#実例

[umifani]

ハウスメーカー欠陥住宅の実例　Vol.2

[nyaa]

[kennak]

古い時代の日本語には、動詞型派生接辞「る・らる」が「自発」を示す用例があったようです。ところが、現代語で「れる・られる」が「自発」だと確実に言える例は、探しても見当たりません。「自発」のように見える用法は、決して「自発」ではなく、責任逃れ方策です。

「先が思いやられる」は真性の「自発」表現か - F爺・小島剛一のブログ

[washi-life]

水と生きる、和とモダンが融合した和紙アートパネル

※パネルサイズ：：W900mm×H145mm×T20mm

清流の躍動感と水面のきらめきを表現した和紙アートパネルが誕生。サントリーアメリカ様のご要望に応え、「水と生きる��というコーポレートメッセージを和とモダンが融合したデザインで表現しました。会議室の和風しつらえに調和しながら、洗練された空間���演出します。

※詳しくは下記リンクよりご覧ください。 日本の伝統美と、企業のフィロソフィーを体現する「和紙アートパネル」

[moko1590m]

儲かることはだいたいギャンブル ギャンブルを避ける人は儲からない

[rabbworld]

文部科学省HP

図書館・書店等連携実践事例集に掲載🍀

2024年2月に開催した

「見て！聴いて！デジタル絵本♪〜バイオリンの音色にのせて」が上記事例として掲載されました！

掲載画像は文部科学省HP PDFより

この様に記録を残せて大変光栄です

ありがとうございます🙇‍♀️

↓文部科学省HP 図書館・書店連携実践事例集

↓見て！聴いて！デジタル絵本♪(群馬県玉村町立図書館)PDF

他にも各地のたくさんの実践事例がありますので、ぜひ検索してご覧ください☺️

これからも、アート活動に励みたいと思います！

This article was featured in an introduction to events conducted in collaboration with libraries, bookstores, etc. of the Ministry of Education, Culture, Sports, Science and Technology✨

It is a great honor to be able to record this in this way.

I would like to continue to encourage my artistic achievements！

#文部科学者 #図書館 #絵本 #デジタル #電子絵本 #上映 #バイオリン #演奏 #イラスト #絵 #朗読 #展示 #読み聞かせ #MEXT #picturebook #digital #オリジナル #library #digital #picturebook #illustration #illustrations #illust #exhibition #art #artist #picture #original #rabb #rabbtheworks #rinfujii #藤井りん

[lastthroes]

💯 i fully agree. it's something i mentioned in the tags of another of your posts, that i always got that sense of disconnection from seeing fanart of them together, and then of course frames like that one in the anime opening where they're leaning on each other and holding hands. it doesn't feel like it really accounts for how their relationship is actually presented in the story. when you see those kind of pictures out of context, and from knowing of the initial setting, it makes you think that their dynamic is going to be one of relying on each other, especially after ai's death... and it's anything but. i admit that i am a sucker for sibling relationships and that's why i started reading oshi no ko, but i ended up 'staying' for other reasons: i would never recommend anyone to get into onk if aquaruby is their main interest, either as a ship or as reincarnated siblings, which is an interesting concept that went vastly underutilized (and that's considering how much japan loves their twin symbolisms)

i still feel disappointed that akasaka actually addresses that ruby and aqua grew apart after aqua airs that ai was their mother, with ruby lashing out and telling aqua that they just happened to be two people who were reincarnated together… and never bothered with it any further. he basically considered that revealing aqua was goro to ruby was all the 'mending' the relationship needed, which ends up in a relationship that feels like little else beyond a joke, and making the ending and aqua's motivations particularly bizarre

quoting myself from a different post that might be the one i was refering to in those previous tags, and removing the comparison with a different japanese work with a central sibling relationship that's also very flawed but i liked (and therefore the spoilers):

(...) which is not the case for aqua and ruby who, i cannot stress this enough, simply do not have an actual sibling bond the (little) praise this manga received for the finale as well as the shipping fuss and general delusions ever since ch143 feels to me like either collective amnesia or gaslighting. like, really now:

these two were twins sure, but both of them pulled away from the other for different reasons: ruby because she felt lonely and betrayed after aqua threw ai under the bus by revealing without warning that they were her children, and aqua because ai’s death broke him and he is quite literally living for revenge without allowing himself to waste time thinking about anything else, which includes both ruby and his future. ch123 actually ends with crow girl narrating that now he has told ruby about being goro, following up his plans won’t be so easy. all of this is plain text even, this manga wasn’t exactly sophisticated: most of the scenes directly spell everything out to You, The Reader … and then somehow comes the ending, and aqua starts a monologue as he drowns about how ruby’s the sole reason he’s doing what he’s doing. it’s also followed by a composite of scenes of him and ruby that falls completely short: everything happens either before ai’s death, or before aqua reveals ai’s “lie” to the whole world. there are simply no scenes that can be identified being of their present relationship, which says a lot coupled with the fact that all of these are already newly drawn panels (and there is, of course, no acknowledgment of aqua doing the same thing with ruby that he did with ai. ruby as some kind of Ideal In His Mind, rather than the actual ruby who was human and also did not want this to happen … and hey, just like ruby has a complete 180 only after aqua reveals he’s goro’s reincarnation, placing the crush she had as a twelve years old for a few months over the brother she actually grew up with for over a decade and a half)

if the manga had continued the line at the beginning of the story? then sure, i can see this ending landing better, even if i would still find it coming off as too nihilistic for my tastes… but it didn’t: aqua had started to move on from the revenge deal, and was even planning his future, such as becoming a doctor again. ruby also became an afterthought for a good bunch of the story despite being the deuteragonist, which doesn’t help the case. the same goes for putting the topic of their past lives inside a drawer and never bring it up again: hell, they basically stop interacting in any meaningful way after ch143

ship-wise, people are also quick to forget all the times that aqua|goro either rejects ruby|sarina or doesn't take her advances seriously. it goes from the very start, back when goro knew that she wouldn't live and therefore he didn't have to follow up on the promise of marriage that was just meant to make a child happy, to the moment when ruby brings up that they have to kiss in the movie and aqua actually says that it makes him uncomfortable to have to kiss his own sister

it was always obvious that this wasn't going to be that kind of manga: at no point does aqua seem to be in denial, repressed, or any other possibility that isn't uninterested or plainly weirded out. he never took sarina|ruby's romantic feelings actually seriously. aquaruby as it's presented in the actual story is the very definition of all bait and no actual substance, and even if i get it as potential i guess i am too old for it: there are much greener pastures when you like sibling relationships in japanese media, both with and without incestuous subtext - i don't need what basically amounts to the popular bait of the moment. there are enough of very obsessed and just as ignored imoutos out there

you've talked before about not liking akurubi i'm curious what it is you don't like about it? since you've said you don't mind the incest is there other things about it you don't like?

The reason I dislike AquRuby as a ship is not because it's incest but because I just think it's kind of boring but the incest is such a hot button topic relating to the ship that that I just end up fated to talk about incest every time anyway LMAO. But honestly, AquRuby being incest is like, 1% of what turns me off about it as a ship - like I've said before, what I dislike about AquRuby isn't that it's incest but that it's bad incest.

It's not that I don't see what people find appealing about it because when you break it down to the broad strokes, I think there IS something really compelling and even romantic about the building blocks of the ship and how long and how intensely Ruby holds onto her feelings of love for Gorou, not just across two decades but two lifetimes. And if you're invested in Ruby as a character, it's natural to want to see that devotion rewarded or more broadly just to see Ruby get a W and to end the series happy. But when I see people going so insanely hard for it and all the people still to this day who are like, frothing and foaming that it was Totally Canon and everything in Oshi no Ko was leading up to their Amazing And Epic Fated Romance of Destined Soulmates i just look at the material for it in the manga and i'm like... this??? this is what you guys are going crazy for???

Because like. I'm gonna be so real and true and honest about this right now: even removed from romance or whatever else, Aqua and Ruby's relationship is shockingly underbaked and underdeveloped, especially in comparison to how loadbearing it ends up being not just for the ending but the series as a whole. Honestly, for such a huge chunk of the series, the twins just barely have a relationship at all; I've said this before, but I originally got into the manga/fandom just after chapter 11 dropped and followed it to the end of Tokyo Blade before I dropped it for a bit and one of the major critiques of the series was always both that Ruby in general was kind of a side character in a series she was supposed to be a co-lead in (people used to call her 'whoby' lmao) and that as a result, Aqua and Ruby do not remotely feel like two people who have spent 16(+) years together, let alone ones who spent that time in the social role of siblings.

Like... it's really funny to me that AquRuby fandom (and tbh, to a degree, the series itself) tries to pretend that omg aqua is suuuuuch a siscon so crazy and overprotective!!! so obsessed with ruby she's all he thinks about!!! because when you pay attention to where Aqua's focus is and what motivates him for most of the series, it really comes off like Ruby is just barely in his thoughts at all LDKJFJKDNKDSM. He's mostly focused on his revenge quest and when we actually DO see him interfering in Ruby's life, this is almost always an offshoot of his Ai related trauma and thus his general flaw of being controlling and manipulative of the people in his life because he's so terrified of what could happen to them if he relaxes his hold for even a second. And even when the series does suddenly start trying to manufacture AquRuby drama, it's all just Ruby doing brocon gooner bits while Aqua just stands there like 🧍‍♂️

Obviously I'm not saying that Aqua, in-universe, does not care about Ruby but from a Doylist perspective, all the intensity and emotional weight of the relationship is massively skewed on Ruby's side of things when the series does finally bother starting to try and flesh things out. This is something @lastthroes pointed out in in the tags of one of my posts and I think they summed it up really well, so I'll just quote them here (tag formatting removed for readability's sake);

yeah i have posted before about how even if you remove the romantic angle the twins just do not have a significant bond. […] doesn't matter if it's a relationship based on familial love or on hatred or on whatever. but it does matter that the bond needs to be meaningful in some way and by the way it was written it just isn't […] aquruby got so popular esp after the kiss but it's… when i see art from jp artists and stuff i find them nice but it gives me the same impression that some of the manga covers with them together always gave me that impression of 'this is good but they just don't have this kind of relationship'. akasaka tries so hard to convince you that goro is obsessed with sarina when aqua ignores ruby's existence for most of the story. that fucking page at the end of their past moments together doesn't even address their relationship after aqua reveals ai's secret because akasaka built them up as drifting apart after the reveal and never made an effort to fix that before making that ending

(full tags are on this post & are recommended reading, iawtc)

So like... all the above is ALREADY a problem when it comes to the twins' relationship even in a purely platonic/familial context and that issue only magnifies when you try to build a romance on top of it. If the foundation of their basic dynamic is already shaky then attempting to layer romantic tension onto it just falls flat because. What bond even is there to get invested in?

It especially doesn't help that Ruby is flanderized SOOOOOO badly in relation to her feelings for Gorou/Aqua post 123. It's not that she has nothing else going on with her character, but whenever Aqua enters the picture, she immediately becomes a pancake thin version of herself propelled entirely by this brand new and poorly motivated obsession with her brother. If OnK actually used the page time spent on the AquRuby drama actually fleshing out or examining Ruby's feelings or at least taking them remotely seriously then that would at least be additive characterization to chew on, but in practice all it does is do the same "lol look at ruby cooming all over herself bc she made eye contact with aqua" joke over and over and over again.

The result is that even though the story wants us to believe the twins are now more invested in each other than ever because of the underlying emotions of Gorou and Sarina's connection bleeding into their sibling relationship, their relationship feels flatter than any other point in the story because they have so few moments together that, once again, aren't just Ruby creaming her pants while Aqua just stands there.

The fact that Ruby has this degree of obsession with Aqua (inherited from Gorou) also really falls flat for me. This is an issue that starts as early as the Private Arc and isn't so much an issue with post-123 AquRuby but this degree of fixation on Gorou that the story kind of retcons her into having kind of... doesn't really make a ton of sense for her?

Back when the manga was still ongoing and I expected us to get more out of Ruby's brocon brainworms than the nothing we got, I just kind of accepted it with a sense of "oh yeah sure, if Ruby was this fixated on Gorou of course she'd end up being a little freak about Aqua" but the more I think about it, the more I'm like... ok, well, WHY is she still so fixated on Gorou? It would be one thing if this was just Ruby continuing to love and value him as a person who made her, in turn, feel loved and valued when she had nobody else in the world but the Private arc onwards makes it seem like Gorou is basically the bedrock of Ruby's emotional and mental stability, to the point of him being more important to her than Ai, her literal mother.

Again - I totally understand Ruby still having fond memories of Gorou and maybe even being drawn back to seeing him again, just as she is with Sarina's family. But at the point in the story that Aqua reveals himself to her, Ruby has a massive support network of people, some of whom have stepped up and supported her in the worst and most turbulent moments of her life. Why have none of these people achieved a level of importance to her that she seems to exclusively afford to a man she knew for a few months max nearly 20 years ago? The story just seems to expect us to take for granted that Ruby feels this way based purely on her backstory as Sarina without actually sewing up the internal and emotional logic of why she's white knuckle gripping this obsession so deep into her new life.

in general, I feel like AquRuby as a ship relies too heavily on the context of Gorou and Sarina's relationship to give it foundation and legitimacy, rather than establishing a unique and compelling romance between Aqua and Ruby as they are now. This would be a problem regardless of how good or bad the writing supporting Gorou and Sarina's relationship was but unfortunately, GRSR is itself made similarly shallow by the narrative's failure to do much of anything with it.

This wasn't something I really became actively conscious of until I read Spica and saw the Wow It's Fucking Nothing that was done with their relationship in it, but even in the main manga there are multiple attempts to make Gorou and Sarina's relationship more meaningful and emotionally impactful to the reader that (imo) end up falling flat because the story seems deathly afraid of adding any real nuance or depth to the bond they supposedly have. I actually feel like Gorou and Sarina's relationship was at its best in chapter 1 - that little snippet of their dynamic said so much with so little and I really felt like I could see the entire relationship surrounding it between the gaps left by what isn't said.

By contrast, I feel like the rest of the series gets increasingly diminished returns every time it tries to mine your emotional investment in it because it's so uninterested in doing anything beyond banging out the same old beats of 'sarina is sad, gorou does a nice thing, yey sensei kekkon shite''. As a result, I might understand why Sarina feels so attached to Gorou, but we never get any idea of why Gorou felt so strongly about Sarina, outside of the basic presumed sympathy and righteous indignation that any good person would feel for Sarina's situation. There's no exploration of what about Sarina (and therefore Ruby) as an actual person removed from her tragedy inspires in Gorou, so the fervent attachment the story again tries to insist that he has to her is hard to invest yourself in as a reader, because the story fails to ground those emotions in anything. So again, we have a relationship where all the intensity and emotional weight of the relationship is massively skewed away from Gorou/Aqua and we thus fail to get any exploration of his interiority as a result.

[6-gou]

徳地ベースtumblt支店始めました。

デイゲームの告知なんかを行っていきます！

Twitterがどうなるか分かりませんからね

[moja-co]

2020年末、「マルちゃん正麺」の公式アカウントが投稿したプロモーション漫画において、「夫と息子が昼食で使用した食器を、仕事帰りの妻が洗う場面」姿に「ジェンダーロールから脱却できてない!」などと批判が寄せられたことがありました。 この際の東洋水産の対応は、いまだに企業のSNS対応の教科書的事例として語り継がれています。ポイントは3点です。 (1)投稿を安易に削除せず、次回作漫画の投稿を延期し、その間に批判内容を分析し対応を検討したこと (2)「漫画は自社の責任のもとで制作･公開したもので、作画担当者に責任はない」とイラストレーターを守ったこと (3)批判意見も真摯に受け止めつつ、批判者はごく一部であり、擁護意見が大半であったことから、漫画公開を再開したこと 今般も同様、局所的な「非実在型炎上」かと思われますが、ぜひ東洋水産さんは理不尽なクレームに屈することなく毅然と対応頂き、新しい魅力的なキャラクターに活躍の場を数多く与えてあげてほしいです。そのうえで、「好きなものを好きと言える社会」を我々自身で維持していきたいですね。

[umifani]

【ユーディーホームの家づくりQ&A】家具選びはどのタイミングがベスト？？｜大きな家具はいつ買おう？｜マイホームアイディア｜家づくりアドバイス【ユーディーホーム】

[80236]

科学がどうやって発展してきたか、分からない人向けに教えてあげるね。ちなみに、アメリカがどうやってイノベーションの最先端であるのか、日本がどう失敗したのかにも軽く言及するよ。

科学は数学、化学、物理学、生命学といった普通にはどう言う意味を持つかわからない、基礎的な実験や定理の証明によって、『原理』を積み重ねていくことから始まる。

この段階では、それぞれの結果が実世界に影響を及ぼすような変化は起きない。

しかし、一見関係のなさそうな・ベクトルの異なる『原理』同士が「実は関係がある！」とわかったとたん、科学は爆発的に進歩（イノベーション）する。

例えば遺伝子操作として有名でノーベル賞もとったCrisper-Cas9という技術。最初に発見されたのは、単なる大腸菌で起こった現象のひとつでしかなかった。

しかし、その後、細菌内で外敵に対するDNA切断に利用されていることがわかり、それをゲノム編集技術にもちいることを試行→確立され、現在ではマウスの遺伝子操作に必須の技術で、ヒトの遺伝子治療にも用いられつつある。

これがイノベーション。そりゃノーベル賞もとるってもんよ。

このイノベーションに必要なのは、

・すぐに世界に役立つような技術や結果ではなく、むしろ基礎的な研究を盛んに行ない、人数を増やす

・異なる分野の基礎的な研究者同士が触れ合う機会を増やす

・基礎研究からベンチャー企業を作ることを積極的に補助する

なのです。

これをたくさんお金をつかってやってきたのがアメリカ🇺🇸 分かりやすい医学、薬学、機械工学よりもむしろ、化学、数学、物理学、生物化学に予算を割いてきたわけ。

そしてその逆をやったのが『選択と集中』で有名な日本🇯🇵結果はみんな知ってるよね。

実は、この選択肢が分岐したのは1980年代。この時点ではアメリカと日本では研究の発展度に日本とアメリカに大きな差はなかった（どころか日本はかなり凄かった）。

わかります？

パッと見、あまり役に立たなそうな基礎研究にこそ宝が眠ってるってこと。これはまさに国家の投資なんだと。これ��分からなかったから日本の没落を招いたんだと。

そういうことです。

[kennak]

元エンジニアだけど、日本の「ものつくり」は色々誤解されている気がする。 第一に日本が得意なのは「磨くこと」だ。ゼロからイチを作ろうとして上手く行った試しが無い。言わば秀才型であって天才型では無く、既にある海外の技術を「良くする」「量産化する」「安くする」に長けているだけだ。 第二に日本が得意なのは「個人の職人芸」だ。それが必要な技術段階の製品には無類の強みを発揮する、例えばレンズ研磨とか半導体単結晶の引上げとか。だがやがて機械で対応可能になると、勝負所は「職人芸」から一気に「資本力」に代わり、日本は敗退を繰り返して来た。 第三に技術の進歩は結局「研究開発にどれだけカネを使ったか」だ。米国や中国より遥かに少ない研究開発費で「頑張れば個人の努力で覆せる」との主張は無責任も甚だしい。「なら自分でやって見ろ」と言いたくなる。 一度根拠の無い自信は捨て、現実を見て立て直した方がいいと思う

「ものづくり日本」はウソである…養老孟司「職人気質の日本人がナマケモノな欧米人に技術力で勝てない理由」（プレジデントオンライン） - Yahoo!ニュース

[washi-life]

自然を抽象的に表現した和紙ウォールアート

※パネルサイズ：W700×H1100×T20／重量：1点 約3.8kg

※和とモダンが共存する空間

※パネルサイズ：W700×H1100×T20／重量：1点 約3.8kg

��会の喧騒を忘れさせてくれる、歴史とモダンが融合した隠れ宿。開放的な土間空間を彩る和紙アートパネルが、訪れる人を温かく迎えます。ブログ記事では、２つのエリアに設置したアートワークをご紹介するとともに、ウォールアート導入のメリットや、その他の宿泊施設での事例についても解説していきます。

※詳細は下記リンク先よりご覧ください。 自然を抽象的に表現した和紙アートパネル「アートと泊まる土間暮らしの宿」

[moko1590m]

誠実に「科学の限界≒人知の限界」を認める知能があるなら、 複雑系に理論で挑むことの危険性をすぐ理解できるはず 　 残念ながら政治経済全体に取り組む人間は「受け身、前例踏襲的」が基本にならざるをえない 　 現状における快適さの幸運に感謝しつつ、対応せざるをえないものに精一杯対応する、ということで人生は経過する 　 革命思想を叫ぶ愚者に引きずられる愚か者になってはいけない 　 西欧もそろそろイデオロギーの狂気から抜け出すことになる ありもしない理想への強迫観念は精神病、武器、殺人の手段にすぎなかったことが明らかになるだろう 　 日本の「愚図で無前提な現実主義」は堅持されなくてはいけないし、ある意味世界の常識を完全に先取りしていたことになるだろう 　 滅ぼされた多くの先住民たちの普通の常識が息を吹き返すことでもある

[chikuri]

移民受入の成功例としてわが国でも“有識者“によってよく取り上げられるシンガポールは、外国人の不動産取得に際しては60%の印紙税を課し、事実上不可能となっている。受け入れる外国人労働者にも厳しい条件を課しており、日本の野放図な受入とは訳が違う。出羽神の出番ですよ

Xユーザーのリフレ女子さん: 「移民受入の成功例としてわが国でも“有識者“によってよく取り上げられるシンガポールは、外国人の不動産取得に際しては60%の印紙税を課し、事実上不可能となっている。受け入れる外国人労働者にも厳しい条件を課しており、日本の野放図な受入とは訳が違う。出羽神の出番ですよ https://t.co/XFhrB3p3Du」 / X

[koch-snowflake-blog]

天羽 希純は、日本のアイドル、タレント、アーティスト、モデル、女優、グラビアアイドル。東京都江戸川区出身。ゼロイチファミリア所属。 本名、小松 希純。愛称は「きすみん」「きっちゅー」。ファンの総称は「ちゅー魔」。 ウィキペディア

生まれ： 1996年8月12日 (年齢 28歳), 東京都

本名： 小松希純

身長： 164 cm

テレビ番組： アイドルゾーン20時

カップサイズ： G

スリーサイズ： 84 - 58 - 84 cm

家族構成は両親、弟2人（3歳下と8歳下）の5人家族。

2020年4月の時点で「バブ」「ぷり」「ポン」という3匹の猫を飼っている。

好きな食べ物は栗きんとん。苦手な食べ物は野菜。健康管理、体調管理、体型管理にはとても気を遣っているとのこと。

趣味はクラシック鑑賞、温泉・銭湯巡り、御朱印集め。神社も好き。特技はピアノ、トロンボーン、水泳。

将来の夢は女優になること、武道館ライブをすることを挙げている。数々のアイドルグループを経験しており、「普通に生きてちゃ目立てない」を座右の銘としている。

「希純（きすみ）」という名前は、氷室京介ファンの父によって、氷室の曲「KISS ME」から名付けられた。

母親の影響を受けてか看護学生時代あり。

八百屋、居酒屋、東京ドームシティでアルバイトをした経験がある。

アーマーガールズとしてデビューする前に、乃木坂46の2期生オーディションを受けて落ちた経歴がある。その乃木坂46のブログはブックマークに入れてしょっちゅう見ているほどで、いつか共演して必ず追い抜いてみせるという野望を抱いている。

『週刊プレイボーイ』（集英社）開催「適乳（てきちち）」番付には選ばれていないものの、自分こそがという思いで「適乳」をグラビアアイドルとしての売りにしている。2022年まではスリーサイズを前述のように公表していたが、2023年現在では身長以外を非公表にしている代わりにバストはGカップと公表している。

実年齢よりも幼く見え、『cream』の常連モデルを務める。自身では「高校3年生の受験シーズンの感じ」と例えている。

所属する#2i2の最年長メンバー。チームへの思い入れや責任感が強く、#2i2をより有名にしたいとの思いがモチベーションになっている。

本人は自分が不在の間#2i2のメンバーに支えてもらった事をとても感謝しており、そのメンバーの気持ちに応えるため頑張り続けたいとのこと。チーム愛も人一倍強い。

家族想い、メンバー想い、動物想いである。動物愛好家であり、2023年6月時点で3匹の猫と4匹の犬を飼っている。

人柄は明るく、謙虚さを兼ね備えている。TIF2023PR大使決定戦総合ポイントランキング1位になった際も、本人の実力ではなくファンのお陰だからとのコメントを添えている。イベントでは周囲から「神対応」と称されており、ファンとの触れ合いを大事にしている。これは学生時代交流が下手くそで、煙たがれた経験から、好きって言ってくれる人にはできるだけ感謝を伝え、1回でもドキッとして帰ってもらいたい、思い出の爪痕を残したい考えからの行動である。

2023年9月2日、国指定の難病である潰瘍性大腸炎に罹患していることを、自身のSNS投稿で公表した。

2024年10月10日夜にバイクとの接触事故に遭い、頭部を縫う怪我を負ったことをグループ公式サイトが発表した。

2024年10月28日、ヒカルチャンネルのお泊まりシリーズに初出演。