#🔥💯

[stallioncrossing]

Dropping this thing

[bedlund]

bro last night was an emmy submitted episode

[ningadudexx]

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A buncha stuff from march i forgor to post 😿😿

extra doodles ( ; *_* )_/🍲

[das-a-kirby-blog]

so called "lazy lifestyle critics" when they're introduced to chilling out and relaxing

[spoiky]

mfw im about to permanently change the trajectory of my bff's life for the better by shaking him around like a half empty sack of flour while yelling at his face

(clean version under the cut)

[spiderzlover]

Motivation for Team Fame💚 (winning unfortunately isn't an option)

[ethereal-elegance]

Banter,flirting,and teasing ain't just all there is to chemistry because all a good romance really-truly needs is bonding,mutual admiration,mutual respect and mutual trust with natural,meaningful development and progression of significance.Not to mention all those shallow insignificant interactions including cheap unconvincing cliché "tension" like "staring" and 'heavy breathing",excessive unnecessary corny,cheesy,sickening,icky "fluff" filler scenes of no substance but to waste screen time are no match for compelling emotionally intimate interactions and scenes in which the characters are vulnerable revealing the human side of themselves without their masks and armor others rarely have the privilege to see due to duty and propriety,which makes for even more compelling characters individually,not just only to develop a relationship.And fluff is only satisfying when the relationship is well developed and has naturally progressed,not forced and contrived out of thin air for fanservice most didn't ask for.

Crackshippers tend invent moments/what doesn't exist and tend to be biased with their rose-colored glasses, cherry-picking for confirmation bias, confusing a dynamic they love/prefer like the majority with chemistry, etc, but conveniently dismiss canon ships actually having what they deluded themselves into believing their crackship has, using every and any excuse they find under the sun to not be convinced, to justify their opposition. Anyone who says got jonerys had no development or progression is confirming they are just biased or ignorant, against the ships for typical unwarranted, unfounded xyz "reasons". There's only so much actors can do with what they've been given. Directing tricks such as heavy breathing, staring, prolonged eye contact, grinning widely and other common, cheap tactics are often used to overcompensate for mediocre chemistry between actors. Writing and dialogue can also make it seem like there's chemistry when there's none. But bad writing, poor written dynamics, bad dialogue, bad directing, and bad editing can also dampen the chemistry they have.

It makes sense Jon "Brooding" Snow would be apprehensive, reluctant and hesitate to become close Daenerys any more than necessary because of what Aerys did to Brandon who provoked the traumatised king and Rickard who tried to save his son. So Jon relationship with Daenerys is practically forbidden. Jon is the type to suppress any feelings that could affect his dedication to his duty. Even he tells Ser Davos there's no time for this after Davos notes Jon's attraction to Daenerys "I saw you looking at her good heart" when Jon said he thinks Daenerys has a good heart after she apologized for her father's atrocities inflicted on his grandfather and uncle.

Jonsa crackshippers who conveniently dismiss the obvious fact that Jon had to fill in Ned's and Robb's shoes out of duty to family and platonic love for them as the eldest of House Stark in favor of conflating their bias towards crackship jonsa is often overlooked. With the imminent threat of the undead army looming over their heads and the possibility of losing lives, Jon seemingly needed to prevent the tragedy and pain if he were to fall in love with Dany and one or both of them were fall in the war. And it doesn't help that Jon was so desperate for acceptance and approval from the North to prove he's worthy of being their king to compensate for his bastardy.

It's strange how antis and detractors of jonerys overlook Jon being younger and less experienced when he was with Ygritte, not to mention the fact that Jon and Dany are canonically dutiful and basically workaholics. There was never any flirting or banter between Daenerys and Khal Drogo, and Ygritte was the only one "flirting/bantering" by belittling, demeaning, and insulting Jon who was always serious and brooding never once really reciprocated especially in that regard anyway. (There's even speculation in the books that jonerys would flirt using taxes.) Those were simpler times compared to S7 when winter was near, so Jon was understandably more broody and pensive + irritable, apprehensive, weary and burdened by the potential impending doom. I suppose Jon's relationship with Ygritte is like how Drogo was Dany's first love despite the complicated abusive power imbalance and Stockholm Syndrome, considering Ygritte canonically coerces Jon who is forced to bed her to survive.

More affection, intimacy, flirting, and banter (mainly from Jon/on his side) could've been incorporated into their relationship if there was enough time allocated in that type of show the opposite of Bridgeton, but people would still complain and criticize with double standards regardless about how it's supposedly out of character and out of place in the context of GoT (as if the entirety of GoT and characters were OOC from the beginning that there are different stories with different versions of the characters who aren't really themselves) due to their bias like they did with the dragon flight and waterfall scene in the North during S8. They would've damned the pairing either way as done with Dany regularly and likely supported their desired crackships in the same place because antis tend to hate Dany for having all of what they covet for their favs.

Kit and Emilia have chemistry in real life, behind the scenes, in interviews and even in photoshoots of both their characters and themselves where it was so palpable even long before Jon and Dany met. Even Kit said "as my best friend, I think she's extraordinary", and Emilia said Kit was like putting on your favorite jacket. People even call them platonic soulmates besides Emilia and Jason. Both have explained they quickly became close friends before GoT even premiered. They were hanging out ever since throughout the show, and they finally got to act in some scenes together as they explicitly made clear they wanted. So how could they not have chemistry? It just didn't translate well on-screen because they so called tools, much to be desired dialogue from a script with some of the right ideas but could've been written and executed better likely with clever directing, the actors were given to work with didn't support it.

And for how ever much flack some give to Emilia's acting, she was definitely a better actor than Kit who's acting was unconvincing to them. Emilia carried most of their scenes. Emilia is friends with his girl Rose Leslie (Ygritte) who Emilia was also seen spending time with alongside Kit, and both said it was weird acting like that and kissing each other likely because their friendship and relationship with Rose. So it's understandable if they felt uncomfortable from those intimate interactions. This situation reminds me of Paul Wesley and Candice King in TVD who had chemistry as friends but not really as romantic partners because Paul said it was weird doing those scenes with his best friend's wife.

I’m still kind of boggled when people say Jon and Dany had no chemistry.  Like, yeah, their entire story was rushed as hell, and their chemistry could have been better.  But to say there was no chemistry I don’t understand.  People often compare them to Jon and Ygritte but I don’t feel that’s a very fair comparison, for several reasons (those earlier seasons are the show’s best, there’s no time compression, all Martin’s material to work with, K and R being a thing irl, I mean come on yes there’s a difference in chemistry).

I will say Jon and Dany’s chemistry took a dive in S8, but everyone’s entire characterizations took dives.  The only character (that anyone cared about) who managed to have any consistency was Theon.  That’s it.  Everyone else’s characters took hits, but none moreso than Jon and Dany themselves.   Even individually their characters were off-kilter.

It just bothers me when people nitpick at Jon and Dany’s relationship itself, rather than blame the real issue, that being the compressed time and the writing.  Then they go dragging out the show’s earlier seasons, pointing out how those relationships were better.  Of course they were, everything was better back then.  It’s like pulling out a cold hamburger from last week, and pointing out how much better the burger was a week ago when it was fresh.  Jfc.

[chknnuggs-the-eel]

made a silly finfin felt sculpture‼️ 🐬🪽

i struggled a little too much with his eyes & feet lol

[hoshifighting]

hi! i absolutely love your work ❤️ i binged all of your reaction scenarios in a day- your writting is absolutely amazing.

anyway- i wanted to put in a request if that's ok 🥹

how do you think hoshi would be as a dom/hard dom hehe 🫠

how hoshi would be as a hard dom WARNINGS: smut, penetrative sex, kneeling, humiliation, chocking, biting, hard dom dynamics, sub/brat dynamics.

when hoshi’s in charge, i think there’s no softness in him. no hesitation. you see it in his eyes the second the switch flips—how they darken, how he looks at you like you’re a toy, something to play with, break, and put back together. it always starts with a challenge. a look, maybe a smirk you give him because you think it’ll be fun to rile him up. but hoshi isn’t someone you can push around, not when he’s like this, you know his rage problemsss. when you test him, all you do is set yourself up for what’s coming next.

“you think you can handle me?” he’ll say, amused. it’s a warning, one you always ignore, and before you know it, he’s got you pinned up against a wall, his hand around your throat. he doesn’t squeeze right away, just enough pressure to make you aware of how easily he could. his lips ghost over your ear as he whispers, “you wanted this. now you’re gonna take it.”

hoshi doesn’t waste time. there’s nothing slow or gentle about the way he pulls your clothes off, ripping them if you’re too slow, making you stand there naked in front of him while he stays fully dressed. the control he has is intoxicating, and it makes you feel small, weak, in the best way. he’ll make you kneel, his hand still gripping the back of your neck, pushing you down. “look at you,” he’ll say, “on your knees already. tsk!! pathetic.” and then, without warning, he’ll slap your ass, hard enough to make you yelp. “you like being treated like this, yea?” he growls, and the sting of his palm still lingers as he pulls you up by your hair, forcing you to look into his eyes. “answer me.”

“yes,” you whisper, and that’s all he needs to hear before he’s got you bent over whatever surface is closest—a table, the bed, the floor, the sink, the kitchen counter, the balcony, doesn’t matter to him. hoshi’s rough. there’s no easing into it, no slow teasing. he’ll push your legs apart, fingers digging into your thighs, and when he fucks you, it’s hard, fast, relentless.

he’ll keep a hand around your throat or pressed between your shoulder blades, keeping you down, making sure you can’t move. and he talks, too—filthy, degrading, words spilling from his mouth like he’s been holding them in alllll day. “fuck, you’re so tight. you gonna come already? after all that attitude?”he’ll slap your ass again, leaving red handprints, then spread you open wider, making sure you feel every inch of him. and when you start to moan, when you can’t hold back anymore, he laughs, low and dark. “so fucking loud,” he’ll say, “you want everyone to hear how much of a slut you are, huh?”

he doesn’t stop until you’re begging, tears in your eyes, body trembling. and even then, he’ll pull out just to make you beg harder, make you tell him how much you need it. “say it,” he commands, fingers digging into your skin. “tell me how bad you want me to fuck you.”

and when you do—when you give him exactly what he wants—he’ll pull you close, biting down on your shoulder, leaving marks that’ll last for days. he’ll take you harder than before, until you can’t even form words, only sobbing into the sheets, legs shaking, body spent.and when he’s finished, when he’s finally had his fill, he’ll collapse next to you, chest heaving, a satisfied smirk on his face. he won’t say anything at first, just watch you catch your breath, maybe brush the hair out of your face.

[ethereal-elegance]

Except canonically there's no love between Jon & sansa,not even platonic because they distant siblings practically estranged with really nothing in common.And even in the context of the terrible adaptation that is GoT,Jon is basically forced to fill in the shoes of Ned & Robb as the head because he's the eldest member of the Starks alive after their deaths,hence why the show compares and parallels Jon to Ned,trying to make him into his clone only to fail miserably by making Jon worse.Yet in GoT,Jon's concern and care for sansa (despite dumb & dumber giving sansa Jeyne's trauma for "character development") is not returned and it's one-sided on sansa's side since sansa shows and proves time and time again she never truly loved Jon or cared about him or desired to protect him or even actually try to as she moving in a way that is the exact opposite with all of her other siblings too.Literally everything sansa has say and done in the show and the books has only really been selfish in service of serving her own interests with no regard for her so called family/dear loved ones.Sansa getting so many of the Northmen killed in the battle of the bastards,especially using Rickon to trick,manipulate,gaslight and guilt-trip Jon to fight in it (which is the begining of sansa's pattern of constantly risking his life and the rest of the Starklings until the very end of the finale of the show,even plotting to kill their own little sister Arya who even the actor of bran and the show writers favored towards the actress of sansa revealed and confirmed the suspicion) to only for her to be the reason their own innocent youngest brother Rickon to die without even showing any guilt, remorse,or mourning him at least just to get credit (like the actress confirmed) for "gEtTiNg BaCk ThE nOrTh WhIcH iS tHeIrS" when many if not most fighting in the battle of bastards against Ramsey Bolton died.Not to mention if sansa was truly "tHe SmArTeSt PeRsOn EvEr" (according to Arya being used as dumb & dumber's spokepiece) and really somehow magically knew about what would happen to King's Landing,then why would she consistently practically constantly provoke the major threat who was apparently volatile and a ticking time bomb?Why would she risk getting kill herself,her family,and everyone in the North killed with her unprovoked hostile behavior immediately upon their initial meeting when their only saving grace has finally arrived to Winterfell to save them from the imminent apocalyptic threat of the white walkers drawing closer to her so called people just because it's the "Mad King's daughter"?Why would she risk getting her precious beloved Winterfell that is their home and the rest of the North obliterated to ashes,acting as if their ally deserved to be judged for the sins of her father before what the d&d forced Dany to burn the people living in the city in the capital of Westeros and the castle her own ancestors built she was working towards her whole life to reclaim,hence destroying the Targaryen legacy?Why would oH sO sMaRtEsT oF aLl sansa & bran the all seeing three eyed raven mentored and trained by powerful Targaryen-Blackwood skinchanger Bloodraven not try anything to prevent the loss of innocent lives especially children in King's Landing if they didn't exactly know what would happened but actually anticipated it instead?It all just goes to show even more that sansa literally didn't care about anyone not even her family but ruling over an independent North struggling to survive that none of the Northerners were prepare to take care of not even the starks let alone the most sheltered pampered spoiled useless ungrateful incompetent dumbass of a brat of them from:

•sansa easily breaking an oath before the old gods of her late father's faith to conspire against the so called devil incarnate with her hand to replace the woman with a man,risking her so called beloved brother life and the rest of their family's lives and the Northerners' lives yet again for the umpteenth time

•sansa begging her little brother bran to give the North independence as a kingdom and begged him to became queen in the North even while bran is king of Westeros,proving sansa only cared about herself getting a crown,not who sat on the throne considering sansa believes ruling is a reward and right and leisure she's entitled to and deserves,not a duty and a job with great responsibility it actually (especially according to Dany's chapters and quotes in the books),(because of her ancestors' genocide of the indigenous native people of the North,the Children of the Forest,her ancestors forced their daughters to marry and mate with for their warging and skinchanging abilities practically to steal it while the First Men also warged war against many houses in the north,wiping out some to become the notorious kings of winter as they kicked out the Blackwoods out of their wolfwoods to take for themselves;("Owning" and ruling land you not only blatantly stole (because it was taken not given or surrendered or even won) but imposed your religion and culture via colonization (unlike the Targaryens who adapted the Westerosi faith of the Seven and assimilated into Westerosi culture instead and didn't enforce theirs on others) upon the rest for thousands of years is not the impressive flex stark stans believe it is using for imaginary drags (as if the Targaryens weren't naturally one of the dragonlord dragonrider noble families of Old Valyria despite being a lesser house who ultimately is the only house to survive because Aenys was likely the only one wise enough to listen to his Daenys the. Dreamer and at least prepare to move his family away because of her dream of the empire's doom if if they didn't know at the time it was a prophetic vision) due to her nonexistent suffering stolen from her childhood friend poor Jeyne🤮

But after all,GRRM did say he created sansa because the Starks all got along too well,which isn't realistic in familial relationships and dynamics,so sansa's is literally the bad egg of the family sowing discord among them.NTM sansa is partially to blame for Ned's death btw especially since her stans love to blame Dany,who's still a child only two years older than sansa,for everything and anything under the sun out of her control when Dany has actually shown/proven she actually cares about other people more than herself and at least,Dany actually tries to help people no matter what even at her own cost and risk since she's truly the most selfless,altruistic,benevolent,kind,noble,honorable,etc.Dany's borderline righteous in spite of her understable flaws (which arent even toxic but relatable and compelling) and her faults (which are literally as a result of Dany actually being way too nice and lenient and for giving),which no one could've anticipated coming miles away and prevented anyway.

I made a post about Jon Snow being a Corn King figure here. So, this post references that one heavily. 

The Corn King is a term for a male fertility god/sacred king who dies or is sacrificed for the good of his people to bring fertility or spring back into the land. The Corn King is born at Yule, matures through the year, and dies at harvest, only to be reborn the next year. At Beltane, the Corn King weds an Earth Goddess (an aspect of the Earth Mother). The consummation of their wedding restores fertility to the land.

The king was the incarnation of a dying and reviving god, a solar deity who underwent a mystic marriage to a goddess of the Earth. He died at the harvest and was reincarnated in the spring. Frazer claims that this legend of rebirth is central to almost all of the world’s mythologies. FROM WIKI

I just wanted to make a ship-specific post as we know that Jon and Dany have both been set up as our savior figures to stop the Long Night, restore balance, and bring Spring back again. And, their convergence has been stated has being the point of the series. Does Dany fit the figure of an Earth Goddess, an Earth Mother? The Mother part is easy as Dany is connected to motherhood from the first book and first season onwards. Mhysa means “mother.” She’s the Mother of Dragons.  

Frazer, in The Golden Bough, uses Diana, the Roman moon and nature goddess (who has also been called Light Bringer interestingly) and her symbolic marriage to the priest-king Nemi “the two figuring as King and Queen of the Wood in a solemn marriage which was intended to make the earth gay with the blossoms of spring and the fruits of autumn.” Egyptian kings married their sisters and they impersonated Osiris and Isis in the rites of spring. 

In Barbara L Talcroft’s The Death of the Corn King which is built on Frazer’s The Golden Bough, she says:

Irish texts speak of the banais rigi or “the wedding of the kingship” which probably meant that the queen, who also impersonated the earth goddess,  chose a mate from among her war band and later to become the king-sacrifice. Mac Cana relates the story from Irish literature of King Eochaidh whose kingship was not recognized because his goddess-wife, Edain, had been taken away from him. Mac Cana concludes, “In the context of Irish tradition, the meaning of this is clear. Eochaidh had become king, but his kingship could be validated only by his union with the goddess of sovereignty, in this case, Edain. This union of king and goddess was at one time ritually enacted at the Feast of Tara.”

So, this part is interesting because it’s the Goddess of Sovereignty that gives the king legitimacy. Without her, his kingship is not validated. 

The ceremony so essential to the legitimacy of the king took place at his inauguration and had two parts- some form of drink offered by the goddess-bride to the king and the sexual union

Have I just talked myself into accepting Bran’s legitimacy VO while Jon/Dany are having sex? Heh.

The intricate relationship between king and Goddess, at least in the Celtic tradition, was undoubtedly caused by the conflicting emphases of the patriarchal sun religion represented by the king, and of the matriarchal earth and moon religion represented by the Goddess.

Moon symbology has figured in Daenerys’ story. ‘Moon of my life’ which Drogo called her is only one such example. The dragon creation myth is another. There are a lot of moon references in Dany’s chapters. But, there are even more moon references in Jon’s chapters. The Azor Ahai myth and R’hollorism is filled with sun, moon, and star references too. R’hllor specifically is connected to sun and stars.

“He told me the moon was an egg, Khaleesi, the Lysene girl said. Once there were two moons in the sky, but one wandered too close to the sun and cracked from the heat. A thousand thousand dragons poured forth, and drank the fire of the sun. That is why dragons breathe flame. One day the other moon will kiss the sun too, and then it will crack and the dragons will return.”

Melisandre says to Jon in ADWD  "You should look behind you, Lord Snow. The moon has kissed you and etched your shadow upon the ice twenty feet tall.“

R’hllor,” sang Melisandre, her arms upraised against the falling snow, “you are the light in our eyes, the fire in our hearts, the heat in our loins. Yours is the sun that warms our days, yours the stars that guard us in the dark of night.”

I was researching the Corn King mythology and I found the references to the Earth/Moon (often used interchangeably) Goddess and the role she plays in the Corn King story. It’s not just his death and rebirth that brings fertility to the land, but it’s the consummation of their marriage. I’m not taking this literally for Jon and Dany, but rather, that their partnership will be what helps saves the world and brings Spring again. 

[heartsfortwotpot]

on my telly......

[canisalbus]

Got my English teacher's permission to use Macbeth characters as dogs for a costume/scene design project.

I'm about to shove so much symbolism in these bad boys.

Reminded me of your sillies.

.

[ribcagebonemeal]

rip john lennon you would've hated my bad flash animation 💔

[izel-scribbles]

would you consider feeding Dollins nation again,,

unfortunately school means i wont be drawing as much dollins from now on but heres some ive been hoarding

top 10 doctor-approved ways to get your man to stop smoking

inspired by this one painting

and a discord rant about this

variablelobster hand over the firstborn /j