#‘but happy endings’ shut up

[phyrexian-lesbian]

*sigh*

people being all 'regeneration doesn't work that way!' always amuse me because like

it's made up fake sci-fi nonsense to justify changing actors

other time lords have abilities we never see the doctor use, like choosing their body and changing it immediately after regenerating

the doctor canonically failed time lord school and is just Bad At This

[secondbeatsongs]

going through some old logs, and I need you to understand just how truly unhinged early 2010s RP omegle was.

genuinely you could stay on there for hours with just one person, hashing out complex traumatic backstories, drawn-out love confessions, detailed action scenes...collaboratively describing graphic violence, past abuse, comfort, hurt/comfort, hurt/no comfort, any number of sex acts...and then one of you would be like, "oh haha it's 2AM! I have to sleep :(" and the other person would say, "omg saaaame. :( gnight!!!" and then you'd exit the chat and never speak to each other again, and this was. fine.

you could just spend an entire evening shoving your wretched, bleeding soul into a chat log with someone you'd never meet or learn the name of, achieve some form of emotional catharsis, and then go about your day or night like this was an average way to spend your time.

I'm really normal about this, actually

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[blueskittlesart]

How do you feel about concepts for redeemed/good guy Ganondorf? I don't remember if you've said anything on it before, so I am curious to see what sorts of thoughts you have to share or if you've thought about the idea before (especially since you've worked on SoF so I assume you've thought about many possibilities of a "what if" Zelda game)

For my part: I have mixed feelings, and I think a lot of concepts end up being "I want a buff guy to ship Link with"; I also think a lot of criticisms of the racism in many depictions of Ganondorf have merit (though I don't speak on them in depth because I'm white) and would love to see a more favorable/complex portrayal of him and other characters of color in LoZ. I personally haven't seen many versions of good guy/redeemed Ganondorf that really engage with the base structure of the LoZ games but I would love to see one that did.

Anyways I love your blog and analysis and I love seeing someone who finds analysis as inherently a part of their engagement with fandom as me, it's really nice :) I hope you're having a good day

I never posted about it much but sof did actually have a somewhat redeemed ganondorf, or as close to "good guy" as i'm willing to go with him in my own writing. sof was/is very much about me exploring the religious aspects of the lore and issues of fate vs self-determination, so my ganondorf was a much younger version of the character (similar in age to link and zelda) born into an extremist hylia-worshipping doomsday cult. in sof, ganondorf finds the remains of DEMISE'S sword and believes it to be the master sword, so when it starts ordering him around he follows the orders without question, believing that he's hearing the voice of hylia, and basically everyone in his life affirms to him that this is the correct choice and he's hylia's chosen one. Because of the intensity of the religious doctrine he was raised with, he has no problem following the sword's orders even when they become progressively more and more violent, and by the time link and zelda get to him he's nearly past the point of no return. (this is also partially a product of the setting I chose to put sof in--it's one of if not the first cycles after sksw, so the hyruleans' understanding of the reincarnation cycle and their own general history isn't super solid.) So that's my personal take on a "good guy" ganondorf, and, i think, the way i'd like to see it done in canon if ever they choose to go that route--because loz deals so much with the concepts of fate and cycles, I think leaning into a ganondorf who isn't inherently evil but can't escape the fate that waits for him is a fun way to take it.

[oraclenthusiast]

cause wdym caitvi didn't deserve a happy ending... i am going insane i hate fandom culture so much

[0vergrowngraveyard]

the end nine’s story really was an “alls well that ends well!” moment

[whumpdoyoumean]

Whumptober #22

A/N: Surprise! This is a precursor to day 8. I actually had this one planned ages and ages ago, before I'd written 8. I tried to write them so that each one could stand on its own and not be too confusing, since they're being posted out of order. Anyway, enjoy!

xxx oh, that's not good

"I didn't see any sign of him," Guy frets as she and Lamb reconvene at the front entrance of the house.

"Are you surprised?" Lamb says. "These guys aren't exactly geniuses but they're not stupid enough to keep a kidnapped MI:5 agent in their hall closet! Come on, we've still got loads of places to look, and not a lot of time to do it before those idiots come back. Stables next."

Guy sighs and nods. "Right."

Her expression is one of deliberate focus as she exits the house and heads toward the stables, gun in hand. She's so focused on the stables, in fact, that she doesn't bothering observing the rest of her surroundings, which is probably why she doesn't notice the many pairs of boot-prints in the mud. And why she doesn't notice Lamb stopping to look at them. He doesn't call after her, partially because he's confident there's no one waiting in the stables to ambush her, precluding the need for backup, but mostly because he can't be arsed.

He follows the prints to a pair of basement bulkhead doors round the east side of the house. There's a heavy chain and padlock keeping them shut, but the lock obviously cheap. All it takes to get it open is a large stone Lamb finds on the ground and a few heavy blows. He highly doubts there's anything in the darkened basement that he'll need to shoot, but he draws his gun anyway before pulling the doors open and making his way down the steps. It's dark at the bottom, and it takes a moment for his eyes to adjust.

When they do, he can see that he's in the right spot.

“Fuuucking hell,” he murmurs, holstering his weapon before stepping further into the basement. “Christ, Cartwright, you alive?”

The figure huddled against the far wall stirs slightly, but offers no other response. Lamb makes an annoyed sound in the back of his throat (or worried, more like – not that River will be able to tell, the state he's in) and crouches next to the younger agent. There's old blood in his hair, dark red matting the blonde over his left ear and dried onto his neck. An ugly purple-yellow bruise stretches over his jaw on the same side, a few days old. A gash on his right cheekbone looks newer. Lamb doesn't need to see to know that his torso likely took the worst of it; ribs and kidneys tend to be favored targets of this sort of brainless thug. River’ll probably be pissing blood for a day or two, and he'll be hurting for a bit, but he seems surprisingly okay given the circumstance.

“Oi," Lamb says loudly, giving Cartwright's shoulder a firm shove. River's brow crinkles into a frown and he grimaces, blue eyes fluttering open. His gaze lands on Lamb and he groans, letting his eyes fall back shut. Lamb prods at him. “If you think I'm gonna carry you out of here, think again."

Cartwright opens his eyes again, staring up at the low ceiling. He takes two deep breaths (But not that deep, Lamb notes) and then slowly starts to push himself up on his elbows. He doesn't say anything, hardly even seems to notice, when Lamb reflexively puts a hand on his back to help him get upright.

Lamb doesn't like it.

“What," he says, putting a sneer into his words in the hopes of drawing some sort of reaction. “Don't tell me you don't have something smart to say. No, ‘I’d’ve had it’? No, ‘Where the hell have you been’?"

Cartwright sighs, but the corner of his mouth twitches. “I’d’ve had it," he says, and looks up at Lamb. “And where the hell have you been?"

Lamb bites back a smirk, rolling his eyes. "Yeah, you'll be fine. Come on!"

He turns, pulling his mobile out as behind him Cartwright makes his way, groaning, to his feet. Shirley answers after the first ring.

"Yeah?"

"I found Cartwright," Lamb says. "Hurry up and finish what you're doing and meet us out by the cars." He glances over his shoulder as he returns his mobile to his coat pocket. Cartwright is swaying slightly, but there's a determined set to his expression. Lamb raises an eyebrow at him. "You coming?"

Cartwright gives him a shaky thumbs-up. "Yep."

xxx

It's not a sunny day—far from it, seeing as they're in the English countryside in October—but the daylight is still far brighter than the hole in the ground where River's been held the last three days. Or maybe it's four? He's lost track. Regardless, he finds himself wincing as he emerges from the basement as the relative brightness sends bursts of pain through his skull.

"Lamb!" Louisa's voice. "He's not in the stables. Where did you go?" She looks over Lamb's shoulder and her eyes widen. "River!"

"Hey, Louisa," River says, raising his hand in a sheepish wave.

Louisa steps around Lamb and grabs River's arms, looking him over, brow furrowed. "You alright?"

River shrugs. "Oh, you know..." He looks up at the back of Lamb who, unsurprisingly, didn't stop to watch Louisa and River's reunion. "I'm surprised Lamb came himself."

"Yeah. Marcus and Shirley are here, too."

"Really?" River frowns. "All of you are here?"

"Well, not all of us. Roddy's still at Slough."

River snorts. "He doesn't count."

Marcus and Shirley are already at the cars when they get there, and Shirley grins as soon as she sees River, straightening up from where she'd been leaning against Marcus's car.

"Were they keeping you in the stable?" she says. "'Cus that would be really fucking embarrassing."

"It was the basement, actually," River says dryly. He's not sure why he expected anything else from her.

"Because we're Slow Horses," Shirley continues as if River hadn't spoken. "Horse. Stable. It's funny."

River shoots her a sarcastic smile and holds up his middle finger. Shirley scowls.

"Rude."

He opens his mouth to answer, and is interrupted by the loud crack of gunfire.

"Get down!" Lamb shouts, and River thinks it's a little funny that he bothers saying it; they're all already moving, diving for cover behind the parked cars. They may be Slow Horses, but they're still Service. They aren't just going to stand around while a sniper opens fire on them.

“Shit!" Shirley cries as a round strikes the dirt near her. "Where is that coming from?”

“Uh – barn.” Marcus is the one who answers. “Hayloft, I think.”

Lamb growls. “You didn’t clear the fucking barn?”

“You called and told us you had River! You didn’t say anything about clearing the barn!”

“I said to finish what you were doing, I didn’t think I had to fucking spell it out! Bloody well should have known, though, you’ve all the sense of a toad. Didn't clear the fucking barn..."

"We can return fire, but I don't know what good it'll do us," Marcus says. "He's got better cover, better range, a better vantage point..."

“He’ll run out of ammunition eventually,” Shirley says, and Lamb lets out a bark of laughter.

“Yeah, I suppose we could just roll around in the dirt here and hope the bastard is stupid enough to waste all of his bullets. Anyone else have any bright ideas they'd like to share? Cartwright?”

River, who's only been half-listening to most of the conversation, looks up at the sound of his name. “Erm – what? Sorry?”

Lamb’s irritated expression shifts slightly, his forehead creasing in the middle. Then his eyes flick downward, then back up again, eyes slightly narrowed in suspicion. “Are you hit?”

"What?" Louisa says sharply.

River looks down to where his hand is clasping his hip. He hadn't even noticed he was doing that...He lifts his hand away from his side enough to catch a glimpse of bright red before quickly replacing it, swallowing hard to quell the nausea that tries to rise up.

“Yup. Yeah, I--I think so. Yeah."

He's not sure he would've realized if not for the sight of blood. Adrenaline is a hell of a thing.

"Jesus," Marcus says.

Louisa's voice is tight with near-panic. "We have to get him out of here!"

"It's fine!" River's voice is loud, almost shrill. It comes out too insistent. He swears internally, then takes a breath and forces a smile that he hopes looks less manic than it feels. "I'm alright, it's a good guy wound."

Shirley makes a face. "What the fuck are you talking about?"

"The good guys in action movies, they always – you know what, never mind!" His mind is racing. He's pretty sure adrenaline is supposed to bring clarity, but his thoughts are all noisy and competing for attention. The one that makes it out of his mouth, before he has time to really process it, is, "This is a good thing."

"How?!" Louisa and Shirley cry in baffled unison.

There's an opportunity here for River to turn something humiliating—having to be rescued from the ex-military meatheads that had managed to kidnap him—into a win. He just has to make them see it.

"Look, now that their secret hideout isn't a secret anymore, they're just going to go deeper underground. Whoever's shooting at us is alone right now. We can press him for information, I--" He falters momentarily as he sees the doubt plainly written on his co-workers' faces. "I can distract him, and you can sneak around the back of the barn and get the jump on him. We might not get another chance."

"You'll distract him?" Lamb chuckles. "What, for the two seconds it takes to blow your head off? All that'll do is give me an extra pile of paperwork to fill out."

"But--" River begins.

"We're not here for him, Cartwright, we're here for you. And we have you, so we're gonna fuck off back to London. Let the Dogs deal with these pricks."

River blinks in surprise. Of all of them, he'd thought Lamb was the most likely to agree that they should try and get something out of this shitshow. If Lamb notices his shock, he doesn't mention it.

"Guy, Cartwright and I'll go in your car. Dander, you're with Longridge – Christ, I feel like I'm arranging a carpool. Anyway, whoever is up there isn't a very impressive shot, or Cartwright wouldn't be alive right now, but still: move fast."

There's an exchange of glances, some nods. No one counts down, but somehow everyone starts moving at once – Marcus and Louisa yanking open driver's side doors and clambering in, keeping their heads down and trying to make themselves as small as possible (an easier task for Louisa than Marcus) as Lamb and Shirley get into back seats. River is waiting for it, for the sound of gunfire to pick up again, but it doesn't come. He should feel relieved that they aren't being shot at, but all he feels is dread.

"Cartwright!" Lamb barks.

River is still sat in the gravel beside Louisa's car. He's sitting there when a man in a balaclava comes out from behind the small garden shed the cars are parked next to.

Oh, that's not good.

The man's got a gun raised, and it's aimed right at Louisa's head and fuck if River is going to let her get killed. His body doesn't feel like his own as he launches to his feet and places it between the gun and Louisa. There are two loud pops, and then he's falling and the man in the balaclava is falling, too and Louisa is screaming his name but he can't gather the breath he needs to answer because it feels like he's just been kicked in the chest by the world's angriest horse and he can't breathe--

Someone grabs him under the armpits from behind and pulls, and that's enough to shock his lungs back into working.

He screams.

When his vision returns, he realizes he's in the backseat of Louisa's car. He's more than slightly mortified to find that he's laying partially in Jackson Lamb's lap, one of Lamb's hands held tightly against the bullet hole in River's chest.

"Drive!" Lamb yells, and the car lurches into motion and the only sound River makes this time is a low, strangled groan.

River isn't particularly religious, never has been, but as he bleeds and bleeds and tries to breathe in the backseat of Louisa's car, he finds himself pleading with whatever higher power is out there to please, please not let him die in Jackson Lamb's arms.

xxx

[captain-sunshine-11]

Kevaaron but Aaron notices his attraction to Kevin at the very start. Aaron getting angry at himself and distancing himself from Kevin because any other interaction with the guy would be unacceptable. Aaron eventually calming down but realizing his attraction to Kevin isn't accessible—but why would he want it to be, didn't he not want this in the first place? Aaron getting with Katelyn not because it's a coverup but because he genuinely loves her as a person. Aaron figuring out what bisexuality is through a friend of Katelyn's and maybe coming to terms with what he feels sooner rather than later. Aaron and Katelyn splitting on good terms–because here, they know they would be just as good as friends, if not more so. (Aaron sees the way Katelyn looks at that one girl, and Katelyn has probably seen how he looks at....). And everything goes back to Kevin. Now more than ever is he pissed that everything that Kevin is not a path he can pursue. Aaron sees Kevin grieving Riko and even though their traumas aren't the same, he sits next to Kevin anyways. And maybe thats alright, if that is all he will ever get.

[godlygivenanxiety]

look, not to be a hater but the whole ekko/jinx alternate universe situation only proves that jinx was only ever loved entirely and completely by silco, that's kinda the point of how tragic jinx really is as a character,

vi either only sees her little sister out of guilt/sense of duty mixed with a desperate need to come back to something or as consequences to her own actions(taking away agency from jinx in the process);

ekko sees her through the eyes of an idealist which is exactly what he is and that's not bad by itself, but it makes her either A Problem or Someone That Needs Saving, that's what's going on in his head after that AU he transported to. he's comparing jinx to powder and he likes powder much better, so he wants jinx to be powder or to reignite the powder in her - basically, he thinks how vi used to think;

isha is a complicated matter because she did show kindness and affection towards jinx that wasn't equal to anyone else's, it was pure and idolizing, she loved what she knew of jinx.

the people of zaun don't love her, not by a long shot. she became a symbol to some(as we can notice in the reunion by vander's statue) and overall the assumption that she would get involved more after her attack and silco's death is a fair one; that doesn't mean they like her,

sevika maintains a connection to jinx through grief and a sense of helplessness along with familiarity, silco's death affected jinx's psyche but it also affected sevika's dream of zaun, they feel left behind by him;

vander... well, he only got to see powder and warwick quite literally just had the memories,

the ONLY character we see that meets her as powder and stays with her as jinx is silco; yes, he isn't a good guy and he does cause the whole separation, he sharpened her edges to make her into a weapon, he lied to her and manipulated her at times, none of these things exclude the fact he does love her so strongly, with zero conditions.

she fucks up in missions, she does as she pleases around zaun, she kills their people, she stabs him in the eye, has psychotic episodes and breakdowns, she kidnaps him, ties him down, SHOOTS HIM, she doubts him and his love, keeps running after the past when he's done everything to strengthen her and she was, at a point, the only thing keeping him from his dream of an independent zaun - none of these perceived sins and flaws made him wish for anyone other than her, as she is.

all silco wanted was to keep her, while everyone else either wants another version of her or none at all. that's the tragic part, even if she suddenly decided to be good, she would feel like a burden for not being entirely like people want her to be.

[miquellah]

granted i still havent done a deep dive on nanaya and midra yet. and granted, she IS shady, and at very best misguided in her motives. but all the people going “nanaya TORTURED midra and TORMENTED him to get him to become the perfect host for the frenzied flame” is like. also not quite it… mostly due in part to almost all of midra’s suffering apparently due to either 1) the effects of the flame’s influence itself, and 2) the literal fucking inquisitors hunting him down, stalking around his front door, and yknow. Having literally impaled him

nanaya having likely been the one to guide him with the flame is one thing, but her role honestly also seems pretty similar to hyetta. a maiden of the frenzied flame. im not quite feeling a full nashandra situation again here. “the plea to Endure was a curse” is also pretty open, because, like. you would also tell your loved ones to Endure too, wouldn’t you?

im also honestly not all too confident in ER fans’ track record with misogyny at that…. like was she actually definitively a bad person. or are we just assuming this in full again

[skipblebee]

HELLO PETRIGROF NATION 🤩🤩 Fionna and Cake finale destroyed me and made me very sad so I couldn't draw anything except silly doodles to cope pls enjoy

[thebvbbletea]

I extremely love how PhumPeem & TanFang are so perfect for each other. Both Phum & Fang are the person who difficult on both expressing & talk about their feelings. Phum doesn't really understand the personal boundaries & Fang is sometimes insecure of his own behaviour.

But, Peem always there to remind Phum that he deserve to be loved. He always there to give a comfort to Phum. He always there to accompany Phum try a lot of new things. And he doesn't afraid on telling him if he was rude to other people.

Tan may look silly & unserious, but he is super observant of Fang. He could know instantly if Fang was in a bad mood or if he needed to be consoled without Fang has to tell him. He always there to tell Fang that all of his 'self proclaimed unreasonable behaviour' is okay and he love him unconditionally.

It's so sad that Phum & Fang have messed up family, but I'm so glad that they have each other's back and now they also have Peem & Tan as their safe zone.

[lunafeatherart]

Varric lifted his hand to her face and cupped her cheek, rubbing his thumb along the sharp jut of her jaw. “Be safe out there, alright?” His words were as soft as his caress, and full of meaning.

Cassandra’s mouth fell slightly open, and the blush that now spread from nose to cheeks to ears to neck was irrefutable. They hung there for a moment, still and breathless, the unlikely pair locked in their dance.

Varric began to pull his hand away when Cassandra suddenly lurched forward, twisting her fingers into the front of his half open tunic and hauling him up onto his toes. The crush of her lips against his swallowed the sound of his surprise. He remained frozen for a split second before he kissed her back, the hand on her jaw sliding up into her hair, his other wrapping firmly around her hip.

(Read the rest of this micro fic here)

[zukkacore]

Something about a Pygmalion take on Jaceporter is so appealing to me… in that way that Porter reveres power and domination… the tension between his desire to seek out and keep a Jace as a perfect spineless compliant lackey vs a need to remake Jace in the image of someone who is powerful and dominant and assertive. Jace that is complacent and cowardly and passive is a Jace he can use and control but never respect, and he loves what that Jace can do FOR him. But as Jace is transformed by rage, a Jace who is furious and oppositional and autonomous and actualized and powerful and is able to stand in the face of Porter and tell him he cannot stay even if it means death is a Jace he can respect and maybe even admire but no longer control. In the same way Henry Higgins cannot truly make a Lady until she has outgrown him, (“Eliza you’re magnificent. 5 minutes ago you were a millstone around my neck and now you’re a tower of strength. A consort battleship. I like you this way Eliza” “goodbye professor Higgins”). Because conflict is at the heart of war, Porter cannot truly anoint a Saint of the God of War until Jace has outgrown him.

[bisexualfagdyke]

Adventure time fans when you enjoyed the Fionna and Cake finale and don't want their miserable unnecessary nitpicky opinions on a silly happy cartoon ruining ur joy and love for the show:

[wishchip106]

sometimes you just gotta read about your fave character getting kidnapped and tortured ✋🙂🤚

it’s the way the world goes i suppose