#<- that's what i'm calling the au

[virdemption]

au ideas... they're fucked up

[a-person-on-the-internet]

Only Epic the Musical could have a solid 50% of the fandom say "ooh kinky" after watching a graphic torture scene.

I do not blame any of yall. I can see it.

But also. Damn.

[a-scary-lack-of-common-sense]

Me when I really want to draw fanart for a fandom because it looks so cool, but I haven't the slightest idea about any deeper lore than surface level plot and symbolism

[off-mozzarella]

(From the body swap AU)

Hii! I'm very happy to see that my body swap comic was so well received, so here's a little something as a thanks for all the support <3

I'm excited to keep sharing my drawings, I hope you like what I make!

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that��absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[nekrosmos]

First piece of 2025 and it's a mob boss Nikolai AU, inspired by both @panchulien and @on-a-lucky-tide (this fic and this fic respectively)

[kettlefire]

Maybe a Bit High (DpxDC)

Edit: A part 2, Bruce's side of things, is in the reblogs

Really, Danny shouldn't have been there. He had so many other things he should be doing. He wasn't even supposed to in Gotham!

Danny wished he could be safely tucked in bed right now. Or having another fight with his mom. Or dealing with another one of Sam and Tucker's squabbles.

Truly, anything was better than this. Then, being on the run, in a completely different state. Not recognizing anything anywhere and having to somehow find his dad somewhere in this city.

So yes, with Danny's luck, he had assumed the commotion by the docks had something to do with his search.

And of course, with Danny's luck, it had absolutely nothing to do with him.

Maybe things got a little out of hand. Really, Danny wasn't equipped to deal with a drug bust. His experience with crime tends to be of the ghostly nature.

Really, how do people even do these without getting a little bit high?

Was he even high? Could halfas get high? Was the powder he accidentally ingested the drugs? The one he got a giant mouthful of? Or was it the strange purplish liquid that coated like half his body?

Really, Danny wasn't in the frame of mind to try and figure all that out. It sounded more like a Jazz and Sam question.

God, Sam was going to be so bummed out for missing out on Danny's first trip. Not that Danny could even tell her what drugs these were...

Maybe he should go to a hospital?

Or maybe he should mess with this crane. Like, it looks fun! Wait, but people aren't supposed to use heavy machinery when high...

It's fine... probably. It's not like Danny was that high. Right?

Yea, he's fine. Besides, he's a halfa! He's like ninety percent sure he couldn't even get high. And Tucker would be so on board with his idea.

Hold on, the storage units look more fun. Danny couldn't help wanting to find out what was hiding behind all those walls.

Oh, but the sky looks so pretty from here! Even with the city lights and the light smog, Danny could make out the twinkling stars.

Maybe he should go for a fly. Even if he was high, technically, that would be fine, right? Flying is like walking for him. And it's not illegal to walk high! Just to be high...

Okay, okay, a flight it is. It'll atleast keep him away from civilians, and then he'll find his dad. Yes, Danny still needed to do that.

He couldn't lose his objective. He just needed to take a breather, and then track down his dad. Track him down somewhere in this large, bustling city.

It'll be fine, totally fine. Danny was totally not panicking. His current trip was truly not going downhill.

Was he forgetting to breathe? Wait, no, Danny was still Phantom. He didn't need to breathe, he's fine. It's fine...

Unless it wasn't. What if it was all in Danny's head? What if all this halfa stuff was all just a part of his really weird trip? What if he tries to fly and just ends up drowning in the river?

Okay, okay. Focus Danny, focus. He just needed to find his dad. That's it. His dad would know what to do. His dad could fix this.

Oh, and there he is! It was a little hard for Danny to focus his vision, but he knew the silhouette anywhere! It had to be his dad! Jack has such a distinct shadow!

Danny wasn't sure if he called out Dad or not. He also wasn't sure when he had decided to move. Did he fly or did he run?

It didn't matter. His dad knew, anyways. All Danny was focused on was the feeling of hugging his dad again...

And the strange armor his dad was wearing? It must have been something Jack rigged up to protect himself during these dire times...

But god, Danny couldn't tear his focus away from the texture of it under his fingers. Zeroing in on that alone.

It's fine. Even if he was high, Danny could just explain it to Jack. His dad would understand! Danny was just trying to be a good hero. It's not like he was doing drugs for fun!

Besides, being curled up on his dad's shoulders feels too good right now. Whatever that pointy thing on Jack's head was wasn't a big deal. It was something a little intangiblity could fix!

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[moongothic]

Crocodad AU where immidiately after having left Dragon and his baby boy Crocodile finds an 11 year old Robin. And while he's 100% only recruiting her so they can make a beeline for the Poneglyph and Pluton in Alabasta by the two of them... Crocodile accidentally sorta kinda adopts Robin.

At this point Robin's been running for her life from the Government for three years so her deep trust issues and fear of betrayal are starting to take root in her little heart. Like perhaps they haven't taken fully over yet, and being still a child I'm sure Robin might've still had that genuine hope that she could find a safe place to stay in. But I'm sure the though of "what'll he'll do with me once he gets what he wants?" would be nagging at her at the back of her mind. Meanwhile Crocodile's struggling between the pain and hurt he's already gone through and given him his trademark trust issues, as well as the aftermath of The Dragodile Divorce. But he also has his Fresh Paternal Instincts and probably misses his baby. So when given a small, scared child who is running for her life, being chased by the very same Government that'll want his son dead if they ever find out about him... Yeah that might fuck with your brain a little

You know this post was supposed to be just that first paragraph and just a few footnotes from the following two paragraphs. And then I kept on Having Thoughts. And I kept on writing them down. And oh no what happened when did this post get so long (Look I was going to either kept on writing my Additional Thoughts in the tags or I just put them in the actual fucking post)

Like considder this: based on this one SBS, we can kinda tell that if Crocodile was given a chance to raise a child, that child would be a spoiled little shit, right

So in this scenario, where Crocodile's looking after lil Robin, would he be kind of torn? Unsure how to feel about her?

Because on one hand, this strange child would have the potential to not only ruin his plans, strip him of his Shichibukai Privileges by outing him and his plans to the World Government, but also put his son in grave danger by extension (if she found out about him having been involved with the Revolutionaries and/or having a child). But on the other hand, his paternal instincts could make him want to spoil this poor little girl rotten. But only because he needs to (perhaps literally) buy her trust so she'll behave. No other reason, he doesn't feel sorry for her one bit, no sirree. (But maybe he did feel sorry for her, since his son could very well end up exactly like her. Poor little thing) (Which is why he needs to nuke Marijoa out of orbit as soon as possible, no matter the cost, and this child can't get in the way of Crocodile protecting his son) (But also this is a child. Like how bad could she be. Besides all he really needs to do to win her trust is be nice and make her feel safe, right?)

Of course, while I'm suggesting Crocodile could have some parental instincts, realistically, he hasn't actually spent any time being, you know, a father to a child (looking after his newborn for an unknown though short amount of time aside), so it's possible he wouldn't even know how to parent Robin even if he wanted to, would he? (Like taking care of a newborn and an 11 year old kid aren't the same either) So if he was kind of just emotionally flipflopping between No Trusting Ever and It's Just A Kid for God's Sake, Crocodile trying to be nice to Robin to make her feel safe and then telling himself to stop being so soft and vunerable... Yeah that would make for an absolute mess of a relationship. (Not to mention, let's be real, dude's a scary motherfucker too, and a bloody giant compared to itty bitty baby Robin. He could keep on accidentally scaring the shit out of Robin (who would be On Fucking Edge To Begin With) by just Being Himself. Like for example, can you fucking imagine if he caught Robin trying to cheer herself up with a little "dereshishishi" only to tell her to stop because "it was stupid"? 'Cause I can imagine him doing that, and boy howdy would that make Robin feel bad)

Or who knows, maybe Crocodile was just Born To Be A Dad, maybe he just Fucking Gets It. Like Crocodile is canonically pretty good at manipulating people to do what he wants them to do (see: how he played Vivi like a fiddle), so knowing Robin's position and understanding how she feels, maybe he COULD completely nail how she needed to be treated. Not being too familiar but still making her feel safe and happy, knowing exactly when to be stern and when to spoil her, etc. Dude just goes off and wins the Dad of the Year Award while being a deadbeat dad himself. The only thing Crocodile would have to worry about then would be making sure HE doesn't get too fond of her. And certainly that could never happen, he's so in-touch with his own feelings and so grounded, he's not a softie, get outta here. Or maybe he does but never realizes until it's too late and good luck backpedalling on those emotions now dumbass

Alright so, the reason I went on that whole rmble is just that like. I'm so interested in the relationship Robin and Crocodile already have in canon. I'm so facinated and curious about how the two feel about each other, considdering they did spend 4 whole years of their lives together as criminal business partners, though neither ever trusted the other. A partnership that was only ended because Robin betrayed Crocodile, out of her own trauma. (God, I want to see these two "reunite" so bad, I want to know how they feel about each other now after the timeskip and Robin joining the idiot in flipflops who foiled Croc's plans)

My question here is just that... if they had met 13 years earlier, would things have been different? Especially if Crocodad Real? Because as I mentioned in the begining, Robin would've been on the run for only 3 years by this point, as opposed to 16 years before running into Crocodile. Simultaneously, this would be before Crocodile went onto spend an entire decade all alone, slowly losing his marbles in his emotional solitude. They'd both be emotionally traumatized, yes, but would it have been as bad in this scenario? Like I did start this post kind of joking about Crocodile adopting Robin, and for clarity's sake I don't think they'd have like a father-daughter relationship nececarily. But it would be a strange relationship still, because we'd have two broken people, both struggling to trust anyone. One who had lost her mother and her only friends, leaving her all alone and afraid while running for her life. The other a father who had just given up his son whom he probably missed dearly. Both having these holes in their hearts from loss of family, holes that could not be filled with replacements. But could they find comfort in each other anyway, because they still as people occupy similar roles to their respective loved ones? If they both could just get over those trust issues?

Okay I've been going off on the Emotional Side Of Things for this AU Concept, THERE'S PLOT TOO

So if Crocodile did pick Robin up like 19 years ago, that should be before he set up base in Alabasta, long before he had built is homebase and financial empire etc.

Now the thing is, while we don't know when, where and how Crocodile learned about the Ancient Weapons, Pluton specifically and how the lead on it would be in Alabasta... Considdering Crocodile did once upon a time aim to become Pirate King, it would make perfect sense if he had learned about Poneglyphs during his past adventures, as he would have needed to get the Road Poneglyphs to find One Piece. And while the World Government did bury the truth about why Ohara had been burned down and why Robin had been given her bounty (remember, the WG claimed it was because she had sunken a fleet of battleships, which she had not, it was because she could read the Poneglyphs), considdering this is a Crocodad AU specifically, you could totally make an argument Crocodile could've learned about what actually happened to Ohara from Dragon and co. So, just to make this AU work, you could just assume Crocodile learned about the concept of the Ancient Weapons from Dragon. And who knows, maybe he overheard the truth about why Robin had been given her bounty from Dragon too (maybe Dragon was able to get intel from Garp in secret) or while going to Marijoa himself to attend a Shichibukai meeting or something IDK.

Maybe he learned about Pluton being in Alabasta before finding Robin by accident, and maybe they made a beeline for Alabasta the second Croc recruited Robin. Travelling takes time and the guy would've most likely had to find an Eternal Pose to Alabasta just to get there (also canonically Robin didn't enter the Grand Line until her 20s so they should've met in West Blue probably, since that's where Ohara was) Or maybe Crocodile had to haul Robin around for a few months while looking for That Missing Piece of Information that would lead him to Alabasta. (Imagine the two travelling from like island to island, library to library, Crocodile trying to find that leads while Robin's just so excited about ALL THESE BOOKS (she's helping too with the research) (but to her, research is playtime, so she's just having the time of her life) (Also, notice how Crocodile's Theoretical Child is a fucking loser ass nerd? Yeah Crocodile would encourage Robin reading and studying, surely. And that would be fucking cute))

But like, once they set sail to Alabasta...

Sure, Crocodile could try to do it The Slow Way that we know he tried in canon, building trust and creating his little empire etc. But also, in canon, Crocodile couldn't have jumped into action head first because without Robin, even if he had found the Poneglyph he couldn't have read it and found the location of Pluton. Crocodile choosing to do it the slow way may have been partially because he didn't have much of a choise and it could've felt like the smarter move long-term.

But in this scenario, he already has Robin. Yes, he could do it the slow, secure way.

But what'd be there stopping him from infiltrating Cobra's palace and kidnapping him (in the night, when nobody suspects a thing), demanding Cobra to spill the beans lest Crocodile kills him and/or his pregnant wife* (*Vivi was born 10 months after Luffy so depending on how long it's been between Crocodad leaving Luffy behind and this scenario... Yeah either the wife is there, still pregnant, or there's a newborn Baby Vivi)

Like it'd be a risky move but depending on how ballsy Croc's feeling and how confident he feels in being able to kidnap the king without being noticed... Yeah he could probably do it. And I'm sure he'd have no problem killing Cobra either, if anything it'd be required if he didn't want the Government to find out he was out to find Pluton, and god knows Cobra would tell on Crocodile if left alive. I could see Crocodad being maybe a little iffy about killing Baby Vivi though (it's not like the newborn baby could report him to the WG anyways), but if nothing else, he just needs to be able to pull off the bluff of his life to convince Cobra to do as he's told. And we all know Crocodile's good at convincing people.

The only question is, how would Robin take that?

Watching Crocodile go into Full Murder Mode, hearing him say he'd kill a pregnant woman/a newborn baby if he didn't get what he wanted? Like yeah, I'm sure 11 year old Robin would be fine with that, that wouldn't make any alarm bells go off in her head at all, it'd be fiiiine. IT WOULD NOT BE FINE, SHE'D BE SCARED SHITLESS. That fear of "what will he do with me when he gets what he wants"? Well, Robin may not have found the answer to that question in particular, but she certainly found the answer to the opposite question, and it's not good

So say Cobra, kidnapped (perhaps with Baby Vivi) by Crocodile in the night, guides the two to the Poneglyph under the tombs. Crocodile puts Cobra out of his misery because he's not needed anymore. And he asks Robin to read the Poneglyph for him.

Robin, who has spent the last little while, be it weeks or months with Crocodile, him having become her "guardian", the thing keeping her safe. Crocodile, who has now shown how cold blooded and cruel he can be. Robin, who might be scared out of her mind. Of him.

And the Poneglyph says Pluton, the thing Crocodile wants, isn't there. It's in Wano.

What's she going to do?

EDIT: I wrote a sequel post, enjoy

[antimony-medusa]

Truly when you have brain rot EVERY song can be about your blorbos.

[hiding-under-the-willow]

So. I decided to doodle ghosts au etho to get his design down and I. uh. thought a little too hard about him

[userautumn]

#something something instead of being her replacement abby is the one who mentored maddie when she started working at dispatch.#they became friends outside of work which is how maddie and tommy meet. long after abby leaves los angeles maddie and tommy remain friends#maddie is there when tommy comes out. tommy is there when maddie gets kidnapped#(and personally gives howie his endorsement. he's a good guy and he thinks he's perfect for maddie)#but somehow his path doesn't really cross with buck until after everything with doug. maddie's in the hospital and tommys lingering outside#her room and sees this kid sitting on the hospital floor. he's shaking and crying and doesn't look like he's aware of either of those thing#he's all bloodied up and tommy *aches*. so he goes over and sits next to him. doesn't say anything. just sits and offers support to this#person who is technically a stranger but who *feels* familiar#and buck holds it together for five seconds more before he's leaning toward tommy and sobbing on his shoulder.#it's one of those intimate moments with strangers that are supposed to happen and then become a memory.#neither of them are supposed to see the other again and they don't think they will because they don't exchange names or anything.#but then there's a welcome home party for maddie and chimney at bobby and athena's house and tommy sees him across the room#and it's like magnets pulling them together. they're inseparable for the rest of their lives after that#tv: 911#otp: eye of the storm

can we please have more of this?????? i am on my hands and knees. i am begging. even if it's just bullet points. it's soooooooooooooo.

you asked so nicely, i will give you anything. <3

so. as i was saying. tommy sees buck across the room, and he doesn't... really know how to react. that memory of him, of them, sitting together feels like something precious. it's something he holds in the palms of his hands and looks at during nights when he's feeling fragile and alone and he doesn't really understand why. or. well. he kind of does. no one has ever... needed him for things like that. no one's ever really needed him at all, but no one's ever sought him out for comfort. no one's ever thought he was made of gentle things, that he could be a comforting presence.

so seeing this kid across the room feels... disarming. it also, irrationally, feels unfair. because tommy was so caught up in his feelings about the memory that he almost forgot it's a memory he shares with someone else.

someone who, apparently, can just show up in his life whenever they want.

he ducks away before the kid can see him. they're outside on the patio. he touches maddie's arm - gently, because he can't shake the sight of her in a hospital bed - and nods toward the house where the kid is still visible through the glass doors.

"who is that?"

her brow furrows. she follows his line of sight and the way her face breaks open into the softest, most loving smile tells him everything he needs to know.

"that's your brother," he says before she can.

"yeah." she turns toward him. "wait, have i never introduced you guys before?" tommy's eyes widen as she waves a hand. "buck, come here."

"oh." tommy is panicking. "oh, we don't... we don't really have to do that."

"hush, it's fine."

and that's all she's able to say before buck appears at her side. tommy clocks the moment he recognizes him. it happens the minute buck lays eyes on him. his face turns this beautiful shade of pink that has tommy's heart practically wrenching in his chest. he swallows, his hand tightening around his soda can.

"tommy, this is my little brother. buck, this is tommy." she looks between them. "it's kind of weird how you guys have never met before."

and all tommy can think of is the weight of this kid against his side. the smell of his cologne twining with the copper stench of blood. the protective arm tommy had curled around his shoulders as if daring the world to try to pop the bubble they'd built around themselves.

"yeah." tommy's laugh is thin, brittle. "weird."

buck recovers first and far faster than tommy himself. he holds out a hand. "evan."

tommy shakes his. "tommy."

maddie raises an eyebrow but before she can ask, her attention is being called away by someone or something else. evan nods his head toward the house, and tommy follows. it's quiet inside, everyone except the kids crammed out onto the cement and grass.

here in the kitchen, alone, it kind of feels like their bubble has made a return. it makes the atmosphere far too close, far too intimate for someone tommy's only shared a combined total of fifteen minutes with.

his breath catches in his chest when evan looks at him.

"so," evan says.

"so."

evan ducks his head. oh, he's shy. without the barrier of maddie's kidnapping looming over them, evan is awkward, and so damn sweet he could rot right through tommy's teeth. his heart twists again.

"yeah, so, listen, about the other day..."

"we don't have to talk about it, if you don't want to." evan looks up, eyes wide and surprised. did he think tommy was going to make him? "i mean it. we can just forget about it if you want."

"no. i-i mean, i don't... want. i mean." evan huffs in a way that's supposed to be a laugh but falls flat and circles around to uncomfortable, unsure. "it's - my captain, bobby, he's... he wasn't answering his phone that day. and he's... he's more than just my captain, he's like... he's kind of like my dad, i guess. and he wasn't answering his phone. eddie wasn't answering his phone. my sister almost died -" his tongue trips over the word even now "- and i... i needed somebody. and you were there." he looks up at tommy and meets his gaze head-on, and it's at that moment that tommy learns that evan is, was, and always will be braver than he will ever be. "so, thank you."

tommy's soda can has gone warm in his hand. he knocks back the rest of it, if only for want of something to do, and sets the empty can on the counter.

evan watches him throughout the entire thing.

"i don't - i mean - it was nothing. i was just... doing what anyone else would do."

evan turns his head, a little half-shake like it's an argument he wants to have but won't. together, they look out toward the patio. howie sits beside maddie, his arm thrown over her shoulder, her hand on his thigh. they treat each other so gently, like they're both fragile things that deserve to be cradled. it's beautiful. tommy wants that one day.

when he turns, evan is already looking at him.

evan nudges his shoulder with his knuckle. "well, thanks, is all i wanted to say."

tommy shakes his head before the words are even finished leaving his mouth. "you don't ever have to thank me for that." it scares him how much he means it. "but, thank you for..." for letting me hold you, for letting me take care of you, even if just for a moment. thank you for letting me be the type of person i've always tried to be. tommy clears his throat. "just thank you."

evan's mouth turns up into a tiny little smile. he changes his voice to mimic tommy's and says, "you don't ever have to thank me for that."

tommy laughs. oh this one's sweeter than pure sugar, isn't he?

they look back out over the party for only a moment before bobby peeks his head in.

"cake time," he says before he disappears back outside.

cake time it is, then.

tommy gestures for evan to go ahead of him and, halfway to the backdoor, evan turns to make sure he's still following him. how silly. of course tommy's still following him. he's starting to think that this is becoming a recurring theme in his life. evan will march somewhere, and tommy will follow close behind. he winks and gives him a small smile, one that evan returns before he turns around again.

the cake is half-chocolate, half-vanilla, quite literally split in two because maddie and howie are the same in all the ways that matter and vastly different in all the ways that don't. evan hovers at his back and takes a paper plate when tommy offers it. they stick to each other's sides like saran wrap until the evening blends from dusk to nightfall, barely speaking to one another but never straying far from each other's orbits.

it's the damndest thing. years later, tommy still won't be able to explain it. when asked, the only word he comes up with is magnetism, something fundamental and cosmic that always, always pulled them back to each other.

they're the last to leave at the end of the night.

tommy watches from the driveway while evan hugs bobby and his wife goodbye, and then they're alone. it's not awkward, it can't possibly be when they've shared so much yet so little. but it feels... weighted. warm. heavy and scary, like holding a ten pound weight while balancing at the edge of a cliff. one wrong move, and you fall, and fall, and fall...

evan leans against the side of his jeep and faces him. "well."

"well."

"it's getting late, i guess i better leave."

"i guess so."

neither of them move. in both of their hands are tupperware full of cake and enough food that tommy won't have to cook for at least two days. having his hands full is not conducive for what he wants to do. what he wants to do is lean in, breathe evan's air, drag his nose along the line of his neck, and jaw. press his lips to evan's to see if they really are as soft as they look. but. well. he can't kiss someone he's just met.

can he?

"listen." tommy finds his mouth moving without his own permission. "i work down at harbor. you should come by sometime, i would love to show you around."

evan's eyes brighten. "really?"

"yeah. maybe i can even take you up in the air."

"i - yeah. yes, that sounds awesome, i -" he softens. "i would love that."

tommy swallows. his heart hammers in his chest. he clears his throat. "so, ah. it's a... it's a date then?"

evan's cheeks flush that lovely pink again.

"yeah. yeah, i - i guess it is."

a beat passes. tommy really does have to go. his hands are cramping from holding his goodies and he's got work in the morning. but before he can say as much and take his leave, evan swoops in. he presses a quick, barely there kiss to his cheek and then steps back. his eyes are wide, like he's surprised by himself, but he looks giddy. mischievous. precious.

he nods his head back toward his jeep. "okay. i'm going to go now."

tommy nods. his face is on fire. "okay."

"okay. i - bye."

tommy's face softens into a smile. "bye, evan."

he steps back while evan wrestles with his car keys. evan all but tosses his goodies into the passenger seat and then waves goodbye. tommy watches as he backs out of the driveway, watches as evan waves again before he pulls off. and then tommy's left in the still silence of a los angeles night, a feeling in his gut like something is pulling, tugging, drawing him toward the brake lights at the end of the street.

something like magnetism, isn't it?

[ainnur]

For Bai He I think it make lot more sense if she be more close to SWK than Macaque because they share the same trauma that is getting possessed by LBD (and because I think Macaque would be shit parent figure). But what if she be close to SWK for also other reason? What if when she was possessed by LBD, she feel like she trapped in her own body and feel like only way to be free is to be killed.....

She need SWK to say yes so she can feel safe knowing there is way she can be free if LBD ever come back.....

(IDK if what I say makes sense or not and I'm sorry if I don't)

[funkyplantguy]

grian gets saved by hotguy and then pines over him <3

so this "au" (if you can even call it that when it exists exclusively in my brain and now in this ask) is mostly crack and comes from me joking around a couple days ago with some friends so...don't take it too seriously. that being said...

-

you have (3) new comments! view now?

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areeongreenday: hey! so this is insane.

click.

h0tguysnumber0n3fan: i guess i kind of understand where you're coming from with this - scar goodman and hotguy do share a similar sense of humor, and i sort of see what you're saying at 47:03 when you compared their voices (more specifically, the inflection they use on specific words) but...i guess i'm having a hard time imagining scar as a superhero. don't get me wrong - he's plenty cool, but...didn't he say that he's a full-time content creator now? i don't know that he'd really have the time to record, edit, and post videos on top of saving the city on a near-daily basis. interesting theory, though! admire the dedication.

click.

scargoodman: ;)

and there it was, taunting him - that damn winky face, yet again, commented nearly instantaneously each time grian uploaded a new video about the man itself. scar goodman - known to many as the man who had risen to sudden fame in the video essayist community with his charming good looks and boisterous personality. scar goodman, whom grian suspected was secretly none other than the city's beloved superhero. after all, they'd both made their debuts within a week of each other and shared not only a similar path of success but a similar sense of humor, a similar speaking style, a similar body type, a similar laugh...sure, there were things that didn't quite line up, but...for the most part, they appeared to be the exact same person.

okay - maybe grian was a little obsessed. but what was he supposed to do, not point out the obvious?

what made matters worse was that nobody seemed to believe him. no matter how many videos he posted, no matter how much proof he gave...nobody was willing to hear him out.

nobody except scar goodman himself, who seemed intent to drive him absolutely insane.

grian grumbled something to himself, pocketing his phone and continuing down the long, narrow sidewalk to his apartment complex. he'd lost track of time at work yet again, and as a result, the sun had long set. this wasn't unusual for him - he often opted to remain late in the office to "finish up a few things" (ie take advantage of the functional wifi his workplace offered instead of trying to upload videos on his crummy home network), so he was...fairly comfortable tracing the path back to his apartment in the dark of night. the street lights in this part of town didn't work exceptionally well, but with the familiarity of it all and the dull light of the moon, grian typically fared well enough.

tonight, however...well, call him paranoid, but...something felt...off. something about the way all the buildings around him were dark, indicating that their inhabitants were either asleep or out (and entirely unreachable if grian were to call for help). something about the absence of the various stray cats that he often crossed paths with. something about how the complete and utter silence made his ears ring.

"aw, what's this? a cute guy? well, pretty boy, you've just entered the wrong part of town at the wrong time. unfortunately, loose lips sink ships, or...uh...however the saying goes, so...sorry, i can't let you leave this visit alive."

before grian could even register the words being spoken (where were they even coming from?? above him? below him? behind him? everywhere, all at once?), he felt hands gripping the back of his shirt. in another moment, he was on the ground, his breath clawing its way out of his chest. above him stood a figure, shrouded in darkness and the billowing, starry cape draped across their shoulders. in their hands was something glinting, something sharp, something deadly -- something that grian's frazzled, spinning mind was unable to put a name to. or maybe it refused to - refused to name the tool that would be his doom. maybe it was better that way, he mused idly, as the figure raised it high above their head. maybe it was best to not know.

"hey! there you are - what did i say about running off?"

and just as quickly as he'd accepted his death, the threat of it was gone, vanquished by the appearance of the tall, costumed man on the rooftop adjacent. grian felt his breath return to his chest in one fell swoop, filling his lungs and sending a wave of sensitivity to his throat. he coughed, hard, tears welling helplessly in his eyes, and the newcomer's attention snapped to him in an instant.

"oh - and you've made a friend! how nice. unfortunately, there are no plus ones in prison."

"hotguy," grian's would-be murderer snarled. "i thought i'd lost you."

"nah. i may have gotten lost, sure. but you didn't lose me. there's a difference."

"you'll wish that i'd lost you when i'm through with you."

"oh, that was lame!" the man cried, hopping over the low rooftop wall and landing neatly on the ground below (how he did it, even grian wasn't sure. by all intents and purposes, his legs shouldn't have that level of shock absorption, even if he had been fed some chemical cocktail by a mad scientist at a young age as he boasted). "listen - we've got to get you a better catchphrase."

hotguy strode forward, his eyes glinting behind his tinted visor. he glanced to grian out of the corner of his eye, then back to the villain - then back to grian again, his mouth going slack in surprise. grian met his gaze - took in his appearance - and let out a bark of laughter, one not missed by either scar goodman or the cloaked figure in front of him. scar returned his laughter, throwing his head back and planting his hands firmly on his hips.

"well, what a coincidence," he giggled, after a moment. "my new catchphrase just so happens to be "subscribe to my youtube channel."

"what?" their third demanded, glancing between the two. "what are you talking about?"

"oh my god. there's no way. there's no way. how - how am i the only one who knows? how am i the only one who suspects?? it's obvious - it's so obvious."

"what's obvious?"

"i know, right? i make it as obvious as possible, and still...still, nobody puts two and two together. well...nobody except for you, apparently. i guess that you're just...special."

"why don't you just come out and say it?" grian mused, propping himself up on his elbows and ignoring the sputtering from their newly acquired third wheel. "i feel like if you said it - either as scar goodman or hotguy - people would have to believe it, no?"

a strange look came over hotguy's face, but it vanished as quickly as it had arrived.

"ah...i don't think that would change anything. plus, i have this thing with this cute guy where he tries to tell everyone my identity and i egg him on to get him to make more silly videos. i would hate to give that up."

he winked, and grian felt warmth climb his cheeks. gone was the fear, gone was the panic, gone was the darkness and the creeping, crawling sense of unease - instead, there was only curiosity, burning brightly in his chest. he wanted to talk to scar - hotguy - for hours, wanted to pull the object of his obsession apart to see what made him tick, then put him back together again, just to see what would happen. he wanted to get to know who hotguy was underneath the suit - and who scar goodman was with the suit. he'd wanted (he'd wanted for so long) and it felt like maybe...just maybe...he'd get to have.

"hey! what the hell is going on?"

"oh, right," hotguy chuckled, turning his attention to the third member of their party. "sorry - didn't mean to ignore you. here - sit tight, for real this time. the police will be here soon."

"dude, i'm just going to leave again. do you really not have handcuffs or something?"

"who needs handcuffs when you have a cub to design fancy gadgets for you?"

"a...a what?" the figure asked, then yelped, startled, as something exploded out of the cuff on hotguy's wrist. a net, affixing itself neatly to their body, wrapping them up in a cocoon of their own folly. grian stared at it, humming in approval.

"nice."

"thank you! it's new."

"i know."

"i bet you do," scar responded, and grian flushed further at the teasing edge his tone took on. "i bet you know almost everything about me, at this point. obsessed, much?"

"i could say the same," grian huffed back, pulling himself to his feet and brushing off his jeans (there was a rip in one leg, now, he noticed with a frown). "you recognized me, like, immediately. it's pretty dark out, too - sounds like you're the one obsessed."

"what can i say - you're pretty and smart. i happen to like my men pretty and smart."

grian sputtered incoherently in response, all confidence gone out the window. oh god - he was even more charismatic in person, even in costume. and god, was the costume more attractive in person, as well - baggy cargo pants and a tight, fitted top that exposed his tanned midriff. not the most tactical, sure - but damn was it hot.

"you can't say that," he moaned, covering his reddened cheeks with his hands. "oh my god. i hate you. i've known you for five minutes and i already hate you."

"sure you do," scar responded, grinning. "i - oh, hold on."

he raised his hand and tapped the earpiece affixed to the side of his head, concentrating. after a moment, he sighed - and for just a second, grian thought that his shoulders drooped in exhaustion. as quickly as they sagged, however, scar was straightening, turning back to grian with an easy smile.

"sorry, handsome, duty calls. are you alright to get back home on your own? i doubt this guy will be giving you any more trouble. those nets are pretty sturdy."

"wait!" grian sputtered, his heart hammering painfully in his chest (no, no, he couldn't let scar slip through his fingers, not now, not when he was finally so close). "don't go - i...can i see you again?"

scar's smile wobbled around the edges, and any panic grian felt was replaced with guilty - heavy and suffocating (though he wasn't sure why)

"ah...isn't it more fun, this way? don't you like the chase? isn't that exhilaration enough for your pretty little head?"

"i mean...it's a fun hobby, yeah, but -,"

"then we'll stick to the status quo. after all, i'd hate to rob you of your favorite hobby. goodnight, grian. can't wait for your next video."

and with a wink, he was gone, disappearing back into the shadows so quickly grian could have sworn he was made of them. and grian...well. he had an apartment to get home to, a cat to feed...and a chase to continue. and maybe, someday, if he was fast enough...he'd catch up.

[hellsquills]

Disclaimer: I know about the duffle bag Filbrick threw at him, but you can ignore that if you want

My thoughts below the cut! (this turned into a whole ass fic lmao)

My personal headcanon is that Filbrick is as much of a coward as he is of an asshole. Therefore, he wouldn't have kicked Stan when he did in canon. Probably not for a while after that.

However, he does try to send him to military school. He keeps talking about how this kid needs to learn discipline and respect, and if he's not gonna bring money to the house, then he should at least bring some honor to his family.

Stan obviously does NOT want to go. Not only because it's a pointless war ("what've the vietnamese done to us anyways?") but because he remembers his mother's face when Shermie got drafted and he will NOT make her go through that hell again. Also, he doesn't wanna die!!!! Hello?????

He talks it out over the phone with Ford, who's obviously just as against it as he is. He tells Stan that, if he gets into a PhD program, he could skip military. Stan laughs in his face. It'd be easier to jump off the plane without a parachute.

And so, he comes up with a plan. When he goes to take his physical, he tries his best to botch it. If he is bad enough, if it looks like he can't do it, maybe he won't have to. Unfortunately, the recruiters are far too used to this by now, and they don't buy it. Stan goes home with a recruitment letter hidden in his jacket.

Everything goes downhill after that. He runs away from home, changes his name several times, does some crime here and there... The military is after him, and it doesn't take rejection kindly.

Stan stays out of contact with his family for a few years. He can't risk getting them involved in this mess. They don't deserve it. So he just leaves, without saying a word, in the middle of the night. No phone calls, no notes, nothing. Not even he knows where he's going. But if it just looks like he abandoned them, maybe they'll hate him. That will make them sound more believable with the police. They aren't covering for him, because they genuinely have no idea where he is. It's the best way to keep them safe.

In that time, Ford doesn't stop looking for him. He finds him every once in a while, but only his phone number, and he knows that could give away his brother's location and get the family in trouble. So, against his deepest instincts, he doesn't call.

One, three, five, seven years pass. Stan has been around almost all the country, and is genuinely considering leaving it. Maybe going to Mexico, or Colombia. Those sound nice. Maybe they'll be nicer to him.

He's passing his time and thinking about this in a small town restaurant in wherever he's in (somewhere he's not banned from, yet), when a family enters. He doesn't make eye contact, but he can't help but stare at them: a man and a woman, probably in their 50s, with 7 kids; one must be older than him, the second one around his age, the third one a little younger, the fourth one a teenager, and the last three between 10 and 15, no more. Except for the last three, they're all taller than him, even the mother, and they have various degrees of blond hair. Their clothes (overalls and plastic boots) suggest they must work in one of the farms he's seen around the state. They don't wear any accessories, except for the glasses that the father and four of the kids have. They're talking loudly and laughing. They look exhausted from a morning of hard work. They seem happy. They... look nothing like his family, and yet, he can't help but think about it.

He can't help the sob that comes to his throat. It's loud and messy from trying to suppress it, which obviously makes it worse. He covers his mouth immediately, and at that point he notices the tears that have run down his cheeks. "Great", he thinks, "that will make it easier to hide, for sure".

He doesn't move. He wants to escape, but that will draw even more attention to him, and he hasn't even paid for the food yet (normally he'd leave without paying, but the old waitress was kind enough to give him some extra food when she saw how little he ordered). He settles for not moving, lowering his head and covering his face, hoping that no one heard (unlikely) or cared (very likely).

"Ya'lright, son?"

The voice startles him. I wasn't very deep, but it was close enough to send his body into immediate danger mode. He looks up at the man towering over him, who's standing in front of him at a prudential distance.

"Y-Yeah, yeah, no worries."

He hates how broken his voice sounds. He's spent more than enough time sweet-talking his way out of trouble, he should be better at this by now. The man looks about as convinced by it as he is himself.

" 'lright then. Can I help ya?"

Damn villagers and their welcoming demeanor. If he wasn't a wanted man, he would appreciate it. But right now, it couldn't be worse timing.

"Come get ya food, kids!" The waitress' yell yanks him out of his thoughts.

"No", he blurts out, and he turns to the man. Least he can do is show him some respect and look him in the eyes. "I'm fine, thank you."

The man smiles lightly and nods. "Okay. Welcome to the town."

Stan watches as the man goes back to his table. He wishes he had been more polite, the guy was just worrying about him, but he can't afford it. They already know his face, he can't risk anyone else recognizing him-

"Sweet Mother of God almighty."

Stan turns to his right. One of the kids, the one about his age, is looking at him like he just grew a second head. He's frozen in place, his eyes wide as plates behind thick glasses. He doesn't say a word, and it's getting increasingly unnerving. Was the bruising on his face still visible? Maybe it's more apparent in broad daylight than in the shitty light that last motel had in the bathroom.

"I'm sorry, I- Can I ask your name?"

The fuck?

"No", answers Stan. Considering how nice his dad was, this guy is pretty rude.

"Son, leave him alone." The mother seems to have manners too, good to know.

The guy does pretty much the opposite. He comes closer to him, until he's right in his path, blocking his exit. That can't be good. Stan feels trapped.

"Are you Stanley Pines?"

Well, that's about it.

Stan tries his best to stay still. This guy doesn't look like a cop, not even an undercover one. But he knows his real name, so maybe someone in his family or friends works in the police; or worse, in the military.

"Listen man, I don't know who you're talking about, but that isn't my name. See?" He reaches for his wallet. He pulls out an ID, with a very clear Jackson Cage on it. He makes a mental note to change it soon, just in case his hunch is right and this guy has connections. "Now, if you excuse me, I'd like to pay for my food and leave. Move."

Stan is already on his feet, but the guy hasn't moved. Stan looks him up and down, trying to appear threatening despite his face probably still being a little red from before. He also gauges how feasible it'd be to escape if things turned bad; the dude is taller than him, sure, but he's also as thin as a toothpick, and by the anxious look on his face, he doesn't seem eager for a fight. The real problem would be evading the restaurant's staff and the other costumers, which include eight carbon copies of the guy in front of him. Probably better to try to de-escalate the situation.

"I- I can't let you leave. Please. I know who you are."

This man is making it really difficult to believe he's not a cop.

"No, you don't. I'm new in town. Move."

"Listen, I-"

"Move out of my way."

"I know your brother."

The words are like a bullet between his eyebrows.

"You look just like him-"

Against his better judgement, he quickly grabs he guy and pins him to the wood in between the booth benches, arm to his throat. If he knows Ford, he knows too much. God he just wanted to have lunch.

The commotion is immediate. He doesn't break eye contact with the guy who's grabbing his arm, whose strength is frankly surprising. He can hear, however, the screams from the dad and the siblings, as well as a couple of gasps from the other costumers. This is not going to go well, but fuck that. He's escaped worse.

"Stop!", the guy shouts as he keeps Stan's forearm from blocking his airway. "Don't hurt him! Don't get closer!"

It takes Stan a second to process what he said. The first part, sure, who wouldn't shout 'stop' when you're being attacked? But the second half doesn't make sense. Is he protecting him? The attacker?

Whatever it is, it works. The family stops in their tracks, still very ready to attack if needed. Out of the corner of his eye, he can see the three younger kids moving closer to their mother. For a split second, he feels a pang of remorse for the scene he just caused.

"Hang up the phone, Clarisse, it's okay. Please."

Stan looks in the direction the guy was talking to. Right behind him, the waitress reluctantly puts the phone down.

He looks back at the guy. He looks a little shaken up, probably from the impact his back (and his head?) made with the wooden plank, but he doesn't look scared. He almost looks... sympathetic? Stan is confused as hell.

"I know who you are", the guy whispers, low enough for Stan to hear alone. "You're Stanley Pines, and you have a brother named Stanford. I know him, okay? He's my friend. I met him a few years ago in a quantum physics congress and we've been talking ever since. He told me about his family in New Jersey, and about you. About how he hasn't seen you in years, and how he was trying to find you, to no avail."

Stan is gradually loosening his grip on the guy's neck, who takes a deep breath. He should know better, but- shit, hearing that Ford was looking for him was not what he expected. Even if he doesn't know yet if this guy is lying out of his ass, it's enough to make him doubt.

"I know you were called to Vietnam. He told me. I spent a week with him in his place when he found out, he was unconsollable. When you ran away, he called me. He knew what it meant for you and he thought he'd never see you again, whether you got caught or not. All because of that stupid war." Stan is now trembling a little, he knows it. This guy must know it too, with how close they are. If he stays here any longer he'll break down, but he can't move. Anything to hear his brother's name a little longer. "I know what it's like. Three of my cousins were drafted last year, and I know at least one of them won't be coming back home. Please... let me help you."

Stan meets his eyes. They're green and brown-ish, not unlike the immense fields he's seen in his last journey, the one that led him to this town. With the years, he's learned not to trust beautiful eyes, because they are better at hiding. These ones, however, seem serene and honest, just like his words, and he can't help but believing them. This guy, whoever the fuck he is, knows just about enough.

Stan lowers his right arm. The guy still has his hand on it, but this time is much less defensive and much more comforting. He doesn't complain.

"My name's Fiddleford McGucket, and I'm gonna help you find your brother."

______________________________

Essentially, after this Fidds calls Ford as if nothing happened (per Stan's request, since he's still paranoid about the police tracking his calls) and asks him to come to Tennessee. Ford argues that he's very busy and all, but Fidds convinces him in the end.

Obviously the twins have a dual breakdown and cry their heart out. In this AU they're much less emotionally constipated lol

Ford tells Stan that he's gonna build a house in a small town in Oregon as a part of his research, and asks him to move in with him once it's finished. Stan, of course, accepts.

In the meantime, Stan stays in the McGucket farm and helps them out as a way of laying low. He has a great relationship with his family, and they're very proud of him for what he did (i believe that the McGuckets are hippies at heart, and they're VERY anti-war, especially when it already took three of them)

I don't know how much of the canon storyline would this AU follow, but it's pretty much your average Mystery Trio AU with some different backstory

[raiiny-bay]

summer '93