#@the hero complex

[moringmark]

Hero Complex #1

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[bethanydelleman]

I was talking about a historical male author I dislike because I found his works misogynistic and the person said, "Oh, well I suppose you don't read Shakespeare either." and I was like, "Shakespeare? SHAKESPEARE?!?! Of course I read Shakespeare, that man loved women."

Shakespeare wrote a wide variety of fleshed out female characters. He wrote Damsels in Distress, Cross-dressing Girlbosses, and Complex Female Villains. He wrote a woman who refused to sell her virtue to save her family and then shamed her brother for suggesting it. He wrote Taming of the Shrew and it's opposite, All's Well that Ends Well, in which the wife hunts down and tames the husband. He wrote men who are good because they listen to, trust, and defend women. He wrote women of all kinds. He wrote women who drive the plot and women doomed by the narrative. He wrote women in love and women who pathetically follow a man who doesn't like them and women in hatred. He wrote sensible women and silly women and everything in between of all ages.

I wish modern authors could write women as well as he did.

[waltricia]

We have not spent nearly enough time talking about how Nicola Coughlan is the most beautiful kisser in the world.

And this kiss should have immediately ended the “it’s rushed” debate. Because if a woman kissed me like that, 100% I’m marrying her. Are you fucking kidding me? Colin’s subsequent unhinged behavior is completely justified.

I will not be taking any questions on this.

[attractthecrows]

let it also be said that I love the Mahariel + Lavellan worldstate. It's so haunted. You are Dalish, you are not a part of human culture, but by happenstance you're dragged into it and to the forefront of hell to save a world that hates and fears your people. You have no choice. You can never return to your home, to the familiar, to anything you've ever known. You will be an echo; Mahariel echoing Garahel, Lavellan echoing Mahariel. You're so proud of your Dalish heritage, but your identity doesn't matter at all. Doomed to be a martyr for a people that do not respect you and cannot understand you, while your clan mourns, lamenting that they cannot bury you, no life-tree to stand as your memory. You're a hero. You're already dead. You died the moment you left your clan.

[winonaparadise]

this is. not a joke. the house next to my apartment complex has installed a billboard into their backyard. it was showing off their local business and playing Viva La Vida so loud it echoed through the entire complex. they only stopped when i went out in my underwear and started screaming with my sick hoarse throat for them to turn it off or i was gonna start throwing fruit. i feel like a local folk hero but also like there should be laws in place to make it so you Can't Do That

[poorly-drawn-mdzs]

Bros before Ho(oh my god is that Hanguang-Jun?)

[First] Prev <–-> Next

[ai-demi]

I believe it was a divine intervention who wrote Will Solace on the narrative because how the fuck is he so interesting with so little screentime in the original series? This child who lost siblings and couldn’t even mourn them because he was dragged left and right to help, this child who became a talented and great healer at the ripe age of 12 and became a prodigy at 13, this child who kept absorbing pain and pushing down anger, this child who faced his trauma with a Trademarked Solace Smile and makes everyone feel safe besides himself, this child who had to be a dependable pillar, this child who saw death for so many times and had to accept it, this child, this child, this child whom everyone turns to at all times, this child who’s still only 16 and hasn’t properly been himself much because he has a duty that he loves and must uphold—helping and healing, something he deemed he could only do for others because he believed couldn’t do anything else. This child who got so scared when his best friend went missing, when his remaining siblings went missing, when he thought his father didn’t recognize him. This child who swallows his sadness. This child who was afraid of not being enough, who was afraid that people might leave him if he wasn’t—this child was afraid of people leaving him, because his own Dad did, his relationship with his Mom was not told much, the older siblings he loved left him by death, and he was nervous if Nico will leave him too. This child who feared losing the love of his life so he turned to his anger, his rage, his wrath—all pent up and went loose for a few minutes at Night herself and gave her a fucking hay fever. This child who had his own identity, who had and still has endless possibilities regarding who he is, his powers, and feelings yet reduced to just being a silly, goofy, perfect boyfriend healer of Nico di Angelo who never had a bad day and is stable—and some people loathe him for being “Nico’s Boyfriend” as if it’s his fault. This child is William Andrew Solace and I believe none of us has truly met him fully.

[glader-heaven]

Seeing hate on the Percy Jackson series to me is SOOO funny.

‘There’s too much plot armour’ ‘the characters are so two dimensional’ my friends THEYRE BOOKS FOR 12 YEAR OLDS 😭😭😭 ‘they don’t follow Greek mythology at all’ they’re literally FICTION books why would they need to be accurate 😭😭 are we seriously expecting books about demigods and Olympus in manhattan to be 100% accurate to Greek mythology

They are silly fiction books for children of course they’re not complex. I think people forget that 😭😭

[ceilidho]

I love writing Simon with soft, weepy girls or girls with deep issues and complexes because I just feel in my heart that he has a soft spot for sad things in sticky situations.

[aceof-stars]

I'm so tired of hearing that Phoenix saved Miles without hearing about any of its implications.

Because Phoenix's savior complex is a major problem not a solution. Because Wrightworth is not about Phoenix saving Miles, it's about them saving each other. Because in Farewell My Turnabout, Miles Edgeworth said "We aren't some sort of heroes. We're only human." and he was right.

[kiashieart]

"It's okay. You can't always be the hero"

[moringmark]

Hero Complex #4 & 5

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[awzominator]

@traumas-tmntober-2024 day 25: Misplaced trust

2012 redraw BC KARAI IS SUCH AN ICON!!!!! I recently saw a clip of this scene and it was perfect what a response!

[bet-on-me-13]

Unknown, the Wandering Hero

So! We all know the typical Vivisection AU, right? Danny is revealed to his parents and they take it in all the wrong ways. They capture him, Vivisect him, and eventually he manages to escape with the help of his friends.

But what about his Rouges?

Sure, we all like to think of some of the more friendly ones like Ember, or Sydney, or Johnny 13 and Kitty, but he has WAY more Evil Rouges than good ones.

Without Danny there to reign them in, the Rouges spread out across the world to fulfill their obsessions, unhampered by the Heroes and Villains of the world that have no means to fight them.

And Danny? He feels responsible. He was the one to open the Gate, he was the Sacrifice, the one to let them through. And when the going got tough he just up and left? No, that won't do.

His Obsession is Protection for a reason, and nothing has changed. All he needs to do is expand his area of focus a little.

Danny, after healing up, starts wandering the world in search of the Ghosts who have escaped into the Mortal Realm. He battles all of his old foes, as well as many new ones who he hadn't met before.

His travels take him far and wide.

He defeats Skulker in Metropolis, as he is trying to hunt down the Super Family for their pelts. They are the last of their race after all, so he is inclined to try and hunt them. Honestly dealing with Skulker was easy, dealing with the Rich Asshole who was funding him was a nightmare.

He chases down Spectra in Gotham as she tries to feed on the misery of an entire City. (Thanks to @impyssadobsessions for the idea, this Prompt specifically). She is actually a very tough fight, especially powered by both the Misery of an Entire City as well as his Own Misery, but he manages.

He defeats Technus is Central City, as he tries to Raid Star Labs for their advanced Tech. It actually took a while to beat him after he amped himself with all that Power, and he did need help from the Local Hero to deal with him. He's just thankful Technus is one of the more "Harmless" ones.

After every Victory, he sends them back to the Realms using the Banishing Spell that Sam taught him a while back (the only bit of magic he ever really managed to master).

He knows they'll eventually find their way back out, but it's all he can do anymore. It's his eternal Punishment for unleashing them out into the World in the first place. He was the Catalyst for this Situation, now he was tasked with Fixing it, no matter how long it took.

...

The Justice League is caught in a tricky situation a the moment.

In the past few months, they have been encountering more and more of these Extra Dimensional Beings known as Realms Ghosts across the World.

Justice League Dark has had some success in battling them, but even they are getting tired of having to deal with every single incident alone.

They did get approached by a Government Agency known as the Ghostly Investigation Ward that seemed to want to help, but it didn't take long to realize that their main Aim was to Genocide the entire Race. The JLA had quickly cut ties after realizing that, and took what little Tech and Information they had been able to gather.

Still, it wasn't easy to deal with these Entities.

Thankfully, they have had some outside help. An Unknown Being has been routinely showing up whenever a Realms Ghost appears and defeating them, before using a (as described by Constantine) "Rudimentary Banishing Spell held together by willpower and luck" to send them back to their home Dimension. There's honestly no way it should be functional, but he did make it work either way.

They don't know much about this Unknown, aside from the fact that he seems to be the only one able to consistently damage the Realms Ghosts. His Powerset leads them to belive he may be from the same Dimension, or at least drawing his power from the same Source, but as he actively avoids the League and takes every opportunity to not talk to them, they know they aren't getting any answers any time soon.

Over the past few months, they had affectionately started referring to him as Unknown, creative they know, because they could never get his Real Name. Sure, some of the Realms Ghosts seemed to recognize him, but they always called him stuff like "Whelp" and "Punk" and "Usurper", which were not very good names to use when referring to him. Although the last one was a bit concerning.

They had only managed to trade a few quick words with Unknown in the past few months, but it was enough to get the Gist of it. He was just doing his job, sending the Realms Ghosts back where they belonged. There was apparently a Tear in Reality letting them through, but he seemed hesitant to reveal what he knew about it.

After a few months of sparse interactions, they eventually managed to convince him to at least take an Emergency Communicator. Just in case. They even let him take it apart to look for any Tracking Devices, which earned them a small bit of trust. They took whatever wins they could.

Fortunately, it seemed he never did need it. In fact he was getting more and more efficient with every battle, defeating his foes in half the time it would have taken before.

Unfortunately, it didn't last forever. One day, the Communicator went off, a distorted voice quickly saying, "Need backup, some of them decide to Team Up" before cutting out.

They quickly rushed to his location, finding an active battlefield with no less that a dozen Ghosts battling Unknown. And he seemed to be on the ropes.

With their arrival, the combined force of the Justice League and Unknown eventually managed to defeat the Group of Ghosts. Justice League Dark volunteered to work on the Banishing Spells while the others cleaned up the damage from the Battle.

One of them approached Unknown to make sure he was ok, and froze.

During the battle, Unknown's Mask had been Torn off, and they could finally see the face of the Hero they had been working with for the past few months.

And he was a Child.

[dinarosie]

Re-Reading Harry Potter and the Goblet of Fire: Snape’s Moment of Unyielding Bravery

The scene I want to highlight in The Goblet of Fire is one that carries so much weight, and each time I re-read it, the gravity of the moment only increases. Imagine the setting: the hospital wing. It’s packed with people—Cornelius Fudge, Madam Pomfrey, Professor McGonagall, Bill and Molly Weasley, Hermione, Ron, and Harry. All eyes are on Snape as he steps forward, pulls up his sleeve, and reveals the Dark Mark burned into his skin.

“There,” said Snape harshly. “There. The Dark Mark. It is not as clear as it was an hour or so ago, when it burned black, but you can still see it. Every Death Eater had the sign burned into him by the Dark Lord. It was a means of distinguishing one another, and his means of summoning us to him. When he touched the Mark of any Death Eater, we were to Disapparate, and Apparate, instantly, at his side. This Mark has been growing clearer all year. Karkaroff’s too.

Let that sink in. Snape isn’t just showing a Mark; he’s exposing the deepest, darkest secret of his life. He’s standing in front of his students, his colleagues, and—let’s not forget—Cornelius Fudge, the Minister for Magic, and he’s admitting something most people would bury forever.

What makes this even more remarkable is that the choice to do this wasn’t something Dumbledore told him to make. This isn’t part of some grand plan discussed beforehand. Snape makes this decision on his own, in the moment, fully aware of how it will tarnish him in the eyes of others. Why?

Because Snape understands the stakes. Fudge’s denial of Voldemort’s return endangers the entire wizarding world. By exposing the Dark Mark on his arm, Snape hopes to convince Fudge to take Voldemort’s return seriously. His goal is clear: to push the Ministry into taking precautionary measures and preparing the wizarding community for the battle ahead.

And then there’s this haunting line:

“…We both knew he had returned. Karkaroff fears the Dark Lord’s vengeance. He betrayed too many of his fellow Death Eaters to be sure of a welcome back into the fold.”

What Snape doesn’t say, but what we understand, is that he knows he’s facing the exact same fate. When Snape goes back to Voldemort, he knows he’ll be met with pain, torture, and humiliation and even death. Where Karkaroff sees only a way out, Snape sees his duty—a stark contrast that underscores Snape’s resolve.

Here’s what makes this even more powerful: Snape is so determined to convince Fudge that he uses the suffering he knows awaits him as evidence. He stands there, knowing that returning to Voldemort will mean enduring unbearable torture, and he uses that as proof of Voldemort’s return. Snape essentially says, “I know what’s coming for me, and I’m still standing here to tell you the truth.”

Then we reach the next turning point in this scene:

“Severus,” said Dumbledore, turning to Snape, “you know what I must ask you to do. If you are ready . . . if you are prepared . . .”

Look at Dumbledore’s approach here. He’s cautious, almost hesitant. This is a sharp contrast to Half-Blood Prince, where Dumbledore gives Snape direct orders about killing him. Here, Dumbledore knows exactly what he’s asking of Snape: to return to Voldemort, to put himself in unimaginable danger.

And Snape’s response?

“I am.”

That’s it. Two words. No hesitation, no complaint. J.K. Rowling describes him as pale, his cold, dark eyes glittering strangely. Dumbledore, too, is described as watching Snape leave with a trace of apprehension on his face. Both of them know that Snape might not come back. Both of them know he’s walking into the lion’s den. And yet, Snape doesn’t waver.

This moment is a masterclass in bravery, but it also completely dismantles the argument that Snape’s good deeds are purely motivated by guilt over Lily or his promise to Dumbledore.

This scene also shows us that the promise Snape made to Dumbledore after Lily’s death wasn’t just about protecting Harry. It was about choosing a side. Snape made the decision to fight against Voldemort, no matter the cost. From that moment on, he dedicated himself to sabotaging the Dark Lord’s plans, enduring unspeakable pain and danger in the process.

And let’s not overlook this: Snape doesn’t just fight when Harry is in danger. He fights Voldemort at every opportunity because he knows it’s the right thing to do. He does it not because of guilt or obligation, but because his own moral compass demands it.

This scene in The Goblet of Fire encapsulates everything that makes Snape such a complex, fascinating character. It’s raw, vulnerable, and incredibly brave. Snape isn’t perfect—far from it—but this moment proves that he is so much more than the sum of his flaws. He’s a man who chooses to stand and fight, even when it means sacrificing everything.

[amoritasart]

Love the idea of Philip coming into the isles with the same I’M THE HERO mentality as Luz. He never grows out of this fantasy. Well at least one of them got to see it through!