#'i want this person to die' <- not a crime

[miupow]

beeeestie i am a new follower aaaand im just in love w ur blog 😩❤️

plllllsssss talk about husband!skz, i just cant go to sleep without this on mind 😫😫😫

you can include nsfw if you are comfortable with

˗ˏˋ ★ ― HUSBAND!STRAY KIDS HEADCANONS .ᐟ

╰┈⪼ ot8 x fem!reader ✦ fluff + smut , NSFW minors do not interact !

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 。。。public sex , unprotected sex , creampies , breeding kink , marking , public sex , spanking , bondage , dom/sub dynamics , brat tamer minho , sex toys , shibari , oral (f. rec) , squirting , voice kink , oral (m. rec) mention , orgasm control , pet play sort of

notes from lia。ouuu husbant. my favorite genre of skz.. hehe thank u for the follow!! i hope u enjoy this.. it makes me so happy to hear that u love my blog ^^

SFW :

husband!bangchan who acts like he's your sugar daddy on top of being your husband. you could ask for the entire nation of korea and he'd try his best to give it to you. anything you want and more, it doesn't matter the price; chan just loves spoiling his baby girl. designer bags and jewelry, pretty clothes and expensive dinners... you don't even have to ask.

husband!minho who loves to cook with you, even though he acts like he doesn't. when he's complaining about you being in his way and making snide remarks about your culinary skills, it's out of endearment instead of actual irritation. he just finds it so funny when you throw your own retorts back at him, pouting in that way he adores so much <3 he just loves riling you up

husband!changbin who loves to work out with you! he sees it as a bonding activity, something for the two of you to do together to spend time with eachother. he helps you with all of your stretches, you spot eachother when you need to, exchanging kisses inbetween sets <3 holding his feet while he does sit ups, kissing u every time he comes up hehe

husband!hyunjin who views you as his greatest muse. his favorite subject to draw or paint is your pretty face, your smile his favorite to photograph. he shows you some of it, but most he keeps for himself-- for his eyes only, to admire when he's away on tour and he misses you.

husband!jisung who has an endless amount of inside jokes with you from all of your years together, showing up in gag gifts and one-liners that make you double over in laughter. ji loves to make you laugh, it’s his favorite sound in the entire world <3 he’s always doing something silly in hopes that you’ll give him a pretty giggle, smile and roll your eyes, make his heart skip a beat in his chest ~

husband!felix who treats you like a princess, maybe even a queen— he all but worships the ground you walk on, forever gushing about how beautiful and amazing his wife is <3 the honeymoon phase never ends with him, you’re still as disgustingly in love with each other as you were when you first started dating. he calls you all sorts of sappy pet names, giving you kisses everywhere he can reach, always needing to be touching you even if it’s just holding your hand

husband!seungmin who still acts like a tsundere even when you’ve been married for years lol. he complains about you being lazy but he’ll never let you lift a finger, he groans about you being needy when he’s the one always reaching for you and demanding ur attention >< you love him just the way he is, and he loves you more than he’ll ever care to admit. it’s so obvious that he adores you cos he’s always looking at you when he thinks you aren’t paying attention, eyes lit up like you hung the stars yourself <3

husband!jeongin who wants to spend absolutely every moment he can by your side, and he hates being away from you for any reason. a perfect day for him would be glued to your hip, from when you wake up to when you go to sleep, his favorite person and his partner in crime, his ride or die… he’d take you with him on tour if he could, but he’ll settle for being on facetime 24/7 while he’s away lol

NSFW :

husband!bangchan who can't wait to start a family <3 he figures that now you're married, it's only natural to start trying for a baby... fucks you hard and fills you up every night, fully intent on getting your belly all swollen with his babies… so much cum it’s spilling out of your hole down your hickey-marked thighs, chan pushing it back inside with his thick fingers talking about making sure it takes…

husband!minho who will put you back in your place when you’re being bratty. he will not tolerate his wife having an attitude with him!! he’ll put you over his lap and make you count in an instant, or tie you up and torture you with your favorite vibrator for hours, and he won’t stop until you’re crying and begging for his forgiveness <3 he doesn’t care if you’re out in public or out with friends, he’s whispering threats in your ear, and if you still don’t stop he’ll grab you by the wrist and drag you back home.

husband!changbin who can't help but find your workout wear incredibly sexy, the way your leggings hug your ass and curves, the way ur sports bra pushes up ur tits.. and he knows you find him sexy too, in his tank top and gym shorts, sweaty muscles all out on display.... he's drooling over you while you're drooling over him, and you can both only take so much... its not uncommon for the two of you to end up fucking in the gym showers or in the locker rooms, sometimes even getting touchy in the weight room if it's empty!! changbin slapping and gripping on your ass cos he can't stop himself from touching anymore, and you grind back onto his crotch to feel his erection... his fat dick splitting you open in the showers, his thick buff arms holding you up against the cold shower wall with your legs apart..

husband!hyunjin who loves to tie you up, more than any of the other boys. it’s like an art form to him and he takes it very seriously, buying expensive rope in pretty colors, taking immaculate care of it.. he loves to take pictures of his work, the intricate knots that bind you in place or suspend you from the ceiling— you look so beautiful like that to him, his perfect tied up angel for him to admire and destroy <3

husband!jisung who is an absolute pussy fiend… he could spend all day with his face buried between your legs, talented tongue making you cum over and over again until you squirt hehe <3 he’s not satisfied until his entire face is drenched with ur arousal, dripping slick from his nose and chin, and then he wants to fuck you until you can’t walk ! and you better believe he’s going in raw, because why would he wear a condom when his ring is on your finger? you better be careful, because jisung wants to fuck every day and every night… you wouldn’t mind if you got pregnant, would you? because he definitely wouldn’t

husband!felix who thinks it’s so cute that you find his voice so hot. all he has to do is whisper some dirty words in your ear and you’re blushing and squirming like a virgin… he just can’t help but do it all of the time. deep aussie accent mumbling about how he’s going to ruin your pussy when you get home, or about how hard and needy he is for you to take care of him <3 his hand on your thigh dangerously close to where you need him most… he loves to rile you up until you can’t take any more, till you snap <3

husband!seungmin who loves his wife submissive and needy <3 he won’t let you touch yourself without his permission, just because he loves to listen to you beg, so desperate and dependent on him … he’s trained you to be a perfect pup for him, down to the collar he likes to have you wear. you’d do anything to hear him say “good girl”, wouldn’t you?

husband!jeongin who loves to fuck in public !! getting head in the park, balls deep in your pussy in a bathroom stall, fucking under a blanket in the dorm living room, loud movie covering up your sounds. the riskiness of it gets him so hot, the idea of getting caught slutting you out in a dressing room, closet, break room… maybe it’s because he’s so possessive, that nasty freaky part of him relishing the idea of showing off to others how you belong to him… and he loves watching you stumble around with cum dripping down your legs from under your skirt, disheveled and redfaced desperate to hide what you and your husband were just up to…

[spoiled-ojousama]

y'know, you really didn't have to give the game up that easy

I was gonna dissect your little evidence lockers you listed, how the first things about them to make me change my mind isn't ever an actual action she did towards someone else, but rather 'icky' things

I think if I seriously wanted to prove someone was a predator, I'd be looking for evidence of these actions and lead with such, rather than tracking evidence they authored some fic with pedophilia

but it's never really about actionable harm, it;s never really about warning about actual danger or wrongdoing

your first priority, in all instances, is generating disgust, is generating vitriol, dehumanizing the person

and so you post my kinks in public, your hope is that my deviancy is enough to mark me forever as a sex pest, you don't bother trying to figure out if I've done anything actually objectionable, the fact I'm into incest and gore is enough

I've seen one of your clique being a little shit and making an entire post dedicated to painstakingly determining lily orchard faked a panic attack, why, if she's done actual harm, the actual harm would be more pertinent to document, but wait

let's go back to your 'evidence lockers' you lead with icky details, you never lead with crimes, I've seen this in every callout post, because if you lead with the actual crime you would have to defend your points on a logical basis, people might have actual grounds to respectably disagree with your judgement, but by masking your accusations with notes about how deviant and degenerate someone is, now it's impossible to disagree with your accusations without being labelled as an immoral deviant regardless of any naysayer's actual actions

and you're trying to do it to me, regardless of what I've done, you want me to go down as a degenerate

go fucking ahead, but just note, y'all are liars and witch hunters no better than fascist kiwifarmers, now go die in a hole bitch

Why do all the people mad at me rn seem to have blogs dedicated to harassing a single internet user named "lily orchard"

[iclimbtreestofeelalive]

hey for everyone talking about jury nullification etc etc: it only works if you lie and say you dont know what it is. if youre chosen for jury duty and they ask you if you know what it is, you say no. here's an article going more in depth, and here's the cgp grey video about it.

like. just so we're clear, it's good to know about, but if you go into a courtroom and start talking about nullification, you could very well have voided your place on that jury. be smart about it 👍

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[will-pilled]

How to get a boyfriend as a trans masc no borax no glue

[bookwormbynight]

So true so true so true so true and the fact that this isn't more recognized and the idea of "who's real and who's the mask" shows up so often drives me fucking NUTS. With Clark I feel like it's more cut-and-dry (he becomes superman because even though his name is Clark and he is a journalist and he was raised in Kansas he IS someone who just HAD to use his powers to help people instead of just keep em on the down-low and live a mostly normal life - which he could have done), but with Bruce especially. Does Bruce canon call himself Batman instead of Bruce sometimes? Sure. Would he like to not have to be ostentatious and pretend to be an idiot whenever he goes out in public off the clock? Maybe. But I'm also of the opinion that he was probably messing with the press WAY before it became part of his cover story just because he WANTED to (because they're vultures sometimes and his parents JUST DIED) which is why it blends in so seamlessly when he gets back, and also he just thinks it's plain fun sometimes. He can kiss a hot woman who's not trying to kill him and then decide he's bored and tip over an entire champagne tower sometimes. As a treat. And that's not even getting started on the fact that he's a brilliant fucking businessman and an incredible philanthropist and I think he would actually die if he didn't get to make sure everyone within his goddamn city was doing the best he can make it in Every facet of their lives and not just the crime bit. I actually think he would keel over if any one of his branches closed and he couldn't immediately offer every lost employee a new job with equal benefits and pay to their last one. He needs the opportunity to be that person too.

Bruce Wayne and Batman are both the true him it’s just that he often prioritizes Batman and considers Batman to also be a valid an fully formed identity that he calls himself. He can say his name is Batman while under the influence of the lasso of truth or a truth spell because it is true. They are both facets of a fully formed multi faceted person. Batman is his real name. Bruce Wayne is also his real name. You cannot tell me that Bruce’s philanthropy and charity is not just as authentic to his person as Batman’s crime fighting and detective work are just because he plays up certain things while dealing in his public persona, that is something that most public facing people do to some degree.

Bruce Wayne is not the mask and neither is Batman. They are two sides of the same coin.

[moeblob]

So uh. Eventually I'll stop drawing these guys so obsessively but not today I guess.

(DND AU where it's just these two, Brent, and Paul on a life mission to annoy Chris the GM by having the pact of "we're only here for Karen's benefit")

Karen is a warlock, Right is a cleric, Paul is a paladin, and Brent is a bard (so he can use bardic inspiration on Karen).

[pa-pa-plasma]

i don't think i'll ever get over how people treat kids that aren't good in school as worthless no matter what. "oh it can't be that bad" my guy idk how to tell you this but the last time i went to a normal high school the principal called me into his office to brag about how he failed me in all of my classes before the semester was even finished & i should quit while i'm ahead cuz i'm too stupid ("officially" diagnosed as such by a school counselor & a psychiatrist!!) to succeed. & this is considered normal

[trying-to-jew]

Deeply tired (but unsurprised) sigh

[bibuckleykinard]

how many times do we need to learn as people that irony and hyperbole can be harmful because 'jokes' aren't easily distinguished from genuine thoughts and feelings until we stop rewarding people for speaking or posting about violence

like even if you're joking/don't actually believe that/think whoever you are insulting is bad/immoral/fictional therefore deserves it - ad hominem attacks always do more harm to the people who share those characteristic then the individual you intend to cause harm to or discredit

[sga-owns-my-soul]

one of these days i'm going to go to prison for committing crimes against my cities transit system and tbh they'll deserve it

[reedeemable]

Every time I come across Gavin hate, old or new, I always think of that meme in Trolls:

Someone: Why do you hate Gavin?

Gavin haters: BECAUSE GAVIN KILLED MY GRANDMA, OKAY?

[poebrey]

gonna write a whole thing someday about how characters of color who clearly have a history of trauma or mental health issues aren’t given consideration or acknowledgement in the fandom imagination

[eclaire-went-bam]

hiii:33!! friendly reminder that someone can enjoy a character that has done heinous things and not support said heinous things

usually when a character does Bad Things in a narrative (espec if they're not the protagonist) it is Portrayed As Bad so people who enjoy the character Likely Know They Are Bad

& either way harassing people over enjoying a fictional character is just really childish

if you don't like the character, that is perfectly valid. but there's never any reason to characterise everyone who likes said character as Evil, and/or imply they condone the character's negative actions.

also sometimes i look at internet discourse and it's like people want morally grey characters but then turn around when "morally grey" is not always "i have my own rules but i still make all the right choices !!" some of y'all just need to admit you just like good characters that's fine not everyone is into the spice it's ok to like that good protagonist energy

;;;not saying every character i'm referring to fits in that "morally grey" category, some are just evil villains, but even then i'm sorry 90% of ur stories wouldn't exist without them. they drive the plot.

[yuridovewing]

Feel like one of the best ways you can convince someone that no, villains with compelling motives that have sad backstories are not terrible writing compared to straight up born evil villains who just want to kill everyone and be done with it, is to tell them that Warrior Cats writes born evil villains constantly while literally preaching “That’s how evil works, you can’t CHANGE, you’re either touched by demons at birth or you aren’t!” and it blows chunks

[leviiackrman]

I just found out what happens to dabi at the end of mha. Don’t talk to me.