#…. he’s starting to haunt me

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[lady-corrine]

Thinking again about how Suzanne esentially subverted the "beloved famous man that is actually a horrible person in real life" with Finnick, who is the complete opposite of that.

Finnick has this whole image costructed around him by the people that abused him for years: the Capitol's darling, their golden boy, the sex symbol of Panem, the man that has countless lovers but leaves them constantly and doesn't look back etc. And you would expect, initially, to meet a man that retains at least a part of that persona in his day to day life. But Finnick doesn't, not even one bit.

You see instead a man that is deeply in love and completely devoted to the one woman he quite literally adores, a man that protects Mags, his old mentor and his mother figure, as much as he can, a man that wouldn't leave Johanna behind, a man that gathers whatever strenght he has left to speak publicly about the abuse inflicted upon him at the government's hands; the opposite of what the Capitol's media and reputation made him out to be.

[homosexualslug]

realized that both the beginning and the end of the happy paris stage of Loumand's relationship has this same contrasting orange to blue/green color scheme. and like. the visual metaphor of Armand literally leaving his cold, lifeless world behind him and choosing the bright, golden warmth of life with Louis instead of killing him like he was supposed to in that tunnel. but as soon as he chooses the coven over Louis, he separates from the warmth like oil in water that was never supposed to be there. and now he's back out in the cold. I'm normal about this, btw.

[hinamie]

every so often i have to relearn how to draw yuuji or he starts fighting me

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[sheila--e]

He's my favorite jojo character

[dizzybizz]

how long since the last magma dump

[droppingartintotheinfinite]

these two make me insane, actually

[shazzbaa]

IDK anything abt his sleepwear situation but after some thought I’ve decided I believe Poor Edward would have a fancy dressing gown

[cruelplatonic]

my personal headcanon is the vees were unremarkable nobodies when they were alive. i just love it as a thematic throughline for them. they love to let the public of hell speculate on them being famed and acclaimed since before death, but the the truth is they were a d-list failed influencer that got by on cheap controversey and scamming, a broke junkie who burned every shaky bridge he ever had, and a worn-out broadcast production assistant with more rejected auditions and tossed out script pitches than he could count. nobody missed them when they were gone, nobody cared who they were until they were dead.

[lyx456]

JONATHAN SIMS PLAYS JACK SEWARD IN RE DRACULA???

[somegrumpynerd]

Horror's nightmare

Horror doesn't think much on his past anymore, but his nightmares often resurface the guilt he's buried about the idea that he could have prevented it all somehow, even if it came at the cost of his own life.

Thankfully, Nightmare is here to make him a hot drink to calm his nerves and promise him a visit to his brother when the sun is up, because Papyrus will always be very glad to see his brother alive and visiting (and as sleepy as ever).

[nevertem]

[lbhslefttiddie]

youve heard of sex flowers get ready for the flower that makes you into a celestial shoujo herione complete with particle effects you cannot turn the fuck off and creates a wifebeam so powerful it can incapacitate and maim and keeps making you burst into tears and fall on your ass which makes the wifebeam More Powerful and you also cannot turn this off either. and is also still, sort of, a sex flower

from one of my favorite fanfictions, Celestial Afterglow by elanor_pam, a fic that defies description in the best possible way

[nnayomaise]

i think the thing that really gets me about all the "we've got to kill this guy kabru" meme redraws with mithrun is that in the very first conversation mithrun has with laios, he trusts him with, essentially the fate of the world and his life long revenge quest against the demon

[cybershock24601]

For some reason whenever I start thinking about post canon Rookanis, I keep thinking about Crimson Peak and I think that's because there's some huge potential for major Gothic Horror going on here. One of the enduring traits of gothic fiction is that there's something wrong with the house (the supernatural element essentially, hauntings, ghosts, etc) because there's something wrong with the family and boy is there a whole hell of a lot wrong with the Dellamortes.

Rook makes for a fitting gothic heroine naively joining this really fucked up family and culture because every Rook other then a de Riva really doesn't know much about how the Crows really operate and has gotten a very skewed view into their world dealing with Teia and Viago acting as patriotic freedom fighter, and no Rook would really know the full extent of Lucanis' very messed up family dynamics because that man does not talk about his trauma, so Rook is walking into a nightmare blind. And that's just the political and family drama, imagine how much more interesting it could get with an element of the supernatural because magic, ghosts, and hauntings are all a thing in dragon age.

The Veil usually gets really thin in places where a lot of blood has been spilled and how many people do you think have died in the ancestral home of a house of assassins? How many members of the Dellamortes do you think died inside there as a result of Crow infighting and in particular Caterina's bid to remain First Talon? How much pain and suffering mark its halls from the generational trauma of the systematic physical, psychological, and emotional abuse required to turn children into trained killers? If there was anywhere perfectly primed for a haunting, its Villa Dellamorte.

And wouldn't an upset and angry spirit seeing how miserable this terrible place is making its two favorite people be a perfect way to stir up the ghosts haunting the halls? I just think it would be fun for Spite being the unwitting source of all the supernatural problems because he's so pissed about Lucanis and Rook continuing to make themselves miserable by trying to make living in Villa Dellamorte work and accidentally bringing the literal ghosts of Dellamorte past to life

Anyways, I want to make a Caterina to face all that she lost holding onto a title that is going to end up dying with her because Lucanis was never going to be who she wanted him to be and made Illario so like her he ruined any chance he had to take her place as First Talon. I want Caterina to reckon with the literal ghosts of her past and realize everything she did was meaningless in the end. That she lost and ruined her family for nothing and all she has left are two broken boys that she destroyed herself and a crumbling, dying House.

I definitely want Lucanis to break the cycle of generational trauma and leave but I can't decide what to do with Illario because I do think that the guy deserves a win and should get a happy or at least bittersweet ending but the idea of Caterina being stuck with the disgraced grandson she ignored and will never be able to properly hold onto the title she fought so hard for and sacrificed so much for because he tried to make himself too much like her could also be really interesting because Illario mirrors Caterina enough that he might just remain stuck in the familial trauma cycle with her