly difficult to find him when every single person claims he’s in all these different locations, not a single one correlated to each other.
So he’s walking around a destroyed neighbourhood, where Leopold was last seen a day ago, if his fellow ghouls are to be trusted. If he had to guess, these are the remnants of China Town– the faux Asian-esque details, the cheesy red colouring, the false authenticity Hollywood loves to portray as “good as the real thing”. God, Coop does not miss some parts of the fame.
He suddenly stumbles over a piece of the broken sidewalk. Coop’s usually pretty agile, nonchalant on his feet– he knows this feeling. He’s going through withdrawal.
“Shit, I need a minute.” He mutters to himself, feeling a bit woozy.
He's only got a couple more vials of drugs, so he can't be using them all willy-nilly. No, he needs to recoup things and go through this carefully.
Shelter is necessary– the longer Coop is out in the sun, the harsher the effects of withdrawal feel. And, if he’s lucky, one of these buildings might have something for him to loot– more drugs if he’s extra, extra lucky.
Coop enters a nondescript building– where a radroach is waiting, and he immediately fires at it without even looking, killing it in one shot– and he sees the sign over the entry way, marking the lobby.
This is some Hollywood executive-owned club. It’s hard to tell– two hundredyears of wear-and-tear will do that for you– but Cooper Howard distinctly remembers this place, maybe in some conversation back then, maybe when he was networking. 
Every single thing has a distinct, thick layer of grime over it. Coop thinks of sweaty strippers dancing, actors cheating on their wives– they’re all probably dead now.
He reaches into his satchel and takes a hit of one of his vials– and hopes he can replace what he uses with something here.
There’s not a single bottle behind the bar, and he jostles through, not seeing a chem or a drug left behind by anyone on the floor or behind the counter, and he’s mildly disgruntled over how every place has nearly everything picked clean by raiders, wastelanders– just other people. Coop will always loathe these other assholes.
He climbs the broken stairs with a lanky, languid stretch, making it over a fairly large hole where a corpse waits on the floor below. A raider who didn’t watch where he was stepping. That tells him there should be loot up on this upper floor– at least a bit of it.
He walks to the one closed door in a less-than-discreet hallway, gold sconces and railings marking the way.
“Ah… private office.” Coop jiggles an ostentatious handle to a mahogany door, that is surely leading to an even more pretentiously ostentatious office, and he finds that it’s locked.
A good sign. Most likely no one’s ever been in there, because it’s probably a difficult lock to pick. 
It surprises him that no one’s ever just forced their way through.
Coop doesn’t waste time on this though– he just takes a teeny gun out of his bag, fires it, and admires the hole in the door where the handle used to be. The door creaks open on it’s own, and he saunters into a well furnished, dusty office room.
“Nope, nope, nope…” He pushes box after box in the shelves next to the wall, and they fall with loud clatter– loaded with panicky, nuclear-war-on-the-horizon type shit, like canned meats and beans and preserved jams and pickles. “Fuck no.”
He pushes off a toy figurine of Vault Boy down with extra gusto.
Coop looks behind the desk, where there’s a dusty placard reading Adrian Amos II. He grins– one of the worst producer bastards of all time is not someone he’d feel bad about stealing from, even if there was still some conscience left in him. No, sir, Adrian Amos the second did not deserve any sympathy, especially after the way he was known for bitching about salaries, abusing PAs, and having a predilection for going after less-than-consenting women.
Coop grits his teeth, remembering that asshole and how terrible and gaudy this club was back then. Not that it was better now– but he’s grateful for one man’s deserved death, at least.
He jostles open where the second drawer is filled with the glass clinking sound of many, many vials.
“Fucking jackpot, Jesus.” Coop stares down at how many there are– at least 40 or 50– a hell of a lot to just be left behind.
Well, based on the other supplies, Adrian Amos got fucked over and either didn’t make it to his vault in time, or forgot to run to his private club before heading in.
Coop doesn’t give a fuck, though. He starts piling the vials into his cases, and then back into his bag.
There’s a sudden whirring sound near him. “Huh?”
To his left, an imperceptible secret door has pushed itself outwards, decorated in the same dark brown wallpaper as the rest of the room.
Coop looks down and under– he’s accidentally pressed a secret button on the underside of the drawer. “Fuck.”
He doesn’t know what would be inside the secret room– assassins, raiders waiting on someone to dupe? Maybe even synths, just meant to protect Amos when he needed it.
Inside the room, it’s dark, and he can’t make out anything. Coop can only draw his gun rapidly when there’s a blue light suddenly emitting out from the inside.
He’s careful as he approaches– last thing Coop wants is an ambush– and as his vision improves, he sees it’s a cryonic pod, all frosted over so he can’t make out who’s inside.
Coop sighs, ready to leave it behind– he’s not interested in waking up Amos– and instead, the thing whirs, heating up it’s insides with extremely hot steam, and then opens up with a mechanical flourish.
Coop instinctively steps back, coughing “Holy shit!” as the air whooshes past him.
A body falls out, just looking slightly frosted– mostly thawed by whatever the cryo tank just did. 
/
You're on set again, sitting in a free lawn chair while others get ready for their take– it's not for a Nuka-Cola ad, it's just a guest appearance on everyone's favourite sitcom, The Grady Group, where you play an overly promiscuous babysitter who has no sense for watching over kids.
It's comedic, it's an easy way to get laughs– plus it actually boosts the shows’ ratings since you've been in movies and all. You’re done filming already, you’re just sitting here watching the rest of the shoot, dragging out your return to your car, and then back home. 
Something about the fictional family you wait on, Gill and Gina Grady, and their kids Gideon, Gessica, and Gwen, it makes you miss having a family of your own. In fact, you have half a mind to call your mother, despite all the bitching she’ll give you about the things you haven’t done yet.
It also doesn't help that Gill and Gina are a couple in real life– named Arthur and Bea Smith, they really, really are in love, and in between takes they're often canoodling with each other.
You're happy for them, if not a little– jealous, despite the fact that you're not interested in dating anyone right now. At least, you thought you weren't, but you find that lately, when you return back to your apartment all lonesome after a shoot, you feel like something is missing.
“Hey. Nuka-Cola.” Cooper Howard strolls over to where you're sitting, and you smile up at him, covering your eyes from the sunlight streaming through the windows.
“Mr. Howard. Shooting today?” You ask, and he shakes his head.
“Not at all. Just lounging around, waiting for my kid.” He sits in the lawn chair next to you, leaning back, crossing one leg over the other. “Janey is on a field trip at a museum next door– I thought I’d kill some time before picking her up.”
“Ah, cute.” You grin. Janey Howard is an absolutely precious kid– she shares her dad’s smile, but has a curious nature that you admire. “Is she well?”
“As well as kids can be at that age, running around all the time.” Cooper shrugs. “You know how it is.”
“Kind of. I actually did used to babysit kids, so I know– they can never sit still or mind their business.” You laugh as Cooper grins. 
“So you went method for your guest appearance, huh?” He asks, and you’re mildly baffled.
“How do you know about that?” You squint at him, just being jokingly suspicious.
“Oh, I saw a few clips of your footage. While I was walking over here.” He points over at Stu, the director, standing on the living room set, watching clips on his viewfinder. “Seemed pretty natural to me.”
It almost bothers you that he seems so interested in you and your work, that he always voices support– but he’s well-known for being happily married, for being content in general, unlike you.  
Still, better a friend than nothing at all, that’s what you always tell yourself.
“Thanks. But it’s not hard being around kids, is it?” You reminisce being a kid in Mojave, playing with your friends on your street– and then as a young adult, babysitting new kids that still wanted to play with you. “I still sometimes feel like I’m just a kid pretending to be an adult.”
“That never goes away, darlin’.” Cooper laughs, and you blink. “Being an actor, especially, you’re never losing that childhood sense of wonder, you get my drift?”
“Yeah, of course.” You nod. “I just don’t feel complete, I guess. I’m still waiting for the moment I’ll know I’m an adult– like maybe if I get married or something like that.”
“Being married didn’t change that for me either. Neither did being a dad.” He winces, and scratches at his stubble. “Just don’t tell anyone I said that, but I think it’s all apart of being a human person.”
Your face turns a little more glum at that, and he wonders what he said that bummed you out. It’s not his intention– he wants to cheer you up.
“What’s with the sad, forlorn, ‘I’m-a-pretty-girl-come-comfort-me’ look?” Cooper utters as he leans in, and you laugh a little but silence yourself, recognizing his compliment.
It’s dangerous to flirt with this guy, this taken man who has nothing to gain but a bit of affection he may be missing, but you see that he knows his compliment had effect anyways– and he definitely likes that.
You just choose to assume it’s entirely friendly.
“I just… I like the thought of having a family.” You suck in air,at how foolish and girly this sounds, hardly the cutthroat businesswoman you need to be out here. “This is stupid, I’m sorry.”
“No, no, it isn’t.” Cooper taps his arm rest, thinking. “You’re hurting, I can tell. You got that same pissed off look most ladies get when they ‘don’t wanna talk’ but they’re holding tons of shit inside.”
Damn this guy, you think, but you decide to be honest.
“I just didn’t think it’d be so lonely out here. In Hollywood.” You press your palms together. “Like, everywhere I go, I’m surrounded by classic Americana, the nuclear family– and I can’t believe I’m saying this, but I’m jealous.”
“As a bachelorette, don’t you got plenty of options?” Cooper grins. “I mean, are men not lining up to court Nuka-Cola girl?”
“Ah…” You hum, thinking of dates you’ve had here, settling back in your seat. “I don’t know– it’s cheesy but I want more sincerity.”
“In that case, don’t be jealous, marriage ain’t all that.” Cooper tuts, knowing that you of all people should hear about how it doesn’t complete you. “It’s not perfect, it’s not a magical fairy-tale where everything gets solved, it’s a hell of a lot more work than people let on.”
“Oh.” You knew that, deep down– but hearing it from him really solidifies that for you. It’s a silly dream.
It sounds like he’s speaking from experience, so you quiet down. But you’re not trying to get your hopes up about that or anything.
“And you’re not an idiot, Nuka-Cola. Don’t get into something you’re not a hundred fucking percent sure about.” Cooper clicks his tongue. “If you really feel the urge to suddenly go and play wife with someone, just for me, make sure he’s absolutely worth it.”
“For you?” You raise your eyebrows at that.
“I figure you won’t do it for yourself. Love is blind and all that.” He points at himself. “But if I, as your buddy Cooper, hold you to that? I’ll bet that you’ll vet every single guy.”
“Oh, really.” You smirk at him, your nose scrunching a little. “Is that for my benefit, or yours?”
“Uh…” Cooper is truly caught off guard here. He knows he didn’t intend anything by what he said, but it does feel like… he won’t enjoy the fact that if the next few times he talks to you, continuing become close to you, he’ll have to get the approval of some man.
Some man who wouldn’t even know you as long he has known you. He always likes his chats with you, and there’s an urge inside him not to let you go.
He thinks again that you’re a little too spontaneous. Not easy to dupe, no– he can’t just flirt with you for fun because you’ll always pick up on it, even if he did it by mistake.
“No comment.” He finally answers with a raspy, low tone, one that you barely hear but are satisfied by.
/
A few months later, you check your face in your little compact mirror before stuffing it in your purse and heading inside Sebastian Leslie’s home. Exciting, yes, because this is the first time you’ve been invited not just to network, not just because a big name has seen you in the movies and wants to flaunt that they know you tangentially.
No, this is the first time you know someone, you’re actually in with a crowd– you’re friends with the host. You don’t feel nearly as awkward walking into Sebastian’s comfortable home and seeing familiar faces that you’re close with, decor that you already recognize.
“There she is.” Sebastian greets you with a tight hug– for a massive flirt he’s actually rather protective of you sometimes. “Love the dress, by the way– is that a vintage Chanel? Black is very flattering on you, my dear.”
You get the sense he didn’t want you to be involved in this industry sometimes, but other times– he likes that you put work in.
“I saw your newest advertisement on TV yesterday.” He comments, and you giggle.
“Was it good?” 
“Yeah, amazing as usual– but you gotta do more than that.” Sebastian holds your hand as he pulls you into the crowd of other low-level actors, people who could risk showing up, really, and you fix your dress, a black one with a low square neckline. “Look into Vault-Tec– I’ve been telling Cooper here about how our futures are totally going to be surrounded by their products, even though that fucker does not want to listen.”
Cooper’s lounging in a low sofa in the pit of this living room, holding a crystal glass full of amber liquid, black button up shirt half open– he looks dishevelled, hair slightly askew, jaw off-kilter as he presses his tongue into his cheek, thinking. Lost by something, but still put together as celebrities are. Geez, you really need to temper your attraction to him.
It doesn’t help how he looks at you, either– there’s something deep and reverent about his gaze, like he wants to believe whatever he sees when he’s looking at you– but you have no idea if it’s real, or if it’s just an act like with most of these celebrities.
You used to see him a lot more frequently too, over the last few months. Either at set, or at more fancy parties– most of which he’s been perfectly pleasant and kind to you.
“Of course you’d label me as some fucking chairman for them, Seabass.” Cooper slams back half a pint of whisky, and pours himself some more. “Hey, Nuka-Cola.”
“Hey, Mr. Howard.” You smile gently. You’ve heard about his divorce– everyone has, but you’re not 100% sure why it’s happened, why now when things seemed to be going so well for him.
Well is relative, though. You know loads of actors have decried him privately– no one wants to hang out with the man promoting the end of the world, apparently. It must be a tough thing to only be hired for your wife’s advertisements– and even then, you don’t exactly agree with what they’re marketing, either.
You don’t feel so strongly against Cooper, though. Maybe because you do like him– but also because you know what it’s like to have your image connected to something you don’t really promote. Nuka-Cola isn’t healthy, it’s got enough sugar to induce instant death when drank regularly. But you do it for the connections, the money– and you’re sure Cooper did too.
“Cooper is fine.” He grumbles, and you remember his last name is maybe a sore subject right now.
“Sorry.” You do your best to be delicate as you sit next to him, and Sebastian sits on the other side of you. “How’re you, Cooper?”
“Not bad. If you count being divorced as being alright.” He sighs, and you feel terrible that you even asked. “It’s like I never knew her, man– I thought Barb was different. Or they changed her, I don’t fucking know.”
“She had her eyes set on the prize. As did you, Coop.” Sebastian states, and Cooper turns, affronted.
“We’re all interested in money and glory, Seabass. Fuck you if you think otherwise.” Cooper tenses, and you feel a bit awkward listening in on this conversation.
“What did I say that negates that? I’m as money hungry as they come.” Sebastian shrugs. “I only meant that– despite it all, making money was what you had in common, evidently not the world-going-nuclear shit. Maybe you’ve got a heart of gold, a change of mind, I don’t know, Cooper. But throwing away an easy life just to pay alimony must be fucking awful, so I just don’t think you’re in it for the money anymore.”
“You’re fucking telling me.” Cooper sniggers. “I don’t think Barb cares. I’m here with no career, and she’s out there getting promoted in Vault-Tec. As for the heart of gold… any former marine would’ve been against that shit.”
You want to ask what shit, but you don’t want to overstep your boundaries. You get the general fear of nuclear war– but Cooper sounds more personally affected by it.
Cooper glances over at you. “What do you think? Better to be richer than you can spend in a lifetime, or to be out with a good conscience?” 
“I don’t know if I’m that interested in money.” You say honestly, and Cooper raises his eyebrows.   
“Really? Nuka-Cola’s a saint, huh.” He chuckles– he’s clearly a bit buzzed.
“No, I’m not. Of course I want to have a career.” You think about this carefully, so it doesn’t sound insincere. “Making money is nice– but I don’t think I have the right to say it should come at the cost of human lives. You know Nuka-Cola is terrible for you, right? ”
Cooper stares at you for a moment too long, and then looks away. “Yeah… addicting.”
He’s definitely not talking about Cola, but you continue on. “Yeah, so just in that way– I disagree with how much power marketing has. We’ve convinced America that they need this– just so some chairman can make an extra dollar.”
Cooper looks at you, renewed by whatever you just said. “Hell, woman after my own heart. That’s damn true.”
“Yes, yes, you two oblivious flirts– there’s no art in filmmaking anymore, just commercialism. Not like it hasn’t been the case for a century.” Sebastian chimes in, and you bite your lip, pretending not to notice how Cooper’s face is smirking bashfully. “But, babe. You’re going to want to make your money before the world fucking ends.”
“What’s that?” You startle, and Cooper laughs sardonically at your surprise, while Sebastian gets up.
“Let me get myself a drink– I hardly want to tell this story sober.” He leaves, and Cooper has half a heart to glare at him– he knows Sebastian is leaving the two of you alone so he can do the dirty work.
Not like his reputation can ever get better, especially by telling this story again with it’s lurid details, but at least it doesn't hurt that he's with you. 
“What does he mean by that, Mr. Howard?” You wince at your use of that. “Sorry– I meant Cooper.”
“Ah, call me what you’d like.” Cooper takes another sip of his drink, leaning back in the couch to the point where he is practically lying down and against you. “It sounds good coming out of your mouth no matter what you pick, Nuka-Cola.”
Now that’s a suggestive, loaded line, and you feel a little more comfortable flirting with him even if it’s a bit of a rebound for him. The end of the world is approaching, right?
“The end of the world?” You prod at him, and he sighs, leaning against your shoulder. 
“It’s fucking ridiculous, what it is… probably never going to happen anytime soon.” Cooper’s tone of voice is hazy as he examines his last sip of whisky in the glass. “No, no. Just something those fucking commies put in my head. I guess they’re not really commies, are they?”
“Unless you elaborate, I can’t say.” You utter back at him, and he pushes down a smile.
“Alright. Vault-Tec’s been selling this nuclear protective stuff, right?” He says, and you nod, your cheek brushing against the top of his hair. “All I can say is that a few… radicals, if you will, think that Vault-Tec might actually be more involved with it than they say. Like, they might be…”
“Not just protective, huh? More offensive? Everyone’s got that feeling, Mr. Howard. And that doesn't sound like a particularly commie-train-of-thought to me.” You hear the sorrow in his tone, even if he’s trying to make it sound like a rumour. “Did you hear this from your ex-wife?”
Cooper winces here. He still feels slightly guilty about spying on her. A part of him thinks they might’ve not divorced if he hadn’t found out– but he knows he was bound to find out eventually, and he would’ve just delayed the inevitable.
“Maybe, Cola. Maybe you’re just sharp.” He whispers, and you smile and he feels it– your skin is intoxicatingly close right now.
“So, odds are?” You ask, just curious, and he exhales.
“Bad. I have to agree with them.” He admits, and it feels exhilarating to admit this– that Vault-Tec is gonna nuke the world at some point, that the radicals are more like minded to him than he’s wanted to believe in the past. “Even if it didn’t cost my movies, I regret partaking in what they were selling.”
That’s a big thing for him to say– you know Cooper loves acting, he absolutely adores playing a hardened sheriff, the last vestige of goodness in the wild, wild west. All the times you’ve visited him on his set– probably during his last contractual movie, now that you think about it– and he was always so excited to show off the architecture and intricacies of the fictional western town they’d set up, share script details and little character quirks so you could have an insider’s viewpoint. He even donned his cowboy hat on you, saying you wore it like a natural.
He loved being the hero, really.
He lights a cigarette, and takes a puff.
“Most big-name connections refuse to talk to me because of this stuff– I’ve basically been dropped out of phonebooks all together. They think I’m still in on it, they think I’ve only stopped because of backlash–” He stops as you begin to scratch his scalp, still leaning against your shoulder, but getting progressively into your neck area.
Jesus, that feels good. He thinks. He hasn’t been intimate in a while– Barb became increasingly more cold to him over the last few months, as their marriage kept falling apart.
“Backlash, really?” You whisper. 
“Yeah.” He stutters for just a moment, because your eyes are peering into his, and for a moment he thinks you could really make it as just a bombshell if you wanted to– then he takes another puff. “When really, I was just backing out of what I thought was really a massive crime against humanity.”
“Are you only telling me this to validate your poor conscience? Remedy that reputation a little?” You ask, and he presses his lips together. 
“Well, I'll be honest, yeah. Of fucking course I'd tell the one woman who seems to be like me on this.” He sounds so certain of you, sounds so sure that you're on his side.
And you absolutely are.
“The world’s about to end, Mr. Howard. You're not a bad man for not wanting to support it. I'm inclined to agree.” You inhale deeply, and Cooper stares at you– something stirs inside him as he does. 
“Kiss me, then. Humour me– since none of this will matter soon.” Cooper murmurs, lying on top of your chest now, the smoke from his cigarette enveloping your face.
He’s so close you barely have to move to oblige to what he’s said– you're second guessing yourself for just a moment, because it feels like a dream that he'd ask you to do this, so out of the blue, such a picture perfect fantasy that you almost don't care about the impending doom, and you press your lips gently to his in an upside-down kiss, his hair brushing against your open cleavage, but Cooper is insistent and leans upward, kissing you with such intensity that your head is spinning afterwards.
God, now that's a movie star kiss. You think.
He kisses you again as Sebastian returns, drink in hand.
“Oi! You two. Jesus Christ, can't keep your hands off each other, can you?” Sebastian pretends to vomit. “C’mon, if I want to talk to you at my party, I should have that right.”
You attempt to pull away– but Cooper, being a little mischevious, perhaps wanting to show off in a way he hasn’t been able to, sits up right and kisses you again, this time normally, just very slowly and passionately though, slithering an arm around your waist in a way that has Sebastian rolling his eyes. 
“Okay, present.” He says, not pulling his arm off your waist. 
“Thanks.” Sebastian shakes his head. “I was thinking we should take the mood off with some party games…”
/
It's about 2 AM when you've finally left the party. Cooper didn't want to let you go– he's crashing at an apartment for the time being, but you really don't want to waste yourself on being his rebound, if he really likes you.
You tell him as much, and he likes that– you really are rather sharp about things. 
“Well. Gimme a call when you realize I'm not kidding around with you.” He says unabashedly, holding your hand, kissing it as you leave.
You’re absolutely sure he's drunk, and he's being a little too clingy– but you want to believe him anyways. 
You walk back to your car, alone. Thinking about if Cooper is worth the damage it could have on your potential career. But then again– the end of the world is coming, right?
So maybe it won’t matter. And you find that you like this, the secret potential of this option, just hanging out with Cooper in a place that used to be America, no more expectations on you both. There’s also the chance you just both die, though.
You shudder.
You don't notice that there's a man in the backseat of your car when you get in, brandishing a chloroform stained cloth.
/
The Ghoul prods at the body that's just fallen out of the cryo pod.
Oh fuck. 
It's starting to stir, whoever it is, and Coop knows he's ready, if this is really some synthetic android-clone thing, to make their life hell. Get some of his anger out on something that doesn’t matter.
Wait– he recognizes that cherry red fabric. That coiffed hair, frosty after being inside the pod. Oh, Jesus… even the makeup is the same as when he last saw you. 
“Ah… shit.” He chuckles to himself in exasperation, because this is beyond belief. “Nuka-Cola, is that you?”
You tilt yourself to the side, eyes bleary, unable to see clearly. Everything’s dark. But you know that voice, you just heard it a couple of days ago.
“Mr. Howard?” You croak out, and he hisses inwards– nobody has called him that in centuries. Nobody knows who he is… except for you, of course. 
“The one and the same, baby.” He licks the side of his gums, deciding to stick with his identity for now. “Well, maybe a little different. You wouldn't happen to know what a Ghoul is, huh?”
“What?” You don't know how long your vision is going to stay black for, but you don't like the sound of that. “What the fuck does that mean?”
“Eyes haven't been opened for… two hundred years. I'll give you some time, Cola.” He sighs; cracks his neck, while you sink back into the floor. “Just imagine the ugliest horror-picture monster you can imagine. Zombie, no nose. That paint a picture for you?”
“...”
“What was that?” Coop can't hear you when your voice is muffled into the tiles of this secret room. He grasps your hair gently, from the root, pulling your head upwards so you'll speak– clearly you don't have the strength to lift up your body. 
“I said, how is that any different from before?” 
“Oh, she's still a jokester.” Coop scoffs– despite himself he snorts– and he lets go of your hair so you land back on the floor with a thump.
“–Ow!” You flinch, and then turn over so you’re on your back. “Still an asshole, huh?”
“Me?” He grins maliciously. Ooh, maybe he can use some misplaced anger on you. “You're the one who didn't call back for several weeks.”
“How could I? You can see I've been trapped in a cryo thing for… however long. Did you say two hundred years?” You flatly ask, and Coop still thinks you're lying.
“Yes, and bullshit. You probably had a couple weeks since I last saw you to call me.” He states, and he doesn’t actually hold a grudge, at least not that much of it in comparison to all the other horrid shit that’s happened to him– he just thinks it's funny to push your buttons after all of that, like looking into a mirror of the past– and you groan.
“No, I didn't. I got in my car after Sebastian's party, and some goon sprayed something in my face, I passed out, and he drove me here.” You start, and you begin frowning in such a way that Coop almost feels bad. 
“Why you, sweetheart?” He shakes his head. “You weren't exactly high up in popularity yet.”
“Exactly. No one would miss me.” You spit out bitterly, remember the end to that night, where you were so unaware of your surroundings, and terrified of being assaulted as you were pushed around into this room, blindfolded.
“Adrian fucking Amos, the fucking Second, thought it would be great if I just became his permanent doll during the apocalypse.” You swallow, and Coop sits down next to you, to listen more clearly. You shift towards his body heat– and to his surprise, he still likes that. “See, his daddy has shares in Vault-Tec, so he decided before nuclear fallout happened, he wanted a guaranteed sex slave from his favourite advertisements.”
“Nuka-Cola.” Coop utters with the slowest drawl, concluding your statement– and you like that.
“Yeah, Nuka fucking Cola.” You grimace. “Then he undressed me, put me in this little number, and threw me in the pod. I barely remember this shit because I was so out of it.”
“Shame. I always wondered why you never called me back.” Coop circles back to his little grudge– but he also feels bad, feels some level of guilt that neither he nor Sebastian had the sense to look out for you back then, and you were practically assaulted (maybe actually so if you didn't remember). 
“Yeah, because I wanted to miss out on that piece of ass. Sure.” You joke feebly, and Coop laughs despite himself. 
“Honey, you're gonna run away screaming when you finally see me. Don't worry about it.” He shakes his head. “The real world's a lot more fucking difficult than would'ves and could'ves.”
“Okay, explain. If you're willing to owe me that much.” You start, and Coop gets reminded of that fateful night a couple hundred years ago, where he was the one to clue you into the impending nuclear war.
Not even three months later, it was all over, and you were nowhere in sight– if his mind ever did drift to you, the what-ifs and who-knows that still persisted– he would always assume you were dead.
Now he thinks you're just unfinished business. 
“Fine.” He taps your shoulder, and you lean a little closer towards him– you touch his hand, and instead of flinching as many people have in the past– you trace the tough, callused skin there.
He thinks there’s something wrong with you. Why do you seem drawn to him anyways? You’re completely fucking up his tough guy, lone-wolf persona by being here, and he wants you gone. He pulls away his hand, ignoring how your face falls for a moment.
Coop inhales, and then starts. “In October 2077, they nuked America, bombed it all to hell. By they, I think we both know what I’m implying.”
“It wasn’t the Chinese.” You interrupt, and he shushes you.
“Yeah, Cola.” He starts playing with his fingers, feeling like you don’t deserve to be here right now. That you should’ve just stayed dead. “Vault-Tec destroyed it all.”
It’s no good. He’s an old man, and you’re still as soft and young as ever. He’s always haunted by his past, like with Barb and Janey, and then Sebastian’s voice in every single Mr. Handy robot he comes by, and then finally, his last couple memories with you.
“The last two hundred something years have been filled with carnage, death, unspeakable horrors that your pretty little mind could never comprehend.” He grits out, pushing past the past and remembering that this is who he is now– a killer– and you stare at him vacantly, because his tone is so much more serious suddenly. “Nothing is the same. Everyone has blood on their hands, water is a fucking commodity, if you’re not watching out for humans to betray you, hideous creatures like me roam the ground, and that ground? Sands, deserts, barely a hint of green. It’s nothing worth coming back to.”
“So you’re saying I’m in hell.” You suddenly inhale harshly, and Coop ignores the urge to check on you.
The last thing he needs is an extra person to take care of– especially someone who doesn’t know the Wasteland. So it’s better now that he just weans you off and leaves you here.
“Yeah, sweetheart. And I'm the devil.” Coop sucks on his teeth again. “If you had any sense, you’d go back into that fucking freezer until some utopia is born four hundred years from–”
You flinch, and he stops. 
“Oh, God, my eyes–”
The sight comes back slowly then all at once. Light everywhere, overwhelming your senses. 
You blink, tears rolling down your face. 
“Maybe it would’ve been better if you stayed blind, Cola.” He stares at you as you rub your eyes, taking in the state of the room. 
It’s a warning, but you look up at him again anyways. And Coop waits for the utter horror, for the sign that he really has transformed into a monster, so he can hurry up and leave– this entire conversation with you is just him finishing Cooper Howard’s past with a bow. A shiny, Nuka-Cola-red bow.
“...” You swallow, and then bite your lip, tilting your head up at him. “Couldn’t let go of the cowboy identity, huh?”
Coop furrows his non-existent eyebrows, disliking how hard you’re making this, how clever you still seem to be– you also seem way too relaxed with him. He has half a mind to fire a warning shot at you. “Yeah, okay, darlin’. You’re just avoiding facing that horrific, bile-inducing sensation in your throat, aren’t you?”
You shake your head, disagreeing immediately. “You might look– a little less like how I remember you, I guess… but you’re still you. I see it, and apparently so do you.”
How dare you? Coop thinks, how dare you intertwine his two images together so easily when he could never be the same man again, when just seeing an old VHS tape of one of his movies pains him?
“Yeah, no thanks. If this is your way to get me to valet you around, I’m not that man anymore, Nuka-Cola.” He resents the way you think he could still be good– just because his western image brings him a little comfort nowadays. “Not a sheriff anymore.”
Your face drops, but you seem to take that information readily. “Yeah, I figured that based on your outfit, the little blood splatters on your pants… if that’s how the world is, then so be it.”
You’re saying things that on paper should be right– but Coop is getting more and more disgruntled with you, and you feel like you need to separate yourself from him. Yes, tough, because to you it’s been all of forty-eight hours since you kissed him– but you can see, no matter how deep the original Cooper Howard is inside this new Ghoul, you’re not going to be able to bring him out.
You stand up, on shaky, bare feet, and motion for Coop to move out of the way. Independent woman to the end, you are, and you want to get your bearings without him.
Coop internally sighs. He doesn’t believe for one second you’ll survive out there– and he really doesn’t need to spend the time seeing you die, so he turns around, and leaves you here.
/
He never did find Leopold St. West, much to his chagrin– you really, really messed up his day. 
It happens. Sometimes he’ll see Janey in another person’s eyes and freak out, and have to boil it down by murdering random raiders. 
But now Coop is just spiteful. He’s always figured that a lot of what happened to the world was just a bunch of rich people picking and choosing a destiny for themselves to the detriment of everyone else, and now he’s aware that included you, too. To casually be grabbed away by some man, just because he was rich… Coop isn’t unsympathetic to how you ended up, even if he treated you quite poorly. It’s sickening.
Two hundred years of quiet, always-dwelling agony, the first few years out of fear for being alone, and the next few years spent conspiring about what could’ve happened to his family– and then here you are as confirmation of his worst theories.
No wonder he enjoys his casket time.
/
Coop sighs.
Vaultie is hard to keep track of. She got away with murder this time at the organ harvesting clinic– so Coop finds it easier to stop working with her, to move when he wants to.
The Govermint (really just Booker’s shitty gang) was rather easy to dismantle. The two sheriffs that he killed required no expertise on his part.
He’s thinking about the fact that since Moldaver is still alive, and apparently that fucker Hank MacLean, then that means there’s a good chance Barb and Janey are too– perhaps he could go and find them.
It’s an odd urge, though. Everytime he thinks about it, he wonders how he’s actually supposed to connect with them again– they’ve been fractured for so long, and he’s changed, and there’s a good chance neither of them would accept him like this.
But you did, didn’t you? You were on the verge of saying yes, you’d accept him– as if nothing had changed.
Coop grumbles. The big, significant difference is that you were infatuated with him, but Barb divorced him, and Janey was too young to make that choice. He considers that it could be a pipe dream, but he still has hope– for Janey, at least.
He thinks you’re probably dead anyways. He hasn’t seen you in several months, since that day where he unceremoniously woke you up– and he hopes it stays that way.
He's chilling in another small, scrappy area of the wasteland. Nobody bothers the Ghoul, not when he's casually fiddling with his gun and and chewing on a toothpick.
A man runs past him, holding a significantly valuable piece of Brotherhood equipment. Maybe worth thousands of caps if he knows his shit, and he does. That’s a fusion core, and they’re not exactly mass producing those anymore during the apocalypse.
Coop points his gun at him, finger on the trigger, seconds away from creating a bloody mess–
A blade thwacks into the guy’s neck, blood spurting as he falls and chokes. A person– a woman– jumps on his back, her face obscured by a deep green bandana . She yanks out the knife, stabs a few more times for good measure– and Coop knows the game, he’s not surprised he’s not the only one to go after this guy.
He’s pretty good at killing casually, and he barely even moves from where he’s standing, aiming the gun at her.
No way is he letting easy money pass by him.
He’s about to pull the trigger extra-quick when she yanks the bandana down, taking a deep breath as she sweats, and Coop actually misses.
It’s you. You stare up at him from where you’re squatting over the body, and your gaze hardens, furrowed brows, dark lashes, intensely dark pupils. You purse your lips, press them together, jaw set in a stern fashion, recognizing him but refusing to hear him out– and Coop doesn’t know why he’s not firing, but he’s almost… enamoured with how you are now, almost taken aback by your new nature.
Not so taken aback that he doesn’t immediately start firing when you take the fusion core and start running.
And Coop doesn’t want to actually kill you, he just wants to incite some damage. See how far you can take it.
You interweave through random gaps in the metal scraps of this little abode, seeking shelter as you do so, and Coop’s gunfire only ricochets off them with cartoony sounding “pings!”
He manages to graze your left thigh through a small window, and you inhale sharply, stopping as you grit through the pain.
Coop grins to himself. This little cat and mouse chase is what he expected, what was predictable from you– you’re smart enough to stay on the defense, but you would probably never attack him, avoiding him because of your sad feelings of the old times, never resort to carnage unless you needed to–
You shove past the walls where you’ve been roaming, and manage one kick against his stomach and he manages to grab you and restrain you, your back against his front.
You grab his own jacket for purchase, and instead of pulling forward– you push back, landing on top of him with a thud that surely hurts him. Coop clenches his teeth, back against the ground now, but you scramble, straddling him. Hands around his throat, knife pressed against one of his tendons. Not outright strangling him, but just enough pressure that he knows you’re seriously threatening him.
Holy fuck, have you changed. Just like Vaultie, maybe you’re showing your honest self– and Coop supposes it may have been his mistake to underestimate you.
“Got a whole new outfit… I like it.” He admires your new leather jacket, cargo pants around your thighs pushing his arms down, a blouse fashioned out of your old Nuka-Cola dress. Tough combat boots dig into his thighs as you push against him. “Don’t fucking start–” You squeeze a little harder and he groans, the tip of the knife pushing in. “With your on and off, hot and cold bullshit.” 
Ooh, it sounds like you have a little bit of a grudge over how you were treated.
“Get over it, Cola. It was centuries ago, whatever we had.” He spits out, and you have a glint of sadness in your eyes.
He knew you were a little too gushy for your own good– not even he adapted that quickly to the wilderness of the Wasteland. He waits for you to make the mistake, apologize, break down– and then he can take the core and get out of here.
But you’re still firm in your grasp of him, your weight pushing him down, blade against him.
You’re not angry about back then. You’ve come to terms with that.
You’re angry at the state of the world. 
“You know what I fucking hate, Ghoul?” You spit in his face, and he blinks, spittle now on his chin. “You are all so selfish. I got left behind, likely for dead, right, and nobody gives a shit, whatever. But instead of me hoping that the leftover crumbs of society would at least try to be, I don’t fucking know, more hopeful and kind, or at the very least, not be so fucking greedy and transparently trying to be the new party in charge.”
“You’re living in a dream world.” Coop interrupts, and he’s rewarded with you carving a small, little cut on his cheek, a rapid movement you hardly think about, and it causes him to inhale sharply, a drop of blood smearing across his face.
“Oh, no. I’m not asking for everyone to hold hands and play family.” You laugh suddenly, and then somehow lean in closer, and Coop finds that in some fucked up way he enjoys the pressure against him. “It’s bullshit, that kind of image making– you and I both know that. But for all this supposed talk against the rich billionaires who ruined our lives, how are we not just emulating them?”
Coop is actually drawn to silence.
“Maybe you actually got fooled by self-image, Cola.” He murmurs. “Or maybe that’s just people’s true nature.”
You don’t like that answer. You don’t actually want to believe that, but the more you think about it, the more it’s probably true. People lie all the time, but the amount of outrage you’ve heard from people the last few months, bemoaning Vault-Tec and all those rich fuckers, you were inclined to believe they wouldn’t act the exact same way.
Just at a different level. Power corrupts all, you guess.
You loosen your grasp a little. “Thank you.”
It’s honest, and Coop doesn’t like how much he does like your nature of trusting him– how even as this new, terrible version of yourself, you still trust him, and you still ask for his advice.
He doesn’t know what to make of this, but he thinks maybe he can get some use out of you yet.
Coop wrangles his arm from out under your thigh, where you’ve accidentally let a gap through, and shoves you over.
You fall with a gasp, hitting the ground, and he stands up and kicks you for good measure, while you screech in pain. 
Coop picks you up by your throat, and you instantly move to fighting– your blade against his stomach, teeth gritted in resolute urge to kill– but he’s got his pistol at your neck, and the way he brushes it against you is almost like a lover’s embrace.
“One thing I hate is a fucking liar, Cola.” He grumbles, and you glare at him. “You’re not some innocent– why else do you got a fusion core in your pocket?”
“I never claimed I was a good woman.” You shake your head. “I just wonder why the Brotherhood, the Enclave, hell, even some of the Raiders… everyone wants the ultimate piece of the pie.”
“Besides, you’re the one who kept saying to survive out here I’d have to be a killer.” You remind him, and he looks down at you, thinking. “The world’s grieving– I don’t blame it for that, I feel the same way.”
You’ve still got a way with words, he thinks, and he was right. He can use you for his benefit.
“Say, Nuka-Cola. Why don’t we take some of those fuckers down?” He stills. “Not randoms. The power-hungry pie-eaters, like how you so eloquently put it.”
You don’t fully trust him again, but you’re into the prospect. You don’t want power, and you know he doesn’t either, but it’s not just looting. No, no, this is something akin to revenge.
“Alright.” You whisper.
“Alright. Okay, I won’t shoot if you don’t cut me.” He speaks softly, slowly, trying to cajole you out of attacking– and you move as he does. 
The threatening air of before is gone now, and the Ghoul has only a odd stare for you, something that makes you feel watched, almost reminding you of two centuries ago. It could be that he doesn’t trust you either– and so you walk onward with a gap between you two, heading to wherever a faction that needs fucking up could be.
/
Coop strolls inside the makeshift bar as you make conversation, staying within the shadows. It’s not on official Enclave grounds, it’s simply a nearby bar where members have been known to hang out. 
He doesn’t exactly mind being the one to pick up the slack of killing people– he can tell you’re good at charming people what with your former bombshell acting techniques, your silly, soft blinks, the way how your skin still looks smooth and untouched.
Was it all a lie with him? Aw, shit, why does he care? He really doesn’t have time to wonder if he’s been manipulated by you– he won’t be manipulated by you now, when he gets rid of many the people who represents obstacles in his way to finding still-existing Vault-Tec members.
Yes, that’s all this is to him. Another step to finding Moldaver, Henry MacLean, then his family if he’s lucky. And you’ll get some rage out of it, so he doesn’t even consider this to be that bad of an evasion of his. 
You laugh at something the guy next to you says. Coop catches a bit of it, of him asking how you look under that big jacket– and you mentioning you’d like to see him without that government get-up, too.
He grits his teeth. He’s not fucking in love with you, or anything stupidly juvenile like that– but he definitely felt something before when the two of you were fighting, or when you had conversations during the long, arduous talk here– you bit into a piece of his jerky when he offered it, and he laughed in surprise that you didn’t spit it out after he revealed it was feral ghoul ass jerky.
He also found that his gaze kept being drawn to you, too. You kept up with him, you were capable of hunting and searching on your own, you took lives when the need arose, and you had his back, even if he didn’t ask for it.
You made him subconsciously draw from the past, reminiscing about a time with you and a future he never thought he’d revisit. And now he can’t ignore that, so he needs to let off some steam.
There’s a splatter of blood across your face as the guy in front of you splutters, a bullet hole shot through his forehead. Little pieces of flesh hit the bar counter as he falls, and you gasp.
Coop is kind of quick with it now– he fires off, and because these “politicians” are unprepared, he’s able to kill off more than half.
You get over your shock quickly and fire your own tiny pistol at random, managing a few kills, but the Ghoul takes the last one and looks back at you, with an intrepid glance that you can’t figure out.
“What the hell was that?” You call out, and he doesn’t respond, instead beginning to pilfer the bodies, looking for shit to take. “Hey, Ghoul…”
“We came here to kill off those guys.” He answers you, but it’s not really an answer.
“Yeah, but I thought we agreed on discussing this shit as we were doing it. What happened to signalling?” You approach him, and as you get close enough, he turns around and stares unnervingly into your eyes.
“I did signal, sweetheart.” He clicks his tongue, lying through his teeth. 
“Bullshit.”
“No, I did.” He points at you. “It’s not my fault that you were too busy schmoozing and flirting to notice.”
“Wow.” You laugh exasperatedly at his antics, while he tilts his head. “You’re really obtuse, you know?”
“Nah. I’m not.”
“Yes, you are. You’re gonna say you’re not jealous–” At that word, the Ghoul snarls, ready to tell you exactly how little he cares for you, and you motion for him to zip it. “But at the very instance of seeing me flirt, mind you, in the most fake way possible, you lost it. You can’t even tell the difference between my genuine flirting and the fakest, schlockiest shit?”
“...” Coop frowns, because you’re right– he did kind of let his mind go wild over nothing in particular. 
Even worse, it means he’s made it apparent to you that he still harbours some feelings for your long-ago relationship. And that’s definitely a potential weakness– he does not want you to believe you can just work him around.
“Fuck you.” He spits, and instead of your face flinching in hurt, you stay neutral.
“I know you think you can come close and then shove me off every once in a while, because you’re fucking terrified of what it means that you’re not as hard as you pretended to be, that you still have a bit of human emotion inside you.” You tiptoe up to his face so he can’t avoid you. “I don’t care. That’s your problem.”
You turn to leave, to continue looting the bodies– and Coop’s hand wraps around your wrist. 
He hates what you’ve said, because it’s absolutely provoking the worst issue he has– he can never just let go. Two hundred years of this has made him a different creature altogether, spiteful; evil, but Coop knows as well as anyone that his transformation doesn’t negate his original nature, buried deep down.
It was a lie on his part– people are not as evil as he made them out to be, it’s the cycle of this situation that perpetuates that shit. Violence begets violence and all that. He can’t seem to say this to you, though, because he can tell you already probably knew that.
What is this fuckery, that you’re able to generate such a sense of guilt in him?
“Show it to me again. Genuine flirting.” he says instead, and he knows it’s stupid as hell to say something like this. “It’s been hundreds of years, you can’t expect me to fuckin’ remem…”
You grasp his arm back, making him quiet.
He’s half expecting you to punch him, but you see something you like– something that finally satisfies you, and you kiss his cheek, where you cut him much earlier in the day. It’s a soft bruise, mostly healed over in the way ghouls heal– but it’s overwhelmingly, embarrassingly hot there now as you pull away.
“I won’t forget the difference next time, Nuka-Cola.” He tips his hat at you in a mockery of his acting as a dashing cowboy once upon a time.
“Won’t be a next time.” You shrug. “I would hate to have to flirt with someone again just to get you to notice me.”
This severely bothers him, like you haven’t been an annoyance in his mind this whole time. And then he wonders if you’re an idiot, like you have no idea the effect you had on him back then, and even now. Hell, even that overly-chaste kiss has him remembering how he felt at Sebastian’s party when you humoured him the first time.
Do you think the only thing he’s burying is some empathy for the human race?
He can’t just let you be this wrong about this, no fucking way. And it’s with this in mind that the Ghoul feels his reserve melt as he tightly grabs your face and kisses you. Not a soft, movie-star kiss of the past, but one more hungry, his lips swallowing yours, pressed sternly, firmly, like he’s not gonna let you go. He parts his mouth ever so slightly, trying to catch a reaction from you.
You’re caught off guard, and he’s glad. He likes that you don’t know what to do with yourself, that for once you’re floundering rather than him, and you barely remember to kiss back until a couple seconds later when your hands grasp the base of his skull. You’re tracing grooves, calluses, skin that’s been eroded by his ghoulishness. You feel like he tastes ever so acidic– perhaps from the radiation emitting from his body– but some weird part of you loves it, and you part your lips as you kiss him harder, wanting to feel his tongue.
Your lips are just as soft as he remembers– but there’s more excitement now, more of an urgency as you kiss him, so he takes your invitation and swirls his tongue around on yours, disgustingly vulgar and perversely fast, yet lingering to enjoy the sensation, and he kinda loves being a corrupting force, being the ghoul who eats up this sweet human girl, and he tightens his grip– it almost hurts you, how tightly his hands weave around your waist suddenly– and then before you know it, he pulls away.
He wipes his mouth, never taking his eyes off of you.
“So. Did I taste like Nuka-Cola?” You joke, and he laughs in your face.
“Nope. Darlin, you haven’t been the Nuka-Cola girl for hundreds of years. They replaced you not long after you vanished.” He smiles widely at how your face drops. “I can show you some of the new girl’s billboards, if you’d like.”
“That would explain the lack of revenue.” You raise your eyebrows. “Then why do you still call me Nuka-Cola, Cola, etcetera?”
“That’s how I remember you.” It sounds too sweet, too nice that he keeps your nickname on tabs, so he twists his lips in a sneer. “Plus I don’t remember your name.”
“Oh.” You bite your lip, finding his insult more funny than anything else, and turn around to take items from the bodies around you. “Okay, Mr. Howard.”
It was the optimal moment for you to joke back, calling him the Ghoul, but in classic you-fashion, you decided to extend an olive branch to him– reminding him that he’ll never just be the Ghoul to you. And even if Coop knows he’ll always remember you by Nuka-Cola, he has a fondness for you that he doesn’t neglect anymore– and he murmurs your name so softly, but just enough that you turn back and look at him, and smile with pleased recognition. 
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