#'well I'm blank and I think that.....'

[sketchy-tour]

Last doodle of the year! Whiteboard is STILL hard to use and I spent way too long on this

BUT STILL!!! Proud of it~

[dimension-20-every-introduction]

Everyone Introduced in Dimension 20's Fantasy High: Junior Year episode 17

[egophiliac]

so have you heard about the ride kamens app game? seems like it's gonna be a twisted wonderland like game with all the riders being hot anime guys now, and it's also gonna be written by yuya takahashi and produced by naomi takebe (apparently it was in development before geats), with designs by the person who did sk8 the infinity, so take that for what you will

have you ever gotten the feeling that a piece of media came into existence just to appeal to you specifically, or

(brb preregistering immediately)

(as far as I can tell you play as an agent who maintains a secret superhero base for riders in the basement of the rider-themed cafe that you run with your butler, and there's some other plot stuff going on but honestly I'm way past sold at this point, this sounds amazing)

[just-someone-online]

I think it'd be fun if a non-Cure from one season got a transformation item from another season.

Like, if the HapCharge and GoPri Cures were fighting some new guy near Noble Academy and Yui ends up getting her own PreChange Mirror. Or if Regina (I like Cure Joker but just ignore her for a minute) got a Sky Mirage from Ellee. Or if the Max Heart Cures are helping protect the Healin' Garden and Shiho and Rina get their own Healin' Animal partners. Maybe Syrup could get a PreHeart and be a mailman themed Cure.

And design wise, they could all pull a Cure Echo and mix each season's designs. Yui could have the distinctive vest of the Happiness Charge Cures and everything else would be in line with the Go! Princess designs. Regina could maybe share some design cues from Cure Ace? I'm not completely sure what Hirogaru aspects she would get. But functionally, they would have the powers of whatever season their transformation device comes from.

[eliounora]

craving wlw fiction and media. like a really good tv series or a film. one that gets really popular. with some fun setting and premise. nothing too dramatic, no violence against women or homophobia. nothing too real, just an interesting story. it's understandable mlm ships and couples are more popular if you think of history (gay men have been more visible) and also when you consider that mlm romance can be comforting to women since it doesn't include the aspect of womanhood and what often comes with it (the violence, the imbalance in power and dynamic, worrying that the guy will develop feelings for you ugghhh) but I wish there was more sapphic stuff. more wlw fiction that gets the same kind of love that mlm fiction does

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[captainbee66]

Here, have a teaser for "Make a Friend?" because I need to prove that I haven't abandoned this fic

[icy-book]

Consider, if you will, AU (either with canon post-s1 pre-s2 events but D.A.D.D.I.E.S. solves things before season 2 would start, or no Doodler/betrayal but Nicky still has to leave because FBI or other reasons) in which Terry Jr is the full time drama teacher for Teen High. Nicky returns from wherever he's been and is like "Well I want to be an active part of my kid's life and try and make up for lost time. I should go to his parents' evening, find out how he's doing in school, and meet his teachers. Especially this Mr Marlowe guy, Taylor seems to think he's awesome." And walking right into that classroom/hall to find his ex-boyfriend best friend sitting there in a dorky sweater and tie combo

Cue Terry, without missing a beat, greeting them as if nothing is wrong

Internal: when the FUCK did he come back and oh my god this is so awkward fuck I have to be professional how do I tell this guy that his kid is a loveable little shit after everything that's happened oh god oh fuck

Externally: "Hello Taylor and Mr Close-Foster-Freeman. I'm Taylor's drama teacher" *shakes hand* "Would you like to take a seat?"

[presiding]

formerly an essay in tags but - billie lurk. half-nameless, misremembered woman. her powers derived from the things taken from her, without any catharsis or empowerment. the rat charm, tied with deidre's hair, her lover's voice in the mouth of rats. her arm and eye, taken, given back only to cause her chronic pain, then lost again. foresight seems a cruel gift for a woman who botched the timing of her takeover of the whalers, and bet wrong when it came to delilah.

she never bore the outsider's blessing; his first visit to her was more like an assault. every other dishonored POV character gets the choice to be selfish, and for that selfishness to mean something, but billie's actions have no effect on the world at large, either, in a game without a chaos system.

some say that corvo is the ghost, but he can reach out and change things. billie's buried herself twice and come back and nothing she does seems to matter - she is less a protagonist, more a convenient full stop in the narrative.

try this: open doto, start a new game. sit in her cabin. notice how little of billie there is. even the woman she loved more than anyone has the face of another named character.

she sits amongst the assets of other games: empty canvases and a dressmaker's mannequin that wears nothing.

[shiraishi--kanade]

So does anyone here have a DAMN clue what An's assignment is. At all?

[scorndotexe]

genuinely sorry about all the dndposting recently it hasn't even been interesting but i'm so desperate to dm. i've got storytelling skills!!! i've got improv skills!!! i want to build a story around characters!!! i want to see what players do with what i give them!!!

[tankgotstuckinthecircusgate]

i could draw anything but i decided to draw this. carlo and rocco in 1932 aka my headache

[invinciblerodent]

oh no

oh no this is so bloody adorable

[quietlyblooms]

y'all forgive me, but i think this might be one of those nights where my brain refuses to cooperate ;; i got a lil done but nothing that i can finish and post. i think it's best if i call it and just try again tomorrow or monday

[eisthenameofme]

kind of hard to take a lot of the people claiming to be antifascist anarchists seriously when a solid chunk of them seem to think not wanting the state to exist means they are no longer in the reality where it currently exists.

[talkorsomething]

Making communicatiom cards was actually so fun (awakened the arts and crafts in me i guess) but i can't really... like, i already have 40 (a lot) and they're really only for guard. There's a two i hole punched a little close to the edge, and two cards i'd like to add so far ("i'm tired" and one to just put on the top of the deck).

Buuuuut i don't want to waste perfectly good paper/laminating sheets so i guess i have to wait until 6 to 8 other things come to mind 🤔