#✠ verses

[carnaxe]

VERSES .

✠ verse — parents are the bones on which children cut their teeth

canon . Odessa is born in one of the remote corners of the Outback, the first of six children, their home huddled among solar farms. Until the government gifts the omnium to the omnics, until the land their family has lived on for generations is taken from them. Unlawfully, they deem. The Stone family bare their teeth and fight back, lending their strength to the Australian Liberation Front. Until the rebels sabotaged the omnium’s fusion core, resulting in an explosion that destroyed the facility and irradiated the region. They shelter in omnium’s shell, now repurposed as a settlement for the survivors. It was home only for a short time, before King Mason Howl – former comrade of Odessa’s father – banished the Stone family to the Wasteland.

✠ verse — my body’s just a body and my name’s just a name

canon . Odessa learns, quickly, how to survive in the Wasteland. For those who live in the Outback, the Omnics Crisis never ended – the survivors are locked in an endless conflict with the local omnic population, fighting for land and resources. Odessa works alone, and sometimes as part of a posse, to hunt omnics, selling scrap and scouting the region for supplies. During this time, she dabbles in mechanics, forging her weapons and developing her unique electromagnetic gauntlet.

✠ verse — you cannot strike fear into stone

canon . While it may not be internationally recognised, Junkertown identifies and operates as its own sovereign state, and is generally hostile to outsiders. During the gladiatorial-inspired Reckoning, Odessa challenges and defeats King Howl, taking her place as Junker Queen. Under her rule, she maintains control across several surviving splinter groups, and works to expand Junkertown, to improve the lives of its citizens. As King Howl did before her, Odessa periodically hosts the Reckoning. The only way she will ever relinquish the crown is through defeat in combat, through the blood-slick violence that is broadcast across the Outback.

✠ verse — a glorious lo-fi live sound

modern . Odessa is lead singer and guitarist in a high octane band that straddles the garage rock, punk rock and pub rock genres. A true-to-her-roots punk, she isn’t in it for the money or the fame. Music for her is a way of expressing her anti-establishment, anti-materialistic, anti-sexist and anti-capitalist values.

✠ verse — go bush

exclusive to @handtame . Similar to the above, but the band doesn’t get far. Odessa lives in a sparse Outback settlement, and follows her father into the mining industry. The work is hard, and it isn’t easy being the only punk dyke in town – but having a needy, cryptid-coded girlfriend makes life a little sweeter.

✠ verse — a bloody mess in the wild west

red dead redemption . Based out of an abandoned mine in West Elizabeth, Odessa leads a gang of outlaws, roving afield to scavenge and raid. The group walks a fine line between banditry and rebellion, primarily targeting wealthy tycoons, corrupt lawmen and large ranch owners, while offering protection to smaller communities. Folk heroes or criminals? It depends on who you ask.

✠ verse — i rebel / therefore i exist

cyberpunk 2077 . The cybernetically-enhanced leader of a nomad gang, Odessa and her crew scavenge the Badlands. She rebels against the megacorporations and battles for dominance in the Night City streets.

✠ verse — the axe forgets / the tree remembers

stardew valley . Lumberjane Odessa runs a forestry farm on the edge of Cindersap, selling hardwood, softwood, pine tar and oak resin. Experienced in combat, she is no stranger to the local mines, and is capable of clearing out monsters and gathering loot. The Stardrop Saloon is like a second home to her, and her assistance can be secured on the promise of a pint or ten. This verse can be tweaked to suit a real-world rural setting.

✠ verse — the mad exultation of battle

fantasy . A barbarian chieftain, Odessa leads a nomadic tribe. Curious about the world beyond her clan, she sometimes ventures out on her own to take contracts as a mercenary.

✠ verse — when we get down to basics / humans are just big bags of irradiated chemicals

fallout . Tales of the raider queen, of a woman standing over most men. Her gang of raiders live off the remnants of pre-war civilization, taking what they need from the irradiated wastelands, triumphing through brute force and cunning. Axe-wielding Odessa is a picture of survival.

✠ verse — i will show you fear in a handful of dust

mad max . Odessa rules over the Junkers, a ragtag group of raiders and scavengers based out of an abandoned power plant. They are a relatively small faction, but vicious, and creative. By their hands, weapons and vehicles are crafted – then used to ambush travelling convoys.

✠ verse — the shadow of the axe hangs over every joy

bloodborne . TBC.

✠ verse — but the good name never dies of one who has done well

viking era . A verse inspired by but not limited to Assassin’s Creed: Valhalla. Odessa is an intimidating and powerful shieldmaiden. She leads a raiding party, sacking monasteries and settlements.

✠ verse — falling down is how we grow / staying down is how we die

ancient greece . A verse inspired by but not limited to Assassin’s Creed: Odyssey. OPTION 1: Odessa is captain of The Scourge, a pirate ship that plunders coastal settlements and terrorises the trade routes of the Aegean Sea. She recognises no rule but her own. OPTION 2: Odessa is a former champion of the arena on Pephka, her prowess and showmanship making her a fan favourite. Now she travels as a mercenary, her axe available to hire.

[vickychendraws]

I don’t usually do crossovers, but a comic idea popped into my head, so i decided to see where it went o/ cw: blood

[chrisery-business]

my biggest issue with the httyd live action-and just about any live action reboot is that it seems that the live action adaptations are being made to make the original “better”? like, so many people talk about a live action spiderverse, a live action hercules, a live action PRINCE OF EGYPT (dont piss me OFF.)-like animation is a beautiful work of art, and for some reason putting real people and cgi in it is supposed to be an “upgrade”? im probably being that friend that’s too woke or whatever, but i just think it’s so disrespectful to act like something that takes so much time and effort and energy is immediately considered as lower because it is animated. animation is beautiful, and it is one of the most heartfelt art forms there are, and erasing that for the sake of a cash grab is downright degrading to animation as a medium.

[deadlypoetacademia]

[sparebutton]

(Across the Spider-Verse spoiler)

[guardianjameslight]

I don't know about you, but I really hate mentality that says that we don't get good animated projects anymore, especially when these exist.

And there's more.

[eggplant-crusader]

[soranatus]

[brown-spider]

Making jokes about Noir being colorblind/not understanding colors is how we cope with how unbelievably powerful his brain is

[vhoudk]

Wanted to draw them!!!! it’s been a while since i rendered faces so it was good practice

[heart-of-the-morningstar]

[katsunaksu]

the gang's all here!!

[alexxuun]

miles is taller than 42-miles because of his spider bite. This is like when your younger brother have a grow spurt and now are slightly taller than you.

[shayneysides]

hobie: kill yourself

pavitr: WHAT THE HELL BRO WHAT DID I DO

original format from @ha-youwish in this post!

[crystal-bytes]

GIFTOBER 2023

DAY THIRTY-ONE: FREE CHOICE

A timeline of DONALD GLOVER and MILES MORAELS

Spider-Man 3 (2007) / The Amazing Spider-Man (2012) / Donald Glover: Weirdo (2012) / Community 2x01 "Anthropology 101" (2010) / Ultimate Fallout #4 (2011) / "Not Going Back" Live Performance (2011) / Ultimate Spider-Man 3x11 "The Spider-Verse: Part Three" (2015) / Spider-Man: Homecoming (2017) / Spider-Man: Into the Spider-Verse (2018) / Spider-Man: Across the Spider-Verse (2023)