#‘the story is unsatisfying/this ruined the story’

[stone-stars]

i can already anticipate the “death doesn’t matter now” disk horse if they come back somehow next week, and my counterargument is it would be so boring for multiple cast members to come back in with new characters every few sessions in a high lethality campaign. it’d be fun in a home game, but for entertainment purposes it’d get old after the fourth episode largely dedicated to meeting someone new.

[dummerjan]

i just came across ai covers on youtube and people are requesting songs in the comments instead of getting enraged and i am further losing hope in humanity and turning to misanthropy

[13eyond13]

trying to start S2 Ep 6 of IWTV and I've already paused it like 10x in the first 10 minutes because it's just kinda getting hard to care what they're going on about and I keep getting distracted tbh

[the-game-spirit]

i am so. INCREDIBLY disconnected from the bnha fandom zeitgeist

[bisexualdawnsummers]

I wish I wasn't such a picky reader

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[bleue-flora]

What's often interesting to me, is Dream spells it out in the finale and people often still don't get it, so I thought it'd be interesting to see what he was actually referencing here. To see where it all started.

[24:27] Tommy: “That first war, me and Tubbo versus you–how it should have ended–why’d you take it?” Dream: “Tommy, you ambushed me and killed me. You stole all my shit! You tried ambushing me in a little cave–you don’t remember that? I feel like you just–your memory is just–gone.”

So here is the ambush Dream is talking about, where Sapnap and Tommy basically decide to just kill Dream and then kept all of his shit. [Death 1]

He gets killed again when he tries to take back his stuff. [Death 2]

Tommy kills him for fun right after he respawns with nothing. [Death 3]

Then after Dream gets his stuff back (via our boy Punz) and he takes the discs to get Tommy to stop, he gives Tommy back his items. But unsatisfied, Tommy goes after Dream, gets one of his discs back and hides it in the little cave. Dream tries to find it, while Sapnap and Tommy try to stop him. They are unsuccessful until, Tubbo brings them axes and they sneak up and corner Dream in the little cave, ambushing and killing him. Once again, taking all of his shit, (including, yes, the other disc.) [Death 4]

[27:58] Tommy: “Think about that, we could’ve been friends but no because you have to figure out the reason you have to get–”  Dream: “Yeah we could’ve but you–you ruined the chance of that long ago. It was you.” Tommy: “I ruined it?” Dream: “You ruined it!”

And I don’t think it’s unfair for Dream to say that in the finale, because for Dream it’s this stream early on, these moments that started it all. It’s these instances of of Dream getting murdered and robbed and made fun of over and over. Him, trying to not just make peace for everyone, but also reclaim respect and peace for himself. It’s Tommy chasing after Dream when he has nothing to kill him and rub it in his face. It’s Dream, even after all of that, giving back their items. It’s these instances of violence taken too far to the point they clearly pissed Dream off and didn’t care or follow his very simple request of just giving an apology and his belongings back that shape my distaste for Tommy and sympathy for Dream. It’s these moments that I feel like are gone from Tommy’s and our memory that highlight a different story.

[28:34] Dream: “Yeah, we could have been friends if you weren’t a little shit.”

[chestharrington]

Infatuation || Gator Tillman x Reader

Part One: Fixation

Rating: E (18+)

Word Count: 7.9k

Warnings: SMUT (f!masturbation, fingering, unprotected p in v), mild/implied stalking, abuse of power, brief non-sexual choking, harassment, slut shaming, misogyny, unplanned pregnancy, implied/referenced abortion, unhappy/ambiguous ending

Summary: As you face the consequences of your unsatisfying encounter with Gator, he finds new ways to worm his way into your life, for better or worse.

A/N: Here is the highly requested part two :) Thanks for all the love, and I hope you enjoy! This can be read as a finale of sorts to this story, but if there is interest I can write a "wrap up" epilogue :) Anyways, enjoy!

As it turns out, Gator Tillman beating the guy you were dancing on within an inch of his life wasn’t exactly good for your career. And the fact that you had technically stolen that guy’s money was the shit icing on the shit cake. 

The club was crowded, maybe more so than you were used to, but you couldn’t find a single patron who wanted you for a dance, or a private dance, or even a second of eye contact. 

And, really, you should have seen it coming just based on the general trajectory of your life, but by the end of the night, you were fired. Apparently, that stint with the realtor and Gator had harmed the stellar reputation of the business. That was bullshit anyway. Like, four people had OD’d in the bathrooms, and plenty of old guys had heart attacks on the floor. 

The problem wasn’t that the realtor got the shit beat out of him. No, plenty of guys came in, got drunk, and wanted to prove how tough they were. The problem was Gator, but, more than that, it was a fear of the Tillman’s getting too close. 

You left the club with maybe thirty dollars in tips and a box full of your shit, which you unceremoniously dumped into the trunk of your car. It was past five in the morning, which meant the sun would start creeping over the horizon soon enough. 

As you drove back into town, you couldn’t help but pull over at the twenty-four-hour diner. The homey interior glowed through the windows like a siren song to weary travelers. It always smelled like coffee and grease, and there were always oldies playing on the jukebox. You sat down in a booth and practically melted into the seat. 

The older woman taking your order seemed nice enough, though there wasn’t anything about working at the asscrack of dawn that brought a smile to anyone’s face. 

“Does Sarah still work here?” You asked, glancing back behind the counter. 

“Quit.”

Well, there was that. Your ex-husband’s skanky mistress wouldn’t be showing her face to ruin your night (or, technically, your day) even further.

There was a sign on the counter— Now Hiring! Probably in Sarah’s position, if you had to wager a guess. You chewed on the inside of your lip. It wouldn’t be glamorous, but it would be a hell of a lot better than it had been at the club. 

“You’re really hiring?” You eventually asked the older waitress as you nursed a cup of hot chocolate. When she brought out your meal— a big stack of pancakes and the greasiest pile of hash browns the world had ever seen— she placed an application and pen down right beside it. 

They really must’ve been desperate, because you got the call the following afternoon that they’d like to interview, and even that wasn’t formal. You walked in, got a three-page employee “manual”, and that was that. 

Things seemed to be getting better… at first. A new job that had significantly fewer creeps, and free food once a shift. You got to wear flat shoes and real clothes, which was also a plus. A little less money in your pocket, but it was more stable. 

Occasionally, you’d get a tipper who thought it was cute to leave a fake $100 bill with a bible verse on the other side, or an old man grabbing at your tits and ass “accidentally.” Spills and messes were more frequent than you expected— and usually wound up on your apron or soaking through your shoes.

The good with the bad. You had to keep reminding yourself to take the good with the bad.

It was a few weeks of getting on your feet before Stark County’s finest walked through the doors, boisterous and loud. You hadn’t noticed, hadn’t even thought to consider that Gator might visit the town’s best source for greasy comfort food. 

When you came out from the back of the diner, your eyes caught him immediately, sitting in your section. You swallowed, grabbed your order pad and a pen, and approached. 

“Good mornin’, officers.” He looked up at the sound of your voice, a sly grin spreading across his features. “Do y’all know what you want, or can I run through the menu for you?”

One of the other men just snapped his fingers at you. “Coffee all around.”

You swallowed and nodded. “Yes, sir. I’ll get that right out.”

You heard them snickering as you left, accompanied by loud whispers of don’t you know who that is? 

Gator was staring at you, maybe he had been the entire time and you just hadn’t let yourself look. “We’ve missed you at the club, sweetheart. Wanna give us a twirl for old time’s sake?” His grin was smarmy as he looked you up and down, reaching over the table to place down the mugs of coffee. Your blouse gaped open, giving him a glimpse of your cleavage and a remarkably unsexy comfy bra.

As you reached to place the last mug down, Gator slapped your ass hard, making you spill the hot coffee across the table. His little friends laughed as your face burned hot. You did your best to mop up the mess of coffee, but it wasn’t enough and the table was left sticky and gross.

“You’re not gonna get a good tip if you’re so clumsy,” one of them said with a grin, holding up a dollar bill. It felt slimy, like you were back in the club entertaining them for singles. 

An hour later, you had coffee and grits spilled on you, as well as a plate accidentally knocked off the table to shatter on the floor. They laughed at you on your hands and knees, picking up pieces of the china from the black and white tiled floor. And at the end of it all, unsurprisingly, there was no tip, no thank you, no anything.  

You wish you would’ve spit in their food, but there was always next time. And you knew there was gonna be a next time. 

But Gator didn’t like sharing, especially not his playthings. One morning of watching his friends make your life hell had been enough, you supposed. The next time they came in, they were nothing but respectful. All yes ma’am, no ma’am, thank you ma’am. The message was clear enough. He wanted you all to himself. 

After a day on your feet, all you wanted to do was watch a shitty reality show on the couch you’d stolen from your ex-husband. You smelled like the deep fryer, which made you nauseous, but you knew if you took a shower, you’d pass out shortly after.

There was a loud knock on your door that nearly made you jump out of your skin. You stood, wrapped a blanket around your shoulders, and opened the door just a crack. 

“We got a tip that you might be harboring illegal contraband on the premises.” Gator was leaning against your doorframe like he owned the place, his foot carefully wedged between the door so you couldn’t slam it closed. 

You grit your teeth. What bullshit. “You don’t have a search warrant, asshole.”

He gave a careless shrug. “Eh, maybe I don’t, but who fuckin’ cares about that?”

You stood firm, holding the door in place as best as you could while he pushed against it. “Gator, no. Whatever game this is, I don’t wanna play. I have a headache, and I’m exhausted, so—” He gave a firm push on the door, and your strength failed you. You fell to the side as he barreled his way in, making a beeline towards your bedroom.

The door slammed shut, followed by the click of the lock turning. With a groan, you went for the coat closet and retrieved a wire hanger that you could finagle the lock with. After a moment, the lock clicked again and you pushed your way into the room. 

What the fuck? He was rifling through your dresser drawers, tossing things onto the ground at random. You doubted he was even really looking for anything in particular. Gator’s priority, above all, was to be a creepy nuisance.

“Gotta be thorough,” he said with a smarmy grin, finally recognizing your presence. “Interfere, and I’m bringing you in for obstruction.” Like the perv he was, he was digging through your panties, grabbing handfuls of lace and cotton. He continued on, throwing things onto the floor just to piss you off. After he’d successfully wrecked one dresser, he moved to the nightstand. 

He smiled victoriously and dumped the contents of the drawer onto your bed. Your cheeks flamed with embarrassment at the sight of your modest collection of sex toys, right there for him to see. 

“There we are. This goes against the city ordinance prohibiting the ownership of more than two personal pleasure devices,” he said matter-of-factly.

“That’s not a thing,” you argued with a scoff.

He grinned. “Oh, it is. My dad worked to codify an ordinance to fight obscenity. And Jesus Christ, sweetheart, this is obscene.” He surveyed the pile picking up the devices with amusement and a hint of disgust. “Jesus, you’re a fuckin’ fiend by the looks of it. What’s this even do?”

You grabbed at the vibrator in his hand, but he held it up above your head with a grin. “You’re a fuckin’ pervert,” You hissed.

He pressed a button and it buzzed to life, which only made his amusement grow. “You know, if you found yourself a man, you wouldn’t need any of this shit.”

You rolled your eyes at the notion. Half that stuff was collected during your marriage, not that it mattered. Jack was worse in bed than he was at being faithful. You grew to relish in the nights when he was in some other woman’s arms and you could finally find some release. 

And you especially relished an opportunity to relax and relieve stress when Gator was hellbent on ruining your fucking life, which was all the time. 

You crossed your arms and glared up at him. “That’s a crazy thing for you to say considering you didn’t even bother to get me off.”

He wrinkled his face in annoyance, dropping the vibrator back onto the bed. “What the fuck are you talkin’ about? You came probably, like, three times.”

You could have laughed. “Whatever. Just write the goddamn citation and leave me alone.”

“Maybe I’m concerned about you,” he said with a shrug. “I mean, if you’ve got this many sex toys, that’s some kind of perversion or somethin’. You’re sick in the head. What kind of officer would I be if I punished you for that?”

He grabbed another one off your bed, a rabbit vibrator this time, which only seemed to confuse him more. “Besides, I don’t think you can really afford the fine for breaking this law. I mean, with what you’ve got here, you’re looking at thousands.”

Anger flooded your veins. “Bullshit,” You snapped. “You’re lying.”

“I mean, you can find out tomorrow,” he replied with another stupid fucking shrug. “Or I can forget I ever saw ‘em. Up to you.”

You swallowed hard, already getting a warm, overbearing feeling in the pit of your stomach. Like your body wasn't sure if it wanted to jump his bones or kill him. “And what exactly would make you do that?”

He smiled, showing off his canines. “I mean… now I’m a little curious. Tell me how you use some of ‘em.” He waved the rabbit in his hand. “This one especially. Looks like some kind of fucked up torture device.”

You huffed with annoyance and reached up, grabbing it from his hands. “This one, I mean… this part goes in, and this part stays out.” You explained with vague gestures toward the toy. You grabbed another off the bed. “And this one is, like, just a standard, like, you know. It buzzes. And that one like, kind of thrusts a little bit. I—I don’t know what the fuck else to tell you.” Just seeing him standing there beside the toys made your brain go a little fuzzy with desire and mortification.

He stepped closer, closing the distance between the two of you. “I think I’m more of a visual learner, sweetheart,” he said, his voice low. He reached up, brushing a lock of your hair from your face, and you did your best not to lean into his touch. Why did you want that? “So why dontcha take off your clothes, lay back, and do a little show and tell, huh?”

The moment of hesitation in your brain dissolved in an instant. You wrinkled your face in disgust and shoved him back. “Ugh. Fuck that, and fuck you.” 

Anger flashed across his face, only for a moment, before he masked it with his usual shithead attitude. “Oh… I get it,” he said, looking down at you. “Probably on your period with all the attitude you’re givin’ me. Forget it, I don’t even wanna see that nasty shit.”

You narrowly avoided him as he shoved past you, heading back towards the door. The scales of kiss versus kill had firmly tilted towards the latter at his last comment. Anger unlike anything you’d ever felt flooded your veins. 

Without thinking, you grabbed a book off of the coffee table in the living room and threw it at him as hard as you could. It collided with the back of his head and he swore loudly. 

“You’re fuckin’ crazy!” His hand went to the crown of his head and came back covered in blood. “What the fuck is wrong with you, you stupid bitch?” You grabbed another book and raised a brow in challenge. “Whatever, you’re not even worth it anyway.”

He slammed the door on his way out. The squeal of his tires as he peeled out was music to your ears. 

Later, you sighed as you collapsed atop your bed, exhausted from the long process of cleaning up the disaster he’d left in your room. But despite how tired you felt physically, your mind was still racing with thoughts of Gator. 

The worst person you’d ever met, who somehow still managed to light every single one of your cells aflame with need. You didn’t want to be with him, obviously. He reminded you of all the worst parts of your ex-husband. And yet… you were staring at the ceiling thinking about the next time you’d see him and all the bitchy things you could get away with saying to him. 

With a huff, you reached into your bedside table and grabbed the first vibrator you could get your hands on— simple, without any bells and whistles. Whatever. You were pissed at yourself as you stripped off your pajamas, then your bra… and then your panties. 

Stupid fuckin’ man. Your head fell back against your pillows as soon as the vibrator touched your clit, and you couldn’t help the whiny moan that escaped your lips. Your free hand rested on your breast, kneading softly until it wasn’t enough anymore. 

Your legs spread wider, hips canting up to seek out more as you began pinching and tugging at your nipples. The plain vibe wasn’t close cutting it, even at its highest setting. All it was good for was working you up to the point of dripping with arousal and needing more. 

You clicked it off and sighed, rubbing a hand over your face. Maybe he was right. Maybe you were a little sick in the head. Why else would you be thinking about him right then?

You reached back into the drawer, fumbling blindly until you retrieved the rabbit. It slid in without any resistance with how worked up you were, and you let out a contented sigh at the full feeling.

The second you turned it on, it felt like liquid electricity was dancing through your veins. The external vibrator was positioned just right, so intense that your thighs were trembling. 

“Oh, fuck,” you whimpered, back arching slightly. Maybe you could’ve let him watch you. It would’ve taught the asshole what it actually looks like when a woman cums. 

You could almost imagine what he’d say too— encouragements veiled with insults. Takin’ it like a fuckin’ slut, aren’t ya? Look right at home on your back like that, spread out all nice and pretty. 

You thrust the toy shallowly, eyes rolling back as it brushed against your sweet spot. You could’ve really drawn it out and made an evening of it, but fuck it. You wanted to get off and go to sleep. 

You held it just right, so the vibration was focused on your g-spot and clit simultaneously. It was so intense that your moans were pitchy and whiny, hips canting as you got closer and closer. 

With a moan more like a sob, you came, the pleasure so intense you had to pull out the toy altogether. As soon as it was out, wetness sprayed from you, making a breathless moan slip past your lips. 

Your fingers rubbed at your clit, prolonging the orgasm and making your cunt gush and leave a puddle beneath you on the sheets. When you finally came down, it was with shaky breaths as your body trembled with aftershocks. 

You laughed weakly at the ridiculousness of the entire night up until that point, unable to move for a solid few minutes until the fog cleared from your mind and you reached over to turn off the toy. Your legs wobbled as you stood to clean yourself up and change the sheets.

Well, at least if you were going to get arrested for possession of obscene materials, you got the best orgasm of your life out of it. If only you hadn’t been thinking of him the entire time. 

——

By noon the following day, you hadn’t received any citation, or been walked out of the diner in handcuffs for your depravity. A quick Google search proved your suspicions that the obscenity ordinance was complete bullshit. Which, you know, made sense considering the sex shop and strip clubs within county lines. 

When Gator showed up in his regular booth towards the end of your shift, you did your best to ignore him. One of your coworkers brought him out his artery-clogging usual order, and you were mostly convinced that you might be able to slip out the back without even having to utter a word. 

And yet… Outside, Gator was leaning on your car, fucking around with your radio antenna absentmindedly. 

“Can I help you, Deputy?” You asked, arms crossed as you squinted against the sun. Your entire body was achy and you just wanted to get home.

He made a vague gesture towards the front bumper. “Headlight’s out.”

You glanced at the front of your car, which was mostly held together by zebra print duct tape and sheer force of will. “Yeah, well, some fuckin’ pervert told me I should save my money to pay for some citation he’s writing up for me.”

Gator grinned. “Oh yeah… I decided to let you off with a warning. For the assault too. My head fuckin’ hurts, you know.” You rolled your eyes, pushing him lightly so you could open your door. “Y’know, you’re being ungrateful. Why don’t you be a good girl and say, ‘Thank you, Gator.’”

You hated the way your heart raced just hearing those words coming from his mouth, but you pushed it down and pulled open the door. “Go fuck yourself, asshole.”

A smug smile spread across his lips. “That’s an interesting choice of words, isn’t it? Bet you had a real good night after I left, didn’t ya?” 

He was looking at you like he knew, which he couldn’t have, but he also definitely did. You made a face as you slammed the door shut and flipped him off through the cracked and peeling window tint. 

There was one bar in town that was a certified Gator-free zone. Apparently, he’d gotten into a nasty fight there, slammed a guy’s head into a pool table a few times, sent him to the ICU for a week. Most people don’t realize that the actual table part is made of a giant slab of slate, but a lot was learned that day.

You sat at the bar, eyes trained on the photo of Gator on the Do Not Serve bulletin board. He could be kind of handsome when he wanted to. In that picture he looked a little younger, a little more serious. Maybe a little softer if you really wanted to believe it (which you did). 

Maybe it was the fact that you had conned the guy beside you into buying you all your drinks (of which there had been plenty) or maybe it was the weird mood you’d been in for the past month, but you really wanted to just wash all of that gel out of his hair and wash his face and maybe buy him a pair of pants with the normal amount of pockets. 

“Did you hear what I said?” The guy sitting beside you— Noah? Nathan?— asked. 

You tore your gaze from the photo and turned to him, batting your eyes a few times for good measure. “Sorry, I think I’m just a little buzzed.” You smiled flirtatiously and nudged his arm with your own. “You were talking about… a trip to New York, right? Some sort of walking tour?”

He smiled, nodding enthusiastically before continuing, going on and on about things you were mostly half-listening to. He was smarter than most people you talked to, not surprising after you clocked the giant gold college ring on his hand. Mid-conversation, you grabbed his hand in yours and marveled at it, playing up how impressed you were just to make him feel important. 

His family is from around here, but he lived in Minneapolis. He was in town visiting while his mom was recovering from surgery. He showed you pictures of the cows on his mom’s land, of the view from his apartment, and of the dog that was waiting for him back at his mom’s place. He was sweet, which made you feel guilty for using him to forget all about Gator. 

“Do you want to maybe come back to mine?” You asked, playing at bashfulness. He nodded enthusiastically, looking like you’d just offered him a winning lottery ticket. 

In bed, he was generous and eager to please, making sure your needs had been taken care of before his pants were even off. You were so worked up and sensitive that you came twice from his mouth alone, not that he was even particularly that great with it. And then he was inside of you, and you came again, which probably gave him quite the ego. 

It had to be some kind of fluke. He was a sweet guy, but he wasn’t exactly a sex god.

But there you were, boneless and panting and flushed and sweaty as you both came down. He was red in the face, fumbling for his glasses so he could really see you.

He wanted to talk and stay up the rest of the night with you, which should’ve been nice. Really, you wanted to be excited. He even tried to ease you into his arms, hold you against him all nice and cozy.

You couldn’t fucking do it. 

“I’m just gonna grab some water, alright?” You said before hopping out of bed. Your robe was slung over the back of a papasan chair in the corner. You tied it loosely and made your way out of the bedroom. Needing space, and distance, and god, you didn’t even know.

A sane person would have turned back around, spent time with him, and gotten to know him better. Maybe even wake him up in the morning with coffee and pancakes, or a second round in the shower. But you just wanted to be alone.

The knock on your door shouldn’t have been surprising. You had been pretty loud, even louder than the previous night alone. You tied the robe a little tighter and went for the front door, opening it a crack. 

“Look, I’m sorry, I know we were l—“ You trailed off when you caught a glimpse of who was outside. “You’re kidding me.”

Gator stood on the porch, arms crossed and looking irritable. “Got a noise complaint,” he said, glancing between you and the house behind you. “You alone?”

“No,” you replied, crossing your arm. “Not that it’s any of your business.”

He scowled at that, and you recognized the way he was feeling almost immediately. Oh, he was jealous. A tiny laugh escaped you, which only served to piss him off more. 

“What’s so fuckin’ funny, huh?”

“Nothin’,” you replied with a shrug. “Is that all, deputy?”

He puffed on his vape and the sickeningly sweet smell of watermelon or cotton candy or whatever the fuck made your stomach turn. You gagged, mouth turning into a frown. “Do you have to blow that shit right in my face?”

“Nope,” he said while repeating the same action. The smell was overwhelming. You could almost feel alarm bells going off inside.  “Whatever. Better go on and send your fuck buddy back to whatever hole he crawled out of.”

In the back of your mind, you could hear Gator going on and on, talking about how he bet Noah (how did he know his name?) didn’t even make you cum, and that his dick was small, and he’s probably just some big city loser who comes out here for an easy fuck. But that was in the back of your mind. All you were focused on was the overwhelming smell of sugar as he fucking huffed his vape, and the sinking feeling in your gut. 

Nausea clawed up your throat, and a familiar feeling of panic settled over you. You clapped your hand over your mouth, but it was no use. The contents of your stomach spilled onto the floor as you vomited right onto Gator’s boots. 

He swore loudly and colorfully, stepping out of the puddle at his feet. You wiped at your mouth weakly, and you would’ve said something like I fucking told you so, but you just felt awful. 

“That’s so gross,” was all you could offer. “‘M sorry, Gator.”

And then you were crying your eyes out, and he was walking you inside so you could sit down, and that made you cry more. 

“Jesus, you’re moody, huh?” He asked, but the bite in his voice was nearly gone. “Stay here, alright? Before you make an even bigger mess.”

You sniffled and nodded. You saw Noah stepping into the living room, wearing his actual clothes again, which was a relief. You didn’t really want Gator seeing him naked. 

“Is everything okay?” He asked, taking a few steps forward. 

“I’m fine, I’m just embarrassed,” you said, voice croaky with tears. “I just got sick from the drinking, I think.”

There was a noise from the kitchen and Noah furrowed his brows. “You have a roommate?”

“No, he’s—“ you trailed off, unsure of what to say. “He was here to handle a noise complaint, and I kind of puked on his shoes.”

Gator walked into the room, then paused at the sight of Noah. His face furrowed in blatant judgment. He handed you a sprite, then went straight back to staring at Noah.

“Who’re you?” Gator asked, his arms crossed like a club bouncer. 

“I’m Nick.” Oh. Well, at least you were close.  

“You should head out, dick,” he said, standing taller, trying to appear more imposing than he really was. 

Noah glanced at you and hesitated until you gave a tiny nod. “I had a good time,” you offered. “Sorry about… all of this.”

He scribbled his phone number onto your grocery list by the door, offered a wave, and then headed out, leaving you and Gator alone. For better or worse. 

It was quiet as you sipped your sprite, waiting for the other shoe to drop. 

“Are you pregnant?” He asked suddenly. “And don’t fuckin’ lie.”

“What?”

“You’re acting all bipolar, and you're puking over my vape, and your tits look bigger.” You glanced down at your boobs with a frown. They did? 

“I’m not pregnant,” you replied defensively. “I got my period, like, right after we fucked.”

He shook his head. “I don’t believe you. You wanna know what I do believe?” You didn’t, but he was going to tell you. “That you pocketed the money for the Plan B, ‘cause you want to get pregnant and blackmail my family.”

You scoffed. “You’re out of your goddamn mind.”

His jaw ticked with annoyance as he looked down at you. “Take a test.”

“Whatever,” you said with a shrug. “I’ll buy one after my shift tomorrow if you’re so fuckin’ worried about it.”

He shook his head. “Fuck that,” he said while tapping away on his phone. “You’ll just lie about it. I’m doordashing this shit.”

You would’ve protested, but what was the point in that? You had nothing to hide— certainly not blackmail. The idea of purposely letting yourself get knocked up by Gator Tillman almost made you want to puke again.

You had finished your Sprite by the time the poor kid arrived, probably seventeen, with his face burning red as he handed Gator a bag from the twenty-four-hour convenience store. Gator slammed the door and dumped the contents of the bag on the coffee table. 

Two boxes of pregnancy tests, a monster energy drink, and a pack of cheese bugles.

You grabbed the boxes and trudged towards the bathroom attached to your room while Gator followed close behind. You went to shut the door, but he held it open. 

“No fuckin’ way,” he said firmly. “If I leave you’ll just fake it.”

You rolled your eyes, the irritability you felt close to reaching a boiling point. “I’m not pregnant! I don’t want to be pregnant, least of all with your fuckin’ kid!” 

When he didn’t move, and, to his credit, stayed completely stoic. You huffed and turned. “If you’re not gonna leave, you can be useful. Hand me one of the little cups beneath the sink. Next to the mouthwash.” He furrowed his brows, but obeyed. “I’m not pissing in front of you.”

He rolled his eyes. “I’ve seen worse.” You closed your eyes, doing your best to ignore him and just pee into the fucking cup. The whole situation was so infuriating that you just wanted to scream. Once your shy bladder got over itself, it was easy enough. Dip the tests in the cup, cap them again, lay them out and try to forget they’re there. 

You’d taken plenty over the course of your marriage— and you hoped for the same result then that you did before. 

“What’d it say?” Gator asked as you washed your hands. He was squinting down at the tests, trying to discern what was happening. 

“It’s not instant. You’ve gotta wait three minutes,” you said. After drying your hands, you looked at him again.

Really looked. He was all fidgety, a little pale. His lip was bleeding where he’d been biting at it. He was just as anxious as you were, but you doubted it was for the reason he was saying. 

“You kind of want one, don’t you?” You asked, meeting his gaze.

He scoffed. “No. I hate kids,” the words came out quickly, defensively. He was lying, and he was just as bad at it then as he was every time before. “Besides, what the fuck would I tell my dad if I knocked up a stripper?”

His words should’ve had some bite to them, but he just reminded you of a skittish animal lashing out at anything near it. You leaned against the doorframe and sighed. “You’re pushing thirty, Gator. Who fuckin’ cares what your dad thinks about you?” Gator rolled his eyes, because you just didn’t get it, or whatever. But you knew plenty about outrunning parents and the weight of expectations. About outrunning the weight of not being what they wanted.

You looked at him again, narrowing your eyes. “What do you really want, huh? Outside of making my life hell, terrorizing the town, and making your daddy proud?” You paused, but were met with silence. “If you’d just try to be a decent human being for once, you might find a nice girl who wants to be with you.”

“And that asshole you brought back here and fucked was decent, huh?”

“I think so, yeah,” you replied.

“And you’re gonna see him again? ‘Cause he’s so nice?”

“No, Gator, I’m not gonna see him again,” you said sharply. “I’m not, because he deserves better than a second night with someone who didn’t want to be around him.”

Before he could respond, the timer on your phone went off, louder in the tiled bathroom. Your hands fumbled as you turned it off, heart pounding with nerves. 

“Jesus fuckin’ Christ, just look,” Gator said, clearly annoyed by your hesitance. You watched him flip them over, one by one, all reading the same result. 

Positive. Positive. Positive. Positive.

Gator squinted at the lines, then at the back of the box, a few times until it settled in. 

“Goddamn it!” He shouted, slamming a hand against the counter. You flinched, but couldn’t bring yourself to react further than that. “I told you to take a fucking Plan B, didn’t I?”

You swallowed hard, doing your best to remain calm. “You did, and I did. Maybe, if you didn’t want to knock me up, you should’ve pulled out like I told you.”

He rolled his eyes. “You know, it probably isn’t even mine,” he said, glaring in your direction. “You let that asshole from the bar cum in you tonight?”

Your cheeks burned hot. “You’re disgusting,” you sneered. “And, no. I don’t make a habit of letting guys fuck me raw.”

He rolled his eyes. “Oh, but you were so willing to give it up for me, huh?” He grabbed your arm, hard for the briefest second before his grip softened. “See, this is why I know you’re tryin’ to fuck my family over.”

You gave an exasperated groan and yanked your arm out of his grasp. “One, you didn’t pull out. Two, how exactly am I gonna blackmail your family if there’s no baby, you fucking idiot?”

His expression softened slightly as he considered your words. His brows furrowed in confusion, as he looked back at the tests. “Those are all positive, that means you’re pregnant.”

You gave a long exhale and met his gaze. “And it’s early enough that I can still have it taken care of. Maybe not in this fuckin’ state, but my car can still make a trip to Minnesota. Probably.”

He processed the words and the implications before shaking his head. “No.”

You raised a brow, taken off-guard by that single word. “I’m sorry?”

He shook his head. “I said no. You’re not doin’ it.”

You scoffed incredulously, blinking away your confusion. “Five seconds ago you wanted to punch through my drywall because you thought you were being blackmailed. Now you suddenly care about the sanctity of life? Give me a break. You nearly beat that guy to death in front of me at the club, and from what I’ve heard, you’ve done worse than that.”

”It’s different,” he argued, annoyed that you called out his hypocrisy.  “It’s mine, so I should have some sort of say.”

You swallowed hard, staring at the curtains near the window so you could avoid his eyes. “Exactly. It’s yours. I don’t want to have your baby, Gator. I don’t want to bring another goddamn Tillman into the world.”

He had you pressed against the wall before you even had a second to realize he was moving. Your head knocked against the drywall, making you yelp. One hand was wrapped around your throat, keeping you pinned to the wall with a light amount of force. “I could stop you,” he finally said. “I mean… really stop you. Make it so you can’t leave. Could keep you at the ranch, make sure you don’t do anything stupid.”

But he couldn’t. He couldn’t, because that would mean involving his father. Knocking up a stripper doesn’t exactly give men like his father warm and fuzzy feelings. 

When you swallowed, your throat bobbed against the palm of his hand. Your eyes trailed up, landing on his as your breathing came out in pants. 

His mouth was on yours suddenly, claiming you with a searing kiss. His tongue forced its way into your mouth, making you moan.

He’d never kissed you before, not once. You hadn’t even thought he’d want to. But there he was, groaning into your mouth as he made out with you.

“Gator—“ you gasped as he ground against you, already rock hard without any real coaxing. He shut you up with another kiss, hungry and messy. 

You got the message— no more talking about that. He pulled the tie of the robe you wore and it fell onto the ground in a pile, leaving you completely bare. 

He pulled back from the kiss, eyes raking over your body hungrily. Big hands traced over your skin, making you shiver. A gasp escaped you as he squeezed your tits. 

“They really are bigger,” he said with a wry laugh.

“Shut up,” you snapped, head knocking against the wall as you tossed it back. 

“You’ve got a bad fuckin’ attitude. But I can fix that.” One of his hands moved down your body, cupping your cunt, fingers dipping into the pool of your arousal. “You get this soaked for that asshole?”

You whimpered as his fingertips teased your entrance, just shy of everywhere you needed him. Just shy of slipping inside, purposely avoiding your clit. He locked eyes with you, his gaze intense. 

“Don’t be shy, you can tell the truth,” he said,  continuing to tease with featherlight touches. You could feel just how wet you were getting— dripping embarrassingly down your thighs. 

“Only ‘cause I thought about you,” you admitted. A sly grin spread across your face. You’d never let him have an easy win. “You’d probably be one of the best fucks I ever had if you bothered to make me cum.”

“Don’t fuckin’ piss me off,” he said with an eye roll. He thrust his middle finger inside of you, and you moaned softly. “Such a goddamn liar.”

He was a little more gentle with you, despite, well, everything. Warming you up with one finger before adding a second. Moans fell from your lips as he curled them just right, the cocky expression he wore told you he was dead set on proving that he really was top-ten material. 

His thumb brushed against your clit, making your legs tremble. You couldn’t help but clench around his fingers, your entire body overwhelmed with need. Maybe it was hormones, or maybe it was all the tension between you, but your entire body was aching for him. 

“Close,” you gasped out. Your open, panting mouth was like an invitation. He kissed you deeply, his tongue licking into your mouth as he continued fucking you with his fingers. When he pulled back, his eyes locked with yours. 

“That’s it,” he practically cooed. “C’mon, give it to me.” You moaned, walls clenching around his fingers as you grew closer and closer to the edge. He tried to pull his hand from between your thighs, but you grabbed his wrist and shook your head. 

“Gator, don’t fuckin’ stop until I tell you to.” His cheeks went pink, eyes flashing with something unfamiliar. 

Your moans grew pitchy as you got closer, hips canting against his fingers, shoulders digging into the wall as your back arched off of it. 

You barely had time to gasp out a feeble, “‘m cumming!” Before your climax hit.

Broken moans escaped you as pleasure radiated through you. His fingers kept their pace, and every brush of his thumb on your clit made spots dance across your vision. When you were finally spent, you had to tap his wrist weakly. “Okay, that’s enough,” you managed. 

He was coated down to his wrist with sticky arousal, which made you look away with heat burning in your cheeks, chest heaving as you tried to catch your breath.

He grabbed your jaw and turned your face back to look at him, wearing a smug expression. “Don’t act all shy now. Tell me you want more.” Bold of him to assume he could make you cum again. But you nodded anyway. You’d like to see him try, at least. 

“I want more,” you said, even though it killed you to just give in so easily. His thumb brushed against your bottom lip, before he pressed a little more and breached the pouty seal of your lips. 

“Yeah? Your friend didn’t wear you out before this?” He asked, his voice dripping with a false sense of concern. He pushed his thumb a little deeper, pressing down on your tongue while you sucked on it. You had a pretty good sense of what he was getting at, but a hot need was bubbling up in your stomach and you couldn’t deny yourself any longer. “I’m just saying, sweetheart. Takin’ two cocks in one night is… well, it’s pretty fuckin’ slutty.”

At his words, you bit down on his thumb until he withdrew it with an annoyed huff. “You wanna leave?” You asked, raising a brow. He shook his head. You stepped around him, settling in the middle of the bed. “Take your clothes off then.”

He was quick to undress, clumsy in his haste. His vest knocked against the wall and sent a picture frame tumbling off its hook. He stripped off piece after piece in a sort of never-ending Russian doll until he was finally naked and standing there waiting for you to compliment him, or something. 

You took in the sight of him hungrily, and the hormonal neediness of it all made you want him more than you had before. “You’ll do,” was all you said, smirking as he pinned you down against the mattress.

“You’re such a bitch,” he said, but there wasn’t any real malice in his tone. Actually, you were pretty sure he liked it about you. You spread your legs to accommodate him, shivering as he rocked his hips just so and let the head of his cock brush against your folds. “But you want me so bad, huh? Just need me to fuck that attitude out of you, don’t you?”

You whimpered when he pressed himself against your center, only letting the tip slip inside briefly before pulling back out. He raised a brow, wanting to hear you beg.

”Gator, if you don’t get inside me, I’ll call Nick to finish the job.”

You would have laughed at how quickly he buried himself within you after that if the force of it hadn’t punched the air from your lungs. His pace was brutal, and the sound of his hips slapping against the plush of your thighs with each rough thrust made sheepishness settle warm in your chest.

“You act like— fuck— like you don’t want me, but I don’t think this pussy got that memo.” A smirk played at his lips as he railed into you, soft grunts punctuating each thrust in. You wrapped your legs around him, pressing with your heels to encourage him deeper. 

He was such a self-assured asshole, but, fuck, if that didn’t turn you on. He had one of your hands pinned to the bed, fingers tangled with yours. 

“Go ahead and touch yourself,” Gator instructed. 

He didn’t have to tell you twice. As soon as the words passed his lips, you moved your free hand between your thighs to circle your clit. The feeling was damn near euphoric. Breathy moans fell from your lips as your head fell back against the pillows.

And Gator was fucking eating it up. 

“That feel good, huh?” His voice was breathy; his words were punctuated with moans and fucked-out pants. “Squeezin’ me so fuckin’ tight, sweetheart. You’re really lovin’ this, huh? Bet you wanna be stuffed full of this cock every day. Coulda had this again a lot sooner if ya weren’t such a bitch all of the time.”

You could feel yourself reaching your finish, but you couldn’t find the words to tell him. Each moan slipping past your lips was even more debauched than the last as he buried himself inside your needy cunt. 

“It’s too much, huh?” He asked, fucking you with a relentless need to cum. With each thrust his cock kissed your cervix. “You can take it, can’t you? Made just to take this cock inside your needy little pussy.”

Your eyes rolled back as your walls clamped around him, your finish so close you could have sobbed with relief. You came with a cry of his name, which would have been mortifying, had you been in a mindset to retain your pride. 

“F-Fuck—“ He cried out, his hips stuttering. “Holy fuckin’ shit— gonna cum— fuck—“ He buried himself in you with one final, rough thrust before he went still, collapsing atop you with his full body weight. 

He laid there, panting hot breath against your neck until he came back to his senses. He gave one final wet kiss to your throat before rolling over with a pleased sigh.

“You finally know what it feels like,” you mused, staring up at the ceiling. 

Gator furrowed his brows as he turned to look at you. “I’ve fucked you before, it’s nothin’ special this time.” 

Gee, thanks. “I meant you finally know what it feels like for a girl to cum while you’re inside her.” You grinned as you watched annoyance twist his features. He rolled his eyes with a huff, but didn’t seem too pissed off at your jab. 

It was contentedly quiet until you remembered the pregnancy tests sitting on the counter just one room over. Your stomach twisted with guilt as you looked over at him, his hair a little messy, cheeks flushed from exertion.

It would’ve been nice if things were different.

“I’m moving,” you said finally. “Back to Texas, I think. Maybe even somewhere new. As soon as I’ve saved enough for a down payment.”

Gator turned quickly, anger making his brows furrow. “Leaving?”

You swallowed hard. “I’m getting out of Lehigh, and I think you should too. This place is poison. You know that.”

You watched him swallow, jaw ticking as he stayed quiet. You let the quiet linger in the air, nearly choking on it before he finally spoke. “This is where I belong.”

You nodded and said nothing else. When you woke up in the morning, his arms were around you, and he was drooling into the junction of your shoulder. His hand, flat on your tummy, almost made you yearn for that picture-perfect Tillman family, the one he thought he wanted so badly.

You couldn’t bring yourself to wake him up. When he left, he didn’t say a thing. It felt definite.

[lunitawrites]

Untouched - a Lucien Flores one shot

pairing: Lucien Flores x f!reader

summary: Lucien wants to come in your panties.

warnings: dom/sub dynamics, controlling, smacking, cum, there is a lot of cum, and saliva, spitting, male masturbation, orgasm denial, i think that's it, but lmk if I missed any

a/n: idk what possessed me, or actually yes, those fucking videos, anyways enjoy Lucien being a menace, the story is only loosely following the plot of uninvited, they are in a party, but that's it. it is really not edited or reviewed, sorry.

word count: 1.4k

The wall is pressed cold against your back as Lucien hikes up your dress above your hips. Your are dripping wet thanks to the hours of teasing under the table. The slow patterns he drew on your legs, getting closer and closer to your center, but never quite reaching where you needed him the most.

"What a mess you've made," he growls, inspecting your panties, slowly caressing between your legs over the wet fabric.

"Lucien," you sigh and reach for the front of his pants where his arousal is evident. "Just fuck me already, I can't take it anymore!" you whimper with pleading eyes.

"You will take whatever I give you," he says and brushes your hand away "don't act up or I will just send you back to the dinner table, with your panties ruined, unsatisfied."

You know it supposed to be your punishment, but the thought of it makes you even more turned on, your cheeks are on fire and you feel yourself gushing more, soaking your panties and Lucien's fingers through the fabric. He feels it too and his mouth curls into a devilish grin.

He slowly reaches for his belt, undoing his pants and taking his cock out. It's fully erect and already leaking with precum, you gulp at the sight of it, wanting to have it in your mouth, licking away the salty liquid from his tip.

"Can I touch you?" you almost moan "Please?" you add for good measure.

"No, baby, you won't touch me this time," he says and slides your panties down, so they are hanging on your thighs. He nudges your legs apart with his knee so the fabric of your underwear is cutting into the flesh of your thighs.

"Stay like this," he says in a hushed voice. You nod and place your hands on the wall behind you, afraid if you don't, you would touch something you are not supposed to.

He slowly starts stroking himself with one hand and reaching for your chin with the other. Your eye are fixed on his fingers as they are gliding on the soft velvet skin of his shaft. It should be your fingers.

"Look at me," he says and grabs your chin forcing your gaze to find his. He opens your mouth with two fingers reaching for the saliva at the back of yor throat. You gag a little and feel you saliva pooling in the corners of your mouth. He wiggles his fingers a little, activating your gag reflex again and now you can feel the saliva dripping from your mouth. You can only assume that he adjusts his position so it falls directly on his cock, but you can't see as his fingers are forcing your head to stay in place.

"Mmm, good girl," he says and starts to stroke himself a little faster judging from the wet sounds, but you still can't look.

He leans a little closer, so his tip is rubbing against your clit every times his hand moves up and down on his length.

You moan and it comes out muffled by the fingers still in your mouth. You already feel at the edge of your orgasm, just by his tip grazing over your sensitive bundle of nerves over and over again.

"Shh" he hushes you and removes his fingers from your mouth. "We don't want everyone to hear what a slut you are, do we?" he asks and his palm lands on your cheek with a wet smack. Your mouth opens in pleasure, but you don't dare to make another sound.

He slaps another time, now more on your mouth, leaving a tingling feeling on your lips. "Well I guess you being a good girl did not last for long," he says and takes a step back so his cock is not touching your clit anymore.

"Lucien, please..." you whisper, but know that it won't be any help. He just shakes his head with an evil smirk.

"Tits out, baby," he growls, stroking himself almost frantically at this point.

You do as you are told reaching for the top of your dress, dragging the fabric below your breasts. Your nipples hardening more from the touch of cold air. You place your hands back to the wall, now fully exposed to him, totally at his mercy. Panties still on display for him, your glistening cunt visible under the dress bunched up on your waist, breasts out.

He nods approvingly and you can see as he collects saliva in his mouth, ready to spit on you. The warm liquid first landing on your left breast and after a second he soaks your right too. You can feel it dripping down on the peak of your nipples, sending shivers through your whole body.

He steps closer again, landing a few wet smacks on each of your tits. You moan silently, you think you might just cum at this point, basically untouched. But before it can happen you can feel his hand grabbing at your throat forcing you too look at him again.

"Eyes on me while I cum in your panties," he says and growls as his orgasm reaches him, aiming his ropes of cum directly to the inside of your lace underwear.

His breath is hot on your face as he holds you close by your neck. You moan with him as if you could cum too, but both of you know that it is not in the cards for you tonight. Your only purpose is his pleasure, you are only there to accommodate his needs, but nothing else.

As he finished filling you underwear with cum he adjust your dress. First he places it back over your tits, smoothing the material over your nipples. You are so sensitive, you gasp at the feeling of it.

Then he puts your underwear back, you almost mewl at the feeling of his cum touching your soaked center.

He straightens the dress on the curve of your hips too he squats down to access more of it. He stills for a moment and leans closer to your left thigh. He runs his finger over your soft skin and collects a drop of cum. He inspects it on his fingers and stands up to show it to you too. You open your mouth and show your tongue to him, eager to taste whatever it is he wants to give you. But he laughs dryly and puts his finger in his mouth instead, sucking on it for a few seconds while humming contentedly.

He pats your pussy and takes your hand in his, starting to lead you back to the dinner table.

"No touching," he says " I will know!" he adds with a lopsided smile on his face.

As you approach the table you see that the dinner transformed into more of a party now. The guests reaching for the drink more than the food, the music louder than when you left. You are sure nobody noticed your little disappearance, so you just slide back at your place trying to join in the conversation. Lucien does the same on your side, the only evidence of your little intermezzo is the rosy color of his cheeks.

You almost moan as you take your seat, your folds making full contact with his cum now. You are still so aroused. He adjust the gold chain on his neck sending you a knowing look from the corner of his eyes.

[kerink]

putting aside my issues with continuity (because i know there's a debate about what "continuity" means in wtnv) and putting aside my personal preferences, i'd like to talk about what's made me unhappy the last two seasons:

i think the story telling is bad

that's not to say brinknor aren't creative people and good writers, they are. that's why i listen to and enjoy the show. i've also read their more stand-alone and self-contained works, i know they are talented. this is not a dig on them or their abilities. if i didn't like them or their work i wouldn't bother with it

the main issue, for me, is that i think the last two seasons have been trying to cram in more ideas than the season length has air for, so we're not seeing the complete story. i think too much is being left intentionally vague for fans to play with in a way that doesn't work

year 10 ends with carlos becoming a night vale citizen and him reflecting on whether or not he's okay with that, whether or not he feels like he actually belongs here, despite that having been his main struggle while he was trapped in the dow. we saw that although carlos has committed to and prioritized night vale, and that was ostensibly enough for him to be accepted, he did not actually accept night vale back. we assumed that carlos' commitment to cecil over his work was him finally finding his place, but all it was was him finding his priorities. maybe it wasn't that night vale had rejected him, maybe it was that night vale was attempt to protect its voice, and only allowed carlos back once he agreed to love cecil like the town does

and then janet shows up. at the end of year 11, janet said that her primary motive for coming to night vale was to get back at carlos. we saw blake bullying carlos for having abandoned the university and how he's viewed as a disgrace. we saw the university staff threaten cecil. janet ruins the town that got carlos' name on the map. all of these events are congruous with the above struggle: does carlos belong in night vale or does he belong in the real world? is carlos a citizen or an interloper?

but that isn't the main struggle that plays out. other than what was stated above, and janet making a few backhanded remarks about carlos' bad science, there is zero evidence that janet's primary motive was to hurt carlos until she says so at the very end. in fact, at the beginning of the season, she stated that he primary motive was to make night vale normal. that's in line with her actions far more than hurting carlos is. hurting carlos feels like a bonus to what janet actually wants: to be in control and in charge. the majority of the season is spent antagonizing dana (which was narratively unsatisfying because it was a bland rehash of the a matter of blood arc, but i digress). carlos is not a participant in this story, he hides and he lets the city protect itself, he lets cecil take the heat for him

and when we step back and look at y11 in the context of the primary theme of y10's finale we learn the answer: carlos is an interloper

as soon as science becomes threatening again the town turns on him. they reject him, they strip him of his power, they judge cecil for being with him. the town did not accept carlos, they had a truce with him formed out of his marriage to cecil

y11 left a lot of questions unanswered: how long has carlos actually been gone? what contact did he have with the university after y1? who is still looking for him? what role does dr. kayyali and her search party have in this? was the glow cloud (all hail) the only perma-death?why did janet's explanation of the glow cloud (all hail) not kill its child too? why did the university have such a large staff? why did the entire staff turn on janet so easily and so quickly?

and narratively it feels unsatisfying because janet's stated motives were not in congruence with her actions. which fine. people lie. maybe janet was lying about what she wanted to prevent carlos from meddling. maybe she did want to ruin night vale for him but got distracted by the whole doubles thing so picked that up as a side project. maybe we only heard so much about what janet was doing to dana because cecil cares about dana and carlos asked cecil not to talk about the plan he was forming to defeat janet. i can accept all of that, i just wish we'd gotten a whiff of it instead of having it entirely being left to interpretation

so we leave y11 with questions about what the point of it all was when a) there was only 1 permanent consequence that we're aware of and b) it didn't provide us any new information. we got the most about carlos' backstory we've ever gotten, but that was really the only thing you could say came out of y11. and even learning that about carlos felt violating, felt inappropriate, furthered our question of who is carlos and what role does he have in town

and it seems like carlos felt it too, because he decides to go back to the dow. when he was there he gained wisdom about himself and who he was and what he wanted from life. he figured himself out and found his place in the night vale. after a year of having his status as professor robles of the university of what it is questioned and derided by janet and her team, and having his status as carlos the scientist hero of night vale scorned and rejected by the town, he wanted to return and gain clarity on how he picks up the pieces of himself

but that's not what happens either!

the boy shows up and the story becomes about him. we don't learn where the boy came from, how he appeared in night vale, why he's in night vale instead of desert bluffs, how the timeline supports there being two kevins when back in e106 and e209 the timeline made sure to kill the duplicate cecil. how did no one see that the boy looked like cecil? it could have been a fun reveal if everyone thought it was another little cecil (also playing into all the palmer childhood lore this season) only to bait and switch it being a young kevin. we don't learn why tamika specifically took over raising him or how carlos instinctively knew to keep the boy away from his family. we don't learn how the boy was rapidly aging while in night vale or what age he wound up stopping at when kevin took him away. we don't learn why mother lauren absorbed him instead of killing him outright, since she seemed more than happy to try to get rid of kevin. what happened to the boy's desire to be his own person and create his own timeline away from kevin's fate? isn't the finale a tragedy and not a happy ending? what did this season matter if everything he learned about himself and the world was erased? the boy does not get a full story because too much air was given to lauren and kevin

with lauren we don't learn how she re-made a name for herself in desert bluffs too, how she got in the smiling god's good graces, how she manifested the power she presented with in night vale, how her rise to power impacted kevin's control over dbt, what the state of dbt is after lauren left for night vale, what was her motivation for even coming to night vale, what did the night vale chapter of the joyous congregation think about this, did carlos' killing the centipede matter at all and does anyone care? lauren does not get a full story because too much air was given to kevin and the boy

with kevin we don't learn what becomes of his theocracy, what becomes of his control of the church, what did his speech on changing even mean and how does it impact things when he's choosing to create a time loop? when kevin said he was going to bring someone back with him, who was he talking about? where are charles and donovan and what do they think? why do kevin and carlos not interact even a single time? does the night vale chapter of the joyous congregation care that their prophet has returned and what does kevin's defending of night vale mean for their beliefs? kevin does not get a full story because too much air was given to the boy and lauren

some of these questions are nitpicks, some are good things to leave vague and up to the audience. the main issue here is that: 1) the boy does not get a beginning to his story, the middle of his story ultimately didn't matter because mother lauren erased it, and he has no true ending because we already know what that looks like and in its being a time loop it will never end; 2) lauren does not get a beginning or a middle to her story; and 3) kevin's motives are totally all over the place. does he want to change or is he still so afraid of losing control that being able to control his own terrible future brings him some kind of closure? why is the best he can offer the boy the same horrific life he's spent the last century trying to recover from?

and carlos does not get a story at all. none of this mattered. carlos wanted to go back to the dow but he never did, he never got the chance, we never saw what he did with the time that he had. is carlos doomed to living in this space of not knowing who he is or what his role is because he quite literally had to pull the plug on the one place that offered him a safe haven to explore himself?

in trying to tell the stories of 4 people, no one got a story at all

and that's what's really frustrating, it's just felt like the last two season's haven't mattered, moved along the primary story, or evolved any of the characters in satisfying ways

y1 carlos decided to stay in night vale; y2 strexcorp was defeated; y3 cecil freed himself from lot 37 and carlos confirmed his decision to stay in night vale; y4 night vale freed itself from the beagle puppy and hiram mcdaniels was brought to justice; y5 night vale fell apart and had to find a way to anchor itself in reality; y6 focused on resting after y5 and had the 2 and 3 parters, diving deeper into specific characters; y7 was about fixing time and the consequences of doing so; y8 was about the delta flight; y9 was about frank chen; y10 was another character-focused rest season concluding in carlos becoming a citizen; y11 was the university of what it is; and y12 was about the boy

other than y11 and y12, all the previous seasons had lasting consequences on the story at large. they had domino effects into how future seasons would be focused. the outcomes of those seasons had permanent changes on the town and its people. everything janet did was erased by carlos. everything the boy went through was erased by mother lauren. janet's season should have led carlos down a path of continued self-discovery and reinvention. the boy's season should have led kevin to further growth and change, and could have paralleled the palmer family story by showing how kevin was trying to overcome his own trauma and build a family with charles. maybe it's just too soon. frank chen was murdered in y1 and it wasn't until y9 that his story was resolved. maybe i'm just hyper critical and impatient

but i feel like a lot of people are noticing this trend and are speaking up about it. i was active in the fandom from 2012-2015, and then picked it up again in 2021. it wasn't until y11 that i felt that a season wasn't finished. other seasons had left me with questions, had left some loose ends, but i always felt satisfied with where we were at once the summer hiatus hit. i don't feel that way with y11 and y12, i've walked away from both now going "okay now what? so what? huh?"

i don't know. i'm kind of running out of steam for this post. the point i wanted to make is this: y11 and y12 have not had character motives that have strongly correlated to their subsequent actions; i don't feel like characters are being given complete stories with beginnings, middles, and ends; and they've both left me feeling like none of it ultimately mattered

anyway. that's my two cents.

[acotar-taylorsversion]

Thoughts and Takes As I Re-Read the ACOTAR Series

This is extremely long and I have been typing it for weeks now. These are just my thoughts and I am typing them as I go. If you read it, I hope you enjoy it and maybe we can agree on most things. I would really love to hear everyone else's thoughts, too! 🙂

I don't feel like people blame papa archeron nearly as much as they should. It should not have been any of the sisters' responsibility to do what Feyre did. And after reading Nesta's POV, I don't blame Nesta for being so cold and hateful towards her father.

Lucien annoyed me so much in ACOTAR so much so that it was hard to like him in ACOMAF but I really tried to like him and give him a chance when Sarah made him Elain's mate and I realized that he could have a big role in ACOWAR.

I believe Tamlin had his redemption arc in ACOWAR when he saved Feyre and Az when they were rescuing Elain and then again when he saved Rhys. But I don't think Sarah will explore his story and she might be keeping him alive right now so that he can die at the right time.

After what Tamlin did to her and then allying with Hybern, I don't blame Feyre for ruining his court. He deserved it.

I don't think Ianthe suffered enough and I think that Nesta or Elain should have been the ones to have killed her.

Elain and Az were obvious to me in ACOMAF, just like Nesta and Cassian were and I was truly truly shocked when sarah made Lucien Elain's mate. I believe that there is so much more to that night than we know about and we'll learn about it when we get to Elain & Az's POVs. I believe that the bloodbane in Az's blood was killing him and nullified any bond that could have been there even before Elain was turned. Az was shot with the arrow before they went up to the throne room and that is why Lucien showed signs of mate behavior once Elain showed up. I believe the cauldron was wrong.

That being said, I tried to give Lucien a chance in ACOWAR and he just gave me the ick when talking about Elain. It didn't feel right to hear him say that he wanted to "see if she was worth it." Like she should already be worth it. Don't hesitate. I just did not see it at all.

I think that LoA will be the one to kill Beron. Don't know why, but I just feel that she will lose it and run to Helion.

Sarah had every opportunity to set Elucien up and she didn't. I believe she set them up for failure from the get-go. She instead focused on Elain and Az. I could do an entirely separate post about Elain, Lucien, and Az.

I believe Mor and Eris are mates, especially after what was said in ACOSF. I believe that he knows that she prefers females and wanted to save her from a loveless, unsatisfying marriage. I do think that he handled it wrong. Like that whole situation could have been handled so much better.

I think the whole Mor, Az, and Cassian situation was extremely weird. And now that Cassian is with Nesta and Az could possibly be with Elain, maybe Mor can finally move on and be free and not hide anything anymore. I wish that Mor would have talked to Nesta in ACOSF and explained and apologized for everything. Maybe she'll sit both the sisters down and talk about it one day.

I think Amren and Varian are cute together, but I think Amren should have stayed dead. Sarah is notorious for killing and then unkilling her characters and I think that gets old. I believe that sarah brought her back as a way to keep the summer court involved with the night court and to have a "know it all" character.

I think that Feyre and Rhys have a true, soul mate, true love, fairytale mating bond and I think Nesta and Cassian have a more realistic one. Feyre and Rhys fell in love before the bond was accepted and Nesta and Cassian were just beginning to fall in love before the bond was accepted. Lust and attraction and the pull of the bond is what truly brought them together but they quickly fell in love with each other.

I hate all the hate that Nessian is getting. People who say that Nesta should get with Eris literally make me sick and I want to throw ACOSF at them. They obviously need a to read it again. People need to realize that Nesta was in the wrong in HOFAS and Rhys had every right to freak out like he did and Nesta needed to be yelled at for that. I don't blame Cassian for not stepping in. And people forget how sarcastic Nesta is and they actually take her seriously when she said that Rhys debated executing her. Like do yall really think Cassian and Feyre would allow that or that Rhys would do that to his brother and his mate?? Like come on now.

Speaking of Rhys, I don't think he was wrong for keeping the danger of feyre's pregnancy from her. As a mother of 3 myself, I would be terrified every single day if I knew that my pregnancy could end with the death of myself and/or my baby. Like I would not want to know. Pregnancy is stressful enough as it is, even with healthy ones. And this is why I don't think he was wrong for freaking out on Nesta. I mean, he almost lost his mate, his son, and his life like what, 6 months before that? Like I can't imagine how scared Rhys is every day knowing that he almost lost everything and then Nesta gave a STRANGER a MADE OBJECT from the trove and could have LOST IT to the ASTERI who could have come to their world and DESTROYED them all. GIVE RHYS A BREAK YOU GUYS!!!!! I love Nesta, love her to death, but she was wrong for that.

I have my thoughts on Gwyn. I think she's a lightsinger. I think that is what Az's shadows react to, just like Nesta reacts to her. I don't think her and Az are mates. I don't think she's attracted to Az at all. I think she wants to prove herself to him because he did see her on the most traumatic night of her life. I think she wants to prove to him and everyone around her that she is and can be strong. That's it. There is nothing more to her and Az other than trainer and trainee. I also think that Merrill is the one manipulating everything and everyone, including Gwyn who might not know that she's a lightsinger. I think Merrill is working with Koschei.

Even after all the books, I still believe that Elriel will happen. There's just too many canon moments for me to ignore to see the possibility of Elucien. I only say elucien because gwynriel isn't a canon couple. They are not canon at all. The only thing that elucien has going for them is their bond.

I think Lucien will reject the bond for Elain. Lucien isn't a bad guy. I don't think he'll fight for Elain when he knows that she does not want him or their bond. He won't let Elain become his mother. I think he will find happiness with Vassa and they will be like Elide and Lorcan.

I believe people who support elucien only care about Lucien. I mean, how could you think that Elain wants to be with him after reading the books?

Based on the story of Koschei, it's not crazy to assume it will be 3 sisters and 3 brothers. Sarah is a very predictable writer and this is what most of the fandom has expected since ACOMAF and Koschei being the last big bad confirms that. Especially when you add in Vassa and Lucien into the mix. Just read the story of Koschei and tell me I'm wrong.

I believe that Az is experiencing the effects of a mating bond with Elain. He acts more like her mate than Lucien does and there's canon proof of this.

I believe the only reason Rhys stopped Az and Elain that night was because 1. he was convinced he would die with Feyre when she gave birth and didn't want his court to be in this war with the autumn court and 2. he is a political figure and he is using elain's bond as leverage with lucien. I believe that if Elain expresses to him how she wants to reject the bond, he would support it and accept Elain and Az.

I hate how everyone focuses on Gwyn and forgets about Emerie. I don't understand why people think Gwyn would be involved with the Illyrians. She is not Ilyrian and even though she finished the blood rite, she has said she does not want that illyrian warrior title. After what she went through during the rite, I don't see her being involved with them in any way. I do believe we will hear about Emerie doing something more like that. She could be an inspiration to Ilyrian females. Speaking of the Valkyries, I don't think they should have won the blood rite. It was very unbelievable. It would have been more believable if they had hid the entire time and waited for Cassian to come find them when the week was over.

Speaking Gwyn again, I think most of her fans overhype her too much. I like Gwyn and I'm glad that Nesta has her as a friend because she needed that. But I don't think we'll ever get her POV. I mean, we heard her story. We know what happened to her and we know pretty much everything about her. We know that she doesn't want that warrior title and she went back to the library not even sure about going to Nesta's mating ceremony. I think her fans forget this. I think they see her as a self insert character. I think they over sexualize her way too much. I'm not saying that SA survivors can't have a sex life so don't come at me. I just don't think she's going to want to be tied up with ribbons while Az holds her down and "ravages" her. The same male who seen what she went through that night. That just makes me uncomfortable. I think Gwyn would be embarrassed by the majority of her fans.

I will another post about that bonus chapter because there is so much to discuss.

I hate the amount of hate Elain gets and the side of the fandom that hates her does not deserve her. There is so much to learn about her and her powers and what goes on in her mind and I can't wait for her book.

I also think that papa archeron unknowingly traded Elain and/or Feyre and Nesta in his deal with Koschei for Vassa's temporary release.

I don't understand how people could hate feysand or any other members of the inner circle. In my opinion, if you hate them then why are you reading the series?? Why are you still here?

I don't think that sarah will make Nesta or Elain an actual queen or high lady. I think that Rhys and Feyre will always be more powerful than them and I think they will be High King and High Queen when the series is over. I can't see sarah making the sisters having the same amount of power or say as much as Feyre. She has always been above them. That has been obvious since the beginning because she's always protected them and taken care of them.

If you guys remember my other posts, then you will know my thoughts on how I think the rest of the series will go. Like elriel, vassien, koschei, the queens, the prison, the dusk court, the trove, all that. Elain and Nesta are the keys and Vassa should be the one to destroy Koschei. Rhys and Feyre will be High King and High Queen with nessian and elriel at their sides and everyone lives happily ever after.

What do you guys think?

[antianakin]

I just saw this take in a collection of Star Wars videos I was watching and just…… what even:

where do people come up with stuff like this. Also I needn’t say it but this makes me so angry

This is what happens when fans try too hard to make something "make sense" in universe rather than accepting a meta/out-of-universe explanation for it.

So sure, if the ST introduces the idea that you can "Force heal" by learning it from some sort of Jedi text, it begs the question of why we never see any of the Prequels Jedi using it. Did they know about it and simply chose not to use it? Was it restricted to Jedi HEALERS for some reason? Did they NOT know about it because it was in a really obscure text that nobody even remembered anymore? And the ST chose not to answer any of those questions, which leaves the fans to try to come up with their own answers.

And the real answer is that the people who made the ST had no fucking idea what they were doing and quite honestly don't seem to have cared much about narrative continuity much at all. There's Force healing in the ST and not in any of the others because Force healing like what we see in the ST would kind-of ruin the entire POINT of the other stories. Luke could just... save Anakin. Anakin could just save Padme. Obi-Wan could just save Qui-Gon. Then where would the story be? Force healing is unsatisfying within the narratives we've been given and ruins the entire point of the message Lucas was sending with them.

But nobody who was making the Sequels fucking cared, so. Now we have Force healing from some random Jedi texts. Cool. Whatever. People who hate the Jedi are just going to hate the Jedi, they'll find whatever reason they want to do so, regardless of what the actual films show and regardless of what Lucas says. As someone who DOES like the Jedi, my explanation for why there's suddenly Force healing that can be learned from a text is that the people making the ST were fucking stupid and nobody realized or cared that it broke a lot of the narratives from the prior two trilogies and went against the themes of those films. That's it.

[hyunjilicious]

in human form [bang chan × f!reader]

A/n: this is very, very self indulgent. I always try to make my fics reader inclusive, but since I poured my soul out in this, it's not 100% a self insert. It's not OC either, but some aspects of Y/n past are mentioned - mental health and relationship with her parents. I hope you'll still enjoy it! 🥺

Summary: fresh out of a toxic relationship, you realise your best friend Chan might not be just that, your best friend. Angst (and fluffy and extremely cheesy) best friends to lovers trope. 8.5k (hit me)

Warnings: y/n's ex was toxic, so was her father, mentions of alcoholism (as the source of some of the issues), anxiety, insecurities, past traumatic experiences (not detailed). It's not as sad as I may have made it sound, Chan's a sweetheart and there for you from beginning to end ❤️

For the first time that night, when you felt a hand against your back, you relaxed. "Do you want me to drive you home?" Chan asked, leaning into your side so you could hear him over the loud music at the club.

Aside from the hand that still rested between your shoulder blades, he kept his distance. 

"No, it's fine, thanks" you shook your head but then smiled in appreciation. "I'll take a cab, you don't have to leave"

"Do you want to talk to me?" 

Another offer he didn't have to make - another one you desperately wanted to accept but felt like an asshole doing so.

"I'm annoyed. I don't want to start this right now. We can talk another time"

"I'm here for you" he reminded you, "Please, just let me take you home."

"You don't feel like dancing anymore?"

Chan shook his head. He never felt like dancing in the first place, only came so that he could spend some time with you, but unfortunately the night didn't go as planned. 

"I don't want to ruin your night"

"You're not ruining my night, Y/n" Chan said sternly, "I want to go home too"

"Then why didn't you leave earlier?"

That, he couldn't answer. He knew why, but he couldn't really tell you that the pain you've been struggling to hide has been obvious to him from the very beginning. Instead, he hid his worry behind little acts of kindness, reassuring words and unconditional support, without expecting anything in return. Much like he did now.

"Felt like a party pooper, but you're my ticket out of here. So? Should we go?"

You were unsatisfied with his answer, felt guilty for the way things were going, but you weren't about to make him ask again. "Ok, let's go"

His face lit up hearing your words, it felt like a win which he hoped would be the end of the story, considering that the last time he thought this nightmare was over, this night happened. So, determined to not allow the universe to mess with you again, Chan took a step to the side and motioned for you to lead the way towards the exit. 

And you would've done just that had an overwhelming sense of pain and warmth not washed over you, and instead of moving, you just went in for a hug. Despite being taken aback, Chan wrapped his arms around you instantly, repeatedly kissing the top of your head during the few seconds you spent pressed against one another. 

"Thanks" you mumbled, wiping away a stray tear that fell down your cheek as you pulled away. 

"You don't need to thank-" he began saying but before he could finish the sentence, you felt another hand against your back, one that sent chills down your spine. 

As if burned by the touch, you jumped away and didn't even bother looking at the person before you grabbed Chan's hand and tried to pull him away. 

"Hey, where the fuck do you think you're going?" the menacing tone of your exboyfriend called over the loud music. Even though he wasn't drunk enough to have trouble articulating his sentences, you could still hear the alcohol induced hostility in his tone. 

And as if raising his voice at you wasn't enough, in the blink of an eye he also went to grab you, but even though you were fast enough to step out of his reach, so was Chan as he grabbed the man's wrist and pushed himself between the two of you. 

"Hey, hey, hey! Step back" Chan commanded, not one single hint of uncertainty in his tone. 

"Why?" your ex boyfriend sneered, "Need her?"

Even though a vein was about to burst on his forehead, Chan fought to keep his composure. "Let's not make a scene, ok? Y/n's going home and you're going back to the party. Let's just leave it at that"

"How about this?" he slapped his hands together, "How about you stop sticking your nose in my business and let me have a talk with her?"

"We really don't have anything to talk about, ok?" you tried, but he wasn't having it. 

"Just because we broke up doesn't mean you can go whore around. At least wait a while before you hop on someone else's dick. Or wait! You've done it before, haven't you?" he turned to Chan. "You already fucked her, didn't you? You're the reason she broke up with me?"

"Man, you have no idea what you're saying" Chan rolled his eyes, "But why don't we have this talk another time, huh? This is really not the time and place"

"I agree. So why don't you just step away so I can talk to Y/n?"

"Talk to her?" Chan laughed, "Mate, don't even look at her"

That angered him - you saw it in his eyes and it terrified you. That look of his whenever he had enough to drink so that common sense didn't have a place in his behavior anymore, when limits stopped meaning anything and only his words mattered. 

Under different circumstances, you'd have said this wasn't something you'd ever do, but you felt afraid - viscerally, down to your bones scared, and without thinking, you jumped behind Chan. And while on high alert as he was, even though he might have not seen you, he felt you, the way your hands gripped his shirt and it brought a storm inside his mind. He didn't know what he wanted to do first, break that man's teeth or comfort you, but his adrenaline had kicked in and all that he could focus on was keeping his calm.

"Listen, I've got nothing against you, man. It's her that I need-" and his sentence was cut short by a very calm Seungmin, who with his drink in his hand and the straw between his lips, stepped in between your ex boyfriend and Chan.

"The group's over there" Seungmin addressed the man - fully facing him, and pointed in the direction you just came from, "Why are you all the way over here?"

"Yeah" Felix, who you hadn't noticed until now, nodded along, "We were thinking about going to a different club but we couldn't find you"

They stepped closer to one another, forming a wall between you, Chan and your ex, and bombarded him with questions, pointing in all directions and speaking loudly one over the other. 

There had been maybe one or two attempts from your ex to push past them, but before he managed to escape their pestering, Chan had already grabbed your hand and ushered you towards the exit. 

"Hey, are you ok? What are you doing?" he desperately asked as soon as you stepped on the sidewalk. Seeing you with your nose buried into your phone was the last thing he expected.

"I'm texting Felix and Seungmin" you sniffled, "I hope he didn't start a fight"

"They got this, Y/n, it's ok" Chan said and then tried to get you to move. "Let's go to the car, ok?"

After wiping one more tear from your cheek and pressing the send button on the text you just wrote, you nodded and followed him, "Yeah, ok"

Despite the hurricane of thoughts inside your mind, for most of the drive, you were silent - wanting to say so many things but at the same time, fearing what it would feel like if you yourself were to hear those things being spoken out loud, let alone Chan. 

After your phone buzzed with a new notification, you turned to him, "They got him an uber. He's on his way home"

"Good" Chan nodded and drummed his thumb against the steering wheel. "Fuck him"

"Yeah.. fuck him"

"Are you ok?"

At this hour of the night, the roads were empty enough to allow Chan to steal glances and turn to you, but still you were grateful he was driving - he couldn't fix you with his eyes.

"Yeah, I'm fine"

"Fine as in fine or fine as in fine?"

You really didn't want to do it, but his question made you giggle. "What? I really am ok, I'm just annoyed"

He looked at you for another second, "Do you want to talk about it?"

"About what? Complain to you about how big of an asshole he was and about how stupid I am? Where's that gonna get me?"

"First of all, you're not stupid. At all, Y/n. You know that"

"My actions and decisions over the past few months would beg to differ, Chan." you sighed, "It's not his fault he was a piece of shit boyfriend to me, it's my fault I stayed in that relationship for as long as I did"

Too many words, some even a bit aggressive and thoughtless, almost rushed past his lips, but he managed to compose himself with a shake of his head and a deep breath. "I really don't want to be that person, Y/n, but you know traumatic experiences don't necessarily involve heavy and obvious shit. You've never been through something like this before, how were you supposed to know what the right thing to do was? You really did your best with what you had"

"Stop. You're making it sound like I'm some sort of victim or something. There's no trauma. He was never violent, never raised his hand at me or anything, it's not that serious"

"A person doesn't have to be physically violent in order to be abusive"

"He wasn't abusive. Just… toxic. It wasn't that big of a deal"

"If it wasn't that big of a deal, why are you so upset with yourself for being, as you say, stupid about it?"

Ah fuck, a red light. It wasn't like the intersection was that busy anyway, and it got you very close to offering to pay the fine only so that he'd keep driving. But his eyes were already on you, ready to pierce right into your soul the second you met them. 

"What do you want me to say?" you looked down at the bag in your lap. "I don't see where you're going with this"

"I want you to stop being angry at yourself. To stop blaming yourself. To realize you were not the problem. That's all I want"

"If that's really the right way to look at things, it's gonna take me a long fucking while" you chuckled bitterly, tone full of spite and anger. 

But still, Chan's voice was as calm and sweet as ever. "And I'll be here for you until then. And after. Ok?"

You really had no right to be this cold to him. "Look at you being so wise and selfless. Try telling me again that I'm not just a stupid girl who needs looking after"

"Y/n, if the roles were reversed, would you think I was stupid? Would you defend the person that repeatedly hurt me?"

"I'm not defending him"

"That's exactly what you're doing by putting all the blame on your own shoulders. I'm not saying you should crucify him, although I would, all I'm saying is that you shouldn't carry this weight. If he refuses to own up to his shit and try to do better, that's on him, but you shouldn't be the one to take responsibility for this just because he won't do it"

Although the things he was saying made sense from the very beginning, it was getting harder and harder for you to keep up with the conversation. A short period of silence followed where you didn't know what to say, but your ticket out of this tensioned position came at the perfect time.

"Light's green" you said and pointed to the traffic lights after seeing Chan make no effort to start the car.

He blinked for a second, looked in the rear view mirror and then turned to you again, "There's no one behind, it's fine"

"Chan! Drive"

"Y/n, look at me"

There was a very strong reason you avoided his stare during this whole car ride, and it was getting harder and harder to manage your emotions. "I can't"

"Why?" his voice broke a little "It's just me, Y/n, it's ok"

You squeezed your eyes shut and threw your head back, "Please, I don't want to start crying right now, just start the car. Just drive"

And he did. He wordlessly followed your request and drove in silence for as long as he could, but when he reached the intersection next to your neighborhood and had to stop at another red light, he couldn't help himself. "Y/n, do you want to be alone right now?"

"I don't want to continue that conversation" 

"It's not what I asked," Chan softly said. "I won't bug you, I promise. But I'm here if you just… don't want to be alone at home"

"Are you sure it's ok?"

"Of course, I wouldn't have offered if it wasn't"

"You totally would've" you weakly laughed, "You always put other people first."

He didn't know how to tell you that it was you who he was putting first - not other people. Sure, he cared about his friends, but he wasn't doing this because he was a caring person, he was doing this because he cared about you. And on top of that, he hoped that this night he was about to spend with you would be the first one on a long, maybe endless, list of things he planned on doing in order to make sure that you finally realized that, even if you hadn't seen it before, to some, to him, you really did come first. 

After that, Chan offered to go to the drive through two blocks away for some food, but the laziness prevailed. You wanted to get home faster and weren't about to let him go by himself, so as he searched for a parking spot behind your building, you tapped in the order on your phone and placed it before entering your apartment.

While the atmosphere was still somewhat tense, you two managed to enjoy the food and down two liters of tea without any upsetting topic being brought up. 

By the time you decided to head to bed, it was already half past 4. And if Chan had to insist on taking the couch, you also insisted on making it as cozy for him as possible, bringing him 3 different blankets, 4 pillows and an army of stuffed animals to keep him company. 

But while fatigue had already crept up your spine and made your eyelids feel heavy, sleep only circled around you and refused to settle. It was your buzzing mind and hurricane of thoughts that kept the sleep at a safe distance, and it was just a matter of time until you had to get out of bed.

This was why you insisted he took your room, so that now, when you wanted to go into the kitchen, you wouldn't have to walk past him. But since there was nothing to be done about it now, you settled for tiptoeing your way to the sink, filling up a glass of water and downing it in the blink of an eye.

Truth be told, you wanted another tea, but the sound of the boiling water would for sure wake Chan up. Maybe a pudding would do, you thought to yourself as you licked the lid before throwing it into the trash. It was good, your favorite - no surprise since you were the one who bought it, but it didn't do much. Chips? Nah, and even if you wanted some, you forgot to get a new bag anyway. Then.. fruit? But after tea and pudding? Also a no. 

It was getting annoying - nothing to keep you busy so you wouldn't have to return to your room. The one obvious option that was left made you cringe. You wouldn't do that, he had been so nice to you all night, it would be very shitty of you to disturb his sleep. Or maybe… he had been so sweet to you all night, he definitely wouldn't mind being sweet a bit more, right?

So without giving yourself the chance to change your mind, you took off towards the couch, your eyes fixed on his sleeping - or not, frame. The way he raised his arm, along with the blanket, almost startled you.

"Come here" he chuckled, before even looking at you.

"Did I wake you?"

"Nope, I wasn't sleeping" he said and then waved his arm in the air, "Come on"

Your first instinct was again to ask if he was sure about it, but you brushed it off and climbed in beside him, cuddling against his chest as he wrapped his arm around your frame, covering you with the blanket all the way up to your cheeks.

"Thank you" you said, all your muscles relaxing under the warmth of his body pressed to yours. "I'm sorry I was mean to you earlier"

"You weren't mean to me" he shook his head. As a small but strong reassuring gesture, his fingers made their way to the back of your neck and lost themselves in your hair. He lightly scratched your scalp as he spoke. "The conversation wasn't pleasant so you just weren't as bubbly as usual, that's normal. You weren't mean to me, Y/n, don't worry"

"I really wasn't the nicest though"

"You don't have to be the nicest with everyone all the time"

"Not with everyone, with you. You have the biggest heart in the world, I don't ever want to upset it"

"That's ok" Chan hummed, kissing the top of your head, "She understands, you didn't upset her."

"Your heart is a she?" you giggled.

He wasn't going to say that his heart was a she because you were his whole heart - that would've been cheesy, but it was late and the love of his life was wrapped around him, so he didn't judge himself for it, just brushed the thought aside. "I don't know why I said she," he lightly chuckled, "It felt right, I guess?"

Without saying anything, you cuddled closer so that you could press your ear against the left side of his chest. He felt calm around you, but his heart drummed against your cheek and it made you feel closer to him and safer than ever, "Thank you"

"Anything for you" Chan hummed, allowing the both of you to finally relax enough to be able to fall asleep. 

The next morning came and went, neither of you showing any signs of planning to wake up any time soon. A little bit past noon however, maybe around 1pm, Chan started stirring in his sleep. When he opened his eyes and checked his phone, the urge to just say fuck it and remain in your soft embrace almost won. But he had another thing on his mind, probably the only thing in the world that could've ever gotten him to leave that couch. 

For a split second he thought it would be rude to rummage through your kitchen so he stopped dead in his tracks and looked at his shoes by the front door. He could go out and buy the ingredients he needed to make breakfast, but what if you heard the door and woke up, that would ruin the surprise. Plus, in the past, he'd been given free access to absolutely everything in your apartment, why would this morning be any different. 

"Jesus, why am I like this, calm down, it's just an omelet" Chan said to himself as he opened your fridge and got to work.

Shortly after, you woke up too. Disappointment hit him a bit when he realized he couldn't surprise you with food anymore, but one thing he didn't know he needed in his life was a cooking session with you. There were so many little things he didn't know about you, so many things that he was so ready to love - the ridiculous amount of kitchen towels you used, the fact that you washed your hands a hundred times while cooking because who wants to touch the cheese with tomato juice on their fingers, the fact that there was a picture of a random dog you thought was cute on one of your cupboard doors and so on. He didn't have to try hard to find something to make him giddy inside, not when he was so close to this genuine, unbothered and honest version of you.

Once the food was done, you both took your seats across from one another at the table, and the topic of discussion you had just started swiftly melted away in favor of comfortable silence and the occasional utensil clatter.

"Hey, um, can I ask you something?" you questioned as you toyed with a piece of bread on your plate. "And please don't be afraid to humble me in case I'm reaching"

"Sure, what is it?"

"Am I the reason you haven't even looked at any type of alcohol whenever we went out during the past few months?"

Even though he wasn't facing you, instead staring down at his food, you still saw his eyes widen in.. embarrassment maybe? "I um… I hoped you wouldn't notice"

His reaction only made you soften further, a very strange warm feeling spreading from the middle of your chest. "You didn't have to do that, Chan"

"I know I didn't" he nodded and only looked at you for a split second before repeating himself, eyes fixed on his plate. "I know I didn't, you didn't even ask me to, but I wanted you to have that"

"Chan…"

He still wasn't meeting your eyes. "You said you didn't feel safe if everyone around you was drunk, and that's totally understandable, especially since our friend group is mostly guys. And like I know, I know none of them would ever do anything to make you feel uncomfortable or anything, but still… I know you asked your ex not to drink too much when you went out together, but he never listened. I saw he never listened and I saw the look in your eyes, so I don't know… I did the next best-" he stopped to shake his head, "I did what I could"

"Channie" you pleaded, extending your hand across the table for him to take, but he didn't. However, he looked up, met your eyes and continued speaking. 

"Like it's not even that big of a fucking deal

you know? We all have needs, we all deserve someone to listen to us and to care for us, what does he do? Partners are supposed to make each other feel safe and heard and him… fuck him! Fuck him for treating you like that. Fuck him for disrespecting you. Fuck him for making you, you out of all people, a literal angel we're all blessed to have in our lives, look into my eyes and tell me you think you're stupid. Fuck him for getting into your head and making you think all those awful things-"

That was it. You couldn't bear it anymore. You dropped everything you had in your hands and rushed around the table to him, all but tackling him off the chair with the way you threw yourself against him. It was the best way you could come up with to help him calm down, to show him that you were there, and you were ok, and that everything was fine. 

"Hey, Chan, it's ok" you cooed, brushing his hair, "It's ok, can you look at me?"

He did. "I'm sorry I got carried away" he shook his head, "I just… I hate him"

"I know…"

"You deserve someone better. I wish you never met him. And what's worse, what's keeping me up at night, is that I don't even know the full story. What I know is from what I've seen, I don't even want to think-"

"Then don't"

That hit him hard. "God, Y/n.. no.. I'm so sorry, I-"

"It's ok" you smiled and pushed some curly strands of hair off his forehead, "It's all over now, it's all in the past"

"Y/n" Chan shook his head and stood up to face you properly, wrapping his fingers around your wrists. "You know I'm always here, right? Whatever happens, or happened or might happen, I'll always be here for you. You have me, always. Ok?"

"Yeah, mhm" you nodded, teary eyes looking directly into his, "I know"

"You can always come to me, talk to me, anything, ok?"

"Yep"

"Always"

"Always" you nodded again and allowed him to bring you into a hug. 

"And I just wanna say that I know it's just a matter of time until you find someone who will make you happy the way you deserve, but until then, let me be the one to do that"

"Make me happy?" you beamed, looking up at him, "You already make me happy"

"Ok, but like-" Chan chuckled, dimples out and all  "Really happy"

"Really happy? What does that mean?"

"It means we've been so busy with work and life, we haven't hung out as much as we used to. We could start doing that again, and even as just your best friend, I know I can treat you so much better"

You probably should've taken him more seriously, "Like the Shawn Mendes song?"

Chan cringed for a second - not at the song, but at the fact that only now did he realize how cheesy he had been. "Yeah.. like the Shawn Mendes song"

"Can you learn it? And then sing it for me?"

"I, uh… yes, I guess I can"

"No, scratch that, I want a better song. I want a serenade"

"You want me to serenade you?" Chan laughed, most likely thinking you were joking.

"Yes. With a guitar and all!"

"Obviously with a guitar. What kind of a dumbass serenades someone without a guitar?"

"I don't know" you shrugged, "Some people use portable speakers and stuff"

Eyes rolled the back of his head, he pretended to shake off the distaste. "And they say romance is dead"

"But romance isn't dead, so you'll use your guitar"

His tone turned sassy and sarcastic, his hip popping to the side. "Ok, guitar. Noted. Anything else you want? Strawberries dipped in chocolate? Roses?"

"Um.. yes!? To both"

For a second he looked surprised but then jumped back into the game. "I'm writing these down, I'm not kidding" he warned, taking his phone off the table and opening the notes app. 

"Good" you moved closer to look at his screen, "And, urgh, I don't know if I want you to wear a suit and tie or a leather jacket"

"Please don't make me wear a suit," he begged.

"Ok, suit and tie. Write it down"

"Write it down" he mocked you while he did as told. "Anything else?"

"Candles!"

"Ok, candles, noted"

"And bring Berry"

"Ok, Berry.." he typed. While you had a few more ideas as to how to keep this charade going, Chan was on a different page. "I'm aware that this is just a joke, but you know I'd actually love to do all of these for you, right?"

"I know" you confessed, your attitude swiftly changing as you melted under his sweet and caring gaze. "I actually do know you'd do this, and a lot more for me. But you really don't have to, not like this, not just because it's something that I'd like but haven't gotten in the past. Maybe someday, under a different context, but please, don't feel responsible for this right now"

"I don't" he wholeheartedly shook his head. "I don't feel responsible for this, and I'm not gonna do it. But if you do wake up one morning and feel like it, just let me know, ok?"

"Yes, ok" you giggled and wrapped your arms around his waist. "Thank you"

With his arm around your shoulders, he pressed his lips to your forehead. "Anything for you"

-

5 weeks later

The dishes were done, the trash had been taken out, your kitchen was spotless and so was your living room. And while never in your life had you ever allowed any of your guests to help you tidy up after a party, tonight had been different. Chan lingered around after everyone else had left and cheerfully helped you clean up the place, despite the clock having already struck 4. 

A small part of you still felt bad for keeping him around at that hour, but a bigger part of you was happy to still have him around.

You didn't mind being alone, but you wanted him around. That was why once you were finally done making your apartment look decent again, the second Chan dared look in the direction of where his jacket and shoes were, you instantly spoke up. 

"Ah, Channie! You're not that tired, are you?"

"Nuh-uh, no. Not really" he lied through his teeth. His eyes were half closed, his shoulders slumped and even standing up felt like a tedious task. But just like you, he didn't want to leave either. "Why?"

"I-um-" you struggled to come up with something, "Could you maybe take a look at my laptop? It's been acting funny"

Just as bad of a liar as he was. But he found it funny and didn't even hesitate before agreeing. 

He sat on the couch and waited for you to bring your laptop, which you placed on the coffee table in front of him. "What's wrong with it?" he questioned, unable to hide his knowing smile.

"I don't know" you grinned too but in pure amusement with your antics, "It's acting… funny"

"Really? Let's see"

And just so as luck had it, the laptop was working perfectly fine. "How did you do that?" you pretended to gasp. "You fixed it!"

"I did?" he chuckled, "Magic hands, I guess"

"Yeah… probably. But I think you should stay for a bit. What if it stops working again?"

"We wouldn't want that, would we?" he hummed and then you noticed his eyes slip to the clock at the corner of the screen. 4:43am. It snapped you out of it in an instant, what the hell were you doing?

"Actually, I don't think I'm gonna use it tonight anyway. If it starts acting up again tomorrow, I'll call you. You can go, Channie. Thanks anyway"

"Can I stay anyway?" he asked and your heart nearly dropped. "Hang out for a bit?"

"Aren't you tired?"

"I am but.. I don't want to leave"

"Ok" you softly said and then fought to look anywhere but directly into his eyes. "There's some ice tea left, would you like some?"

"Mhm, sure"

Part of you expected him to refuse your offer, but you were glad he didn't. It was what most of you had to drink that night, an ice tea - soju combo you found online that turned out to be even better than expected, and now, the last remaining cups of it were on the coffee table as you settled back on the couch next to Chan. 

He sipped his drink in silence, a telltale sign that something was on his mind. It was obvious he was hesitant. "Just say it" you giggled, "There's something on your mind"

"I was just… I wanted to ask, but I don't know if I should"

You knew what he meant, or at least thought you did. "Ask me"

"We don't have to talk about it if you don't want to"

"You haven't said anything" you reminded him, "I don't know if I want to talk about it or not"

"Y/n…"

"Chan…" you rolled your eyes in the exact same way that he did, which made him playfully nudge your shoulder. 

"Are you ok with me drinking right now?" 

"Yes! Of course! I thought you drank earlier too”

“I did, I did… I just wanted to make sure”

“It’s fine, Chris, don’t worry” you smiled and leaned into his side for a second. “I offered you the drink. And even if I hadn’t, I told you, you don’t have to stay away from alcohol at all times just because of me”

“I know…” he said, his eyes instantly falling down to his hands. “I just don’t know the whole story and I don’t want to do something by mistake and make you feel uncomfortable”

“Channie… stop, no, don’t go there. I don’t want you to feel like walking on eggshells around me. I promise I’ll tell you if there’s ever anything, but you could never make me feel uncomfortable”

“I don’t want to push you if you don’t feel like talking about it but I’ve been dying to ask” he softly said and all you did was blink as a sign for him to continue. “When or like, how did this all start?”

“Um..” you took a deep breath. You knew it would come up, that he’d eventually gather the courage to ask, and you dreaded the fact that you let things get so far before telling him. “It’s not really that big of a deal, I think I make it seem like a way more serious thing than it actually is”

“You can still tell me, you know I always want to listen to you"

“I know” you smiled and met his calm eyes. He was patient, gathered into a ball on the couch, waiting for you to speak. He wasn’t going to pressure you or dismiss your feelings, he looked at you with adoration in his eyes, all the patience in the world, all just for you. “I.. I don’t feel comfortable around drunk people because I feel like they’re unpredictable. And unfiltered, I guess. It’s wrong of me to assume, but I can’t help but fear that everyone is going to act like that when they get drunk. And I’m always afraid that in case they say or do something that bothers me, they won’t listen when I try to talk to them, that they’d keep doing their thing no matter what I say. That was why I wanted my ex boyfriend to stay relatively sober when we went out together, so that I’d have someone to turn to in case I felt overwhelmed. Funny-” you chuckled bitterly, “He was the only one who acted like that whenever there was alcohol around. Everyone else is just more giggly and prone to start dancing out of nowhere”

“I’m very sorry he never listened to you, Y/n”

“That’s ok, it’s all in the past now. I like to think that if I ever find myself in a similar situation again, I’ll at least know to get out faster. I promised myself I’d never allow a person like this in my life, but I did, and that made me feel really bad about myself. So, baby steps, I guess”

“Why did you promise yourself that before?”

You sighed. “It was my dad. He used to drink a lot back when I was younger, always looking to start fights and all that. He’s the reason for a lot of my anxieties, but blaming him is not gonna get me anywhere. I’m just trying to do my own thing”

“And you’re doing a really good job, Y/n” Chan said. 

“You think so?” you giggled, the weight of the topic making you more inclined to show your emotions, no matter how much you’d have liked to keep a strong front.

“I really do” he nodded, “And I love to see it”

“You know it’s thanks to you, right?”

“It’s not thanks to me, Y/n” Chan rolled his eyes and opened his arms for you. “Come here”

After setting your drink down, you crawled closer and cuddled into his chest, your head tucked right under his chin. “It is, because you gave me everything and never expected anything in return. I barely felt comfortable enough to be myself when I was alone, but you made me feel safe enough to realize that maybe there’s nothing wrong with me, that I can accept myself and that maybe other people will accept me too. And at the same time, I realized that I don’t really care what other people see in me or not, because you see me and you like me just the way I am, and that’s a big deal to me.”

When you stopped speaking, you couldn’t see him. You had your cheek pressed against his chest and even though you were able to feel his heart rate quicken, you didn’t think much of it. But when he failed to answer, you quickly turned your head to look at him. His glossy eyes met yours, bottom lip popping out as he struggled to keep himself from letting out more than he considered appropriate.

“I just really, really love you, Channie” you said past the heavy lump that was building in the back of your throat. “And going back to what you asked me earlier, no, you could never make me feel uncomfortable. Not that it matters much, but the last time I saw you drunk, you spent one whole hour reading the truth or dare cards and laughed your heart out by yourself and then you went to sleep. But even so, I think I’m past the point where it’s about what you say or what you do, it’s just… you. I love you” you said again and squeezed him in your hold, arms tightening around his frame until your joints hurt. It made him chuckle and his head fell forward, along with a little, stray tear that landed on your shoulder.

“I love you, Y/n” he tried to whisper, as a pathetic attempt to hide the way his voice trembled. But you heard it, you felt it, and in return, only smiled as you looked up at him.

"You're my person"

"I'll be whatever you want me to be, so then I'll take it, I'll be your person" 

"No, you don't get it" you laughed and cuddled back into the cushions so you could face him as you gathered your knees to your chest. "You are my person. I always considered my roommate to be my best friend, and I always thought my partner should be my half. But it's still always been you, the one person I run to and the one person I always want to talk to. I guess that never sat right with me." as you spoke, your tone got progressively lighter, until a giggle escaped, "I guess I need you out of my life so I can move on"

"Hey!" Chan's face suddenly got serious. He nudged your knee, fixed you with his stare and pointed a finger in your face. "Don't say that"

But you did, you said it, and were ready to say it again. It was a dumb thought, you knew that, but still, you couldn't shake it. It had been in the back of your mind for too long, popping up at the most inopportune moments, but this wasn't one of those. Now you were being honest, getting stuff off of your chest, and if there was a moment to say this out loud, it was now. 

"I'm serious" you leaned your temple against your closed fist and looked down, "I don't want this to sound like a 'reject me so I can move on' type of thing, but I do look for you in other people. And I know I'm not gonna find you there, but I still get disappointed when I don't" 

"But why not me? Why look for me in other people when I'm right here?" 

"Don't say that" you cuddled closer into yourself. "I thought about it, of course I did. And I wanted to make a move, more than once, but we wouldn't work. This isn't right"

While he looked hurt by your words, there was a glimmer of hope in his eyes - in the way he looked at you, as if he was one step away from having it all and was determined to fight for it. "Why do you think that?"

"I already feel like a leech, but it's one thing when you're just my friend. I don't think we'd have a very healthy attachment. You pieced me back together, and I love that - for myself. But it wouldn't be fair to you. You shouldn't have to constantly do that for your partner. At least not when they can't do the same for you"

"Y/n" he said in a serious tone, his eyes fixed on yours. "You can't possibly believe that"

"It's true, though"

"No, it's not. Just because you've been through a difficult time and I've been here for you, doesn't mean you haven't been there for me too!"

"Yeah, but I haven't done anything any of your other friends wouldn't have."

"Well then" he began speaking and struggled to hide his grin. "Why did you do all of those things for me if you knew I had others who could do them?"

"Why?" you frowned. "Why!? Because I wanted to. Because I wanted to be-" but then it hit you. "Oh shut up!" you exclaimed and stood up from the couch, your feet involuntarily leading you towards the kitchen. "I'm not having this conversation with you!"

"Y/n! Come back here!" Chan laughed out loud and jumped to follow you, all a giggle as he caught up with you. He placed his chin on your shoulder and wrapped his arms around you from behind, his chuckles even more uncontrollable now that he had seen the flustered look on your face. "You're my person too!"

"Chan, stop it" you giggled and hid your face behind your palms.

"Who let's me sleep over because they know that if I'm alone I'll spend the entire night working? Who's the first one that gets to hear my songs? Who do I call crying when I miss home? Is it you?" he chuckled, "Is it? The way you come over every single time I tell you I miss my family. Remember that one time you had some work to do, but you still came over and we haven't talked for hours because you were busy, but just the fact that you were there, with me, put me back on my feet? Y/n, look at me"

You shook your head, overwhelmed and completely confused by the hurricane of emotions swirling around your chest. 

"You're my home, you dumb ass" he kissed the side of your head. "It's funny to me that you didn't know"

Itchy on the inside and too fired up to stay still, you wiggled your way out of his hold and turned to face him. "How was I supposed to know?" you threw your arms up in frustration, eyes glossy as you giggled your way through the sentence, "You never told me, you idiot"

"Was it really that effortless for you? To be everything I ever needed?"

"Oh, shut up!" you scoffed, the tears now threatening to spill down your cheeks. Again, you tried to hide from him, but Chan wasn't having it.

"Come here" he hugged you again, "I love you"

"Leave me alone" you cried, face hidden in the crook of his neck. 

It might have looked like he found it amusing, but he too was overwhelmed. His little chuckles were nothing else other than a sign of all the admiration and awe he felt inside when he looked at you, of the warmth around his heart as you clung to his hoodie like your life depended on it. 

But eventually you pulled away. "Ok, I'm done. I love you" you wiped your tears and turned to leave, "But I'm also done with this conversation"

"Hey, hey, hey!" Chan exclaimed, not missing a beat before caging you in between his arms and the counter behind you. "All these years I thought my feelings were one sided, today I find out they aren't, that you feel the same way, but then you tell me you don't want to do anything about it?"

"Basically"

"Y/n!" he laughed in despair, "Come on. Give me one good reason we shouldn't be together. Just one"

"I- I don't have one. I'm just scared"

"Of what?" Chan asked softly, "It's just me. You know me"

"I don't know" you lied. "It's scary. You make it scary"

"I make it scary?" he gasped. 

"What if I fuck up?"

"What if I fuck up?"

You scoffed. "Yeah, right"

"Love, at this point, you're just being delusional. I have no idea what's going on inside that head of yours, but I'd love to find out. Tomorrow. Now it's the buttcrack of morning, I've been dying to kiss you for god knows how long and you're just standing here, spewing nonsense as if you're not the most amazing person I've ever met."

"I'm sorry" you looked down.

Chan tiled your chin back up so you'd look at him, "Don't be sorry, just trust me"

"I trust you" 

"Then, can I kiss you?"

And a little nod was enough. And no matter how nervous you might have been, his hold, like so many times before, drained the worries right out of your mind. And the awkwardness - ever present whenever you kissed someone for the first time, especially someone you cared about, barely managed to make its presence felt. Because at the end of the day, nothing was new. You may have never kissed him before, but the intimacy was familiar. You knew his touch, how he felt, how gentle he was and how much he cared. Only now, you got to experience that through a kiss shared in your kitchen, while the sun was rising, after you opened your heart for him and he still craved you as much as ever. 

And while in a way it felt cathartic - the release of so much pent up emotion, it was still frustrating. You couldn't get as close as you wanted no matter how hard you pressed yourself against him, and you couldn't get enough of his taste despite going at it until dizziness took over. 

It was hard to pull away for air when the kiss itself felt like breathing. 

The sun was already up and at the top of the sky by the time you opened your eyes. You had probably gotten around 5 or 6 hours of sleep when something stirred you awake. 

Excited to wake up for the first time in ages, you didn't care what interrupted your sleep, you just stretched over to the other side of the bed, and frowned when you found it empty. 

But then there it was again, the sound that woke you up. The neighbors, you thought, climbing out of bed. 

The reasonable thing to do was head to the bathroom, fix your hair a little, maybe brush your teeth, but there was something else on your mind and you went to look for it. 

"Chan?" you stopped dead in your tracks in the middle of the hallway, one hand rubbing your squinted eyes. "What are you-"

"Ah, fuck" he looked up at you, like a child caught red-handed. He didn't move, just sat there in his spot on his knees by the door, unable to come up with a way to word an explanation. He hoped you'd understand it yourself.

It took you a second but the details started coming one by one - the suit, the tie, the guitar against the wall. There were rose petals on the floor. And under Chan's arm - the source of the sounds that woke you up - Berry fidgeting and yelping, desperately trying to wiggle his way out Chan's grip and over to you. 

"Chan, what is this?" you scrunched your face at the itchiness in your nose and furiously blinked at the way your eyes suddenly started stinging. 

"You, uh… weren't supposed to wake up yet"

"Chan, what the fuck is this"

Wordlessly, he put Berry down and stood up. 

The dog sprinted at you, tail wagging as his little paws clawed at your legs. All you could do was pick him up and squeeze him to your chest, sinking your nose in his soft fur as a way to ignore everything else. 

"You don't like it," Chan simply said. It probably should have been a question, but the insecurity inside his chest made it sound like a statement. Fuck. Fuck, fuck, fuck. 

"Don't like it?" you mumbled, walking towards him as Berry still worked on greeting you with some well deserved and hungry licks all over your chin, cheek and jaw. "Chan, I-"

"I also got candles," he pointed to the kitchen table, "And strawberries. And there's chocolate too"

You walked over and spotted the bowl, full of chocolate dipping cream, covered with a plastic wrap. "Did you make this!?"

"No, no… I would've- I really wanted to, but there wasn't time. I asked Felix"

"You asked Felix?"

He responded with a shameful nod but then jumped to clarify. "I didn't tell him what I needed it for, I- I said it was just for fruit in general. I didn't want to tell anyone anything until I talked to you first, especially because I was a little bit pushy last night, so if you want me to leave, I'll leave-"

"Leave!? Pushy? No, you weren't pushy, stop it"

He breathed out relieved. "Ok, good, because I could barely sleep last night, I- I felt like I forced you to kiss me and I felt so bad, but you were already asleep and I didn't know-"

"Oh my god, no" you shook your head and launched yourself at him, a tight hug with Berry squeezed in the middle. "You didn't pressure me to do anything, relax"

And while the embrace felt good and homey for you, Chan didn't mirror your emtions. He was still on edge, only half of his grand plan having played out yet. "There's still the song, I promised I'd serenade you"

"You learned a song for me" you melted, "What song?"

"You haven't heard it before"

"I haven't?"

"No, because I wrote it. It's about you. For you. I wrote it when you first joked about all of this, I wrote it all that night, and I've been dying to play it for you ever since then, but now I'm so nervous, I think-" he tugged at the collar of his shirt, "I think I'll combust"

While in awe with everything happening, you weren't quite happy. "But I don't like this, Chan. You put so much effort into this and I haven't even washed my face. Can you give me a second? So I don't look like-" you gestured up and down your body, "this"

"You know… I feel like I've been so cheesy and over the top this morning, that I don't think one more cliche is going to make that big of a difference."

As you switched Berry from one side to the other due to your arms growing tired, you raised one eyebrow in confusion.

With nothing but admiration in his eyes, Chan smiled, "You have never looked more beautiful to me"

Thank you for reading!! I hope you enjoyed it!!! 🥺 feedback makes my day so I'd love to hear what you thought!!! ❤️❤️

[funhouse-mirror-barbie]

Nuanced and Multifaceted Conflict vs. “Good v. Evil” in fiction

So. This is another thing I’ve wanted to talk about for a while. I promise I won’t always be focusing on Helluva Boss in my critiques, and I actually have quite a few other series I want to talk about.

There’s a big chance that I’ll be saying everything other people have already said, but I can’t help but WANT to talk about this specific character in regard to the story’s conflict. I think that it’s important to recognize when a character is written to be a complex person, and when a character is written to be an enemy to be defeated, and how not following through with your set-up can affect your story.

And HB does that A LOT in my opinion.

So. Let’s get into it. This time I’ll be talking about complex conflict between characters vs. black and white conflict, and I’ll also be touching on story set-ups and audience expectations.

I want to talk about a character who could have really made some of the internal character conflicts have so much more depth and intrigue. I want to talk about Stella Goetia

*as a side note this post is MUCH longer than I intended but I really wanted to get into a lot of the background and reasons for how Stella’s character development has actually completely changed what HB’d story conflict could have looked like. I’ll try and sum up everything in the end in a TLDR for y’all

So. Most of the reviews of her character I see talk about how she’s been “ruined” by the writing team revealing that she’s always been very abusive towards Stolas

I have to start off by saying I actually don’t think that Stella or her portrayal was “ruined” by the writing direction her character has been taken in.

In fact, this critique bothers me, because it doesn’t really get to what I think the actual root of why people are disappointed in Stella’s characterization, and the type of conflict that now exists between her and Stolas.

The main reason I believe people are unsatisfied with Stella is because they believed that her character was being set up for a complex and nuanced conflict between her and Stolas, and then that turned out not to be the case.

A quick disclaimer- I do think it’s possible to subvert audience expectations about story and characters in a satisfying way. But it has to be done in a way that respects the audiences intelligence and willingness to think about the story.

If your plot-twist, unreliable narrator, subversion, or what-have-you is done well, the audience should be able to either figure out what’s going based on the little information you’ve given them, and if they don’t, the change or subversion should still make sense and CLICK in hindsight.

Otherwise, your subversion will end up feeling cheap or confusing. Or worse, like a lie.

And this is one of the MAIN issues I think people have with Stella.

As the audience, we were NOT given enough information on her or her character before it’s revealed that she’s just “evil” and always has been, apparently since she was a literal child.

Again, I don’t think it’s an inherently bad decision to have a flat or pure evil villain. I’m fine with Stella being one, even if it’s less interesting to me personally.

But it’s definitely very different from what was initially implied and set-up, and the audience can pick up on that.

Before S2E1 “The Circus” we see Stella a total of 3 times in person, with one time being a flashback.

I’m going to go over those times to analyze if anything set-up in Stella’s appearances points towards her being. Well, totally and irredeemably awful and abusive I guess.

The very first time we see Stella is in the same bed with Stolas—Octavia calls for her parents, both Stolas AND Stella. Stella grumbles and refuses to get up and tells Stolas to go. This doesn’t immediately strike me as a sign of her being a terrible person. That exact scenario is present in a lot of family comedies, kids’ movies, and sitcoms.

Nothing about this screams that Stella is a terrible parent or an abusive partner to me. It just tells me she’s tired and doesn’t want to get up, which again, is not uncommon.

The next time we see her, she’s yelling at Stolas, and she throws a servant at him in anger.

Now, there’s no excuse for this, her behavior here is not okay, regardless of her feelings. But we understand why she’s acting the way she is--she’s furious with Stolas for cheating on her. At this point with the information we have, it’s also very reasonable to believe her feelings have been hurt.

Later Octavia talks about how her parents didn’t used to hate each other, and the way Stolas’ tries to explain their failing marriage to her comes across like his relationship with Stella is one that’s always had difficulties that they have tried and failed to overcome.

None of this information is enough to really convey or hint that Stella is and has always been abusive or evil. It shows that Stella and Stolas have a very rough relationship, and that Stella most likely has anger management difficulties, but you have to do lot of extra work to come to the conclusion that Stella is completely at fault here.

The next time we see her though, things have clearly escalated, because it’s revealed that she’s one that hired Striker to assassinate Stolas.

Now. Usually. Yeah. That would be a HUGE red flag. And I mean. It still obviously is.

But, and I never thought I’d use this uno reverse card, this is one of the few times where the explanation of “But it’s hell, what did you expect???” actually makes sense to me.

Because yeah, it is hell. It’s the end of episode 5 when we learn this, and our protagonists have killed and assassinated multiple people. Taking a hit out on people really doesn’t seem to be that uncommon of a thing in hell.

Even the next scene after the reveal that Stella is the one who hired Striker makes light of how serious this is, by showing that Stella was basically yelling her assassination plot right to Stolas’ face.

This is played for laughs! I genuinely am not sure if the writers intended for this to be foreshadowing of Stella’s abuse or not because if so, they turned her attempting to kill her husband into a joke!

If you cannot keep your themes or tone consistent, how is the audience supposed to follow your story?

There is subtle storytelling, and then there’s tacking information and character points later on in your writing. And this can have two causes.

Either your audience has to do the work of story-telling for you and make up their own reasons for what’s happening to make the story coherent OR they will be disappointed and dissatisfied by the final product.

I think that’s the main reason why S2E1 of Helluva Boss felt so jarring story-wise, and why Stella, to me at least, suddenly felt like a brand new character.

Like I haven’t been this confused by a character being suddenly evil since Hans from Frozen.

(like seriously why the hell did they put this scene in if not to just trick the audience. This isn’t giving us any plot info it’s only giving us contradictory info on his character. Like I talked about before, Hans’ heel-face-turn doesn’t feel like a twist. It feels like a lie.)

Okay so, how does any of this actually affect anything? Who cares if Stella is evil, that doesn’t automatically make the story bad!

Well. Yeah, of course not. Ironically, having the main conflict your story being a battle between “Good v. Bad” characters is neither good nor bad. It’s just a story decision. And ultimately at the end of the day, the writers of Helluva Boss can choose to tell their story however they’d like.

But, depending on how this is executed, good v evil stories can be a lot less interesting than morally grey or complicated conflicts and characters.

I am more interested in the version of the story where Stella and Stolas are imperfect and messy people. I am more interested in the story where Stolas has an affair to escape being in an arranged marriage, and Stella overreacts by arranging a hit on her husband (unless calling out a hit is normal in hell, but we can’t know b/c there is no baseline for what is considered normal in hell)

I am so much more interested in the story where Stolas and Stella are both depicted as being in the wrong, as being incredibly hurt by each other’s actions, and as not knowing how to repair their broken relationship for the sake of their daughter.

That story feels very real to me. It’s one I want to engage and invest in.

I want to see if these characters can grow to accept their mistakes and learn and change for the sake of Octavia and having to co-exist with each other, or if they’ll slip back into mutual destruction and toxicity.

But that’s not the story we’ll get to see, because it seems like the writers are more interested in keeping Stolas from having to grow as a character. And because of that, Stella has been turned into an evil obstacle that must be defeated, instead of a nuanced and real person.

I also feel like I have to say. I know I would be MUCH less frustrated by this if I hadn’t seen an HB crew member talking about how their show is similar to Bojack Horseman.

Because. It’s just not. I’m sorry, I’m not saying that to be mean, or condescending, or rude, but the way characters are written in Helluva Boss is almost completely black and white at this point.

Regardless of the writer’s intent, the vast majority of the choices they have made in Season 2 come off as explanations to excuse the protagonist’s mistakes, and give them a “get out of being potentially in the wrong” free card.

Compared to the writing decisions in Bojack, which almost always has characters confront their wrongdoings, for better or worse, HB honestly feels like it’s the Anti-Bojack.

It would take a TON of character development and time to make HB’s characters as interesting, fleshed-out, and as real as Bojack’s are, and at this point that’s I don’t think it will ever happen.

Again. Having black and white conflict is FINE. It is a choice in story telling that can be done very effectively. But if you are making a black and white story where one side is always terrible and evil, and one side can do no wrong, you can’t act like you’ve written something that is deeper and more emotionally complex and grey than that.

And the first time the writers gave Stella more than 3 sentences to string together, they made it very clear that any chance of her being a more complex and engaging character was being tossed out the window.

————

TLDR:

The main reason people are upset about Stella being shown as abusive in S2E1 of HB is probably because the initial depictions of her didn’t give us enough information on her character to tell that she was just evil/a terrible person.

The way the story was written in S1 to set up the possibility of a very interesting and complex conflict between Stella and Stolas, and when it was revealed that she’s just. The worst. There were people that were disappointed by this, because they expected more.

Audiences actually aren’t idiots, and when you subtly foreshadow something and then completely change things, that can be frustrating.

It’s MORE than okay to write a straightforward good v evil story, but it depending on the way it’s written and executed, it may not be as interesting to mature audiences as a more morally grey story would be.

If you can’t write characters confronting their flaws and being in the wrong, please don’t compare your writing to Bojack, I mean. C’mon.

[hayatheauthor]

How To Write A Compelling Character Arc 

 A character arc is a measure of how a character changes over time. These arcs are linear, which means they have a start and a conclusion. Character arcs are a significant aspect of any novel as they help clearly translate your character’s struggles and personal developments to your readers. 

Unsure how to write a compelling character arc for your protagonist or other characters? Here are some tips to help you get started! 

Pick A Type Of Arc 

In order to create a compelling and successful character arc, you first need to recognise which type of arc is your character going to experience. Over the years people have developed various character arc types, however, there are three significant types every writer needs to be aware of when plotting their character’s story. 

Positive Character Arcs 

Positive character arcs are simply that—a character arc that results in a positive journey or development. 

A majority of books and movies or other cinematic pieces feature positive character arcs. This is because everyone enjoys a happy ending. An ending that makes you feel fulfilled and excited for the protagonist’s journey, or brings tears to your waterline as you reminisce on how far they’ve come, and how much they deserve this positive ending. 

A positive character arc doesn’t necessarily have to have a ‘’happily ever after’ however it needs to have a happy ending. If a character’s family was assassinated and at the end they get revenge on the antagonist who murdered their loved ones while developing themselves mentally, then that counts as a positive character arc. 

When writing a positive character arc it’s important to keep a few things in mind, such as: 

You need to end on a positive note. Things can be as chaotic as you want it to be, but you need to have a positive ending. Otherwise, you cannot define your character arc as positive. 

Your protagonist needs to develop as a character. Whether that be mentally, emotionally, financially, etc. 

Your protagonist cannot end up where they started. A character arc that ends in a full circle is more of a flat character arc than a positive one. 

Negative Character Arcs

Just like a positive character arc, a negative one is very easy to explain. This is a character arc that is typically used when writing antagonists in the entertainment industry due to the negativity it brings. When writing a negative character arc for a protagonist you run the risk of making your readers feel unsatisfied or creating a ‘bad ending’. 

Some examples of a negative character arc for a protagonist would be if the protagonist dies at the end of the book, or if the protagonists almost achieve their final goal but fail by a small shortcoming. Negative character arcs for a protagonist are usually implemented for the first few books of a series, especially in fantasy books. 

Using a negative character for your antagonist is simple—they fail. The protagonist wins and the villain dies or gets locked up until their final moments. 

When employing a negative character arc for a protagonist, here are some things to keep in mind: 

They shouldn’t end up as a person similar to what they started off as. The point is to corrupt them, ruin them and turn them to the bad side. Perhaps even make them fall victim to the antagonists. 

They can’t or will never achieve their long-term goal. Remember that goal you established at the start of your book? Your protagonist cannot achieve that. Or at least, they will never achieve it due to certain plot developments. 

They lose someone or thing important to them. Negative character arcs for a protagonist are generally triggered due to the loss of someone or thing important to the protagonist. Maybe their mentor is murdered by the government, or their failure to achieve their goals makes them turn evil. 

Flat Character Arcs

Flat character arcs are arcs that essentially lack any sort of arc. They are flat and begin and end with the character as the same type of person. 

These arcs are generally used for side characters, but they can also be used for a protagonist. Think of characters like Sherlock Holmes, James Bond, etc. They go through several trials and tribulations, but even after it all their personality remains the same. 

When writing a flat character arc it’s important to remember that your character cannot undergo any significant personality changes. Your protagonist can undergo such changes during the story, but they need to have a full circle by the end. 

Divide Your Arc Into Short-Term Goals 

Once you’ve decided where you want your character to end up at the end, you now need to know how they will get there. You can achieve this by referring to your long-term goal and then breaking them down into short-term goals. 

The protagonist is supposed to find a hidden jewel at the end of the book and discovers how corrupt their government is. Alright, now break that down into short-term goals that will help your protagonist get to their end goal. 

Group these goals and they will become stages for your book, break them down and you now have chapter outlines to work with. 

Playing with the details of your character arcs can help you easily plan out your book’s plot and set a steady pace. You can also use this as a reference sheet when working on your WIP. 

Take The World Outside Your Protagonist Into Perspective

Once you know the type of character arc you want and how you’re going to write it, it’s important to consider how this arc will impact your world. This includes your side characters as well as the general plot and layout of your world. 

Character Arcs For Side Characters 

It isn’t necessary to have a character arc for every single character, but it is almost impossible for only two characters to have an arc within hundreds of pages. 

Whether it be your protagonist’s mentor or your antagonist’s assistant, it’s important to take their stories and personal development into consideration. How does the story’s plot impact their outlook on the world or their personality? Do any of the minor antagonists turn out to be morally grey? Does one of the smaller protagonists end up betraying the protagonist out of jealousy? 

Remember, your smaller characters are also human. It’s important to take their stories and arcs into consideration so you can create a detailed and comprehensive world. 

A great example of this could be anime characters. Most animes tend to have separate backstories and endings for every character. These backstories and endings don’t have to all be necessarily revealed to your readers, however, as an author you need to know where you’re going with each of your characters. 

Reaction Arcs 

One easy way to implement character arcs for your side characters is by using reaction arcs. I don’t know if this term has already been established, but I personally coined the term to refer to a character arc that is a direct reaction to another character’s arc. 

Maybe your protagonist has a positive character arc and ends up becoming the most successful person in their field of work, but this results in a reaction arc for their best friend who turns bitter and has a negative character arc due to the way the protagonist’s story played out. 

Reaction arcs differ from other arcs due to the fact that they cannot be achieved without establishing another character’s arc first. Following the above example, the best friend cannot become jealous and bitter until your protagonist’s character arc is established. 

I hope this blog on how to write a compelling character arc will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and marketing tools for authors every Monday and Thursday. 

Want to learn more about me and my writing journey? Visit my social media pages under the handle @hayatheauthor where I post content about my WIP The Traitor’s Throne and life as a teenage author. 

Copyright © 2022 Haya Sameer, you are not allowed to repost, translate, recreate or redistribute my blog posts or content without prior permission

[am-i-the-asshole-official]

AITA? I tried to ruin a small business's reputation.

[20F] I went to a clothing store in which they sew the clothes themselves. There is a number of designs and colors you could choose from and if your size isn't available or you wanted to add your own spin on it, they can make one on request but it's basically 40% more expensive. And you're supposed to pay percentage of the price as a down payment in case they make the dress and you fail to pick it up.

Such businesses are common in my country and it was my first time going to this particular place. I'm plus size and tend to have the clothes tailored to my specific size because my size is rare.

Anyway, there was a very killer design that I loved for an outfit that was basically a skirt and a lab coat sorta look. I tried the available size but it was too tight on me so I asked them make one with my measurements and while I was at it, I chose the blue color which is my favorite. 💙 I clearly said blue and nodded when they grabbed the blue fabric. The outfit costs what would be about 120$ and I foolishly chose to pay around 80$ because I didn't have change on me and down payments are cash only, they don't accept credit cards. And by the way, that's a LOT of money in our currency but I thought nothing of it as I was never let down before by these businesses and I needed the outfit to be more comfortable at work.

Not sure what happened but when I came to pick it up, the outfit was gray. 👎 I said that wasn't what I ordered and the cashier gaslighted me into believing I chose gray and for a split second I started believing I somehow chose gray because the blue fabric was kinda pale, then I noticed the pale blue fabric right behind the gray one and pointed at it telling them it was my order and I stood my ground and insisted my order was blue. We kept arguing back and fourth and I told her to make another one. She refused because "the business will lose if they do that." I said that's not my problem and I want the blue outfit, they can put this one for sale to mitigate the loss. She refused because they will have to sell it for a cheaper price plus I was too fat and nobody will probably look for this specific size and once again said it wasn't my problem. She said it was criminal of me to deny "a perfectly great outfit" just based on its color and I told her blue was my favorite color and I refuse to leave without them agreeing to make a new order order, I certainly would have just left if I haven't paid that down payment.

Then she decided to pin the blame of her mistake (she was the one who took my order) on the expat tailor and tried to make him responsible for paying for the difference. I was unsure of what to do and I didn't want the poor overworked guy to pick the slack for someone else but at the same time I wanted the blue outfit. Seeing that I was firm she basically said she would give me a discount. I refused multiple times while she insisted.

Honestly I'm a socially anxious weak pushover that only very recently started learning and practicing to stand on my own that I was surprised I had stayed firm during this whole ordeal, but I was reaching a limit and the employee was clearly stronger than me. She wore me out and basically got me to accept the discount against my will. The discount was only about 15$ and I left very unsatisfied and upset. I complained go my sister who was with me when I made the order and she told me I was absolutely scammed and she wished she was there when I picked it up to stand up for me. I felt upset and taken advantage of, I was too disgusted by the outfit and I ended up only wearing it twice. I have no problem with gray by itself but this whole experience absolutely ruined it for me and I relapsed into feeling absolutely weak and useless like I used to be my whole life.

Apologies if I had done any AH move so far but if there was, I think I was justified but here's the AITA part of the story: in my frustration I opened their Google page to write a bad review but was shocked the page didn't even exist so I turned to their Anstagram page and I wrote several bad reviews and complains ON EVERY SINGLE POST THEY MADE. I wanted people to be aware of the problem. I also told everyone I knew. I say "tried" in the title because my attempt didn't even impact them, they didn't bother contacting me after I spammed their page with probably 40 negative comments and the business is still going strong.

AITA?