#披荆斩棘的哥哥4

[hunxi-after-hours]

hello. no one asked for this but the purpose of this blog is so I can turn my brain upside down, shake it vigorously, and dump out all of my thoughts such that each day I may come closer to my greatest life aspiration (being a himbo) SO. it is now time for me to do a far deeper dive on the production and fight choreography of the 《逆流而上》 performance from season 4 of 《披荆斩棘的哥哥》 / Call Me By Fire than anyone really cares for

still with me? have a drink close by? all right (holds out hand) let's get egregiously deep in the weeds together

BACKGROUND / CONTEXT

《逆流而上》 (something like "Upstream" or "Against the Tide") is all of a four-minute performance by 石凯 Shi Kai, 井胧 Jing Long, and 阿如那 Aruna. combining singing, acting, and some legitimately very good stage combat, the performance presents the narrative of a plucky young upstart gangster (Jing Long), who steals something he probably shouldn't have from a seasoned mob boss (Aruna), and in doing so pulls his friend and maybe gang leader (Shi Kai) into the battle

(where are you getting this plot summary, hunxi? from my brain. unfortunately. because I've watched this performance several dozen times. that is not an exaggeration. this is however simply my interpretation of the performance so Costco container of garlic salt etc etc)

BLOW-BY-BLOW (hah)

aka hold my hand, I am going to walk you through the entire performance

but it's only four minutes! you protest

did I stutter? are you still holding my hand? is now the time to warn you that this post is over five thousand words? well let's get moving then

0:11 - 0:40 Opening

here we are, setting the scene:

jing long's character returns from the street (hear the sirens and street traffic) to their warehouse hideout, carrying a mysterious duffel bag presumably crammed full of whatever he stole from aruna (likely cash, given the lightness of the bag)

glancing over his shoulder, he checks that no one is following him before throwing the bag to his back and skipping his way into the warehouse. he scans (a badge? some other form of RFID?) his way into the front door, swings from an overhead pipe, and slides down the fireman pole to make his entrance onto the stage proper

shi kai's character is established with his feet on the desk, watching security footage and toying with something in his hand (we hear a burst of static and the bleep of a walkie-talkie)

so already! we have learned the following:

jing long reads very much as a cocky young upstart, everyone's little brother who's too hot(headed) and too cocky for his own good

shi kai reads as slightly older, more responsible, more cautious. though he slouches leisurely in his swivel chair, he is still keeping a wary eye on the security footage around the warehouse

in addition, I would like to express my respect and admiration for the costume designers of this piece — note that all of the performers involved in fight choreography (named actors and stuntspeople alike) are dressed in long sleeves, long pants, and sensibly closed-toed shoes. given the physicality of the performance, you'd definitely want clothing that can protect easily-skinned areas like elbows and knees. also, longer (and looser) sleeves and pants can handily hide other padding if needed (e.g. elbow or knee pads, or just extra layers of clothing)

shi kai is dressed in a baggy brown coat over a relatively high-necked black shirt, as well as baggy pants and black leather gloves. the looseness of his outfit leaves much more room for potential padding underneath, which makes sense as the "bruiser" of the two with much more fight choreography. I would dock points for the silly little bandana (what are you wearing that for, your opponent to strangle you with?) but it's a fun accent piece so we'll let it slide on style

jing long is dressed more "stylishly" or roguishly, with a white tank top under a leather jacket that is pushed up to almost his elbows. he also wears full leather gloves, but with holes around the knuckles; so, clearly not a bruiser or someone who punches things with regularity. while the leather jacket is good for protection, it offers much less padding than shi kai's coat. this then comes back to bite jing long, who gets flung to the ground later by aruna and takes a solid moment to recover

0:41 - 1:20 Establishing the Jing Long - Shi Kai Character Relationship

in this sequence, we begin the singing (something that I personally find deeply hilarious is how the lyrics have almost nothing to do with anything that's happening onstage. we could unpack this for a while but for now I get a good laugh out of it), but more importantly, we get into the acting:

as jing long walks across stage toward shi kai, high five-ing shi kai on the way over and spinning him around in his swivel chair, jing long does so with a swagger, evidently proud of his heist

shi kai appears to be more skeptical; as jing long sits on his desk and unzips the bag to show him the spoils, shi kai instead raises his eyebrows and gestures at the security footage, as if to ask "well, were you followed?"

jing long's character rolls his eyes and crosses the stage to the couch, where he flops and sulks about shi kai not being appropriately impressed

shi kai gets up and follows him, and though the lyrics rapped here have nothing to do with the plot beyond general vibe, the moment reads very much like shi kai lecturing jing long about the need for caution and discretion. fascinating moment where shi kai's character is clearly saying something but the words coming out of his mouth are not what he's saying diegetically (except maybe "back off")

jing long is evidently fed up with shi kai's nagging, until they both hear footsteps in the scaffolding overhead — someone has followed jing long back to their hideout

I do love the detail of jing long looking up, directing our gazes to the mooks running through the catwalks. jing long gets up to go deal with them — again, hotheaded youngster — but shi kai pushes him back onto the couch with a pointed look which very much reads as "older brother once again cleaning up after younger brother's impulsive decision"

now that we've done all the set up! let's get punchin'

1:21 - 2:04 Fight Sequence 1 (Catwalk Fight)

in which jing long gets to sit on a couch and do vocal acrobatics while shi kai cleans up his mess

the degree to which this set is almost completely OSHA certified but also Strategically Not OSHA Certified in certain places brings me so much joy and anger, but it's nothing worse than what the original Next to Normal set on Broadway pulled, so I will put my hard hat down

shi kai climbs up the stairs to the upper level of the warehouse, where a bunch of convenient mooks/stuntpeople await him to be mowed down one by one. this sequence is very much reminiscent of platform fighting games

A NOT-SO-BRIEF ASIDE ABOUT STAGE COMBAT: one of the reasons why I absolutely love stage combat is because, done right, it is the biggest inside joke you can pull off in front of a live audience. the audience is convinced that these two characters are Legitimately Trying to Hurt Each Other, but the performers are secretly in on the joke — they are executing a perfectly and exquisitely choreographed movement sequence in which they hoodwink the audience together. for a medium that is premised on hoodwinking the audience together, stage combat is extra fun because the hoodwinking is dialed up to eleven. it's not just convincing the audience of the immediacy and urgency of a fictional world, it's also convincing the audience that you hate each other's guts when secretly you're trying not to break out into a huge grin (or maybe other people are better at staying in character, I was never cut out for acting). it's ALSO making the audience think that serious injury and damage has occurred, when in reality nothing of the kind has happened. it's the wordless trust and synchronicity that your scene partner will be exactly where you both agreed they will be, just as you will do exactly what you promised to do

in stage combat, none of the blows actually hit with the level of force they appear to — this is incredibly important in live theater, which is performed night after night for days to weeks to months in a row. the fight choreography must be sustainable. that means no performer can be a hero and say "oh you can hit me for real, I can take it" because the body reacts instinctively and if you know physical contact is coming, it doesn't matter how good of an actor you are, at some point you will not be able to suppress the flinch. also, you have to be onstage doing this again tomorrow, or even tonight, and if it's a blow that will injure or bruise, you can't keep taking damage in the same spot repeatedly and expect to make it through the run

which is to say — stage combat should be safe. it should appear to be violent, feral, unhinged, vicious, whatever the scene needs, but it has to be safe and sustainable. what that also means is that the ferocity of the attack, the damage of the blow, the lethality of the strike depends less on the attacking performer's "strength" and wholly on the "victim" selling the force of the hit. cradling your face after a slap (conveniently hiding that your cheek is not even reddening because there was no contact made). doubling over after a "blow" to the solar plexus to sell that gut-punch. depending on your genre, maybe even doing a gratuitous backflip off a platform if you've been "sent flying." half of stage combat is camp (the other half is knapping)

so! shi kai mows his way through a series of stunt performers, who are really doing the lion's share of convincing the audience that his character is a competent brawler. no shade to shi kai — the man is also singing through much of this sequence

most notably, shi kai is singing as he delivers that flying kick at 1:49. the audio cuts a bit strangely here, which allows you to hear the strain in his voice as he jumps into half of a pull-up and kicks a stuntperson in the chest

if you've gotten way too deep in all the extra behind-the-scenes material for this performance, you'll know that this was a sequence that shi kai really struggled with because the director kept asking him to kick the guy with more force and shi kai felt guilty hitting the stuntperson every time. it wasn't until the stuntperson confirmed that he was wearing chest padding that shi kai finally relaxed and felt like he could put more force into it

most of the choreography has the combatants coming at each other with a big ol' overhand haymaker/icepick attacks (whether with a steel pipe or a closed fist). this is a classic stage combat move, partially because it looks Big and Scary and Impressive, partially because it's extremely impractical in an actual fight: it's slow, utilizes an excessive amount of wind-up, and leaves a huge opening where a fast attacker can dart in for the advantage while your arm is still in the overhead swing, which is what shi kai does with the first stuntperson

I am fairly confident that they are adding additional sound effects for punching, hitting the ground, and later, jing long strangling aruna — partially because I don't think we'd actually be able to pick up those sounds in the general noise of a live performance, but also primarily because they sound, um. somewhat canned

give it up for the professional stuntpeople who are really selling this performance, and also because of how extra they are across the board in "being defeated." I'm specifically calling out the second guy at 1:36 for his little foot twirl when shi kai gives him that head smack, and the last guy at 2:01 for bouncing off the edge of the platform where there is deliberately No OSHA Protective Railing. like my guy you could've just somersaulted onto the mat that's presumably discreetly laid out below, the bounce was completely gratuitous

speaking of moments where you can spot the "seams" of the fight choreography: watch this enough times and you can see how the stuntperson doubles over and waits for shi kai to knock him off the platform from 1:59 - 2:01; the slight pause there is partially hidden by the rapid cuts, but if you watch the stuntperson you can see him holding the position in preparation to be kicked off the platform

2:05 - 2:50 "ARUNA!!!!!!!!!"

time check: we are now two minutes. into a four minute performance. and only now does aruna, our third character, show up, and what an entrance it is. in the performance cut that aired, the editors briefly flash to the greenroom, where the other contestants of the show, watching the performance live, erupt in cheers for aruna's arrival. shouts of "he's coming, he's here!" and "ARUNA!!!!!!!!!" briefly interrupt the performance's audio as the other contestants clap, yell, and rise from their seats in primal enthusiasm. one gets the sense that aruna is not only a fan favorite contestant, but also a cast favorite as well

it is exceedingly difficult to get screenshots of the fight choreography since it all blurs. you will simply have to trust me and watch it

aruna's entrance + first lines are maybe the closest the lyrics actually come to making diegetic sense hhh

aruna's character rolls up with an entire crew, only to wave them off, presumably because he thinks he can take care of these upstarts on his own. to be fair, he's not completely wrong about that

I love the way they did the first moment of eye contact between aruna and jing long; aruna, high up on the catwalk, looking down at jing long on the warehouse floor with a nonzero amount of scorn. jing long, in contrast with his earlier insouciance and general slouchiness on the couch, now sits up, slightly hunched over, with what looks like fear in his eyes. as it turns out, he didn't pull off his heist as cleanly as he thought he had, and now the consequences are coming (literally) to beat his ass (literally)

they also take time to establish the location of shi kai's character, high up on a catwalk on the other side of the stage. this raises the possibility that the earlier mooks he dispatched in Fight Sequence 1 were simply a distraction aruna sent ahead; more importantly, it means that jing long will have to fend for himself against aruna until shi kai gets there

but not to worry! jing long and shi kai's side ALSO has disposable mooks (very hardworking stuntpeople). note that these stuntpeople (unlike the, uh, assorted 小鲜肉 in the background who wear tank tops) are dressed with sensible coverage

aruna one-ups shi kai's initial fight sequence by taking on three people simultaneously, more or less in a melee (they do attack him very politely in sequence. this is choreography after all). the first person he dispatches with a spinning kick, which is tremendously impractical in real life (slow! difficult to aim! not actually more forceful!) but looks cool in choreography

the second person comes at aruna with an openhanded haymaker, which makes it tremendously convenient for aruna to get inside that stuntperson's range, twist him around to feign a joint lock, and use him as both shield and leverage to kick the other two guys (the joint lock is feigned because it's real easy to get injured in a real joint lock. later, the two of them also untwist the "joint lock" to get better and safer leverage on the shoulder throw)

blink and you'll miss it — when the stuntperson hits and breaks the coffee table behind him at 2:46 - 2:47, you can see him briefly check over his shoulder to make sure he's falling where he wants to. I can only hope that the coffee table was pre-broken for the effect

the shoulder throw at 2:48 looks pretty gnarly, but if you slow it down you can see the stuntperson strike the ground feet-first to absorb the impact before pretending to crumple. that being said, the speed and the force of the impact are probably enough to rattle his bones a little

after summarily dispatching the three stuntpeople, aruna points at the bag by jing long's feet and gestures an unimpressed "give it back"

2:51 - 3:26 Fight Sequence 2, Electric Boogaloo (The Showdown)

you know it's a Big Fight Scene when they take a break from singing to do a pure instrumental + fight choreography interlude. after aruna summarily dispatches three stuntpeople and tells jing long to return what he stole, jing long, true to his character, flings the bag at aruna in a "fine, take it!" and goes in for the attack

aruna dodges easily, and as he goes to the side, he picks up a plank of plywood that he swings at jing long

it passes way over jing long's head, because jing long has planted one hand on the ground to slide by underneath

side note: in the behind-the-scenes material, shi kai was the one practicing a sideways knee slide. considering that 1) no knee slide made it into the final choreography, and 2) jing long is the one doing this close approximation here, that makes me wonder if a) jing long and shi kai at any point switched roles, and b) at what point the set was finalized vs. the fight choreography set, because there isn't enough space in the catwalk fight sequence for shi kai to slide safely or practically

but that's neither here nor there

aruna swings at jing long twice, and jing long ducks out of the way both times. props to jing long for making sure he comes back up between swings before ducking again, because otherwise it would make aruna's character look a bit foolish for repeatedly swinging at empty space

on aruna's third swing with the plank, he shatters it against jing long's left side. I'm hoping the plank was either really thin or pre-broken because that is a hefty cloud of dust

jing long then comes at aruna with — you guessed it — a haymaker, which allows aruna to grab him by the entire forearm and sock him in the stomach. this makes jing long double over, conveniently setting them both up for—

the next stunt these two pull involves partnerwork and coordination; aruna falls backwards, dropping his center of gravity to the floor and pulling jing long forward. he then gives jing long a boost with his foot (ah, my bad. "a kick"), which allows jing long to flip over him in a very showy manner

if this was actual combat, aruna would have probably kept hold of jing long's forearm in order to slam him against the floor. but since this is choreography, aruna lets go of jing long's arm, which allows jing long to catch himself on his hands and turn that into a forward somersault

don't be fooled by how far jing long rolls. after the first roll to dispel momentum from the flip, he's doing the rest of the rolls on his own merit

again, the "ferocity" or "strength" of an attack is sold by the "victim," so by lying on the floor for a bit longer and struggling to get up, jing long is selling aruna's fighting prowess. also, even if this is meticulously planned stage combat, the performers are still absolutely getting their bumps and bruises

shi kai enters — somewhat tardy, but I love this entrance because it's so funny. a plywood (?) siding hits the ground with a cloud of dust, presumably bashed in from the force of the two stuntpeople colliding with it, who then fall to the ground as shi kai struts in. the two stuntpeople roll around on the ground as if shi kai just pummeled them into the wall, but in reality the three of them were probably j chilling, waiting for their cue, before the two stuntpeople jumped at the plywood shoulder-first to knock it down for shi kai's entrance

again, stage combat is a huge inside joke! what looks like shi kai kicking ass and taking names as he comes to his lil bro's rescue is actually just the stunt crew going "nah man leave this to us, we'll make you look cool" and shi kai going "oh ok you guys sure?" and them going "yeah!!" and yeeting themselves at the wall

neither here nor there but I love shi kai sprinting across stage to get to aruna. it really builds up the momentum and intensity of the fight. the fact that he does this while spitting "now call me by fire" is. well. pretty fire

aruna's turn to throw a haymaker! shi kai easily ducks under it for the waist tackle, which 1) helps transfer all of his sprinting momentum to twirl the two of them around, and 2) results in a net zero change in positioning. throughout this whole performance, aruna is consistently positioned on stage right (frame left), and shi kai / jing long are consistently on stage left (frame right), just to make "who's on whose side" a bit easier for the viewer to track

aruna even does a fun little jump/flail to dissipate shi kai's momentum, which I find delightful. throw the didis a bone, aruna, they already can't beat you two-on-one

shi kai does a little jump + snap kick, which aruna easily parries with his hands. choreography!

aruna then goes for shi kai's leg to take him to the floor (what's with this choreography characterization. in less than two minutes aruna has gone to the floor at least three times. let the man rest)

I guess in a real fight it might make sense for aruna to use his greater strength and mass to pin his opponents to the floor, but that requires following through and punching their lights out, which he, uh, does not

shi kai's spinning flip is "assisted" by aruna — the quotation marks is because that maneuver requires anchoring one's weight on the leg that aruna's holding, but because shi kai's doing it with that foot elevated, it's much harder than it would've been if shi kai's foot was just on the ground. trust me on this one. it's all about core strength and leverage

much like how aruna politely let go of jing long's arm while flipping him, aruna politely holds shi kai's leg long enough for him to flip as well

they use this moment to briefly split apart and breathe for a second in the choreography

shi kai's turn to throw a haymaker! in an echo of earlier, aruna grabs that arm and puts it into a (very loose) joint lock, and loops his left arm around shi kai's chest in a "headlock." I would like to praise aruna's fight choreography technique here, because he is executing a lovely fake headlock — arm barred across shi kai's collarbones and shoulder, not actually anywhere close to shi kai's throat. likewise, shi kai's free hand is on that arm, which anchors both of them relative to each other and also allows for shi kai to "struggle" without being in danger of dislodging aruna's grip to somewhere more dangerous

aruna then pivots them and "kicks" shi kai onto the couch — either he misplaced his foot or he's really selling it, but that flail does not look very controlled hhh. meanwhile, shi kai finally gets to flop on this very squishy-looking couch, which jing long has been monopolizing for this entire performance. again, it's shi kai's job to sell the force of aruna's kick, so he whiplashes very convincingly onto the cushions

this is also a classic of stage combat: "throw" your opponent into what is actually a soft landing place with very little real force, and let your opponent control the force and direction and theatricality of how they land

aruna, stumbling back from kicking shi kai, has his outstretched arms caught by two of the stuntpeople he laid flat earlier. also another visible "seam," as he essentially backs into their arms so they can catch him

he then flings them off, which is tremendously unrealistic sdlfksdjls but we can cut the man a break, he's been onstage for a minute and a half and that minute was almost entirely fight choreography

side note: you can hear aruna's heavy breathing, which means that they decided to keep his mic on during this fight sequence?? well I hope they turned aruna's mic off shortly after this for the next stunt they're about to pull

the flying kick + punch combo is also tremendously unrealistic (like, way to cancel out the force of your own strikes as you try to go in opposite directions simultaneously), but it looks showy. if you watch carefully, you can see the second stuntperson (who presumably gets socked in the face) do his extremely extra flip while he goes down just a hair late

3:27 - 4:08 (end) Finale

and now it's time for the big finish! I do love the editing on this performance, since no matter who's currently engaged in a beatdown, they'll periodically give shots to the third person so we know where they're positioned. in this case, we saw jing long levering himself back up during the aruna - shi kai showdown and gearing himself up for—

jing long runs at aruna and launches himself into the air to lock his legs around aruna's neck

moment of silence for aruna's neck. and all the rehearsals they had to go through while jing long figured this out

another visible "seam" — as aruna backs up towards the center of the stage, he's subtly checking over his shoulder (the wrong shoulder, likely on purpose so that he can still be taken "off guard" by jing long's attack) and killing a few seconds while jing long gets a running start

to be honest the spinning leg lock just looks fun. probably not for aruna but once they get into position jing long lets his arms go like "wheeeee"

letting his arms go is also important for weight distribution, balance, and lowering himself to the ground once aruna's spun them enough times. hey can someone send a memo to 偶像剧 that this is clearly the superior form of the 公主抱 + 转圈圈 combination

aruna goes to the floor — again — to let them both down and they roll away from each other to disengage. hilariously, at some point in this scuffle, aruna loses a shoe. you can spot it by shi kai's foot in the next shot, and also when aruna stands, facing the didi gang, his right (shoeless) foot is visibly smaller than his left

this manuever also yanks the earpiece out of aruna's ear — at this point I'm just impressed that all of their microphones stayed on their faces

while shi kai helps jing long get to his feet (love that you can hear the unsteadiness in jing long's voice. that doesn't stop him from being exquisitely on key or belting), aruna goes and grabs the duffel

I am also irrationally charmed by how shi kai mirrors aruna's chin-jerk. in my personal postcanon imagination for this stupid four minute performance I like to think that they follow the 不打不相识 rules of friendship, and aruna takes these two chuckleheads under his wing. oh wait that's what already happened in the rehearsals for this performance. anyway

a moment of appreciation for the dynamism of the last shot — in the ringing silence after the last note, aruna hurls the duffel bag behind him with a yell, and the two sides charge at each other as the stage goes dark. this must have been a late add, because their dress rehearsals have the didi gang getting up in aruna's space and surrounding him, and the stage goes to blackout in that stationary image. ending on this clash is such a lovely evocation of movement and further story as both sides throw away the original "goal" of this confrontation (the duffel) for the thrill of the fight

OK SO THAT WAS A LOT OF RAMBLING, NOW WHAT?

you know, I wish I knew what the point of this exercise was too beyond trying to shake all of these thoughts out of my brain. all I know is that I watched this performance a couple of weeks ago and it's now become my entire personality. I think about it multiple times a day. I've watched it so many times I know all the cuts, and maybe most of the choreography by heart

I think there's something about the rawness of this performance — both in a primal, punchin' kind of sense, but the relative lack of artifice. this performance is very much a back-to-theatrical basics; a rare piece that doesn't rely on an overabundance of flashing concert lighting or pyrotechnics to elevate the atmosphere of the song. much like the barebones aesthetic of the set (mostly scaffolding), this performance relies on very little special effects beyond good old-fashioned theater. legitimately, I'm not sure they had many lighting cues beyond "lights up" and "lights out," which is tremendously refreshing to see.

and of course, naturally, I've been obsessed with the fight choreography. hopefully the several thousand words have convinced you that the choreography is well-made and well-crafted within the context of the song and performance and narrative; I think for me, it was the refreshing novelty of seeing actually good fight choreography in cmedia. it's just been. so long?? since I've seen down and dirty fight choreography that hasn't been stylized and slow-moed to hell and back, strung up and strung out on wire work and wind machines. there's also a down-to-earth-ness to the stage combat here — reminiscent of HK gangster flicks, for sure, and their overlap with kung fu action films — from the lack of wild stunts and acrobatics that feels especially appropriate to the presented narrative

and it helps that everyone brought their all to the performance! aruna, shi kai, and jing long's characters all shone through easily, subtly, in embodiments that felt effortless, though jing long would be the first to argue otherwise (he struggled quite a bit, and went to Professional Screen Actor Aruna for advice). and even if the characterizations felt seamless, I loved being able to see the "seams" of the performance; how they put the fight choreography together, the little tells where you can spot the immense amount of work that went into honing this performance into something stage-ready. the effort everyone put into this is palpable, from the shortness of breath to the strained voices and strained back muscles (big mood, jing long). it's the fly on the painting that brings it to life; it's sneaking a peek of the human effort and time and work it took to put this together

I am rapidly running out of words to explain why I love this so much, but to actually explain all of it feels like it would strip away the emotion and render it nothing more and nothing less than appreciation. but there is a healthy mixture of all of that: appreciation, admiration, enthusiasm, knowledge, satisfaction, that makes my deep affection for this performance that much stronger, that makes me stop my workday whenever this comes up in my playlist again to watch it all again, even if I already know every grunt and every thump, every run and every belt by heart

(bows to an empty auditorium) thank you for your time as I yammer on about another niche interest. I'm off to go elevate my watch count into the triple digits (kickflips off stage)

LINKS

纯享 4-minute performance video

full episode (their section begins 41:20 and runs approximately to 1:00:00)

extra reactions from the greenroom

additional rehearsal footage

[linghxr]

Why you should watch 乘风破浪 and 披荆斩棘 to learn Chinese

What are these shows?

Both 披荆斩棘 and 乘风破浪 follow the same basic format: 30+ celebrity contestants, mostly actors and singers ages 30+, form teams and compete in singing and dancing over several rounds. Viewers vote on their favorite performances and contestants, and 1-3 contestants are eliminated each round. The top contestants form a temporary "group" and appear on a follow-up reality show.

Why you should watch

1. Exposure to different accents

Contestants come from all over the Chinese-speaking world: Dongbei, Sichuan, Taiwan, Hong Kong, and even Malaysia. I can personally say that watching these shows has vastly improved my ability to understand the Hong Kong Mandarin accent.

2. Pop culture knowledge

Because the contestants are celebrities, you'll be introduced to dozens of famous actors, singers, etc. Also, you'll hear the many iconic songs that they cover. I've impressed several native speakers with my with knowledge of pop culture and music.

3. Branch out to new media

These shows serve as a gateway to Chinese music, movies, and TV. if you really like the contestants who are actors, you can check out their shows and movies. If you enjoy a certain song or like a contestant who's a singer, you can explore more music.

4. Casual and formal registers

You’ll get to hear casual, unscripted speech while watching the behind-the-scenes and rehearsal clips. But you’ll also get to hear more formal speech when they’re announcing rules and also from the MC who hosts the actual live performances.

5. Incredible talent

Also, you should watch for the awesome performances and general fun. I love seeing the contestants' friendships, and I’m also obsessed with the amazing sets. There are some incredibly talented performers on these shows, and I love getting to see them shine.

Where to watch

All seasons are free to watch on YouTube! Sometimes clips may be muted or missing, probably due to YouTube's restrictions. But the vast, vast majority is available, and when a clip is missing, you can usually do a separate search and find it. I also pay for a Mango TV subscription, which is $1.99 USD/month.

乘风破浪 full episode playlist links:

乘风破浪的姐姐1

乘风破浪的姐姐2

乘风破浪3

乘风2023

乘风2024

披荆斩棘 full episode playlist links:

披荆斩棘的哥哥1

披荆斩棘2

披荆斩棘3

披荆斩棘4

To help you get started, below is a YouTube playlist of my some of my favorite performances (5 per season, except for the most recent season of each). Cause why not! Also, below the cut I'll put more details along with direct links to my favorite performances.

And if you're a fellow fan emotionally preparing for the 披荆斩棘4 finale 🥲, feel free to message me and commiserate!

See similar posts: I watched all the Chinese idol survival shows so you don’t have to (but you should anyway) Tips for finding Chinese-language media you like

Sisters Who Make Waves

Chinese title: 乘风破浪的姐姐 (S1-2) / 乘风破浪 (S3) / 乘风 (S4-5) English title: Sisters Who Make Waves (S1-3) / Ride the Wind (S4-5) *I call it Sisters for short

This series is the original, having started in 2020. The focus was on female empowerment, particularly of women 30+. A lot of the celebrities had slowed down in their careers, and the show served as their reintroduction to audiences. While female empowerment is still a theme today, I do feel it has lessened in prominence.

Season 1

The original, iconic season. You can tell they had a limited budget and not a ton of space, but it doesn't detract at all thanks to the incredible talent and energy of the contestants. And they had no idea what a phenomenon the show was going to be! Many of my most rewatched performances come from the season.

得不到的爱情

大碗宽面

相爱后���物感伤

FLOW

新物种

Season 2

This season has a special place in my heart as the first one I watched! It's the only one I've seen twice (when it originally aired and rewatched with friends). Compared to season 1, you can definitely tell they had a bigger budget and started to refine the format. Also, some of my all-time favorite contestants are from this season.

现在不跳舞要干嘛

归零

快乐宝贝

给自己的歌

我

Season 3

This season was the first with the show's "modern" and fully-developed format, which remains to this day. For example, they started to include more complex sets and recruited more diverse contestants, such as dancers, an athlete, etc. Also, my favorite performance of the entire series, 雾里, is from this season.

雾里

梦中人

山海

孤独颂歌

有吗炒面

Season 4

This season was the first time I felt there wasn’t improvement over the previous season. I think the stage design took a step backward, and I didn't love the international focus. It was hard to identify my favorite performances because I didn't feel strongly about many. That being said, my friends and I still enjoyed this season.

从头

千里万里

下个，路口，见

归途有风

I'm Not Yours

Season 5

Though this season has already ended, I'm not done yet. I watch with friends, so we move at a slower pace. So far, it seems largely in line with season 4. I'll update this post after we finish.

Call Me By Fire

Chinese title: 披荆斩棘的哥哥 (S1) / 披荆斩棘 (S2-3) English title: Call Me By Fire *I call it Brothers as a nickname

A show about female empowerment gets a male spin off? Out of skepticism, I did not plan to check out this show when it premiered in 2021 (after Sisters S2). But at some point I changed my mind, mostly because I had to run out of other shows. Little did I know I would arguably become a more devoted fan of this show than the original!

Season 1

This season had too many iconic performances to count, and in particular, the Hong Kong contestants really took the world by storm. Due to scandals, they edited out 2 contestants (Huo Zun and Li Yundi), which admittedly does make for an awkward viewing experience at times, but you should totally watch anyway.

凄美地

MMA

飞云之下

达拉崩吧

如果还有明天

Season 2

Looking back, season 2 did not have as many stand out performances as season 1, but it does boast my favorite performances of the entire series, 新地球. It also features a fantastic group of contestants, probably my favorite overall cohort of the show.

新地球

袖手旁观

私人生活

理想

凤毛麟角

Season 3

This was the first season to air after I started watching, though I didn't watch it live because I was still on season 2. While it's probably impossible to top the iconic status of season 1, I think season 3 was an improvement over season 2 in terms of memorable performances. We also got the iconic 0713 (2007快乐男声全国13强) contestants.

行走的鱼

爱人错过

Joker

走麦田

有没有一首歌会让你想起我

Season 4

This season is sadly coming to an end, although I have not started the finale yet. I'll start this weekend and update this post in the future after I've had some time to gather my thoughts.

Now I have to go finish 披荆斩棘4 episode 11 so I can watch the finale. Bye!!!

[rinidaye1111]

川普即将推出新社交网络Truth Social

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版���布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天��之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[sdasdasdasd123123123]

川普即将推出新社交网络Truth Social

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[setsailroyalpirates]

Stunning looks, full of talent, a gg full of treasures @李铢衔James!

[dfwtryyyyeee]

川普即将推出新社交网络Truth Social

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[coldoperatorturtleclam]

Today Video Title : 披荆斩棘的哥哥 第二季 Full Length Video Link: https://m.youtube.com/watch?v=A-aXj5MgEVk Welcome to subscribe my YouTube channel. Aloe Pure YouTube Channel Link : https://www.youtube.com/channel/UCzMDlOISRPopGqbnKjuVs1w (Contact info) 1) Email : aloecrystalclear@gmail.com, aloecrystalclear@hotmail.com 2) Facebook : https://m.facebook.com/john.haxon.52?/ 3) Twitter : https://mobile.twitter.com/AloeChannel 4) Wordpress : https://aloeblogsimplify.wordpress.com/ 5) Dailymotion : http://www.dailymotion.com/aloecrystalclear 6) Tumblr : https://www.tumblr.com/blog/coldoperatorturtleclam 7) Blogger : http://aloepureyoutubechannelofficialblogger.blogspot.com 8) Instagram : https://www.instagram.com/pure_inspire/ Like, Comment & Share. Welcome to Follow & Contact Us. #love #instagood #photooftheday #fashion #beautiful #happy #cute #tbt #picoftheday #me #selfie #summer #art #instadaily #friends #repost #nature #girl #fun #style #smile #food #instalike #family #travel #fitness #unclebob #披荆斩棘的哥哥 #披荆斩棘的哥哥第二季 #callmebyfire #callmebyfire2 https://www.instagram.com/p/CZ04-novLNJ/?utm_medium=tumblr

[speedygladiatorcandy]

川普即将推出新社交网络Truth Social Gettr预设扑空无以自存欺哥奢望幻灭

　　日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在"抵御大型科技公司的暴政"。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

　　按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

　　按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁"文扬四海"又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

　　而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如"火烈鸟"透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

　　既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

　　川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

#郭文贵

#班农

#闫丽梦

#GuoWengui

#YanLiMeng

#Bannon

[ziyoudexin0212]

川普即将推出新社交网络Truth SocialGettr预设扑空无以自存欺哥奢望幻灭

川普即将推出新社交网络Truth Social

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[dreamflodting]

川普即将推出新社交网络Truth Social

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打���成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[angrypostfury]

川普即将推出新社交网络Truth Social Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[bcctocc]

川普即将推出新社交网络Truth Social

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾���班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[kiya33]

川普即将推出新社交网络Truth Social 郭文贵班农闫丽梦

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[jkqz123]

川普即将推出新社交网络Truth Social Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[sotina886]

川普即将推出新社交网络Truth Social

Gettr预设扑空无以自存欺哥奢望幻灭

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！

[jkqz123]

川普即将推出新社交网络Truth Social

日前，美国前总统特朗普宣布即将推出一个名叫Truth Social的新社交网络，意在“抵御大型科技公司的暴政”。很显然，这是前总统针对Twitter的封锁，试图披荆斩棘、杀出一条血路，为2024年东山再起所做的宣传造势、招募信众的政治性安排。但由此，口口声声以为川普鞍前马后的Gettr就成了摆设，郭文贵借助川普，捞个名利双收的奢望自始幻灭，可以想见，无脸见人的欺哥已经哭晕在厕所。

按照川普的意图，Truth Social将于下个月开始进行有限的测试版发布，并预计将于2022年第一季度进行更广泛的部署。周知，去年1月8日，Twitter永远封禁了川普账号，致使醉心于利用Twitter治国，宣传造势的川普被剪除了双翅，而脸书也是如出一辙。为此，前总统愤愤不平，一直耿耿于怀，所以，创立新平台，打破推特、脸书的封锁垄断，就是其人的既定计划。3月份，Jason Miller（也就是现在的Gettr总裁）就告诉福克斯新闻，前总统将在两三个月之后带着自己的社交媒体回归。5月份，川普曾一度开设自己的官方博客，但在一个月之后关闭。尽管如此，川普并没有彻底放弃推特，本月初，该人就要求美国地区法官授予一项初步禁令，以恢复他的账户，与此同时，他对推特的诉讼也在法院开始审理。由此可见，Truth Social的创设和推特账户索要、诉讼是并驾齐驱，这里面根本就没有新Gettr什么事，欺哥频送秋波，川普根本就不搭理，可怜不？！

按照郭文贵的原初设想，既然蓬佩奥、纳瓦罗、班农、朱利安尼、米勒都已被招揽而至，川普入伙指日可待。新盖特6月15日试运行，7月初正式上线，从时间上看，与米勒在福克斯新闻上的说法高度吻合。而从郭文贵力邀米勒担纲新盖特CEO来看，当时无论是米勒，还是其他的前政府高官，无不以为川普入伙是板上钉钉。但是不承想，在7月24日，川普却明确表示不会加入盖特。此后，郭蚂蚁“文扬四海”又宣称川普办公室团队即将加入新盖特，无疑又是不给郭文贵长脸。平心而论，班农、纳瓦罗等上述勋旧，之所以跟着郭文贵后面屁颠屁颠，就是为了在落日黄昏之际，找一个发声的管道，更为了从郭老欺这里打一份工，赚一笔可观的养老金，仅此而已。而川普又岂能为郭文贵口袋里的五斗米折腰，而将自己降到臭要饭的地步，倘若如此低贱到尘埃，又何谈2024年重出江湖。所以，格局格调天壤之分，注定了川普不会中新盖特的魔道。

而从川普瞧不上，另起炉灶搞Truth Social，则可以管中窥豹，得见新盖特的庐山真面。7月初，郭文贵、米勒等煽惑的没边，说新盖特的用户达到了120万，后又直线拉升到150万户，但据有关调查网站，如“火烈鸟”透露，新盖特在线人数只有4千多人。郭文贵等妖孽牛皮吹爆的劲头，可见一斑。诚而言之，如若新盖特确有浩大的浏览量和注册用户，则川普必会思量再三，说不定会借助于新盖特的威力，为自己劈波斩浪，就此歇脚建立舆论基地，更何况，郭文贵就曾扬言要将新盖特打造成为世界级社交平台，远远超迈推特、脸书。但现如今，川普翩然而去，而郭文贵望眼欲穿，奢望成空。由此看来，江湖上流传的沸沸扬扬的盖特一堆毛病也就不是空穴来风。而郭文贵借此提升人气，赚取粉丝，以便呼风唤雨，为郭氏行骗固本强基，更是终成笑柄。

既然川普不能入伙，回望Gettr，除了一批落寞的前政府高官之外，就是一群追随者郭文贵的虾兵蟹将，其想象力、号召力可想而知。如今，为了维系盖特的运转，所谓的郭文贵家族基金还在苦苦支撑，原本设想的川普团队入驻，可以带来数百亿的资金，老欺吃不着了。原本打算招募1000多名工程师，尤其是来自谷歌的工程师的设想也无法成行得遂。呜呼哀哉，如此一来，新盖特又将与GTV、Gnews这些个垃圾同班并列，跌入深谷指日可待！

川普不会替郭文贵涂脂抹粉唱赞歌而沦为工具，而班农、朱利安尼、纳瓦罗、米勒等下里巴人，给郭文贵舔屁股蛋蛋的货色，除了陪着郭文贵吃吃喝喝之外，又岂能有丝毫益处？如今，班农马上面临被捕起诉，朱利安尼等也是污迹斑斑。没有眼前一亮的大咖，新盖特就是郭文贵自戕的肮脏地，立言在此，咱走着瞧！