#“THE TINY ONE HAS THE POWER OF THOR IN HIS HANDS” and then they puke on the floor and pass out from shock

[randomtheidiot]

Show a Hisuian peasant a video of the World Champion Tournament from Journeys, watch them froth at the mouth and keel over dead.

[thelightofthingshopedfor]

WIP Wednesday, kind of!

for @grandthorkiday this year, I really wanted to finally finish the fic I started for it last year, but that didn’t happen because literally everything is happening at the same time this October and also it’s hard to focus on writing in general right now. but then I thought of this older Sakaar fic that has been vaguely on my “I’m almost positive this is practically done if I would just put some time and effort into finishing it (but it’s also totally possible it’s nowhere near as close to being done as I think it is)” list for ages, and I realized it totally fit the definition for Grandthorki, and I thought maybe I could finish that real quick instead!

...I couldn’t. there’s a lot more to this one that needs to be written than I kind of thought, in part because it’s so old I wrote it before Ragnarok ever came out, so it was based purely on the trailer (and then inspired by some speculation by @theotherodinson, I think), and to finish this fic I would first have to decide if it would be more straightforward to just keep going with my pre-Ragnarok speculation or change the setup a bit to fit the film. also I would have to turn a bunch of bullet points into an actual conversation that would have to...make sense? and, like, establish things? and that’s hard even when my brain isn’t busy constantly screaming.

but! I can post most of what I already wrote, just for fun and because at least this is something Grandthorki-related that I haven’t already posted elsewhere! knowing me this could backfire because then I won’t have as much motivation to try to finish it but on the other hand it’s been sitting at this exact level of unfinishedness for like three years so it’s probably not going to hurt.

warnings: I kind of don’t know what to say here because nothing actually happens but there’s a lot of discussion of rape and graphic violence, so...warnings for that!

[the basic premise/assumption here was that Thor ended up on Sakaar at some point in his search for the Infinity Stones, was forced into the Contest, and gradually gained more of the Grandmaster’s favor and attention because he’s Thor and he’s great at fighting. it’s probably been months at this point, he’s one of the Grandmaster’s champions, and that earns him a reward that he extremely does not want: a few hours with a sex slave, basically.]

The Grandmaster calls them his pets, sentient beings he keeps because they are pretty rather than for their fighting prowess, but the term seems only partially accurate given that it implies both ownership and some level of exclusivity. The latter, at least, seems to apply on a purely arbitrary basis according to the Grandmaster’s whims. There are other appropriate terms, certainly, and Thor has heard plenty from the guards and his fellow warriors. “Pleasure slave” seems to be the most accurate while still remaining within the bounds of marginal politeness.

“Grandmaster must like you special,” the guard says in a confiding tone as they walk. “This one used to be one of his favorite pets, all personal like—didn’t share him much, real picky about what anybody could do with him. Guess the mouthiness lost its shine. Oh yeah, that reminds me—” He digs into his bag and emerges with a handful of metal. “Boy’s really got a mouth on him, so use this when you get tired of it. Or if you wanna make sure he won’t bite; he still hasn’t learned his lesson on that either. Up to you though; walls are soundproof, so whatever you get up to won’t bother nobody else.��

It’s a gag, Thor realizes, reminded with a jolt of the muzzle he fastened on Loki before bringing him back to Asgard, and he cannot afford to think about Loki now. “Thank you,” he says as politely as he can, “but I have no need of…that.”

“You do, trust me,” the guard says. “Only way the boys have found to shut him up and stop him biting. Never met somebody who runs his mouth like that. Dunno why the Grandmaster liked him so long. Oh, and it opens, see—” He twists something at the side of the gag and part of the mouthpiece folds inward. Another twist and the opening widens, and it takes very little creativity to imagine how the mechanism would force the wearer’s jaw wide. “Careful with that, by the way,” the guard adds. “Two turns gets him open, three or four is good, keep going and you can dislocate his jaw—which is fine, fixed that before, it’s just the kind of thing you probably want to know you’re doing, right?”

Thor’s stomach turns over. When he is free of this place, he will come back to help the other slaves. He forces a smile. “I assure you, I do not need such an instrument.”

“You’ll thank me when you change your mind later,” the guard says, shoving the gag into Thor’s hand. Thor gives up and takes it, because if he has learned nothing else in the last few years he has at least learned the importance of picking his battles. “He hasn’t been fed today, either, so no worries he’ll puke on you. Might get him to cooperate if you promise him food after, but that never really works with this one, so, probably a waste of time. All up to you though. Anyway—” He puts a hand over the locking panel and the room’s outer door slides open. “I’ll lock you in, come get you in a few hours. Comms are open in case you need something. And ‘cause we get bored.”

“And if I prefer not to have an audience,” Thor says.

The guard snorts. “You been here this long and you don’t get how things work? In you go.”

Thor sighs and does as he’s bid. The outer door hisses shut behind him and the inner door slides open, revealing a modestly appointed bedchamber. The bed is the largest thing in it, a sturdy-looking wooden construction with prominent bedposts, but Thor’s attention is drawn immediately to the figure kneeling on the floor. He is facing away, though not by choice; his wrists are shackled behind his back and bound to a metal loop in the floor with a short length of chain. Thor has no doubt the positioning is deliberate, just another way of reminding the slave of his powerlessness. His shoulders are rigid, his fingers curled into fists—blue fingers, Thor notes, with black nails, and blue skin at the back of his neck under black hair. Probably Kree, then, which makes it a little odd that he is not being used in the arena, instead of…this.

Thor grimaces and moves to put himself in the slave’s line of sight.

[aaaaand naturally the slave is Loki, miraculously alive after dying in Thor’s arms on Svartalfheim! also he doesn’t recognize Thor at all and in fact remembers nothing prior to waking up half-dead on Svartalfheim and being scooped up by the Grandmaster somehow! this is all very upsetting for Thor! it gets more upsetting when, in the conversation I haven’t written, Loki starts working really hard to goad Thor into a temper and Thor realizes what he’s trying to do!]

“You want the gag,” Thor says finally.

Loki jerks back, his mouth snapping shut. He recovers quickly, his eyes crackling with anger, but he’s not quite fast enough to keep Thor from glimpsing a flash of fear underneath. “What I want is irrelevant. This is about what you want, that is the entire point, and I know your type, dozens of times over. You’re a warrior. You want to win. You want to hear me beg you to stop, to show mercy you delight in withholding. And I am telling you now, you can do anything you like but you will not hear me beg, not for anything. So use the damn gag.”

And with a flash of nauseating clarity Thor gets it, why Loki’s working so hard to goad others into forcibly shutting him up, because it’s the one tiny piece of control he has left. Unbidden, the image forces itself into his mind: Loki, eyes squeezed shut in pain, screaming into the gag and clinging to the very last scraps of his pride with the knowledge that if he breaks and begs for it to stop, no one will know—clinging to those scraps even though his defiance hurts him, because he has been left with nothing else that is still his.

[Thor gets real upset! upset enough to unlock his lightning powers without access to Mjolnir? yep!]

Loki’s red eyes widen, his bravado visibly wavering, and his voice shakes just a little as he says, “Well done, that’s actually a new one.”

“I’m sorry,” Thor says, “this will hurt, but I will be quick,” and he reaches out one crackling hand for the collar.

[Loki’s eyes widen etc. here instead probably] and he cringes away, raw panic breaking through his bravado, but if the guards are not already on their way they will be soon, and there is no time to spend on reassurances Loki will have no reason to believe anyway. Thor steels himself and lunges, seizing the chain at Loki’s wrists with one hand and his collar with the other, and Loki’s body snaps taut as lightning floods into him.

Once, over a century ago, a journey with Sif and the Warriors Three went disastrously wrong, resulting in Thor and Loki stranded alone on Muspelheim, relentlessly pursued by a dozen Fire Giants and unable to get far enough away to safely call on Heimdall. By the time the giants truly cornered them, they’d been running for three days straight without water or sleep, Loki’s magic was nearly depleted from several aborted attempts to hide them and open a pathway between realms, and Thor couldn’t draw down a storm from the painfully dry desert air. With no options remaining to them, Loki convinced Thor to channel the last dregs of Mjolnir’s lightning through Loki himself, in the theory that doing so might amplify what little remained of Loki’s magic and grant him the power needed to escape. It was a mad, desperate gamble that could have easily killed him and nearly did, but it worked, leaving Thor with—among other things—an unsettlingly precise knowledge of how much lightning Loki’s body could take without dying.

He has not thought of that incident in years, but he is glad of it now, especially without Mjolnir to help him control his power.

 When everything clears, Loki is sprawled on his back, staring up at Thor and breathing hard, freed of all his bonds. His expression shifts through pain and fear and shock into confusion and then, finally, a faint glimmer of recognition, and he says hoarsely, “…Thor?”

Thor exhales, relief and battle-lust tangling inside him, and holds out his hand to help Loki up. “Come, brother. It’s time to get out of this place.”

Loki stares at him for a moment longer, his throat working, and then he reaches back and takes Thor’s hand.

[minaminokyoko]

Captain Marvel: A Spoilertastic Review

Well, here we are. Our first female-led Marvel movie (unless you count Ant Man and the Wasp, which I kind of do because Scott was basically useless and Hope ran the whole movie like a boss, but too bad she ran the show on a dull, rushed movie). How does it measure up?

It's fine.

I'd coin Captain Marvel as good, not great. It's definitely a popcorn flick, in the same vein of Ant Man for sure in terms of where it fits in our giant pantheon of MCU movies. I'd rank it dead center, so slightly underneath Cap 1 and Thor 2, but above Doctor Strange. I think Ant Man is a good comparison for the tone and the enjoyment of this movie, although it does do more to characterize the main lead than Ant Man did for Scott Lang. To be fair, though, somehow they end up in the same spot for my personal rankings.

So let's dive in and see why.

Overall Grade: B-

Pros:

-Plenty of action. No shortage on that whatsoever.

-Lots of off-world adventures, for those fans who sometimes are annoyed that too many MCU movies are earth-based. We don't hit earth until about the halfway point and there are still some shenanigans then.

-The dynamic between Carol and Fury is a lot of fun. Larson and Jackson work off each other's energy very well and the banter feels fun and familiar without ever veering into any weird territory. Fury is just as effective as ever at her side, and it's before he becomes full on grumpy Dad Fury, so he's a lot less cold and it's fun to see.

-It was also delightful getting to see Coulson one more time, although it's a cameo, not a whole role as some of the trailers sort of imply.

-The female relationships are probably the strongest in the Marvel lineup, aside from Black Panther. Particularly Carol, her best friend Maria, and Maria's daughter. We don't see a ton of it, but it's just enough to put a huge grin on your face. It's very warm and endearing. I also like that Maria was not only a supportive best friend struggling to get over her loss, but she got to join the action as well, and it was badass. I really am happy with Marvel pushing forward to give black women more representation in the superhero genre. Too many folks think black women in film are only sassy best friends or baby mamas or Tyler Perry stereotypes. We love sci-fi/fantasy just as much as everyone else, and so I loved seeing two beautiful black actresses shining next to Brie Larson and Samuel L. Jackson. It lends the film a lot of heart.

-Brie Larson is relatively decent in the role. She has some moments better than others, but overall, she did a good job. It never felt like she couldn't handle the work of beating some ass, and she sold me far more than Gal Gadot did as Wonder Woman. Which, yes, I know, it's unfair and kind of tasteless to compare them, but I have to note it since I didn't care for the WW movie that this is what I was talking about with film presence. Gal Gadot, to me, looks like a supermodel wearing a Wonder Woman costume. To me, she never embodied the poise, agility, and strength that Diana has in the comics or in the animated series. I believed Gadot more during the softer parts of the WW movie, but she couldn't pull off the action because she just doesn't have the presence. Larson does, imo. She carries herself in a manner that makes me feel like she can kick your ass. She has a stance and a stature that allows me to feel her strength, and it's in line with other Marvel women like Widow, Okoye, or Scarlet Witch.

-My favorite part of the movie is hands down the "I'm Just a Girl" by No Doubt scene. Oh my God. I was internally squeeing and singing along with the lyrics while she kicked ass. I was so delighted to see them perfectly use that song that I already liked in high school anyway, and it just worked so well.

-I also liked the montages of Carol getting back up. That is a really, really important image for the girls growing up to see. It's not about how many times you fall. It's about how many times you still get back up. That's great. We fall and get dirty and scuffed and mocked and hated. But we still get up and try again every time. Love it. It's very empowering.

-The de-aging looked pretty good. Jackson is tougher since he's gained weight since the size he was back in the 90's but they filled in his wrinkles well enough. Coulson's looked better, although I did notice just it a tad bit during the stairwell scene, but overall, I thought it was well done.

-Gosh, her costume looks amazing. I want it. I want to wear it for Halloween. It's gorgeous.

-The sequence of the Skrulls acquiring her memories was very neat and uniquely done. Kudos.

-THE MOTHERFUCKING FIRST END CREDITS SCENE. Y'ALL. I SCREAMED. I SCREAMED AND CLAPPED MY HANDS SO HARD I HURT THEM. OH MY GOD. SHE'S ON EARTH. THE QUEEN IS ON EARTH AND WE SHALL ALL BE SAVED. SHE IS GOING TO TURN FUCKING THANOS INTO FUCKING PURPLE CLAM CHOWDER WITH HER BARE HANDS FOR KILLING FURY AWWWWWW YEEEEEEEEEEAH BOIIIIIIIIIIIIIIIIIIIIIIIIIIII. Ahem. Sorry. I am really goddamn excited about that tiny piece of Avengers: Endgame because Marvel and the Russos have been so fucking stingy with details. We still don't know the plot. We only have that 30-second Superbowl spot and the Sad Stark trailer. I was livid they didn't give us a final trailer in front of this movie, but I guess with it a month and change away, they're just banking on us frothing at the mouth wanting more. Jerks. But anyway, yes, this fucking scene is mint and I wish I could rewind it.

-Nick naming the Avenger Initiative after her was a great cherry on top moment.

-I fucking lost it when Nick started singing “Mr. Postman.” Deadass, I just started listening to that song about a month ago thanks to that one famous Vine where those dudes sung it acapella. I was dying. You go, Nick. 

Cons:

-This movie overall has a bit of a bland taste to it. It's most revolving around Carol. The problem is that I think they were too chicken to dive deeply into who she is and her personality and her desires because they were afraid the feminists would complain that they made her too soft, so they replaced it all with action. Which is fine, some people just want a girl kicking ass, but I think it did Carol and Larson a disservice by rushing everything and doing drive-by characterization. The dialogue doesn't stick as well due to the bland flavoring, for example. If you ask me who Carol Danvers is, I can't really tell you. I can tell you what she does, but not who she is. I regret that probably the most out of everything. This movie is a bit of a vehicle than a movie where we discover who she is. We discover what she is, but not who she is. She's kind of just every tough, stubborn, smartass female lead you could see in maybe an Avengers OC fic on AO3. She really needed more distinct quirks and likes and dislikes, and I really fault them for cutting out her life on the Kree planet. It would have shown us so much more about her if we knew what her Kree life was like juxtaposed against her original human life, and it could up the stakes and help them sink it, and give more immediacy and concern to the dangers she faced.

-The villains were telegraphed. Again, people ding Marvel for this all the time. It's because they seem to struggle with balance. Often, the villains are thin to cut down the running time by not developing them at all. It's a shame. I've always found Jude Law very entertaining and I think they should have given him something to work with other than Obvious Bad Guy Pretending To Be Good. It was so transparent, much like the bitchy sister villain from Incredibles II. He might as well have been twirling a mustache. I mean, any dude who tells you your emotions are bad is probably not on the up-and-up. And it would have been better to see him and Carol square off at the end in an emotional battle than for it to just be a cheap shot and a joke. But I digress.

-While there was a lot of action, aside from the "Just a Girl" sequence, I will forget it all by morning. I think they wanted the movie to have mass appeal, so a lot of it comes across as generic. The stuff that stands out more are bits like finally seeing what alien Goose actually was or some of Fury's quips and the bits with Maria's daughter and Carol. The action itself is serviceable, but I'd have liked it to have more flavor if possible.

-Not outlining the limit to Carol's powers. This is going to be tough lining up with Endgame because she's so god-like we're gonna wonder if she just bitchslaps Thanos and that's the end. She feels overpowered without the chip limiting her, so I would have liked them to give us some kind of idea as to how she won't just wipe the floor with him in retribution in Endgame.

-Nitpick: Nick losing his eye to Goose annoyed me. People called it. I didn't want them to be right, but ugh, they were. It was a bit too silly for me.

-Nitpick: They really didn't need to waste our time with the second end credits being Goose puking up the Tesseract. We knew he did. You didn't have to show it, dummies.

-Nitpick: Was hoping for some 90's era cameos from at least one other Avenger, but no such luck. Damn. What a letdown.

I had fun, and I am eager to see her fit into the rest of the MCU. And I am also selfishly even more interested in Kamala Khan someday popping in as the new generation of heroes. Please, God, give me Kamala Khan. I want her and my son Peter Parker to team up and be the cutest superhero dorks ever. But until then...God help us all. Endgame is coming.

Enjoy the sunlight coming off of Ms. Danvers.

Because it's finna get dark up in here, my children.

See you in Endgame.

Kyo out.