#[ 1/??? starters for you ]

[opikiquu]

(disappears for a month and reappears with a slightly obscure hyperfixation) Hey guys

[ann-chovi]

Hisuian Typhlosion shares a fun similarity with Harpy Eagles! Can you guess what it is???

....They look absolutely SILLY when viewed face-on. :'D

[themyscirah]

What runs/stories do you recommend for someone starting WW? Could you please be specific (/nicely)

Yeah ofc!

My Wonder Woman Starter Recs (specific style 😎)

First stops: for an initial introduction to Wonder Woman, I'd generally recommend going to at least one of three places first. These three are:

Wonder Woman: Historia: The Amazons by Kelly Sue DeConnick

Wonder Woman: Year One by Greg Rucka

Wonder Woman: the Hiketeia by Greg Rucka

Of these I generally recommend reading Historia first, as it's a retelling of the origin of the Amazons as a race and how Diana came to be (so it essentially starts from the beginning) and is also the most recent of the them (if that means anything). Something to note about Historia though is that it's a DC Black Label book, so it's events aren't strictly canon in the main DCU and there are some changes and new elements present. I don't think this is something that should discourage anyone from reading it though, it's the best WW origin story out there, and even in strict main canon over the years her origin is one that has had many fluctuations and small (& sometimes big) changes. WW:Historia is three prestige format (longer) issues.

You'll notice the third book there is WW: The Hiketeia. Hiketeia is a great book if you're looking for a view into Diana as a professional and experienced hero. It's a graphic novel so standalone and not too long, and has a great Diana and really interesting plot (Diana vows to protect a young woman and finds herself pressed against the wheels of Greek Tragedy). This is also the first work with Diana done by Greg Rucka, one of her most prolific and loved writers. A sampling of this work (and also Historia) I think gives a good guide to where to go next in terms of runs on her main title.

Wonder Woman: Year One is the second book on the list up there, but I'm mentioning it last here as it's a bit more complicated in terms of format. Unlike other year one books, WW: Year One is actually a series of issues on her main title, showcasing Diana's arrival to man's world in Rebirth (and also current p sure) continuity. The issue numbering for this one is strange (only the even issues 2-14 on WW (2016)) so I recommend looking for this in trade form if possible.

These 3 books I think give a taste of some of the best standalone stuff in the Wonder Woman mythos, and give the reader a good idea of where they may want to go next in terms of longer runs on the title. So I'll break that down here as a Step 2.

STEP 2: WHERE NEXT?

Here I break down some highly recommended runs based on what they have in common with the standalone books from step 1. As a rule, these runs are going to be much longer than the above and generally more connected to the wider DCU and other books. Look for the italics to see the introduction to each new work. Explanation paragraphs follow after each italic/bold rec.

Curious about Greek mythology in WW and the Amazons' origins after reading Historia? Liked the prescence of a supporting cast and Diana learning about Man's World from Year One? Willing to read a longer run? I recommend: Wonder Woman by George Pérez

George Pérez's time on Wonder Woman totally reinvented the character after Crisis on Infinite Earths, and is fundamental in establishing many core concepts of her lore. At 62 issues, 2 annuals, and a 4-issue crossover event at the end (War of the Gods), it's definitely a commitment to read, but it's the most enduring and well-loved run on Wonder Woman for a reason--it's just that damn good. Lots of focus on mythology (although with a lighter tone than Historia) alongside Diana learning her role in relation to Man's World & establishing herself as a hero and ambassador. Pérez's run also has almost-certainly the most expansive and developed supporting cast in WW comics, something that really drives the emotional core of the series, especially in later issues. Obligatory note that this series was written between 1987 and 1992 and contains some very occasional aspects that I thought were in some way dated/uncomfortable etc. while reading (details of Cheetah's origin, depiction of the Bana-Mighdall, Hercules) but despite that I still highly, highly recommend this run. The word fundamental cannot begin to describe it.

Liked the experienced Diana of the Hiketeia? Interested to see her attempt to balance the high stakes responsibilities of an ambassador and superhero? Looking for some really badass moments and fights? Haven't read enough terrible tragedy? I suggest: Wonder Woman by Greg Rucka 2003 EDITION.

Some of Diana's coolest moments of all time are collected here. Also one of her most controversial. The 1st Rucka run is very much the story for anyone who liked the Diana of the Hiketeia and the tragedy of that and Historia. 2003 Rucka Diana is a Diana tested, forced to make decisions that are anything but easy, and live with the consequences. She's extraordinarily capable, but her enemies know that and are prepared to that end. This run, along with the Pérez run, rank among my favorite Wondy comics of all time (those and Historia are my top 3). This run is such peak Diana, especially in terms of sheer badassery. Her final confrontation with Medusa is in my opinion perhaps the greatest Wonder Woman fight scene of all time. Her encounter with Athena in the second-to-last issue breaks me every time. Cannot recommend this book more.

*a note abt this run is that it is more context-dependent than the other ones listed here, as it's the run that finishes out the Wonder Woman vol. 2 book and so has some guest appearances from characters introduced in other prior runs (Artemis of Bana-Mighdall, Cassie Sandsmark, and Vanessa Kapatelis, to name a few). I read this run before knowing much (if anything) about any of them, and still enjoyed it a lot, so I wouldn't be worried about this really but just thought I'd mention it.

Rucka's 2003 run is published from Wonder Woman (1987) #195-226. You can also find it in trade and I believe(?) omnibus. Sometimes the Hiketeia is included in collections of this series, as the 03 run is thematically similar in many places, just with a much deeper look at Diana and the world & with higher stakes.

Liked the specific characters and plot threads of Wonder Woman: Year One? Want to see what happens with Diana's exile, or learn more about Barbara Ann? Want a Diana in between the extremes of young and highly experienced? Wonder Woman by Greg Rucka 2016 EDITION may be for you.

...yes I'm putting ANOTHER Rucka book on here. He writes a great Diana, what can I say. This run is the same one that Year One came out of, just the follow ups to that story and versions of the characters. I have this run listed as separate from Year One though, as there's some really big time skips since the events of that first volume. A lot of time has passed since then, and there's more history between the characters, not all of it without drama. This run continues to be weird with the numbering, as well as some artist changes, so I definitely recommend looking into reading this in trade format (physical or digital) if at all possible. My recommended reading order is WW 2016 by Rucka vol. 2 "The Lies" (Wonder Woman: Rebirth Special #1, followed by 2016 main title odd numbered issues 1-11), then Rucka 16 vol. 3 "The Truth" (odds 13-23) then Godwatch (evens 16 through 24) followed by 25? But The Truth and Godwatch combine near the end so that doesn't really work either. This run is so good but recommending it is such a pain because the numbering is so all over the place. On God I never know which order to read this in. Going to revoke my previous statement and say read it as Rebirth Special 1, then only odds 1 through 11, then from 13 through 25 normally. That may lead to some weirdness as you read because the two stories take place at different times and have different art styles, but they come together at the end pretty dramatically so I think it's less confusing to read it this way? Maybe? So strange bc this is one of the go to good starter runs and yet it's set up so unintuitively. If someone has a better way to read this then let me know and ill edit, ik this explanation is super confusing bc neither way to read it is totally ideal imo and I feel I definitely read it in a weird order.

Going to call that a good rundown of some of my greatest recommendations in terms of Wonder Woman comics. If anything wasn't fully clear here or anyone (not just anon) has questions or wants to talk abt WW comics/my choices feel free to send as many asks or dms as you want. Have a good day everybody, & as Diana says, may the glory of Gaea be with you <3

[fisheito]

Hi i love how you draw Eddie and his Big Boots. Stompstompstomp what’s that sound?? Its a beautiful knight approaching. And hes here to call you a whore

*points at him* TAKES ONE TO KNOW ONE!!! HAH [promptly stepped on by Big Boots] i will now take this opportunity to explore a silly little thing that happens when i draw eddie (and yaku+oli).

when eddie's alone, i'll default to some curvaceous b(oot)eauty like

vs. when yakumo's alone: i try to at least keep his broad shoulders from in-game

but if i put them together ? a chemical reaction happens and they start to morph

when you add OLIVINE, they morph even MORE

if i leave them together long enough, they eventually become:

[zeravmeta]

seeing a bunch of yugitubers finally white knuckling teeth clenching admitting that links were actively detrimental for the game and that pendulums were not the core issue is so satisfying, actually

[ladyintree]

@warpainte  [...] everything was supposed to go back to ‘normal’ now.     she won the election against the odds,  the blackmailer was dead and no longer threatening to dig up their past,    mikayla was out of town and no longer taunting tai with their a history that no longer felt like history,    and tai assumed with all the stresses put to rest,   that she was finally done sleepwalking again,   and she could brush it all off as a fluke.    it was just the stress of the election,  the blackmail,   the blast from the past,   nothing more,   nothing real to worry herself with.   the rest was supposed to be simple   —    there was no reason for her family not to return to her now,   so that tai could finally repair that piece of her life as if it were that simple,   not taking into account that simone had her reasons for staying away — even before what exposed what tai herself was not aware of happening in their own basement.

simone’s warning forced tai to face what she had been avoiding  —   that this wasn’t just as simple as sleepwalking over temporary chaos,   it wasn’t as simple as accidentally letting their dog out,   it wasn’t as simple as a waiting it out until it was all over,  for her family to return to her as if nothing happened,   like taissa wasn’t struggling and hadn’t betrayed them.     something darker was going on here,   something taissa has told herself for 25 years now that she didn’t ever believe in —-  so why is it here,    and what does it mean?    sammy’s doll,    a picture-perfect image of her son,    along with their pet dog,   topped off with a symbol that used to make her angry,   horrify her,   and give her some strange sense of hope all at once.   in some way,   she does know what it all means:    it means that she was right to tell her family to leave,   and it means that simone was right to want to keep sammy away,   and worst of all,   it means simone is right about tai being sick.   she’s not ready to face that,   not ready to face her. 

is this what you wanted?    the words play on repeat in her head,   only from a dream,   but when she looked at simone in that hospital bed,   it’s all she can think about.   simone had done nothing but support her over the years,   but the idea of her trying to get tai help made her feel trapped,   completely out of control of her own life,   and tai refused to listen,   only making it so much worse in the process.   she was fine before simone exposed the altar in the basement,   she was convincing herself she was thriving,   that she was finally back on track —-  but now,   ever since seeing it for herself,   she’s only spiraled more,   to the point where she’s barely standing on her own anymore,   barely conscious,   and making no commitment to wait here with her wife.

she doesn’t remember how she got here.   that should terrify her,   because it means she’s only losing more control,    but for a moment,   she’s not thinking about that.   she’s never been here before,   but she knows exactly where she is —-   standing in front of mikayla’s home,   moments away from knocking and facing her again after she’d said goodbye just a few days ago,   assuming it was forever.   it’s finally starting to hit her what she’s really doing:    she’s almost ready to admit that she needs help,   but not from the person who’s been offering it,   trying so hard to give it to her even when tai doesn’t deserve the support from her.   no,   she came here because she’s always been drawn to her,   the person who has helped her before,   even when she didn’t know how,   because she wasn’t trying to give her help in ways that tai found so debilitating.   she helped her because she understood her —-  which is something tai has never given her wife the opportunity to do,   because the way she’s presented herself since rescue has always been so calculated,   so much so that even she could convince herself that was who she really was.   being around mikayla again only reminded her that it wasn’t,   that she was always going to be the person she was out in that wilderness with her —-   so now she's here,   despite no real welcome,   despite no preparation,   despite no reason for mikayla to actually give her the time of day,   but with as much as she’s lost even after assuming her life was finally settled,   this is the only place that feels right to be.    

the person on mikayla’s doorstep is not the same woman she almost kissed nights ago.   while her confidence was already faltering that night,  it’s nothing compared to this —-   bags under her bloodshot eyes,   shoulders slumped,  hair a mess,  clothes disheveled.   the state senator elect is certainly a sight to see like this,   but one that mikayla will likely be able to understand all too well:    it’s the same sleep deprived,  panicked,  barely coherent girl she used chase through the wilderness many years ago.   tai isn’t considering what it will be like for mikayla to see her like this,   she’s not considering the fact that reaching out to her like this is entirely unfair given her refusal to do the same for all those years mikayla was in prison,   and she’s definitely not considering the fact that it could be her wife who answers the door instead.    all she’s thinking about is that she needs mikayla desousa.    it’s selfish,  inconsiderate,  but maybe brave,  too —  because as she reaches her hand up to knock on the door,   she suddenly freezes.   instead of knocking,   her hand moves back to her hair,   attempting to tame the curls before smoothing her sweater in front of her.   she clears her throat,   trying to recall the last time she brushed or teeth or changed her clothes — everything before getting off that train is a blur to her now,   and she realizes she’s entirely unprepared for this,   but it’s far too late to turn back now.   

she takes a deep breath, but her usual attempt to collect herself before a confrontation fails. she realizes now that there's nothing that can properly prepare her for this conversation, she can only hope that mikayla will understand without forcing it out of her — or worse, slamming the door in her face. she shrugs it off, because she led herself here for a reason, leaving behind the people she should have been catering to instead; it can't be for nothing. finally, she knocks on the door, the tired eyes lifting into something that's almost a hopeful smile as she waits for her.

the door opens, and her legs suddenly feel wobbly, her hand quickly reaching for the door frame just to hold herself steady. but her features contradict the rest of her exhausted body language, and she starts to smile upon seeing her, as if that's going to distract her from everything else that's wrong with her ( everything mikayla knows so intimately, even years later. ) tai makes no effort to try to explain herself, no attempt to make this any less weird than it is. all she does is give her a small nod, her voice innocently muttering a simple, ❝  hi. ❞

[stevebuscemieyes]

The Strangers: Chapter 1

May 17, 2024

Dir. Renny Harlin

[thistransient]

It's that time again...

[johnbleepingzoidberg]

welcome to kalos bitches

[unladielike]

...So since reblogging asks hasn't really helped in instigating more interactions on my blog (because I guess people don't really enjoy continuing asks into threads anymore?), I'll be posting a brand new starter call! Anyways, you know the drill. Like this post for a starter and if you're a multimuse, please specify a muse. Oh, and alternatively, if there's a verse you specifically want to request from Vivian, do specify that too; otherwise, I will default to using a more modern, slice of life setting.

[alderaconsort]

@lightburnsyou liked for a starter !

HE SIGHS as he takes in the trashy holonet article , something about himself and padme . there's a picture added , one of himself and the senator out to one of their lunches . he can't read anakin's expression , unsure how the jedi is reacting to it , unsure why it's been brought up .

❝ if you're asking if this trash is true , i can assure you it is not . senator amidala and i are friends , nothing more . ❞

[fierykitten2]

I may actually need Pokémon Sleep. These are adorable

[your-local-uwu-artist]

sleepover~

had a lot of fun with this, I wanted to practice poses, character interaction, and composition: + I wanted to try out a softer color scheme ...well as soft as my endless love for super saturated colors allows

[mainfaggot]

starting beef in the group project whatsapp group because this bitch annoys me

[vagabondfromkanto]

@vindicta-reliquiae

Now that's a familiar face. Well, yeah, sure, it's her own damn face, but as used as Ryuko had grown to different versions of herself popping up from the depths of some multiverse, this one seemed even more familiar than usual. Like they had crossed paths before, some time, some place.

Narrowing her eyes a bit, just checking one last time to be sure, she couldn't help but smile.

"Well, I'll be damned. You still got that dragon tattoo of yours?" Why settle at a mere 'hello' when casual familiarity feels even better.

[kens-puku]

Y'all are gonna think I'm so weird.

But I'm running with this idea I've had for a while for my mcl ocs. Well, other than the actual other mcl ocs I've made.

It's part lazy, part bizarre.

Clones.

Yep, clones.

My MCL NG oc is a clone of the original Puku, but different. I haven't figured out the details yet, but it's like what I did with Pukun, Puku's male clone. It has the idea of a type of clone theory idea of nature vs nurture. The DNA and nature of the puku clones is the same, but the nurture is always a bit different depending on circumstances. Puku "prime" is the parent of all the clones made, but Puku "prime" had a different parentage and upbringing than the clones. Not to mention, the events of each mcl game has different outcomes for clone Puku.

This Puku has -teal- hair and is a zoomer, I guess. Raised by Puku "prime" and has the existential grappling of dealing with being a clone in general.

There's... still a lot of ironing out to do. Like... Where does Kentin fit into all this? How should I incorporate the family given to Puku 2.0 in New Generation?

Why am I giving this plot to an MCL OC!??

lol