#[Roran]

[thearunadragon]

IC characters favorite food for Thanksgiving

I needed this positivity in my day. Thank you. I am not handling today well.

Favorite Thanksgiving Foods, coming right up! (Maddentide and Thanksgiving I think go hand in hand between universes, so this is perfect.)

ERAGON: Dinner rolls spread with blackberry jelly, which were a tradition set by his Aunt Marian when he was little. When she died, Elain continued it (inviting his family over for dinners) and now Eragon will make them every single year on Arngor no matter how many things that explode.

ARYA: Arya will not be spotted without well-buttered corn (off the cob), pecan pie, and ALL of the appetizers on her plate.

RORAN: This one random fruit dip that no one knows what it is or who made it but it is DELICIOUS. Also, Katrina’s apple pie.

ORIK: Turkey and Dressing for sure. He is DROWNING both of those things in psychotic amounts of cranberry sauce.

MURTAGH: Corn (ON the cob), potatoes, and any kind of thing with whipped cream he can get his hands on. ADORED his first holiday on Arngor (Eragon got information on his love for whipped cream out of Thorn and proceeded to make thirteen different dishes with whipped cream on them for him. Murtagh returns the favor by bringing more blackberry jelly for Eragon’s beloved dinner rolls, but he will never admit to this. Brotherly bonding!)

UVEK: He found the pumpkin pie and cannot be separated. Turkey leg in one hand, whole entire pie in the other. Has my respect.

NASUADA: Loves the cobbler. Secretly dishes herself more of the filling than the crust.

ALÍN: Dessert. Just… dessert.

SAPHIRA AND THORN: Both eat deer together while chatting at 100mph as best friends after they settle in.

FÍRNEN: Still looking for the biggest caribou to impress Saphira with, but will GUZZLE the apple cider when he learns about it.

GLAEDR: *sneakily walks off with a whole-ass platter of mac and cheese Angela made*

OROMIS: No one know what he got for dinner, but he’s sipping a pumpkin spice latte cryptically in the corner over there.

BROM: *Watches everyone judgmentally as he devours the suspicious pie Angela made, because he doesn’t know what’s in there but hot DAMN is it good*

GARROW: Beans.

[tonhalszendvics]

As I was looking for a copy for myself in English, I came across this one. This is from Slovakia.

I wasn't able to find Brisingr, but here's the other three:

[alagaesia-headcanons]

Being super dramatic is a family trait shared between Eragon, Murtagh, and Roran, but in different ways. Eragon is especially dramatic when he's making decisions, but not always in the way he talks about it. Particularly later in the series he can be quite frank and even about bat shit choices, for example, when discussing that he's decided to leave Alagaesia for the rest of his indefinite life because he had his fortune told once. On the other hand, Murtagh is usually quite practical with his actual decision making, but he does love to make a dramatic spectacle. Like the way he takes Zar'roc from Eragon as a way to reveal that they're brothers, he's so extra.

And then there's fucking Roran who trumps both of them by being infinitely more dramatic in both way. The theatrics are constantly off the charts with this man. Completely unhinged with zero chill, he always takes the most over the top option available in every situation and makes such a scene of it. His fucking speech to convince the villagers to leave Carvahall, the way he insists on going through the boar's eye, his ploy to scare the empire away from their camp at Aroughs solely with feigned overconfidence. This man contemplates every possible way to murder Nasuada's guards while waiting to see her and believes they must be thinking the same about him, like no babe, it's just you, no one else is this melodramatic and feral

[thedoroftheo]

HOLD THE FUCK UP, THE ERAGON FANDOM IS ALIVE ON HERE?? LOOOOORD I AM HOOOOOOOME!!!

[insanity-all-the-time]

inheritance cycle nation will you pls give me your fic recommendations 🙏🙏

[cbarc]

some roran doodles

[modern-inheritance]

Okay, everyone? We need to have a serious talk.

There's a new rule.

Never, ever...Introduce Odysseus of Ithaca...to Roran Stronghammer. Alright? We good? We don't...we don't need a combination of that energy. We need them to understand they got back to their lady and...and that they did some great and terrible things...but we do not need them getting together at some point to talk about it.

Just...let them both take a nap.

[im-surviving-off-of-tea11]

roran and eragon comparing bruises makes me so unreasonably happy. your honor they are but brothers

[good-morzan-inheritance-cycle]

Facing some eldrich horror

Eragon: that doesn’t seem like a good idea… maybe I should think this one through and come back to it.

Roran: If it can bleed… IŤ CÅŇ ÐÌE

[mattizard]

Eragon alignment charts just because

[rainwalker-dragonblade29]

Atra esterní Ono thelduin!

Dropping in to share a heartwrenching Eragon headcanon.... how Brom found ways to bond with his Son, and Eragon's early years in Carvahall.

Say, when eragon was a baby, Selena had just left Carvahall after telling brom about his son. Dear old Brom is so happy but sooo sad that he can't keep Eragon with himself, and it is bittersweet to know he will have to watch from afar because he can't ever tell Eragon the truth of his lineage...

And because Eragon is so widdle right now Garrow or his wife Marian won't take him out of home until he is a bit older... Brom takes flowers to Eragon just with the excuse to see him. He told Garrow and Marian that he's new in town and he's been hearing everywhere that a beautiful new baby has been born in Garrow's family and he is a sentimental storyteller who felt tempted to come congratulate. And that day, just a few days after Eragon's birth, his father finally sees him. It makes him very emotional, because baby eragon is very cute. And all he can manage to say "he puts stars to shame with that face and a name made for glory!"

Garrow and Marian are astonished to see him cry and he has to make up an excuse that he lost his own son long ago.

"I don't know if this is how all storytellers are, but no man should be this lily livered" Garrow whispers.

"Oh, but he lost his own child, imagine how you'd feel if we lost our Roran..." Marian retorts.

The couple pity him for it, and Marian says, "you can visit him whenever you desire friend." Garrow doesn't have a very high opinion of the storyteller but he seems kind says he'll allow it on occasion. Brom thinks they will feel like he's intruding if he came anytime he wished to be with Eragon which was all the time and they might see him as a bothering fly, and be suspicious of him so accepts their favour knowing he can't exploit their allowance.

So mostly he would scry Eragon when he was alone, or take an occasional hike up the hill once a month with the reason of "keeping his old legs still working young" to come say hi to Eragon, but sparingly.

When harvest time usually came, before Selena left Eragon there, only Garrow would do the harvest, and Marian would care for lil Roran... but when harvest came sometime before eragon turned a year old, there was to be some wedding in the village and Marian had promised to help the other ladies prepare. So she had no option but to take Eragon and Roran with her, and she's finding the kids hard to manage as her attention is very much split between her work with the food and to whomever who is just a little free to watch the two boys for a few minutes, with eragon crying loudly and Roran running about nobody has peace.

Brom came amidst all this as the family of the bride to be married had asked him to marry them for he was fairly old and the reputation of a goodwilled man who came to their aid when they needed someone to read the vows. And he heard all the commotion happening in the back with Roran banging pots and pans and Eragon crying and he tells Marian he could take the kids to his little house and watch them till Marian is done. No one is sure how an old man could care for two children let alone a baby, but since everyone is tired of the clamor they are grateful that Brom takes them.

Roran finds two spoons in his house and he is again hitting them together and baby eragon cries so brom casts a spell so that only roran will hear the joyful noise of the spoons. He calms Eragon too with a soft glowing werelight that Eragon gets fascinated by and wants to hold the blue orb. And later that afternoon, he tells the boys stories till nightfall about Rider's city and dragons, with Eragon in his arms. Even roran listens to his exaggerated speeches.

When Marian comes to pick them up, Brom insists that she leave the kids with him every harvest time for he much enjoyed their company and even Roran behaved. That astonished her. And Eragon seemed happy too for he cried as soon as Marian took him from Brom's arms. So after that year she'd go leave them at his place during the harvest, or when the harvest was plentiful and Garrow needed a hand (much to hurt Garrow's pride for he was the "I can manage it alone" man) or she would tell Brom to come to their place to watch the kids. And some years went by in this fashion, when harvest time was the best month of the year.... and once Roran was 10 ish he'd help Garrow in the farm and Eragon was left at Brom's home and Eragon used to have much to tell Brom about Squirrels on the farm or curious things he looked at, and Brom would tell him more tales only to be met my half a dozen questions the moment he began. Once Eragon and Roran were old enough, he stopped using magic here and there around them.

He really cherished those early years, and it hurt to never tell Eragon the truth. And when eragon was 10 he was allowed to wander how he wished in town. Ever since forever Marian and Garrow would tell the kids never to go too far in the valley near the Spine and Eragon grew ever curious to what was so dangerous about them.

One day he wandered in there, trying to be brave and got lost in the Spine and nearly chased by a wolf. His family was worried sick, and Brom brought him homethat day to their relief. He had luckily scried him before and rushed to Eragon's aid as fast as he could.

Roran would tease him about it for some time. And Marian died sometime after that incident. But after that frightful experience, when Eragon was 13, he vowed to be braver and practiced archery and and before the winter he'd go hunt. Those who knew he ventured into the Spine were mostly afraid of the prospect. But Brom was proud of him. So very proud of his brave boy who grew up having his father and never knowing.

OH HOW I LOVE THIS SERIES!

[thearunadragon]

Okay, I’m sorry, but Oromis POISONING Eragon is so messed up that poor boy

Do Arya and Orik know about this

Because they should

Not even Islanzadí would ever thumbs-up that. She would be horrified.

Eragon, back in the Varden after Roran asked him what he was doing to his food: Checking it for poison

Roran: …where did you learn that?

Eragon: my teacher poisoned me until I figured it out

Nasuada, Arya, and Orik collectively: (spits out tea) WHAT?!

Don’t poison minors, y’all. Especially ones with CHRONIC PAIN AND SEIZURES??? OROMIS WTF

[soldier-lodbrok]

"With every end there is a new beginning."

Rough sketch of Gast, Aerith, Ifalna, Roran and Glenn in the Threads of Fate / Fatechanger AU by @holyguardian and me

[alagaesia-headcanons]

I love that Nasuada's major flaw is the same as one of Galbatorix's greatest flaws, and that it gets worse and more ingrained throughout the series. And it's so compelling because it's incredibly in character for her and there's every reason for the circumstances to perpetuate and exacerbate it, but that doesn't make her flaw any less egregious. The scene where Galbatorix compares the two of them is so fascinating because his intention is very manipulative and malicious, yet the statement itself isn't entirely untrue.

Because Nasuada treats people like tools. She considers a person's utility more important than anything else, including their personhood.

And it's such an engrossing flaw because of course Nasuada treats people like tools! She is proud and powerful and stubborn and noble and utterly committed to achieving what she has set out to do, by whatever means necessary. She will use whatever she has at her disposal to reach her goal, and that includes using the people around her. Of course, this doesn't make Nasuada inherently immoral; she cares deeply about justice and protecting her people. But her views on the individuals around her are impersonal and self serving.

And the goal she's trying to achieve is to win the war. Nasuada would never be pushed out of her ways by the circumstances because they work, the way she treats people accomplishes exactly what she intends. By its nature, the bloody act of war rewards using people like tools. It demands that, even; to a certain extent, it's an ugly necessity in war, but the thing is that Nasuada doesn't see it that way. She never struggles with or grieves over the need to consider people's individuality as secondary to their function. It comes naturally to her, and it lasts through the end of the books, when the war is already over.

Because I think the most flagrant example of this is at the very end, when Birgit intercepts Roran as he's leaving, presumably intending to kill him, and Nasuada says, "He has proved himself a fine and valuable warrior on more than one occasion, and I would be most displeased to lose him." It's such a wonderful, pointed line that perfectly sums up this aspect of her character. Because what a disgusting thing to say. Especially for the queen of all Alagaesia, perfectly positioned and empowered to stop this confrontation and declare it unjust if she cared to. But her words make no attempt at all to defend Roran as a person, only his value to her.

The way she uses others I find most evident in her treatment of Roran, Murtagh, and Elva. The way she tells Eragon that she thinks of giving Katrina a dowry as a "purchase" of Roran's goodwill and loyalty. In Uru'baen, only at great length, she makes the conscious choice to ignore Murtagh's past and only judge who he is in the present, but disregards any care for what that might say about him as a person, solely focused on if he could be useful as an ally. And when Eragon offers to revert Elva's curse, the one that condemned an infant to feel every piece of pain and suffering surrounding her, Nasuada is so fixated on Elva's utility and value to Nasuada's goals that she goes so far as to ask Eragon to fake his effort to cure her. She sees people as tools to such an extent that she can't recognize that relieving an innocent baby of unimaginable, cursed agony should come before her own priorities.

[fansandtheic]

Raven's Story

"I read Eragon when it first came out, and have loved it since. When I had to stay in the hospital in 2014, I reread the series. it had such an impact, particularly Eragon's struggle with his back injury. Now, I'm staying in the hospital with my dad after a nearly fatal motorcycle accident. I'm rereading the series yet again, and again I owe at least part of my sanity to it. Although I've reread the series in less tumultuous periods in my life, there's just something about how personally Eragon's struggles impact me when I feel like I have no more strength of my own. Roran's determination to make a life that's safer for his family never resonated with me before, but this is the first I'm reading the series as a wife, and hopefully someday soon, a mother. This series has such depth that I find new meaning in it every time I read it. Even more importantly, I find new inspiration. Angela is always my favorite character, though, that hasn't changed from my first venture in 6th grade to my current reread as a 30 year old."

~ Raven

[insanity-all-the-time]

i ALWAYS want more details

one of the things i love so much about The inheritance cycle is the DETAILS, i can dig so DEEP. i want to be able to read your books and just sit here thinking about them. i love thinking about history and learning all the words in the ancient language, ITS SO FUN. one of my favorite things is when i figured out a bit of the grammar structure of the ancient language, (the adjective is after the noun ie. Du Vrangr Gata is wrong it actually should be Du Vrangr Gata, the path wandering)

i know i'm a nerd for this but that just mean im paolinis exact target audience