#< shes mentioned like once

[chaoscradle]

Totally wrote an essay in @booksandpaperss (hope it’s okay to tag you!) post and I wanted to make it into an actual post so here I am!

The Wheelers are so incredibly mischaracterized by a lot of people, to the point where sometimes it’s not even the same character anymore. The only exception is Holly, and that’s because we haven’t seen much of her.

I see Karen characterized mainly as a completely emotionally neglectful and dismissive mom who is fully conservative and very much traditional.

Karen isn’t a good mom, but we see her reach out to both Mike and Nancy in s1 and Nancy again in s3. In addition, yes, we see the Wheelers with a conservative sign on the lawn, but we do know that Karen isn’t fully traditional. She urges Nancy to follow the story in season 3 despite the misogyny, and she makes it very clear that that isn’t her line of thinking. She’s not the best parent, but she’s not an asshole either.

Ted is emotionally distant and definitely not a good father. He’s never shown to really connect with Mike or Nancy, instead we really only see them interact negatively with each other. This doesn’t mean he doesn’t care about his kids though- he’s shown to be asleep with Holly in season 3, and he does contribute to disciplining Mike and Nancy (although not well at all, he really only made things worse).

Nancy has two characterizations I see that sit wrong with me, the first being her as a prize to win and a slut, the second being heartless.

Nancy is very independent and doesn’t need a man in her life to function, and seeing her as a prize is incredibly sexist. As for being called a slut, she had sex with Steve because she thought that was what she was meant to do, and she cheated with Jonathan because she loved him and made the mistake of not waiting. The characters are flawed and make mistakes, it’s what makes them interesting and realistic. On top of that, many characters are forgiven for their mistakes, but Nancy is constantly being held to hers.

The second characterization I mentioned was heartless. She’s sometimes characterized as not caring about anyone else’s feelings at all, incredibly argumentative and void of any of Nancy’s real personality. Yes, Nancy is independent and a badass, but she cares for other people. She’s stubborn but also kind.

She’s more than The Girl In A Love Triangle, and she’s also more than The Girl With A Gun.

Mike is heavily misunderstood due to some not understanding his arc, as well as us not being able to see from his pov the past few seasons. He’s interpreted as a whiny, moody brat who doesn’t care about anyone except for El. He’s a shitty boyfriend too, for pretty much no reason other than his parents not really loving each other.

Mike is, in fact, a shitty boyfriend to El. He can’t say “I love you” to her face. He can’t even write it. Believe it or not, it’s because he doesn’t love her. He struggled with conformity and internalized homophobia, causing him to have repressed his feelings for Will and trying to force himself to love El instead.

Mike is kind of a whiny, moody brat, but so many people treat it as his only trait. They forget that he’s a leader, a planner, someone the Party looks to when they’re in trouble, etc. They’re far from his only traits. Mike also struggles with his mental health, and it’s something very overlooked by the GA. He canonly has depression and PTSD, and we see signs of it throughout all the seasons, even in season 1. A lot of his withdrawing behavior and acting out in season 2 and 4 is perceived as him being bratty and a bad friend, when in reality it’s his mental health. In season 3 when he was “written badly”, he was affected by his internalized homophobia and external pressures to be normal, causing him to spend most of his time kissing El.

Mike also cares about his friends. A lot. He fights every season for them, he’s been dubbed “The Heart”, he jumped off a cliff for one. Again, his mental health, internalized homophobia, and conformity caused him to struggle with himself and consequentially pull away from his friends and lash out at them.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[heartless-aro]

People when a character is aromantic or aromantic coded: Wowie! They’re aroACE! Because they aren’t interested in romance! Look at how aroace they are!

People when a character is aroace or aroace coded: Isn’t it cool that this character is asexual? Asexual icon! They’re such great asexual representation :)

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[cubbihue]

Does Mr. Turner like rubbing his “son’s” successful career in Dinkleberg’s face??

He does! He brags about Timmy's success to every person within the neighborhood's vicinity. Mr. Turner loves how successful his son is! It really secures his reputation at the neighborhood HOA meetings they host at their house.

Timmy's worked very hard to gain more successes than failures. The more successful he is, the greater his family's social standing!! And the less he gets to overhear his dad ranting to the neighborhood about his failures.

Bitties Series: [Start] > [Previous] > [Next]

[mamawasatesttube]

yknow how sometimes dogs will hunt things and be like look i did so good!!! yayyy i got you this!!! bc theres a comedy story in my mind in which krypto decides he likes kon's friends and wants to give them presents too! and. well.

krypto leaves a dead bird on tim's pillow and tim goes oh shit fuck is this an oblique threat that someone's discovered my identity as one of the bird-themed heroes in gotham? but then why's it a fucked-up looking pigeon and not a robin or a rook (if youre like me and like tim taking on the name rook later)??????? and why is it so mangled and burned what does it mean is this a threat of a specific way someone wants to kill me?!?! who could it have been from?! when did someone even break in and why didn't they trip any of my alarms?!?! fuck i have to cancel my plans with kon and bart later shit i don't even know how i got compromised so i don't dare see either of them in public i don't want to risk them--fuck fuck fuck how did this happen i don't understand and why is it a pigeon and

meanwhile krypto is just like. :3c i did so good i am SUCH a good dog i leave him presents :) yayyy!!! i even cooked it for him. with heat vision! yaaayyy!!

so tim phones up kon like "listen we can't meet up this weekend i'm so sorry i think i've been compromised--" and goes on about how he needs to go on lockdown alert mode until he figures out what happened and who found him out and meanwhile kon's just. go back. the pigeon. describe that again.

tim describes the fucked up mangled burnt pigeon. and kon, who has dealt with his fair share of Superdog Presents and thought they'd come to an understanding about "krypto you can't do that you'll DECIMATE local wildlife" and such, just narrows his eyes. turns to the dog bed next to him. goes ……………………….. krypto.

and krypto's like :) wag wag wag :) yes thats me :) wag wag :) im good dog :) he is SO pleased with himself. thats one mystery solved!

this ends in tim, haunted, sitting at the farmhouse kitchen table while ma frets over him and makes him hot chocolate, kon wraps him in a blanket, krypto licks his feet, and lois is just like. yeah. been there. just be glad it wasn't sea monsters.

[surreal-duck]

some business to take care of

[firestorm09890]

Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats

[anetherealpoetess]

i love halbrand's violent burst of anger in season one. the raw, hot-blooded vitality of it. the way the mask slips and all control is lost. the sheer weight of everything he's kept buried exploding outward. mordor hath no fury like sauron told he and the she-elf aren't so close.

[galaxygermdraws]

I GOT ANOTHER ONE BABY! This time it's a bit different, as Peach's outfit doesn't change as much, in fact most of her design doesn't change outside of her staining due to TTYD and the scars from SPM. I don't have many notes but her eyes do glow when she's using her magic, and the star marking on her hand ALSO glows. The present day outfit is based on Peachette's outfit because I like it, and it's just a lot cuter than the canon Peach dress I'm sorry.

(reblogs with tags/comments are appreciated. You can ask me about my HCs if you want. Thankyu)

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[daisybell-on-a-carousel]

"Jason was the happy robin" this, "jason was the angry robin" that. Let's all be fully honest here Jason was the lonely robin

[autisticaradiamegido]

day 147

psychically induced chronic illness squad

[vic-does-battlecats]

Tigerstar takes in the RiverClan Rejects (again)

! click the gif for quality that doesn’t suck