#[she's trying so hard to help]

[danggerine]

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

[saltpixiefibercraft]

My littlest weaving assistant.

Not pictured: her nipping at my toes when I try to treadle, like the worlds pointiest game of whack a mole lolllll

[doctorsiren]

I saw an interesting post a while back that said “Capcom made us [Miles and Diego/Godot] only have like two(?) interactions because they knew we would be unstoppable with a brother dynamic” and tbh it stuck with me bc it was intriguing.

So yeah that potential brotherhood, but that Godot/Diego AU I made (that I still need a name for)

Also I bet Gregory Edgeworth would have smelled like a bit like coffee, and so Diego just reminds Miles of that comforting presence 😭 (the von Karma estate was a tea household, so he didn’t smell much coffee after DL-6 and didn’t realize how much he missed it/reminded him of his father)

[thesmokinpossum]

If My Body Could Speak, Blythe Baird | The Godfather, Mario Puzo | My Father's House, Sylvia Fraser | To The Daughter Who Secretly Longs For Her Mother’s Affection, Lynne Shako | Storms from Jupiter, Wanda Deglane | DO NOT REPLY, @filmnoirsbian

[nite-puff]

this was what their dr:s interaction was originally gonna be. trust me. i’m mr. danganronpa

(no cuz seriously. how are you gonna have them interact and then forget that hiroko canonically has a bit of a thing for takaaki?) (i say this like the dr:s writers even knew who the other captives were)

[blueskittlesart]

hi i have literally zero art to post rn but here's my favorite shot of the main character from my thesis graphic novel so far

[nobleriver]

Michonne talks to Rick about their son

[youngpettyqueen]

Julian and Keiko headcanons because Keiko gets sidelined so much and deserves the world and I wish we got to see them interact more

when they get stumped on their respective projects, they'll do late night work sessions together and bounce their research off each other to see if the other can help them figure out where the problem is. they'll do this in person when theyre both on the station, but also over call if one of them is away, and after the O'Briens move back to Earth

they edit each other's papers (Keiko marvels at Julian's ability to spell out complex chemical compounds with his eyes closed, and somehow use 'their' instead of 'there') (in his defense he wrote that bit at 4 in the morning after going 2 straight days without sleep) (she threatens to sedate him)

Julian sometimes brings back plants from planets they explore in the Gamma Quadrant and gives them to Keiko. sometimes he does it because the plant has medicinal properties and the two of them can do a joint research project, but most of the time he does it just to give her a nice gift

when Miles goes away for particularly dangerous missions, Julian will keep Keiko company and help keep her mind off of it. sometimes she has trouble sleeping because shes so worried, so he'll hang around and start rambling on about whatever he's currently working on until she falls asleep. he jokes he's boring her to sleep, but it actually means a lot to her

they have a weekly tea date. this is their prime gossip time. sometimes Jadzia is invited

when Keiko's mad at Miles she'll rant to Julian about it. Julian learned very quickly that this is not a time where advice is wanted, so he sits back and lets her get it all off her chest, because she really just wants someone to listen and let her blow off some steam

Julian makes a concentrated effort to learn more about plant husbandry and care after the incident where he accidentally killed some of Keiko's prized plants because he actually does feel very bad about it

Julian hovered over Keiko nearly as bad as Miles did when she was pregnant with Kirayoshi (and then he hovered over her even more after the pregnancy transfer, and he wouldnt tell anybody why, but Keiko knew it was because nearly losing her shook him up pretty bad)

when Julian gets outed for being augmented, Keiko goes to him and gives him the tightest, warmest hug he's ever gotten in his entire life

Julian gets invited to girls nights with Keiko and Molly (steady surgeon's hands make him the best one to paint nails) (he pretends to complain but he loves it)

anytime Julian has to go away for a scientific conference of any kind, if he gets to bring someone with him, his first choice is always Keiko

in short: theyre besties they told me so themselves <3

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[mrmeepsmadmind]

rewatching this over and over again.. mainly bcs tarn makes soundwave into a manlet but also bcs it's hilarious

[rosecandyart]

How is she so cool

[entomolog-t]

Stupid lowscale gt brainrot but like--

You know the "stranded on a planet with sexy 8ft-10ft tall alien men" monster "romance" trope???

Give me a story just like this but like humans are smaller because of higher gravity. Its nothing so severe that anything super off is noticeable at first. Similar body types, perhaps even the alien species is much more physically intimidating looking (especially if we're going to the ye old hunter gatherer/barbarian trope), maybe they notice that they feel really good on this planet, perhaps even they make the connection that they can jump a fair amount higher. To them its nothing crazy. Going from a 2ft vertical to a 4-5ft vertical is cool, but its nothing like the videos of walking on the moon.

The aliens however, notice something is off fairly quickly. With a language barrier there might be the need to physically pull someone out of harms way, try to direct them one way or the other etc... and humans?? Despite their size, they're *heavy.* Not as heavy as the aliens, but far too close for someone half their size. Watching the humans aid them in tasks is surprising, and they're quite impressively able to carry a fair amount.

Perhaps it takes a while for the humans to notice, and it comes as a shock. Be it something perhaps cute like playfighting, or something more severe like an actual physical altercation, it becomes apparent that the humans are leagues stronger than the aliens.

Some Local coffeshop employee Becky Smith of middle of nowhere USA is suddenly able to lift the equivalent of 800lbs and is now seen as some warrior class being and is just trying to live out her monster romance fantasy. Girly was looking for a fearsome warrior and somehow became it instead.

This is so silly and stupid but I love it and would PAY to read it.

[eloquentsisyphianturmoil]

Galadriel, famed unfriend of Feanor, using his techniques to craft Frodo’s star phial:

Feanor, watching from the halls of Mandos: 🤨

[hercarisntyours]

dreamt about oplita and woke up crying from happiness and cuteness

[misstrashchan]

In RWBY weapons are a part of a person, an extension of yourself, as Ruby puts it in V1. So, a weapon can say a lot about a person in how it appears and what it's used for.

Looking at Crescent Rose compared to our other main characters' weapons and it's immediately one that stands out from the size alone, it immediately draws our attention, it usually takes up the screen.

Like Ruby, it's striking, awe inspiring and larger than life. It's beautiful, resilient and strong, but evolves to be more adaptable during the Atlas Arc, when Ruby herself has to be more flexible and think outside the box, and her worldview is consistently challenged. It's also very easily the most intricate and complicated design, by her own admission:

"I guess I did go a little overboard in designing it..."

Which, while on the surface means it looks cool and flashy, it's also incredibly complex, just like Ruby.

And as we know from V9, a weapon like that would also be a heavy one to carry at all times too, and it weighs on her. Just like being "Ruby Rose" means to shoulder all the responsibilities and entanglements that come with being who she is, a huntress, a leader, a hero, a spark of hope and light who inspires others. In the end her resolve as a huntress and in who she is, and her purpose, is renewed and stronger than ever before, and wields her weapon once more with confidence.

That doesn't mean her burdens have gotten any lighter though, in fact upon returning to Vacuo, because of her message, all of humanity is now looking to her. No matter how strong, confident and resolved she is, that's a heavy weight for one person to carry alone.

Which brings me to Oscar's weapon, the Long Memory. Which is a cane, smaller, simple and straightforward, but has it's own hidden light stored inside. A cane is meant to take someone's weight by design, that's it's purpose. To be something that's leant on as a crutch when you're hurting to alleviate the pain by taking the pressure off yourself, so moving forward is made easier. Because everyone needs that support sometimes and it's okay to be weak, it doesn't make you lesser, it just makes you human. And it is incredibly human for us to care for and lean on one another for support. That vulnerability leads to our greatest strength as humans.

The one who carries the heaviest weapon vs The one who has a weapon that can be leant on to take pressure off yourself. Ruby who carries a heavy burden and Oscar being someone that can be leant on for support. ooooooohhhh the cymbal ism of it all.

[rebouks]

She knew-.. Robin was sure of it.

Despite her warmth, he’d always been slightly unnerved by aunt Alma’s presence; there was something odd about her that he couldn’t quite put his finger on. Some people were harder to read than others, like Alex, but it was still possible.

Alma’s mind was like an impenetrable vault in comparison. Any attempts to feel or hear anything she did were met with a metaphorical brick wall, leaving him reeling as though he’d collided with it head first-.. but not tonight. Tonight, Alma was like an open book, and Robin was convinced she was doing it on purpose.

She’d told him all about her struggles as a child; how she didn’t fit in, how people teased her for being too sensitive, how hard it was to figure out who she was amongst the clamour of everyone else’s inner most image of themselves-.. all the while allowing him unlimited access to those very memories, like a handpicked blooper reel, just for him. Of course, that wasn’t the case though.. was it?

Alma had stopped talking now, but Robin still wasn’t sure how to react. He sat in silence instead, staring at nothing in particular for far longer than what could be considered normal.

“Can you hear me?” he thought, deciding to try a little experiment.

Nothing. Okay, so she couldn’t read his mind-.. then what the heck was she getting at? How had she so succinctly summed up his entire existence in less than fifteen minutes?

“I would’ve liked somewhere as quiet as this when I was young, it’s a shame we didn’t have an attic…” Alma offered, clearly trying to relate to Robin’s situation in any way she could. He still wasn’t entirely sure why, but she clearly wanted to help, and Robin didn’t know anyone else who understood him as well as she did, so perhaps he ought to let her try. He finally abandoned his switch and cautiously joined her atop his favourite, motheaten couch.

“What’re you getting at?” he said bluntly, curiosity getting the better of his manners. Alma chuckled softly, “You’re just like your father.” “It’s genetics, apparently…” Robin let loose a brief grin, glad to be compared to Oscar.

“I don’t know how exactly, but you’re different, Robin-.. and I thought it high time you knew you weren’t alone, and that we can’t let these things get the best of us.” Alma smiled softly as she spoke, but Robin was still too wary to be completely transparent. “We?” he asked, dubiously. “We’re few and far between, but you’re certainly not the only one who’s a little.. special, shall we say? That’s better than different, maybe?” Alma suggested.

Robin hummed thoughtfully, shaking his head, “Special is just another word for different, or weird.” Alma scoffed playfully, “And what’s wrong with being weird? I’m weird-.. we’re all a bit weird!”

“How’re you weird?” Robin asked, squinting at Alma accusingly. “Well, I can sense things I certainly shouldn’t be able to.” Alma started, excited to be getting somewhere. “Emotions radiate from people like a space heater-.. they’re not always pleasant, of course, but I can soak them up if I want to.”

Robin blinked, “Only if you want to..?” “Uh-huh.” Alma nodded. “You can block it out?!” Robin spluttered, suddenly and completely forgetting to maintain his ignorance before swiftly correcting himself. “I mean-.. it sounds like you can pick and choose, right?”

Alma nodded once more, “It wasn’t easy, but I spent a lot of years practicing.” “Years?” Robin sounded crestfallen. “I didn’t have a mentor…” Alma winked.

Robin allowed himself to smirk, figuring he might as well drop at least part of the act at this point. He was still a little nervous about being approached about such things so brazenly, but at least he knew why Alma perturbed him so much now, she was blocking him out on purpose-.. and she couldn’t read his mind either, which was always a plus.

The last thing he wanted was for anyone to know that he possessed that particular ability. Who’d want to hang out with someone who could access their inner most thoughts, the one’s they’d never dream of saying out loud? He shuddered involuntarily, hoping he’d never meet anyone that could read his.

Clementine finally nudged Robin, dragging him back to the present with her ghostly touch. “She looked right at me just then-.. she smiled! Did you see?” Robin spun around, realising that Alma had almost begun her descent. He must’ve missed her goodbye. “Wait!”

Alma paused expectantly, causing Robin to second guess himself and retreat into silence. “I won’t be far, sweetheart-.. whenever you’re ready.” Robin shivered as Clementine poked him again, “She can definitely see me…” “Can you, uh-…”

“See the ghost poking you?” Alma giggled, sounding far younger than she was. The vault doors had snapped shut again by now, but Robin got the impression that aunt Alma was just as excited as he was to find someone else who was weird. “Can you hear her?”

“Maybe-.. though I’m quite sure she hasn’t said anything yet.” Alma peered at Clementine expectantly. “Hey!” Clementine exclaimed as Robin tried to shove her into action, his hand ending up halfway through her waist instead.

“What? It’s not like you can feel it.” Robin snorted. Alma laughed heartily, thoroughly amused. “Well, I heard that-.. you two are good friends, huh?”

Robin nodded slightly, releasing a breath he hadn’t realised he was holding. “I thought I was the only one who could see her-.. that maybe I was going insane…” “Far from it, honey! You hit me up whenever you feel like it, okay?”

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