#< shes mentioned like once

[chaoscradle]

Totally wrote an essay in @booksandpaperss (hope it’s okay to tag you!) post and I wanted to make it into an actual post so here I am!

The Wheelers are so incredibly mischaracterized by a lot of people, to the point where sometimes it’s not even the same character anymore. The only exception is Holly, and that’s because we haven’t seen much of her.

I see Karen characterized mainly as a completely emotionally neglectful and dismissive mom who is fully conservative and very much traditional.

Karen isn’t a good mom, but we see her reach out to both Mike and Nancy in s1 and Nancy again in s3. In addition, yes, we see the Wheelers with a conservative sign on the lawn, but we do know that Karen isn’t fully traditional. She urges Nancy to follow the story in season 3 despite the misogyny, and she makes it very clear that that isn’t her line of thinking. She’s not the best parent, but she’s not an asshole either.

Ted is emotionally distant and definitely not a good father. He’s never shown to really connect with Mike or Nancy, instead we really only see them interact negatively with each other. This doesn’t mean he doesn’t care about his kids though- he’s shown to be asleep with Holly in season 3, and he does contribute to disciplining Mike and Nancy (although not well at all, he really only made things worse).

Nancy has two characterizations I see that sit wrong with me, the first being her as a prize to win and a slut, the second being heartless.

Nancy is very independent and doesn’t need a man in her life to function, and seeing her as a prize is incredibly sexist. As for being called a slut, she had sex with Steve because she thought that was what she was meant to do, and she cheated with Jonathan because she loved him and made the mistake of not waiting. The characters are flawed and make mistakes, it’s what makes them interesting and realistic. On top of that, many characters are forgiven for their mistakes, but Nancy is constantly being held to hers.

The second characterization I mentioned was heartless. She’s sometimes characterized as not caring about anyone else’s feelings at all, incredibly argumentative and void of any of Nancy’s real personality. Yes, Nancy is independent and a badass, but she cares for other people. She’s stubborn but also kind.

She’s more than The Girl In A Love Triangle, and she’s also more than The Girl With A Gun.

Mike is heavily misunderstood due to some not understanding his arc, as well as us not being able to see from his pov the past few seasons. He’s interpreted as a whiny, moody brat who doesn’t care about anyone except for El. He’s a shitty boyfriend too, for pretty much no reason other than his parents not really loving each other.

Mike is, in fact, a shitty boyfriend to El. He can’t say “I love you” to her face. He can’t even write it. Believe it or not, it’s because he doesn’t love her. He struggled with conformity and internalized homophobia, causing him to have repressed his feelings for Will and trying to force himself to love El instead.

Mike is kind of a whiny, moody brat, but so many people treat it as his only trait. They forget that he’s a leader, a planner, someone the Party looks to when they’re in trouble, etc. They’re far from his only traits. Mike also struggles with his mental health, and it’s something very overlooked by the GA. He canonly has depression and PTSD, and we see signs of it throughout all the seasons, even in season 1. A lot of his withdrawing behavior and acting out in season 2 and 4 is perceived as him being bratty and a bad friend, when in reality it’s his mental health. In season 3 when he was “written badly”, he was affected by his internalized homophobia and external pressures to be normal, causing him to spend most of his time kissing El.

Mike also cares about his friends. A lot. He fights every season for them, he’s been dubbed “The Heart”, he jumped off a cliff for one. Again, his mental health, internalized homophobia, and conformity caused him to struggle with himself and consequentially pull away from his friends and lash out at them.

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[rottengurlz]

she’s like if the virgin mary smoked a pack of pall malls every day 🚬

[wazzi2ya]

Husk, while the hotel is fighting off the second extermination: Angel! Will you marry me?!

Angel, in the middle of shooting at a wave of exorcists: I dont think now's the best time!

Husk: Now may be the only time!

Husk, as they meet in the middle of the battle field: I love you.

Husk: I've made my choice, what's yours?

Angel: ...

Angel: LUCIFER!

Husk: Wha-

Angel: MARRY US!

Lucifer, shooting past towards where Lute is fighting Charlie: I'M A LITTLE BUSY AT THE MOMENT!

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[mamawasatesttube]

yknow how sometimes dogs will hunt things and be like look i did so good!!! yayyy i got you this!!! bc theres a comedy story in my mind in which krypto decides he likes kon's friends and wants to give them presents too! and. well.

krypto leaves a dead bird on tim's pillow and tim goes oh shit fuck is this an oblique threat that someone's discovered my identity as one of the bird-themed heroes in gotham? but then why's it a fucked-up looking pigeon and not a robin or a rook (if youre like me and like tim taking on the name rook later)??????? and why is it so mangled and burned what does it mean is this a threat of a specific way someone wants to kill me?!?! who could it have been from?! when did someone even break in and why didn't they trip any of my alarms?!?! fuck i have to cancel my plans with kon and bart later shit i don't even know how i got compromised so i don't dare see either of them in public i don't want to risk them--fuck fuck fuck how did this happen i don't understand and why is it a pigeon and

meanwhile krypto is just like. :3c i did so good i am SUCH a good dog i leave him presents :) yayyy!!! i even cooked it for him. with heat vision! yaaayyy!!

so tim phones up kon like "listen we can't meet up this weekend i'm so sorry i think i've been compromised--" and goes on about how he needs to go on lockdown alert mode until he figures out what happened and who found him out and meanwhile kon's just. go back. the pigeon. describe that again.

tim describes the fucked up mangled burnt pigeon. and kon, who has dealt with his fair share of Superdog Presents and thought they'd come to an understanding about "krypto you can't do that you'll DECIMATE local wildlife" and such, just narrows his eyes. turns to the dog bed next to him. goes ……………………….. krypto.

and krypto's like :) wag wag wag :) yes thats me :) wag wag :) im good dog :) he is SO pleased with himself. thats one mystery solved!

this ends in tim, haunted, sitting at the farmhouse kitchen table while ma frets over him and makes him hot chocolate, kon wraps him in a blanket, krypto licks his feet, and lois is just like. yeah. been there. just be glad it wasn't sea monsters.

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he��d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[cubbihue]

Does Mr. Turner like rubbing his “son’s” successful career in Dinkleberg’s face??

He does! He brags about Timmy's success to every person within the neighborhood's vicinity. Mr. Turner loves how successful his son is! It really secures his reputation at the neighborhood HOA meetings they host at their house.

Timmy's worked very hard to gain more successes than failures. The more successful he is, the greater his family's social standing!! And the less he gets to overhear his dad ranting to the neighborhood about his failures.

Bitties Series: [Start] > [Previous] > [Next]

[surreal-duck]

some business to take care of

[firestorm09890]

Penny stardewvalley makes me so sad because she's SO sensitive to, like, basically everything you tell her (telling her that you can't stand children while two children are nearby is a pretty lousy move but -1500 friendship?? being a jerk to other characters' faces typically loses you about 50 points, and if you choose the option labeled "creepy" and ask Leah for a kiss in her 2 heart event she physically hits you and kicks you out of her house but that's only -100 friendship…) and so if you want to befriend her it's a whole lot of lying and tiptoeing around her feelings (2 hearts: George was right but saying that makes her feel bad. 6 hearts: her food sucks but even if you try to be polite about it she feels like a failure; only a bald-faced lie pleases her. 8 hearts: saying you don't want to be tied down with a family loses you a little bit of friendship and she's only happy if you say you want kids) and I can't help but think she's a product of her environment. She lives in a trailer with only her mother, who gets drunk every night and has something of a temper. Penny's like a skittish rescue animal who won’t even come out from hiding under something unless you leave her lots of treats

[autisticaradiamegido]

day 147

psychically induced chronic illness squad

[vic-does-battlecats]

Tigerstar takes in the RiverClan Rejects (again)

! click the gif for quality that doesn’t suck

[starry-bi-sky]

What would a mother not do for her child What lengths would a mother not go There's a bond that exists between mother and child With no end to how strong it can grow It's a promise for life between mother and child It begins from the moment of birth.

================

She is six years old, and standing on the porch at her Auntie Alicia’s cabin. She is six years old, and holding an old rifle in her hands, standing at the railing and pointing the nozzle at a large target a couple feet away. There’s a pair of old ear muffs covering her ears. Behind her is her daddy and her sister, and Auntie Alicia. She can’t see them. 

Danielle Martha Fenton is six years old, and her momma has her arms wrapped warmly around her, keeping the gun steady for her. It’s heavy and the butt digs into her shoulder uncomfortably, and she feels nothing but determined. And nervous. 

Her momma was teaching her and Jazzy how to shoot, and they’re down in Arkansas to visit Auntie Alicia for her second “Divorce-iversary” as Auntie calls it. She keeps a hunting rifle in her gun safe for the rabbits that like to nibble on her garden. She mostly grows rhubarb, which goes untouched. But her carrots and greens and other veggies like to be tempting snacks for the game. 

Regardless, she is six years old and learning how to shoot. Her momma and her daddy (mostly her daddy) have been banned from every shooting range outside of Amity Park in a hundred mile radius. So Auntie is the best place to learn, or so momma says. 

Danny thinks it's just an excuse to see her sister, not that she's complaining. She loves visiting Auntie.  

She’s already seen Jazzy do this, her momma told her before the muffs went on to shoot when ready. No use trying to fire when you’re not; you can’t afford to miss when shooting ghosts. 

Danny breathes out steady, just like momma taught her, and quells her trembling little fingers. She focuses down the barrel, and pulls the trigger. 

Immediately, the recoil throws her off, the side of the gun that her cheek was resting on knocks against her skin, harsh enough to bruise if it weren’t for her momma’s steady hands holding onto her. The bang of the gun startles her more than she thought it would, and her heart leaps up and runs a jackrabbit through her chest. 

The gun is carefully slipped out of her hands, and Danny lets it go easily, her cheek smarting in pain and her eyes wide and following up to momma. Momma turns the safety on, and with a gentle hand, pushes against her chest. Danny takes a few steps back, and slips the ear muffs off her head. 

Mommy is smiling big at her, something that Danny can’t help but replicate on her own face as her heart swells. “Did I get it, momma?” She asks, watching as she passes the gun off to Auntie Alicia, who steps over to take it.

“I’m going to go see, sweetie, but I think you did.” Momma coos, before planting both her hands on the porch railing and, in a single leap, vaults over the side and onto the grass. She’s dressed all comfortable for the summer heat, with her hair all tied back and in shorts and a tank top and nice boots. Danny’s ribs swell hopefully, and she stands on her tiptoes to watch her walk over.

“I’ll be hard-pressed to believe if you didn’t, Martha Mae,” Auntie tells her, grinning like a cat, “that was a damn good shot.” 

‘Martha Mae Knight’ was Danny’s granny’s name. Auntie Alicia calls her that because of her middle name — and because, by her words, she has her momma’s weird-shaped eyebrows and piercing blue eyes. The kind that could scare a hawk into singing like a robin. It was Danny’s favorite nickname ever.

Daddy laughs brightly, the sound painful on her ears but twice as nice, and despite the distance, Momma whirls her head around to shoot Auntie a glare; “Language, Alicia. Not around my girls.” She warns. Her accent always comes through when they’re around Auntie. It’s Danny’s favorite thing to listen to. 

“Do you think so, auntie?” Danny says, bright-eyed and ever-optimistic. Auntie Alicia nods fiercely as Momma finally reaches the target and searches for the bullet hole. Daddy then comes up behind her, still laughing, and claps a hand onto her shoulder so hard that it makes her knees hurt.

“Of course she did!” Dad boasts, as bright as the sun and twice as warm. He shakes Danny affectionately, wobbling her on her feet and pulling her straight into his side. She goes so willingly with a burble of giggles. “She’s got the eyes of a Fenton! And our family are darn good shots.”

Auntie eyes him up and down, her smile immediately fading off into a pressed line. “I’m sure you mean she’s got the eyes of a Knight. You couldn’t hit the broad side of a barn at twenty paces, Jack Fenton.” 

Jazzy holds back giggles from where she’s standing by the door, her ear muffs in hand, and Danny watches her Daddy’s dark eyes immediately narrow. Just like Auntie’s, his smile tapers off into a frown. 

Before he can say anything, there’s a cheer from the yard, and they all turn to Momma clapping her hands in delight. 

Danny immediately pricks her ears up, and would’ve darn near rushed over to the railing if it weren’t for her Daddy’s hand on her shoulder. She yells instead, excitement thrumming like a hummingbird against her ribs, “Did I hit it, momma?!” 

Momma beams at her with all the pride in the world, “You sure did, Danny!” And she turns to press her finger against the target, right on the inside red ring of the battered old bag. “Right here, sweet girl!” 

There are cheers from all around, and Danny’s heart bursts inside her lungs with shiny, sunshine glee. She puffs her chest out big, and smiles so wide it hurts the cheek where the gun smacked her. Her Daddy shakes again, squeezing her tight against his side in a hug that Danny happily reciprocates. 

“What’d I tell you, Martha Mae?” Auntie tells with a big wink and a wide grin, the gun still gripped tight in her hands as Momma makes her way back over. “You got a Knight’s eye.” 

When Momma makes it back over the railing, she hugs Danny tight and praises her shot. Danny looks her in the eyes and chases the feeling, and asks to shoot again.

[chronologically-challenged]

I think this fandom is too normal about Petronille. WHAT DO YOU MEAN SHE'S ONLY IN HER LATE TEENS/EARLY 20'S WHAT DO YOU MEAN?????

Like like!!!! We don't have a timeline on when Bonnie and Nille ran away from home, but it HAS to be when Bonnie was really young. Bonnie doesn't seem to remember their parents well at all, and the most we hear about them is that they were "mean". So like!!!! Depending on how old you see Bonnie (10-12ish) and how young you think the two ran away, that could range from 5 to 9 years give or take.

Thats!!!! A range!!! At the oldest Nille (say 24) she was 18 or 19 when the two ran away, which is an adult but still pretty young, but the youngest range????? Hello??? If Nille is 19 now, she could have been as young as 11 when she took Bonnie!!!! What!!!!

I don't think that's the case, but still??? If we take the average of those two, Nille would be 16!!! 16!!!!! And taking care of her sibling basically on her own!!! Nille is a kid who had to grow up too fast and take on the world to make sure Bonnie and her could survive!!! Nille's probably been fighting a good chunk of her life for their happiness and that doesn't even ACCOUNT for the abuse their parents messed her up with. And then after EVERYTHING basically sacrificed herself so Bonnie could have a chance to live from the King's Curse!!!!!

And after all that!!!! Suddenly, she's offered protection from 4 random adults who also adore her sibling and want to take care of the both of them??? What do you do with that??? Do you even BELIEVE that??? Can you even trust that someone else than you could be trusted with your baby sibling? That you can let someone else take that responsibility. The responsibility that you took on with your whole heart and soul to the point you made sure that even if you basically DIED for all that mattered, at least Bonnie would have a chance.

You've been asleep for months and woken up in a new reality where you're not your sibling's whole world anymore. They've changed. You weren't there for it. These people Iove Bonnie so much. But do they know them as much as you do??? They weren't there all this time!!! You should know your sibling better than anyone here!!!

And yet. Yet...

You don't know what to make of this. You're happy Bonnie's safe. You're terrified you don't recognize the new parts of them that have shown up without you being there.

Your sibling lives in a whole new world now. They love you. They would come back to it just being the two of you if you pushed it.

But if you do, you're not sure Bonnie would ever forgive you for it.

(Are you seeing my vision??? Do you understand why I'm not normal about Nille????)

[nightwingsgirlfriend]

i hate golden child Dick Grayson. everyone ignores how ANGRY this kid actually was. We rarely get accurate dick grayson, all the teen titans shows have been so off on his personality (you cannot tell me they accidentally made the character tim and realised halfway through wrong robin) and the fandom sees him as "oh everyone finds him attractive + he's Bruce's perfect angel and Jason hates him because of that"

no he literally killed the joker.

why do we skim over that he KILLED THE JOKER. He didn't even know Jason; bruce was his father and he not only refused to kill the joker, interfered when someone else tried to but hit jason in the same way after he came back. His SON. But dick felt so strongly about a kid he regretted not getting close to that he killed a man.

and then if you think that was a one off

in that panel where he fully BEATS Bruce's ass in gotham war? served. ate.

people dumb him down way too often like he wasn't the first robin. you cannot out do the doer so they gotta drag him down to bring others up.

not to mention the fanon portrayal ignores the trauma he has from liu, mirage and tarantula. it looks at that and goes "ok! cool but he IS a flirt :3" he isn't allowed to grieve in the comics either because SOMEBODY (devin) won't let him because he "didn't say no"

and give jason his own friends DC please stop giving him handmedowns he deserves more (i do love him and roy i just wish they also maintained the roy dick friendship because it's usually one or the other)

thabk yoau and gooenight

[caeslxys]

I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)

As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)

He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.

(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)

It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.

(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)