#“It's all your fault” asks

[delulustateofmind]

Part 3 'this all your fault, isn't it?'Was phenomenal! Really loved it from beginning to end....your style of writing is truly amazing...every emotion is felt and seen! Well i just wanted to know your perspective on how each satoru and suguru perceived kyioshi death? Like for suguru his first "instinct" was to comfort the reader and be in his usual sweet calculated persona, it makes him seem disinterested in kyioshi death and more focused on what this situation will bring out: which is the reader never leaving again. All this attitude would lead anyone to think that he has a hand in the curse appearance (but I read that it was more the reader negative feeling that lead to this curse) for short, suguru seems unaffected by his own son's death..he see it as an opportunity to make reader more docile and dependant basically bound to him forever and never able to escape. But for satoru it's different, as you said in the story there was a crack 'something human' it seems that kyioshi death affected him truly, in the way he held the body, in the way he said to the reader 'she shouldn't have left', he said it in such a sincere way and not like some manipulative tactic but more as he is genuinely blaming her for the death of their child...I wonder if after this incident now, things will change between him and the reader? If the relationship will still be the same?...if this slight crack that appeared will be coming back but deeper and deeper?.. I feel like I am more intrigued in satoru reaction as it seems to imply something clearly shifted and changed his perception.... in the end we see him looking at the horizon in the car as if he was detached of the moment compared to suguru..I don't know..I really want your opinion on this part?...also do you think suguru would have had a different reaction to kyioshi death if he was a sorcerer?[btw english isn't my first language so sorry if there was some mistakes or my thoughts aren't clear or that understandable :,)]

The way I GASPED when you said English wasn’t your first language—this analysis was so beautifully written, anon! Like, I was literally kicking my feet reading it. Holy. I need to calm down and stop fangirling, but seriously… holy shit.

Okay, okay.

First, I just want to say thank you so much for taking the time to write such a thoughtful ask. Your deep analysis of my lil fanfic means the world to me. It’s always so incredible to see how others interpret these moments, and the level of care and detail you put into this is just… wow. I’m so grateful for you sharing your perspective. Truly, thank you. 💕

The dynamics wouldn’t have changed too much. Satoru was, of course, sad—this was the one child that resembled Suguru, and he really loves Suguru. But while Satoru obviously cares for his kids, the truth is, he never really wanted any.

This part:

"His cerulean gaze flicked briefly to Kiyoshi before returning to you, that playful grin softening as he moved to brush a kiss against your temple. 'Well, can you blame him?' he murmured, his voice low, meant only for you. 'You’re hard not to love.' The warmth of his affection made your heart twist, and your stomach flutter. For a moment, it was easy to forget the way his words often carried double meanings, easy to believe he was simply being sweet. He straightened, turning his attention back to Suguru with a teasing smile. 'But we’ll fix that soon enough, won’t we?'"

I intended for this to reflect that Satoru was more in love with Reader than his own child. Looking back now, I feel like I could have conveyed that better. He was sad when Kiyoshi died, as mentioned earlier because the child looked like Suguru. But he was also upset that you’d revert to your old ways—being distant, not loving them, and not showing affection.

When he finally turned his gaze to you, his blue eyes were as hollow as you’d ever seen them. “You shouldn’t have done this,” he said quietly, his voice devoid of its usual teasing lilt. “Why couldn’t you just stay?”

This line was meant to show that Satoru saw Kiyoshi as a way for you to adapt, a lifeline to make you stay grounded. In his mind, if you’d stayed, Kiyoshi would have lived. You would have been happy. You could have had a better, more content life. But instead, from his perspective, you did this to yourself. You made your life miserable because you couldn’t accept your fate. However, It can also be interpreted that he was feeling human for once, it is his child after all.

That said, things wouldn’t change because Satoru is so emotionally constipated. He cannot talk about his feelings, so instead, he writes little notes, hoping one day you’ll find them. Small doodles, memories of you and Kiyoshi, even the things he regrets—it’s his way of journaling. Because after everything, you’re numb. You try to be there for your older boys, but their resentment lingers. Especially when they find out you left with their brother and that he died because of you.

Suguru, on the other hand, wouldn’t have cared much either way. His disdain wasn’t entirely about his son being a non-sorcerer; after all, he learned to love you. His main issue was that Kiyoshi clung to you so tightly—keeping you away from him and Satoru, refusing to let them be close to you. In his eyes, that was a problem. Something that needed fixing.

When I originally wrote the last scene, I had him say something about wanting daughters in the future because “they’re easier to manage.” But looking back, that felt too cold for the moment. I think a sentiment like that would suit his character better if expressed more subtly, in the background of his actions rather than outright words.

Hopefully, this answers your question! 🩷

[its-tea-time-darling]

im sorry, we turned your boyfriend into a mole. yeah and all of tumblr‘s interested in him now. sorry

edit 9/12/23 11.22 CET

and so it begins…

fic1, fic2 @pathsofoak ao3 tag. Mole Poem @thaliaisalesbian . fic by @tourmelion .

update:

ao3 link. please vote for mole scene in most underrated goncharov scene poll

[canon-gabriel-quotes]

Transcript:

Gabriel: Machine, I’m afraid I am on my period.

The pain is excruciating.

I... I’m sorry?

You... You’ll… You'll eat it for me?

V1: Yes. Yummy :]

Gabriel: Machine! That is not- Agh.

I mean I suppose it could provide sustenance for you, but I- Agh.

H-hold on.

V1: YAYYY.

Gabriel: *sighs* Eat well, Machine.

Audio Source

[anamdreams69]

Swap Sans when he's big and huggable like a teddy bear but will turn around and make you into his personal teddy bear no matter how much bigger you are compared to him <3

hell yea big hug 🔥🔥🔥💪💪💪

[hotcheetohatredwastaken]

Ah, we meet at last. Will you stand beside me as allies united under the same name, or do you seek to challenge me, believing that there can only be one...?

You.

Over a year after this account was created, we finally meet face to face. I am honored to make your acquaintance on this cursed website.

We are better than allies and worse than enemies, dear internet stranger. We are mutuals, now. Brothers, even. Brothers under the same name, the likes of Cain and Abel.

Whether our fates are similar to theirs is up to you, dear Hot Cheeto Hatred. And choose carefully: it may not be the older brother that prevails this time. That would be quite the boring story.

In the meantime, I am glad to be in your company.

Sincerely, HotCheetoHatred(WasTaken)

[harpoonsnotspoons]

I feel like it's worth noting that this was only made because of a joke comparison. Chat I don't even like Danganronpa </3

J stands for Junko (Goes and jumps off a cliff)

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[marisatomay]

“you don’t owe anyone anything” actually you owe everyone everything!!! you OWE your table server and your coworkers and the elderly person you pass on the street and the dog on its walk and the child toddling along in the park and the driver trying to merge next to you and the pregnant person standing on public transport KINDNESS in return for theirs!! the connections we build are what give life meaning!!!

[whysoblue2]

he's the old faith's aphrodite atp 😭😭

Look anon, look what you made me do. Now he is gorgeous and there's nothing anyone can do about it!

[superfam]

THE SUPERMAN STARTER READING LIST

SO – you want to read Superman comics, but you’re intimidated by the near-century of history this character has. Or, you’ve read a few comics with him, but you want to go back to the basics to understand his character and the mythology surrounding him. There are so many continuities, origin stories, and standalones – where do you start? Well…

[Image ID: a cropped edit of the Superman ‘78 #3 variant cover by Lee Weeks, showing Lois Lane sitting on the letters of the Daily Planet globe, and Clark flying above her in his Superman costume, reaching out to take her hand. Hand-written next to them is: "THE SUPERMAN STARTER READING LIST", and hand-written in the bottom right corner is: "by MYTHIC / superfam.tumblr.com". End ID.]

This list isn’t intended to be a full, comprehensive guide to Superman’s decades of history, but a curated taster of Clark Kent in the comics medium. It aims to show you a variety of interpretations from different authors of different contexts, but with the broad goal of helping newcomers understand the heart of the character. Not every comic is able to sum up all aspects of Superman, and some could be argued to miss certain points, but each one has been selected for this list for the goal of conveying the history and breadth of his interpretations.

It’s intended to be accessible to both long-dedicated comics fans and people who are new to the DC universe, or even the medium as a whole. As such, new fans are welcome to enjoy each story as a standalone interpretation.

Please understand that this list is built from my own experience with the character, and I don’t claim it to be better or worse than any other – it’s just one way to approach his history. Essentially, I’m attempting to create the sort of list I wish I had access to when first reading Superman comics. I highly encourage the reader to form their own interpretations of each work.

With all that out of the way, please enjoy!

[Image ID: An edit of Gary Frank's artwork from Superman: Secret Origin. A slightly battered Clark in his Superman outfit embraces Jimmy with his right arm and Lois with his left. All three are smiling. The background, which depicts a disaster scene and a defeated Lex Luthor chained to a building, is covered in a translucent blue overlay. Hand-written next to Clark is: "ORIGINS". End ID.]

SUPERMAN: SECRET ORIGIN #1-6 (2009-2010) Geoff Johns & Gary Frank

Just a couple years before the 2011 reboot of the DC Universe, a new definitive origin story was created for a Superman post-Infinite Crisis (a major event which had changed the status quo of the multiverse).

Secret Origin is only six issues long, and a great, efficient introduction to Clark Kent and Superman. It focuses on telling Clark’s origins from his own perspective, as a hero but also simply as a person. It also does a good job of setting up important supporting characters including Lois, Jimmy, Perry, and Lex.

SUPERMAN: BIRTHRIGHT #1-12 (2003-2004) Mark Waid, Leinil Francis Yu & Gerry Alanguilan

Though replaced by Secret Origin only a few years later, Birthright was written as the definitive origin story to overwrite Byrne’s 1986 reboot of the character. It was intended to bring Superman into the new century, and be more consistent with his modern interpretations. It is also influenced by the popularity of the TV series Smallville.

Birthright is longer and covers aspects of the Superman mythos in further depth, including dynamics between Clark, Lex, and the city of Metropolis, kryptonite, and Krypton in general. Due to its extended length, it also covers more on Clark’s relationship with his powers and heritage.

I highly recommend reading both modern preboot origins to experience different interpretations with different influences and intentions, even only a few years apart.

[Image ID: An edit of Tim Sale's artwork from Superman: For All Seasons. On the right, Clark lies on his bed, looking to the left with a wistful expression and with a hand on his dog curled up next to him. The background, which is his cluttered bedroom in Smallville, is overlaid with translucent grey. Hand-written to the left of Clark is: "INTROSPECTION". End ID.]

SUPERMAN SMASHES THE KLAN #1-3 (2019) Gene Luen Yang & Gurihiru

This standalone story is set in 1946, and primarily draws upon the Golden and Silver Ages as inspiration. It’s an adaptation of an episode of The Adventures of Superman radio series, “The Clan of the Fiery Cross”, which famously dealt a major hit to the KKK’s operations in America by influencing public perceptions.

The story follows Clark as well as siblings Roberta and Tommy, two Chinese-American kids who have recently moved to the Metropolis suburbs, as they uncover and fight a local chapter of the KKK. The story explores themes of immigrant identity and self-acceptance in Clark and the kids’ narratives – it presents important concepts from Superman’s history, straight from the heart of his character, in a really effective way.

SUPERMAN: FOR ALL SEASONS #1-4 (1998) Jeph Loeb & Tim Sale

This miniseries has four issues, each corresponding to a season and narrated by an important person in Clark’s life (in order: Jonathan ‘Pa’ Kent, Lois Lane, Lex Luthor, Lana Lang). Tim Sale’s beautifully detailed and expressive art captures the complex emotions drawn out by having your life touched by Clark Kent, which works really well with the personal, confessional style of the narration. It’s a very intimate work.

It’s a great insight into both the triumphs and very personal struggles of Clark through the inner voices of some of the most important people in his life, and captures what makes his character work really well.

FOR THE MAN WHO HAS EVERYTHING (SUPERMAN (1939) ANNUAL #11) (1985) Alan Moore & Dave Gibbons

This is a single-issue annual from right before the DC universe was rebooted, and (unsurprisingly for Moore) explores some philosophical and ideological questions regarding the Man of Steel. On his ‘birthday’, Superman falls prey to an alien organism called The Black Mercy, which feeds on its victims while keeping them complacent with vivid hallucinations of their greatest desires. Clark hallucinates a still-living Krypton, which he is a part of – but perhaps not everything is perfect.

SUPERMAN: BRAINIAC (ACTION COMICS #866-870) (2008) Geoff Johns & Gary Frank

Before retelling Superman’s beginnings in Secret Origin, Johns and Frank collaborated on this story arc which massively changes the status quo, partially by reintroducing a variety of pre-Crisis concepts including the original Brainiac and the bottled city Kandor. If you liked Secret Origin, you’ll probably like this one.

As this is our first story arc rather than self-contained story, it has more references to the ongoing continuity but is still easy enough to understand without that context. This story also prominently features Kara Zor-El as Supergirl and expands on some cosmic lore and Krypton in general.

SUPERMAN: UP IN THE SKY #1-6 (2019-2020) Tom King & Andy Kubert

This is an accessible, self-contained exploration of the extent of Superman’s moral fibre, following Clark as he attempts to save a single girl who was abducted from Earth and taken into space. It’s quite abstract at points with the questions it asks about themes of compassion and commitment, which I think is conveyed particularly well in the panelling and artwork.

[Image ID: An edit of Frank Quitely's artwork from All Star Superman. Clark in his Superman outfit is flying with his arms outstretched. The top half of his face is cut off. The background is an abstract depiction of the heart of the sun, and has been overlaid with a translucent orange. Handwritten beneath Clark is: "INTERPRETING AND RE-INTERPRETING". End ID.]

THE K-METAL FROM KRYPTON (drafted 1940, restored 2004-2011) Jerry Siegel & Joe Shuster Studio

The K-Metal from Krypton is an unpublished and unfinished comic from 1940, written by Superman creator Jerry Siegel, and drafted by the studio of the other Superman creator, Joe Shuster. After being lost for decades, the story has slowly been recovered and restored by Superman fans.

Though this one is much more unconventional than the other items on the list, I think it’s extremely important to Superman’s history and generally understanding him as a character. It comes from a time when creative control of their character was being taken from Siegel and Shuster, and though it is unknown why this story was unpublished, that’s a major point of context to keep in mind.

This draft sets up the predecessor to kryptonite in the Superman comics – “K-Metal” – and also contains a scene where Clark reveals his identity to Lois, and they agree to be partners in helping others. This is a major departure from the status quo of Clark keeping his secret from Lois as she tries to uncover it, which would continue for the rest of the Golden and Silver Ages.

The restoration effort can be read online: http://theages.superman.nu/k-metal/splash.php

THE MAN OF STEEL #1-6 (1986) John Byrne & Dick Giordano

This limited series is the immediate post-Crisis origin story and reinvention of Superman. It wasn’t put in the Origins section because I think from a modern perspective it shouldn’t be an introduction to Clark, but rather something you read to understand the history of his character.

It originated major changes in the Superman mythology, some of which have become instilled in it (such as Lex Luthor and Lois Lane’s modern characterisations), and others which have been forgotten or discarded.

One major thing is the great effort this origin made to make Clark American over being Kryptonian… Byrne has expressed great distaste of portrayals of Superman which emphasise his immigrant identity, and that should be kept in mind while critically reading this work.

ALL-STAR SUPERMAN #1-12 (2005-2008) Grant Morrison & Frank Quitely

Arguably the most critically acclaimed Superman comic, this has been saved for late in the list as I believe it’s enhanced with more context of and experience with Clark. This is a series which explores the nature of storytelling and legacy, which was created with the aim of creating a timeless Superman story.

When Superman learns he will soon die, what does he reflect on? What does he change? This is heavily inspired by, and is a love letter to, Silver Age Superman.

WHATEVER HAPPENED TO THE MAN OF TOMORROW? (SUPERMAN #423 & ACTION COMICS #583) (1986) Alan Moore, Curt Swan & George Pérez

Written in the wake of Crisis on Infinite Earths, this is another story about Superman ‘dying’, and is essentially a great mediation on and send-off to the Silver Age incarnation of the character. It refers to itself as an “imaginary” story, and can be seen as one concrete ending for this version of Clark Kent and the rest of the Superman characters, in a medium with few.

It can be found in a collection with For the Man Who Has Everything.

SUPERMAN: RED AND BLUE #1-6 (2021) Various

To finish off our starter reading list, let’s move from Superman’s end to his future. This is an anthology of short stories from various authors and artists, exploring a spread of visions of the Man of Tomorrow.

I think it’s an appropriate end for this starter exploration of Clark Kent’s many interpretations! As with all anthologies, it has its ups and downs in quality, but as a whole I truly believe it captures the heart of this character.

Thank you for reading all this way. I really hope this reading list helps you delve into the character of Superman and inspires you to read further beyond what I’ve suggested here.

Most of all, I hope it helps at least some people grow to love Clark Kent as much as I have.

A PDF version of this reading list is available here.

[ocpder]

Non-traumagenics stop acting oppressed for being a system/disabled when you are not disabled because you're not a system challenge

[darkkbluee]

L for Minister AU

Light Yagami is desperate to know L's name and face. To know everything about his nemesis ("So I can kill him! Ryuk, stop laughing!"). And so, he turns on the TV, sees the promo video for the upcoming elections and thinks...

L would have to show up in person, unmasked and with his real name, if he was an elected Minister.

A few hours of paperwork filed anonymously and through a shady lawyer, a few hours of hacking and anonymous donations, and The Great Detective L is the latest minister candidate, running as an independent.

L does not know how or why he is suddenly running in the elections. Was this even legal? He wasn't even a citizen! Surely no one would vote for a candidate with no public appearances, a profile page with no photo, obviously overblown promises in propaganda -

Apparently, they would.

[twentyfivemiceinatrenchcoat]

priest!geto who falls so deeply in love with you that he assumes you were sent by god to test his faith. is this anything /taps mic

[beneathsilverstars]

You've established that Odile has rather unhinged taste in people. Do you have further headcanons on that topic?

Hm... Most of the adjacent headcanons that I could talk about here would require a lot of psychological and cultural context. So let's just talk about that context!

As a child, Odile was disconnected from her peers due to heritage, temperament, and latent transgenderism. As lonely children sometimes do, she decided that she didn't need or want friends anyway, and even if she did, it wouldn't be any of these losers! They were always wasting their time on fun and social useless things that she was too weird smart and special to be invited want to do. She studied very hard and excelled in school, did a couple extracurriculars that didn't require much teamwork, and at some point during adolescence realized that unfortunately the Vaugardians were correct about the changing genders thing.

Ka Buan philosophy encourages people to understand themselves, refine themselves, explore different facets of themselves — but not change themselves, because fundamental characteristics simply cannot be changed. Accordingly, gender-noncomforming fashion and binding/padding and nicknames are fine, hormones and surgery/bodycraft and declaring yourself a different gender are not. But Odile wasn't one to let social mores stop her, so once she reached adulthood, she left her hometown and showed up at the city as Odile. And not just any city, but one with a reputation for cutting-edge craft research and certain countercultures.

You can't just show up and ask around for where the illegal bodycrafting is, though. You have to meet people, win their trust, let them introduce you to other people, repeat. Odile... honestly wasn't that great at it. She hadn't had much cause to practice social skills, so she wasn't very friendly or persuasive! But she was determined, thorough, confident, passionate, genuine in her intentions, and newly hot — and you can get away with a certain amount of blunt arrogance when you're hot. You just have to let people assume you're too cool and busy for humble niceties, which Odile did quite easily, because she's always thought of herself as such. So she found her way through the right queer punk circles eventually and completed her physical transition!

And she liked those circles. The people she met and the topics they discussed and the things they did were all so much more interesting than she had assumed any peers of hers could be! But she still considered herself more competent and correct than anyone else around her, because why would that change just because she moved? Her success in transitioning just further proved that she could do anything if she tried hard enough, that she was right all along in assuming her social failures were due not to lack of skill but last of interest. So she ended up in this dynamic where she was impressed by the people around her and wanted to have fun with them and learn more about them, but also thought herself better than them and above such things as kindness or friendship.

And she was in that "holy shit I'm surrounded by dykes and I'm a dyke now too" stage that some queer people experience after they come out.

So, she wasn't interested in boring. She wasn't interested in nice. She wasn't interested in regular people with regular concerns, like the peers who excluded her in her youth. She wasn't interested in romance or committed relationships or being emotionally vulnerable.

And, she wasn't put off by annoyance, because people annoyed her as a whole anyway. She wasn't put off by danger, because she was sure she could handle anything. She wasn't put off by clashing personalities, because it wasn't like she was planning to go on long walks on the beach with any of her partners anyway.

Thus, she found herself drawn to the most exciting people in the room. Interpersonal drama, emotional outbursts, poorly-thought-out-choices, intense obsession, risky hobbies... it was all oh-so thrilling! Of course, she did realize that the people she was attracted to had major, glaring flaws. But Odile was determined, thorough, confident, passionate, genuine in her intentions, and newly hot. If she couldn't fix them, who could?

We know from Odile's optional sidequest that when she sees something suspicious, she dedicates herself to solving the mystery. We know from her presence at Mirabelle's side that when she sees a problem, she steps in to help, because if you want something done right you do it yourself. The one major exception? The topic that has her backing down, giving up, confessing incompetence?

Emotions.

She has long since learned that she is not actually very good at fixing those.

[khihi]

psa:

[itsdefinitely]

i wanna know more about the jerries/jeris

do you want to know the most horrific thing about them?

the lords did nothing to make them the way they are.

yes, the jerry jr was turned into the axeman because of the witchwood, which does what it does because of the lords, but everything leading up to that is just human nature. i see the "girl jeri is nibbly" or "they were influenced by a lord to do the thngs they do" and i need people to understand that that's just. not true. they're just like that. they were taught to be like that by their parents and, more accurately, their church. it's horrifyingly accurate how religion has shaped them into non-functional human beings, who would rather potentially lose their child to the many, many dangers of the literal woods than admit that they had sex outside of marriage.

it's only because it's hatchetfield that jerry jr grew the way he did. there was no lord's intervention in their decision to keep the baby, or to drop out of school to care for him, or to keep him seperated from any other people, or to revolve their lives around the idea that they'd committed a sin and needed to pay by pushing celibacy rather than. i don't know. properly raising their child. it was the way they were taught. the toxic pushing of overexaggerated christian ideals is what molded them. can you imagine being in their place? being a scared teenager and knowing that if you told any of the people you care about most your secret that they would shun you and disown you?

the only people they felt any kind of safe around were each other; of course they're going to be codependent. and even then, they're disgusted by each other for leading them to sin. they're stuck together unwillingly, because without the other, they're alone.