#<- for the sake of feeling up to writing again or something

[its-a-me-mango]

Oh hey... it's been a while Telly...

Everypony, this is URGEN, and I need your help, I have a sad TV that needs cheering up, can you help me? You guys think you can help me? Pretty please?

THIS IS A FUN LIL OC/SONA DRAWING/WRITING/WHATEVER EVENT THINGY AND YOU'RE INVITED TO TAKE PART!!!

INFO BELOW THE READ MORE!

Hi welcome to below the read more, nice down here innit.

THIS IS NOT AN EVENT WHERE YOU SUGGEST THINGS TO ME, THIS IS FOR YOU TO DO, I WILL BE IGNORING ANY ASKS RELATED TO REQUESTS FOR ME TO DRAW!

Anyway so as I said, you're invited to have your sona, your OC, your AU or heck even one of the SMG4 crew help cheer up Telly! You can do this in anyway you like, wethers it's taking them out somewhere nice like a park or city, to playing games with them, or just hanging out with them! You're in charge of picking out something fun for your character of choise and Telly to do together! They love doing anything as long as its with friends so you're welcome to do pretty much anything!

You can also make this in an medium you'd like, be it art, comics, writing, or anything else you can think of, there is no strict medium this has to be done in so go wild and most importantly have fun!

For the sake of keeping things clear in the SMG4 tag, you can use #SMG4CheerUp as the tag for this event, you are obviously free to @ me but if not, I will check the above tag instead.

Before I go any further, just want to make this clear:

THERE IS NO PRIZE! THERE IS NO DEADLINE! THIS IS JUST FOR FUN!

THIS IS NOT A COMPETITION

Just saying this as I don't want people expecting anything from me in return for this, nor do I want people putting themselves down or comparing themselves to others, I want people to have fun for the sake of having fun.

I'm obviously not super stricks on rules as this is for fun but I do have a few requests:

No just straight up brining Mr Puzzles back, that kinda defeats the point. You're more than welcome to use your AU or OC version of Mr Puzzles for this, but no actual Mr Puzzles, let him rot in prison for a bit please.

I know I said you're welcome to do pretty much anything but please keep your work age appropriate! Telly is meant to be no older than 10 at max so nothing too outrageous please! I don't mind a bit of angst or anything like that but you know, be nice to the kid alright, I will kill you otherwise /j

Also for this please don't use their teen/adult design, this is focused on them as a kid so please keep them as one, no aging up to do anything not age appropriate please.

Please keep in mind that Telly is mute and cannot talk! They can write/type to talk (as they don't know sign language yet) and they can make static noises, but no actual speaking for them!

TELLY USES THEY/THEM PRONOUNS AND NOTHING ELSE, PLEASE JUST REFER TO THEM AS A CHILD/KID

That's all I could think of lol, will add more if I think of anything else.

TELLYS REF IS HERE FOR ANYONE WHO NEEDS IT (it is also linked on my pinned post at all times) I'm not overly strict on design so feel free to add your own lil details to them, I think it's fun! :3

My media asks are off for now, as I'd rather people make their own posts, it's what Tumblr's for and I wouldn't want anyone's amazing work to sit and rot in my inbox! I will be reblogging everything I promise.

You're welcome to ask me any questions but my response will likely be either "yes" or "if it's fun for you go for it!"

There is no deadline as stated, but I'll say this is open for at least a month-ish, or at least until Mr Puzzles comes back or something lol (watch that be, this week! wow how short lived /j)

ANYWAY WITH ALL THAT OUT THE WAY, GO FORTH AND ONCE AGAIN, HAVE FUN ABOVE ALL ELSE!!! :3

[twistedpink]

My favourite thing about writing is probably just putting my little guys into situations- And what’s hotter than being in an apocalypse??

Survivor!Trey that lets you into his little slice of life, his home, his bed, because he’s terrified. Of the not-quite-people outside the door, or the loneliness you’re not sure, But the way he clutches and whimpers into the thick leather of your jacket says enough- He never could’ve survived this long without you, probably would have dried up in a corner of your little cabin with the cobwebs and dustbunnies. But he’ll never have to worry about that, because you’re capable. And too in love with his care packages to leave ;) So good for him, always getting supplies and reinforcing barriers when he’s too busy with household chores.. He couldn’t ask for a better partner, and one day you’ll see the world as something to be explored again, together <3

Survivor!Ruggie that drives you around the abandoned town you hide away in- For a price. When he gets low on gas and your pantry’s empty, you walk the streets hand in hand to scavenge. Sometimes, when you have the luxury of sitting down for a meal, his thumb traces shapes into your filthy palm.. You say you love him, when you have the time. You make the realization that if the world was clean, whole, that you never would’ve said something like that to a man like him. Both of you are at your worst, and you’re not sure it’ll ever get better.. He says he loves you, when you’re not just a client, but he’s loved you since before the world ended. Always pining. Being here with you’s a dream come true, even if you’re with him by necessity <3

Zombie!Jack that you have on a metal chain and lead around on the hiking trails you used to walk- Hoping for him to remember something, anything, but he only snaps at squirrels and flinches at your touch. A shell of your Highschool sweetheart, he wouldn’t dream of turning you (which he’d express, if he still had a tongue), you can tell he’s starving by that guilty look he’s wearing. You need him to eat. There’s no point in living if you can’t cure him, get him back, but he’s stubborn even in death.. Once you get desperate enough, you’ll just kiss him- The saliva’ll be enough to start the process, then you’ll be together. Forever. <3

Survivor!Kalim that keens into the plump, soft skin of your thighs from the comfort of your million-dollar shelter. He’s trying his very best to keep you comfortable, even if the world’s a “little” crazy at the moment, he’s sure you won’t have any problems with your QOL :) Especially since that’s your only explanation. You spend most of your days in bed on account of your husband being the only conversation available- Even if he’s a professional talker, it makes you miss the stoic kindness of his bodyguard, Jamil, or the Sly optimism of your accountant, Azul. Your staff were always so nice.. You wonder where they keep disappearing to. You’ll be seeing them soon, but not if your loving husband has anything to say about it <3

Survivor!Rook that’s a hunter by heart- Teaching you to survey and gather, to survive. You’re forced into an urban area by the very prey you track, always seemingly at a disadvantage. He wants nothing more than to retire to the woods, letting you shack up in a cabin he gets to build, protecting his greatest bounty. But you’re too weak for the forest now. It’s beautiful of you, however, he can’t very well enjoy his hunt if you fall to the local hoard. So, he dresses you up in furs and kisses you bloody. For the sake of the hunt. He’s making you a killer, a monster, and you can’t bring yourself to care when it feels so good <3

Zombie (?)!Idia that’s crazy. Irreversibly, monstrously insane. But he loves you- Just enough to keep you alive with his potions and shots. After you were infected, your senses only heightened. He keeps you tied down, much to his chagrin. It feels like a hospital, it reeks of him, his blood. He’s immune, a rarity in the hellhole you’re “living” through, but he wastes that gift on giving you a lifeline.. Wastes his time reteaching you to speak, wastes his pretty lips with suckling onto yours- You can’t reciprocate anymore, but you can feel. The passion. The desperation. And most of all, the hunger.. If you could only ask, he’d lay himself down and let you feast. He wants you to be happy. You’ve always been a good student, especially with a little motivation <3

@bju3c0re @kyokills

[sal-absinthii]

How does Harry treat Lupin badly?? All I can think of is him getting upset at Lupin for wanting to abandon his pregnant wife, which is understandable because A. it's a dick move on the face of it, and B. because Harry is sensitive about having lost his own parents not through choice and he can't believe anyone would do that on purpose. Is that what this is about, or am I forgetting something?

Another great example though of a time where it is useful to try out the skill of understanding for understanding's sake, rather than with the aim to pass moral judgment.

Bad questions to ask:

- Was Harry right or wrong to get angry at Lupin?

- Is it good or bad of Lupin to want to leave Tonks and join Harry?

- are X character's actions justified/sensible according to information (including emotional) X character does not have, based on the fact that I, the reader, see more than the character does?

Good questions to ask:

- Why does Harry react so strongly to Lupin's offer? What situation does he compare it to, and does it make sense that someone with Harry's history would feel this way? (note that this is a DIFFERENT question than "would I feel that way" or "is Harry's response justified" or "did Lupin deserve to be yelled at")

- Why does Lupin want to leave Tonks? What is he basing his reasoning off of? Do the reasons he gives line up with his previous and current actions/choices? Does it make sense that someone in his unusual situation would feel this way? (again, a DIFFERENT question than "is Lupin correct" or "do I approve of what Lupin is doing")

- What reason does Lupin give for wanting to join Harry? For what reason does Harry think Lupin wants to join him? Do they see the situation the same way as each other?

- If they have different views of the situation, how might this lead to problems communicating/understanding the other? Does the scene privilege one character's interpretation of the situation over the other? (careful again not to mix up "the reader is being set up to give more weight to the perspective of the character through whom we see the events" and "therefore the author believes exactly what this character is thinking/saying and it is always an accurate and complete picture of the events/other characters" -- being narratively directed to take one side can also be used to establish conflict or as misdirection and does not mean that the perspective is meant to be true or that it reflects the author's own moral beliefs if this were a real nonfiction event)

- What is Harry basing his accusations off of? Is he reacting more in this moment to Lupin or to his own history?

- What does Lupin fear? What is he hoping to gain? ("he's fundamentally a shitty person and a coward" is NOT an answer)

- Thinking about previous incidents in which Harry and/or Lupin were faced with difficult interpersonal choices, how does this interaction reflect the broader patterns of behaviour each of these characters has shown before? Has this behaviour been consistent, or has it evolved over time? If so, how has it evolved, and what factors caused that?

- If I have a strong immediate reaction to this scene, what is it about my own history/perspective/fears that makes me react this way? Does this remind me of something? Have I been in a situation like this myself? Do I find it significantly easier to relate to the character I side with than the character I don't? In what ways? Might that be biasing my interpretation? (this does not mean that your interpretation is automatically wrong or that you aren't allowed to feel strongly about it, but it is something you absolutely must be aware of if you're going to write any analysis of anything and hope to be taken seriously)

In general, questions designed to elicit a judgment are not very useful. You can of course make those judgments, like or dislike characters as people, and have opinions about what you would have done the same or differently, but you have to keep that separate from analysis, because that is not analysis. A character can be well-written but unlikeable, likeable but not the protagonist -- so when you simply say that a character is "good" or "bad," you need to first understand which of these you are addressing.

Secondly, if you are unable to articulate why a character does what he does and to see the internal logic of his feelings and actions -- regardless of whether you personally would have done the same, or consider those actions correct or wise -- you have no business even attempting to judge them in the first place, because you do not understand them. This is the Chesterton's fence of character analysis: if you don’t see why a character is a certain way, you have no business judging them. When you can come back and tell me that you do see why they are that way, you can state your case. In other words, if you are unable to understand why Lupin comes to Harry and why Harry reacts as he does, you definitely shouldn't be vilifying one or the other. Once again begging Tumblr to internalise the difference between "I understand this" and "I endorse this."

Regarding my last post, here were the comments.

Ah yes, an orphan not seeing the man who never reached out to him, never made any effort to build a relationship as a father with him makes him bad.

Poor Remus deadbeat Lupin. Didn’t Harry know it was his job to take care of him/j.

Seriously though I hate the marauders fandom, it should illegal for them to talk on Harry.

[shitpostingsapphic]

I think y'all who think Vi should have had a more integral role in the revolution of Zaun, when we already have several characters who are dedicated to that cause and have that as their more central purpose (Ekko, Sevika), only see Vi FOR her identity as a Zaunite and don't think she can have any other purpose. "Vi can't choose love, she has to be central in the sovereignty of her nation" "it's bad writing for Vi to be with Caitlyn, she has to sacrifice her personal desires for everyone around her" as if Vi doesn't join the enforcers in order to fix the mess Jinx made, as if Vi doesn't spend months losing herself to alcoholism because she feels she's lost everything and everyone despite her best efforts to both keep those she loves and maintain peace between the two cities, as if she doesn't express the desire to help in the commune, as if she doesn't read Caitlyn the riot act for locking up Jinx again and STILL trying to stay connected to her sister, as if she doesn't fight in the battle against Noxus to stop Ambessa's tyranny against both cities, but most importantly against Zaun.

Vi has spent THE ENTIRE FUCKING SHOW splitting herself in a million pieces, trying to people please and sacrifice her own wants and needs for the sake of others. But the ONE FUCKING THING she chooses for herself, you guys have a problem with that.

I think you need to think long and hard about if you have this opinion on Vi because you think she deserves better, or because you think Vi belonging to a lower oppressed class means she can never enjoy something just for herself, make decisions for herself, that she must always be a slave to some greater cause. "Vi shouldn't be with the one she loves unless everything else around her is fixed" is some crazy ass bullshit.

[savvymantis]

Heatwave Romantic Headcanons

He's rough around the edges, caught up in keeping a tough guy act, but he does care. It's easier to get him to relax in private, though, since he's not too keen for the others to think he's soft on you. He is, but they don't need to have evidence of it.

It can be hard to find a moment to yourselves, especially before Griffith Rock learns of the Rescue Bots' true identities. Still, sometimes the base is left empty, or sometimes there's a spot on a hill he finds and drives you to when things are quiet. Heatwave's not the best with words, so sometimes it sounds like he's just complaining and using you as a stress toy to hug. But you can hear what's not said, how every "They never stop bothering me" translates into "I never get to spend time with you." With time, he gets better at being more direct, but he still complains that he's so busy and there's never time for cuddles.

Speaking of cuddling, it's not the end of the world for Heatwave, but he does enjoy having you lying on him or against him. Your touch is soothing, and it eases the protective instincts that flare up whenever he sees you. You can't get hurt if he's right beside you, there and ready to sweep you away from any danger. For this reason, he also keeps a servo on you, cradling your waist or tracing symbols on your back. If you focus, and know Cybertronian, you'll be able to tell he's writing "soft" or "spark" over and over again

If you're human, cultural differences can be a cause of friction. Heatwave doesn't understand why humans act the way they do sometimes, and he gets frustrated easily. Luckily for you, Cody has taught you the way of circumventing said frustrating. Really, all it takes is a calm explanation, and Heatwave will try to wrap his head around it, for your sake. It probably still confuses him, but given time, he'll see what you mean. And if you're ever confused about his own little habits, he tries to extend the same courtesy. He gets pretty relaxed when he talks about Cybertron and the traditions he takes part in, or the phrases he uses. It's nice to hear him talk so fondly about it.

Nicknames come and go with Heatwave. He usually sticks with the simple ones, sweetspark and bitlet if you're particularly short, or at least shorter than him. He'll pick up on some human nicknames too, once he's seen other couples use them. Again, they're simple, like hon or babe, because again, tough guy image.

He likes to show off for you. He's the leader of the Rescue Bots, and considers himself one of the strongest of the group (besides Boulder, but he's a wrecker, so it doesn't really count). He wasn't lobbing champ for nothing, you know? Heatwave tries not to showboat when he's working, unless it's a more simple job. He'll lift fallen trees or concrete debris above his head, and if you swoon (pretending or not), he gets pretty chuffed. It makes him proud that you think he's strong and capable, makes him feel more assured that you feel safe and protected by him. You finding his strength attractive is just a fun bonus, one he teases you about sometimes by manhandling you over his shoulder just to hear you squeal and fluster.

Heatwave shows love through teasing, so it's something you'll need to get used to. He's fun to banter with, though, if you know how to throw it back at him. If he cracks a sarcastic line, poke at his ego, and watch him stammer a moment before he puts his focus into arguing with you to prove you wrong. It's all lighthearted, even if he sounds a bit too serious sometimes. You'll know because he always pulls you into a gentle noogie whenever you seem to be winning the playful argument.

Heatwave also has a love for seeing you flustered. Despite his aversion to PDA, he has been known to sweep you off your feet at the drop of a hat, just to laugh when you blush and try to scold him for startling you. Once kisses become regular for you both, he'll surprise you with those too, sweeping you into a dip for a hearty smooch, just to smirk at your speechlessness. The further along into your relationship you get, the more common these surprises become, and the more used to them the others get. They just roll their eyes at you both.

[thealexchen]

Why Dontnod's games feel original and inspired (and why Deck Nine's games don't)

So, I've talked at length about how Double Exposure feels much more like a corporate product than a playable piece of art entertainment [My initial thoughts on the DE trailer] [My thoughts on the early access paywall] [My thoughts on the weird marketing].

But now with the release of Lost Records, I feel like I have no choice but to confront the question: were any of Deck Nine's games truly original or inspired in any way? And honestly, I have to say no.

Objectively, I could say it's because Deck Nine literally has not produced any original IP's since their rebrand from Idol Minds in 2017. Their only narrative adventure games are all part of the LiS franchise. But even their most original game, True Colors, pretty obviously follows the first game's narrative formula (young woman with a superpower investigates a sudden disappearance/death in a small town with a dark secret, has two opposite sex love interests, learns about a twist villain, is nearly murdered, and goes through a psychological nightmare in the last episode) to a tee. But oh look, there's also a LARP!

But I believe there's more to it than that, because when I look at Dontnod's games, they are always inspired by other works. Life is Strange 1 plays very clear homage to Twin Peaks with the Pacific Northwest setting and Rachel Amber resembling Laura Palmer. Max Caulfield is named after the protagonist of The Catcher in the Rye, another novel about the fleeting innocence of childhood and superficiality of society. Life is Strange borrows tropes from Donnie Darko, Groundhog Day, The Girl With the Dragon Tattoo, Stand By Me, and even Blue is The Warmest Color for its themes and plot points. Just take a look at its "Shout-out" page on TV Tropes. And the result is... something completely original, with riveting plot twists, memorable characters, and an ending that will make you cry.

This shouldn't make sense, right? You'd think this big soup of references would turn into an indistinguishable mess of cliches, but Life is Strange managed to be a synthesis of everything the writers loved and were inspired by, to become something completely new. Why? Because nobody had tried to take Twin Peaks, Donnie Darko, and The Catcher in the Rye and turn it into a video game before! And make it gay!

The point being, Dontnod consistently makes original material because they take creative risks. This is definitely not done lightly, since they still need to be a company that generates profit, but they still prioritize making art over selling out. Their stories feel inspired because they are inspired; when writers love what they're writing about, the result is a passion project that has loving, clever nods to all the works that are woven into it.

So perhaps a way to reword that first question is to then ask, "Have Deck Nine's games ever been inspired by anything?" And unfortunately, the answer is still no. Instead, they just copy what they hope will sell well. And a bland imitation for the sake of generating profit is never going to produce anything that feels original.

This takes me back to Lost Records, which is also clearly inspired by the same works: Twin Peaks, It: Chapter One, The Craft, The Blair Witch Project, The Goonies, Stand By Me. But again, no other game studio besides Dontnod has ever looked at these works and thought, "But what if it starred teenage lesbians instead?" Or, more specifically: "How do we capture the spirit of what made these media great and incorporate that into a new story for a new audience?" And those characters have so much thought and care poured into them too: while I've been disappointed that Double Exposure Max looks airbrushed to hell and back, I love that the Bloom & Rage girls have asymmetrical faces, acne, freckles, body hair, skin discoloration, and diverse body types. Double Exposure is marketed as nostalgia bait for fans, where Max is reduced to a prettied-up, polished-up, representation of nostalgia, not even her own character anymore, in a game that otherwise has no connection to the original. Her quips are reduced to "Hey! Remember our good ol', dad-joke cracking, dorky Max Caulfield??" and her grief is shoved aside for "Hey, look at that appealing new love interest! Because we knoooow y'all love your sapphic romance, right?"

By contrast, Lost Records has only been out for 10 days, but I already feel like the girls are some of the most memorable characters I've come across in gaming for the niche they fill. Swann seems like your typical Max-like dork, except she's also a movie buff and giddy about bugs, horror, and the paranormal; and has clearly been affected by her mother's fatphobic beliefs. Autumn is a level-headed leader who always stuck to her desire to help others, and her Blackness naturally informs her desire to feel valued and not cause trouble in a small, very white, conservative town. Nora intrigues me so much for going from a fun-loving rebel punk teen to a more gender-conforming, capitalist-leaning, influencer businesswoman. And Kat feels like an evolution of Chloe's cynicism, where her scrappy charm belies an almost unsettling obsession with the occult and a deep, tragic chasm of rage at having to confront her mortality far too young. They make sense. They feel carefully written, genuine, and like real people.

But most of all, Dontnod's games have never felt like products. In fact, most of their characters have historically gone against the grain of what traditionally "marketable" characters are. The first LiS took all these aforementioned stories about straight white men and chose to remix and retell it through the eyes of a young, queer, time-traveling girl instead. Tell Me Why is the first AAA game with a trans protagonist, and Tyler is voiced by a trans actor in all the language dubs. Lost Records decided that it would tell its story through four queer teenage girls, with women writers onboard, and fucking own it. As long as Dontnod keeps making games that stick to their creative integrity, I'll keep respecting their vision in whatever they decide to create next. Also, maybe I should finally watch Twin Peaks.

Thank you for reading!

[vanilladollette]

Can you please write part 2 of yandere headcanons for Jae Jun and yandere headcanons for do yeong?

(If it's comfortable for you can you please write nsfw headcanons for them too?)

Yandere Jeon Jae-Joon, Ha Do-yeong Headcanons

Pairing: Jeon Jae-Joon x reader, Ha Do-yeong x reader (Separate)

Author's note: I had to go back and edit it because I forgot it was a gn reader 😭🙏🏻

Jeon Jae-Joon

Jae-joon is insanely possessive of you. You’re not just his spouse—you’re his everything, and he makes sure the world knows it.

If another man so much as looks at you, Jae-joon is already sizing him up, deciding to beat him senseless.

He doesn’t believe in boundaries when it comes to you. Where you go, who you see, what you do—he wants to know everything.

Jae-joon thrives on control, but he’s not subtle about it. If he wants something from you, he’ll demand it.

He hates when you disobey him or try to push him away—it makes him desperate, and desperation leads to dangerous actions.

If you ever tried to leave him, expect him to hunt you down, drag you back, and make sure you never think of leaving again.

“You’re mine. I don’t care what it takes—you’ll always be mine.”

If he sees someone flirting with you, he will immediately react, whether it’s throwing punches or making sure that person loses everything.

He has zero remorse about ruining lives for your sake. If someone tries to take you from him, they’ll simply disappear.

He’ll remind you that no one else can love you the way he does.

Soft for You Only

You are his only weakness. He can be a monster to the world, but to you? He just wants to be loved.

When you hold him, when you kiss him, he melts. He lives for your affection.

The only time he lets his guard down is when you're with him, safe in his arms.

NSFW

Jae-joon doesn’t hold back in bed.

He’s aggressive, passionate, and absolutely obsessed with making you feel owned.

He grips your hips so tightly they bruise, bites your skin to mark you, and growls into your ear, reminding you that you belong to him.

He hates the idea of anyone else even imagining you this way.

The only name you’ll be moaning is his, and he’ll make sure of that.

He forces eye contact, making you say his name over and over.

After he’s absolutely wrecked you, he pulls you into his arms, running his hands through your hair, pressing soft kisses against your skin.

Ha Do-yeong

Do-yeong isn’t loud about his yandere tendencies—he’s silent, patient, and suffocating.

He watches you closely, controlling every aspect of your life without you realizing it.

You’ll never escape him, not because he’ll chase you, but because he’s already planned so far ahead that there’s nowhere for you to go.

Do-yeong doesn’t rely on threats—he uses guilt, persuasion, and logic to make sure you stay.

“Why would you leave, my love? I’ve given you everything. Are you unhappy?” His tone is gentle, but the message is clear—you can’t leave.

He makes you feel like you need him—even if deep down, you know he’s the one trapping you.

He doesn’t get violent—he doesn’t need to. If someone tries to take you from him, they’ll find their entire life ruined overnight.

He ensures that no matter what, you always end up back in his arms.

“You don’t need to fight me, sweetheart. This is for your own good.”

Do-yeong worships you. You’re his perfect spouse, his greatest treasure.

He doesn’t love you normally—his love is overwhelming, inescapable, and eternal.

No matter what happens, he will never let you go.

NSFW

He takes his time, building you up slowly, whispering how much he loves you, how you’ll never belong to anyone else.

He makes you beg for him. He’ll tease you endlessly, dragging out pleasure until you’re pleading for release, making you say, “I’m yours, only yours.”

He never raises his voice, even in the bedroom. But the way he commands you—low, deep, and unwavering—makes you shiver. “Let me hear you, sweetheart. That’s it….”

He decides when and how you come. He holds your wrists, keeps your legs open, making you take everything he gives you.

He decides when and how you come. He holds your wrists, keeps your legs open, making you take everything he gives you.

He wipes you down gently, kisses your forehead, and holds you close. But his grip is firm, his touch lingering—a silent promise that you’ll never escape him.

Taglist: @petersasteria

[guzhufuren]

Hey, I've noticed you've been pretty quiet lately and I hope you're doing okay. I know we're not friends or even mutuals so I'm sorry if I'm overstepping by messaging! I hope the world will treat you kindly and that you can find comfort and support if you need it 💕

hi sweetheart wow this is so genuinely nice and kind of you, thank you so much for caring to the point of reaching out

i'm on the way there! i will be okay, hopefully soon. it's not serious, i just had a medium sized break down after receiving a very negative comment on something i made, in mix with a bit of unrelated loneliness and yearning on top of that, plus many many 4am drowsy what-am-i-doing-with-my-life regretful thoughts that i have had in the last months swimming up. like for my unwellness history it's really only about 6 points on the scale where the maximum is 10, so not big. i turned all social apps off but couldn't shake off the distress caused by that one stranger on the internet being unkind to my project, despite knowing they were misunderstanding and were also not in a state to understand at all, so i was kind of confused about what's up with my brain and why it can't move on

and it was a good choice! because after being only with myself without any internet distractions for the first time in years, figured out in just a day that mood swings have been back for a while, over one month at least (so anger issues weren't totally Yunho's fault actually bless him), some other parts of mental health worsened too

got a grip on myself, went to my doctor, got back on meds, now i'm sleepy every minute of waking hours while my body is getting used to them again, but it's gonna be fine. received advice on how to write a mood log, turns out very helpful as additional treatment to keep hypomania and anxiety under control. i even started working out, doing memory exercises and preparing my exam notes tentatively, which is so hard and scary, oh my god, but i must. job search is even scarier but i'm working myself up to finding a good one with little, very very very very tiny steps but they are moving

in the first day of self made quarantine i rewatched the queer korean show Love for Love's Sake that cured me from depression for a while and from any possibility of suicidality for a lifetime last year. it didn't work the trick again, because i'm really not living in the best or even just calm psychological environment to let it do its magical healing thing the way it should, but it did give me new clarity and make me intensely cry some shit out, so that was also very nice

accidentally found the best fic ever and it brought me so much very needed comfort in the past week. it's sweet, funny and stress free. like a warm blanket. or a cup of vanilla cocoa that makes your cold toes tingle in winter. or a hug from the love of your life. first atz and woosan fic to enter my hall of all time longfic favourites. very rare honor but it deserves it completely

also found a bunch of bloggers who post videos of the ocean in Thailand, some even stream the beach 24/7. it's so cool, i watch it in the evenings for short periods of time. helps making it bearable to just survive here a little bit longer until i am able leave

i sort of of really like that when i don't spend 12 hours a day on the phone doing mind-numbing scrolling or posting, there is so much free time to do cool stuff? i have kinda felt like i can be back on here for a couple of days, but i still freak out a bit for two reasons. first, that bad comment is still hanging there and it still makes me too upset to open notifications or my own blog page, which is ridiculous but that's how my dumbass unwell-brain-made feelings are. so i will see how that goes away and i get over it like an adult. second, i'm scared to be sucked back in the addiction to the colourful little hellsite app so i usually end up throwing the phone away in panic after 5 minutes of the app being open. maybe i will work up to it more gradually, don't know, let's see how that goes too

thank you again my little treasure, i will happily take that kindness and comfort you offered here as you are a part of the world. and you can message without worrying anytime, no mutualship or officially labelled friendship necessary. i'm very cool with small amount of interactions, just not big on chatting online one on one for long and don't enjoy it super much. and also with how often i see you around we are considered friends for sure. so thank you again for being so sweet i really am so grateful to you for this, one hundred friend hugs in return

[winteringdream]

BETWEEN THE PAGES ───── nishimura riki

✩ ⋅ pairing. nishimura riki x gn!reader ✩ ⋅ genre. fluff ✩ ⋅ warnings. none! ✩ ⋅ wc. 655 ✩ ⋅ prompts. reading together, lying down while one plays with the other’s hair ✩ ⋅ request. If it’s not too specific, could you write this for a female reader who’s tall? (Maybe around 177-180?). Height doesn’t necessarily need to be in the focus just as long as the reader isn’t described to be super tiny ^^ ofc feel free to fully ignore this part if it’s a hassle! ✩ ⋅ a/n. my first work for my 600 event! ty for requesting!

The two of you have been like this for hours, curled up against each other in the dim glow of the bedside lamp. Outside, the streets are silent except for the occasional car rolling past, headlights flashing briefly against the walls before disappearing into the dark. It must be well past midnight by now, but neither of you has made a move to check.

You’re tucked into his side, legs tangled loosely, your head resting against his shoulder as he reads aloud. His arm is draped around you, fingers tracing absentminded patterns against your side, while his other hand keeps a steady grip on the book, the pages slightly bent from how long he’s been holding it.

At some point, you stopped following the story. Maybe an hour ago. Maybe longer. The words still reach you, but they’ve turned into something else, more like a lullaby than a narrative. Combined with the warmth of his body and the slow, steady rise and fall of his chest you can’t help but close your eyes. Every now and then, you drift close to sleep, only to be pulled back by the gentle brush of Ni-ki’s fingers through your hair.

“You’re dozing off,” he murmurs after a while. The slight change in his tone, different from the tone he was reading in, jolts you awake. 

You hum softly, not bothering to move. “Not really.”

“You’ve been completely still for the last ten minutes.” He snorts, slightly adjusting the position he’s in. 

“That’s called listening.”

“Right,” he says. His hand moves up, fingers threading through your hair, slow and deliberate. He pauses for a second, then tugs lightly, just enough to make you huff out a drowsy protest. “You’re gonna forget the entire book by morning.”

“That’s fine. You can read it again tomorrow.” You sigh, nuzzling further into the warmth of his shoulder.

Ni-ki scoffs, but his fingers keep moving through your hair, untangling strands. “I knew you were just using me for my voice.”

A small smile tugs at your lips. “And your warmth.”

He shakes his head, muttering something under his breath, but he doesn’t stop reading. As he continues reading his voice dips lower, softer, like he’s no longer reading for the story’s sake but just to fill the space around you. The words slow, not as comprehensible as they were before, and even though you’re only half-awake, you can tell he’s getting tired too.

At some point, the book slips from his fingers, landing with a soft thud beside you. Neither of you move to pick it up.

His arm tightens around you instead, fingers trailing lazily over your shoulder, your back, the curve of your spine. His breathing has evened out, the steady rise and fall of his chest matching yours. You shift slightly, settling deeper into his embrace, and his hand moves instinctively, pressing against your back as if to keep you there.

Neither of you say anything. The world outside feels distant, the quiet wrapping around you like a blanket. Ni-ki lets out a slow sigh, his voice softer now. “You really wanna stay up all night like this?”

You hum in response, barely awake enough to register the question.

He doesn’t push for an answer. Instead, he shifts slightly, pressing his face against the top of your head for a brief moment before exhaling another tired breath. His fingers, which had been tracing slow circles against your back, grow lazier, movements sluggish.

Then, finally, they stop. The book lies forgotten beside you, its pages left open as Ni-ki’s breathing evens out. His arm remains draped over you, holding you close even as sleep takes over.

You barely notice yourself falling asleep, calmed by his warmth, the steady rhythm of his heartbeat, and the quiet rise and fall of his chest.

And just like that, the night fades, pulling the both of you into sleep, tangled together, comfortably lost in dreams.

[lume-nosity]

i’ll write something! *makes 83287382 drafts but never finishes them because i lack ideas and am focused on other hobbies* actually nvm

[milolunde]

We all know Timmy is Wanda’s mama’s boy but we need to keep in mind he’s still Cosmo’s kid too and that Cosmo would love him just as vehemently as Wanda

[sskk-manifesto]

Ep 5!!!

[designernishiki]

hot take but. oda is honestly one of the most interesting prominent side characters in y0 to me. like. don’t get me wrong obviously i don’t condone his actions, but speaking as a character design guy, i think he’s got a whole lot of complexity to think about in his story and identity that people tend to ignore/overlook because he’s not a black and white “good” person. like no shit he’s morally fucked, that doesn’t mean his intense pining and crazed level of dedication to tachibana and the lengths all his guilt and repressed love for the man he saw as the best thing to ever grace his life drove him to aren’t interesting to think about– if anything it makes him more interesting. he was. really something

[pencil-n-pen]

YOUNGBLOOD

⁺‧₊˚ ཐི⋆ . ۫ ꣑ৎ . ⋆ཋྀ ˚₊‧⁺

rafe x fem! black cat! pogue!reader

masterlist | kofi

wc: 9.3k (sorry)

summary: summary: You’re the girl. Every guy who asks you out gets the same answer: No. You don’t do dating anymore. But as your reputation grows, so does the challenge. And when Rafe Cameron gets you in sights, he’s not about to give up.

cw: Rafe and reader are both assholes (hers is justified bc to me women are always correct) but it works out. oh also this one is a little spicy !! ofc not full smut but this is Rafe Cameron we’re talking about i can’t NOT include a LITTLE. ward jumpscare for like two seconds, references to past shitty relationships

tags/tropes: he falls first and harder (seriously he wants her BAD) black cat x doberman, kind of how to lose a guy in 10 days vibes, at first Rafe wants her bc of the challenge but eventually he just WANTS her, mild hurt/comfort, dom! rafe but also he does whatever reader wants (except stop trying to date her)

a/n: in this fic i imagine reader being one of those super fluffy feral black cats and then rafe is this doberman sitting behind her. walk him like a dog sis walk him like a dog

i’m so glad i finally finished this i’ve been writing it for ages but here it is !! hope u guys like it <3

EDIT: PLEASE stop asking for a part two. i’m in the hospital. writing is not my priority right now. i appreciate and am grateful that you liked the fic, but please stop commenting and sending asks for a part two.

songs i listened to while writing: Youngblood by 5 Seconds of Summer, Meddle About by Chase Atlantic, Champagne Coast by Blood Orange, Salvatore by Lana Del Rey, Brooklyn Baby by Lana Del Rey, Sad Girl by Lana Del Rey, sex money feelings die by Lykke Li, Angel by Massive Attack and Horace Andy

title taken from Youngblood by 5 Seconds of Summer aka this fics anthem

. ݁₊ ⚜️ . ݁˖

He meets you in, of all places, a fucking Barnes & Nobles.

There’s one Barnes & Nobles in the entirety of Kildare Island; it’s on the North side.

Rafe is only there because one of Kelce’s current flings is obsessed with reading those smutty books. Race doesn’t get the appeal. Apparently, the fling is at home sick and Kelce wants to get her something to make her feel better.

Rafe and Topper both think the partying might seriously be affecting his brain chemistry.

But anyway, Kelce asked Rafe to help because he’s “got a way with wooing women” and then since Rafe was going he said fuck it and invited Topper, who will surely be the voice of reason in all of this.

(He seriously doubts it, since Topper almost died in a burning building for the sake of his girlfriend, but whatever. Rafe just doesn’t want to deal with pussy-whipped Kelce by himself.)

They’re on their third go around the store and Rafe is beginning to contemplate the pros and cons of just grabbing the nearest book of the shelf and telling Kelce to just fucking pick something when he spots you:

Straining to reach a book on one of the top shelves. Looking perfectly and immaculately delicious.

“Yo,” He smacks Topper’s arm, getting his attention, “Who the hell is that?”

Topper follows his eyeline, landing on you.

“No fucking way, dude. No chance.”

He frowns, turning and looking at Topper, affronted.

Topper shrugs. “No offense, man. I tried once. All the guys in the island got this stupid-ass nickname for her, too.”

He raises an eyebrow. “Oh?”

“Mhm. The Pogue Princess. She’s turned down every single guy to ever ask her out. Even the Kooks.”

Rafe snorts. “So she’s arrogant?”

“I wouldn’t call it that. I totally thought she was a bitch when she turned me down, but honestly, it makes sense. People only ask her out because she always says no.”

“So?” He scoffs. “She’s fucking hot. She should be flattered.”

He looks her up and down again. “I’m gonna ask her.”

He can picture it exactly: having the one and only Pogue Princess hanging off his arm. The girl no other guy has banged— she’d be his, and his only. He’d have those lips and that face— he’d have you.

And you’d have him, of course. Not many girls can say that.

“Suit yourself man. Don’t come crying to me when she turns your ass down.”

He strides over to you, sidling up next to you, leaning against the shelf.

“Hey,”

“No.”

He blinks. “What?”

“No. No I don’t want your number, no I don’t want to sleep with you, no I don’t want to go out with you.” You say, not looking over at him once.

“Well, how come, doll?” He says, leaning down a bit so he’s closer to your height. “We could have a good time, you and me.”

“First of all,” You start, pulling a book off the shelf. “It’s a known fact that Rafe Cameron doesn’t date Pogues. Secondly, I can tell you exactly how this relationship would go. We’d date, and then after a few weeks you’d grow sick of my Pogue-ish ways or something like that. We’d break up, and then I would be seen as even more of a social pariah than I am now. I’d be unwelcome in Pogue spaces because I’d forever be the girl who dated Rafe Cameron just to get her heart broken like all the others, and I’m already a stain on this side of the island, but I’m willing to bet your groupies and fanclub would increase their ridicule if I was ever seen here. So no.”

He lets out a low whistle. “You’ve thought this out.”

“No I haven’t. It’s predictable.”

You re-shelf the book you were holding then walk away, stalking deeper into the store.

He looks back at Topper once, flashing his best friend that dangerous smile.

Topper groans in the distance, all too away of the effect a challenge has on Rafe Cameron.

—

You have to say. You’re a little surprised to feel his continued gaze on your back, even more displeased to hear his footsteps trailing behind you.

“You won’t better your chances by annoying me.”

“I haven’t even said anything.”

“You don’t have to,” You slow your walk, reaching out to tap your hand on the spine of a book you’ve been eyeing for awhile. “Your reputation precedes you.”

“And what does my reputation say about me?”

“That you’re an asshole and a heartbreaker,” You turn and look back at him over your shoulder. “You’re not exactly selling me, here.”

Your eyes latch on something tucked under his arm. It’s the two books he saw you eyeing. His gaze catches yours and he gives you a cocky smirk.

You roll your eyes and turn back around. “You’re going to have to try harder than that, Rafe Cameron.”

He trails after you the entire time you’re in the store, picking book after book off the shelf that he sees your eyes even linger on.

“What’s your plan here?” You ask, turning a book over in your hands and scanning the blurb on the back. “Buy the entire store? Woo me with your credit card? You’re not the only guy on the island with a piece of plastic.”

“Pretty sure I’m the guy with the most on his plastic, though.”

You sigh loudly through your nose. “I’m not interested in men who are only interested in me as an object. You want the trophy you get from ‘bagging the Pogue Princess.’ So fuck off.”

You’re so sick of this. Sick of every guy being the same— only being interested in you as an ego boost. No guy has ever been interested in you for you.

And they never will be, so long as you keep turning them down. Every man wants what he can’t have.

“You’re seriously not going to get anything?”

You pause in your storm off, turning around to look at Rafe. “What?”

His arms are laden with a thick stack of books, muscles flexed at the weight of the stack, straining at the sleeve of his t-shirt.

He gestures to the shelves around you. “You must have looked at the entire store. You’re really just going to leave?”

“I’m a Pogue, Rafe. You do the math.”

Your hands clench and unclench on the strap of your bag. You never thought you’d catch the attention of Rafe Cameron. If Sarah’s the Kook Princess, then he’s the Kook Prince. Dating him would give you some major points on the North Side of the Island.

…And ruin your relationship with 90% of the Pogue’s on The Cut.

Besides. Even if you did date him, he would stick around. No way in hell he would. And then you’d be back right where you started.

Your fumbling with your keys out in the small parking lot, groaning as your ancient beater car key once again refuses to turn in the lock when you hear footsteps behind you.

You rub a hand over your face and turn around.

“Can you please leave me alone? Seriously.”

He’s got that stupid smile on his face again and he’s holding something out to you.

A book. Just one.

You take it from his hands cautiously. “You had a whole stack. Why downgrade to just one?”

He clasps his hands behind his back. “Cause you looked at all those other ones once. You stopped at this one three times. Figured you might’ve wanted it.”

You chew your lip. “I’m still not going out with you.”

He shrugs. “Didn’t think you’d change your mind right now.”

He leans down, reaching forward, breath fanning your face. You screw your eyes shut, bracing.

A loud click behind you. He pulls away.

“But you will.”

With that, he turns, walking back into the store. At the doors, he flashes you one last smile.

You take one breath. Two.

You climb into your now unlocked car, tossing the book onto the passenger seat.

When you get home, you won’t be able to stop thinking about how in the moment, you kind of wanted him to kiss you.

—

He finds you at the Boneyard, because of course he does.

You’re sitting on one of the drift wood-slash-benches near the bonfire, pretending like you’re not shivering.

“You know, most people come to beach parties to let loose and have fun. That includes me. Having fun and letting loose does not include you.”

“Oh, come on. This is neutral territory, sweetheart.”

“Don’t call me that.”

“What am I allowed to call you?”

“Nothing. Go find another girl to stroke your ego. Or your dick. I don’t care either way.”

He leans down into your space. “You’ve got a mouth on you.”

“Fuck. Off.”

He raises his hands in mock surrender. “I only came over to give you this.”

This time, instead of holding out a book (that you had, in fact, read in a matter of days. It was as good as you’d thought it’d be) he holds out a jacket. One of those expensive North Face fleeces.

You scrunch your nose. “And why are you giving me that?”

“You’re cold.”

“So?”

“So, I’m being a gentleman.”

“Oh, sorry. I didn’t know you knew what that word was.”

He drops the fleece on your head. “Take the fucking jacket.”

You slide it off your head, putting it on and glaring at him all the while.

“I’m only putting this on because I’m cold.”

“Sure you are.”

“This has nothing to do with you. I’m still not dating you.”

“Mhm.”

“I hate you.”

He cracks the same smile he gave you at the bookstore. “Sure.”

He takes a swig of his beer, walking backwards towards his group of friends. “You look good in my clothes, princess.”

You flip him two fingers, and he flips them straight back.

You’ll deny it later that you smiled after the interaction.

—

He shows up at your job. This time, Topper’s with him.

You close your eyes and count to ten, mentally picturing fleeing the country and never having to deal with men again before speaking.

“You know, there’s a term for you right now.”

He smiles that same stupid fucking smile, tapping his fingers on the table of the cafe you work at. He’s seated outside in your section. You highly doubt it’s by mistake.

“Determined? Persistent?”

“A repeat offender,” You say flatly. “Now will you please order and get the hell out here?”

To his credit, Topper looks vaguely uncomfortable with his own presence. Though that might be because you did turn him down particularly brutally. You wince internally. It wasn’t his fault, per se. It was just… not a good day.

Rafe is perfectly capable of handling your top-notch bitch-ery, and secretly, you enjoy the chance to be as openly angry as you want to be.

Rafe pretends to read over the menu. You know he’s only pretending because you watched him read it for five straight minutes when they first arrived. He probably has it memorized.

“I’d like a blueberry muffin,” He says, still smiling. “Just one.”

You scribble it down on your order sheet, then turn to Topper. “And you?”

“Uh,” He clears his throat, “Just a water, please.”

You raise your eyebrows. “Seriously? You came all the way to my job to harass me and that’s what you order? One muffin and a water?”

You write the water down anyway, clicking your tongue. “And the asshole-ery continues.”

“And what would you have us order, then?” Rafe asks, eyeing you from his position at the table.

It’s scary how well he commands a space just by being— he’s Rafe Cameron and he knows it. He exudes power and control.

He’s the exact kind of man you turn down hard. No chance of anything.

“Something actually worth bothering me for,” You slip the notepad into your apron pocket and spin on your heel, “I have other orders and tables to wait. Don’t expect to get your muffin and water soon.”

As you wait and bus the tables that need to be dealt with before your orders are ready, you begin to wonder if you’re going too far.

This isn’t just any Kook. This is Rafe. He could completely and utterly destroy your life if he wanted to.

Maybe you’re better off agreeing to go out with him. Just to be safe. Women don’t turn a man like that down.

Finally, you get their orders out to them, setting them on the table a little less harsh than you were originally planning.

“There,” Can’t quite stop your mouth, though. “Do you want the check now?”

Rafe picks up his muffin, shrugging. “Sure.”

You slide them the bill— you had it ready the second you got the chance. You’d rather not have them here any longer than you have to.

It was hard enough to get a job outside The Cut. You don’t need to give your boss any more reason to fire you.

Rafe tosses a few bills onto the bill and you take it, counting the money.

“You overpaid.”

“No I didn’t.”

“Your total was nine dollars and twenty six cents. You just handed me two hundred dollar bills.”

He tilts his head at you like he’s confused. “I thought you were supposed to tip waiters and shit.”

You blink at the bills. “Yeah like, five dollars. Not two hundred. I don’t even think we accept hundred dollar bills.”

“Tell your manager I’m the one who paid. Can’t take issue with a Cameron.”

“You’re the worst,” You tell him, but take the money back to your manager. He isn’t happy, but like Rafe said— can’t take issue with a Cameron. He gives you the change you need and bores holes into your back with how hard he’s staring as you walk the money back.

“Here.” You thrust your arm out, handing him the change.

Rafe crosses his arms. “I said that was your tip.”

“I can’t accept this. I don’t accept pity money.”

He rolls his eyes. “It’s not pity money.”

“Then what kind of money is it? Cause it sure feels like pity money. Oh wait, is this you-owe-me-now money?”

He groans. “Can’t you just take the fucking money?”

“Not if there’s a consequence.”

If Topper looked uncomfortable before, he looks almost nauseous now. You kind of feel bad for him.

Rafe scrubs a hand down his face. “Will you just take it? No consequence.”

“Why?”

Topper chokes on his water.

“Why?” Rafe asks, a muscle in his jaw jumping. “Because it’s what I do. You’re the Pogue Princess, yeah? I’m giving you the princess treatment.”

“But why? What do you gain from this?”

“I’m just gonna go wait at the car,” Topper says, getting up so quickly he bumps the table.

Rafe’s eyes never leave you, the money still clutched in your hand. “You know what I get out of this? The prettiest girl on the island in my clothes. The prettiest girl on the island spending my money.”

The bills start to crinkle in your grip. “I’m a Pogue. You don’t date Pogue’s.”

He stands, pushing back his chair in a much more controlled manner than you were expecting, given the look on his face. “Have you ever considered that you’re the exception?”

“No, because I’m not. The only part of me that’s an exception is the challenge. That’s all you want.”

Something flashes in his eyes. His gaze is dark where it scans your features, something calculating in his eyes.

“Some guy fucked you over, huh?”

Your near full body flinch is a dead giveaway. “Fuck you, Rafe. You’re an asshole.”

He shrugs. “Maybe. Probably. But I’m gonna keep showing you what this,”

He gestures to the both of you. “Could be like. I’m not that kind of asshole. Not to girls who look like you.”

He stands, taking all the change out of your hand except the $100 bill.

“Hold onto that for me,” He says, voice husky as it brushes your ear.

His hand comes up for one second, two, and then he lowers it. Like he’d had to restrain himself ok touching you.

An involuntary shiver runs down your spine. He smirks at the reaction.

And then, he’s gone. Now you’re just some waiter standing at a table with a $100 clutched in your hand.

You shake yourself out of your stupor, getting busy bussing the table. You notice something fluttering under his plate.

An old receipt with a number scribbled on it.

And a $20 bill.

“Son of a—“

—

You’re having a really bad day. One of those thirty-million-minor-inconveniences-in-a-row days. With one last fuck you from the universe on top.

You couldn’t get your hair right no matter how many times you tried, your makeup is rushed and bad because you spent too much time on your hair, once again one of your neighbors pulled out of their driveway without looking and almost killed you, a guy tried feel you up during your shift and your manager told you it was your fault for wearing revealing clothing (you were literally wearing your uniform) and then top it all off, your car won’t start. It won’t even try.

You slam your head against the steering wheel. Your boss made you stay late because of the incident so it’s getting dark now. You’re not walking all the way back to The Cut. But you don’t know how you’re getting home. It’s not like you can just call a mechanic. None of your pogue friends have cars and only person who does you’d… rather not call right now.

So that just leaves one option.

A really, really, terrible option.

A horrific one.

You curse as you rifle through your purse, pulling out the old receipt. Your phone’s almost dead, so you have to make this count.

You dial the number, pulling your knees to your chest and sinking low in your seat.

“Hello?”

“Hello, Rafe.”

“I was wondering when you’d call me.”

“I’m sure you were,” You say flatly. “Listen I… I need a favor.”

“Spill.”

“I’m at work. My car won’t start. I just—“ You break off, frustrated tears welling in your eyes. “Can you please come pick me up?”

“I’m on my way. Sit tight.”

He hangs up the phone and you sigh, scrubbing your face and willing the tears to just go away. You press the heels of your hands to your eyes, probably smearing your makeup past the point of return, but you can’t find it with in yourself to care.

You sit there for what feels like minutes, hands pressed to your face trying desperately to stop the tears that keep flowing when you hear a car pull up next to you.

You sit up, hands lowered, eyeing the sleek Range Rover that just pulled up next to you.

You manage to climb out of your car, hugging your waist in an act of self-soothing and a sad attempt at getting warm. It gets cold in Kildare at night.

Rafe rounds the front of his car, expression pinched.

“Are you okay?”

“Yeah. I’m fine, really, just…” You trail off, gesturing vaguely to your car. You sniff hard, rubbing the back of your hand across your face. “It’s just been a long day.”

He looks over your shoulder, assessing your car before looking back to you. “Get whatever you need from your car.”

You rush to gather the items from your car, piling them in the backseat at Rafe’s direction. You turn, facing him when something is thrown at your face.

It’s disturbing that you recognize it by deja vu alone.

“Rafe—“ You say, taking the jacket in your hands.

“You’re cold. Put it on.”

“But—“

“Listen, princess, I’m perfectly satisfied waiting here all night until you put that on.” He crosses his arms, leaning against the car.

You squeeze the jacket in your hand. “Why do you do that?”

“Do what?”

“That.”

“Mmm,” He hums. “That’s a tough one. Probably cause you look pathetic when you shiver.”

“I do not.”

“You totally do. You get all hunched. Like an old lady.”

“Is this your idea of flirting?”

He smiles. “Put the jacket on.”

You do. It’s just as warm as last time.

He nods his head towards the car and you climb into the passenger seat, clicking your seatbelt.

He climbs in after you, putting his seatbelt on and pulling the car out of the parking lot. After a moment, he reaches across the console, turning on your seat warmer and cranking the heat up.

“Thank you,” You say after a moment.

“I told you I’d show you what life would be like if you were mine.”

“Yours?”

“Yeah,” He says, fingers flexing on the steering wheel. “Mine.”

“So you’d have me, what? Caged? Chained to you.”

“Spoiled, is the word I’d used.”

“I’m not an object, Rafe. I’m not going to be some kind of kept woman.”

He snorts. “Who said anything about that?”

“That’s what you want, is it not? Want me to have no personality, no nothing. You want me to hang off your arm and laugh at everything you say—“

“Fuck no,” He says so vehemently you pause. “You’re so fucking mouthy. And stubborn. If I wanted some brainless fangirl, I’d go find one. I wouldn’t pick her up from her job and drive her home. Probably wouldn’t give her my fucking jacket.”

You look up at him. “You wouldn’t?”

He shrugs. “None of those girls tell me to fuck off.”

“So it is the challenge. That’s all.”

“That’s not all. You’re making shit up.”

“Am I?”

“Yes. Come on. No guy has ever given you his jacket? You seriously want me to believe you look like that no one’s ever spoiled you?”

“No,” You say curtly, “You want me to believe that every guy just enjoys spending a bunch of money on a girl?”

“Not a girl. Their girl. There’s a difference.”

“I don’t get it.”

“Cause it’s not your job to get it. It’s your job to be spoiled. Now where the hell am I going?”

You give him a vague address— just the street name and how to get there. You’re not stupid enough to give him your house address.

You don’t talk for the duration of the drive, you begin to shrug out of his jacket when a hand on your thigh stops you.

“Keep it. You can give it back to me the next time you see me.”

“There’ll be a next time?”

“If I have anything to say about it.”

You slowly put the jacket back on, then hastily climb out of his car, barely remembering to grab your stuff from the back.

You pause by the window. He rolls it down.

“Um. Thank you. Again.”

His lips twitch. “Don’t mention it.”

—

You don’t see him for a full two weeks after that.

After the first week, you figure he’s busy.

After the second week, you assume you scared him off.

You’re out on your old, busted kayak on the water, enjoying the early evening sun.

“Afternoon, princess.”

“Don’t call me that,”

You look over, eyeing Rafe and Sarah on one of the Cameron’s smaller boats. Sarah waves at you kindly. She’s always been fairly kind to you—

“Princesses have to stick together.” She’d said to you once, an easy smile on her lips, her face bathed in an orange glow in front of the bonfire.

A similar smile is on her face today. But the one on Rafe’s is nothing but mischief.

“Why don’t you come over here?” He calls.

You flip him a certain finger.

“Come on!” Sarah yells. “We’ve got beer!”

Well. Who are you to say no to free alcohol?

—

You should’ve said no to the free alcohol.

“You know what Rafe?” the words tumble out of your mouth, clumsy. “You’re really hot. It’s not fair. How am I supposed to hate you when you look so hot?”

You’re sitting on one of the benches on the boat, half leaning on the back of it and half leaning on Rafe.

You might have forgotten to take into account the fact that you’re a lightweight.

He raises an eyebrow. “How many beers did you have?”

“Don’t worry about that,” You slur, attempting to shush him but failing halfway through, your hand falling harmlessly into his lap. “I like beer. I like drinking. How come I don’t drink often?”

You pause, squinting at him. “How come you’re so hot?”

“Yeah,” He sighs, “You’re drunk.”

“Who cares? I like being drunk. Drunk me is fun. Like that one song. Release your in-hi-bitions— feel the rain on your skin!”

He gives you a pained look. “Please don’t try to start dancing. You don’t have the coordination for it, and I’m not going into the water when you tip overboard.”

“Pshhh, yeah you would. You like taking care of me. Cause you’re weird.”

You turn to face the other side of the boat, where Sarah is watching you with an amused expression. “Sarah! Did I tell you that he drove aaaaaaaallllllllll the way to my job to pick me up cause my car wouldn’t start?”

She tilts her head, looking at Rafe. “You told Dad you were going to go pick up Topper and Kelce from a party so they didn’t drunk drive.”

You make a so-so motion with your hand. “That’s like. Basically the same thing.”

“It is not. You really are a lightweight, huh?”

You squint at Sarah. “Did John B. tell you that?”

She splutters. “No, I—“

You cross your arms, frowning. Then you turn to look up at Rafe again. “I should’ve called John B. to pick me up, cause he’s the only Pogue I know who’s got a car. But I didn’t. I called you.”

“Mm,” Rafe says, his jaw tensing and un-tensing. “And why is that.”

“Cause he’s being a dick. He’s all upset ‘cause I’m hanging out with you, keeps telling me I’m gonna get hurt again and blah blah blah, but then, it turns out he’s been dating Sarah for weeks and he didn’t tell me! It’s the same thing! And we’re not even dating.”

Rafe looks at Sarah. “You’re dating him? That’s who you broke up with Topper for?”

She glares right back at him. “There is literally a Pogue in this boat right now who is only here because you want to date her. Don’t be a hypocrite.”

“She’s different.”

“How?”

“How?”

You and Sarah ask the same question at the same time. Rafe sighs, pinching the bridge of his nose.

“She’s not just some random Pogue I picked up off the street.”

“I could have been.”

“You’re not helping.”

You frown, staring at your feet.

He gazes at you for a moment. “She’s just… different.”

You blink up at him through your lashes. “You should kiss me.”

“No.”

“Why not?” You whine.

“Because when sober-you remembers all of this, she’s already going to kill me.”

“Not to mention I would.” Sarah grumbles, taking a sip of her own beer. “Come on, Rafe. You should bring her home. It’s getting late anyway.”

“Mm,” He hums, glancing at you up and down. “You wanna go home?”

“No. There’s no beer and Rafe there. S’ boring.”

“I’m pretty sure sober-you likes it that way.”

“Then she’s boring,” You poke the muscle of his bicep. “Do you work out?”

“Yes.”

“Are you buff?”

“I’d like to think so.”

“Could you carry me?”

“Probably.”

“Hmm,” You sink lower on the bench, kicking your feet. “Okay. We should go home before sober-me figures out what’s going on.”

Sarah brings the boat back to their little dock while Rafe makes various attempts to keep you awake during the journey.

You whine, batting his hands away as he pokes your face.

“We’re here, so you’re gonna have to get up.”

You groan. “You’re a big strong man. Carry me.”

You hear a huff, a sigh, and then arms come around your middle and you let out a half-aborted scream as you’re hefted into the air, stomach landing on a muscled shoulder.

“I was joking,” You mumble, your arms dangling. “I think I’m gonna throw up.”

“I swear to fucking— here.”

He slides you off his shoulder and you wobble as you land, vision swimming.

“I think I’m a lightweight.”

“You’re just now figuring that out?”

“Why are you so mean?”

“I was told by a certain princess that it was my brand.”

“I wanna go home.”

He pinches the bridge of his nose. “Are you going to walk then? Towards my car? So you can go home?”

You turn (slowly) and squint at his car in the distance. “That seems really far away.”

“It’s not.”

“I don’t wanna walk that far.”

The muscles in his jaw jump. “Just this once, because I need to get you home, and you are drunk, I am going to offer you a piggy-back ride. Got it?”

“Hmm. Okay.”

He stoops a little so you can hop on, then hooks his arms under your legs with only a mild grunt, your arms crossing —not too tight— around his neck.

He makes his way across the deck and up the path, silently, your cheek pillowed on the side of his neck.

When he makes it to the car he opens the passenger side door and slides you into it, clicking your seat belt on when your fingers fumble with it.

He’s silent the entire drive, jaw clenched and hands white knuckled on the steering wheel.

The silence practically thrums with anger, the charged air prickling your skin.

“Are you mad at me?”

He works his jaw. “No.”

“It seems like you’re mad at me.”

“I’m not mad at you.”

“Then how come you’re upset?”

He sighs out through his nose. He doesn’t respond right away. Waits until he pulls over at the front of your street, sets the car in park. His hands don’t leave the steering wheel.

“You’re… squishier than I thought.”

“You think I’m fat?”

“No- fuck. I’m saying you’ve got a convincing stone-cold-bitch act. Then you go and get drunk and turn into this. Makes me feel like a piece of shit.”

You cross your arms. “You don’t like it. Me.”

He finally looks over at you, his eyes hooded. “I never said that. It’s one thing for us to have this back and forth assholery, as you put it. But now I know this is also who I’m being a dick to.”

You look down at your lap. “You know, I wasn’t always a stone-cold bitch.”

He cuts you a look. “Stop talk—“

“No, you shut up, I’m not that drunk anymore,”

You’re totally lying, which he knows, but he lets you talk.

“There was… this guy. I really liked him. He really liked me. Well, I thought he did. He was a Kook, too. Everyone warned me against getting with him, but I thought what we had was real,” You clench your hands on your thighs. “It wasn’t. Turns out his friends had dared him to sleep with ‘the prettiest Pogue he could stomach.’ That’s all I was. The only Pogue he could stand to fake it with. He told me the morning after. We broke up.”

“Who—“

“It doesn’t matter. I’m telling you this so you understand that I am a frigid bitch, but I’m also… this. So you better not fuck this up.”

He chuckles. “What do you want me to do, then?”

You shrug. “Prove me wrong. And I’m not made of glass. You just gotta… take it.”

Rafe raises a single eyebrow. “Take it?”

“Look, I already told you I think you’re hot. You’ve got a brain. Put the pieces together.”

He rubs a hand across his jaw. “And if I go too far?”

“I’m not that fragile.”

He crosses his arms, biceps flexing. “You sure about this?”

“Right now? Yes.”

He hums. “I should say no. You’re drunk. You’re not in the right mind to make these kinds of decisions.”

“But?”

“I’d rather test this and see,” He leans down, across the middle console, eyes hooded and hungry as he stares down at you. “You’re on, pretty girl."

—

When you wake (in your own bed, shockingly) it’s to the sound of a chainsaw right next to your ear.

Oh. It’s actually just your phone buzzing.

You hit the accept button and roll over onto it instead of doing all the effort of lifting it onto your face.

“H’llo?”

“Morning, princess.”

You groan. “Why the fuck are you calling me?”

“You don’t remember last night?”

“You’re on, pretty girl.”

You groan again, this one long and drawn out. “Why did you let me drink? You should’ve thrown me off the side of the boat after the first beer.”

You’re utterly mortified at how you acted. There’s a reason you don’t really get drunk anymore.

“And get rid of my free show like that? Please.”

You huff, head pounding at the effort of remembering the night before and speaking. “Why’re you calling me?”

“Had to make sure all that drinking didn’t kill you. We’ve got plans tonight.”

You sit up a little in bed. “No we don’t. I have work tonight.”

“That’s your only dispute?”

“I figured I didn’t have to state the obvious ones.”

“Come on. It’s just a little party—“

“I don’t do parties, Rafe.”

“I recall seeing you at the boneyard more than a couple times.”

“Bonfires on the beach don’t count as parties.”

“So you’d come if it was on the beach?”

“No, I—“ You tap the speaker button, dropping the phone into your lap. “What’s the point of this party, exactly? You want to be seen in public with me? Want everyone to know I’m off limits?”

“Yes,” He says it so easily, though his voice a little rough, a little gravelly, “But you also need to lighten up. I’ll pick you up from work. Bring clothes to change into.”

You open your mouth to respond but the hang up tone beeps steadily in your ear.

Of course you had to go blab your tragic backstory to Rafe fucking Cameron.

—

Work is long as usual, and you’ve contemplated quitting several times by the time you’re changing into your ‘party’ clothes in the bathroom, ignoring the fact that Rafe has definitely been parked and waiting for half an hour.

Your boss kept you late. Again.

You rush out to his car, cursing. He’s leaned up against the passenger side door, one hand in his pocket and the other holding his phone. He looks up when you approach, the corners of his lips twitching.

He pushes off the car, opening the passenger side door and nodding towards it.

“You look good.”

You pause, shouldering your work bag. “That’s it? I keep you waiting for thirty minutes and that’s all you say?”

“Did you want me to get upset?”

“Well, no, but—“

He shrugs. “Don’t care. Get in the car.”

He closes the door after you then climbs in himself, cranking up the heat and driving towards the boneyard.

You notice his eyes flicking down to your thighs every now and then. When picking an outfit for the party/bonfire/whatever, you’d decided to go simple. Having Rafe follow you around would be attention enough.

Still, the jeans you’re wearing are tight. A bit more form-fitting than your usual attire.

He seems to notice.

You shift in your seat, a little self conscious under the heat of his gaze crossing your legs and angling them towards the car door.

He sighs. “Mm-mm. None of that.”

He reached a hand across the console, deft, strong fingers effortlessly hooking and curling over your knee and dragging your legs back over and closer to him. Once he resituates you, his hand travels a little higher, squeezing and rolling the plush flesh there in his hand.

Your breath hitches. “What are you doing?”

“Taking.”

You swallow heavily, nearly choking on the lump in your throat. “You better not act like this at the boneyard.”

“And what if I do?“

“I’ll leave.”

He snorts. “I’m your ride. You gonna walk home? In the cold?”

“It’s not cold out.”

“It is to you. You’re always shivering. You better have brought the jacket.”

He doesn’t have to say which jacket for you to know which one he’s referring to.

You cross your arms, firmly ignoring the hand still intermittently squeezing your thigh. “I did. But i’m serious, Rafe. You have to back off when we get there.”

“Mm,” He hums. “Then at least let me have a little now.”

There’s something in the way he says it. The timber of his voice, the low, almost croon to his tone. He says it like you’re in control. Like you have power over him.

Even just the idea of it is exhilarating.

You push your thigh up into his hand, just a little bit.

“Only cause you’ll be insufferable if I don’t.”

He curls his hand under your thigh, palm pressed to the side and fingers pressing into the muscle through your tight jeans.

“Thanks, baby.”

“I’m not your baby.”

“We’ll see about that.”

You pull up to the beach, party already well under way.

People cheer as Rafe climbs out of the car, but he ignores them in favor of walking over to your side of the car and offering you a hand, which you swat away.

“I’m not an invalid.”

“Has anyone told you that you’re really hard to be polite to?”

“You’re just—“

“For the love of god, don’t start with that shit. Get over here.”

He snakes an arm around your waist, tugging you to his side. He starts towards the beach and you squirm, not wanting to be seen tucked under his arm.

This is the exact scenario you’d wanted to avoid with this whole thing. Showing up with Rafe Cameron —literally climbing out of his car— and having his arm around you is the perfect way to be ostracized by almost ninety percent of your circle.

“Will you chill the fuck out?” Rafe says, slowing to a stop a little ways away from the party, turning you to face him. “We’re just going to a party.”

You attempt to shrug his arm off your shoulder, but it holds fast. “You don’t get it. You have money, so you don’t need a community to fall back on. We’re poor. All we have is each other. So if I walk over there with you, i’ll lose it. I’ll be a traitor.”

His expression twists. “You’re blowing this so far out of proportion it’s not even funny.”

Anger begins stirring in your chest. “Rafe—“

“Who cares? No seriously, who the fuck cares? Everyone on this island is a piece of shit in their own ways. No one gives a shit if I got you under my arm. No one’s watching you. You’re not a fucking celebrity. You’ve got a reputation for turning down guys, you’re not fuckin’ Taylor Swift.”

The anger fades and your skin prickles in its absence. “I don’t think that I’m famous or anything.”

Rafe’s features smooth into something a little calmer. “I know, I know. Is this cause John B’s being a dick?”

“He has a point—“

“No he doesn’t,” Rafe snorts, “He’s dating my sister. He doesn’t get to say anything.”

You sigh. “They’re just worried about me making the same mistakes again.”

His arm leaves your side and you resist the shiver that threatens to overtake you at the sudden loss of the warmth and stability you hadn’t realized you’d been reliant on during the length of the conversation.

Rafe slides a gold ring off his pointer finger— the gold ring. The Cameron signet ring. The ring he never takes off.

He takes your hand, turning it palm side up, and drops the ring in it.

“There. My dad would probably murder me if anything happened to that ring. If I become a real and serious dick to you, chuck it in the fucking ocean.”

You stare down at it. “This is real gold. It’s a family heirloom. You can’t just give it to me.”

“I’m not,” He says easily, “This is a loan. When you decide that I’m not gonna fuck you over, you can give it back.”

You close your fingers around the ring, still warm from his finger. You tilt your back, looking up at him through your lashes. A small smile starts to spread across your face.

“I’ve really got you wrapped around my finger, huh?”

He huffs a laugh, tucking you under his arm again and walking you towards the party. “Took you long enough.”

The party honestly is fun after that. You drink (not much, Rafe carefully watches your alcohol intake and makes sure you toe the line of tipsy, but don’t fall over into drunk territory. He spends the night nursing one beer, claiming designated driver whenever someone gives him shit for it.

“Never stopped you in the past.”

“Didn’t have precious cargo before.”

He stays true to your earlier agreement and remains fairly hands off, but follows you around the party like some sort of guard dog, lingering just over your shoulder and successfully scaring off every guy who even looks in your direction.

Some of the pogues do give you the occasional glare or judgmental look or two, but Rafe was right. No one cares.

It’s… nice. For once you’re not hoping no guy approaches you or praying a Kook doesn’t start some shit with you. With Rafe trailing behind you, one hand in his pocket and jaw set, you truly are free to just enjoy the party, for the first time in your life. No one’s trying to hit on you, no one’s trying to making a spectacle of trying to convince you to date them, no one is making snide comments.

It’s weird, because you’re accustomed to a certain kind and amount of anxiety that comes with going to a mixed party, but everytime you start wondering how things are going to go wrong, Rafe is there with an arm around your waist or some stupid comment or other about somebody at the party whispered in your ear.

You manage quite a bit more socializing at the party than you usually do. Unfortunately, between this and the alcohol, you tire pretty quick.

You trip over your third stick when Rafe settles a hand on your hip with an “Think it’s time you went to bed.”

You groan. “But I’m actually having a good time for once.”

He steers you in the direction of the car. “Well, you’re in luck, cause if you think you’re going to parties alone from now on, you got another thing coming.”

Rafe at your side —a seemingly permanent arrangement now— you stumble your way towards the car.

“Isn’t that boring for you?”

“If it was, I’d say something. Besides. There’ll be different parties. Stop worrying so much about shit.”

His words seem harsh, but his tone is nothing other than low and fond.

“I’m cold.”

“I told you to grab the jacket—“

“I did bring it—“

“Then why aren’t you wearing it?”

“It didn’t match the outfit!”

“Are you being serious right now?”

"Is it a crime to want to look good at a party--"

He chuckles, fingers flexing on your hip as he tugs you closer to him. "You're so stupid."

"Rude."

"Not rude if it's true."

You elbow his side, but he just laughs louder.

Unsurprisingly, he warms the car for you when you get in.

—

Storms are a common thing in Outerbanks. Everyone's used to them. Monsoons, thunder storms, even the occasional hurricane. So you're not surprised to get the warning, not surprised when it hits.

You are a little surprised to wake up pelted with rain, a tree branch in your room, and part of the roof missing.

"Shit," You gasp, pushing the fallen debris off your body and rolling out of your bed to assess the damage.

It's bad. The branch is big and long, probably from that stupid tree your neighbors refused to cut down that you said was going to be a storm hazard. They'd refused, and now there's a huge tree branch that's caved in your roof and part of the wall that separates your bedroom from the living room.

No one is home but you. No one ever is, but right now it causes tears to rise to your eyes, because there's a branch in your room, and the roof is in pieces, and now that you've stopped moving, your legs and arms and torso actually hurt quite a bit, and something warm and wet is running down your temple and when you touch your fingers to it, they come away wet and scarlet.

You're out of your depth and you're scared. You can't stay here, obviously, but you don't know what to do. No one else is home. You don't even know who to call. JJ is out, because who knows if his dad is home and he doesn't even have a phone right now, Kie's out too because her parents didn't like that you were a Pogue with a reputation, you and Pope aren't that close, and John B is... John B. He has a car, at least, and you grew up together, so he'd probably overlook everything between the both of you if you're in danger.

You snatch you waterlogged phone off your dresser, shaky fingers scrolling through your contacts, thumb hovering over John B's.

You should call him. You've been neglecting your friendship with the group recently, working around the clock and Rafe whisking you away. Everyone's busy in their own way, what with the treasure and everything, so this could be a moment to reunite, bond over how shitty the storms make life on the Cut.

There's one other person you could call.

You shouldn't. Should stick to the friends you know, call John B.

But if you called Rafe, he'd come. He'd come get you, and probably take you back to his house and you wouldn't have to worry about anything, because for some reason, he's serious about doing that.

You could call him. He probably wants you to.

You press call before you can talk yourself out of it.

"Do you know what time it is--"

"A tree branch fell on my roof and now I don't have part of my roof and I'm really cold and wet and please come get me."

"Jesus— okay, yeah, yeah I'm coming. Shit, okay. Are you hurt?"

"My head is bleeding and I'm battered all over, but I don't think I need to go to he hospital."

"You're bleeding from your head and you don't think you need to go to the hospital?"

You can hear the sound of a car door slamming and an engine turning over.

"I don't want to go because then I'll be stuck in these clothes and they'll poke and prod at me and it'll take ages and—"

"Alright, alright. Calm down. How bad is the damage to the house. Look around for me."

"Um," You turn in place, scrutinizing the disaster and chaos around you. "I think most of the roof is intact, just the portion that covers my bedroom and some of the living room are uncovered. The branch took out most of the wall that seperates my room from the living room."

"Fuck. Okay, what about the rest of the house?"

"Um, I don't think I can get to it. The tree branch and other house... pieces are blocking my door."

"Can you get out? At all?"

"Yeah, I think through my window."

"Don't move. Take what you need from your room. I'll be there soon."

“Please don’t hang up.”

The line goes silent and you think he has hung up, that you didn’t say it fast enough or he just didn’t care, but then he speaks.

“Would you rather I sneak you in my house or walk in through the front door?”

“…What are the pros and cons?”

“Well, getting in the front door is easiest, but then you risk seeing my parents and my Dad won’t have questions, but Rose will, and I never want to answer her questions anyway.”

“She can’t be that bad.”

“She is. Sneaking you in is harder, but then we avoid conversations, but if we get caught, conversations will probably be worse. Might become a whole lecture.”

“They’d lecture you for taking in a girl who needs help?”

“Rose would.”

He keeps talking the entire way to your house, his voice speaking in low tones as you gather up the things you need to spend an indefinite amount of time away from home.

He eventually does hang up when he arrives, so you turn your attention to prying your window open and climbing out of it.

You can barely get it wedged open enough to fit through, so you toss your bag through first and shout a quick “over here!” before beginning to crawl through.

You hear footsteps slow to a stop in front of you. “You know, usually when this scenario happens, you’re facing the other way around.”

You swat at his leg. “You’re disgusting. And I’m not stuck. You just arrived at an in-opportune moment.”

He curls a hand under the window and pulls up, making the gap wider. At the sudden release of tension you yelp, tumbling out of the window.

“You’re such a mess.”

“You didn’t warn me!”

He helps you to your feet and leads you to his car, the hand on your waist keeping you distracted from the wreckage behind you.

—

You do decide in the end to just walk in the front door, because you’re cold and wet and tired.

Ward does wake up and meets you at the staircase (you’re pretending not to notice the sheer opulence of the house) looking rumpled and confused.

“Who’s this?” The man asks, gesturing your rather pathetic looking form.

“My girlfriend,” Rafe says smoothly, “Branch fell on her roof. Place is a mess.”

You wave hello. “Sorry for waking you, Mr. Cameron.”

His gaze flicks to you for a second, then back to Rafe.

“Girlfriend?” His tone sounds… off. “How long has this been a thing?”

Rafe shifts, squaring his shoulders and stepping a little more in front of you. “A little while.”

Ward hums again, eyes flitting to you, taking in your appearance.

“Make sure you get the first aid kit. That head wounds looks nasty.”

Rafe nods. “We got it. Thanks, Dad.”

Ward just dips his head once, then steps back into the bedroom.

You let out a long sigh, pressing a hand to your chest.

“I thought he was going to throw me out.”

“He wouldn’t. I wouldn’t let him, anyway.”

You snort. “Yes, yes, you’re a big strong man. Can we attend to my wounds now? And get some dry clothes?”

Cleaning your wound doesn’t take long, mostly because your head is the only one that really needs cleaning. The rest is taken care of in the shower. The most luxurious and amazing shower of your life. Seriously. You didn’t even know showers could be this relaxing.

The warm water soothes your aching muscles, and Rafe has weirdly good taste in bodywash.

He’d left you a change of clothes and a spare towel even though you said you brought your own.

You change into his anyway.

They’re more comfortable. Better quality than your ratty pajamas.

Your underwear is a different matter. Your dresser is old and broken —as most things in your house are— and the drawer you picked to store your underwear in doesn’t close all the way. This normally isn’t an issue, but when your roof is suddenly no longer attached, it means the a good portion of your underwear got soaked and muddy.

Except the ones at the bottom of the drawer. So the only underwear you had to bring to Rafe’s that was clean and dry is the tiny, lacy stuff you bought from Victoria’s secret and only wear when you’ve taken an everything shower and need a little pick-me-up. When you want to feel like a hot piece of ass. Girl things.

So you look at yourself in the mirror, clad in your own tank top (it’s actually warm enough in his house to wear a tank top to bed) and a pair of his pajama pants, the draw-string pulled tight, the fabric sagging low on your hips, showing off a thin little strip of lace.

Your face flushes. You look like his girlfriend. Dressed in his clothes, lacy underwear peaking through, skin freshly washed and smelling of his body wash.

When you step out of his bathroom, old clothes clutched in your hand, he stills.

He sits back on the edge of his bed, leaning back on his elbows as you slowly saunter over, steps quiet.

His eyes flick down to the lace, pauses on the sight, then back up to your face.

The air is charged, thick with tension.

You pull away from it, tossing your clothes in your backpack and ignoring the heat of his gaze on your back.

“Come over here.”

You straighten, hands behind your back as you walk to him.

“Closer.”

You step forward, now standing between his legs.

His hands come up to the back of your thighs, tightening, before moving to your hips. His thumbs ghost over the edge of the lace, and he rumbles something deep in the back of his throat.

“I like these.”

“Do you?”

“Mhm.”

He presses his face forward, pushing your tank top up with his nose pressing his lips to the now exposed skin of your stomach.

You gasp, then feel him smile against you. He tugs you closer, face pressed to you and hands gripping your sides, just above the edge of your ribcage.

Tentatively, you reach a hand down, sliding from the top his head, down the side of his face, then slowing to a stop at his jaw, pushing your palm up. His head lifts, his eyes a little glassy, chin resting on your stomach.

“You introduced me as your girlfriend.”

“As far as I’m concerned, you are.”

“I am?”

You stroke a thumb over his face, sweeping over his cheekbone and under his eye. He leans into the touch, pliant.

“You think I let just any girl in here? You think I give any girl my clothes?”

“Yes?”

“Come on, baby. We’ve been over this.”

He presses another kiss to your stomach, mouth hot and lips firm.

He lifts his head up again. “You can make me yours anytime you want. Just say the word.”

“I’m scared,” you whisper, words barely even a breath.

“Mm,” He hums, hands running up and down your sides. “You think too much.”

You pause for a few moments, taking everything in.

You grab his hand, leave it palm side up in front of you, then reach into your pocket and drop something into it.

The ring. His ring.

He stares at it for a beat, then closes his hand around it, slipping it back onto his finger.

“Yeah?”

You nod. “Yeah.”

He grins.

Your drop your hands around his neck and he moves his hands to the back of your thighs, effortlessly lifting you onto his lap, wrapping your legs around his middle.

He doesn’t waste any time kissing you. It’s hot and full at first, a roaring flame licking in both your chests, like he’s been holding himself back all this time and finally let it all out. He pushes up into you, and the kiss deepens before it mellows out, slowing down to a few cracking embers.

He pulls back, your noses brushing. “Been wanting to do that since the fucking bookstore.”

“That long?”

“Mhm. You were wearing those cute little pants and you couldn’t reach the top shelf. Wanted to have you right there.”

“You’re insatiable.”

“Mm. Only when it comes to you.”

You fall into each other again, and again, and again.

“Baby.”

“Hm?”

“I really like you in lace.”

˖ . ݁𝜗𝜚. ݁₊

[leebrontide]

Every single time I see a take that amounts to "if you write about X happening, or like fiction where X happens, you like X" I'm reminded of this one time I was at a casual friends house as a young kid. We were in her room, pretending to "be orphans" escaping from an evil orphanage and having to take care of each other and fend for ourselves. It was all very Little Orphan Annie/All Dogs Go to Heaven and based on the 80s pop media.

And this girl's mom comes in, hears what we're playing and gets all MAD and UPSET. She says that if we play act something, it's because we want it to happen. So her daughter must WANT HER TO DIE.

First off lady, we were 6 year year olds, so take it down several notches. We barely had a concept of mortality for fucks sake. She made us feel so guilty and ashamed, because she was taking our game personally.

Now I have a 5 year old. And sometimes she looks at me and says "pretend you're dead, and I have to -" Whatever it is. Some adult task she's assigned herself.

And it's just so transparently obvious that she's practicing the idea of having to do things on her own. Which is exactly what 5 year olds are supposed to do. I actually find it very flattering that the only way she can envision me not being available to help her is to be literally deceased. Otherwise, obviously, she wouldn't have to do scary hard things alone.

It's a natural coping mechanism. She's self-soothing about what would happen if I wasn't there by play-acting independence in a perfectly safe environment. She's also practicing skills she needs, and making up excuses for practicing them on her own, without taking on the responsibility of being able to do them by herself all the time yet.

Humans mentally rehearse bad this in their brains all the time. We can do that by ruminating- going over worries over and over again, which tends to lead to anxiety and helplessness and depression. Or we can do it with a sense of play- by recognizing that the fiction is fiction and we can dip our toe into these experiences and expose ourselves to bad things without actually being injured.

My daughter does not want me dead. And I don't want bad things to happen in real life. But fiction and pretend help me face the horrors of the world and think about them without collapsing or messing myself up mentally.

[astrxealis]

on a whim and in spite of my responsibilities i have started on making a whole 9 chapter self-indulgent fic for mr. grim reaper from the hit game 'a date with death'