#{/both for its personal significance and ALSO as i mentioned}

[biowaredisasterbisexual]

So, obviously, everyone has their own opinion and experience. How much Andrastianism in Veilguard is to your personal taste I couldn’t say. But based on your statements, I feel like we’ve played not just one but possibly several different games despite them having the same names.

Andrastianism isn’t “absent everywhere,” whether in plot, imagery, or even audio. As you yourself said, we go to the Temple of Andraste in Minrathous where people are both milling about and praying both inside and outside. So we see the Andrastianism happening, visually. And there is, contrary to your experience, ambient dialogue from NPCs we pass that reference the Maker (Andraste I believe as well, but I’d have to double-check that, and less reference to her would be expected as a schism over her importance is part of why the Northern and Southern Chantries split) both near the Temple and in other parts of Dock Town.

We also, in Minrathous with Neve, visit the Wall of Light, the city’s memorial for the dead and an explicit reference to the Chant of Light. Something of enough significance to Neve that she feels the need to go there before the end of her quest line. A Shadow Dragon Rook can even speak the traditional words of remembrance at that point. It’s fairly explicit Andrastianism. Different than it would look and be done in Ferelden, but that’s because we aren’t in Ferelden we’re in Tevinter.

I’m not entirely sure what the mixture of Northern to Southern Wardens would be at Weisshaupt, and I’m less certain than you are that Southerners would have a significant presence. Orlais’ Wardens were decimated at Adamant and may have even been disbanded at that time (dependent on player choice). Their numbers suffered regardless, and would have been hard to build back up since it has apparently gotten around that they tried to build a demon army (which is why in Veilguard the First Warden is so quick to throw them under the bus). Ferelden didn’t have any wardens to speak of until a cup of coffee before the Fifth Blight, as we see in Origins. And at the end of that blight had one or two. After Awakening maybe six? But there’s a bunch of conditional stuff to even hit that number, if I remember correctly. They’ve had some time to build up since then, but we don’t know how many went down from Ferelden at Adamant and Ferelden’s Wardens also don’t have spotless reputations due to the whole coup thing.

In any case, I agree that there probably are some devout Andrastians in the Wardens. But I think devout Southern Andrastian wardens - those whose Andrastianism we would recognize - are probably a very, very small minority. Not only for the reasons I already gave, but because they are competing with religious military orders that can recruit soldiers as children while generally only recruiting adults. I’m not surprised, since based on what we know their numbers are fairly small, we don’t personally run across a bunch of vocal devout Andrastian Southerners at Weisshaupt.

The people of the Anderfels are devoutly Andrastian, you’re absolutely right. But we don’t meet nearly any of them. Our only exposure to the region is through working with the Wardens in a fortress that is Wardens Only tm and in a town that has been so overrun with blight that nearly all of its inhabitants are gone. I’d be more inclined to agree with you, solely vis-a-vis the people of the Anderfels, if we interacted with more than a handful. But we don’t, we pretty much just interact with the Wardens which I already discussed above.

What you didn’t mention were Treviso and the Necropolis. We do get ambient dialogue in Treviso explicitly referencing both the Maker and Andraste (sometimes to blaspheme, but that was probably more than half the Andrastianism we got in DA2, too). Lucanis references them, and talks about having lost his faith while imprisoned and tortured (and reaching a state of hopeful agnosticism by later in the game which he is also open about). He has statues of Andraste in his house. It’s part of his character arc, even if it’s not the main focus.

The Mourn Watch is an Andrastian religious order. Their whole deal, different though it is to what we see in the South, is them being devoutly Andrastian. Just Nevarra mortalitasi-style. And we go through and attend to religious rites in that style with Emmrich.

We witness the results of slaughter by the Southern Chantry in a quest in Rivain.

Harding at one point straight up asks if we just disproved the Chant of Light.

Religion is discussed, where relevant, multiple times. (See, e.g., all of the above.)

Is it enough Andrastianism for you, or any individual player, personally? Maybe not. That’s okay. You’re allowed to feel that way. Everyone is entitled to their opinion.

Is it not there or in someway incorrect based on the lore of the game? I have a hard time understanding that argument.

I really don’t understand the criticism that Veilguard doesn’t include enough open, devout Andrastianism. Like, it just perplexes me?

Unlike the first three games, which take place in Southern Thedas (the purview of the Orlesian Chantry, the Sunburst throne), Veilguard takes place almost entirely in Northern Thedas. And it’s clear the Chantry’s role there is very different than in the South.

In Southern Thedas, the Chantry is a power unto itself. The Southern Divine, holder of the Sunburst Throne, occupies a place of real significance and power. She has her own militarized forces (the Templar and Seeker Orders). She politically has to interface with the rulers of the various places in Southern Thedas (Orlais, Ferelden, the Free Marches, etc.), but is not formally associated with or dependent on them. The South is comparatively poorer than the North, and we see a majority of services (taking care of orphans, medical care, the Circles, and very significantly education) being taken care of by the Chantry without necessarily much assistance from the relevant countries.

The Southern Chantry is an ever present figure in Southern Thedas, even for those that aren’t devout. And that is reflected in those stories and the cultures we learn about there.

The Tevinter Imperium is not like that. And that’s not terribly surprising. First, the Imperium pre-dates Andrastianism. They have another, older religion that helped form some of their cultural touchpoints. The Imperium did adopt Andrastianism, but did so as a consolidation of empire (which tracks with the Imperium being, in no small part, a reflection of the real life Roman Empire). As such, the Chantry is folded into and subordinate to the Imperium’s government. The real power in Tevinter, and control over the incidents of daily life that we see the Southern Chantry involved in, is the Magisterium and the Archon.

The Imperial Divine doesn’t control the Templars, the Magisterium and Archon do. He doesn’t control the Circles/education. That’s the Magisterium and Archon again. He is, in practical terms, less powerful than Dorian. He can’t make any real change as the Imperial Divine, so he dons a mask and runs a vigilante group to free slaves and make change that way.

The Northern Chantry simply isn’t as omnipresent as the Southern Chantry in the areas it exists, and it competes with a preexisting cultural backbone in a way the Southern Chantry doesn’t (because it largely stamped that out, though some of the Avvar and Chasind are still around).

I think a lot of people are comparing the impact of Andrastianism in Veilguard to that in Inquisition, because it’s the most recent, and the criticism spawns from that. But that…doesn’t make sense. The Inquisitor is leading a religious organization, ultimately affiliated with the Southern Chantry itself and founded by the left and right hands of the former Divine. It claims its legitimacy from Andraste herself (even if the Inquisitor doesn’t believe a single bit of it). The people who join the Inquisition are all okay enough with Andrastianism to affiliate themselves openly with it (Solas aside, but of course he has other reasons), and many are devout.

The Veilguard are just…random people. Skilled, powerful, talented people, but not people with any real affiliation with any Chantry. Davrin and Bellara have complicated relationships with the Dalish religion they grew up with, for obvious reasons, but they weren’t raised in Andrastianism or an Andrastian culture. Neve, per her, “barely keeps the holidays.” Her relationship to Andrastianism seems closer to the average non-church-attending American who celebrates Christmas and Easter, but isn’t particularly Christian beyond that. Lucanis does seem open to belief in the Maker and Andraste, but isn’t kind of ambivalent to it. More agnostic than anything else. Taash wasn’t raised Andrastian, their mom largely still embraces much of the Qun even if she left, and Rivain was always kind of religiously funky anyway. Only Emmrich and Harding are particularly Andrastian, and even then Emmrich is from Nevarra which although deeply Andrastian is unique. Harding is the only companion whose Andrastianism we’d recognize from the prior games.

So in a game set in a region where Andrastianism is culturally less of an influence, where the Chantry holds far less power, and that has companions that aren’t devout Andrastians…how is it a failure of the game that it isn’t brought up more. That makes sense. It’s consistent with the world building that came before it and the continued reveal of that world in game.

I don’t get it.

[stars-and-sugarcubes]

Pluto, the Internet, a Night in the Woods.

I was going to repost thoughts I shared from watching a Night In the Woods video essay, but I have decided to expand on it and re-write it completely.

" During one of Rosa's sleepy reminiscences about her youth, she says, 'Back then there were places that brought us all together, the church and the union.' Both the union and the church were hubs for community building and shared values. You could trust that your fellows in these places would think about the world similarly to you, and if you think about how unions suffered near extinction when manufacturing moved out and the industries that these unions had formed in died, that on top of how with each generation we become more and more agnostic, thereby losing that common gathering place in the church. it kind of explains why young people are so atomized and miserable these days. The only common place that we can gather and delude ourselves in is the internet. "

- Flundering Chipper (minutes 30:44 to 31:27)

1971, Intel released the first microprocessor, and home computers entered the market in 1977, raising in popularity and accessibility through the 80s and 90s. Today, technology is known to have developed exponentially since then.

The video essayist, Flunderingchipper, spoke about the younger generation's lack of religious faith and physical spaces to commune, and it made the cogs turn in my head. GenZ, the Sagittarius Pluto generation (1995-2008), is considered both digitally fluent and dependent due to being the first generation to fully grow up with computers and abundant internet access. GenZ also marks a significant difference between the generations after and before them.

The timeline for micro computer and personal computer usage begins at the bookend of the late Summer sign of Virgo (1959-1971) and the beginning of the Autumn signs with Libra (1971-1983), planting the seeds for the transformation of social and worldly connectedness we see today with Pluto now in Aquarius (2023-2044). Computers and further advancements like smartphones cemented themselves in the US and the world through Pluto's transits in Scorpio (1983-1995) and Sagittarius, the generation of Sag. Pluto is gaining the reputation of being extremely different from older generations and being connected online and less so in person. That is, not to mention the Capricorn (2008-2023) and Aquarius generations. On the internet, the general impression American GenZ seems to be that they are absurd, politically minded, and socially aware, gregarious, zealous, and unwilling to participate in corporate and political struggles of older generations. At least, from what I understand.

Computers came in the autumn of Pluto's treck through the zodiac. A time when previous generations harvested their gifts and their young have less material gains in turn. It started with the Libra Pluto generation, but the Scorpio Pluto generation was likely the first to notice it. Millennials.

All this to say, Pluto, the planet of ordeals, transformations, and death, showed us a time when the internet grew in influence, taking the place of community with friends and colleagues. Less people go outside to have fun. More people turn to gaming, social media, art, and sharing their interests with each other. There are fewer free spaces to commune. The Church loses its grip as people grapple with religious dogma and share in their struggles with it. People learn more about the world and connect with others from further distances. The average person can share themselves with the world and create communities and gain influence on a wider scale, changing the culture around public figures. Mall walkways are emptier, and stores shut down and become desolate. Small shops and average people are threatened by growing corporate power. But that begins to bleed into Capricorn Pluto.

As an older GenZ person reflecting on life as we move forward, I just find this morbidly fascinating. We must endure Pluto's travel through winter.

[narwhalandchill]

got requested to share my xueyi build so!!! here it is :]

(+ EU server crew - shes on my supports rn if u wanna add me to try her out alongside e1 RM and e0s1 blade)

anyway some notes:

a bit of xueyi 101 to start out jic - the atk orb and break rope are the standard for her; her break effect to dmg% conversion A2 trace makes quantum dmg a joke whereas her sources of atk are very limited. build-wise as this freaky puppetcore weirdgirl crit/break hybrid she wants it all rly; both crit, BE and atk, but prioritizing crit until some sort of 1:2 (guides tend to put 60/120 as the baseline) is key.

S5 aeon is perfectly fine and its what i used to have on her, i pulled indelible promise in order to end the custody battle over aeon between her and DHIL lmao (+ new gacha 4* LCs in hsr are like new 4* charas luckily - indelible promise after its initial release patch in 2.0 is now a permanent offrate on all banners except for beginner, phew). the crit on it is especially nice, rly hope i get spooked with some superimpositions in the future.

she shouldnt be on glamoth anymore really - this showcase is with her on spd boots (as you can see. duh) and she does reach the 135 spd for the 1st glamoth buff requirement when with RM (which is every time i play her) so its fine, but as i swap to atk boots when with sparkle im sure you can see why it would be... suboptimal. problem is. well. look at her rope. still havent managed to roll a comparable salsotto one so 💀 we live with this.

her relics are still a bit scuffed (chest and both her atk and spd boots are. fine. but could be better) but since i often have fx and sparkle patching up her crit its fine for now.

also yes i shouldve unlocked those last few quantum dmg and BE traces ages ago but its not rly that impactful when her dmg% is already as high as it is with the amount of BE i have on her so oh well x)

obviously given her dependence on break xueyis far from an universal dps - i only use her in heavily quantum weak fights (or in SU where u can get blessings to spam her ult for the weakness ignoring attack) but when she gets to shine she shreds So hard i love her sm 🥰🥰

+ heres the atk boots build ig. not that much changing as you can see but ¯\_(ツ)_/¯

[blindedguilt]

🔁 |[HIT ME. ♥]|

"You're going to get us killed." - Interaction Rewrite Prompts!

For Leonard, the weight of a child's blood upon his weapon was heavier than anything else he had handled before in his lifetime.

He hadn't the honour to have even called it the first, but different from his brothers, who had found their end directly by the blades of the Empire, there was no hope for the blame of responsibility to be lifted off his shoulders now that he had wielded that same blade himself.

Leonard's breathing was panicked and uneven. A cold sweat ran down his back as the sensation of the light body being flung backwards shot once more through his arms - he felt ill. Had he died? Had he done away with his life in that forest and been sentenced to hell? Perhaps it was all a punishment, an eternity spent in war, ending the lives of children just as he had his brothers. The screams had sounded too familiar for comfort.

He couldn't, couldn't bring himself to fight. The stakes didn't come to him. The seal didn't exist to him. The usually tranquil forest had roared with the sounds of the clashing steel, the hurried footsteps, the cries and mockery of the faerie - something like the dragon's voice had called his name in harsh rebuke, and whether it truly was her or Caim, Leonard didn't understand and stumbled blindly back to the garrisons in a piteous attempt to flee.

Too cowardly to die, and too starved to survive.

All that was clear to him against the roar of noise was his own breathing, the feeling of his heart pounding in its chest, and the crushing weight of the guilt from that thought repeating itself in his head like a mantra. Leonard struggled to break out of it - do or say something that could stop this madness. Anything. A sickened cry sounded at the sound of the mercenary's own cold reproach, and the hermit struggled to respond.

"Caim, please...!"

He had tried to utter words, either protest or a plea, but his throat had grown tight and left only a quiet whimper. Was that all he could do? Beg...? Leonard's weapon trembled in his hands. He was truly weak... He could have done more than beg. Just like his brothers, there was a thought that told him that he could have saved them. But, it was all the same. His family murdered for the sake of shameful pleasure. The blood of children spilled only for his own protection - his own cowardice to even die correctly. All for himself, a pathetic existence unable to even lift a finger against the slaughter of children.

Some wretched noise, a ragged fight for strained breath against the pounding heart in his chest, could be heard against the armoured thumps of bodies against the ground. Even from a distance, Leonard's frozen body could be seen trembling uncontrollably. The polearm dangled limply from his hands.

"They are only mere children...!"

The last uttered words before the hermit collapsed to his knees were a heart-wrenching sob.

Not a voice of disgust, but a cry in horror.

[lorephobic]

happy new year :-)

[cl-0v3r]

Mel is alive, but at what cost

Mel was nearly killed TWICE, her mother began being a struggle, she'd been thrown aside and trying her best to stop her, her boyfriend is not doing well, neither is anyone else (can't blame them) and the fact that she hadn't cried or spoke much about this situation to anyone a single time?? She IS upset about every single thing, yet she stays strong and enduring every bit of torture. The most she did was tell Jayce that Ambessa put her palm on the table, and let him know that she is going to push for hextech. That's it, nothing remotely related to her feelings.

The fact that she was constantly looking at Caitlyn, being able to understand her grief and knew she was in pain?? Mel knows this feeling. She'd went through it.

And in the end SHE has to pay the price of her mothers incompetence.

The intro is very much foreshadowing, we know the hands represent black rose/LeBlanc.

This is what happens in act one, she gets kidnapped by them. The lyrics do correspond to the characters as well (not just Mel, everyone.)

"Tell you you're the greatest" plays as a petal of the black rose floats down the screen, I think it adds significance to the power this organization holds, possibly the Medardas greatest foe.

"But once you turn, they hate us" both Ambessa and Mel were present in this line, I think its foreshadowing for when Ambessa switches up for whatever reason and goes against both Piltover AND Zaun. And Mel WILL go through change as well, a change that could hurt her relationship with others, and receive interest from others too.

"They hate us" could be read individually too, I feel like its a sort of "realization" ?? Perhaps Ambessa WASN'T the one that switched up, maybe Piltover switched up on them, and maybe Mel JUST got out of wherever she's taken to, and saw the mess Ambessa had done to her city??

I think this represents ACT TWO.

The hands pull away and it sort of looks like Mel is fighting back, a "get away from me" type of scream. you know what this reminds me of??

Don't mind me just pushing my Jinx/powder-Mel parallel agenda

Here is when i think Mel truly learns about LeBlanc/BR, she curiously and slowly goes to grab the rose, she learns about the history between her Mother and them, Kinos death, and most of all, learns about HERSELF. The lyrics speak otherwise.

"Pray away, I swear

I'll never be a saint, no way"

This feels like a parallel to caitlyn of sorts if that makes sense. Caitlyn had done everything to try and stop the council from attacking the Undercity, she kept her mouth shut when Jayce asked about Jinxs grenade, she was willing to protect Vi and the undercity, but how many times has she been tossed around? She'd been burned, exploded, kidnapped (god knows what happened during that time) and hit in the face by the same person, her MOTHER died because of the same person. She has every right to go insane. And she is hunting ONE person, which is Jinx. Although she is harming the people around her along the way.

What if Mel goes through a similar situation? Her mother pushed for war in her city, she dragged the enemy along with her even if she didn't mean to, she manipulated everyone around her INCLUDING Jayce, she LITERALLY got Mel hurt from the chembarons attack and killed so many people during a MEMORIAL to get her hextech weapons, Elora is most likely DEAD, not to mention whatever happened in the past between them. And the thing is, this will NEVER end throughout the entire season.

And what if she learns what she is? That she's 'blessed' by Kindred? The fact that the wolf is quite literally in her blood?

I feel like the "ill never be a saint, no way" also sort of indicates Mel will realize she'll never be able to push for peace and mercy like she always hoped for no matter what, and she comes to accept that as much as it hurts. But not like how ambessa accepted the wolf, but she sort of realizes she needs to push a little violence, towards nobody but the one and only, Ambessa "fine, if you want me to be like you, I guess I'll be like you towards YOU." Type of acceptance.

I think its also related to Mels new outfit too, she's dressed like her mother, in red and all of that. I will still stand by the idea that she has plans to decieve, but she will do something she doesn't want to do.

Mel was left with no choice, that lyric sounds like realization, acceptance, but also like a plea at the same time, an "I'll never be who I wanted to be" because in the end, she's still a Medarda, she's still her mothers daughter, she still has violence in her veins, she will never not suffer from the weight her name holds, and she will never escape it either, its like a shadow.

The Characters won't be themselves at their core this season. And those vital parts of their characters that represent them are no longer there in the intro, they all have given up what makes them, THEM design wise. (e.g.) Vi without her tattoo, Viktor hiding his identity with the mask. And the thing is, they did that to themselves because they do self-harm, they're changing themselves because THEY want to, they're forcing themselves to do that, they think they're undeserving and they're erasing their past selves.

But Mel? Mel doesn't have her gold accessories, Jewelry, or her Armor, she'd been stripped bare and hidden away because of the brutality of her name. She pays the price her mother brought to HER city. She's forced to change herself against her will, because nobody is giving her a chance to push for her ideals.

This entire theory never ends, and with all of this? I kinda do see Mel actually committing Matricide, it lifts the "Ambessa will die" theory further.

[beescake]

i am in love with your sollux i think

sollux love party :]

if you’re interested heres some of my personal fondness thoughts on him.. big warning for the mega long read ahead aye

as we alr know sollux's rejection of participation somewhat mirrors dave's rejection of heroism, but even without getting cooked to completion i still find sollux's character v compelling beyond the fourth wall

as someone who doesnt get a pinch of that Protagonist Sparkle to begin with, he can openly say he wants to leave anytime…. and unlike dave, he actually Can leave the scene anytime. but he can never be truly Free from the story via permanent character death like the other trolls.

his irrelevancy is indeed relevant - he’s there so u can point him out.

while his image is intended to be a relic of past internet subculture, his role is not only about hehehaha being a Chad or a 2000s cyberforum 2²chan haxxor ragequit gamebro.

his continued existence also happens to add a Bit to the overarching themes of homestuck! a Bit that gives him longer-lasting thematic relevance compared to the trolls who could’ve had more character potential but didnt get to survive beyond the main story.

the Bit in question:

his defiance contributes to the illusion of agency (treating characters = people with autonomy). he’s “aware” of it, and that recognition is worth noting enough to forcibly keep him alive as both reward and punishment.

considering how his personality & classpect is designed its definitely a very haha thing for hussie to do LOL. he’s made to be op asf so he's resigned to doing dirty work, gradually deteriorating along the way but never truly dying. as fans have mentioned before, him openly rejecting involvement after a while of grim tolerance is like if the sim u were controlling suddenly stopped, looked up and gave u the finger while u were step six into the walkthrough for Every Possible Sim Death Animation.

but since he’s just a sim… the more he hates it, the more you keep him around. if ur sim started complaining abt your whimsical household storyline you’d definitely keep that little fuck.

but yeah i like that sollux is just idling. the significance of his presence being that one dude who's always reliably Somewhere, root core Unchanged, no individual ambitions (possibly due to fear of consequence?), and design-wise: a staple representative product of his time.

compared to dirk's character, who has aged phenomenally well into the present (themes of control + AR + artificial intelligence, clearer exploration around navigating relationships/sexuality, infinite possibilities of self-splinterhood and trait inheritance), sollux's potential is really... contained. bitter. defeatist. limiting and frustrating in the way old tech is.

the world continues moving on to shinier, brighter, more advanced automated things - minimalist and metaverse or whatever but sollux is still here 🧍‍♂️ going woohoo redblue 3d. (tho personally i imagine his vibe similar to what the kids call cassette futurism on pinterest mixed w more grimy grunge insectoid influences eheh)

conceptually-speaking,

at the foundation of it all, the rapid pace of modern development was built off the understanding of ppl like sollux in the past, who were There actively at work while the dough was still beginning to rise

thats one of the cool things abt the idea of trolls preceding humans! the idea that trolls like sollux excelled back when lots of basic shit still needed to be discovered, building structures like networks and codes from scratch, and humans will eventually inherit and reinvent that knowledge in ways that become so optimized it makes the old manual effort seem archaic, slow, and labour-intensive.

but despite information/resources/shortcuts being more accessible now, much of the new highly-anticipated stuff released on trend still end up unfinished, inefficient, or expiring quickly due to cutting corners under severe capitalistic pressures

meanwhile, some of the old stuff frm past generations of thorough, exploratory and perfectionistic development still remains working, complete, and ever so sturdy.

those things continue to exist, just outside our periphery with either:

zero purpose left for modern needs (outdated/obsolete)

or

far too important to replace or destroy, bcs of its surprisingly essential and circumstantial usefulness in one niche specific area.

which are honestly? both points that sum up sollux pree well.

dramatic ending sorry. anw are u still on the fence or are u Sick abt him like me </3

[plutoasteroids]

PAC How Will Your Future Spouse's Father (Your Father-In-Law) Feel About You.

Pile 1 Pile 2 Pile 3

DISCLAIMER: This reading is solely for entertainment purposes only! I am not responsible for any decisions taken based on my readings.

This is a general reading so if nothing resonates don't take it to heart. Take what resonates and leave what doesn't!

ASK BOX is always open

TW: MENTION OF NEGLECT AND ABUS3. IF ITS A TRIGGER FOR YOU AND YOU CONTINUE TO READ ANYWAY PLEASE DON'T BLAME ME ITS YOUR CHOICE!

PILE 1

Your father-in-law would view you as something new and different, you may be the complete opposite of the general type of your FS normally goes for but in a good way because I feel your FS doesn't necessarily have the best track record when it comes to picking their partners. Your father-in-law will quickly approve of you it feels almost like they'll say to your FS 'you made a good choice'.

But at the very beginning they may feel a bit unsure about you specifically because of the way you carry yourself, you could be really shy and not talkative or super confident anyways they just won't be 100% sure about you more so because he doesn't have a clear grasp on your personality or even your intention.

Them being unsure will quickly change and the two of you may have a relationship based on understanding or similar values or opinions. You'll have some sort of mutual understanding that will bring you both closer, in the long run they'll for sure view you as their child maybe even as somewhat of a friend.

Your Father-in-law gives me scholar vibes if not heavy lawyer vibes, lawyer, professor, teacher maybe even a priest.

PILE 2

They will feel somewhat withdrawn from you. I don't think your future father-in-law is involved in your FS' life, as in they are around but they never took an active role, so they won't have much of an opinion on you. It seems like they might see you from a distance like maybe through social media.

But from what they know about you they feel like you're very passionate and enthusiastic about life in general because your life will be pretty well. They feel like you have your life together and they like that.

But there is some sadness here mainly relating to the fact that their child found their life partner and are moving on with life and they can't be a part of that. They might do some introspection to try change and get better, they may even try to slowly enter yours and your FS lives.

It feels like they may have been a dead-beat dad for some of you and for other just emotionally unavailable and maybe slightly abus!ve.

PILE 3

Your father-in-law it seems like they may be aware of your existence in their child's life, but they aren't aware of how significant you are but finding out about your significance in your FS life might be somewhat of a pleasant surprise to him.

He will have a positive opinion on you, feeling like you bring some balance and happiness to your future spouse, and it feels like he won't be too active in your life and that of your fs. Like not absent but giving you two space to be your own people and your own couple, but he'll be there when you need advice, or you need someone to talk to.

I think you may give him a fresh perspective on life, and he'll certainly appreciate your views and your opinions. He seems to eb more on the unconventional side.

Random information: He may pay for your wedding (if you want to get married) just because he wants to and it would make him happy to pitch in financially.

He may not be married to your FS' mother. Like he is married to your FS' stepmother, or their partner isn't the biological parent of your FS. I also get the vibe of it being maybe a same sex marriage.

[neptuneiris]

Wild Hearts | (One Shot)

'you, it's always been you'

pairing: prince!aemond × lowborn!reader

summary: you and he can't be together, yet the two of you have fallen for each other. but the Gods are not merciful and you both have to let go. but by comparison, your charming prince doesn't think the same way you do.

word count: 8.6k

next part • main masterlist

this is the new idea that I was talking about hehe🤭

i hope you like it a lot and first of all, i want you to know that there will be part two and nothing else. so enjoy this, dig it and let me know your opinion that is the most excited i am to read❤

enjoy and thank you so much for your support beautiful people!

warnings: angst, sex content, arranged married, minor mentions of cuts and blood, smut but not so elaborate.

The Gods can be cruel.

And for some time they have been cruel, especially to you.

You are a lady, yes, but not of a great house enough to be worth anything really big and significant. All your father can offer the Realm is a few soldiers, horses and you.

You are the only daughter of an arranged marriage trying to find their place among the Court. And when you are born a woman, your duty is to marry a suitable man, please him and give birth to as many children as possible.

That was your purpose in coming to King's Landing after Queen Alicent approved your stay at the Red Keep and you became a lady-in-waiting to the highborn ladys who also remain at Court.

But no one, not even you, could have prevented that those plans would no longer be a priority for you the moment you met Prince Aemond Targaryen.

You knew of the one-eyed prince's reputation, as well as his brutality in combat, his cold behavior and also of his recognition as the rider of the largest dragon in the world. But most of all, you knew that his disinterested and sometimes mean personality... was due to how he lost his eye at such a young age.

But that was what he wanted to show all the people of the Court and its visitors.

After such humiliating years of trying to prove himself while at the same time listening to whispers and rumors about him and the pity he caused people for losing his eye, Aemond had no interest in pleasing the Court, so he was just mean, disinterested and cold.

But with you it was all different.

Perhaps it was being alone for so long that he finally got tired of himself and let you in and see his other side, his true side that very few were privileged to see. After all, you were just a lowborn lady who had lived her whole life with the same duty as him: to please the Realm and fill its needs.

But even he never imagined that you and he would understand each other so well.

The gleam of his violet eye, charged with an unusual intensity and determination, the effect he made you feel when you looked back at him and saw his patch covering his left socket and the way he spoke and behaved with you, triggered a wave of unknown emotions and expectations in you.

Your first casual encounter with the prince began in the library, where you exchanged literary tastes. You revealed your fascination for the history of the Andals, as well as shared with him how interesting you found the stories of his family, the Targaryens.

And he shared with you his admiration for history and philosophy as well.

Your casual encounters with him continued in the library and before long, those encounters extended to walks in the gardens. Those walks became a mostly secret habit, where you not only shared equal opinions about books and history, but where you both got to know each other a little more.

And despite the growing friendship and the bonds that intertwined with every conversation and interaction, the weight of undeniable reality persisted.

However, neither of you stopped.

On some trips he had to make, on every return he would always bring some gift for you, whether it was a piece of jewelry or a new book that you don't have access to, to leave secretly in you chamber. Or he would even surprise you with a rare flower that is not seen in the Crowlands, handing it to you so delicately while you tried to keep the blush on your cheeks from being so obvious.

You too tried to look casual when you went to the training yard just to watch him train discreetly, admiring his skills and in every fight smiling proudly every time he made his opponents surrender to him.

And in the midst of everything and everyone, his violet eye always met yours.

At banquets and celebrations it was also the same. The two of you couldn't engage in conversation as such, at least not alone, so all night long, you could only exchange glances and act like complete strangers.

But in the occasional places where the two of you meet and no one else is around, you can act completely free.

He shared with you the story of how he claimed Vhagar, told you more about the history of his ancestors, even taught you some High Valyrian words, while you, who in comparison to him do not possess anything as great and exciting as he does, share with him your thoughts, dreams and tastes.

You both became friends. You became the friend he didn't know he needed and you definitely didn't expect someone like him, especially him, to enjoy your company so much.

And during those years, you couldn't blame the Gods for falling completely in love with the prince.

That was your total freedom and decision, even though you knew how impossible the situation was and that the two of you could probably never be together.

Your house is not worth enough to allow a union between you and a prince of the Realm. It was also useless to suggest it, because the answer would be no, both from the Queen and from your parents, who would have been totally pleased.

But Aemond is destined for more, you know that. And that more is definitely not you and not even close.

And despite this, you couldn't help but imagine as a fleeting dream the moment when he and you unite and become one. A dream that will never happen in which you finally become his wife and you can call him yours, just as he can also call you his, in body and soul.

But that dream is finally shattered when they announce the official betrothal between him and Lady Floris Baratheon.

It was something that was eventually going to happen, you knew it was going to happen, but still, the news takes you by surprise and your heart breaks into pieces, while everyone around you rejoices at the news and approves.

The days following the betrothal announcement become dark and sad for you. You retreat most of your time in your chamber, not having the mood to go out and face the Court, much less him.

And when you had to face the daylight, your steps became stealthy and sparse, trying to keep your distance as much as possible and avoiding any possible encounter with him or anyone else from the royal family.

Aemond of course realized the distance you took and respected it. Not because he knew exactly what happened, but because he thought you had other important matters that did not allow you to share your time with him.

It wasn't until an audience at the Court where the Queen and the Hand of the King attend to the needs of the people, that Aemond finally caught a glimpse of you. But you didn't return his gaze even for a moment. And it is only then that he tries to understand the reason for your distancing, but your eyes avoid any eye contact with him.

You spend several days living in the same way, until one silent morning, Aemond finds you in the library all alone. He knows this is not your favorite time to read, nor is it his, so to say you are avoiding him is clear at that moment.

He opens one of the doors gently and closes it audibly enough to get your attention. He sees perfectly how your whole body tenses and nerves are reflected in your gaze, as well as discontent.

That especially catches his attention and with more purpose he wanders deeper into the library, watching you completely intently and in search of an explanation, wanting to know what he has done to make his presence before you now uncomfortable and annoying to you.

"My prince," you say politely enough, bowing your head to him, but already wanting to leave.

You certainly did not expect him to appear and now you only try to hide from him as much as you can so that he avoids looking at the disappointment on your face.

"My Lady," he says, still with bewilderment in his gaze, taking a couple of steps towards you, "It is good to finally see you after so many weeks without your presence."

You force a small smile, lowering your gaze.

"It's good to see you too, my prince."

His closeness begins to unsettle you, feeling each step he takes towards you as an echo of emotions you'd rather keep hidden. And this is exactly why you desperately seek a way out, a convincing excuse to get away from him.

"If you'll excuse me, my prince, I must retire," you decide to say without further ado, hoping that it will work, "I wish you a good day."

But you only manage to move two steps forward when he quickly blocks your path.

"Wait."

Instantly you watch him intently and in awe, feeling your heart begin to beat too fast, as he looks at you confused and hopeful.

"You've been... absent lately," he says, his words laden with a mixture of confusion and longing.

You swallow hard, averting your gaze from his for a moment. You don't even want to look him in the eye but that would be rude and not appropriate behavior in front of a prince. So you have no choice.

"Yes," you say in a mumble, trying to find an excuse quickly, "I-I've had to take care of some important matters with my family. Also, my responsibilities at Court have kept me occupied with the ladies and other engagements, which has left me less free time, my prince."

And despite your explanation, really not at all convincing, Aemond can't help but feel annoyed.

"And will you stop saying that?" he inquires in a low tone and you watch him in confusion.

"What do you mean, my prince?"

"Exactly that, my title," he points out deliberately, "There's no one else here, it's just you and me. I don't understand what all the formality is about."

You press your lips together, again averting your gaze from him, as you as well as he, feel that tension between the two of you, a tension completely unfamiliar and one you have never felt before in each other's presence.

You had never felt uncomfortable in his presence and you had never wanted to get away from him before.

"I apologize. It was not my intention to offend you," you observe him with a serious expression, "If you'll excuse me, I have to leave now to attend to an engagement."

Again you try to walk past him and head for the library doors, but Aemond prevents it once again, blocking your path and pushing you back with his determined and clearly annoyed gaze.

"You are avoiding me," he sentences, firm with his words, showing his inconformity, surprising you, "Nothing is the same between both of us anymore and your explanations don't justify it," he says, with annoyance in his voice and a determination, "Did something happen that I don't know about?"

He asks, watching you with a restrained fury, mostly to see how you try to escape from him, while you press your lips together, trying not to let your look show your pain, disappointment and resignation.

But his gaze clings to yours with an intensity charged with longing, wanting to know, while the silence is uncomfortable and you feel again that tension between the two of you. Until finally you decide to break the silence to not quite answer her question, still evading it.

"This is inappropriate. We shouldn't be alone."

You say without looking him in the eye and that only increases the anger inside him more, watching you without understanding.

"Why the shyness all of a sudden?"

You bite your lips, feeling the discontent all over your insides as you say your next words.

"You are betrothed. People might think badly of you and me if they see us here alone."

"Oh, please Y/N," he tells you incredulously, annoyed, "You're acting ridiculous."

"Aemond-

"Why this sudden concern for appearances?" he questions, his tone infused with irritation and annoyance, "Everyone knows we're close, we always have been, and now it's inappropriate?" he inquire, not understanding.

You let out a short breath, closing your eyes for a moment, really not wanting this to be any harder than it probably will be.

"You don't understand," you murmur sadly, biting your lips, "You are betrothed now," you observe him with the resistance to cry in your gaze, "Now there are limits we cannot cross. And it would be best if this were no longer to go on," you say with a lump in your throat, "Your gifts and our meetings must stop, for the good of your future marriage and out of respect for your f-future... wife."

The weight of your words are felt in your tone, with sadness invading you as you utter them, as well as the ending of this... friendship.

Again the heavy silence hangs between the two of you, laden with a sadness and helplessness that neither of you can control. And although Aemond doesn't fully understand your reasons for distancing yourself from him, he knows there is something else that he still can't quite figure it out.

"Y/N, if you're upset because I didn't tell you about the plans my mother and grandsire had for me-

"No, no, I assure you it's not that," you hasten to say, hiding your sadness and disappointment, "It would eventually happen, wouldn't it?" you shrug, trying to smile genuinely towards him, but you can't, "You must do your duty and I will too, sooner or later," you say, lowering your gaze.

Aemond is speechless for a moment, watching you and nothing else, still feeling the guilt inside, while you struggle to contain your true emotions and shout to him in that moment that you love him, let him know once and for all, though it won't change anything.

"Y/N..." he murmurs, his barely audible voice full of bewilderment and a hint of pain, "Still I didn't want to-

"No, no... it's not your fault," you say again quickly, struggling to keep your composure, "Truly, it's all right. I should leave now."

He lets out a sigh, lowering his gaze for a second to look at you in concert with longing and concern.

"Can we please talk about this? I don't want things to end up like this between us."

"Don't worry," you try to smile genuinely at him, but rather a grimace appears on your lips, "I'm sure we can meet in the hallways and talk at the feast."

You tell him in a confident and assured tone, but even you know that won't be true.

"Oh and... hum... congratulations on your upcoming nuptials," you say with a lump in your throat and a forced smile on your lips.

To you, the falsity of your congratulations echoes in the air, a subtle echo of disappointment and resignation flooding your heart. Aemond tries to say something with the right words, but you don't give him the time as you finally move forward and no one stops you, each step echoing with the heaviness of what could have been and was not.

But just when you think you've managed to get far enough away, a hand gently lands on your arm, once again stopping you.

"Wait, please."

Aemond's voice sounds full of urgency and longing, making your breath catch for a second. And when you turn to look at him with the clear resignation and sadness in your gaze, his look reveals a mixture of torment and determination, frustration as well.

"I did not wish for this, Y/N," he confesses truthfully, his voice soft and emotionally charged. "It is not my desire to marry Lord Borros' daughter. That is not what I wish for myself."

Your eyes fill with tears as you hear his words, surprise in your gaze. And he stares directly into your eyes with despair, as if his thoughts are trying to be conveyed through his gaze.

And even though you have nothing to say regarding that, he continues with a confession that takes your breath away.

"Y/N..." he whispers, his expression heavy with longing. "If I had a choice, if the decision were mine, I would not hesitate in....

His words hang in the air, causing confusion in you for a moment, but as you watch him closely, his gaze speaks for him.

He watches you with attention, longing and hope, adoringly seeing the way your beautiful purple dress highlights your figure and beauty, with those precious and discreet jewels adorning your neck and fingers... his woman.

He shows you his affection and expresses it simply by observing you that he doesn't need to say anything else aloud. The meaning of her words is dispersed between the two of you, revealing a shared desire and a deep connection.

As you, upon understanding, surprise and hope collide within you, leaving you breathless at the implicit, yet clear revelation. Emotions intertwine in a whirlwind of feelings as the weight of his words sink deep within you. Your heart only beats faster, unable to believe what you are hearing, as time seems to have stopped, unable to speak.

And only then there, you can feel joy in knowing that your feelings are reciprocated, but the pain of knowing that it is now too late, simply ruins everything and fills you with pain.

"Why are you saying it until now?" you whisper with your voice broken and your gaze lowered.

"Y/N, please-

You don't let him say anything else, as with a lump in your throat and tears streaming down your cheeks, a sight Aemond doesn't like to see, you turn away from him more quickly and walk out of the library, leaving him alone with the weight of these confessions and unspoken words.

Also with a heart full of regret.

The news of your courtship came weeks after the last time you spoke to Aemond in the library.

You definitely did not expect to hear that at all, as you felt like you had been unexpectedly punched hard in your stomach and a sharp pain settled in your chest as your father spoke complacently about how he received two advantageous offers for the asking of your hand, Lord Ronan Redwyne and Lord Alan Beesbury.

Despite your father's efforts to express the importance and political benefits of such possible unions, to you it was as if the air itself had become heavier and stifling.

Only on this occasion the Gods had been good to you, as both men are the same age as you, so the fear of having to marry a man who multiplies your age and was surely going to be bad to you evaporates.

But still, you feel trapped and obligated.

Of course, your parents are quick to push you to start having conversations with both men to see which of the two is the most suitable for you.

Lord Alan, with his refined presence and gentle smile, known to be a skilled knight, is kind and very gentlemanly. You always see his attempt to make you feel comfortable with his presence, also in the topics of conversation that arise between the two, telling you about his home, his family, some stories and sharing some wishes with you.

You appreciate that, as you can tell he's doing his best, but even so, your mind reels at the thought of him being the possible candidate to take your hand, which adds another layer of complexity to your situation.

The same goes for Lord Ronan.

Despite his kindness, chivalry and the attractiveness of his face, you find no peace in the situation. You don't even care that they are both advantageous for a future marriage, all you want is freedom, to wait a little longer until you heal.

But at least you are being given the choice, a privilege not many women get from their parents when it comes time to marry and simply sell them as a trophy to the first advantageous man.

"It's a beautiful day, don't you think, my Lady?" says Ronan, breaking the silence between the two as you stroll through the Red Keep gardens.

"Yes, it is," you reply with a forced smile, lowering your gaze, keeping your pace slow.

He watches you intently.

"I just want you to know that I am eager to get to know you better, my Lady," he tells you gently and formally, "And any questions you have about me, you can tell me. Also any thoughts you have, I will be pleased to hear them."

You nod politely, feeling a little uncomfortable about the situation, unable to help yourself. And though you truly appreciate Ronan's kindness, your heart still yearns for something that now eludes you.

As you continue the walk, you strive to find something in Ronan, anything, just as you do whenever you are in Lord Alan's company, but you always fail. And even though neither of them is a bad man, you know that they too are caught up in choosing a future wife that is not entirely of their choosing.

"I thank you for your kindness, my Lord."

You say in a sincere voice, looking him in the eyes for the first time since you had started the walk,

"And also for your interest. Not many men are interested in the thoughts of women these days."

Ronan places a kind and understanding little smile on his lips, nodding in your direction.

"There is nothing to be thankful for, my Lady. And I know it's only a short time since we've begun to know each other, but I enjoy your company."

You nod again, keeping your gaze straight ahead, unable to help but feel how you still feel overwhelmed by the weight of courtship and the fact that you will soon marry him or Lord Alan.

And at the same time, reality dawns on you with undeniable clarity: Ronan and Alan are good men, but neither is him.

While both may be honorable companions, your heart still yearns for someone you can't have, feeling utterly sad and resigned, because it's not fair, not to the two of them either.

But how can you make those feelings go away fast?

And just when things couldn't be more unexpected for you, as you turn down one of the bush paths along with Ronan, you both find yourselves face to face with Aemond accompanied by Lady Floris at his side, who were walking in the opposite direction.

And the air is enveloped with immediate tension.

You knew that eventually the news of your courtship with two possible candidates to give your hand in marriage would reach Aemond's ears, but when your eyes involuntarily meet his, you see only dissatisfaction and restrained fury.

This triggers a whirlwind of emotions within you, trying to disguise your surprise and discomfort, also nerves, as well as you try to focus on your companion, trying to move on and appear unaffected by this.

"Lady Y/N," Lady Floris greets politely with a smile, breaking the silence, "Lord Ronan," she address him, "How lovely to see you both this morning."

"Lady Floris," you reply, trying to remain calm, then look almost fearfully at Aemond, "Prince Aemond," you tilt your head slightly, biting the inside of your cheek.

"My Lady," he answers you in a soft tone.

Ronan at your side also greets Lady Floris in a respectful manner, then turns to Aemond.

"My prince."

"Lord Ronan," says Aemond, in a dismissive tone, observing you attentively and at the same time in seriousness.

Aemond's tone does not go unnoticed by you, with an intensity on his face that does not go unnoticed either, as you struggle to remain calm in the face of the uncomfortable situation.

It is clear that Ronan's presence at your side does not please him at all.

As Lady Floris at his side, she attempts to carry on a polite conversation, oblivious to the tension that has taken over the moment.

"I would like to offer my best wishes to you both on your courtship," Lady Floris begins to say kindly, "Fortunately the prince and I are in the same place as you and understand what it can be to have expectations high in families if you decide to join your houses."

You feel more the knot in your stomach and the discomfort all over your body, not daring to say anything regarding that, while Aemond remains just as silent as you.

And fortunately Ronan is the one who appreciates Floris' gesture, while Aemond keeps his eye on you with an expressionless but penetrating gaze, also watching Ronan from time to time.

"Thank you, my Lady," Ronan replies courteously, "Your words are most kind and we wish you both well in your future marriage."

"Of course. We hope to see you both at our upcoming wedding," Floris adds with a kind and visibly excited smile, while you again feel your heart give a painful jump.

And since you say nothing, nor does Aemond, Ronan hastens to speak.

"Of course, my Lady. We will see you there."

With pain in your eyes, your gaze involuntarily drifts to Aemond for a brief moment, where he is already watching you. And in that fleeting moment, the looks in both of your eyes convey more than words can express.

With a polite bow, the four of you take your leave and each pair continues on their own way.

You try to focus on your steps along with Ronan's, but the echo of tension and unspoken feelings leave an unpleasant sensation throughout your body. And that's when you hope that soon, both you and he will find peace in your respective futures.

But it didn't look like that was going to happen anytime soon. Neither did acceptance.

Aemond continued the rest of his walk with Floris in the gardens with his mind still focused on the encounter with you and that boy clearly unworthy of you. He didn't even pay attention to what Floris was talking about, he had not the slightest interest and obliged, he had to complete his walk with her contributing very little to the conversation.

Even he himself could not avoid the feeling of suffocation and frustration that invaded him. Seeing Y/N, his Y/N, next to that poor boy, one of his possible candidates to take her hand in marriage, provoked a mixture of indescribable emotions inside him and he made a great effort to keep his composure.

He feels furious and emotionally on the verge of exploding, like a mad man, with impotence filling him with rage.

Why should she marry a man who was not him? Why should he be forced to witness her courtship with another man? Why couldn't he have realized that she also loves him the same way he loves her and reacted sooner?

He felt that he was really going to go crazy, so as soon as he bids farewell to Floris and leaves her in the company of the other ladies of the Court, he heads for the training yard.

Big mistake.

As soon as his presence arrives at this place of the Red Keep, the figure of Lord Ronan pulls him out of his thoughts and draws his full attention.

At least he has the decency to hold a sword.

He thinks to himself, watching as he finds himself engrossed in his own training, accompanied by other knights, practicing his sword moves. He also thinks about focusing on his own training, but finds it a better idea to meet the candidate of his dear friend Y/N, wanting to know what truly awaits her.

After all, Lord Ronan is not the only candidate, Lord Alan also frequents the training yard and will eventually see him as well. So with a determined step, he approaches him.

"Lord Ronan," he says in a cool but controlled tone as he approaches, heading towards the weapons table.

"Prince Aemond," Ronan replies, stopping his training and turning to him, "It is good to see you here as well, my prince."

His gaze assesses Ronan closely, noting his every gesture and movement. And despite the anger still flowing through his veins, he remains calm, not revealing too much of his thoughts.

"I guess you don't train enough at home. House Redwyne is best known for making sweet wine from the grapes that grow on your island," he comments neutrally, watching Ronan's position with meticulous attention.

"Ah... no, my prince," Ronan says politely, "I have had training lessons with the sword, among other weapons, since I was a young boy. So have other members of my family and I assure you we are well trained," he replies, adjusting the position of his sword, "After all, a knight must remain prepared at all times."

"Hm," he says seriously, "And that is what you have accomplished with so many years of training?"

Ronan remains calm in the face of the prince's critical gaze, though Aemond's insinuation resonates with a defiant tone.

"P-pardon me?"

"With those moves is that how you're going to ensure protection for your future wife?" he inquires with a dismissive tone, challenging Ronan with his words.

Tension begins to be felt in the air, the verbal confrontation slipping between the two men. And though Ronan maintains his composure, not wanting his words to affect him, the disdain in the prince's words does not go unnoticed.

"Appearances can be deceiving, my prince," Ronan said calmly, controlling each word to convey determination, "And my duty as protector of my future wife is not limited to combat alone. I suppose there are more important aspects."

Aemond tilts his head, watching him in confusion.

"And what aspects are those, my Lord?" he asks, clearly disinterested.

"Loyalty, anticipation and sacrifice," he replied determinedly. "Protection goes beyond sword skills; it involves being willing to give your all for the person you are sworn to protect."

Ronan's words echoed in the air, filling the space between them with a seriousness that could not be ignored. And Aemond, his brow furrowed, lets out a sigh and watches him more seriously than before.

"Do you hear yourself, my lord? Speaking like the ladies of the Court who read and listen to love ballads," he snaps, watching him in disapproval, "Loyalty, anticipation and sacrifice are not going to protect your future wife from a life-threatening attack," he says and then turns away, taking his sword and a shield from the table.

Ronan swallows hard.

"You need not worry, my prince. Still I assure you that I am well prepared for combat."

"Oh yeah?" he looks at him expectantly, turning to him with his weapons in hands, "Then prove it."

Ronan looks a little confused.

"My prince-

"Come on," he interrupts him, egging him on with defiance, discontent and agitation in his tone and look, "If you're as skillful as you proclaim, then prove it."

The atmosphere grows more tense, as Aemond waits for Ronan to accept his challenge and prove his worth beyond words. Both men hold each other's gazes firmly, with the tension increasing by the second, but neither takes a step back.

The confrontation becomes tangible. Glares charged with a subtle but unmistakable rivalry. And without further words, the air filled with the anticipation of the physical training ahead, as the two head to the center of the training yard, each preparing in their own way.

Aemond tightens his grip on his sword and without hesitation, lunges towards Ronan with fierce determination, causing the poor knight to have little anticipation to protect himself from his sword, but managing to dodge it and answer him in kind.

At first it appears to be casual training, yet Aemond wants to get a reaction out of him.

And between every clash of swords and every move full of speed and precision, at every failure of Ronan, Aemond taunts and shouts questions and insults at him in a defiant voice while demanding superior performance.

And at every failure and every taunt, Ronan's determination grows, also inevitably to the prince's provocations.

"Is that all you can do!?"

Aemond exclaims arrogantly to him, wiping the sweat from his brow, trying to unsettle him.

Ronan growls and focuses on his movements, responding with brutality and force, trying to answer every blow he threw at him, which to Aemond, couldn't be more pathetic and weak movements.

"This is what you plan to defend yourself with? This is what you have learned?" he inquires, mockingly, "What a shame."

Ronan lowers his sword a little, watching him in bewilderment and panting in exhaustion.

"My prince-

He tries to say but Aemond won't let him.

"No," he tells him seriously, "Be a fucking man and fight me back."

Aemond raises his sword again and slams it against his, causing him to lose his balance, while Ronan as best he can defends himself from their attacks, while the combat begins to attract the attention of the other knights and some people of the Court.

And only when Aemond sees that they have just started and he can no longer stand and does not even have more strength in his arms, the confrontation went from a simple duel to a battle without mercy.

And he in a fit of anger and frustration, leads to hit him with his foot in the chest with excessive force, making him gasp in pain and throwing him to the ground, and then walk quickly towards him, with purpose, raising his sword, so Ronan quickly tries to get up, raising his sword, blocking his attack.

Then Aemond's sword dangerously grazes Ronan's shoulder, knocking him back to the ground with a blow to his side.

"My prince-

"You yield!?" he exclaims to him in his madness, bringing the point of his sword to his throat.

"Yes! I yield!"

"Just like that!? So easy!?"

"Prince Aemond!"

He hears someone shout in the distance but he focuses entirely on Ronan below him.

"I yield!"

"He's bleeding!"

"My prince!" comes Criston Cole immediately.

And only at that moment does Aemond stop, breathing shakily, his gaze with barely contained fury. And only at that moment he also notices that Ronan has a wound on his shoulder with which he had brushed his sword earlier, not realizing at the time that he had wounded him.

Ronan presses his free hand to the wound, trying to stop the bleeding, watching him in horror and clearly calling for help.

Aemond squeezes his sword again so hard that it marks his white knuckles, watching everyone around him for a moment, then with a hard stare, turning to him again, angling his body so that only he can hear him.

"You are not worthy of her," he whispers in a low voice, his words laden with disdain and resentment.

And without caring about the stares or even her opponent's injury, he leaves the shield on the ground and with his sword in hand heads towards the interior of the Red Keep's castle.

Aemond knew that eventually what happened at the training yard would reach your ears. He also expected a confrontation about it, but he didn't imagine he would face your fury late at night.

His guards are required to stand guard in different hallways, so taking advantage of the fact that there are none in the hallway by his doors, you quickly make your way there to enter his chamber as fast as your body will allow.

He looks up from his book in his lap, sitting near the fireplace, watching you attentively at once, but before he can say anything, you turn to him with your lips pressed together and annoyance in your eyes.

"Have you lost your mind?" you inquire in a serious and demanding tone, looking for explanations.

And just like you, Aemond isn't having your attitude either. He's annoyed to see how you haven't taken any time at all to come to the defense of that stupid, poor, defenseless boy.

Putting his book aside, he stands up, imposing his presence on you. Despite having to raise your face to face him directly, you don't let his posture intimidate you.

"I see that that... Ronan matters too much to you, my Lady," he says in a dismissive tone, "It took you no time at all to fall for his sure sweet words and promises of love. After all, you and he are very much alike."

You inhale deeply before responding, seeking calm despite his attitude and the tone of his words.

"Ronan and I are getting to know each other, nothing more. Just as you are getting to know Floris Baratheon. But I'm not doing anything against you, yours is for sure, she's going to be your wife. But you can't go hurting and almost killing the men who can be my future husband."

He looks away from yours for a moment, irritated.

"I don't know what you expected, honestly," he tells you seriously and indifferently, "That's what happens in combat when we fight with weapons, Y/N, men get hurt. And if Ronan is weak and wasn't taught well, that's not my problem."

You stand your ground, incredulous to hear his words.

"That doesn't justify what you did. Everyone witnessed how the combat began and it was you who unfairly exploded against him, hurting him," you reproach him with determination. "His wound was deep. He needed eight stitches!"

Aemond, sick of this, averts his gaze from yours and turns his back on you, heading towards his table to pour himself a glass of wine under your confused and incredulous gaze.

"I don't understand why you're so worried, he'll be fine. After all, you still have another possible candidate for your hand, I hear," he says in a tone devoid of emotion, laden with bitterness, "Though I doubt he's much stronger than Ronan."

His voice sounds harsh, his words laden with a bitter resentment that he can barely hide, jealous.

"So this is how things will be?"

You ask him earnestly and sadly, fighting back tears that threaten to escape at any moment.

"You'll go around hurting my suitors until there are none left and I have no chance of marrying anyone else but not you either?"

Tension hangs in the air as you wait for his response, feeling the weight of your words and the clash of emotions between the two of you.

And he remains silent, staring out the window with a hard stare, as if not looking for an answer through the glass, turning his back to you and not daring to look at you at that moment.

Finally the first tear rolls down your cheek and Aemond listens as you gently sniffle your nose, then turns to you, his face showing a mixture of emotions, from hardness to the flash of regret and longing.

And he lets out a defeated sigh.

"That's not what this is about, Y/N," he murmurs in a softer tone, his expression revealing his inner struggle, "They're not worthy of you. Your father is choosing wrong."

And that's when you explode with anger and frustration, unable to contain yourself any longer.

"I just don't understand why you care so much, Aemond!" you exclaim without understanding, "You shouldn't see them as a threat because they are not. You have nothing to do here!"

You face him, as your tears fall silently, with a defiant look and your posture firm, though full of sadness, anguish and confusion, inside and outside. And he too responds to you in kind.

"Of course I do!" he turns to you angrily, exclaiming in his fury, "This does concern me because those fucking men and your father are going to take you away from me! And they have no right!"

And again your emotions boil over, fury and pain getting the best of you.

"Do you even listen to yourself? How irrational you are being?" you inquire, not understanding, "You didn't even do anything in the beginning, you are the prince, the one who had the power to do something about it and you never even once asked for my hand!" you shout at him, your voice full of reproach, sadness and disappointment.

Furious, Aemond turns around and in a burst of anger, throws his hand towards the table, causing the wine jar and the cups to fall to the floor with a deafening clatter. The sudden sound makes you jump and recoil, startled by the noise and force of the act.

He turns his back and heads for the back of his chair, leaning hard against it as he tries to contain his fury. With her breathing rapid and agitated he struggles to regain his composure, his body tensing and closing his eye tightly.

The air becomes tense and the silence uncomfortable, as Aemond fights against himself and you just allow yourself to cry silently.

When he speaks again, with a tinge of bitterness in his gaze, still not turning to look at you and his voice soft but laden with resignation, still holding back his fury.

"I wanted to," he confesses to you, his vulnerability visible, "But my mother and grandsire would never have approved, you know that."

His statement leaves you speechless, with a mixture of sadness and disappointment that he didn't even try, not once and yet...he has the nerve to do this to you.

You remain silent and the disappointment and bitterness reflect even more on your face as the tears run their course, to finally gather your courage and speak.

"Then... let me go," you whisper, it being more of a painful plea than a command.

Silence expands in the room, marking every second with the heaviness of unresolved emotions. And you, overwhelmed with disappointment and pain, understand that you have nothing more to do here and turn to leave.

You don't even care if one of the guards sees you coming out of his chamber, you don't even care if rumors arise seeing you here late at night and everything gets too complicated, you just need to get out of here soon.

And with tears still running down your cheeks and being completely heartbroken, you grab the doorknob. But just as you are about to turn it, his firm and determined hand lands on your waist and turns you towards him, stopping you.

The action takes you by surprise and you look at him without understanding, he doesn't give you time to say anything either as he places one hand on your cheek and the other keeps it firmly on your waist, bringing his body close to yours.

And still without reacting, he moves closer, his warm breath brushing against your face.

"I can't," he murmurs, his voice cracking with anguish, laden with longing and regret, "I can't," he repeats in a whisper, gently caressing your cheek, "I'm sorry."

And just then, without a thought for anyone else and without a care in the world, his lips trap yours in a passionate, desperate kiss.

Paralyzed, surprise takes you completely and you can only feel how every movement of his lips is a mixture of apology and desire, asking you to kiss him back.

His arms wrap firmly around you, clinging to you as if he's going to lose you at any moment. And unable to resist a second longer, with his soft lips and warm mouth on top of yours, he makes the world fade away around you in that instant and you kiss him back.

You place your arms around his neck and cling to him completely, moving your lips in sync with his, as he presses your body against his and lets out a gasp at the wonderful feeling of having you this way with him.

And you feel as if you are floating, this being exactly what you had dreamed and prayed for so much, wishing and praying to the Gods that this is not also one of your cruel dreams.

But this is real. It is finally happening.

So you allow yourself to lose yourself completely in it, not thinking about the consequences and not caring about anything else, as Aemond walks you around without stopping kissing you for a single moment, until his feet touch the edge of his bed.

"I love you. I love you so much, my sweet girl."

He whispers into your lips, watching you with all that love and desire in his gaze, noticing your swollen and parted lips, watching him back with the same intensity and completely surprised to hear his words.

And without saying anything back, with the actions speaking for themselves, you kiss him again, feeling that urge to cry, but of happiness.

Aemond falls down sitting on the edge of his bed and you take a seat on his lap, placing your knees on either side of his hips, clinging to his neck and kissing him slow, deep, making you feel everything.

"I love you too," you murmur against his lips, watching him with nothing but affection and desire.

He kisses you again desperately, feeling something warm in his chest at your words, holding your waist with one of his hands and the other beginning to lift the edges of your skirt, making his way to touch your bare thigh.

You gasp into his lips, feeling his warm hand and the cool metal of his rings, only to tilt your head as he begins to leave soft, wet kisses down your neck, trying to find your sensitive spot to make you shiver.

"You're so beautiful," he murmurs, leaving a kiss on your collarbone, lifting his gaze to you.

"A-aemond," you gasp, feeling the hardness beneath you.

You reach up with one of your hands and remove his eye patch, wanting to see everything about him, instantly reflecting the faint light of his blue sapphire, looking so beautiful and dazzling.

You smile softly at the sight of him, then leave a soft kiss on his cheek, beginning to leave a small trail down his face to kiss him on the lips, as his hand on your thigh makes gentle, firm strokes on your skin.

Slowly, he lifts his hand from your waist to the laces of your dress, watching you attentively afterwards and needing first of all your permission. And you help him untie the knots yourself.

Your front of the dress loosens and revealing your white gown underneath, Aemond lifts one of his hands and gently traces your skin between the valley of your breasts, making you shudder and shiver, then stops at the straps, watching you again.

"May I?"

With the blush on your cheeks and the nerves in your lower abdomen, really wanting to do this, you nod.

"Yes."

His hand slowly slides the strap down your shoulder and arm, then exposes your breasts to him, making you feel more nervous, but you feel completely safe to be doing this with him.

Truly everything that happens next, giving him your mainhead and letting his calloused hands explore all over your naked body, is by choice and you think to yourself that if there is one man you would willingly trust with this, it's him.

And just as the tip of his hot, hard, heavy cock makes its way between your walls, he knows exactly how to comfort you and make you feel comfortable. Instantly blood stains his sheets, but he doesn't care at all.

And when he begins to move inside you, slowly and very carefully, waiting for you to get used to it, he wipes away every tear that escapes your eyes and comforts you with his hands and kisses, making sure that at all times you are well.

"You feel so fucking good, so warm and tight, my love."

And despite his obscene words, his actions are anything but, his movements careful and careful not to hurt you, asking you how you feel.

He kisses you sweetly and caresses your breasts, he makes sure to pleasure you too, as he understands that this is not just about him and the act is not just about fucking, but him making love to you.

He growls into your lips and you gasp as he begins to move with more purpose inside you, feeling the sweat all over your body and forehead, clinging to his shoulders and gently digging your nails into his skin also lightly illuminated by sweat.

"Do you have any idea how long I imagine this?" he whispers against your lips, moving his hips and pounding that sweet spot inside you, making you moan beneath him.

But he quiets your moans with his lips, not wanting anyone out there to hear you, it would be too risky.

"Aemond," you say his name in a moan, biting your lips.

"What's wrong, my sweet girl? Does it hurt?" he says to start moving more gently.

"N-no. It just... feels so good," you manage to say over the sensual movement of his hips that make you see stars behind your eyes.

The act doesn't last long and very soon Aemond makes you reach your highest point, making you experience a sensation you had no idea about all over your body and he also spills all his seed inside you, grunting and moaning from the pleasure as he feels your walls squeezing him deliciously.

And then, both of you sweaty and trying to catch your breath, you embrace and take a moment in his bed.

You feel a tingle between your legs that is more than gratifying and Aemond, for the first time in a long time, feels at peace and completely at ease, especially having you in his arms at this moment.

There was no time for regrets and worries, it was all done. So the two of you dive into that little world where only the two of you exist.

But even though you didn't want to think about it, you think about the future, with uncertainty beginning to invade you, as you inhale Aemond's scent, hiding your face between his neck and chest, embracing him as he encloses you in his arms and gently caresses your bare shoulder with his thumb, listening to his soft breathing above you.

You let out a sigh, close your eyes and wish you could stay like this forever, starting to feel your eyes water and that huge worry in your chest for what you just did.

When Aemond speaks.

"In the morrow I will talk to your father and ask for your hand."

He says in a soft voice and everything in you comes to a complete standstill, listening to him attentively.

"I'm sure he won't be able to resist my proposal. No one will be able to stop us when they know I have claimed your mainhead, not even my mother and grandsire. And then... we will have our Valyrian wedding and there will be no turning back," he murmurs and then places a soft smile on his lips, "You will be mine, as much as you already are now."

You feel him leave a soft kiss in your hair and you smile softly, moving closer towards him, if possible.

"Sounds like an excellent plan, my love," you whisper, grateful.

And finally you can be at peace now.

[writtenfangirl]

Kismet

In which Anthony Bridgerton contemplates the meaning of life, death and love

I’ve had this scene in my notes app for so long and I always found it so beautiful but couldn’t find a character to write it for UNTIL Anthony Bridgerton came along.

Pure fluff but mentions of death.

Anthony had always been afraid of death, as much as he’d been afraid of love.

It was difficult not to be when you witness both of your parents’ deaths.

He’d seen the way his father collapsed, face purple, breaths coming out in gasps before they suddenly stopped. He saw his father’s mortal body die, saw the light in his eyes dim before they completely sputtered out. And afterwards, when the doctors could do nothing to help him, he saw his mother’s soul die with him. Her cry of anguish as Edmund Bridgerton collapsed onto the soft grass, the days after the funeral when she would not speak and she only had that vacant look in her eyes, without any sign of that light Anthony grew up seeing.

Death was not a foreign concept to Anthony Bridgerton. The fragility of his mortality and the concept of his demise, as well his failings as the Bridgerton patriarch were his most intimate friends. These were the thoughts that plagued him at night. They were the covetous brothers Benedict and Colin were not. While his brothers of flesh and blood may have been content to let him keep the title, those thoughts had looked over his shoulder, had watched his every move and decision, had waited for a single misstep for the right moment to strike.

They absolutely terrified him.

So much so that he had stopped living.

What good was it, truly, to live and to love, when life could end in a flash. When nothing you do in this world matters, when you realize that everything you held dear could be taken from you in a blink, you begin to believe that such things weren’t worth the risk.

He loves his family, that much he was sure. It was difficult not to love them when they seemed to reside in his very heart, woven into the fabric of his soul. He had no choice but to love them.

But he had a choice when it came to romantic love. He did not have to go through the pain of losing someone else, nor would he ever damn another person into loving him and losing him too. On that, he could decide.

Or, at least he thought he could.

Because love certainly came for him, as surely as he knew death would one day come for him. It came to him in the form of the most beautiful woman in the world.

Y/N Y/L/N. She was the niece of the Viscountess Heathwood. By the ton’s standards, she was nobody. Beautiful yet still, unimportant and without any significant title or dowry aside from her relation with the Viscountess. Had it not been for her staggering beauty or her education and graceful countenance, she would have been dismissed.

If you had asked the Anthony of five years ago what he thought of when he imagined his wife, a woman like Y/N would have been last on his list.

But the Anthony of five years ago was an idiot.

Because Y/N, with all her grace and beauty, had a fierce determination that not only made her befitting of the title of viscountess but also made her a great addition to the Bridgerton family.

And to Anthony, she was everything.

Love in the shape of Y/N knocked on his door, and when he had refused to answer, love barreled its way into his heart like a disease. It burrowed itself into his skin until he flushed at the mere thought of her, wormed its way into his heart until his heart beat only for her. Then, love pounded its way deep into his soul and staked a tether that tied his soul to hers.

Anthony knew that one day, death would come knocking. It would take its bony hand and place it on his shoulder, beckoning Anthony to his side.

He was still undoubtedly terrified of it.

But for Y/N, for the love his life, he would live.

“What’s got you in so morose a mood so early in the morning?” Her voice, sweet and calming, pulled him out of his stupor.

Bathed in the golden light of the dawning sun, she looked breathtaking. It should have been impossible, to be so beautiful when she’d just woken up, but Anthony knew that if anyone could make the impossible possible, it would have been her.

She was pressed against his side, her body warm and flushed against his own. His arm, wrapped around her as her head rested on his chest. The only thing that separated them was the thin fabric of their sleeping clothes but even with them on, he could feel the contours of her body. The rolling curve of her hips, the softness of her skin as his hands trailed down her arm and up again.

He’d awoken to his wife in his arms for three years now but he could never take this feeling for granted. Everyday he woke up like this was a day he was truly thankful for.

Anthony placed a tender kiss on his wife’s forehead, the little hairs on the tip of her forehead tickling his nose. “I was just deep in thought, my love.”

“About what?”

He contemplated lying to her. Admittedly, his thoughts were far too dark to share so early in the morning. But Y/N had always been adept at sussing out any falsehoods, most especially his own.

“Death.”

Her brow shot straight up, pulling away from him and propping herself up on an elbow. The thin strap of her nightgown slipped past her shoulder revealing her glorious skin, her long hair trailing down her back. The golden light that bathed her had turned into a halo against the backdrop of the window, turning her into one of God’s sacred angels. “Why the bloody hell would you think about your death so early in the morning?”

“I wasn’t thinking my death. Just death in its most general sense.”

She gave him a pointed look. “That’s not very reassuring.”

He grinned at her. He couldn’t help it, not when she was looking at him in that certain way that always had him believing he was in trouble but would receive a reward rather than a punishment. “I assure you, it is not so morbid. I was simply thinking of life’s ephemerality, and how one ought to live it for the right people.”

She didn’t look reassured but nevertheless, she laid back down, Anthony’s arm instantly enveloping her, hand absentmindedly resuming its task of drawing lazy circles on her arm. “You would think, that with my husband celebrating his birthday today, he would think of happier things. His beautiful wife, perhaps, or his kind mother, or the veritable gaggle of siblings who adored him. You would think that, perhaps, his mind would wander towards the child his wife is currently carrying. But alas, he thinks of death. I never thought death to be a celebratory topic, but to each his own.”

He flicked her nose playfully at her sarcastic tone, her mouth pulling into a grin. “If you must know, death was on my mind because today marks the day that I am officially older than my father was when he passed.”

Suddenly, whatever joy filled the air died. “Oh.”

It was the truth. In the weeks since his birthday, his every waking thought had been consumed by his father. His father, Edmund Bridgerton, who was 8th viscount of the Bridgerton family. His father, who’s death marked the biggest change of Anthony’s life. His father, who lived through the first 18 years of Anthony’s life but lived no longer.

It was a sobering thought to realize that he would have to live longer than he knew the man he looked up to his whole life.

And it was these thoughts that plagued him.

“He has been on my mind,”he murmured but he knew she would understand, “I wonder if he is proud of me.”

“Of course he is.” She had said the words with such surety, it was difficult to argue with her. But Anthony would certainly try.

“How can you be so sure?”

She gave him a leveling stare, as if he was an idiot for even asking such a question. “I never had the pleasure of meeting him, but I know he is proud of you, as proud of you as I am.” Y/N placed a hand on his cheek, the pads of her finger soft against his stubble. “How can he not be, when you have done right by your siblings? By your mother? How can he possibly feel anything but pride at his eldest son for taking care of his whole family?”

“I make such a mess of things.” He frowned. His thoughts weren’t always so desolate, not since he married Y/N. It was difficult to keep his countenance bleak when he was married to the kind of person who smiled at a family of squirrels, or grinned at the sight of a little girl giggling through the window of a shop. But today of all days, his mind strained to his faults.

But his wife, bless her, would hear none of it. “You are human, Anthony. It is in our nature to make mistakes. I am certain your father once thought his mistakes egregious but yet still, he remains great. As sure as I am of your own excellence.”

“I go days, sometimes, never thinking of him. And when I remember him again, I feel such tremendous shame and grief at having forgotten him that sometimes, I can scarcely breathe.”

Another truth, one that Anthony had been too ashamed to admit. To forget one’s father when they were alive is one thing. To do so when he was dead was another thing entirely.

Y/N’s eyes could only be described as kind. “Did you know that a person dies twice. Once, when they are well and truly buried. The second is the last time their names are ever mentioned.“

This time, it was Anthony’s turn to look at his wife in sarcasm. “This is not the reassurance you think it to be.”

But she simply gave an indulgent grin before her eyes turned serious. “I mean to say that I will never let you forget him. I will say your father’s name everyday, if I must. And one day, I will teach our children to do the same. And they will teach their children, and their children will teach their children. Edmund Bridgerton will not be forgotten under my watch.”

His heart swelled with love. It was a lofty declaration but Y/N was never one to make vows lightly. She would do it too. Y/N was relentless in the pursuit of her goals and once she set her mind on something, she did it no matter what. It’s one of Anthony’s favorite things about her and the reason why he fell in love with her in the first place.

He pressed his lips on hers. Kisses with Y/N always felt like coming alive, like an empty house suddenly having new tenants. She felt like the cool spring air turning into the summer breeze. She felt like hope and joy all at once.

When he pulled away from her, her lips were swollen, eyes twinkling. He would never take a life with her for granted, and so when he spoke, his words came from that little space in his heart reserved for Y/N that no longer trembled at the sight of death. “When I die, I shall have your name carved into my bones”

She looked at him with skepticism. “Your bones?”

“One day, in the very distant future, when my grave is found and my tombstone is missing, they will see my bones but they will say your name. I will allow the world to kill me twice but I will not let it do the same to you.”

Her eyes gleamed silver, a joyful grin pulling at her lips.

There was no declaration of love more serious, more profound, than that. For the woman who taught him to live in spite of his fear, who taught him to love because of it, he would embrace death with open arms, if only so he could meet his wife’s soul once more. Because he was certain of his need for it, as certain as his need to draw breath every morning.

They were kismet, in this life and the next.

[another-goblin]

Doc and Gambler: An essay A disjointed musing

I've been thinking about the words they use to address or refer to each other. Gambler and Doctor are rather special nicknames. I can't think of other characters who talk to each other a lot but avoid calling each other by actual names so deliberately.

First of all, of course I can see it as a sign of their relationship. They are old friends, so it makes sense that they have cute special names for each other.

Can there be other explanations?

1. We never see them use each other's actual first names.

It's understandable with Aventurine. If he's ever comfortable being called Kakavasha, it's definitely not now. And I can understand if he'd prefer Kakavasha to just remain a happy, innocent child in his memories forever.

It's more interesting with Ratio. Nobody calls him just "Veritas" (I think?..) He's referred to as Veritas Ratio in some official situations in his character stories. Even his elderly professor, who talks about teaching Ratio when he was a child, only calls him "Ratio."

Actually, I remember a theory that "Veritas" isn't a personal name but a kind of honorific. Maybe a title that Veritas University gives to its most distinguished members. But if Veritas is his actual first name, then I think it's quite significant that nobody seems to call him that. Especially while all of the other characters who have identifiable western-style first and second names are mostly referred to by their first name. (I'm sorry, I don't know how the Xianzhou characters' names work.)

A little off topic, but is Ratio even his real name? According to the wiki, his full name means "truth of the matter," and his Chinese name means "doctor truth." What a coincidence that a person with such a name became a famous scientist. Although there can be other explanations too.

2. They do use each other's more commonly used names sometimes (I think Ratio called him Aventurine once in the game when discussing him with us, and Aventurine addressed Ratio by name a couple of times). But it's mostly nicknames. Mostly Doc(tor) and Gambler, but also "learned professor," "knowledgeable friend," and a hundred of silly ways Ratio refers to Aventurine. I made a whole post about it long ago.

3. Can it be because all of their direct interaction happened in Penacony, in the middle of a murder mystery somewhat reminiscent of the board game Clue, with our little "Mrs. Peacock" and "Professor Plum" here just imitating the naming conventions of such a game? Like archetypes from a classical detective story, where most characters can be described with one word like that. But it's a bit of a crack theory.

4. The only situation we saw them talking to each other was when they had to play their roles for Sunday.

It's interesting that Sunday later proceeds to call Ratio just "doctor" or "learned doctor" too, the way Aventurine did. I mean, strictly speaking, there isn't anything unusual in calling a doctor "doctor", but it's funny in an awkward way. Imagine two close friends having special names for each other. And then a complete stranger who's been eavesdropping starts using these names too. Umm, that's "Dr. Ratio", Mr. Sunday, thank you very much.

Btw, that's another point to the theory that Sunday only knows (and tries to use against them) the things they deliberately fed him through their conversations.

So it might be that they did it deliberately for Sunday to hear. Like, see? we are so not friends that we don't even call each other by name. But then we see them using similar words when mentioning each other while talking to other people, and in Aventurine's thoughts too (in mission descriptions during Double Indemnity).

5. Although it might still be the way for them to try and distance themselves from each other, at least verbally, trying to deny the obvious special connection between them.

6. Or maybe it's about their "masks". They both have public personas to hide their real selves behind. (Ratio directly tells us about it and wears a literal mask to hide behind, and Aventurine's whole Harmony ordeal was basically to show his inner self, so unlike the confident and cocky Aventurine other people know.)

But they know each other better and see deeper than just their public personas of "Aventurine" and "Dr. Ratio". And it's still too early in their relationship to prod deeper ("Kakavasha" and "Veritas"). So a secret third thing it is.

[museofthepyre]

Every day I wake up with a start, drenched in a cold sweat, plagued by a reoccurring nightmare about the most baffling CHNT take I’ve ever seen, which basically went… ahem.

“So what if Jedidiah is avoiding and ignoring Sydney 😒? That’s not neglect, because he owes Sydney nothing. Jedidiah owes Sydney nothing. He has no obligation whatsoever to be there for Sydney, and it’s manipulative of Sydney to be upset about his absence.”

Ahhhhh yes. Indubitably. Y’know now that I think about it….

Y’know how food is used to symbolize love a lot in CHNT? And, do y’all remember file 18, when we got all those analogies for Sydney and Jedidiah’s current-day relationship in the form of childhood stories? Specifically that one where Jedidiah became so attached to a fruit fly that he couldn’t bare to let it go… so he put it in a container, kept it trapped, neglected to feed it, and watched it throw itself against the walls until it died of starvation?

Yeah. That starving insect was emotionally manipulating child Jedidiah by acting out in distress. I mean, throwing itself against the walls like that? Totally uncalled for. Jedidiah had absolutely no obligation to care for it. So what if he leaves it alone in there? That’s not neglect— he owes it nothing!!!!!

Wait. What do you mean he put the fly in the container. What do you mean he took on the responsibility of feeding it when he trapped it in a container, and took away its freedom to fly around and seek food for itself. All so he could keep the fly forever and never let it go. Without giving it a say, simply because he can’t handle saying goodbye. What do you mean the fly was acting erratically because it was starving and crying out for help. For the ONE PERSON who could feed it to just *notice*, and offer any sustenance at all. Or to just set it free. Errrrm… that’s actually emotional manipulation and we need to hold that villainous little fruit fly accountable.

Also side question what the fuck is a literary device and what do the words “analogy” and “metaphor” mean. What is that. Stop cursing at me. Those aren’t real words.

This couldn’t possibly be an “analogy” for how Jedidiah PREFORMED FORBIDDEN MAGIC ON SYDNEY to keep him “alive” and confined to the campgrounds (which he now cannot leave), simply because Jedidiah couldn’t bare to say goodbye. How he leaves him there to starve, all alone for 11 months out of the year, avoiding and ignoring him, PUTTING HIM IN THE CONTAINER AND NEGLECTING TO FEED HIM. Just looking in from the other side of the glass at his own convenience. Then being sad when Sydney acts out and withers, but never thinking to offer sustenance. Food being a metaphor for love, remember. Pfffffffft. That’s impossible and ridiculous!

Cough.

Also another side question what are themes and parallels. And why are there so many throwaway lines in CHNT lollllll like what significance does any of this have? Surely this has no deeper meaning.

Ok sarcastic bit over, that was painful. Media literacy is so dead it is fossilized in the deepest sedimentary layers of the earth’s crust. I’m sorry I hate getting fired up about this stuff but this strikes a NERVE in me.

Sydney has self-destructive and overall unhealthy responses to conflict, which often hurt more than help. Jedidiah owes Sydney his presence after ILLEGAL MAGIC-ING him into a state of pseudo-life and confinement to the campgrounds… for his own keepsake. Not to mention keeping him under the guise of a relationship, leaving him always reaching out an empty hand that’ll never find anything to hold.

They’re both flawed. This story has no blameless perfect protagonist. WHY ARE YOU TRYING TO BUY CLEAR CUT “GOOD GUY” AND “BAD GUY” NARRATIVES AT THE NUANCE STORE. Ok I’m done now

[slothcapsule]

Kaeya's design pt.2 (updated until 5.1 because yes, more stuff gets added with updates, his design is that thought ahead)

or maybe im delusional and looking into things way too much! heyy, Me again!! this is gonna be a master post of all the things ive noticed about kaeya's design, ive made one like it before but since then there's been a bunch of new stuff so i decided to make a new post that has everything i have to note. this is complied of things i myself have noticed and things that others have. this post will not include anything about his skin other than noting a couple of significant differences since the outfit wasn't made specifically for him in the scope of the story, but i might cover it in a separate post

kaeya's design mostly consists of "two sides" in a way, his "mondstat" side and his "khaenri'ah" side.

his mondstadt side includes his vision, the full side of his cape in the back, the earring he wears and his rat tail, all this represents the freedom he has in mondstat and the person he grew to be there, a vision bearing knight of favonius.

the khaenri'ah side includes his eyepatch, the wisp of lighter hair in his bang, a clipped cape ("wing") and the majority of the fur coating. i believe this goes to represent that he's still tied to khaenri'ah despite all the time he's spent in mondstadt, and that he's quite aware of it. Also, the glove on that side has a kind of buckle that kind of reminds me of a shackle or a handcuff, as well as this thing with a bunch of eight pointed stars that are not apparent on the mondstadt

all across his design (the boots, corset belt, gloves, little things on the ends of the cape thing he has, his left sleeve) there are bunch of "eight pointed" stars we see associated with khaenri'ah, one being in his pupil which was a confirmed trait to khaenri'ahn people ever since we saw dainsleif.

id like to note that kaeya's eyepatch is stressed on a lot in game. its constantly referred back to most of the time when kaeya is brought up. he has a voiceline about it (that has been changed once in the english version to to a mistranslation i believe, ill include both versions) the first is the current version.

traveler has a voiceline about it where paimon makes fun of it but i think its notable there's a voiceline specifically about it at all.

its mentioned right when we start the world quest "Bough Keeper" where we meet dainsleif. he doesn't even have an eyepatch half of his face is just black it was a stretch in the first place.

kaeya himself dismisses it as nothing unusual.

in his story quest he says he inherited it from his grandfather, which is solid proof that they're related by blood. (his story quest has some crazy foreshadowing btw that predicted that him and the abyss twin are possibly related in some way or another by extensions but i wont get into it here)

there isnt really a solid idea attached to any of this, other than the fact that kaeya's eyepatch is stressed on as a point of intrigue, its pretty implied to be related to his origin of khaenri'ah, and we often see khaenri'hn people with their right eye covered in some way. and to those of you that think that he wears the eyepatch because diluc injured his eye during his fight, no he isnt. it might've been scarred by him yes but he isnt blind in that eye, and in the webcomic it shows kaeya wearing an eyepatch on the day crepus died, before the fight with diluc.

while we're on the subject of his eyes, he's somewhat of an abnormality amongst Khaenri'ahn people. every other khaenri'ahn person we know have teal eyes with their pupil being a bold black star outline, kaeya's on the other hand are a darker blue with a more faded filled in star. i wont include the eyes of every single character to prove my point but trust me i looked at them all. the only exception seems to be pierro but since he doesnt have an in-game model yet and he wasnt shown super clearly in the trailer im unsure what to make of it for now so i wont include it.

one of the first things generally noticed about kaeya's design once you look into it a little is that he somewhat resembles cryo abyss mages, most notably the fur coat he keeps thrown over his shoulder, the "bunny ears" in his hair (ahoge?) but most of the resemblance comes from playstyle.

in playstyle he's similar in the sense that he teleports on his fifth attack, his ult is similar to the icicles they produce after their shield is broken, he produces his own shield at c4 etc.

(EDIT: i somehow forgot including abyss heralds here, which is insane of me considering that i was always under the impression that if kaeya does turn out to be an abyss monster its definitely more likely to be a herald/lector. i dont necessarily think that he is but there are similarities!)

As for abyss heralds, he does also have a similar design element with the Frost Fall one! Despite being a minor similarity i think its worth pointing out , but they do have kind of similar lapel things, the herald has those wing like things both in the front and back , similar to kaeya's "clipped" wings, that appear under the full wing and in the front of his outfit as well

(fun fact, when i found out they're going to release a cryo abyss herald i was so excited and kept prolonging the fight with it in the quest so i can see if it has similar attack patterns to kaeya) (it does, he does a couple slash attacks that look like kaeya's normal attacks)

one crazy thing also is his cape looks a lot like the top part of the celestial nails and the bottom part of the statues of the seven, and weirdly enough parts of paimons outfits.

a lot of people theorize the log in screen is the enterance to celestia, and that the nails in dragonspine and the chasm are fallen pillars from there. for someone from a godless nation its sort of weird that he seems to have that connection to something celestial huh? this part of the design is also included in his special dish in the skewer itself. (he also marks the mushroom with an eight pointed star as opposed to the x on the regular one)

other than celestian, mondstadtian, khaenri'ahn themes in his outfit, he also has fatui ones! on the front side of the cape we can see that it attaches to a fur thing that covers kaeya's lapels. i have no idea how this attaches or if its just thrown on top, but this design choice is distinctly fatui, weirdly enough. specifically in the style of the attire of the fatui harbingers coats or official ware when they're gathered. i related it distinctly to pierro before but after getting a good look at capitano's model its more fatui, though there's some things that are similar distinctly between kaeya and pierro.

most distinctly, the fur and the lapels being in a very similar shape which is the part that's distinctly fatui, the mask/eyepatch over the right eye as well a strikingly differently colored strand of hair being distinct to pierro and kaeya.

there's a kind of gap in the middle of pierro's chest part of the outfit that somewhat resembles the one kaeya has as well. i saw someone point this out on reddit but i cant find the post because it was a while ago but regardless, they brought up the point of it being exactly in the place and shape of where abyss heralds/black serprent knights have an eight-pointed star, which could be a subtle nudge at khaenri'ah as well.

now, i have two ideas of what those similarities could be hinting at.

kaeya is actually a fatui member (which i believe has some sort of merit because of the recent appearances of capitano and some similarties between them in attire and playstyle weirdly enough, as well as a theory ive been getting behind that states that capitano could be/is related to anfortas alberich)

the fatui harbinger design choices are actually inspired by khaenri'ah, which isnt a stretch given that pierro is the founder and director of the fatui harbingers. thus making them look similar to kaeya rather than vice versa.

panning back up a little bit, regarding the silver hair in kaeya, it seems to be expanding to the rest of his hair, in his skin it goes down the length of his braid.

in the webcomic where we flash back to the past a bit, we see kaeya actually doesnt have the little strand of silver over his left ear, as well as when we return to the normal time setting of the comic, its also not included in his icy featherflight splash art (this 100% could be a stretch on my part they could've just forgot about it its a small strand) (while we're talking about stretches, my biggest one is that childe has a similar streak in his hair lol but that might be going toooo far)

last but not least, his vision, one of the most interesting things about his whole characters. a person from a nation that actively defied the gods recieving a sign of their recognition seems like kind of a threat doesnt it? and its all the more ominous that his vision casing is different from every other mondstadt casing!

this is the back of kaeya's vision next to the back of diluc's vision for comparison, the only notable things are the lack of a third wing probably signifying he's sort of out of place, and the swirl? wave? whatever you wanna call it is on the wrong side. every other character with a double sided vision has the swirl on the other side like jean, diluc, mona, eula, lisa (etc..? i havent seen anyone else with a double sided vision which is also interesting, at least from mond)

however!! weirdly enough, in the 3.8 summer event where kaeya gets his skin, his vision actually gets a different casing, as you can see he gets his full three wings, as well as an extra spike! but not really an extra spike because the vision is just on top of another thing that makes it look like it has a third spike, but the wing is actually there. the genshin fashion archive isnt updated with kaeya's skin so i cant check if there's a swirl, even though the vision isnt even double sided in the skin which is also really weird to me.

im pretty sure ive covered most things, if anyone has any additions please let me know! id love to look into them.

i think kaeya is a really interesting character who's incredibly centered around foreshadowing in the way he carries himself and his backstory, so to think that they managed to extend the foreshadowing bit into even his design is a little bit insane imo.

[potatosapien5]

Meet Lycognathus(otherwise known as the spiderdog)! This small carnivore wanders the plains that grow between forest colonies, preying on a wide variety of both small and large ‘animals’(aka mobile heterotrophic organisms). This creature may be small, but it packs a powerful venom in its two intimidating fangs, which it uses mainly to dispatch prey, though it won’t hesitate to bite in defense if it feels threatened. This species is mainly solitary, but will occasionally hunt in pairs or engage in mobbing behavior when scavenging. Lycognathidae is a large and diverse class, but most lycognathids are small and nocturnal. 

This took way too long to do, I really need to work out a style that both looks nice and doesn’t consume an extreme amount of my time. Hopefully once I figure that out I’ll be on track to making more finished pieces faster! 

Detailed lore below here: 

The genus Lycognathus was one of the first mobile organisms on the fluffbugs’ planet to be named scientifically by humans. Several small species were named before, but they quickly became invalid when the Interspecific Cultural Exchange Act was passed. Within this act were the negotiations conducted with delegates from the fluffbug planet, who agreed that no official human designations for any living organisms (and also some non-living artifacts) could be assigned unless the people who live in the same region of an organism approve its designation. 

The fluffbugs did have a reason for this. They made the case that humanity couldn’t know if their taxonomic conventions would apply at all to a completely different planet, and that many organisms already have names, just ones unpronounceable to humans, along with cultural and religious significance, and so therefore ignoring these facts is tantamount to a violation of a people’s right to cultural heritage. 

Despite a few reservations, human scientists agreed, though still stressing the importance of classification in scientific research. Therefore, when necessary, a human science organization could propose a designation for approval of the fluffbug cultures and their delegates. 

Most organisms are referred to with rough translations of their native names, which ends up in names such as earthrazer(aka “the one who uproots the ground”). This system is flawed, but it has mostly succeeded in keeping relations between the two sophont species peaceful. 

Lycognathus was, as mentioned before, one of the first species to be approved. This isn’t to say the fluffbugs of the world(since lycognathids exist across all nearly all dry terrestrial regions of the planet) weren’t hesitant, but most didn’t have too much personal history with the clade. Several attempts were made to domesticate Lycognathus species specifically, and despite them having many tendencies that would make them prime candidates for hunting aids, all attempts failed, mainly due to the danger these species posed to anyone who wasn’t careful. It’s hard to want to keep around your new pet dog-spider after it kills your child in one bite.

Hopefully I can get into successful domestication cases soon, and talk about one of my favorite aspects of fluffbug culture. But for now, my wrists are hurting like crazy haha. 

[sunderwight]

had a thought of what if Airplane had leaned a little more into the self-insert idea for Luo Binghe when he was still at the early stages of writing, with an end result that Luo Binghe actually Looks Like That because he basically looks like Airplane but with long flowing hair and a more idealized figure

SQQ going "why the fuck did you make his face so pretty???" and Airplane bullshitting about plausibility while trying really hard not to blush. twisting his fingers and scuffing his toe like jeez bro he's not that good-looking...

which of course sets SQQ off because how DARE!?! not 'that' good-looking?!?! just look at him! he's xianxia Helen of Troy with a face that launched a thousand harems! like okay sure with looks like that it does make sense that half the female population was willing to timeshare a marriage with him, but it's also totally unfair to SQQ, who has no recourse against those looks either! and who could? that is the most beautiful face ever!

Airplane's getting flustered. tries valiantly to make the case that objectively speaking Luo Binghe isn't that good-looking, it's just that SQQ is biased, but boy does that not go over well. SQQ has hitched the tattered remnants of his self-perception as a straight man onto the idea that Luo Binghe is just so devastatingly attractive anyone would want to hop into bed with him, and he is not letting go of it, so Airplane is just gonna get wrecked with inadvertent compliments

bonus if the Shang Qinghua look is actually the result of several illusions because when Airplane first transmigrated in, he got the same face too, and foresaw potential problems if the half-demon protagonist turned up looking like him. so he used illusions. he doesn't actually look all that different, in fact! the illusions just make it so that when people see him, they get a strong impression that he's unremarkable, so they don't really register what his face actually looks like and their brains fill in the assumption that he must just be kinda plain

oooh ooh double bonus if the system inserted a behind-the-scenes explanation for it too, which is that Shang Qinghua is actually unwittingly related to Su Xiyan!

and the whole thing comes to light post-epilogue when Shang Qinghua's illusions get stripped away by some monster-of-the-week, while everyone except Mobei Jun has a freak out about why do you look just like Luo Binghe?! (Mobei Jun isn't freaking out because he already figured out how to see past the illusions and just assumed everyone else wasn't mentioning it for some human cultural reason or something) and then Yue Qingyuan calmly explains that Luo Binghe's mom is Shang Qinghua's matrilineal cousin. Shang Qinghua's mother and Luo Binghe's human grandmother were half-sisters.

what? how does Yue Qingyuan know? you think that Cang Qiong doesn't check up on the candidates for the peak lord positions before handing off power, doesn't make sure there are no conflicts of interest or divided loyalties to other sects? what sorts of things do people imagine Qiong Ding's diplomats do? (I don't know either but, for the purpose of this scenario at least some of it is tracking down this stuff -- YQY handled most of it personally for his generation's ascension because he didn't want anyone else digging into his and Xiao Jiu's pasts) anyways, the connection could have been troublesome for its ties to Huan Hua Palace, but by the time it came to light Su Xiyan was deceased and there was no evidence that Shang Qinghua had ever even met her. so it wasn't deemed significant enough to matter, was just made note of and then mostly forgotten

so Shang Qinghua is like "oh THAT is why you kept bringing her up to me back then?!" because at the time he'd just been fully in "haha how would I know anything about the impending plot and the tragedies I am both partly responsible for and powerless to prevent haha that's so funny shixiong I KNOW NOTHING" mode, which luckily at the time was easily read as him just not wanting a dead cousin he never met to tank his chances of securing a promotion

SQQ is floored. he is having issues about this. Shang Qinghua is related to Binghe? Shang Qinghua looks exactly like him?! wait. Binghe has human family? still alive? like grandparents and stuff out there, who might want to meet him...?

Luo Binghe decides to step in at that point because he does not want to meet any more relatives! no more surprise relatives! no!

luckily this distracts Shen Qingqiu from thinking about all of the things he's said to Airplane about Binghe's looks for long enough for Shang Qinghua to flee the scene

[warpcoreweirdness]

just finished season 2 of Lower Decks and i'm SO glad i tried this show again

i actually started the show a while ago, but the constant easter eggs put me off.

(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).

i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.

i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.

but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:

when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.

another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.

like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.

or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.

or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.

they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.

beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.

like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).

or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.

or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.

heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).

another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:

beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.

i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?

this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.

it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.

(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):

this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).

plus i love these characters SO MUCH.

so far, so very good 🤞.

(image descriptions in alt text)