#{ his acting skills are top notch bro }

[earthnashes]

Woops guess who started watching Gargoyles with the squad in my discord server :)

We only watched the episodes the show first premiered with (the “Awakening” episodes) but holy shit I forgot how much I LOVE this show.

The animation is absolutely gorgeous and so fluid, and there’s so much nuance to them! Little things, like Goliath constantly using his tail as a means of attack, or how he is animated to be so careful when handling Demona or Elisa. And how differently each character moves; I love how Lex is often on all four whereas everyone else is predominantly standing upright. And how Broadway walks with a lot more weight than the rest of the cast given him being a BICC BOI.

And don’t get me started on the animalistic traits the Gargoyles exhibit man. I’ve always loved that, when something that isn’t human shows behaviors and actions that aren’t human, like the Gargoyles running on all four or when surprised they perk up like a dog listening for threats. It’s so cool, and sells the idea that while very intelligent and sapient, the Gargoyles still operate somewhat on instinct (or at least moreso than humans do).

The way the scenes were shot were crazy too man, especially the creativity of the transitions and particularly how they handled the compositions and direction of the climbing and flight scenes. The action also is top notch man.

And the voice acting, the sound mixing. GAH DAMN. Every character has an excellent voice; I already knew that but hearing it again just really hit it home just how much the character’s voices fit them and the tasty skill behind the actors themselves man. Not to mention the personalities; I forgot how often Elisa pulls wise cracks, I love her. ;w;

As for overall sound, all of it slapped, but a thing I absolutely love that a lot of other media that feature monsters in them don’t do often is backing the vocals with more feral/animalistic/inhuman sounds to really bring the point home that these things aren’t human. Like, Goliath’s cry backed with a lion’s roar, or the cat-like snarls Demona hisses out, or the whale-ish groans and bro I’m a fucking SUCKER for that shit.

But yeah! Just wanted to gush about the show a little bit. It was so fucking good, we were eatin good when it aired back in the day cuz jees. The quality and effort is crazy. I’m excited to watch the rest of the series and uhhhh ya’ll may have to see a few doodles from me for that there AU as we go. owo

[hyog-blog]

Under the Microscope

This is such a neatly made little historical drama, based on an actual case from the Ming dynasty, that you could absolutely binge-watch it in a day or two (just 14 eps). What starts as a simple math problem, a discrepancy in numbers between the actual field measurements and what is written in the registry reports, later blooms into a huge case of corruption on different levels of the government system in 8 different counties along with tax evasion, murders, false witnesses, and whatnot.

Chinese bureaucratic system of that period seems like a real nightmare, even more so, when someone is trying to investigate a case (and, in many ways, things really haven't changed that much in modern times). The story revolves around Shuai Jia Mo, a math genius who lacks social skills and is probably mildly autistic. His parents die in a fire under mysterious circumstances. All he's left with are a few memories and the number 3530, which turns out to be the exact number of taxes his whole county is paying out of thin air. No one knows where the tax came from and why people have to pay it, so he starts the investigation with the help of his friend. Naturally, all the powers involved try to silence them as soon as possible.

I really had no idea a show about ancient Chinese taxes could be so captivating - mostly thanks to a well-written plot and superb acting, as well as interesting, shrewd, and excessively scheming characters. I guess this is a story more about human nature, that's why it's so relatable today, and the quest for justice, because for each bad and greedy person out there in the world, there is one with a pure heart and soul who wants to do good. And sometimes, that person could actually win (well, at least in a cdrama :)

We see quite a few charismatic faces here. Wang Yang (Teng Zijing in JOL) seems to be very compatible with Zhang Ruoyun. Here he starts as an antagonist, Cheng Renqing, a lawyer who defends anyone who pays him more (in this case, the bad guys). For a good half of the show, he's just an increasingly annoying lil' shit with a broad smile and a sharp tongue, but then things change, we get to know his story, and he turns to our boy's side eventually. Wu Gang (Chen PingPing from Joy of Life) is a welcome treat no matter what role he takes. He's so good at playing skin-crawling bad guys, it's just remarkable. I also fell in love with Feng Biyu, a feisty lady-owner of a meat shop, who can beat the hell out of quite a few bullies who go after her little bro and the ML.

Needless to say, Zhang Ruoyun's performance was top-notch. I can't imagine how hard it is to depict such a character - but I totally believed him! Both his math genius side and the slightly autistic side. It actually leads to some pretty funny scenes because of how straightforward he is, not understanding the intricacies of human behavior (and the lies and the games between people).

I was not-really-surprised to hear Liu Yuning's voice at the ending OST of the series (the guy is literally everywhere:) but ah, he's just such a good singer and the song really got me hooked from the first notes. I also want to say that style-wise the show is quite beautifully made, too. It's a true-to-life historical depiction of the Ming period, but the shots, the light, the colors - everything was just very pretty!

The show is a kind of detective case story about tax evasion, but the characters make it very alive and entertaining to watch. There's some drama sprinkled with a bit of comedy, some math, 0,1% romance, but everything comes together so nicely that you really don't have any complaints in the end. The show is exactly what it promises to be, not overlapping with other genres. I, personally, was in the mood for it and it's definitely a 10/10 for me.

P.S. also, there's a cat)))

[unhinged222]

Sleepy hallow movie review

Spoilers are mentioned!! and these are my personal opinions!!!(TW: This movie contains g0re, bl00d )

I recommend this film for people who are into Horror, Folklore, can handle g0re and bl00d, and mystery!

As many of Tim's films this seems to be another one in list. The story is be based off of the tale of the well known “Headless horseman” who is figure in horror folklore which in other words is named the Galloping hessian. According to the folklore, he is a a headless man who holds a jack-o-lantern in one hand whilst riding a black horse. The story goes ,according to the story, that it was the ghost of a Hessian solider who was decapitated by the canon fire during the revolutionary war.

From my personal opinion, I think this movie was greatly produced just as the other films he has worked on. I absolutely loved how in the cast they have Christian Ricci as she is one of my favorite actors who also acted in other of my favorite movies ( Sweedney todd, Buffalo 66), she is such a great actor, she is absolutely so ethereal and overall is so beautiful. johnny Depp doesn’t fail to amuse me with his acting (Don’t come at me with the controversies) which the character her plays (Ichabod crane) became one of my favorite characters . I absolutely adore how they included historical aspects in the story plot such as witchcraft, the language back then, the clothing to the characters to make it seem that it adds on to the tail , thus in the end everything played out so great. As the movie was supposed to be placed in 1766, in which i cant see were they had to add the historical aspects. the Salem witch trials really took over my mind once i saw the witchcraft details took in place, Which in my personal opinion witchcraft really is a major aspect in the movie, because obviously the headless horseman was summoned through witchcraft and it seems to play a big part in the plot twist. But I don’t like how the person behind it ,when the scene of the lady explaining how she started all of it, she mentioned she offered her soul to Satan the moment she saw hessian died, which I thought was a bit stereotypical but reasonable because it took in 1766 where the Salem witch trails where around. A lot of people who do witch craft nowadays are stereotyped to be Satan worshippers which in a lot of cases may not partake in those activities, yet worship other deities like Aphrodite, Hecate etc.

Hence, The scenery of the movie is super eerie and mysterious just how it was supposed to portray which is really great, Tim burton films are well known for his gothic display in his movies, in which the style adds on to the mysterious aspect in the movies .

Honestly I was expecting the plot twist to happen, but once I saw it play out it really took me a while to understood what was actually happening. But in the end I figured it out once i saw it in action. It did shock me that the Lady van tassel was the one who governing the headless horseman, because I expected that it was one of the town elders who actually dressed up as the headless horseman and went around killing the people. But instead the movie played out that the elders where holding secrets in the town which played apart in Lady van tassels revenge which is pretty neat!! I loved how everything turned out in the end

Ichabod (The main character) In my opinion is on of my top favorite characters, to me he is so revolutionary. Literally in new York when they sent him to sleepy hollow to find out who was behind the murders to prove that investigations should be a thing behind the crimes going on instead of just executing them on the spot. Which was honestly very courageous of him, al though he is so stubborn. Not to mention his detective skills, he literally can tell what caused the wound which is TOP NOTCH criminologist skills I literally love that about it ( All though those procedures are kind of out dated) Not to mention bro is albert Einstein he made his own gadgets for his work which to mention are so unique, they give him a punk clock-work style to his character which fit so perfectly in his character

[stlwt4blktop]

He thought he was teasing me. He knows I worship him. All of him. I've worshiped those sexy feet in private. He just smiles as he wiggles his toes. It's too much for me. I drop to my knees and run my tongue all over them. I am oblivious to those people across the room. Once I have tasted him, I don't care if they do see me.

I didn't see the waiter approach. He stood there, watching us. Then I heard him say "Dayum bro. He's got skills. He'll suck your dick like that, too?" I look up to see a deep melanin, young, tall, and masculine man. My man tells the waiter to block our view as I hear him unzip his zipper. He spreads his legs, so I can move between them, taking his dick in my mouth. I'm going to show off my talent. The waiter moans as if his dick was in my mouth. My man is getting close. I know what he likes and throat him hard. As he starts cumming, I pull back so both of them can see the cum blast into my mouth. I eagerly swallow all of it, then lick his dick clean. My man is satisfied. The waiter groaned saying "I need some of that. No female ever did me that good" Still on my knees, I look at his big bulge and the wet spot of pre-cum.

My man says "why don't you come through after work and get you some?" The waiter nervously mumbled something about never letting a dude do him and keeping his girl from finding out. My man wrote our address and number on a napkin, then offered it to the waiter, who stuffed it in his pocket next to his bulge.

We left to do some shopping. My man's phone rang. It was the waiter, just like my man predicted. Time to head home because the waiter will be there in an hour.

After some drinks and a little coaxing, his dick was in my mouth. My man sat nearby to watch. I gave him some top notch head, only he wanted to bust down my throat. As he started to cum, he grabbed the back of my head and buried it in his pubes. I inhaled the musky scent as I took it all.

The waiter acted conflicted. He loved it and deep down wanted more but felt guilty. My man told him about our first time and he felt the same. But there's nothing wrong about having a white boy around to give us whatever we need. Dayum, he's eager and willing anytime. Bet your female ain't like that. He'll, look at him. He wants to suck you again if you want. Or do whatever you want him to. You like something that your female won't do? Just tell him.

The waiter downed a drink then said he'd have to think about this. He zipped his pants up, told me how talented I was and headed towards the door. I thanked him for letting me serve him and hope he'll let me do it again.

A few days later, the waiter called to talk to my man. Afterwards, my man told me Jerome, he finally told us his name, was coming over. That was the first of many visits. Over time, Jerome discovered he enjoyed more of my talents and even tried a threesome with my man joining in. But only as a top. The only thing he ever let inside his booty was my tongue.

[heartdriive]

random person on tumblr: Mettaton is chaotic evil bc he promoted violence

me: bold of you to assume he wasn't just acting the entire time

[staytiny-present]

The Boyz college au

because i’m the worst and have spurts of radio silence when i want to be writing my aus but in my defense it is my last week of school for the semester and i’ve been working on getting my associate’s degree :))))))

but anyway uhhh yeah this isn’t ateez i know but i’m still thinking about the be your own king video the boyz released out of literal NOWHERE and i felt inspired today in the middle of doing homework and wanted to provide you with something i hope no one’s done this so i can be original but i wouldn’t hold me breath

Hyunjae 

he’s on the swim team and really into animation, but his major is undeclared. he’s constantly being hounded about needing to decide on a major, but he really just doesn’t care enough. yes he cares about his education (as can be seen by his top notch grades), he just doesn’t know what he wants to do and doesn’t see a problem in that. but he’s into a lot of different clubs besides his swim team, like the art club he frequents with juyeon every week. hyunjae also played a cyborg in one of kevin’s short films, and because of that he’s known as ‘the arm guy’ to a lot of people around campus. everyone else knows him as the star swimmer who’s always at the pool

Juyeon 

he’s an art major, his favorite medium being paint. he’s also really interested in modeling, so he will help out some photography and other art students if they need someone. most people go to him first though because he’s just so beautiful and fits so many different aesthetics and is overall just such a natural at this stuff like wow. he loves making messes for his art projects because it shows that messy can be good sometimes, and it shows he has fun! his social media is mostly pictures of his artwork, but the pictures of him are the most popular and always get the most comments

Q/Changmin 

dance dance dance my guy, he’s a dance major on the dance team who competes in underground dance competitions. his major deals mostly with classical training like ballet and modern dance while the dance team does a lot of hiphop and theatrical dancing, and he mostly freestyles for his competitions. and in case you��re wondering, yes he always wins. honestly though he dances everywhere because it’s what he loves to do, and he loves theatrics and putting on a show. people will find him in really random places around campus practicing or recording covers or even just freestyling because he can

Haknyeon 

he’s a theater major. he likes musical theater and all but his favorites are classic plays. he especially loves shakespeare and has starred in nearly every production of his that the university has put on. he’s just really good at portraying romance and tragedy and even the comedies and it shows. it’s partly because he just loves romance dude what a dweeb so he really puts his whole heart in those performances. he’s always trying to get kevin to make a short film about a reimagined shakespeare story but he has yet to listen to him

Kevin 

he’s a film major with a minor in creative writing. really the guy just wants to write and direct his own movie because how much fun would that be! he stars in a lot of his student short films because a lot of his friends would rather die than do that, but it’s okay because kevin still has fun!! def the type to make iconic indie films by accident when he’s through with college. his favorite genre is fantasy because he loves being transported to far off places, and if he’s able to transport other’s to a place he created? that’s the dream

Sunwoo 

majors in music despite a bunch of people telling him it’s not realistic and a bunch of “you won’t be able to get a solid job if you major in something like that” bullshit, and because of this he has to put himself through college because no one’s really helping him out. it’s hard but sunwoo works part time at a car wash place and a roller rink guess which he likes more. but he knows how to vibe and is able to make his work fun, and it’s very apparent to those around him. people are always asking for the cute one that dances while he works

Sangyeon 

everyone expects him to be the most responsible with his schooling, getting a degree in something professional like business and joining a bunch of leadership and volunteer oriented clubs. while yes he’s done all of that, he’d much rather be at the arcade playing games :( in fact he’s joined a lot of gaming competitions through the arcade, and he’s won a lot of them too! as weird as it sounds, that’s his motivation - knowing that he can win these games and the glory that comes with it, though he’s not a sore loser about things because who does that help? not that he could ever let people on campus know about what he does after school, otherwise they’d just laugh at him. right?

New/Chanhee 

mans is a fashion major and fucking rules at it. he was the kid in high school who was always dressed to the nines while everyone looked at him either like “bro chill out” or “lmao what are you wearing?” it was annoying sure, but he likes clothes and how they make him feel. a lot of people stereotype him because of this though and act like they know everything about him. it’s infuriating and hard to just brush off, but at the end of the day he knows he’s happy with himself and what he is doing. and he knows that’s all that matters

Younghoon 

he’s a lit. major with a concentration in the classics. he and haknyeon honestly bond a lot in that aspect because they’re constantly reading and rereading classic novels and plays together. he thrives in history too, and he’s constantly seen in the library so that he can learn more things. he likes cultural programs and clubs too because it means he gets to learn more about his own and get to learn about others’ as well. his ultimate dream is to write a story that will become a classic one day, even if it takes hundreds of years for it to happen. he’s patient

Jacob 

he’s another music major, but the main difference between him and sunwoo is that he’s not alone in putting himself through school. his family is supportive and helps him out with money, but they also give him a lot of freedom. he’s honestly pretty close with sunwoo despite all of this, and they’re constantly working on music together. jacob knows he can’t just rely on his family though so he works too. works part time at the local fair/amusement park which sunwoo just cannot fathom because “why would you do that to yourself? being around all those rotten kids sounds like a nightmare.” unlike sunwoo, jacob actually likes kids, and even more he likes to see people smile

Eric 

he’s actually on a sports scholarship for baseball. he doesn’t technically need the money for school, but he works in a garage fixing up cars in basically all of his spare time. it’s kinda obvious that he’s on the young side because he’s very “cars are cool :)” and there’s nothing wrong with that, it just means there’s a lot of people younghoon telling him he should join more clubs and become more involved in things going on around campus. but he takes pride in his skill at baseball and in his work with cars and the fact that he just got his driver’s license! take that younghoon

[swimfuel]

Hey!! The X-men are literally my favorite thing and I was wondering if you could elaborate on how Scott is a knight of doom

YES OF COURSE!!!! i'll put it under a cut since i tend to ramble a bit & i'm pulling a bunch of explanations from people smarter than i am

the knight weaponizes their aspect; they have an inherent understanding of their aspect that allows them to exploit it completely. doom is the aspect of systems, restrictions/limitations, sacrifices, and endings.

one of scott's core themes is reclaiming his restrictions in order to serve others/the greater good! he takes the possible liability that are his faulty powers and shifts them to become an advantage, largely through the strength of his restraint and discipline. his role as a tactician and the way he sees sacrifices (more on that later) also mesh EXTREMELY well with the knight of doom.

i feel like the Wh*don run (specifically astonishing x-men #22-23) really highlights how scott can turn a situation on its head through exploiting his disadvantages to the point where they become tactically advantageous!! like, let's count the ways:

the ship the x-men stole from kruun is obviously bugged, so his team won't be able to communicate without being overheard. he realizes this, and uses that restriction (being overheard) as an advantage, by falsifying their course of action.

he has been left "without his powers"—he presents a restriction that lowers the guard of his adversary and grants him entry to their home base. he then subverts this by exploding the shit out of everything when an opportune moment arrives

HE LITERALLY EXPLOITS DEATH...... HE EXPLOITS HIS OWN DEATH...................FOR THE GREATER GOOD..........DUDE???? someone get this man an advil

some more thoughts, followed by some examples by people smarter than me:

he exhibits a similar pattern of idolization/realization with xavier irt karkat/HICand dave/bro.... not sure if this by itself is a knight-y thing but i think the consistent disillusionment with their role in defending their aspect is interesting (aka knight burnout, more on that later)

he is def willing to sacrifice shit for the greater good of mutantkind. the shit in question sometimes being his closest friends and allies. the examples that stick out to me are how he allowed beast to get tortured (utopia era) while executing his plan to solve All His Problems At Once & also when he sent x-force to the future to defend hope knowing it was going to be a one-way trip

that entire issue revolving around just how GOOD scott is at self-repression😭😭😭 i'm pretty sure it's post-schism utopia era i don't remember the exact issue WAIT NVM i'm pretty sure it's uncanny #518

seeing phoenix!scott as an inversion to (rogue of) life is also an interesting concept (unchecked growth!)

the amount of responsibility he feels he has to take on (partially due to his idolization cycle w xavier/xavier's dream) is also both knight-y and doom-y

and of course the instinct to protect the people around him --> being expanded into the whole of mutantkind (which, in turn, expands his sense of obligation)

everything leading up to revolutionary cyclops is also very interesting through this framework because its reminiscent of the knights & doom players in hs! the "taking on an insane burden" (phoenix force, whatever whammied mituna) -> the "resignation to the fate handed to him by his aspect" (his stint in prison, dead daves, sollux in general) -> the "refusal to accept that fate" (prison break, dave not wanting to use time travel, sollux fucking off into the dreambubbles, karkat coming to terms w his relationship w leadership) --> experiencing knight burnout at the end of revolutionary era going into death of x

im not sure exactly how to put it into words but everything about his childhood/teenhood... like being surrounded by forces seeking to control him and use him for their own ends..... idk

(from @/land-of-classpects-and-analysis, sections highlighted red are of particular interest)

HIS GIANT STINKING MARTYR COMPLEX.....DUDE😭😭

side note & ive mentioned this before but scottjean is an interesting parallel to davejade in a way i cant verbalize

Then there are the ones who may accept [the fact of inevitable human suffering], and so choose to live in high alert of any danger - any threats - as well as living in fear of what harm may befall them and/or their loved ones. It is this third and final group of people that so deeply marks that of the Knight of Doom.

Now, this might cause a few eyebrows to become quirked. After all, a Knight? Being fearful of something - nevertheless that thing being related to their Aspect? Knights do often present themselves as ruthless and fearless warriors, yes, but that is only because their Aspects and the world around them raised and called them to act as such. 

... A key factor in the Knight’s life, specifically before their journey truly begins, is that they are already well equipped with their Aspect.

... The Knight of Doom is one where their Aspect being all around them is far more bittersweet than anything else.

... What is important to acknowledge is that the facade the Knight of Doom puts up is not only to hide the fear they have for their Aspect, but it is most definitely there to hide the grief and pain they have not yet completely finished going through. Whether it’s been weeks or years, the Knight of Doom is someone who would rather hide themself away from these feelings than find a way to truly mend and heal them ... they have built a false wall between them and their suffering strong and thick enough to partially block it from their memory. 

... Knights are known to become extremely stubborn whenever people try to order them around and pressure them into doing something, and the Knight of Doom is no different - especially if they believe what they are doing is for the greater good. 

(from @/dahniwitchoflight)

Dahni’s Explanantion: “Doom can be a negative force that rejects and harms, fostering a sense of hostility or sadness. But, it is also the idea that you can pull backwards and cautiously and wisely withdraw into your own self.  It can be the idea of Control taken from the sharp Black and White Restrictions that everything in the world gets sorted into. It understands community necessity and need, responsibly pulling back and lowering you down into its lap to help wind yourself down. Doom then is an ultimate gentle Equalizer, instilling its players with an internal sense of Acceptance and eventually true Wisdom.”

Knight of Doom: One who Exploits with Doom or Exploits Doom

Knights hide a fear of a perceived fundamental failure with their Aspect behind a shield of confidence and obsessive effort. Their challenge is to learn to take it down a notch and to understand that they are skilled enough

A Knight is very skilled with using the rules and limitations of any game or session to their advantage. They skillfully fulfill any responsibility or obligation required of them with ease. They might use their natural caution and pessimism to make realistic choices and endeavors. They use and exploit any rule or limit that they can to their advantage. They might also be very good at exploiting any sacrifices made or any obligation or responsibility that they are held to. They might be very good at avoiding any unnecessary thing or person and are very good at recognizing when something is too futile to even bother with.

Likewise they might only focus on the necessary things in their game or session so they are likely to not do much unless it’s absolutely necessary. They would very likely be very meticulous with themselves about following the rules properly and constantly restrict themselves, maybe thinking they aren’t following the rules properly enough or not following the right ones. They might sacrifice anything they consider unnecessary about themselves or the way they live, sometimes even going too far with it, in order to be considered or thought of as less useless. They’re always trying harder and holding themselves to extreme self-imposed standards.

They would likely wait for the opportune moment to strike, though they are slow to move or act, they always will when something necessary needs to happen. Out of all the Doom players, a Knight of Doom seems like the one most likely to sacrifice themselves for the greater good. A Knight of Doom can also expertly use and exploit fire, bombs and explosions to their advantage, maybe they create flashy distractions during fights. They might even use decaying or dying things to their advantage.

(from @/communistvriska)

Role in the Session: Rather like the Prince of Doom, this role’s title kinda has “edgelord” written all over it, but that’s not a set-in-stone character trait. The first thing that comes to mind re: what the Knight Class and the Aspect of Doom have in common is a strong sense of obligation. The Knight of Doom is bound to take their duties and responsibilities Extremely Seriously, perhaps rather too seriously at first ... Knights also tend to be very protective of both their Aspect as a concept, and of themselves and those close to them; while the Knight of Doom isn’t likely to be outwardly aggressive, given Doom’s reserved, slow-burn tendencies, woe betide those who try to deceive or confound the Knight or their allies. One of Doom’s internal contradictions (which I find personally fascinating) is that the aspect is associated both with cynical resignation and with a profound albeit restrained sense of passion and persistence. Doom is what’s left after everything else gets burnt away.

The Knight of Doom will likely be a very skilled combatant, as the Knight is a class strongly associated with Strife / battle, and Doom is one of the more overtly destructive Aspects. I’d put them in the Top 5 Roles to use a cool flamin sword, at least. They’re not going to be eager to fight, per se, but they’re not going to have much trouble scaling the echeladder when it comes to that either. Internally, they’re likely to struggle with a perceived (but largely imagined) inability to fulfill their duties, and they could well stumble once or twice in their quest to be perceived as reliable and stoic, or as someone who their friends can lean on. They’re probably doing more than enough already, but if they’re not careful they might overexert themselves and take on too heavy a burden, and they’re liable to be crushed by their own expectation that they face their challenges alone. This is going to factor into their capital-Q Quest and the environment of their planet, and will be the biggest obstacle in their path to Ascension. A Knight’s duty is to protect their co-players, but their co-players also have to support them.

[cheri-translates]

[CN] Gavin’s R&S - Ashes

🍒This R&S (浴火) is part of the Dream Heart Lake event which has not been released in EN🍒

This R&S makes reference to Tilted Time, so do read that first if you haven’t!

Cancelled Gavin R&S:

> minor’s memos

> tilted time

> little bro’s self-cultivation

> Ashes ♡

[ Chapter One ]

It is the thirteenth day of hunting down the wanted criminal.

This is Gavin’s first actual participation in auxiliary work, which is completely different from the simulations on ordinary days.

The criminal’s name is Qianyu, and his modus operandi is so cruel that it makes one’s hair stand on end. The Evol he possesses is temporarily unable to be analysed, and his excellent anti-reconnaissance skills have prevented the pursuit from proceeding normally. The situation does not look optimistic. 

This town is not large, and there are few places to hide. Even so, there’s not a single trace of him. Unless another explosion occurs somewhere--

Just as the captain of this current mission marks the previous explosion on the map, a ball of fire rises up less than ten kilometres away from the STF office. 

What follows is the sound of explosions reminiscent of thunder. 

It’s ear-splitting.

“Since it’s the daytime, there aren’t many people in the village. We’re currently confirming the number of casualties, but this entire village... is considered destroyed.”

Hearing yet another piece of grievous news, the pen in the captain’s hands snaps completely.

-

[ Chapter Two ]

It is Gavin’s second year in the Special Police Academy, and he has been assigned to this difficult task force. Aside from him, ten names belong to newbies like him, and thirty names belong to experienced Evol Special Agents. He didn’t think the situation would escalate to such a worrying state.

Gavin watches as charred bodies are carried out from the debris. What plays in front of his eyes seems to be another scene of a big, curling fire. It scorches him till his eyeballs hurt.

Liye walks over to him, his voice hoarse: “I suddenly feel that I’m very useless.”

Gavin gives him a glance, and Liye continues: “There was a time I thought my abilities could enable me to save many people. But it doesn’t seem to be the case.”

Gavin doesn’t speak, and simply clenches his fist. 

Liye, like Gavin, is a second year in the Special Police Academy who possesses a healing Evol. As comrades in the same squadron, Liye very much wanted to be Gavin’s partner during the task force formation. But from the looks of it, the organisation didn’t hear the prayer in his heart.

Liye also remembers the first time he met Gavin. Back then, they happened to just enter their second round of training. which involved arresting and fighting. When Gavin was brought into the training grounds by the instructor, he carried only a simple backpack, and the shirt he wore even had a few traces of dried blood.

Liye looked at Gavin’s face, which was filled with blackish-green hues. His interest was piqued. He knew very clearly that entering this Academy required one to go through a monstrous trial. And out of all the new students, Gavin suffered the most severe injuries. 

Was he too weak? Was it really okay for him to be here?

Liye thought about this silently, and he ended up getting punched squarely in the face.

A fellow trainee comrade looked at him apologetically, and then grumbled: “Why aren’t you fighting properly? What are you looking at?”

Liye wiped away the blood at the corner of his lips, sighing that his opponent couldn’t control his strength. But he didn’t experience any pain at all, and he had already gotten used to it since early on. He waved his hands, signalling that his comrade could continue.

During their evening rest, Liye discovered that the new guy was called Gavin. His comrades’ assessment of him consisted of just a few words: Cold, arrogant, and aloof.

It happened to be Liye’s turn to go patrolling that night, and he saw Gavin on the field. He was undergoing mandatory additional training in order to catch up with their current progress. Liye was just about to greet him, but ended up on the ground when Gavin failed to retract his punch in time.

When Gavin returned to his senses, he saw Liye on the floor, completely unscathed. Liye even shot him a smile. 

-

[ Chapter Three ]

Gavin furrowed his brows.

Liye climbed back to his feet and said: “I didn’t get to say hello. I’m Liye, and am a new student like you!”

Gavin turned away from him, continuing with his training:

“Stay away from me.”

Liye felt that Gavin couldn’t continue this way.

So of course, he didn’t listen to what Gavin said about staying away from him. On the contrary, he got even closer to him. For example, when it was Gavin’s turn to do night patrolling, Liye would secretly sneak downstairs to greet him. When Gavin was eating, another set of cutlery would inexplicably appear next to him. There were no need for questions - it belonged to Liye.

Liye didn’t have any intentions aside from feeling that Gavin was someone with a story. He was unwilling to watch him coldly isolate himself from his comrades and live a solitary life, especially when the fighting classes required a comrade to practice with...

The other comrades also felt that Gavin’s coldness made it difficult to get close to him - there were even multiple “Gavin is too cold - let’s put a stop to his power” challenges. But at the end of the day, they all belonged “to the same species”. Furthermore, Liye was such a peacemaker. Also, there was a time when a picture of a girl was discovered among Gavin’s articles of clothing, leading to collective hollering. 

As time passed, Gavin was no longer as resistant as before. Of course, he was still the same, not revealing much expression on his face.

Gavin’s fighting skills were top-notch. Even though he emerged as the best among the trainees in almost every course, his fighting was the “best of the best”. Several comrades who exchanged blows with him ended up with extremely shocking “decorations”. This made Liye even more surprised - why was such an amazing person in a pitiable state at the very beginning?

Gavin hurriedly caught Liye’s punch. Liye, with a face full of bruises, wasn’t sure how many times he had been thrown onto the ground by Gavin. Before a minute passed, the bruises had already vanished without a trace.

Someone shouted from the side: “Gavin, there’s no need to hold back - this brat doesn’t feel pain!”

Liye immediately waved his hands: “Even though it doesn’t hurt, I still sustain internal injuries!”

In the sixth month since joining the Academy, Gavin received a command from the main instructor. 

Gavin stood in a military posture in front of a large, solid wooden table. On the chair behind the table was a man, sitting straight and proper in his seat. He flipped through Gavin’s materials. After a while, he raised his eyebrows in amusement.

He lifted his head and looked at Gavin, asking: “You fight well?”

Gavin’s posture was as straight as always, and his voice was light: “So-so.”

-

[ Chapter Four ]

Once the words left his lips, the figure vanished from the chair. In a split second, Gavin leaned his head to the side, raising his hand to steadily catch the fist coming towards him from his rear left, and the other fist ready to deal a blow against his opponent. However, the other party flashed to the open window a full two meters away from him. 

The man laughed loudly and applauded: “Your speed is okay.”

He could see it - this youth was very stubborn. Gavin looked incredibly cold, but what was colder were his moves. 

Gavin saluted the man and quickly returned to position, standing straight.

The man squeezed his shoulder and said: “The 8th Warriors Competition will be held in two weeks. We will send you to fight.”

Gavin was aware of this competition. Not long after he enrolled, he happened to overhear his comrades mentioning it. During the competition, every country would send its most stellar new elite student to go through live combat in various areas. It would test the students’ holistic abilities, including - but not limited to - fighting skills. The student who emerged as champion would represent the country and receive the highest honour and stand on the podium where every Evol Special Police would know him.

This is where Evol Special Police from all over the world can interact and learn from each other, engage in the first battlefield of competition, and is the only stage recognised by the International Special Police organisation. 

Gavin refused without even thinking: “I’m not going.”

The man’s hand stiffened: “This isn’t a discussion.”

Gavin glanced at him: “There are people in the team who can fight better than me and want to participate.”

The man smiled and asked: “Is that so? Give me one more reason.”

He had brought in so many officers with special abilities - when receiving such an opportunity, all of them would be generous with expressing their gratitude. This was the first time someone had rejected him.

Gavin answered: “I didn’t come here to win a medal.”

When he heard this, the man chuckled and patted his shoulder. “I can respect you, and give you time to consider. But you must know that if you choose the Evol Special Police, you’re choosing to give up the freedom to act independently.

Not long after, the news of Gavin’s refusal to participate in the Warrior’s Competition spread throughout the entire organisation. Some comrades boldly flicked his hair and whistled, expressing that it was a very cool move. After pushing his comrade to the side, Liye’s big face appeared.

“When you refused, did you feel like you were explosively cool?!”

Gavin found Liye’s exuberant smile incredibly strange. In a rare good mood, he arched a brow and asked Liye: “You want to go?”

Thinking about it seriously, Liye said: “It’s not a matter of whether I want to. But if I have the chance, I might give it a try.”

“Why?” 

Liye crinkled his eyes: “My siblings admire the police the most. If I can become the most amazing policeman, they will definitely be very happy.”

In the end, Gavin didn’t participate in the Warrior’s Competition. The person who was sent was another student with the surname Bai. 

-

[ Chapter Five ]

On the thirtieth day of hunting down the wanted criminal, the two confront each other for the fist time.

He doesn’t know how long they were engaged in combat, but Gavin finally figures it out - this person’s Evol is the ability to construct barriers. No matter how one shoots, he will not get hurt. His only weakness is probably the head. Gavin stares at his head region, his eyes sharp. 

He isn’t sure how many explosives Qianyu is carrying - perhaps even Qianyu himself is a powerful bomb. It’s just that in this arrest, too many comrades have fallen.

Qianyu takes a punch from Gavin, and the force from the fist of wind causes his entire body to slam against the ruined wall. The moment he falls, a group of Special Police surround him.

Qianyu stands up, wiping off traces of blood at the corner of his mouth. He sneers: I didn’t expect that I’d fall at the hands of a small Special Police officer.”

Under the dazzling sun, a gust of wind lifts Gavin’s white windbreaker, causing it to flutter.

Looking at the youth floating mid-air, Qianyu suddenly glares and releases a roar. In an instant, his body muscles become swollen and firm, and even the colour of his skin turns a different colour - it becomes slightly blackish.

Gavin widens his eyes slightly, reacting immediately--

“Be careful!” Gavin shouts. As he dives downwards, he quickly pulls the nearest brother with him and drops to the ground.

There are an unknown number of powerful explosives detonating at the same time. The air rushes past, broken stones flying haphazardly.

The loud noise almost shatters Gavin’s eardrums. His head seems to have been fiercely hammered by something heavy, but he can still feel the rubble shifting against his body.

After an inordinate amount of time, the thick smoke dissipates. This place seems to have been stepped on by a giant beast, and has turned into a ruin.

-

[ Chapter Six ]

Gavin pushes away the stone weighing down on him. Suddenly, he spots a familiar figure not far away, lying in the pit, face down. His hands are outstretched as he supports himself off the ground, as though protecting something.

Gavin recognises that it’s Liye. Gavin does everything he can to push the stones away from Liye’s body, and sees his face coated in blood. There is also a broken stone piercing Liye’s abdomen, and from it continuously oozes viscous liquid.

Gavin lifts his body and finds two small figures curled up and unconscious - two children who couldn’t evacuate in time just now.

Liye sees Gavin’s face, and smiles: “You...”

Gavin removes his jacket and desperately presses it against Liye’s abdomen, which is bleeding uncontrollably. He roars: “Shut up!”

Liye smiles again: “Don’t be so fierce towards me, it hurts...”

Gavin clenches his fists, and hears a weak voice: “Are the two children okay?”

Gavin nods.

Liye channels a trace of a smile: “You must remember to bury me next to my siblings, or they will be scared.”

Gavin looks at Liye’s weak smile and suddenly feels ten thousand arrows impaling his heart.

Liye’s voice is so soft that he can barely hear it: “I used to blame myself a lot. Even though I have Evol, I couldn’t save my siblings...”

Gavin tightens his grip on Liye’s hand. He knows. He understands. Liye seems to want to say something, but his head is akin to a broken puppet. Just like that, it hangs loose on Gavin’s arm, devoid of life.

Gavin scans his surroundings. The ruins are filled with people who had stood in front of him just a few minutes ago, alive and breathing.

The corpses of his comrades are unidentifiable. It turns out that in their very first actual combat, they would face life and death. 

It felt like yesterday when they had smiled and hooked their arms around his shoulders, beckoning him to eat with them, mocking him for hiding a picture of a girl... 

No matter how cold his expression was, they would always respond with a smile.

When they went to fighting classes together, everyone would wave their hands and avoid him from afar. Only Liye would crinkle his eyes and say: “I’ll practice with you.” No matter how many times he was thrown to the ground, he never complained.

Everything that happened seems to have vanished in an instant.

There’s nothing left.

Gavin lies down amid the ruins, the scorching sun constantly stinging his eyes. From his cloudy vision, he sees the helicopter hovering above his head, and familiar voices near his ears. Some are angry, some are cold, and some are sad. He places a hand on his chest--

There, the girl’s photograph is completely intact. Only a corner of it has been stained wet with the blood continuously trickling downwards. He seems to hear the song played and sung by the girl - softy, gently, slowly and leisurely entering his body, and invading his heart. 

He remembers the book that was once held in the arms of the girl. The one he couldn’t understand no matter how he tried - “Byron’s Poetry Collection”--

For my part, I’ll enlist on neither side.

[Note] In Chinese, the line translates to: Neither “Life” nor “Death” can constrain me.

Maybe now, he can finally understand it...

Gavin smiles broadly.

-

Other cancelled R&S: here

[neverheardnothing]

rewatching joe iconis and family lincoln center performance at 4 am instead of packing or sleeping just to feel something and i have so FEW and so MANY thoughts and yall are gonna hear em all. no i will not put this under a cut. im going to be an absolute bastard about this.

i love the story joe tells about why he's singing mitb as the first song so much. like. the spite of it all. the defiance of it all. the pride of it all. the dig it or fuck off and disappear of it all. the joe iconis of it all. 

“i know exactly the song im going to sing as my first song at the american songbook series.” i love that he highlights the fact that this is the american songbook series.

then immediately jumping right into broadway here i come with molly hager, the other song he is most known for!!!

every time i think about this performance i think about how this was the first (?) time this song was performed by them since the closing of bmc.

and then lance rubin comes up to sing try again. which is the only time that i know of that anyone but joe has sung this song.

i remember a remark made during watching it live that having someone else sing the song made it seem so clearly more about joe and his career. but also having lance sing it immediately makes me think of bbh closing early which yeah is part of joe’s career but also lance’s.

and also the line “if you’re an actor and another actor gets the part you auditioned for” reminds me of how lance found the auditioning process of acting and the whole [not acting part] of an acting career to be terrible which is why he quit to then become an author and the juxtaposition of him singing try again is Something. but also he DID try again he is just applying his efforts to a different creative field and it’s working out great for him. good for lance rubin.

lol i haven’t even talked about the actual performance aspect of this song anyways it’s very different from the two versions ive seen of joe doing it. he plays it a lot more comical. i love it.

sidenote not specific about this performance, but i love love LOVE the line and the music at “use the stairs, walk to the street. see the people, feel the heat, and apply yourself again.”

and also the line “when they cast you out to sea, there’s a lifeboat manned by me called try and try again” will never not make me think of bsol/last on land and bonus lance was also in that show! it just keeps circling around.

everything about these past 3 songs performed at this venue in this set list order in this moment at joe’s career is honestly so wonderful. like you had a songs about an anxiety attack, a suicide/loss of self in success, and repeated failures before this song all sung by individuals. two of these songs were written at points where joe felt frustrated/sad with his career. one written in the aftermath of specific frustration about the first closing of be more chill. one an actual song from bmc. like what a SETLIST for your first three songs! fucking michael in the bathroom, broadway here i come, and try again. truly something.

THE WHISKEY SONG!! i love hearing joe sing so much. while i think we can all agree he’s not the most skilled singer there’s something special about hearing a composer perform their own work. he adds like 3 levels of charm to make up for lack of singing skills lol. just a very charismatic guy.

lance rubin back on tamborine for the next bit of the song and he’s like laughing through it. not completely sure what he’s laughing about honestly but this Is a comedic song (after 3 real downers of songs) and also joe was playing it up.

jared weiss down on the floor with his guitar playing along. that’s its own bullet point.

audience cheering as more family members start coming on stage! i love that the band is getting cheers. love that!!!

the camera isn’t on him but from the audio, nick blaemire is presumably running around giving high fives to people in the audience.

i can’t exactly tell with the camera angle and the lighting but i think that more family members get up from different seats in the audience or at least enter in the back and walk through the audience to get to the stage during this instrumental break. reminds me of how joe loves theater that physically touches you. giving you high fives in this case.

love liz lark brown. she plays it pretty like. frenetic and frazzled. love it.

amara, badia, danielle, will, and nick are just chillin sitting on the steps of the stage. 100% contributes to the vibe of this song. top fuckin notch.

SOMEONE screams AH during the drunk part of the song and i cannot figure out who but it gives me so much life.

jared pulling lance down to the floor with him.

jason going “man.... this place is a dump” like i LOVE the irreverence.

everyone actually getting back up and also converging On the stage during the (kind of) acapella break.

and now your whole gang is up on the stage at the fancy ass appel room singing your what sounds like a mostly upbeat fun song but is actually about self medication with alcohol and it’s a fucking jam. i love the 3 solo songs and then bringing in everyone for a big group number.

sidenote not about this specific performance: the lyrics “i’ll pour some more and then—AND THEN?—i’ll pass out and then—AND THEN!” the and thens were not on the things to ruin album and i wonder why not ALL the time. was it just deemed extraneous? or was this an innovation after the album was recorded?

i love that you can see the band singing along.

yesterdays / i can’t relate. i love this song i fucking love it. i love the synthy keyboard that was an active choice made. which means that joe is not the one accompanying jared in this song.

jared: i hate today. joe: *snorts in the background*

“i like music you can hold” -> old records black suits, susannah’s obsession with music which was of course in vinyl format back then

will once said hearing lgw was very exciting because he’s first and foremost a fan of joe’s so he was hearing a new joe song for the first time and the world got just a bit larger and i think about that quote a lot in relation to this song because i was like Oh i Get What He Means now because this is the first new joe song i heard since like getting into his work and i felt that world getting a bit bigger.

jared’s monotone chorus on top of the girls underneath is so good. it’s so fucking good i cannot.

liz lark brown velociraptor fuckin classic. specifically in this performance the weird ass electric guitar noise at “there’s a dinosaur” is SO good. i love it.

i know people say Trans Vibes from next song (jeff) but this song also gives me trans vibes. i think joe inadvertently writes stuff trans people relate to because of his propensity to write for People Who Are Different.

people cheering as will takes off his jacket hell yeah.

i am way more used to the jeremy morse version of this song and really consider it more his so it’s so fun to hear will sing it.

i love the canon of the “oh”s so much.

after will sings “i go to the window looking out and what do i see? myself just staring back at me.” and someone in the audience AUDIBLY goes “oh.” like what a MOMENT. way more subtle than when someone screamed “WHAT” at the “naked korean girl” reveal during the pipe night performance but on the same tier of Great Audience Reactions.

smooth fuckin gliss bro i love it. arms out by side. i love it.

Classic Jason Sweettooth Williams Singing Helen. but this time they added like some REAL like. oh god i have no idea how to describe it. electric crunchy electric guitar noises. and it’s so good.

i havent mentioned this yet but in the background of every song people who are not in it or are backup vocals are just sitting and jamming along and it’s so nice because me fuckin too.

honest to god just have to give a timestamp for this but bullet point for whatever the fuck eric is doing in the background here.

will and katrina circling each other singing directly into each other’s faces. so good.

the Unexpected dynamic change and following crescendo i am Living.

katrina rose dideriksen riffing up top. yes. YES.

joe starting to play helen sharp and then forgetting part of his introduction to the song is so good.

the inevitable laughter at any performance of this song at “it is not lost on me you’re all here at my show”

i know nothing about the movie death becomes her so i honestly always just think about joe when this song gets performed. also thinking about how in the youtube premiere of this song, joe was talking about how lauren was shouting out the names of all the musical theater composers joe is jealous of.

right place/wrong time. i read a bsol review a while ago about how katrina rose dideriksen was underutilized and gotta say i Agree holy Shit let her sing More.

i also remember how joe once said this song felt the most personal to him and that he cried when writing it

police siren piano.

the first time in this entire song they sing in sync is at the line “i wonder if his/her life is just like mine” and i just start screaming.

when eric and katrina turn to each other for the first time and start singing At each other!!!!!!!!!!!

honey! thinking about jen ash tep talking about how Each performance of this song gets Wilder and Wilder.

love it when nick just gets off the stage and starts singing to people in the audience. apparently one of the people was will’s mom lol.

ACAPELLA BREAK!!!!!! joe just fully gets up from piano and starts WILDLY clapping along!!!!

woman of a certain age! i remember when the live show happened the album had not come out yet and then when the yt premiere of it happened it Had been out for a week or so.

piano note elevator bell

the electric guitar is doing some fucking weird ass things in this song and i am living so fucking much for it.

the riffs badia does are so fucking incredible i immediately paused this video to go and watch her sing big fat ruby again just because i wanted more badia content.

the story behind old flame is so good and joe waiting until the last fuckin moment to give her the song is so fuckin funny.

i love love love these types of joe songs that are like 7 minute long story epics like right place/wrong time and the actress and ammonia and old flame.

“the best way to get past the past is to shoot it in the head” and then the audience cheers and i fucking love it. my commentary is getting shorter. it’s 6 am and i’m tired can you tell. i also just had a lot of thoughts about this early on and less thoughts about later on.

revolution song. the deep ass fucking electric bass is So good i Will go apeshit. like honestly that might be my favorite smaller detail of this song. like i imagine if i were in the room it might be loud and deep enough that i could feel it In my chest. like you can Feel the revolution coming.

i love the faster tempo revolution song has in the cabaret version.

i also love the cabaret specific lines of “evolution in the institution”

joey is a punk rocker was honestly not ever on the list of songs i thought would get performed here but im so glad that they did. like the obvious choice would have been veins for annie golden but they went this route. obsessed with this choice. obsessed with the fact that amphibian replaced this song as the act 2 opener. obsessed that annie is the one singing this.

i am never not screaming about wave and yall know this. just throwback to me losing it in the tags in a reblog of picture of the wave passage going on about how it really does mirror joe’s career and bmc specifically. and again this song being performed for the first (?) time since bmc closed makes the “so today on a hill in las vegas” and onward part SO fucking sad i literally just started crying. the entire song being in past tense up until that part. i will just go die now.

will in the yt premiere talking about texting the line “our energy would simply prevail” in the leadup to bmc coming back.

find the bastard. for some reason when this happened live i thought it was gonna be outlaw that was performed. 

i swear to god it is literally physically impossible for me not to AT LEAST mouth along to “what’s your name, what’s your name” during this song

NAMES ARE FOR ACCOUNTANTS.

MY NAME IS AWFUL LONG AS IT’S THE LYRICS OF THIS SONG.

the goodbye song. it’s never not sad. i love love love that this song is the final song every concert. i also love the recent lore of finding out that penny dreadfuls was the encore song at concerts before they became too long and it had to get cut.

finally gonna mention the background car lights. what a beautiful backdrop.

also since im always on my wrol bullshit i love how fucking clearly you can hear him at the end

accelerando accelerando accelerando. insert [joe iconis peaked when he wrote the accelerando in the goodbye song post of mine].

katrina singing an octave up is always SO fucking impressive i am so impressed by her voice she is so fucking good i love her so much

the bows are so fucking sweet i love them.

goodnight it’s 7 am.

[mrkanman]

gordon feetman for the ask meme

the fact that hlvrai’s gordon is just. gordon feetman. really hurts. but alright you rapscallion lets go.

favorite thing about them

wayne’s improv skills were actually really top notch with this character, even tho it’s basically just how he would react to the situation he was in. i think my favorite thing about the acting though is how often he laughs? like it’s both nervous laughter and it’s genuine BIG LAUGH and like you can tell he’s usually someone who really enjoys the company of his friends and lacks volume control when he’s excited and yanno? good for him. he’s a big sweetheart with the added bonus of having a brain cell. I also like how expressive he is with his hands (that’s just part of being in vr but like. imagine.)

least favorite thing about them

gordon’s instinct towards anyone mildly annoying and wanting to attack ON SIGHT is just like. GOD. it’s funny but also like. gordon. he can be kind of a jerk sometimes but i think he deserves it. i think he has rights. but also he has to relax. he can’t be in control of a situation all the time...he has to go with the flow..get a backrub..some yoga..

favorite line

there’s SO MUCH but

[ Bubby destroys the Black Mesa/Wikipedia Servers. ] 

“BRO that’s Wikipedia! The online-- free online encylo--you can’t punish the WORLD for Black Mesa’s mistakes....”

brOTP

Gordon and Dr. Coomer’s dynamic is just genuinely Very Good and funny as hell. like they bounce off each other so well and how gordon every time says hello back is really just awesome.

OTP

im neutral on shipping tee-bee-aych.

nOTP

just dont ship him with the fucking elderly and/or g-man and we’re fine.

random headcanon

gordon feetman is just gordon freeman but possessed by the player ala kris deltarune. they work together though pretty well with each other though and freeman’s more caring side is why the player doesn’t just go ham and kill npcs for fun. freeman let’s the player do the talking though.

unpopular opinion

he’s the least funny character. but it works for him cuz he’s the straight man and that plays off well with the others. is that unpopular? i have no clue.

song i associate with them

Inchman - Jack Stauber it just vibes

favorite picture of them

haha gordon feetman go brrr

[ducktracy]

164. uncle tom’s bungalow (1937)

disclaimer: this is the fourth entry in the censored 11. there are dozens of cartoons not on the list that are just as vile and tasteless, if not moreso, yet this provides good insight into what we’re dealing with. with that said, this review entails racist content, imagery, stereotypes, and ideals. i do not in any way endorse these. i find them dehumanizing, gross, and wrong. and to act like they never existed in the first place would be just as insensitive. this needs to be talked about. PLEASE let me know if i say anything wrong. it’s never my intention to harm anyone, and i want my mistakes to be identified so i can own up to them. thank you for your patience and understanding.

release date: june 5th, 1937

series: merrie melodies

director: tex avery

starring: tedd pierce (narrator), billy bletcher (simon simon legree, excited little eva), lillian randolph (topsy, eliza), berneice hansell (little eva), mel blanc (dog)

this is a rather momentous occasion in tex avery’s career, a cartoon that would dictate the direction that the majority of his remaining cartoons at warner bros would take. uncle tom’s bungalow could be considered the first “travelogue” of avery’s. especially prevalent throughout 1939 and 1940, avery did a number of travelogue parodies—a narrator examines a setting as we interact with the characters, narrating what they’re up to, and learning about the area we’re exploring. this has more of a concrete storyline than many of the other travelogues, thus contributing to its quality, so to speak. tex would take another spin on uncle tom’s cabin with uncle tom’s cabana in 1947 over at MGM.

and, of course, the elephant in the room—this is tex’s first entry out of 3 in the censored 11, the other two being the isle of pingo pongo (1938) and all this and rabbit stew (1941). i don’t mean to sound like i’m making light of the impact these cartoons cast—that’s not at all my intention, but there are, undeniably, entries that are better than others. this cartoon is probably the best out of the remaining avery censored 11 entries, as well as one of the better entries in the censored 11 as a whole. that’s not in my power to decide, of course, but in terms of quality, technicalities, and polishing, this is one of the “better” ones.

a parody on the infamous novel by harriet beecher stowe, uncle tom’s bungalow illustrates the story of how little eva and topsy save uncle tom, but his refuge is threatened once the girls fall behind on their payments to the treacherous simon simon legree.

the cartoon opens with a long, beautiful pan of the rural countryside, complete with a beautiful, jaunty chorus of “swanee river/the old folks at home”. we truck in on a grandiose property, where we meet our narrator courtesy of tedd pierce as he asserts “that’s real swing, boys.”

next starts the first introduction of many, a highlight in the cartoon, if not THE highlight. we’re met with the stereotypical cute little avery blonde, vocals by the great berneice hansell as always. the narrator asks for her name, and, in a moment of greatness, she rambles on in that terminally amusing cutesy voice, giving everything BUT her name. she provides her age, her address, shows off how she can spell “cat” (”i can spell cat! uh, c-a... uh, cat. uh...c-a... uh, cat! c-a... well, anyway, i can spell dog! d-o-g, dog...”) and so forth. as both she and avery test our patience, she suddenly shows off the lace underneath her dress, getting both the narrator and audience in trouble as the narrator protests, insisting she cover herself back up. “now, all we want to know is your name!” a looney tunes staple, the girl’s outburst is surprisingly provided by billy bletcher as opposed to mel blanc when she barks “LITTLE EVA, YA DOPE!”

the narrator moves on to patronize his next subject, topsy. her introductory gag is seldom spared from being cringeworthy, but is undeniably clever. "hey, girly. step out of that shadow and introduce yourself to the folks here.” topsy makes her way out of the shadows and introduces herself, the narrator once more providing a patronizing chuckle and a “that’s cute.”

next is uncle tom himself, who, surprisingly, isn’t featured very much in this cartoon at all. the narrator comments on how feeble uncle tom is getting, remarking on the way his knees shake. uncle tom retorts how his knees aren’t shaking--he’s trucking. narrator has no response.

eliza is the next one to be introduced (obligatory comment about how we share the same name and how totally WEIRD it is to hear your name over and over and over again. how do you folks with common names survive??). as grotesque as these caricatures and stereotypes are, eliza’s banter with the narrator is very amusing. they’re both from the south, and go back and forth in jovial banter about the other being from the south. eliza’s animation is very loose, rubbery, and fun, all things considered. i know it seems i always pin him as the perpetrator for certain scenes, but i wonder if this is bob clampett animation? it seems very unlikely--he would have been working on porky’s badtime story at this time as a director. yet, chuck jones, who also moved to iwerks’ unit with clampett before clampett took over, also does animation in this cartoon, so it’s not completely out of the question. it is unlikely that this is clampett, though. just a guess. her movements are very reminiscent of daffy’s exit provided by clampett in porky’s duck hunt.

and, of course, every cartoon must have a villain. chuck jones animates simon simon legree, who you’ll recognize as the villain from milk and money. the name simon simon is a take on popular french actress at the time simone simone. very clever indeed. chuck jones’ animation is top notch as always--in fact, the introductory pieces for every character, gross and cringeworthy as some of the designs are, are very well animated and full of great character acting. 

even the narrator is not immune from puns: “and last but not leashed is the hounds.” a skillful ear will note that the underscore is “my little buckaroo”, the name of a 1938 friz freleng merrie melody. daffy also sings it in the opening of the daffy duckaroo in 1942 (not to be confused with the 1954 chuck jones cartoon my little duckaroo). the dogs hardly display any signs of enthusiasm as they snooze on the porch--the gray dog troubles himself enough to lift his head up and give a gravelly “hello.” courtesy of mel blanc. that’s that.

the introductory portion, taking up half the cartoon, comes to a close as the narrator asks if all of the characters are ready. they all give the affirmative (perhaps most notably little eva responding “you said it, dark, tall, and bow-legged!”, as well as the apathetic dog grunting that there ain’t nothin’ else ta do). this whole entire scene is far from perfect--stereotypes are abound and caricatures are grotesque, yet this serves as a landmark in tex’s warner bros career. there isn’t even a fourth wall to break--there is no fourth wall. we are completely immersed with the characters, and the characters are completely immersed with us. they feel real, alive, and with us, all the while holding onto the notion that there is an underlying sense of performance. the most immersive of characters act like they’re putting on a show, coming from an actress herself (i use that loosely and coyly, i was the lead in my senior musical and was in quite a handful of other plays). broad movements, exaggerated dialogue. the more unbelievable, the more believable. cartoon acting is a strange world!

“here we go, camera!” the narrator announces as a warning. and a warning is right. it’s important to remember that this is a parody of the stage adaptations from harriet beecher stowe’s book, not the book itself. not that a parody makes it okay--it doesn’t. and that’s what we need to remember. 

we are greeted with simon simon legree’s slave company, as well as billy bletcher’s haunting laugh and avery’s favorite theme for the villain. legree cracks his whip, and we are reminded just how treacherous and despicable this man is as we see the whip physically snapping its “fingers”. the next scene is a grotesque and racist (well, that’s a given) display of social commentary as we see slaves lined up against the fence, advertised with signs that liken them to a used car sale. absolutely brutal, commentary or not. but, again, it must be noted.

uncle tom is one of the slaves for sale, who the narrator desperately attempts to warn to escape. terrible as this sequence is, uncle tom provides a great one-liner as legree threatens him with his whip. “my body might belong to you, but my soul belongs to warner brothers!” 

meanwhile, little eva and topsy hold hands, frolicking and skipping with deliberately annoying singing as they stumble across legree’s site (as the satirical signs help us remember). they hear the whip cracks, and both girls dart in front of uncle tom in an attempt to stop legree’s abuse. eva protests “stop! stop! we’ll buy the nice old man!”

very amusing is the next scene as we watch legree negotiate business deals with two 6 year old children. more wonderful chuck jones animation, of course. “here’s your contract! but remember, if you fall behind in your payments, i take him back!”

thus, the girls take uncle tom home, and all is well. for now, anyway. time marches on as we watch snowdrifts pile on the grandiose property from the beginning, even prompting the narrator to remark “my, my, how time does fly.” 

“looks like bad news, folks,” the narrator ever so helpfully quips as we spot legree’s business. a wonderfully grotesque hand helps to further the entire sickening feeling that is inherent with legree as he peruses topsy and eva’s checking account: they’re three months behind on their payments. legree saunters through the snow with that delightfully absurd villain walk as the narrator frets, wishing to warn the kids.

“jiggers, kids! ditch uncle tom--here comes legree!” with some quick thinking, the girls throw uncle tom through the portrait displayed so ornately on the wall.uncle tom places his face in the position of the face that was there just seconds before. 

i didn’t mention this, but this is irv spence’s first scene in a tex avery cartoon. spence is a WONDERFUL animator and one of my favorites. the way his characters move is nothing less than tantalizing. legree bursts in and berates the kids on uncle tom’s whereabouts. eva protests “we don’t know, so THERE!” followed by a “so there!” from topsy. the way the girls push their bodies, how strong the line of action is, how defined the silhouettes are... absolutely beautiful animation, all things considered. they even make chuck jones’ next scene seem inferior, and that’s quite a feat. legree spits that he’ll find uncle tom, no matter what, as we see animation of him slithering across the ground, reused from milk and money.

he slithers across the floor to where the couch is, per the narrator’s guidance. “getting warm... warmer... warmer... warmer...” he’s getting warmer, alright--thanks to the narrator’s quick thinking, legree feels around underneath the couch, his fingers dangerously close to an electrical socket. all according to plan as legree is electrocuted, spasming and flailing around in a bright array of colors. as legree recovers, he does not at all fancy the narrator’s joke of “boy, you’re burning up!”

more irv spence animation as legree threatens to whip the girls within an inch of their lives, until another animator takes over and gives us this take that... speaks for itself how tasteless it is.

nevertheless, irv spence provides animation once more as the narrator recruits eliza into action. eliza scoops up the girls and runs out of the mansion, the narrator commentating on the chase like it’s a horse race. legree whistles, and we are reminded of the lazy dogs from the beginning, who are still snoozing on the porch, covered in snowdrifts. legree resorts to sniffing out eliza’s tracks like a dog himself, and in a twist of tex avery greatness, one of the footprints kicks legree right in the ass.

the chase persists as legree now has his hounds, the hounds chasing after eliza. eliza halts when she approaches a lake: it hasn’t frozen over, no way to cross. another frequent favorite used by tashlin, iwerks, and now avery as eliza panics, trying to think of a way to cross. the narrator croons “relax, eliza, now don’t get excited, don’t get excited...” eliza retaliates with the famous “EXCITED?? WHO’S EXCITED?? I’M NOT EXCITED!!!” 

as legree gets closer, the narrator indicates a slot machine--an avery favorite used since his debut with gold diggers of ‘49--where eliza can get some ice. eliza slips a coin in, and hits the jackpot. giant bricks of ice tumble out of the machine, forming stepping stones across the lake. a long shot of eliza and the girls trying to escape from legree, who has also approached the ice blocks.

eliza lands on the shore, as does legree and the hounds. as the hounds bark at the victims, legree readying his whip, the narrator giving a dramatic “and the winner...!”, the suspense is broken by the sound of a car horn.

“...is uncle tom. looks like the old boy has collected on his social security!” an avery staple as we see the victorious old man triumphantly holding up his winnings in his grandiose car. a cut gag from daffy duck and egghead also has daffy crying about how he shouldn’t be killed, he still has to collect on his social security. definitely a trend in the avery-verse! 

uncle tom forks over a bundle of cash to legree, who accepts it begrudgingly and stalks off. the girls are thrilled. eva asks “why, uncle tom! where did you get all that money?”

what better way to end a racist cartoon by perpetuating more stereotypes? uncle tom throws two dice on the ground, who land snake eyes. yet, lo and behold, the dice roll over to reveal a 7. another avery iris out gag as the iris closes, leaving the dice on the black screen. the iris opens to allow uncle tom to fish the dice back into the cartoon, ending the cartoon as the narrator sardonically croons “and there you have the story of uncle tom’s bungalow! ...or have you?”

i will give this cartoon credit: this is the best entry from the censored 11 we’ve seen yet. i don’t like to put it like that, because it’s not, and should not be a popularity contest, but the quality of work in this cartoon is undeniably superior in comparison to the other works we’ve seen. i will say that i personally like this better than the previous entry, clean pastures, despite its jolly music score. this cartoon has some wonderful animation by irv spence and chuck jones, and the entire first introductory half is pretty extraordinary, all things considered. in fact, the rest of the cartoon, in my opinion, doesn’t quite match the momentum brought on by the first half. the first half is slow, yes, but it’s filled with wonderful character acting and animation. the chase scene between eliza and legree doesn’t quite have the same avery snappiness as other previous chase scenes. it becomes rather droll, despite the narrator’s amusing, if not redundant at times commentary. frank tashlin would rival tex avery in terms of speed and quality, and that would serve as a great thing--those two would always play off each other as a result, and cartoons got better.

but, with all that said, this is still an abhorrent cartoon in many ways. stereotypes and caricatures are abound, and scenes are uncomfortable, if not plain cruel at times. of course historical context is important--one must always keep that in mind--but this still remains as an inexcusable display of racism, even if this is a parody. racism is racism. and, because of that, i still can’t recommend this cartoon, or really any of the cartoons on this list. this cartoon is more lighthearted than the previous entries, and i would never call it entirely innocent, but it doesn’t feel as nasty as previous entries like, say, sunday go to meetin’ time. this cartoon has quality, but it has many, many problems. 

so, as always, i will provide a link--obviously view at your own discretion.

[nodesiretogrowup]

alrighty, play-by-play recap time!

“A shining civilization, until it fell...INTO THE SEA.” Something about that line/delivery makes me laugh

Kind of wish we had seen them solve to clues to Mervana

Why was this Huey’s quest? He doesn’t end up doing much. Did he chose this adventure?

“I like them.” “We know, Webby.”

Scrooge and Huey nerding out together is ADORABLE

Louie is already done

“Cool, now there’s two people who want to put us in constant danger.” Donald understands your pain. We need an episode focusing on Louie and Donald

I NEED to know why Della hates fish 

Why is Della piloting the sub if she hates the ocean? I feel like Donald would be more qualified

“HEY, KNOCK IT OFF!” That was SUCH a sibling moment

LP isn’t here because he needed a break after last week’s episode OR something went down when he was with Oceanika and he can’t be in the ocean for some reason

Louie knows how this shit goes down

So according to Louie’s chart; Huey has been sacrificed the less with 10, then Webby with 15, Louie at 23, and Dewey at 63 

“DEWEY’S ON TOP!” Sweetie, that’s not a good thing. How many of those times do you think LP saved him?

I bet Donald had/has a tally sheet too

Webby is PRECIOUS

“Life’s not some fairytale filled with happy endings and...” “MERMAIDS!” Webby is SUCH A MOOD this episode 

It’s so cute how in AWE all of them are...

Except for Della

One more Della moment in the theme

Poor Donald

Those things in Aletheia’s headband look like eyes and I can’t unsee it. Also, STARFIRE THE MERMAID!

BEAST BOY THE MERMAN! He pretty much looks like a duck/mermaid version of Greg. It’s great

“So, speaking as a mermaid, WHAT’S IT LIKE TO ACHIEVE MY DREAM?!” WEBBY IS ME

I know the “suffering builds character” line is a joke, but it rubs me the wrong way

How is Scrooge’s hat not floating away?

Della’s reaction to saying fish is how I feel about eating fish

“Look at this stuff, isn’t neat!” THAT’S MY GIRL! I bet The Little Mermaid is Webby’s favorite Disney movie

This was much less dangerous than the last time Webby played hacky sack

Scrooge 100% DONE when they say that he’ll have to give up his worldly possessions

 THERE’S THAT ONE MERMAID THAT LOOKS LIKE GOSALYN! I’m gonna pretend they are distantly related

Why is Honestus’ statue so BEEFY?

 Louie is ALREADY calling bullshit

NO ONE MAY TOUCH THE DONALD

“Wow, a laid-back society where everything is free. Sounds PERFECT for you!” “It’s too perfect.” I love when Louie and Webby are paired off. They have pretty much opposite views of the world

“IT’S. A. TRAP! And take it down a notch, Beakley!” “Sorry, I was trying to drown out your nonsense.” You’re harshing her vibes, bro

 “These hippies are harmless!”

Donald playing drums is adorable

“Operation Flower Power was...groovy.” FIRST THAT SUMMER IN PARAGUAY, NOW THIS! TELL ME YOUR SECRETS! Beakley probably has fucked as many people as Launchpad, possibly more

The face Louie makes after Beakley leaves is great. He knows Beakley fucks and does NOT want to think about that

I want to know all the warnings on the cave. My favorite of the ones I could see was NAAAAAHHHHHHH!

“Those MER-MURDERERS” Alliteration is fun, kids!

Digging the more proactive Louie, even if it is just to keep himself from dying

Donald is digging the vibe and Dewey is SO FOCUSED on playing the drums

FUCK YEAH, ARTS AND CRAFTS! Dewey was like “MY TIME HAS COME!” And Donald seemed pretty happy about arts and crafts too

Donald was TOTALLY checking out his own ass

Dewey is SO FOCUSED. Arts and crafts are SERIOUS BUSINESS

He looks SO PISSED when Scrooge takes the tail

Why do they have toxic markers? Hell, where did they even GET those markers?

“They’re ALL our markers” That face she makes is great

Dude, the harp fucking DRAGGED Honestus! We stan!

“It’s a beautiful castle made of coral and shells...” Webby, those are ruins

I knew that fish monster was Honestus. He had a crown and everything. Also they call him a sea serpent but nothing about him is serpent-like 

“This is a chase” Is that really any better than a trap?

BEAKLEY TO THE RESCUE

“I’ve never been happier to see an adult!”

“Same thing we are-snoopin”

Webby ended up being spot on that the Mervanans had no idea what was really going on

“Something is going on here.” And Louie raises his arms in victory

I want more Beakley and Louie episodes. They are both cynical but deal with it in different ways, especially when it comes to Webby. Plus Louie has a unique position when he’s been the one that had secrets kept from him

“Her optimism is her strength!” “You can’t hide the truth from her forever!” “I kept her in a mansion for a decade, that worked out pretty well.” I don’t know why but this reminds me of how the Crystal Gems and Greg dealt with Steven

I love that Huey’s tail has the Junior Woodchuck Guidebook logo on it

Me and my sister agreed that Donald’s tail looks like an Easter egg

DONALD IS OUR LORD AND SAVIOR! NAMASTE, MY FRIEND

Dewey has flames on his tail because of course he does

“Man, these are hard to get around in. And off I go.” He just accepts that he’s falling

I’m with Louie, FUCK STAIRS

Della has that dumbass energy. We stan. Also, she and LP need to hang out. I feel like they’d somehow both lose in a game of Go Fish. Stupid, beautiful pilots :’)

“MOM LOOK AT MY SUPER COOL FINS!” “*gags* I have no family.”

CAPITALISTS DO NOT GET TO KNOW TRUE PEACE

Donald and Huey nodding after Aletheia calls Scrooge a judgemental boomer, beautiful

“I don’t want inner-truth, I want outer harp!” That’s a good line

“Scrooge, back to the arts and crafts section!” And then his face! Golden!

Louie clinging to Beakley’s arm is so cute

I LOVE YOU, HARP LADY!

“But I only tell the truth, a thing the merpeople used to value.” I feel like that could apply to other (current) situations

Whenever Honestus speaks during the song I lol

Also, what hard work was going on above the sea? Was there like a war or something? I need more!

I think the Harp and Honestus were a thing at one point

If the merpeople become more monstrous the longer they stay in the water, why are the ones who have lived their ENTIRE LIVES in the ocean still humanoid? How long was he gone? How many generations have come and gone? Why didn’t he age? I NEED MORE INFORMATION

Poor Webby. The person she trusted the most has been lying to her for who knows how long! I think we know what Webby’s arc for the season will involve

Louie does NOT want to be in the middle of this

MER-MURDER-MAIDS!

I want to PERSONALLY THANK the GENIUS that had David Tennant use hippie slang. You did the lord’s work

The face Scrooge makes when he thinks that they are gonna take his money is PRICELESS

I feel bad for the Mervanans. They were left to fend for themselves. They did pretty good for themselves all things considered but still

Della taking baby steps only to be pushed right back into her comfort zone, I felt that

She’s just like, nope

“Gotta get harp down. Gotta save family. Maybe sell the harp later.” The kid has his priorities straight

The way the Harp acts when Beakley picks her up is a mood and I ship it

“Is that what I sound like? Oh, boy.” I love the way Bobby says “oh, boy”

“We would never!” “Yeah, we’re vegan.” At least these merpeople actually flat out say they don’t eat fish, unlike other merpeople who act all high and mighty even though they probably eat fish too

I love the one dude who just kinda flaps out of the water

“I HAVE SO MANY QUESTIONS.” “CORRECT!”

DUDE, DON’T INSULT THE MAN’S COOKING SKILLS! IT’S YZMA, KRONK, AND THE SPINACH PUFFS ALL OVER AGAIN!

I think Donald is just always angry ala Bruce Banner

Donald is me when someone says the wrong thing to me on an already shitty day

He just slings Dewey over his shoulder and drags Huey. I feel like a family meeting about chili is in their future. Though the Harp didn’t say whether or not Dewey was lying so...

“Our king returned and tried to eat us.” In the words of Zuko; that’s rough, buddy

“We’re all monsters on the inside.” “WE ARE?! GET IT OUT OF ME!” Vero is having a very bad day

“Mervana isn’t a place. It’s, oh boy, it’s in your heart!”

Louie and Webby make each other better and that’s what’s great about their team ups

“We need your inner-truths to move from your hearts to YOUR FISTS!” WEBBY WILL FUCK YOU UP

“WELCOME TO MERVANA” BITCH!

Poor Harp. It’s not her fault that she only has one setting

I WANNA RIDE A MERMAID! No, not that way! ok maybe that way too

Webby’s eyes sparkle when the merpeople get to land

DROP ON THE DECK AND FLOP LIKE A FISH

“TIME TO SEND THIS FISH BACK TO SCHOOL!” Della knows how to one-liner

Her Naruto run is great. I bet she’s been watching it with the kids

Della is gonna wash her leg SO HARD after that

I don’t think Honestus should have gotten off so easy. The dude’s a dick who only cares about himself. I know that wouldn’t mesh with the moral of the episode, but I still hate him

Della looks so fucking confused, like LP usually does. THEY ARE MEANT TO BE BESTIES

Dewey kept his tail. So cute!

“She’s kinda harshin’ my vibe.” I know, my dude, I know

“And it’s finally where it belongs.” “Telling shiftless hippies to get a job!” Scrooge is harshin’ my vibe. Stupid capitalist

The head kiss Beakley gives Webby GIVES ME LIFE! SO PURE

Well of course she’s fibbing! Beakley is/was a SPY! Her job was secret keeping!

I really enjoyed this episode. I, like Webby, ADORE mermaids so I wasn’t gonna complain there. I liked that the merpeople weren’t actually evil because that would have been predictable af. It really ties in with the legacy theme of this season. Just because the people who came before you were jerks doesn’t mean you have to be. I think I enjoyed the other episodes a bit more but that’s probably because they were a bit more focused on a single character and only introduced a few new characters. I give it an 8/10, not enough Launchpad and not NEARLY ENOUGH fish puns

[mashitandsmashit]

America’s Got Talent: Season 15 - Auditions 4

11: Christine Hurley. I will say, I wasn't a big fan of the stand-up for the most part anyway, as she basically came off as Bargain Bin Barbolak (with only 10% trailer nasty). I mean, I've seen this character plenty of times before...But I also felt bad for that little flub; She was doing fine up until that point, and it really threw her off by the end...I will admit that Howie gave some pretty good advice, and I hope she takes it to heart to improve for the future...Best wishes to her!

10: LILIAC. Shame we didn't see more of this act...I enjoyed what little of them I saw! But I guess the next entry had to be the focus of the segment...

9: Luca Di Stefano. Barry White he is not, but this amused me enough...I wouldn't say this guy is necessarily a talented singer OR a talented baritone, as I could hear his voice cracking up throughout...But I enjoyed the gimmick for now, knowing that he's very likely going to be cannon fodder in the next round. (And probably for the best...Doing that CAN'T be good on his throat!)

8: Ashley Marina. So we're combining the drama from the Ansley Burns, Lamont Landers and Daniel Emmet auditions now, huh...? This kid gets THREE tries, HUH!? Honestly, it's getting harder and harder to understand Simon's standards by now, because I thought she did really good with both of those other attempts...But this was an obvious set-up...I liked her precious little dad song enough, and her singing voice is legitimately good (though nothing particularly new for me), so I'd say she deserves a shot in this game...I'm just sick of all this manipulative drama...Simon, I'm coming for your dogs! (This is becoming a VERY disturbing running gag...)

7: Olox. And from here on out, it's nothing but overwhelming positivity! When these two Power Rangers villains walked out, I knew they were either gonna suck, or we were gonna get something truly entertainingly bizarre! I am beyond happy that it was the latter! As far as such an unappealing talent as throat singing may be, they really are talented in that department, and they found a way to make it fun! ...And yet strangely the lady still sounded less like a goose than Dolores O'Riordan...(I'm just teasing; I like the Cranberries AND that song...) A silly gimmick that's sure not to get very far, but I'll enjoy the ride as much as I can!

6: Brett Loudermilk. Markiplier called, he wants his hair back! Next to Cristina Rae, this is probably the act we saw the most of in the promos...On the surface, he seemed like just another sideshow act, and to be fair, he kinda was...But contrary to some opinions I've made before, this is one type of act where personality is everything, and this guy has it by the bucketloads! Honestly, he is probably one of the funniest comedians we've seen in recent seasons, without even doing stand-up! And Sofia was almost as funny working off of him! I've no doubt the extra segments of the performance were a set-up (and how interesting that we had two acts with midway cliffhangers in a row...and I still loved this audition as much as I did!) That being said, I look forward to seeing him again! ...Though I guarantee you his throat hurt like a motherf***er the next morning! (And that makes TWO dudes in one show abusing the hell out of their throats!)

5: Nolan Neal. Vying for the gold medal in the Sob Story Olympics, and yet I'm willing to look past that because this man is just THAT talented! It's like if Chris Klafford's voice (and beard) came together with Marcin Patrzalek's guitar skills, with the songwriting complexity of We Three! Interesting how his audition came right after the Golden Buzzer, since this guy looked fitting enough for it (especially from Simon), and I honestly wouldn't have complained (though I'll get to the REAL pick soon...) But as it is, this guy looks like a prime GB pick for the Judge Cuts, and I have no doubt that he will go far! Hands down my favorite singer so far this season!

4: Feng E. Speaking of the passing down of Marcin Patrzalek's skills, here's a mini Marcin right here! Grace VanderWaal is watching this kid and going “Why didn't I do THAT with my ukelele!?” From what little we saw of him (not so much the performance as the boy himself), I wouldn't doubt that he will probably be eliminated in the next round...Real shame...But we have another talented preteen to potentially step in for him...

3: Noah Epps. It was actually a close one between the two kids, but I ultimately picked Noah because we saw more of his dancing than Feng's electric ukelele playing...(It's actually a close one between all of the Top 7...) It looks like they finally built a more advanced model of the Merrick Hanna droid, now with more creepy Pinocchio schtick! (Ultron, eat your mechanical heart out!) I really hope this kid does well in this game; No reason to cut his strings so early...

2: The Spyros Bros. So THIS is what Mochi's act was missing! Well, where he failed, this may be the act to succeed in making diabolo a talent to be taken seriously on this show! What they have already displayed here was mindblowing, and from what they've said, it sounds like this is only the beginning! Between the awesomeness we are (possibly) about to witness, the bullying backstory, and the AGT fanboyism, this act does have the potential to go far! When I watched the preview video on Youtube a few days ago, I was expecting this to be another awesome act in an otherwise humdrum show, but not only were almost every act tonight top-notch, but one other act just barely edged them out from the top spot of this list...

1: W.A.F.F.L.E. Crew. In Season 13, we got the epically named Pancakes! And now this year we have met their superior brethren in the dancing breakfast pastry category! (Can't wait to see French Toast Crew in Season 17 and Da Crepez in Season 19!) Okay, onto the most important point...I never thought I'd say this...But I think I'll be rooting for Simon Cowell's Golden Buzzer to win this season! It's hard to compare them with the more gimmicky dance acts like V.Unbeatable, Light Balance and Zurcaroh, but as far as straight-up hip-hop dance goes, this is the cream of the crop! It's also hard to compare them with the other GBs; They probably won't get as many Youtube views as Roberta or Cristina (though we'll just see), but they definitely stand out more, and Simon is sure to push them as far as possible! So far none of the acts are safe bets for the win...But maybe it's time a dance crew finally got it (again, not counting V.Unbeatable at Champions earlier this year...) These guys have all of the necessary materials to go all the way: The skills, the style, the story, the Golden Buzzer, the fans' blessing, Simon's blessing...and MY blessing!

WHERE WERE ALL THESE ACTS BEFORE!? It's like they saved almost all of the really exciting ones for one show (though Malik and maybe a few others would have fit in quite well). This reminds me of that audition episode last year that had Marcin, Berywam and ADEM all in the same show (as well as that goofball who did the Andy Kaufman thing), but if almost the entire show was at their level! Hands down the best audition of the season so far, with several acts I could see making it all the way to the Finals!

So next week should be interesting...We already saw what it's like with a vacant judges' seat (giving the Spyros plenty of space to toss the diabolo over), but we'll see how Sofia's “Modern Family” co-star Eric Stonestreet handles filling in for Heidi...

I will probably expect the last Golden Buzzer of the round (Howie's) to be saved for the final audition the week after (I wonder if it will be that “at home” show I saw on Youtube, and they left out Howie's GB in those videos). Either way, we'll wait and see...

Until then...

[osmw1]

Dimension Wave   Chapter 34 — Limited Dimension Wave

“What’s with all the ruckus at this hour?”

Alto sleepily rubbed his eyes. Beside him stood Yamikage and Tsugumi, both of whom were asleep minutes ago as well. Yamikage had adjusted to living on the seas and has been sleeping properly too. Tsugumi was still half-asleep.

“The ship is being pulled along by something.” “Surely ‘tis but a wave.” “If it’s just a wave, then I don’t know why my Helmsmanship skill isn’t working at all.”

I was able to keep the ship from capsizing when the storm hit us, but I don’t know why it’s not doing anything now. Was it because I caught the Humongous Squid? That shouldn’t have anything to do with it. But if it is, then my fishing must’ve affected something. I mean, that doesn’t really make sense though. We should’ve only been jostled around a little by the drag of the squid. Maybe we simply triggered a flag for the Sea of No Return… but that would be awfully optimistic thinking.

“Be on gua—What?”

I turned around to see who tapped my shoulder. But there wasn’t anyone there. I mean, obviously not. Everybody on board is standing in front of me. To my right are Yamikage and Tsugumi. To my left are Alto and Sheryl. Ahead of me is Shouko. Who would be there to tap me on my shoulder?

“Kizuna, what if there were ghosts on the sea?” “Well, I’d expect you to be a little more scared…”

The lady standing right in front of me seemed as if she could see more than we could. I’m not scared enough to be shrieking out loud, but Shouko looked extremely serious considering the possibility of ghosts and stuff… Well, I know Dimension Wave is only a game, but I wish she would at least pretend to be scared. But someone else was.

“… phantom ships.” “S-S-Su-Surely you jest, miladies!” “Well, I s’pose ghost ships and pirate ships are nautical staples.”

Neither Sheryl nor Alto seemed surprised. It’s true that MMORPG’s usually have them as dungeons or events. Hell, it’d be more surprising if they didn’t show up on a nautical RPG. And why are you pissing your pants already, Yamikage?

“Yeah, you’re right… That would explain why the mist and the sudden chilliness too.”

Visibility had rapidly worsened. The fog, eerie and disturbing, was extremely well done on the developers’ part. Drowsy before, but Yamikage was now trembling. Was she that terrified?

“Hey, Yamikage. It’s a little clichéd, but would you let me scare you with a ‘boo!’?” “How! You would be such a knave!” “Figured you’d get mad.”

I don’t think my joke went over very well, but I also don’t think it made much of a difference that I warned her first.

“Thy mere suggestion has wrought me with fury!” “Fine… then how ‘bout you, Alto?” “No way, José! I’ve got the heebie-jeebies already!” “Heh, I never said I was actually gonna do it, but your guys’ reactions was amazing.”

It might’ve been more fun to push them, but the other three…

“Do tell why you are looking at me like that.” “… try me.” “You’re so oopy spoopy, big bro!”

Yikes. I don’t know what I expected out of my sister, but I really don’t want her to act all cutesy with me like that again.

“But in all seriousness, a ghost ship, huh? Sounds like it’ll be tough.” “Even during the day~!”

Well, the whole party’s leveled up a bit and even I’m at about half the Energy I used to have. I’ve also been using Transmutation to get some Energy out of the squid I fish up, but since the skill is only at rank I, it takes quite a bit of time to cast. Plus, since I get about 5-15 Energy per squid, that’s only about 700 Energy per hour. I’ll probably have to keep using the skill to level it up to II, but it’s yet to pop up even though I’ve been at it for a while now.

“I-I-Is that the ship, perchance?! Oh, but I am so frightened!” “What’s truly frightening is that you still haven’t acquired Night Vision.”

She probably sleeps through the night, but I’ve had it unlocked for so long already. More importantly, though, I looked over to the direction she was pointing. It was glowing in a ghostly white light, emitting a full body sense of dread. The realism of it all truly spoke to the beauty of VR.

The ghost ship was absolutely colossal. Our sailboat was only about 20 meters in length, but we were completely eclipsed in comparison. Sheryl explained that leisure watercraft over 25 feet (approximately 7.6 meters) are designated as cabin cruisers. But this was more like a yacht. It had the space for multiple living quarters and other facilities on board. It was probably, what, ten times bigger us and it had suddenly appeared in front of us. The sails were in tatters and its planks crumbling. If it weren’t for the mysterious white light that it’s emitting, you’d think this ghost ship is just some floating rotten junk. If this were a horror movie, there would be a theremin playing in the score right now.

“Yamikage.” “Gah!” “I… I just wanted to speak to you. No need to be shrieking or anything…”

And just for kicks, I turned to look at Alto and then gazed past his shoulders. He seemed out of it. Whatever it may be, their reactions are top notch. You’ve just gotta have at least one person in your squad like these two!

“I think I respect you a little less now, Kizuna.” “Whaaat? Just because there’s a ghost ship?” “But the look on your face!”

Haha! Oh, this guy. But I suppose there are more important matters at hand. Like the ghost ship.

“Like I was saying, let’s be on guard and prepare for combat. Something like this has gotta have enemies on board.” “Understood.” “‘kay.” “Mm-hmm!”

The three of them replied with confidence if not enthusiasm. The other two? Cowards. Especially that Yamikage. Get a grip! At least Alto’s got an excuse. He’s been busy trading up till now, so he might be a little underleveled. Yamikage, though, has the strongest stats out of all of us. With her Drain, her numbers are better than even Shouko. But, I mean, if she’s simply afraid of ghosts and spirits, then there’s nothing you can really do about it.

“If you two are that bad with ghosts and stuff, you wanna stay behind?” “… Stay behind? Here?” “Yeah.” “I shall follow you till the ends of the Earth!” “I mean, it’s probably safer if you stay here and wait for us.” “Hell to the no! It’s a billion times scarier to be here alone!” “I guess? I grew up watching a lot of this stuff, so I guess I’m used to it.”

My sisters and I used to always rent horror flicks and watch them together. There’s even new VR horrors where you watch in first-person. I’m not crazy about the genre as a whole though. But enough contemplating. Let’s charge on board.

Vrrt!

There was a crackling noise. It was a noise I’ve heard merely two weeks ago. It’s here… With a bright flash of light, time and space warped—

—Limited Dimension Wave.

Kizuna†Exceed (Captain)

Hakoniwa Shouko (Vice Captain)

Yamikage

Sheryl

Tsugumi†Exceed

Altorese

A menu popped up with a list of our names. Once past the blinding light, it looked like the dungeon was located below deck. There was no information on the minimap except for each of our locations. Everything else was pitch black. It’s probably one of those hidden dungeons that pop up in games all the time.

“Limited Dimension Wave?”

I muttered aloud to myself, but everyone else was similarly confused by what it meant. Shouko had already readied her weapon. It’s like she’s some sort of disciplined soldier, ready to engage in combat at the drop of the hat. Sheryl was simply looking around with her usual blank expression. Tsugumi had her battle scythe wielded in both hands. Her lower body trembled while her animal ears twitched agitatedly. Alto seemed out of it, just as before. And then there’s…

“Eeeeeeeeek! No, it’s too scary! Help meee!”

There was about one person who was almost repulsively afraid. But wait. Where did that verbal tic of her go? She’s actually that terrified? I mean, she was scared before, but… I don’t know, I feel bad for putting her through this now.

“Yamikage, it’s alright!” “… Kiz!” “… Who?” “… Miss Kizuna.”

I have so much to say about her correcting herself, but I can save that for later. I’m not about to ask her what she thinks about me though. But Yamikage. Just what is she? I’m sure if I got to know her, I’d understand her more and guess to how she is as a person. Not her character, but rather the actual player behind the ninja. I mean, of course, it’d be rude for me to pry. In online games like this, you never know who’s comfortable sharing what with whom. This is all just theory, but in my mind, Shouko is from old money, Sheryl… I’m not so sure about, Tsugumi is obvious, and Alto is probably… a little older. You know what they say about books and covers though.

“Chill, Yamikage. We’re in a game. Even if there were ghosts, it’s all just a game.” “… I understand, milady.”

From below her, I looked up straight into her eyes… And seemingly calmer now, she nodded in agreement. Alright, with her out of the way, I had to get a handle on the situation. I just had to pay no mind to Dark Shadow holding on to my sleeve.

“So, what’s does ‘limited’ mean?” “… With restrictions.” “I mean, if we look at it literally, then I suppose it’s a restricted Dimension Wave?” “I believe it to mean that it is limited to the current party listed in the information screen.” “Ooh, that makes sense…”

This was something I’ve seen more than once in MMO’s. It’s not dissimilar to instance dungeons and party quests. Tsugumi had played one that was all about co-op with your party members. It’s a total cliché, but I’ll bet that we’ll have to clear this dungeon and then defeat a boss. We’ll get quest rewards and boss drops at the end too. And we’re probably limited to doing this once a day or once a week or something. I get it now. That’s probably why it’s limited.

“Alrighty. No point to standing around like this. Shall we?”

contents: /prologue/ /ch001/ /ch002/ /ch003/ /ch004/ /ch005/ /ch006/ /ch007/ /ch008/ /ch009/ /ch010/ /ch011/ /ch012/ /ch013/ /ch014/ /ch015/ /ch016/ /ch017/ /ch018/ /ch019/ /ch020/ /ch021/ /ch022/ /ch023/ /ch024/ /ch025/ /ch026/ /ch027/ /ch028/ /ch029/ /ch030/ /ch031/ /ch032/ /ch033/ /ch034/ /next/

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[shinneth]

What Myers-Briggs types do you think the main Trifecta characters would be?

Hmm. Well, I had a hard time settling one a single type for most of them, so I tried to find at least two for the six Trifecta “mains” - Paul, Reggie, Brandon, Conway, Barry, and Maylene.

(REALLY stretching it calling Maylene a “main”, especially since Chapter 13 is where she peaked; once Arc II happens, she’ll be in Out Of Focus territory for sure… buuuut she’s made her mark and a lot of readers take notice to her, so I threw her in)

Interestingly, I had no one pegged as INFP (Mediator/Idealist), which is where I fall in. Some characters fit half of it but I couldn’t justify the other half not befitting them (Paul and Conway were the partial contenders - and Brandon to a lesser degree… but Conway’s too charismatic and sociable, while Paul and Brandon aren’t deep thinkers to the point where they’re completely delusional like I am :P).

Paul - INTJ (The Mastermind) or ISTJ (The Inspector)

Safe to say if I had to pick one only, it would be INTJ. Definitely would sooner work alone than a group any day (and if Conway hadn’t been there for him like he’d been so much in Trifecta, this would likely still be the case for him - and Barry is more a result of Trifecta Paul’s character development). Much more comfortable doing things his own way and proving to the world he can handle himself. Even with Trifecta development, Paul still finds social activity a huge chore. Trifecta 21 has Paul go out of his way to be receptive to Conway’s friendliness, and it does take a toll on him physically and mentally. Also a master strategist, as per canon, and questions everything. And god help him if Paul is unsure of anything. It’s why he hates being indecisive in Trifecta; he believes even a wrong choice or a bad idea is better than none at all. And knowing his legendary levels of “patience”, he’s definitely not going to wait all day to find the right path.

With ISTJ… well, this was a Brandon contender, surprise surprise. Intimidating? Comes off that way. Serious? All the damn time. Formal, proper…? Well, he DOES respect his elders, for the most part. If he thinks you’re shit, he’ll treat you like shit, but Paul’s not nearly as eager to start shit as he was in his Trifecta youth. You can definitely say, either in canon or Trifecta, Paul’s a strong worker who follows his own moral code. For all his controversial shit, Paul has never once cheated or tried to take the easy way out. Now, he sure as hell isn’t PATIENT, and he doesn’t really put much stock in going out of his way to upholding social or cultural responsibility (especially the former). But Paul is typically quiet and reserved; while he’s prone to anger, he’s fully capable of keeping calm when he needs to. Even Trifecta Paul can pull this off unless he’s just physically about to break down. Often misunderstood? Ohhhhhh, yeah.

Reggie - ESFJ (The Provider) or ESTJ (The Supervisor)

ESFJ might actually be the lesser of the two here. Mostly because Reggie isn’t really an attention-seeker outside of his own family members. He doesn’t desire the spotlight; he just wants his daddy and lil bro to love and accept him! But Reggie IS an active young man, very social, way more thoughtful than he makes himself out to be, and totally IS the organizer for any family event that happens in the present-day and has been since his mother’s death. He’s the guy that everybody loves. It’s been a common theme in some AUs of his Trifecta persona where he ends up being one of the most popular kids in school with legions of girls who’d drop everything to date him and he just never notices. 

ESTJ covers him more uniformly. Reggie doesn’t want to be the star of the show, but he does want to help and offer advice to absolutely anyone who needs it. And he checks out on the listed traits: honest, dedicated, dignified, and traditional. You could definitely see him as a role model (even if Paul doesn’t) and he’s a good fit for a leader role. 

Brandon - ENFP (The Champion) or ENTJ (The Commander)

One of Brandon’s defining traits (that might’ve not been showcased in Trifecta yet since we’re not yet at the point where it’s mega-relevant) is that he will decide his own destiny and what path to take, damn what anyone else says. So there’s what wins him the ENFP brand. His intuition is pretty top-notch; terminal disease aside, Brandon can totally read Paul like a book even though he’s spent the better part of Paul’s life operating from a great distance and not really being around for his kid. He’s way more perceptive than most give him credit for, and though he’ll never admit it, Brandon does act on his feelings a lot. Even taking an overseas job shortly after his wife died while leaving his kids behind - he can say that’s solely because it was the best way to make up for the income difference, but really, it doubled as his desire to just remove himself from everything of Andrea’s influence. He had a harder time coping with her death than he’ll ever care to admit. Plus, Brandon’s unprofessional abandoning of his post that resulted in his return to Sinnoh? Totally impulsive. He also wasted no time making a detour to Reggie when Brandon learned he was in the hospital, so there you go. 

With ENTJ, this correlates with Brandon’s leadership skills as head of the Kanto Battle Frontier, as well as being the head of his own travelling trifecta with Byron and Palmer. Ambitious is putting it mildly for Brandon, honestly. And while he can be a slave to his feelings at times, Brandon is more known for acting with cold, hard logic. He’s likened to Paul in Trifecta for a reason. Brandon’s all for challenging himself, not afraid to make the hard calls(as his sacrifice for Regigas proves), and hell no he cannot sit still. 

Conway - INTP (The Thinker) or ENTP (The Visionary)

Well, Conway’s pretty damn easy to peg even if you didn’t take his Trifecta traits into account. INTP is Conway’s most well-known traits in a nutshell: absorbs info like a sponge, heavy on the logical, objective side of perspective… he plans, he hypothesizes, he observes, he analyzes, he theorizes, and he can pick up on details most others will overlook. Like, literally everything INTP applies to Conway. He’s the consummate INTP. 

ENTP has many of these traits, as well. Only major point of contention is not enjoying small-talk, as Trifecta Conway especially is very much all for that… at least for the people he deems worthy of it. Barry, he might not be much up for the small-talk as he would Paul or Dawn. I wanted to make sure to at least add one E-type here since I think it should be emphasized that despite his many typical nerd qualities, Conway is very much extroverted even in canon. He’s one of the most extroverted intellectual characters I’ve ever seen, honestly. Canon and Trifecta Conway love going in-depth with their thought processes, and he is a lover of learning. Loyal and energetic are also listed traits here, which are definitely more prominent Trifecta Conway traits, but notable ones nonetheless.

Barry - ENFJ (The Giver) or ESFP (The Performer)

While I think we can agree Barry is more of a “live in the now” type than any other character listed here, contrary to the ENFJ type, the other traits fit Barry like a glove. Especially the “living in their imagination opposed to the real world” aspect. Holy shit that is very Barry. But he is idealistic, highly charismatic, outspoken… and in Trifecta, he’s proved to grow like a weed on characters who’d otherwise never associate with him, such as Conway and eventually Paul. Barry’s also much more of an optimistic individual compared to his future travel-mates and much less prone to letting bad shit get him down for any length of time. 

ESFP speaks for itself. Barry’s the biggest spotlight whore of the Trifecta cast. Fun and livelihood are Barry’s core essences, and while he’s not the most considerate character to ever be around and thinking is secondary to everything, Barry isn’t a complete dick and will feel bad if he realizes he’s inadvertently hurt someone’s feelings. It may take him a while to understand that, but once he does, he’ll go out of his way to make you feel better. Barry doesn’t want to travel around with a couple of sad-sacks, after all. And while Barry’s an acquired taste who can and will rub people the wrong way… you know, compared to Paul and Conway, he’ll come off as the one most “normal” when it comes to people-persons. Barry’s aggressively extroverted, so even if it yields mixed results more often than he’d like, Barry will always go out of his way to connect with people.

Maylene - ISFJ (The Nurturer) or ESTP (The Doer)

Despite being one of the most developed characters among the gym leader category in the Pokemon anime, she is harder to peg down than the others. But IFSJ feels pretty accurate for her. Sensitive to the feelings of others could link to her identity as an aura-user… plus she was insecure enough to let Paul’s worlds wreck her shit. But she is extremely considerate of others, warm and kind-hearted, and bringing out the best in others is what she aims to do as gym leader. Considerate, loyal, unselfish? All fit Maylene perfectly. For a Fighting-type specialist and martial artist, she’s definitely a modest and gentle soul.

ESTP… I think Trifecta 13 proves how incompatible Maylene is with elaborate planning and handling shitloads of detailed instructions. If left to her own devices, Maylene definitely would have handled the issue in chapter 13 by directly confronting Saturn rather than trying her hardest to feign ignorance of his identity. She’s not hot-headed, but Maylene does far better winging it than adhering to something set out for her. Maylene does always strive to better herself, so she’s open to trying new things. While a little on the shy side, she enjoys being around people and she IS the head of her own damn dojo, so… there you go. While it’s a stretch to say she’s pragmatic or logical, she definitely comes off that way when you line her up with other characters of her type specialty and line of work. She is level-headed and down-to-earth, at least; I’ll say that much.

When you break it down, there are common carry-over traits between the two for everyone: 

Paul solidly has Introverted, Thinking, and Judging in his set. Checks out.

Reggie always carries Extroverted, Sensing, and Judging. 

Brandon is a sure bet for Extroverted and Intuitive. 

Conway is a consummate Intuitive, Thinking and Perceiving man. 

Barry is a lock for Extroverted and Feeling. Unsurprising.

Maylene only has Sensing as a consistent trait.

Well, that was more fun than I thought. Hope everyone else enjoys that!

[disappearingground]

With ‘The Voyager,’ Jenny Lewis feels the album magic

Los Angeles Times July 31, 2014

Jenny Lewis has a new solo album, “The Voyager.”

By Mikael Wood

Jenny Lewis vowed she’d never return to the San Fernando Valley, at least not to live.

The area was too closely linked to her childhood in Van Nuys — to her experience as a young actor (in late-'80s artifacts like “Mr. Belvedere” and “Troop Beverly Hills”) and to her complicated relationship with her parents. And it was too far from the Eastside neighborhoods where Lewis later established herself as an important figure in L.A.'s music scene, first with her band Rilo Kiley and then on her own.

Yet there she was on a recent afternoon, sitting in the dining room of her hillside home in Studio City, the place that lured her from Silver Lake a few years ago, as she and her boyfriend, singer-songwriter Johnathan Rice, discussed options for oysters on Ventura Boulevard.

“As soon as I bought it, I had a panic attack,” she said of the house, a stylishly woodsy number filled with books, records and vintage musical gear. “I remember pitching an AeroBed in the living room and thinking, ‘This is the worst mistake I’ve ever made. I’m back in the Valley.’”

It’s nerve-wracking, perhaps, but confronting old troubles is precisely what Lewis, 38, does on her superb new solo album, “The Voyager,” which came out Tuesday to rave reviews. Failed romances, Rilo Kiley’s breakup, the death of her estranged father — the singer addresses them all in songs that blend bruising introspection with a sly sense of humor.

But though the material can be heavy — “When I look at myself, all I can see / I’m just another lady without a baby,” she sings in “Just One of the Guys” — the music shimmers with weightless melodies and grooves that recall classic California pop by the Eagles and Fleetwood Mac.

“Jenny’s songwriting skills are right up there with the best,” said Lenny Waronker, the veteran producer known for his work with Randy Newman and James Taylor, among others. As an A&R executive at Lewis’ label, Warner Bros. Records, Waronker helped oversee “The Voyager,” which to his ears sounds like a breakthrough.

“This could be a record that reaches out to lots of kinds of people,” he said.

Lewis built a devoted following almost immediately with Rilo Kiley, which she formed in the late ‘90s with another former child actor, Blake Sennett. Beloved by indie rock aesthetes for its crafty hooks and brainy lyrics, the band went on to release four albums and even toured with Coldplay. During breaks, though, Lewis dabbled with other musicians, singing on the hit debut by the Postal Service and putting out her first solo record, “Rabbit Fur Coat,” in 2006. Her next one, 2008’s “Acid Tongue,” featured collaborations with Elvis Costello and Zooey Deschanel.

“Everybody loves Jenny,” said Benmont Tench, a member of Tom Petty’s band, the Heartbreakers, who plays organ on “The Voyager.” “You can’t mention her in town without getting a positive response.”

And yet mainstream stardom never quite materialized, even as younger L.A. acts Lewis had clearly influenced — such as Haim, whose Danielle Haim once played guitar in Lewis’ live band — began catching on at Top 40 radio.

At her house, Lewis dismissed the idea that she’d blazed some kind of trail for artists eager to move beyond indie rock’s famously disheveled vibe. She also seemed uncomfortable with the notion that “The Voyager” represents her conscious bid for a larger audience.

But there’s no denying the care she put into the record. Some of the songs on “The Voyager,” she said, date back several years to right after Rilo Kiley’s dissolution in 2011; she’d recorded “tons of versions” in various settings but wasn’t satisfied with the results. (During this time she was also suffering from what she called severe insomnia, an experience she describes in the album’s opener, “Head Underwater.”)

Finally, Lewis took up with Ryan Adams, the alt-country singer-songwriter, at his Pax-Am Studio in Hollywood. There they remade the tunes, working quickly but attentively with a crew of top-notch L.A. players in an effort to capture a wide-open quality that didn’t feel generic.

“I needed an outside person to help me get there,” Lewis said, in part because (unlike her previous solo records) “The Voyager” had no clear-cut recording concept. Rather than taking pains to differentiate the music from Rilo Kiley, she was simply trying to “make the best possible record I could make.” And within minutes at Pax-Am, she said, “I knew that this had that magic.”

“The Voyager” also contains two tracks Lewis and Rice co-produced, as well as “Just One of the Guys,” which she recorded with Beck. But even as the songs move through styles and tempos — from the soulful strut of “She’s Not Me” to the folky strumming of “Late Bloomer” —they hang together, united by beautifully detailed lyrics about growing uneasily into adulthood.

The album’s rollout, too, seems more grown-up than in Lewis’ past, with television performances and a music video for “Just One of the Guys” that features Anne Hathaway and Kristen Stewart — exposure that helped drive “The Voyager” to a top 10 debut Tuesday on the iTunes album chart.

Next month she’s scheduled to play high-profile festival dates at Lollapalooza and Outside Lands, and she’ll stop at the Wiltern on Aug. 9 for a headlining show with the new live band she recently assembled from musicians who’d auditioned for the gig. For the first time, she said, she’s playing shows without people from her inner circle. That might seem like a strange choice given the revealing nature of the songs on “The Voyager,” but Lewis doesn’t see it that way.

“I felt like onstage I have to have a certain amount of anonymity, like, personal anonymity, to feel loose and free. When you’re up there with people who’ve known you for a decade and you make a bad joke and you hear the cackling behind the drums, it’s hard to get lost in the moment,” she said with a laugh. “Basically, I just want to be able to make mistakes and not be judged for it.”