#<- Wrote too much about him in this post

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[wickmitz]

— THE ELECTRIC-FEVER REMEDY.

[bewareofthenewphannie]

the fact that they could just casually introduce the new places of the phouse or even film the videos there without really mentioning it, but noo, they decided to make A Thing out of it.

it makes me think of the role their living spaces have played in this parasocial (and sarapocial) relationship we have. because they've always been A Thing, that's nothing new.

their beds became part of their brand, they let the internet into every inch of their first london apartment during a time where they really gave their everything for youtube. then they took a step back, and set boundaries for themselves with the sets in the second (fake) london apartment.

it's understandable that they want to keep their (p)house for themselves and not let the whole world into this thing that's so intimately theirs. but, as they've mentioned before, at the same time they do want to show off what they've built and designed (pretty sure they talked about this on a stereo show or something). and they obviously know the curiosity is there on our part.

so when they share they do it deliberately and with purpose. and by making it such A Thing they're taking control in a way. because it's not us pointing out these things, they already make the jokes themselves, basically making fun of us but in the process still show us new corners of their house and let us in a little bit more.

it's like with 'they're touching', by pointing these things out themselves they take away some of the power we have over their experience but not any of the fun on our part. they acknowledge it and spin it in a way that works for them. at the same time it works for us because it's very transparent and they're not not doing that thing where they lie to us again (to quote them).

it's pretty neat this way I think.

[idkwhatimdoingbutslay]

… I can’t imagine that we actually watched the same show. Like I REALLY AISNSOSNWKMEJDND

hold on I’m gonna need to calm down.

Let me just make a list of why I disagree and at least organize my anger. Long post incoming.

Vander was friends and had a deal with Grayson. The sheriff. Idk what else to even add to that

Caitlyn is more than a cop and Arcane isn’t copaganda. Genuinely don’t know what kind of progress some of these people are looking for. Real allies are a necessity for real progress.

SILCO IS A CLASS TRAITOR. HE FUNNELLED DRUGS INTO THE UNDERCITY AND PUT POOR KIDS IN FACTORIES FOR THAT DRUG FOR PROFIT!!! HE PAID THE ENFORCERS TO LET HIM DO IT WITHOUT CONSEQUENCE

Vi is not as much as an activist as you would like to believe

WHY IS EKKO NEVER EVER BROUGHT UP IN THESE CONVERSATIONS????

Silco was not good for the Undercity

Silco was not a great guy. Ekko had to build an entire separate hidden community for the people he hurt and stepped on for his own benefit

Caitlyn is ignorant and naive. That’s ok. That’s what character development is for.

Loving imperfect characters like Silco and Jinx then hating characters like Vi and Caitlyn is peak media illiteracy to me

FOR THE LAST TIME: VI DIDNT ABANDON POWDER!!!!! Silco literally wanted Vi DEAD for trying to stop him from killing Vander??? How could you possibly say silco was there for jinx when Vi refused to be???? SHE WAS IN PRISON BECAUSE OF HIM???

Silco’s manipulation is working wonders on y’all

Embracing all the outrage without at all looking out for the people harmed by bigotry is not activism

SILCO IS A CLASS TRAITOR x929282929394

Caitlyn was the first person in years to show Vi kindness and care. She listened and stuck by her and took care of her after Vi was locked up for years and beat up by cops (i wonder what led her to be thrown in there?). Cait being a cop stopped being a point of contention once Vi recognized her naivety and genuineness.

NUANCE NUANCE NUANCE. ITS NEVER EVER BLACK AND WHITE

The only way I can see Vi touching ‘class traitor’ in season one was the shimmer raid. Guess who the hell put those kids in there in the first place.

Just hanging out with Caitlyn isn’t being a class traitor if Vander’s allowed to be friends with Grayson.

Critical thinking is very necessary for watching shows like Arcane

What the hell did Silco really do for the Undercity???? What changed over the 7(ish) years he was basically in power of the place? All I’ve heard was he made the air cleaner, which would be great except for, you know, shimmer and the child factory workers

Jinx is unwell and feeding into it like this in a fully serious manor would not help Arcane as a show at all

What do you want Arcane’s message as a full show to be? ‘Screw cops’? That’s a little boring and unproductive isn’t it?

CAN WE TALK ABOUT EKKO AND HIS IMPACT PLEASE???? x9382728283

Caitlyn is trying to make Piltover and Zaun a better place. Is that not allowed? Am I missing something?

Caitlyn and Vi’s arcs have only just started. Season one is basically fully set up except for characters like silco and Jinx. This is far from the end.

Genuinely think Vander would appreciate Vi for being friends (using this term loosely because they are in love) with Caitlyn considering he was the one who was opposed to war and Vi wasn’t.

Silco should NOT be your idea of Undercity independence and respect. He oppressed the Undercity the same way the Council and the Enforcers did. He helped no one but himself, his team (barely) and Jinx.

You’re allowed to like and dislike any character you want but pretending like Silco is better for the Undercity than others is just so ridiculous to me. Everyone is of course completely allowed to like Silco, but we can’t pretend like he’s this stand up guy. If you have to pretend like he was, maybe you don’t like him as much as you think.

“Because Cait’s pretty” is also incredibly incorrect. Go check point #14.

Vi never stopped loving and caring for Powder. Powder’s mental health issues were amplified and utilized by Silco because he couldn’t even heal himself.

If all of your opinions of Caitlyn and Vi start and end with “cops suck” and “class traitor” then you genuinely don’t respect Arcane as a show enough to show you nuance.

The misinterpretation of characters is just so … it’s like you go out of your way to love and/or hate characters no matter how much they show you who you are.

Your closed mindedness is clouding your judgement and making you out to seem like you don’t actually want the Undercity’s triumph, you want Silco and Jinx’s, even if it means ruining the Undercity. And that would be fine because father/daughter evil duo but trying to say you’re all for this duo because you want what’s better for the Undercity when they continue to hurt it is simply not correct and very harmful (to fictional characters in a fictional universe 😭)

Only being able to understand how Silco and Jinx were oppressed and therefore should be able to not just destroy Piltover but also Zaun is not the eat you think it is

Why is Viktor never called a class traitor? I think he's great (I also think Silco and Jinx are wonderfully written) but we hardly saw him in the Undercity/ interact with people from the Undercity plus he killed someone (Sky) from there (accidentally)

EDIT TO ADD ANOTHER POINT: Caitlyn has shown little to NO malicious intent and has no real negative impacts other than Jinx’s attachment issues and insecurities being amplified by her mere existence. Again, this is her story and development. Throughout the season she is exposed to reality and recognizes her and her peers/ families wrongs. I have no idea what you want from this character. Should Piltover just be gotten rid of in the story? Then what? Should Caitlyn have just never gotten involved and continued to embrace her privilege? Should she have left Vi in prison and stay ignorant?

[cerise-on-top]

Easter with König

It's another holiday, which means I'm going to make my favorite fictional Austrian go through the holidays as well. First was Fasching, now it's Easter! If I have to celebrate it, then so does König, except he gets to have a better time doing it!

I wouldn’t be surprised if you’d meet his family during Easter. It’s a tradition of his to go to his parents’ home during that time for a visit and a chat, he only sees them maybe twice a year, so he can appreciate having a small get together with them. He normally gets along well with his parents, but he’s lost most of the contact he had with them ever since he hit his mid 20’s, but he does look forward to seeing them. Naturally, he’d take you along for the ride, regardless of whether you actually know German or not. He can play interpreter for you, it’s not a problem for him. But if you know German already? All the better, that way his parents and you can just talk to each other with no problems. He does hope that you’ll get along with them, they did play an important part in his life when he was younger.

König genuinely hopes that you will like the traditional Osterjause*, though. He’s loved Easter for that reason, and for the freshly baked lambs, but mostly for the best Brettljause*. In fact, he’s probably called his mother two weeks before his visit to let her know what kind of meat and sausages to get for him and you as well so that there shall be plenty to go around. If you’re not from around, then you likely don’t know what a “Gsöchts”* or “Schweinsbratn”* is, but he will assure you that it’s something delicious. König could rave on and on about that one farmer’s “Hauswiaschtl”. In fact, if he can, he’d love to go to the farmer’s market on Friday with you just so he can get you something to eat. Not above grabbing some Bauernbrot* and Krenn* either while he’s at it. Mans needs his Krenn when eating his Osterjause. Although it will have been a while since he’s seen everyone, he will introduce you to all the farmers there since he knows a good chunk of them growing up.

Naturally, he’ll be drinking a few beers here and there as well. He’s Austrian, it’s in his blood. Will have you try everything off the plate, from the Nuss* to the low-fat Karree*. Loves having you with him and will actively try to involve you in any conversation there may be so that you get to talk as well. Again, it might be a bit awkward if you don’t know any German, especially since he’s not the most reliable translator, but you’ll get by somehow. His parents have been curious about you for a while now anyway and have been wanting to meet you.

Although he claims to be far too old for that sort of thing, he wouldn’t mind looking for an “Osterkerberl”* with you. It’s a nice tradition that he used to love as a child and he wants you to experience Austrian Easter with him, so he likely asked his mother to hide one for you somewhere around the yard so you can go find it. She won’t give you any clues as to where it could be found. It’s childish, but it’s a lot of fun. In fact, if König were to ask her to prepare a Kerberl* for you, then chances are she prepared one for him as well, for old time’s sake. And then the both of you, two fully grown adults, will run around the yard, looking for the basket. Once you found it, you had to admit it was rather cute, filled with a few hand painted eggs, some colorful chocolate, a baked lamb and some crafted chicks and bunnies. Clearly, his mother put in a lot of thought into what goes into such a small basket. In fact, even the “grass” was made of edible paper, it seemed.

König would feel somewhat stupid, looking for a basket of all things during Easter, but it did remind him of his childhood, so he wouldn’t outwardly complain. Besides, you walking up to him, all happy with your little basket, does something to him. The sight was just too adorable, so he’d likely ask you, the master sleuth, to assist him in his hunt. Once you’ve both found them, you’d return back to his parents’ apartment and continue just chatting while occasionally eating a bit of the Jause*.

_________________________

Osterjause - Food that’s been prepared for Easter. It usually consists of meat, sausage, cheese, tomatoes and horseradish.

Brettljause - Same as Osterjause except it can be eaten at any point during the year.

Gsöchts - Geselchtes - Salted and smoked meat.

Schweinsbratn - Schweinebraten - Specifically prepared roast pork, eaten cold in this context.

Hauswiaschtl - Hauswürstel - A hard sausage.

Bauernbrot - A special type of bread.

Krenn - Horseradish.

Nuss, Karree - Types of meat

Osterkerberl - Osterkörbchen - Easter basket, a basket filled with easter themed food. Sometimes has a gift in it as well, mostly for children.

Kerberl - Körbchen - A basket

Jause - In this context it refers to the Osterjause.

[uhhhitsme]

i do in fact know that my opinion is neither wanted or needed tonight but im being plagued by agent curt mega visions. because like. god. he really is a guy, man. he cares so much about his dead ex boyfriend that his entire world basically ends when he dies. he chooses to kill him again. he blames himself for his ex's death and experiences so much emotional turmoil over it he has an entire song about how much of a failure of a spy he's become. he never verbally acknowledges that he's basically the reason owen died. the only reason he doesnt retire from the job for good is because he thinks that owen would want him to get his life together and be the person he was before owen died. he almost never says owens name during the entire show. he feels this massive obligation to save the world and protect the people around him, and that if he cant do that then he's a failure. he lies to tatiana about the existence of chimera and never successfully destroys it. owen was probably the most important person in his life. he chooses spying over him in the end. he probably never stopped loving owen. owen died thinking curt never loved him enough.

its just. god. he cares about people---tries to do everything in his power to protect them, and keep them safe, even when it's not advisable. even when he knows it could get him hurt. he doesn't understand that he can be loved outside of his capacity to be a hero, so he tries and tries and tries desperately to be one. to be someone untouchable. the perfect, all-american man. who does things because theyre right, and does it well, does it cool, has ladies lining up around the block to thank him. not someone who is flawed. not someone who is a "sexual deviant." who loves another man so deeply that he probably wanted to spend the rest of his life with him. to him, the person he was, wasn't the person anyone could want. so he destroyed himself, and pushed every person who loved him away, trying to be the person he thought he world wanted him to be.

[emry-stars-art]

Thoughts on prince Riko’s “perfect court” before anyone escaped Evermore ( @thefoxesraven pls remind me if it was you with the branding vs tagging idea on that insta live)

@snazzy-jas-z-is-a-fan-of came up with SO MUCH of the possible politics and family ties of this au, it was incredible to watch and I think I finally understand enough to post about it 😂 there’s a balance of power between the two branches of Evermore royalty, which balance is shifting slowly to the Moriyamas and by the end of the story belongs solely to them with Ichirou as king. I’ll try to explain it in a different post if there’s interest

(And lest we go a day without Abram angst: he does in fact get his brand and more, when he’s taken back to Evermore and Riko takes the chance to reclaim his property ‘like he should have done to begin with’.)

[accirax]

Nene’s Role in Wonderlands x Showtime

The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.

With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...

...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.

Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.

I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”

Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.

Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.

But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.

Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.

Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.

Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.

There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.

Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.

Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.

So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.

There is one other thing I wanted to mention, though...

Tsukasa.

As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.

And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...

And THAT’S why ColoPale gave them Childish War.

Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.

[silverware-is-interesting]

i think i've drawn lankmann a few times. just a couple

[queenerdloser]

so thinking back i haven't reread the captive prince trilogy since kings rising came out. which is wild bc it's one of my favorite series in the universe BUT also tracks bc when it exists in a subsect of my books where i know if i read it my entire personality will be subsumed. but i'm rereading them now now and my GOD what a delight. i devoured the first two in a day and remembered exactly why they were so so so so good. and i've saving kings rising bc that one changed my brain chemistry when it came out, i've never read such a tightly done, masterfully paced final book in a series to match it.

[dropthedemiurge]

I've seen things after SOTUS extreme actor harassment, I've been here through BMF "hate watching flashmob" and you know what, this year I will actually stop tolerating BL fans (at least on tumblr) who don't even have the decency to just ignore things they don't like and who think bullying someone is a good fandom sport, and start calling out. No matter if you believe clickbaits or you're a proud member of celebrity witchhunt or just don't believe people and situations can change, whatever, I really don't want to see KristSingto hate if - when - they will come back with another BL series.

Peraya fans have been waiting and hoping for KristSingto reunion for years, they wanted it themselves for so long as well, and we've unfortunately encountered way too many people who don't use their braincells and who encourage others to follow their footsteps when making derogatory comments about (mainly) Krist or Singto who they don't even know about, or their shows. For years. Some even go to talk shit and laugh right at his face. What the hell.

Maybe don't ruin someone else's parade and don't turn a nice community lake into a swamp. If you consider yourself a good person who can have an opinion "I just don't vibe with this person/show", watch it unbiased, be open minded and if you don't have a full picture, ask fans of the actual story or do research and read proper compilations about him instead of blindly stacking your opinions on repeated echoed insults from yt and tiktok. And if you aren't willing to be open minded and rational, well, let the fans celebrate and stick quietly to your swamp.

It's really no fun to gather around to discuss something and slip on poop piles thrown around for no reason. What happened to civil discussions?

[eruanee]

Kiryuu Touga and the cyclical narrative

TW : Discussions of misogyny, emotional manipulation and abuse, sexual abuse and (sexual) child abuse. (Very vague) mention of incest.

First of all, not really as a disclaimer but more as a recommendation, a lot of my thoughts about Touga are shaped by this essay, which is definitely easily one of my favorite pieces of Utena meta. I think I'm going to implicitly or more explicitly reference it sometimes, but you don't need to read it to understand this post.

I have a complex relationship with Touga. He is despicable, yet the more I watch the series, the more I find myself... fascinated by him. This post is a pretty much a synthesis of all these thoughts.

On a purely narrative level, Touga's role is a bit special. He's the antagonist of the first arc. The three duels involving him are all turning points in the series. He's a core character in the development of several other characters (Saionji, Nanami, Utena and Miki on a different level).

Yet, turns out he's only a puppet, just as everyone else is. How surprising. And when it comes down to it, what do we know about Touga ?

He's the Student Council's president. He seemingly can't have a relationship with anyone without manipulating them to his advantage. He sleeps with any girl (and maybe not only girls) who breathe around him in a 1 ft radius. His way of coping with depression is to seal himself in a wide and totally empty room to listen to his own voice on repeat to ponder heavily on his broken hopes and ideals. (Hmm. Hardcore.)

And more importantly, he wants power. A power that would be absolute. But why so ?

And this is the point where it gets complicated.

Touga is barely the main topic of episodes focused on him. He is the center of many obsessions and interests, but it seems we never touch upon him as a person. He can be seen being vaguely vulnerable in eps 11 and 12 and then there's the whole Black Rose arc thing. But where does all this mess steam from ?

Victim status

Eps 35 and 36 are the one going deeper into Touga’s character and yet... we’re barely sure of what’s actually going on in his brain. These episodes always give me a weird feeling because we don’t really get to see Touga express his feelings very clearly or freely... We barely get to hear his thoughts. 

Just like Anthy.

Don’t make me say what I didn’t say, though. Touga gets to have way more agency than ever does Anthy, and he certainly doesn't endure the same dehumanization as she does. Anthy does have agency in a way. But she expresses it in hidden, implicit ways : playing tricks, hitting people in their sore spots, sarcasm, empty eyes and fake smiles. She’s manipulative and Touga is, too. These two share many similarities, though they can’t completely blend with each other, of course. 

We don’t know much about Touga’s childhood. We know he and Nanami were adopted (or “sold”) to the Kiryuu family at a young age. That’s basically it in the canon of the series. Though, Touga’s backstory in the movie, showing him being sexually abused by his adoptive father, was apparently meant to be included in the series as well :

Although the TV series touched upon Touga’s younger days, the film goes into more details – the wound of Touga that was never directly depicted. In his younger days, Touga was a normal kid who enjoyed happy times with his friend Saionji Kyouichi and his younger sister Nanami. However, he came to know his unfortunate fate from the time he was ordered by his parents to wear his hair long. His parents sold him to the Kiryuu family. Although he was an adopted son on the surface, the instinctive Touga knew what that meant. And in order to protect his younger sister, he accepted his lot. Being sold. We did not go into depicting what Touga’s parents obtained by going as far as selling their son. We would like you to think of it as a kind of metaphor. 

And Touga accepted in silence the sexual abuse from his new parents. His personality changed while he made a magnanimous show of enjoying the abuses in order to prevent his personality from splitting. The change took place in a spot so deep in his mind, that even those closest to him did not notice. Saionji and Nanami never noticed out of their innocence. And Touga never told his secret to anyone. It is said that a human being gains whatever he lost in exchange. So what did Touga gain in exchange at that point in time? It was the sense of alienation from being abused every night and seeing his innocent friend and sister during the day. The alienated self.

(Extract of a comment Enokido, one of the writers who worked on Utena, wrote about Touga’s role in the Utena movie.)

Of course, you could argue whether or not the sexual abuse is canon or not in the series. After all, the series and the movie don’t seem to take place in the same canon (even though it is hard to completely disconnect the two). Whatever you choose to believe, I personally think it all makes so much sense. 

It makes sense regarding Touga’s general behavior in the series (but this is more touched upon in the essay I linked above) and it makes his goal and his narrative role much clearer.

Being sold like a mere object, knowing a much harsher truth about life Saionji and Nanami don’t know about, showing everyone a stronger facade in order to not completely lose your mind and keep protecting your friend and your sister from this reality and eventually... letting them know in a painfully gendered way, perpetuating everything this system has forced on you. 

It has all become part of you. 

Keeping the cycle of violence going became part of your blood and flesh. Making clear who is supposed to inflict pain and who is supposed to receive it. Who is supposed to protect and who is supposed to be protected. Who is supposed to act and who is supposed to wait. 

And you ? No, you’re never supposed to hurt anymore. You want a way out of this. For you, the easiest way is to simply reclaim the place that was always prepared for you to take. 

When Touga and Saionji found Utena in her coffin, it feels like Touga knew something Saionji didn’t. Saionji felt it too, but he wasn’t able to recognize what it was. After all, he was still a child. Touga knew about the same thing Utena learned with her parents’ death : they both had a glimpse of what the “adult world” (Akio’s world) actually looks like, shattering their juvenile knowledge of the world. 

A world where people die. A world where the weak lose. A world where the prince should protect the princess. 

Touga already had a coffin. Utena just found hers and was about to find a new one. Saionji was just finding his. 

It all makes sense regarding how obedient Touga is to Akio and why he seeks his validation, his desire to go up in the hierarchy aside. It makes sense because he is “alienated”. Touga got deprived of everything, he knows the burden of being alive and he’s learned, from his early childhood, to be compliant. 

He seems independent during the Student Council arc and a majority of the series, but eps 35 and 36 show he is not the mastermind of it all. He has a privileged position but unlike some other characters, Touga never uses his agency to try to break out of the system ─ he follows its rules and tries to reinforce his dominance. 

Why would you break out from a system serving you so well ?

“I want to become like him. I want power like his.”

Touga is alienated to the system and his only goal is to become what it expects of him. After all, why wouldn’t he ? Being a prince is the best position offered by the system. Being a prince means acquiring an absolute power. With such power, one doesn’t die and is forever out of reach and harm and pain. Who wouldn’t want such a thing ? 

The prince never saves the princess out of selflessness. He saves her because it gives him a reward in exchange. He saves her because it gives him power and control over her and ultimately, everyone else. And so, the princess becomes a "toy" wannabe princes has to win, to conquer.

Does Touga, even during what seems to be his most “sincere” moment in ep 36, ever wish to protect Utena for something else than possessing her ? When could have he learned to know and appreciate her as a person, rather than a princess ? A reward to conquer ?

When did he stop wishing he could’ve saved Utena just like Akio did ? I believe he might be genuine, yet he acts toward Utena exactly like she acts toward Anthy. He wants to save her for his own sake, regardless of her personal hopes and desires. 

It’s truly sad, though. Because all of it is nothing but a childish dream. There was never once a prince in this world. Only boring and abusive adults. 

“Are you really happy with that?”

Well, when it comes down to it, probably not. But was it ever about happiness ? Probably not either. The pursuit of power only ever leads to isolation, to a complete lack of meaning ─ after all, friendship is a fool’s thing. No one can reach what’s behind the facade. 

Saionji was able to confront Touga with his own lies and paradoxes, get as close to his real self anyone probably could. But it wasn’t enough. Saionji himself didn’t go as far as leaving the system entirely, even when it seemed he had cracked it all. Touga sort of did, too. 

As far as I’m concerned, we only heard his own, deep thoughts once.

“Kiryuu Touga, the playboy Student Council President... Is it? "Playboy" sounds old-fashioned.”

Touga weaponized himself. He weaponized his body (sex is only a tool to aim for power). He weaponized his heart (relationships only matter if you use them to your advantage. Those who believe in love and friendship are fools and will be ultimately be used to someone else’s advantage). And for what ? 

I really like the symbolism of the poppy flower in ep 35. I feel like it symbolizes Akio’s power, in a way. I’m incredibly bad when it comes to the language of flowers (so everyone is free to correct me) but please bear with me. In the East, red poppy flowers apparently symbolize romantic love and success (what it probably means for the girl confessing to Touga, as well as Akio when he “eats” it in this scene, since Touga and him are talking about Utena) but it can also symbolize “luxurious pleasures and fantastic extravagance”. In the Japanese language of flowers, red poppies can also symbolize someone “fun-loving”. I feel like both of these work with Akio and I believe that for Touga, they are a symbol of luxury and extravagance. 

Yet another girl confessed to him. Without even thinking about it, he kissed her. He will never read her confession letter, he probably didn’t even notice it. He will probably simply leave it on the floor, without a care. This pursuit of power isn’t even fulfilling to him, there’s absolutely no thought behind it. Only automatic actions, behaviors working in favor of someone else’s greater scheme. He won’t even get to actually possess Utena. 

He will never get what he truly wants. Is there even anything that he truly wants ? Saionji, maybe. In the meantime, he’s just a tool for a system. A system made up by boring adults, based on lies, illusions and unachievable dreams. 

Touga is condemned to go in cycles. He’s given everything to overcome what keeps him stuck and trapped, but it doesn’t do anything. He can only revolve around his own coffin, completing the same circle, again and again. 

He doesn’t know how to do anything else. 

It will never make anything he’s done forgivable. But at least, maybe one day, he’ll realize. Or maybe never. 

We can always create new roads, leading to worlds completely unknown to us, where everything needs to be built. Anthy and Utena are here to show the way, who deserves to follow these new roads is only up to you. 

On a purely personal standpoint... I was never really able to answer this question. 

“No. It's not over until we see it through the very end.”

[cordeliawhohung]

People are so fucking outrageous you take some time for yourself that you told us you were taking and now they're up in your asks demanding stuff tell them to pay you for it, sincerely someone who doesn't mind waiting for whatever you post

on god i literally spent the last few days driving hours on end and just got back yesterday, today is my first full day back home. and i've been traveling out of town for the outreach clinic i have to work at the next few weeks, and even then i've still been writing allskdjf

lmfao i don't want to shit on that anon too much, and i'm def not trying to be rude or anything, but i'm also going to hijack your ask real quick to address stuff since i do have quite a few new followers.

while some users might not mind questions regarding when someone is updating/if they have anything planned for an ongoing series, and things like that, i specifically have it in my rules to please not do that, which is why i got a little short with them even though they arguably weren't being rude or malicious (unlike a few anons in the past have when asking things like that). this one is especially annoying because it's been literally eight days since i last updated for that, and i have other series i've been working on! like even though i'm not posting for it, i've still written a couple thousand words for pet!au, and i just finished a chapter for in limbo i'll have up for early access here in a bit, and then on tumblr probably tomorrow or wednesday.

but mostly, the reason why i specifically request that people don't ask if i have plans/when i'm updating/if i'm updating something is because i literally have an irl life. i've been pretty open recently about how i've been traveling and the work i've been doing, it's not a secret or anything lmao. it just feels... tone deaf, you know? like you come into my inbox not talking about the work, or what you like about it, or otherwise engaging with it, but just to ask if i'm giving you more, like i didn't just do that a week ago. hell, even if it's been months or years that's still rude imo because if you like something enough, then you'd probably be doing more than just asking for more, ya know? at least that's how it comes across to me. and like i said before, some people really don't care, which is why i made sure to specify it in my rules, because i do care. it ruins my mood to write and create because then it feels like a chore and people are waiting on me just to consume it and then beg for more rather than tell me what they actually enjoyed about the work lmao.

anyway, no hard feelings against that anon at all, i'm sure they didn't mean anything by it, so please don't show them any hate or anything. but just use this as a reminder to read the rules of the blogs you interact with please. or at least don't be surprised when you do something that irks them and then they're annoyed at you because of it lmao.

sorry about the rant in the tags

[hanzajesthanza]

when sapkowski is all “i don’t believe in absolute evil” like he didn’t write like vilgefortz and leo bonhart and birkart grellenort likeeee okkkk but those guys were preeeetty evil though

[thedrotter]

Re:Kinder Fun Facts of the day☺️!!! Have you ever wondered who talks the most from the main cast in Re:Kinder?? Well, I did😊. Today I'll be answering this question with some graphs and as a bonus telling you what words each character uses the most! I will warn you, this will be a bit long and I don't know how to be less verbose so, yeah!!!

First, I've made some basic rules as to what I counted regarding how much the characters speak. Not all lines really count as speaking, after all.

Any of the incoherent screaming lines don't count. There's a lot of screaming since the characters die a lot (as expected for a horror RPG game), but I don't really count that as speaking unless they're saying proper words. In that same vein, I didn't really count any of the panting or sniffing and such that are conveyed through words. Again, I don't really see that as a character actively speaking their thoughts!

If I cannot tell who a line belongs to, I will not give it to anyone. This happens for certain lines, so I felt this rule was important.

I won't be counting repetitions of the same line if it's on a variation of the same scene. This may sound a bit strange, but when a character dies, the game goes on to the same next scene it would regardless (unless the scene that follows it is an ending), with variations and new lines here and there to account for the dead character, but a lot will be reused and placed in the exact same beats it normally would have been in originally. So, this rule is here for that. Oh, and also the scenes with bits of Yuuichi's backstory that appear in Shunsuke's head won't be counted twice, because some appear twice line by line.

Of course, the "..." lines won't count. I am so sorry Aya!!!!😞

Now that the ground rules have been set, there's just one thing I want to mention. Though I will count all the total lines for Takumi and Yuuichi like any other character, I just want to mention that first I will have two separate counts for them! Takumi | Takumiel and Yuuichi | Yuuichi's Heart respectively.

Takumiel is separate because I was curious about how much Takumi spoke as an archangel compared to when he was alive. Yuuichi's Heart is because he speaks so much he feels notable enough to be given his own division, even if he and Yuuichi at the end of the day are one person

(I count the silly mind telepathy where Shunsuke is being directly spoken to [and being told things normal Yuu would avoid saying at that point] and the comical theater as Yuuichi's Heart. I clarify in case one assumes he only starts being counted the moment he's directly labelled as Yuuichi's Heart. Any line that can't be distinguished between Yuuichi's Heart and Yuuichi will be given to Yuuichi by default.)

With nothing else to be clarified let's get to the numbers!!!😊😊

First, the line counts with Takumiel and Yuuichi's Heart counted individually!! Here are the rankings:

Shunsuke (With a lead of 535 lines over second place!!)

Yuuichi

Rei

Yuuichi's Heart

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

You may be thinking— woah, does Shunsuke really speak that much?! You could say that, for a good chunk of those lines are from how he describes interactable points around the map and his inner thoughts, so they aren't all exactly said out loud. The benefit of being the protagonist, I suppose ww

Funny enough, Yuuichi's Heart has almost as many lines as Yuuichi does for not having that much time in the game, being on the higher end between the characters that don't get the benefit of being a protagonist (lol)!

Admittedly I had expected for Rei and Hiroto to have a more similar amount of lines given their nearly equal amount of presence, but for what it is Rei surpassed Hiroto by 51 lines! I also had expected for Takumiel to speak a little bit more than Takumi but turns out the opposite is true.

While the lack of lines of Takumi and Takumiel are to be expected due to their short time on the game, what stands out is Aya not even reaching triple digits between her other peers who are in there for most of the game. This is because a good chunk of Aya's lines in game are silence!^^" And thus weren't counted. If ellipses were a word, she surely would have reached triple digits, but unfortunately they're not.

Now the line count with combined sums of Takumi | Takumiel and Yuuichi | Yuuichi's Heart!!!

In here, the ranking isn't affected, with Yuuichi remaining second place and Takumi being last place. But the disparity of everyone's numbers compared to Takumi's feels a bit more clear to see when Takumiel isn't individually counted.

With Yuuichi's line counts combined, Shunsuke remains 318 lines ahead of him, but it also means Yuuichi has a 59% the amount of Shunsuke's lines; and impressive feat for someone who doesn't get the benefit of being the point of view for everything you press... Although he does also have an upper hand over everyone by essentially being the plot of this game ww

But maybe line counts do not suffice to tell how much a character speaks. Yes, Shunsuke has a bunch of lines from everything he interacts with, but is it really reliable to say he speaks all that much in all those lines? A good chunk of those could easily have 3 words each! So with this in mind, let's do a word count.

Even in a word count, Shunsuke has the lead, having a lead of 2,247 words over second place. But we'll see about that when we combine Yuuichi's numbers. Anyway, here's the ranking!

Shunsuke

Yuuichi's Heart

Yuuichi

Rei

Hiroto

Ryou

Sayaka

Aya

Takumi

Takumiel

This time, Yuuichi's Heart is the one at second place!!! It's pretty funny that he speaks more than his physical counterpart ww. I genuinely didnt think he'd out yap himself that way when I chose to count for him individually 😭!!! He has a lead of 63 words over himself, but a lead nonetheless.

In here, Rei and Hiroto are more even than in the line counts, with the difference seeming more minimal when put into words. But it also showcases that despite Rei having more lines than Yuuichi's Heart in the line count, those only get to have a bit over half of the amount of words he talks (To be fair he does get to infodump a lot in his section of the game).

And here's the combined word count!!! Suddenly Shunsuke's lead is only by a mere 55 words! So Yuuichi speaks about as much as he does with 318 less lines.

I must admit that I genuinely did not expect it to be that close. When I chose to count the lines for when you interact with things for Shunsuke, I thought he was granted to speak an absurd amount more than anyone else. But turns out that Yuuichi speaks about the same amount out loud when most of Shunsuke's are his own thoughts ww. But it does make sense! He is still the plot of this game.

So, after all those charts, here's the average/middle point of lines and words for characters to have, because why not, it's fun.

Average Line Count (YH and Takumiel counted individually): 197 lines

Average Line Count (When combined): 247 lines

Average Word Count (YH and Takumiel counted individually): 1,333 words

Average Word Count (When combined): 1,666 words

So there it is. That's how much the characters in Re:Kinder speak!

But wait!!! I am not done. I will share with you an additional fun fact... Did you ever want to know what word each of these characters said the most?! This one will be quicker, I do promise.

When it came to counting these words I did not count stop words, that being common words that are used all the time by everyone in English. "I, you, me, the, to, a, my, your, yes, no"... Words like that! Otherwise everyone would have one of those as their most said word and it'd be rather boring to look at. With that said, here are the words these characters say the most!

Shunsuke: Yuuichi - said 40 times! (this genuinely confused me so much im sorry he uses interjections so much I had expected it to be something like "huh" or "um" but no i dont know how this passed by me as i was rounding up all the lines he says or proofreading or writing all of those lines WHAT?!?! its been two days and it still takes me out)

Ryou: Shunsuke - Said 14 times

Sayaka: Murderer - Said 7 times (All in one sentence!)

Takumi | Takumiel (counted in one for how little he speaks.): Takumiel - Said 3 times (That name is so important, he said it thrice.)

Aya: Sorry - Said 5 times

Rei: Hell, gonna, look, Yuuchi - said 8 times (Most of the repeated words she says are stop words for she doesn't tend to speak about the same things repeatedly.)

Hiroto: Shunsuke - Said 17 times

Yuuichi (separate from YH): Problem - Said 17 times

Yuuichi's Heart: Mama - Said 24 times

Yuuichi (Overall): Mama - Said 31 times

So that is finally it. That is the fun fact of today.😊😊 Use this to woe your friends at parties!!!

I am aware Mami speaks about enough to be counted in, but this is pretty time consuming to do and I'm not sure anyone is invested on her enough to count her in. But if there's enough curiosity regarding that, I'll try counting her in. But for now this suffices.☺️ Thanks for reading!

[crossbackpoke-check]

it’s all the rest of what i want with you

connor dewar/brandon duhaime :: 8k

Summary:

“Brandon,” Connor says with a sigh. “There’s no baby in there.”

“Not yet,” Brandon says. Connor feels his stomach twist, almost like what he would imagine a baby kicking to feel like.

in these trying times of dewvorce, may i offer you 8k of pwp inspired by @stillfertile’s wonderful art which i had. several breakdowns about 🫶 anyway please enjoy!!!